EXTRA ANORMAL - Relatos Siniestros de Maleficios Vudú con Santiago Segovia
Episode Date: October 22, 2024En este oscuro episodio de la Serie Octubre Siniestro de Extra Anormal Podcast, nos acompaña Santiago Segovia, quien nos trae relatos escalofriantes de maleficios vudú enviados por nuestra audiencia.... A través de historias llenas de magia negra y rituales prohibidos, descubrirás cómo estos maleficios pueden cambiar la vida de las personas de manera aterradora. Acompáñanos y adéntrate en el misterioso y siniestro mundo del vudú, donde los maleficios no conocen límites. 🔔 Suscríbete y activa la campana para más relatos siniestros de la serie Octubre Siniestro. Canal de mi Invitado: @RelatosconSantiagoSegovia
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He said, Santiago,
I, you, I was roba those mortals.
And me burlava of them.
In those accidents, I was cut down the reloat.
You now don't know what you're going to use.
You know, you're going to
know what hour is
I said,
I said,
I'm going to
check out of
the cartel
and they're
like,
I'm going to
make to make
a carne
asada,
you yeah
no you're
not you
see.
Dice,
Santiago,
and believe
that right
me I repient
no me
don't me
do you
all those
those
those
those
people,
me,
I tormentant.
This man
this man
was a
and he
said,
me
you've
something,
you did
a promise
you did
a pact
with me
you're going to
you're going to
get a
baby
and in that
desperation
she
she was
the
help
the other
person
and this
person
he said
the
the
work
he
is very
very
really
particularly
because
that
baby
he
has
his
aden
not
only
is
too
and
he
has
the
to rebuttartartel.
There's a form in
that you can't
liberate.
You know,
what is?
Entregating
your
life.
Santiago,
I'm going to
the recamara
and in the
comedor
was the
light
the, the
lights
on the
madrugated.
Uh-huh.
Not
I'd say
to say they were
to do you
do that are
doing the
but in the
madrugada
and I
see a
woman
like dispeinada
sentada
in the
mess
the
and is my
husband.
My
wife was
doing fetish
was doing
monitos.
But like
if they were
in trance.
And he
says, what
you're doing?
He's
she, she
me the
order.
What I'm going to be a podcast extra abnormal.
My name is Pacuarias and I'm very happy to be with all you guys.
Today, we're going to keep with October Sinistro.
And, of really, today I'm happy for who we visit in our cabin of
in our
studio in Tuxtapet
a person
that all of
you know a
person that has
a grand
trajectory as
an investigator
as a person
that has
been made
a lot of
his life
to do
the phenomenon
and that
today is
with us to
talk about
a time
very interesting
and aterrador
today
me complase
present to
the sir
Santiago
Segovia.
How
is San Diego?
Much
thanks,
Paca
for the
invitation
very
honrado
that
me has
invited
and you
And I think I don't have
words, how to thank you all
this. But much more
thanks for being in your
studios, to know
these places. Very much.
I'm really very, very
a good.
De Verat that my honor
that has accepted the
invitation to have
been from
from Saltyo to
Tuxpec.
All this
we do really,
with all the
love, with
all the cario
for all the
people who
do you enjoy
and obviously
not could get
out of this
series because I
you considero
and I always
I've said
and I don't
obviously, of the
best
narrators
of stories
for normales.
Much more
thanks.
Thanks to you,
to your
auditorio,
too,
that are much.
Yeah,
and to do
your team of
production,
much of
great.
Perfect.
Before,
to start,
I'd
like,
for
favor,
for the
people
for the
people who
are the
other people,
your social,
projects that
you have
in Puerta.
In all
the platforms,
I'm
like,
I'm,
so I'm
Relatos for Santiago
Segovia,
there's a
project that
we're going to
start on the 31
October.
Perfect.
It's a
serial of
muneekas.
Oh, very
of stories of
you know,
you know,
that's always
that's never
to talk
this type of
of stories,
but if
even the 31 October
is it's
there in
all the platforms,
there see us in
Relatons
for Santiago
Segovia.
Thank you.
Of actually,
the family
knows that
the channel
of Santiago
we're going to
find out of
the description
of the episode
for you go
and you know
the fantastic
incredible
work that's
doing it.
I'm
to pay with
your videos
and more
a year and
really,
what quality
of stories are
that you
know,
we've collaborated
one
once.
Of course,
if you
not you've
seen that
you've got
to be this
episode that is,
but it's
but it's
in the city
of Mexico
that we're
that we're
that you
really us
your experiences
more
furs that
you've
lived in
this
And today, not will be the exception.
Because today we're going to
talk of a time,
man,
that there
is a little,
when we're
when we're
in magic,
occultism,
echiceria.
No,
we can't
pass for
alto, not
mention the budu.
That famous
monequito
that we've
represented in
caricatures,
in movies,
in series,
the mukeito
yendo of
alfilires,
of clavos.
What do
you of that,
you know,
These, those are malta magia
very, very powerosas,
very, very powerful.
That simply, the
fact I think, I think,
to hear the word budu,
this, yeah,
you, yeah, in
hands of who I'm, what
going to pass, no?
For all the
legends urban, what, as
you know, we're going to
we know in movies,
I think that's something,
well, now
so now, so, now
say, words,
the words of major, in this question,
things very, very serious.
And serious, I do you know,
in the question of that can't
be able to, now, so, with a person.
Sure.
A me seems interesting much
the thing of how liga
one part of your essence
to a little mucke.
Exactly.
It's been to
many stories,
tantos,
of people that have
been for years,
years, because the intention
as, as a total of the
budu, not is to
stop rapid with you.
It's a form cruel in the
which you're going to
enter in a suffering
continual,
dolores of feet,
dolors of spalda,
dolores of
cuellores of
some part of your
body,
even there
was a person
very close to me
that had a
detail in the
feet, but
she not
he was described
as a
She said that
she'd
and the
morning,
she'd
up to the
camera and
always,
always,
all parars,
the description
that she
was, I feel
like if
some clavos
be in
my plants
of the
feet,
and every
that I
had to
get to
my
piece,
I sentia
how that
penetrava
the plant
of the
plant of the
pain.
It was
a
A pain
a woman
a person
that I know
a person that I
know.
A lot
eventually in
some moment
he did a
liberation,
a liberation
Christian
and was
revealed the
manoeoe
that was in
his own
house,
in his
terrain, but
to me
always
I'm made
fascinating because
initially
and that
I was
with various
friends
that manage
in the
general
paranormal,
the
budu in
a
principle
did it
did
to help
the
is something
is something
is a
more
more
than
the
times
Biblical, where
it's
occupied a
representation
physical,
he's made
of yerbats,
made of
palos,
made of many
things,
and,
and,
like,
in that part
of you,
with that
mouqueto
that they
were to
do you,
but what
cruel is that
they're
that they're
doing to
do you can't
do you.
And it's
for how
is known
to do
in some
moment,
you have
passed
that for
the
Yeah,
fift
that
what
you say
a
sometimes the
malddad
human
at times
no
doesn't
do you
do you
do you
do you
do you
can't
manipulate
a
person
with this
this
man or
I can
do
now
now
now
so
I'm
and I
want
to
know
that
before
was
like
like
many
many
many
question
of
magic
of
magic
magia
Santa
Morty
that are those
very
those occultes
against the
society
because no
you know
is that I
practice
the santa
in the
years 70s
imagine
you know
well
I've seen
the case
of a
master
in those
years
when the
masters
there was
there was
no
there
that they
they had
to do
the
things
to do
the
before you
talk
that
came
the
people
and
they were
they said
oh
the
those
practice
were
like
vacations and
they'd
their
drawings in
this
they're
they're
they're
they're doing
with cera
with colors
with crayors
of cera
the
those
different
so
so to
pegals
in the
in the
in the
salon
they used
they're
Cera of
Cate
but
but the
Cere of
Canteche
also
is used
for
to make
for
the boudo
okay
and I
have the
my
a tia
my
that was
a
a market
in the
city
Monterey
that
so manage
much
type of
gruegeria
and he
said,
he said,
hey,
he gottintas
were
and he
don't know
we're
we're not
we're
thinking,
thinking he
was a
budu
that's
that I'm
a bit of
exactly.
Wow.
A me
is interesting
Santiago because
for example
I, the
people who
the people who
consume the
podcast
know that
they're
not always
and if
you let
give a
excuse,
no
we never
we're
we're
there's
a channel
of exploration
where we
have visited
places
when
when we
went
of the friday, we're
out of cameras, we're
we're not made, but
hechos of prendas intimate.
The most of the actual
that I took over, was a mukechou
that was made, like, with
a rope interior of a
woman, had a photo
of a woman, and I had
a toadia sanitaria, and
a lot of listones,
of all, of the place,
I pestered.
Apeastable, a lot,
to many, to, many
things, of these
essences, these
aromas that normally or
usually, they're in these places,
but all over tantos of burglary,
we've got a lot of
a person that
when we went, is, when
they're going to
feel extraia the nose,
but after a little bit, they're going to
get a little bit, but if they're
in the head, after a hour,
one hour and a half, it's normal,
but it's, it's a restirming to all.
Exactly. Fee,
Fugate that
that's
that you
that's
many
many times
me have
to receive
cases of
people who
say,
oh yeah
we're
we're in
the recamara
my spouse
and I
and it's
pleito
and so
I've
said,
I said
in the
sotea
so
see that
let's
see
see
there's
there
there
or rope
interior that
simule a
and that's
in the
sotea
they're
that are
the
most effective
that are
Okay.
So, where
now
now
see the
recamara
of that
matrimonial
that's
pliress
with some
nudes or
that rope
interior
that simulan
a muke
is brujeria
and they
are very
powerful
because
are over,
over,
now,
so,
now,
of these
people,
and various
have seen
have found
that people,
that many
people say,
is that I
had been
that I
said,
I was,
someone,
did it,
did
a nod
with the
he,
Sure.
At times we
we don't
we talk about
the importance
or not
know we're not
because I
want to start
to talk
a story
Santiago,
it's called
the Hurto.
This
story
the parted
a woman
that,
oh,
we're going
to put her
name of
Cassandra.
Why?
Because
many times
the people
do these
anecdotes
from the
sombra of
anonymato
because
what have
been so
that only
they've
what they
are looking
is
liberate
of that
Carga, and, at
count it,
they're
that's been
cut out of
a cargues.
Cassandra in
that's
then was a
young of
15 years.
She lived in
a colony
Latina
of the
United, and
his life
basically
always was
living with
his mom and
his brother,
because
from a
little,
he's,
he's a
father.
So,
Cassandra
he found
much a
refuge in
her mother,
her
his mom
was,
her
confident,
her
this place,
all
of different
customs,
rodeado of
all,
she made
a friend
Victoria,
and the
two had
something in
common,
because to
the two
was the
thing
paranormal,
but so
that the
two are
those two
typical
amyos
of the
okay,
you know,
you know,
there's
there's
there a
town where
they're
and they
used to
collection
cruces,
velas,
clos,
amuletos
of
different
styles. There were moments
where the two
were sitting to
see, they were
movies of terror.
I mean
a fission
but very
very strong to
all the
thing paranormal.
What is curious
because in your
Correo
me said,
it was the
only, because
my brother
no,
my mom
and my mom
also.
So I
with Victoria
always
I found
this
this side
no,
to be
who really
I'm really
who is
what I
like what I
like.
So,
normally
they were
to
this tinder to
to buy.
That tent
never
to sell
things new.
It was a
place.
And she always
used to look
more
more tethric
because they
were more
a repis
and a rata
of things.
And then
they had
many things.
So,
every
that they had
the opportunity
to have
a
money to,
then they
went and
the two
they'd
to be,
and I
like, this,
this, no,
this, this
this,
and all the
time
were
they're
buying
things.
In
an occasion
that
entered,
they started
to come in
a little
more to
get a
door,
the door,
of where
is the
house
of the
person
that's
and it
and it's
out of
where
they were
at the
stances,
vion,
they were
something
that's
something.
It was
a plana
that was
around
that was
around,
and in
middle
had a
person
was a
person,
it was
like a
porroso,
like a
piece
that was
talled
a
long time
but I'm
around around
of the
people.
Cassandre
Victoria
said,
they said,
this is
the
that we're
we're
what we're
what
cost.
The
she says
and the
says,
that's not
to the
vented.
How?
Why?
Ganyan us
how is
we're going
to do we
don't know
to be
to pay?
The two
are in
the place
is
because
the fact
to be
something
that never
had
had
a form
defined
like a
moñica
like a
like a
cross
but they're
a simple
a simple
pietra
with a
rostro
with a
different and
they're very
aterrador
that we
need to
in the
in the vitrina
in the vitrina
no there
for that
for the
other
so
then constantly
they were
they were
and they
they were
and they're
going to
when the
when the
bill
they said
if they
they're
they're
there's the
one
occasion,
the two
thought
a plan
quite
because
cansadas
and desperated
of the
negative of
this
she said,
well,
you know,
if you
your Victoria
you say
you're saying
that's
that's
you're in
what I
enter
and I
go and
I'm
gourtar.
So,
is the
plan,
get in
the day,
Victoria
has
his part
and
get to
the
signora
distracte
in what
Cassandra
camina
so in
silence
he's
he's
he's
he does
the
signal and
let us
let's
go out of
the
little bit
because
it was
the first
that's
something
but
they were
they're
feeling
because
all fin
they're
something
something
that
they're
something
when they
when
they're
when they
they're
they put
in the
camera
and they
they're
they
they're
they
What is it?
Why does it?
Because it has like a
rostro?
No,
they're
what's
what I'm
but at
final of
the count
there's
and why
not the
person?
The
she said that
no.
But never
he said
because it
was a
thing.
It was
something.
The
case is
that when
they're
basically
Cassandra
and
he's
to guard
it
out of
the
view
because
said
that in
some
moment
the
I was
going to
get to
go to
get to
get to
and the
people who
my
more
I'm going
this
so I'm
yeah,
and then
he's
behind
to get to
get to
get to
that's the
place.
That's the
place.
I was
going to
be that
the
people who
know the
people who
know
to make it
to get it
to the
world of
the world of
the
world of
the world of
your
body
enter in
this
has been
something
that you
don't
have to
you know,
and she
started to
see a
something
when she
started to
have a
type of
dreams,
she
started
to describe
that
was a
little
but
not was
a human
was a
body
made
of
so,
so
like
had
many
he had
a
his
room
and she
was
he was
he
was
he
said
devue
what
me
pertinence.
She
had
to
get a
and
I don't
know
why,
but
I felt
the
heart
very
accelerated,
it's
really
very
nervous
and
in that
occasion
when
when
she
get
to
move
the
armada
and
and
he
fell
to
get the
one
of
the
one of the
hands
he
had
disprend
of
the
and
other
was
he
was
so
so
so
he
so
he
that he was going to
to do that
the day
the next
he
was going to
he said
he was going
to put it
with an adisive
pegament
conventional
and they
did you know
that it was
not, not
was
functioning.
They smearer
in doing
to make
the more
normal but
no.
The dente
was a
form very
rare because
no
didn't
any
adisive
something
was
maintained
unied
to the
the
period and
at the
moment
to get
this
like
this
sluelt and
makes that
one totally
is
a different and
another
she gets
floho
she
feel
because
one,
you know
they're
a sentiment
of
the
and have
hurted
and they
had
roto
or something
they
had
they
had
much
fear
and
and
that's
even
in
some
moment
he
got
to
get
to
his mom
and he
said
I'm
come
I'm
for
the
house
and
this
to be
to be
he said
that
someone
he robbed
a object
that
there.
Dime
if you
did you
do you
do you
do you
because
this
she's
very
molest and
he
said
all the
lot
of things
but
she
she
I was
really
because
practically
the
sentiment
of
having
done
and
have
done
he
got
to
have
to
get
with
the
and
say
her
and
say
me
I
I
I was
this,
no
I should
do it.
And the
woman
said, the
she said,
you know,
I'm sorry
for your
ignorance,
but no
see if my
ancestors
you're
they're
very celos
and not
they're
this
that you
did.
I don't
have
problem.
You
know,
more
she,
she thought
that she
thought that
after the
after the
He was being
to
find the
peace
that
that's
that's
that's
he's
he's
she's
a little
he's
he's
a little
but
she said
that one
that one
she said
that
that someone
that I
had a
walk in the
school
and I
sentia
the
eyes
of
something
was very
strange
she
she
she gets
to
her
night
she
So, raeces, very rarrow, and this he said,
me it's a incomplete.
Now, I'll bea incomplete.
And in the dream,
I saw how this entity metia
his hand, ramified to her boca,
and he'd rankable the dents to her.
This was soignable.
And she'd startable,
and she'd bealtzed,
because, well, practically,
it was a dream,
that I'd love to interpreter,
a dream that, more than to soniard
is that type of
that you
see that is real
that even
in the
same
you know
you know
something
that's possible
so you know
there's possible.
There's
there's
where you
can't
feel
a lot
so she
she
was a
very
and said
no
this
not this
not is
this not
not
and decide
the day
next
to go
to
visit to
her
victory
to
to
feel
and
there
and
Camino at
Casa of
Victoria
He does
know
that there
were a
ambulance
there was
some
there's
what you
see
his mom
of her
daughter
and she
and say
what's
what happened
and they say
what you
see that
back a
victory
and they
get in
the ambulance
what
what happened
she
resulta
she
she was
to get
to be
to
get a
and
it's
and he
he
So he was going to
that he lost
the
know of
and when
his mom
going to
see her
was in the
piece but
there was
a charco
enormous
of the
sandre
the
knowledge
and it
and they
they're
they're
two
days
and the
gulf
was
brutal
he
cost
the
life
and
she
felt
that
something
that
that
that
that
Even when it was the day of
to enterer to Victoria,
they were all in the cemetery.
And she,
yorandoled to her friend,
was her her best friend,
sentia that the world
was to get in
when she solyosable
and she frotable
when she was
a little borroso,
he,
he, he wrote,
that figure
made like
of pales,
like, of rams
pared to
a one side
of where they had
been interrated
to his
a better
friend.
Obviously,
this
she has
impacta,
and because
obviously,
one thing is
to know
something is
to see it
in your
world physical.
And she
understood what
he said
to that
she said,
but I
know what
my ancestors
can't
make or
you can
be done for
your
ignorance.
Obviously,
all this
is very
strange.
She,
she,
all not
to have
a
hand of
her
see that her mom,
it was going to
happen to
happen to
something
because in the
house where
she lived with
her, the
environment
was very
very
too, very
turbio,
there were
many
discussions,
no
I saw
what was
what
was
so
in a
moment
they were
in the
house,
was
her mom,
we could
have a
brother,
so on the
telephone,
he
went to
his mom
and he
was in the
movie
with her
and he
they're in
a station
of a
police
what
Cassandra
is that
his mom
started
and said
he said
how
is my
he
result
that
the
little
standing
with
his
people
a person
with
a
person
from state
of
the
car
and
he
gets
to
the
banqueta
and
you envisted,
Matanol
to form
immediate.
She has
done
that that
that's not
that really
committed a
grave
error,
go and
again with
the
she and he
he says
and he says
for favor
for
favor,
yeah no
I can't
more,
yeah
no
I'm
the
she never
to say
the same
I'm
I don't
do
do anything
because I
don't
do you
do you
not
I'm
doing
nothing
but
you met with
something
that you
know
you know
we need
to give to
God
that's
that's the
cause
of the
angustia
of the
son of
his mother
her mom
Camilla
that's
called the
mom of
Cassandra
he
started
problems
heart
hypertension
and
many
different
degenerative
with
the
past
of the
time
his mom
he
a
pire
the
abla
many
many
complications
medics
and
And after 38 years, Cassandra,
that was a young,
or she's a woman,
she's,
she's quite
to her mom.
And she
finalized this
story,
saying,
one night,
that'ser,
he was
he was
to know
for the last
and me
said,
your mom
is the
dente
flojo
that no's
those that
they were
me those
I've got to
tranquill.
She
understood
the
grave
that had
to be
that decision
that took
his
adolescence.
The
dents
that were
the
lives
that
per die.
The
dente
flojo.
It was
a
life that
was an
complete
if we
wanted to
get to
get to
something
that's
very
interesting
Bacqu
this
right
that
you're
that
is
that
is
that says
regress
me
what is
me.
I remember the case of a person
that worked in a funerary
like in Balzamador.
Okay.
But before I said in Balzamador,
it was the carrosa,
right?
That's the carous,
and there's going to be here to be
there in the Pantion of Santiago,
there's Saltillo,
a pantheon very antigo
of the first stumbas,
van exhumed the
body of a senior
that yeah had
like 50 years
interrada.
But,
he said,
oh,
we're going to exhumar
the
the,
because
we're
going to
we're going to
get to
the Pantion
of the
Santa
Christ.
Okay.
And resulta
that they
manned at
the funeral
area
to get that
that's
a translado
but
but
but the
the taud
the
she had
joys
and there
an inventory
of how
the quite
the can't
chadels
of what
kylattage
so it
was an
inventory
of what
the
she
had
so
then
then
was
a
of the sona, a bisnieto of the
son, a man, a young
this person, go and he says,
well, we say, we're going to
say, we're going to say, I'm
a vis-a-wela, but, to be,
saquen the at-a-ud
and do-as-a-old.
So, he,
he's, yeah, the ta-ud
and desacientos, the
humidity, all.
The at-a-a-a-a-a-mad,
imagine, you.
Okay.
Then, he, he,
he starts,
the, the hands
yeah escalatical
of the isabwella
and he
he's
to get to
the joyas
because
to him
he was made
to that he
he recogier
to get
to get
your visabuela
this is
the inventory
of the
handions
and the
chruifices
that he
has the
inventory
that's the
anion of ruby
there's
the emeralds
and so
crucifix
of gold
and many
lot of
this is
no here
here is
here is
you know
you know
So, so they were, right?
So,
then the bidsnieto
recoge that.
I said,
well, I'll
go to get to
my father,
right?
Like a type
herency,
I think,
between the
brothers.
Sure.
So,
then says,
the funeral
me,
and he said,
and the
attaute
was all
all the
potridden,
the humidity,
the tela.
He said,
it was
and it's
desasia.
So,
then they'd
in the
side,
and say,
let it
say,
that's see,
that's
that's
he's
three days
with the
sun that's
seeke
and then
you're
you're
to
get to
get to
well
it's
that
one of
the
one of the
sepulturero
of the
cemetery
we're
talking about
the
most
the most
the
most
the
result
that the
sepulturer
well
he's
going to
get to
the
taub
and
he's
a little
a little
a little
of
a little
oh car
no
he said
but
the
man
the
Mr.
He went
and he
did
the
inventory
no
he said
this
an issue
he said
he said
he said
he said
he said
I'm going
I'm going
to get
he
he'll
he
he says
to his
wife
to make
to be
and he
made it
and he
said
kettel
he said
ohie
but this
is good
he says
is it
is of
it's of
it's of
not very
ostentoso
like
those
who they
had
have been cuted to the vis-abweller.
So, this is your
and he said, and where did you
do you? And he said, no, man, me
he was a morrachito that
for there, and he me
he was sold in
$100. But it's
good. So the
she was, he, he
kept to the perfection
to the senior.
And a part of that
night, the
she was parted
first, that
I was sent to
that someone was
that waserrava in the
recamara. And
I'd start
to say,
oh, is that
someone's
like,
he's going to
get to
get to,
like,
we're going to
get to
here at the
house,
a car,
a
lot of,
says,
is that I
feel
that someone
is here,
say,
parate
and revisa.
The sepulturero
was up,
checka,
and no
had nobody.
And yeah
after the
senior,
there was
a sombra
of a
woman that
was a
man.
He said,
is that's
a woman,
yeah,
I'm,
he,
that no
nobody
woman.
But, yeah, the
she was
even the day
when the
when the
sir was
doing
a woman
not he had
the rostro
but he
signalaba,
he had
the hand
like my
anillo.
Yes,
reclam about
what?
Yes,
reclamable
the
he said,
but
she he
was a man
this
calavereric
imagine,
and the
she was
and the
she was
very
assuptada.
So,
I'd
tell,
how
is the
funeral area
with the
sepulturero
well
because
the sepultur
he says
oh yeah
it's me
makes that
the biggien
for your
handi
for what is
of what is
of her
now
now how
how I
say
me
let me
let's
imagine
yeah
after
the tronka
and then
so
then
then so
then so
then you
know that's
you know
that's a
thing that
the anino
result was
the
boychit
And I'm
And I said,
No,
well,
I'm good
I'm sorry
I'm
so I'm
no, no,
no, no,
I'm in
nothing,
I'm sorry,
I'm sorry,
I'm
to get to the
wife,
and say,
well,
be,
and give,
and I'm
this aniel
to the
man to
that you
don't you
get us
in bronca
so,
and he said,
and what
he said,
he's the
power,
and he was
he's,
he's,
he's,
he's,
oh,
you know,
you know,
you know,
you're
that's,
that we summamos a
person
that we'll
get us to
we're going to
do it in
the osario
that they're
to the
header of the
tumbas
and he
he says
where is the
lot of the
property of that
that's
she said
let me
you investigate
and I
quickly
and the system
and all
he said
in that
in this
cemetery
well there's
the street
the soldier
is known
there's
various
and it's a cemetery
very ancient also.
He's a
man, he's
in a tall
call and talote
the man
was, the
sepultorero
was with the
handiio
he's a
pso there
in the tomb
he said
he gave
pardon to the
sir and
enterro the
handiio
and they
were the
apparitions
wow
there's a
there's
when we
visit us
places
of explorations
for very
beautiful
what is there
or be
there or is
there
an
dwean,
exactly,
he's
a person,
and there
is a
very respectuos
with the
places where
one
enter,
especially if
are cemeterious,
remember we
are centers,
not,
of the
descanso
for the
almas,
and many
times,
there are
people,
those,
those,
people,
with the,
people,
with us
that I
have talked,
people
that's
going to
other
world,
but they
have much
love for
their
things
material,
exactly.
And
actually,
effectively
as,
as you can't as
the
people
like to
them
they'd
they're
they're
they're
they're
and
marets,
crows
collars
and the
fact
of
urtar
or robar
that
type of
things
you
can cause
a consequence
if
even
even
there even
there
even
there
was a
embalamator
and say
is that
never
you never
you
never
you robes
a morto
because
this
for the
soul.
If this
spirit,
this soul
like you
want to say
not tracient
if he
gets here,
he's going
to look
to look at
what he
pertainse.
Fittgette,
Paco,
this,
I remember
I of various
stories
already.
Right.
For example
of a
policeia.
Of a
police
he,
he made
a card
and me
said,
Santiago,
I,
I was
he robbed
to the
mortals. And
me burlava
of them. In the
accident, I
was used to
you know
you're not
you're not
you're not
to know what
is.
So you
yeah, you
yeah, it's
so you
do you're
about, yeah, so
yeah, it was
check out of the
carter and
let's get a
carter and let's
you know, man,
you're going to be
a carne asada, you
yeah no
I'm sorry
me that I repient
no me
don't make
dormit all those
those
me atormendant. And I want to
you know that you can't pass
many years. Yes, exactly.
And I'll say that police. And he said, he said, he
said, he said, in that card that he
sent me sent me. No, it was a callada,
or no message. It was a card that
they left in the station of radio. And
you know, says, you know,
I said, I said, I'll tell you. I'll tell you,
I said, yeah, I paid, pardon. And,
and, figg, he said, he was, he was a
case. I was a
man of 65
years. Okay.
He, de
little, he lived in
a sector of the
city where
there were many
accidents.
And,
and you know,
there are people
that say,
here,
minimum,
a trailer
is a
little bit to
see, to
see, to
get, and
let's robes.
That's the
pinia, no?
Exactly.
Well,
in that
there were
some curves.
There are
exist in those curbs, but
until they're
very dangerous
those curbs.
He said
Santiago.
There was an
accident, and
my papa
me despertable.
I was, I was
a chiquel.
He'd nine
years.
And in
instead of,
Papa, why
not we
those
help us
no,
you quittal
what they
try me.
Dice,
Santiago,
the person
saying,
help me,
help me,
talk to
an ambulance
I,
I'd
trussed his,
his carterer,
he'd rovado.
He said,
but because my
father me
said,
I said the
example.
Yes,
exactly.
He said,
he said,
I'm nine
years,
Santiago.
He said,
I'm 65
years,
and no
night,
that no
soen
with those
rosters,
that me
had help,
that me
had an
help,
and I'm
in instead
to help
them,
he,
he,
what they
they'd
do you,
imagine.
Imagineate.
For
so what
you well
you say,
they say,
they say,
they're
reclimate.
So,
they can
be possessive
of a
house,
of an
object,
or of
a person.
Because
I know the
case also
of a
matrimonial.
I've
knew the
case of a
matrimon.
They're
young,
they're
there.
The
Limites
of Kauwila
is called
Chimica
of the
Re.
In those
years,
in train
they were
two hours
from Chimica
of the
capital
of the
state of
Kuahua.
And
he
casa, this
much a
Maria
Teresa,
he's
a very
young
and the
husband
also very
young,
the office
trailero.
That's
a new
business
family.
Yeah.
And you
have
heard many
times that
the people
presenten
their
death.
And they
say,
oh,
and is that
he's
to start
to do
me.
Yeah.
I'm
me
he got to
you.
That's a
mystery,
but if
is real.
Exactly.
The
people
know when
they're
going to
and then
they
say,
to her,
he said,
Jure me,
he's been
embarrassedada.
He's,
jure me that
if I'm
I'm,
you're going
to go back
to get a
and she
and she's
like,
like when
he's a
chabbo,
we're
always we
want to
get to
get to
be abasas
and that
and that
we're going
to live
many years
and we
we're going
to be
so he.
Well,
he said
he said,
you're
you're like,
you're
you're not
Jure me.
And yeah,
she,
because I
I've played with
with her,
yeah,
for you know,
yeah,
not I'm
like putting
a barrel,
and it's,
it's not
I'm going to
go to
go to
get a
and a
last time,
he's a
man,
he's,
young,
young,
young,
he had,
he had,
he had,
he had,
I think,
17.
Chavitos.
Then she
come in
to Saltyio,
and,
well,
has a,
he,
Very young, she and very,
very, very wapa, she,
and he went to her life,
he'll go back,
she casser.
Something very obvious.
Yeah,
but after,
yeah, of various
years, I think
15 years after,
more than less or less or less.
Yeah,
that's if he went to,
a good rato.
Exactly.
So,
so,
so, so,
he was a complex
automotris,
there in Saltillo,
well,
no, they did
the,
the,
the,
the,
for the,
for the post
that he had,
I mean, so not so it was so easy
to give me a
summer, no, no.
So, so just
just the end of
the same of
his husband,
the husband,
the transport
pass away to a
quadra of his
house.
So he said,
you know, I'm going to
to work.
He had a
Monday,
he'd be in
a house
a Saturday,
and the
Monday,
he went to
work.
She went
to a rato
that they
can't in the
camera and
they're
and they're
and I
said,
he goes,
he passed
the
Camion.
So,
so,
it's
a
car to
Cesar.
And he
said she
he passed
the
carol
and he
said,
and more
he
was,
he was
he
put him,
Cesar,
I'm
saying,
Cesar,
so you
pass the
car
so the
car, no
didn't
have
no
response.
And
yeah the
third
she was
she was
talking,
so he was
talking,
no, there
nobody.
Wow.
She,
she
was
with his first
sposo.
Yes.
So,
so,
your first
love?
No.
So,
so I go,
they go,
they're possessive,
even a person,
of a house,
of an object.
There's a
person that one
once me
said,
I'm much
care,
with what
you're going to
what you
promise,
there are
people,
so rapidissimo,
before
to tell you
a story
that's very
good,
to say,
to his
abuel,
Abolito, when you
you're
I need to
you need to
me
des a
signal
that you
come to
see me
to know
to know
that's
that's
for a
father,
abelito
let me
that when
you're
you're going
you
you're
going
so
then so
so
it was
the
abel
partio
and
that was
when
so when
was
when the
When the abuelo parted,
has been
many years,
yeah not
a little
a woman,
he's a
old age,
almost 90 years.
And,
obviously,
it's a
a lot
very strong,
the start
in duels,
the time
to be the
time of a
mother of
a man,
and a
night,
a night,
was in his
car,
but I said,
a light,
like if
the sun
would be
out of your
ventana, so, direct.
All the,
all the
quarter
is illumine.
And I'm
and I'm
and I'm
and I'm
going to be
entering by the
door of the
room, my
abuel, and
get to my
abuel, but
at the
first I
did much
fear, because
my
abel
is that
my abel
so, and is
that you know,
it's that
was a
phantasm,
it was a
person, it's
he's a
he says,
I'm,
I'm
come to
come to
my
promise,
and
see,
exist
life
after the
death.
And yeah,
she despise,
I'm,
Cuehate
much,
a encounter
very beautiful.
And she
does a
and she does
know that
his rostro
was inchated,
his eyes
is like when
you're
so when you
do you're crying
and the eyes
all the eyes
all right,
and he
said,
oh,
what I,
what I'm,
so I'm,
sooo
that's so
so beautiful,
the sunial
with my
an abuel,
ferecilled
and no
what's the
so you know,
he went to
go to the
kitchen to
see,
to be in
his mom
there's a
little bit of
the time.
Oh,
no manches,
how many,
you know,
manches,
how many,
you're doing
the light
of the
that's,
that's not
dormiste or
what?
That's what
for her
was a
dream,
no,
it really
took the
visit of
a person
carey.
And right
we're
that we're
talking about
of
a question,
I'm
to ask
a
question,
you
what
you think
that
can get
to represent
the
suns?
Premonitions,
representations
of your
life,
simply
nothing,
there
insecurities,
what can
be a
dream?
Well,
I always
I've
said that
is a
reflex of
what
of the
preoccupations
of the
the
pesadillas
because
serve
to
serve
to
give to
liberate
pressions
even
that
you
You just, you say, it was a
it's a little bit of a little bit.
I say, it's a, it's a reality.
And I, much
times the people have
asked, Paco,
about some of the
dreams, and I want to
know that there's
cases that I've said
to the person, I go,
is that you have
there the response.
Sure.
And he's, but how,
Santiago?
Fidate,
me, I said
a young,
Santiago, my
mom has been
a month that
fellio, and
I'm so I'm
so I'm much.
I go,
what you
what you say? What is the
scene? Where does it?
Where does it? He said, I go in my
house. And you know, and he says, what is what you
say? Why are you? And I said,
you know, you know, I'm saying, I'm saying, I'm going to
the house, he said. I mean, he said, yeah
we don't know. I said, well, you know,
why are you? So, I don't know. I said, why are you? I'm saying,
if I don't know. Fidate, that one has me took
a case, Paco, this of the suey. Because
Because many
a
person,
these people,
these people,
they're
and transmit
messages.
Exactly.
A
through the
through the
time.
Exactly.
I mean,
a woman.
A manor,
a man.
A man,
she was a
colony,
and you
know,
many times
there's a,
there was,
there was a
man who had
a time,
she was
very serious.
The
senior, the
she was involved
to be
with the
person,
she,
yeah,
we've got
to get to
the Zumba,
we're
to go,
and she
yeah,
she's always
very,
very,
very de hogar, the
sir.
He said,
and Santiago,
I went to
the time,
and I'm just
good days,
good tars,
and I was
to buy what
not had
to buy in
the dispense
in the super.
Oh,
I don't
I'm going
to go to
the store.
And she
a man,
and me
a day,
I'm a
day,
he said,
Santiago,
I've had
to be the
time,
but I'm
with him
no more,
good days,
good
times,
no more,
and me
and I'm
to tell
that he
and I
know,
what he
said,
that said,
you know,
that the,
that the
money
is in the
boat that's
that's in the
tent,
that he's
to pay
the funeral.
What I do,
Santiago?
I go,
go,
I'll say,
let me,
say, but
why I,
if I,
I don't
have a
relationship
like,
how is,
I don't know,
I don't know,
I'm,
I'm,
I'm,
says,
how is that
this,
Santiago?
Imagine
that an
woman
of the
husband
with those
that's
with the
son to
your husband
he's not
you're going
like I'm
like sure
but you
say you're
but you're
a vecina
a resident
that's
a resident
that's
a resident of
a
respect
to you
to you
do you
do you
that's
that's
that's
the next
the Monday
he said
Santiago
I'm with the
town and
I'm
and I'm
I'm talking
to you
and you
said you
me
There was the
Dinole.
He said, and he was
to pay
the funeral.
Wow.
A few
I've been
many times,
there have been
that the
ones are
more, no,
than a
reflection of
our subconscious
I want to
tell you,
the story
of Rosalva.
Rosalva
Rosalva,
well,
I would
like,
I'd like to say
that she
that you
want to
say
because
me refer
to me
would have
liked
that
she had
that she
was a
very
adolescent
he had a
dream
very
recurrent
her
suing
she was
a
a
she
she
was
she was
in a
little
a
with
the
walls
of
umed
but
there
was a
very
very
very
disagradable
very
putrefate
she
she
she
was
she
was in the
little
light
only
what
was
the
light
as like the
of the
windows
that are the
light
that was
the light
that's
the light
that's
a lot of
the water,
water sucea,
but it was
very bad.
There was a
courtina
like a
little bit of
an entry
but with
an entry
but with
a little
and he had
to come in
and he said
that every
every time
that the
cartina made
of the
cartina made
of the
actually were
some
those
And in
When she
Passed
and
opened
the
windows
to
enter
These
these
and
they had
manches
of
sand
in the
arms
all
they were
they're
humed
it's
blood
like
they
said
fresh
As
cross
to
another
I
saw
a
baby
that
was
a
back
and
this
baby
was
in the
baby
a
baby
and around
of
this
baby
be
things
like
toys
cunas
a lot of
things.
And every
that she
was trying
to get
to be
a little
not had
a sensation
to be a
bit,
but a
sensation
of the
and she
was a
little bit
and he
could and
he was
and he
was
for many
years
in her
adolescence
Rosalva
took
this
pesadilla
he
I'm
a moment
where
he's
he's
a
Edson
that is
his
Prometito
and
he
He commented that for much
years she was
she was
I'm trying
to this
baby,
this
quarter of
a little
old old
and the
cartina
of the
hair and
I don't
know why
and I
said if my
mom
was here
she could
say me
that she
would say
her
his mom
at the
18 years
so
then so
practically
pass the
time and
she
she comes
with
Xon
they're
a
making a
a matrimon
and they
when
come
in the
30
years of
age,
it was
beautiful,
no, color
rosas,
the matrimon
young and
got a
really bad.
Like all
matrimonio,
after
to be able to
get
embalasasasas
they were
in the
they were
and not
they, and
they didn't,
and not
they're
to get to
the medical,
they're
to be
a series
of processes
very
costosos
and very
doloros
is what the
person
that the
person that
And, well, practically, the mal-notice
came.
And resulta that Rosalva
no could have children.
She was the problem in her organism,
what which impeded that could
conceive a baby.
This, the inunded of much
a lot of a lot of stances,
thinking that in some
moment, his promontid,
his husband,
was,
let me be for someone
that if he could
give a family,
because he was a man
that really really
he really
a family.
So the
news was
very hard
for them
even after
after they're
even after
this news
Edson
was very
positive and he
says,
no you
don't you
know those
processes,
the technology
the science
is advancing
you don't
you don't
be very
positive
but really
was much
a lot of
money
because
they paid
medics
and no
they'd
do they
never is
the truth
that's
started to
invade
to get a
Rosalva
because
he did
of
that for
much
that
they were
not
they were
not
they're
not
they're
they're
not in
this
this
mode
they're
intensified
because
now in
her
she
was in
this
court
was
was
in a
room
but
was the
same
room
dark
the
same
one
the
room
and
she
was
she
there
had
many
there
there
had
a
but
those
babies, no
they were
in
rosthro.
I'm
gateing,
they were
and they're
and they're
when I
want to
see them
she had
a question
that they
had a
face.
It was a
face,
it was
a
face, and
nose,
and I
had been
to see
a sensation
like
a
feeling
between
his
and when
she
looked
to
his part
intimate,
he had
a question
that
between
the
the
Pyrnus,
there was a
charco
grand
of the
same
that she
was in
a
thing, I'm
that she
was a
very alterated
and I'm
in this
trance
of when
the heart
is that
the
heart
and he
said,
what's
my love,
he said, and
again I'm
there's a
time, and
I'm going to
talk to
all.
Edson
said
that his
her husband really could generate in
some moment, some problem psychological
a cause of what was
living and it was easy
contact to a woman of her mom
of her husband, a tia
practically. And it's when
they're when they're
with this tia.
When
they're cited to
talk to her, it's a
mother, practically. And
they're going to tell her what
is living, Rosalva.
When she asks
to that
he
kept
called.
Solom
only he
said
to pray
for Osalva
or pray
they're
in God
prays,
pray for
her
because
he's
a traveling
something
he said
he said
nothing
more.
Well,
they're
still
with their
normal
working
but
it was
evident
that there
a
problem
that
affected
all
there
there
moments
where
there
questions of the
work and the day of day
day,
it's all
you know,
but there
a moment
where the
reality
gets,
and you get
a ball
of the
water free
and you
know that
there's
a problem.
The P.C.
a day
and one
a day,
one of
something,
that for
her
was a
very sinister.
She
was that
was just
in the
same
quarter,
obscure,
in charred,
and charred.
Nowament
see the baby
the other
side of the
room
another
once
pass the
cartina
of the
door
to make
to make
a manch
of
sand
and this
this
he could
carry
the
baby
and here
here
there
is a
very
very
tetric
when
she
when she
and
he looks
to look
to the
baby
had the
rostro
of
his
mom
a
a rostro
a
person
great
an
an
an
but no
let's
and this
baby
he said
something
that
really
he's
he said
pardon me
but I
have to
do it
I've got to
do you
do it
and she
did
know
that when
other
look
to see
that
the
those
that
that
were
that
were
they were
they
were
they were
those
these
they
they were
they
She's dispirited
of that
dream,
normally
very alterated.
But this
this time
was something
very different
because the
impression
was more.
The gritty
was more
the feeling
of fear.
In this
time,
that was the
matrimony
was still
a more.
Edson
is a
question
that's
really
to be
really affronting
a problem
very
great.
He intents
to
look
a medical
psychological
and
regressan
another
other
other
to talk
with the
Tia
of this
woman
for that
they're
a little
because
it was
that the
first
there was
something
she
she said.
She said,
she
was what
was the
she
was the
she
was a
quiet a
silence
for a
rato
and
he said
he said
some
words
between
when
susurras
something
said
is that
they need
they
they need
they
What we need to be?
What we need to be?
And it's when
she told
something very
very strong.
She said,
I mean,
your mom
no
could have
children.
You were
a miracle, or
at least
that we're
we all the
mom no
could have
children
and in
one occasion
after
had to
have to
have to
know
we
he said
he
because
there was
a person
in the
people
that
was a
master
budu
and she
went
to look
and he
he said
I don't
have
I don't
have
me
this
this
man
he said
he said
but there
two
conditions
which
the
signora
was
that the
Creatura
was of my
lineage
and that
my
same
practices
if no
no
when
he said
that he
was
insinuando
that he
was
going to
be the
pal
she
she
trying
to have
a
child
after
after
had
been
been
been
being
sterile, acced.
It's a process where she has a process
where she goes, and this is
to tell to her, to her
mother, to the tia, and he
to tell that it was a process
very, very extrano, because
the cita in her recinto and
the custer, and he
starts to rocear of
herbs, but, before
of all, the
desnuda, and
he's to roce her
herbs and
he'd say
a type of
oration
more
or less
like
um
to
start
to do
she was
she had
much
fear
she was
she was
preparing
for the
act
sexual
after
to
do
do
make
the
work
and
a
and a
time
the
she
was
a
unbarasada. A miracle.
Had you been a
badgered. But the
lady was never
disposed to
that her daughter
stills his own
practices.
And if he
did it
easy, to
take a
baby,
go to
get there.
This
man,
he was
in
dreams and
he said,
me,
I did
something,
you did a
promise,
you did
a pact
with me.
you're going to
you're going to
that baby
and in that
desperation
she used
the help
the other
person
and he
said there
there's a
person
that's
he said
he said
and this
person
he said
the
the job
that this
he's
very
very
very
particularly
because
that baby
he
has a
DNA
not only
is
too
and
he
has
of the power to
rebatartartel.
There's a
form in
that you
can you
can't
you know,
you know,
and then
you're giving
your life
for the
of your
and to
and at the
18
years
that
your
child you
you tendrass
to
and she
will
have to
the
same
the same
the same
you
for the
which
no
could
have
kids. When Rosalva
is to enter
of all,
of what
did her
mom, of
why falle
when she
had had 18
years and
why she
started
to have this
dream,
he was
the message. It was
clear.
She was
was paying
a consequence
of her
own own
her own.
To have
done a
desperation.
After
that this
Tia,
he said,
he confies
to all.
This
story
terminate with the
words of Edson
Edson was
his husband
and he said
the state
anymical
of my
woman
with his
state
of the
health
started to
get to
see a
my
wife
all the
time
sitting
in the
room
looking
outside
where
the
children
and
I
didn't
I'm
I'm
never
nothing
with the
only
wanted
to be
sitting
in the
salah,
mirrored
to
go to
work,
I came to
work,
and I'm
to come
to get to
her,
but
lamentably
the depression
and the
angustia
terminated
with the
life of
my
wife.
That story
that
parted
Edson,
his
husband,
that he
took
to know
to know
to this
past
that they
were
nobios
until
that she
parted
of this
memory.
Gait
that
Ficked that, Paco,
this of the
of the pactos,
many times,
we think we have to
do a grand ritual,
veasas negras,
three of the morning.
Much of times,
no, many times
it's a lot
and the mal
is in many forms.
I remember the case
of a young,
Veronica,
she, she's,
she's, she's,
she's, she's,
she's, she's,
she's,
me says, Santiago, my spouse
she's comporta very well.
And for the details
that she had made,
I said,
is that this
me,
he said,
because she said
that they were
very distinct.
That she,
for example,
if they were
to the
camera,
they'd,
oh,
well,
we're not going to
talk,
the work,
how was she,
we're not,
we,
we didn't,
and I,
saw,
a minute,
I was
that always
we always
we're
so when
you know
a little
that you
have you
get to
you're in
you're
and you
get used
well she
she's
well
she said
she
she said
and she
and her
and her
and so
she was
so
and she
she said
she'd
and he said
I want
to talk
with you
I'm
we're
we're
we're going
to
we're
not you
have
been
you've
said
fiat
he said
with
with me
you
don't
And so, wow.
And so, and so
say, yeah, doormete,
yeah, yeah,
doormete.
But a
sometimes, the
husband, the
husband, like,
he had a spurted, because the husband, like,
he said,
no, you know,
to get us with her,
to let's,
to her, to,
her, to have
to have a baby,
a little,
a little,
a little,
and I said,
is that this,
you know,
is that this,
you know,
me wwele to
a pact,
he said,
well,
my
husband
did a
pacto when
was a
young
to have
a
perfect.
And he
had a
person
perfect.
The
husband had
had
had been
a
matrimonio
and I
had two
two
nine, one
of six
and one of
four
years.
And she
said the
children
came in
Santiago
15
days.
Yeah.
That he
took about
or I
was
I was
really.
The
And the kids me
care
much,
yeah
they were
to know
to their
little
and she's
I always
inculke
that was
her
her manita
and then
then they
didn't
not come
the
kids.
Yeah
no
they're
so in
one
I don't
go to the
house
is that
we're
we're
that we
know?
So, how
they're
to do?
To you
what?
What's
what does
his father?
And
Santiago I
I don't
I didn't
that I
never
that
I was
they
pegs
it's
that when
we're
we're not
we're
we're
we're coming
for the
passio
but like
if it
was a
perro
camin about
so in
four
patas
the
the
man and
let's
go to
go to
the
house
of his
father
because
he
he said
he said
he in
the
in those
words
torturators
he
he said
is that
you don't
you
let's
So, I was the, through the pacto,
they're going to accrued a factura of these
people, they're going to be able to who
who are, so.
So, so,
a through this, of
this, of pactors,
me accorded, and also me
I accorded, Paco, of a case of,
of, of, the mukees.
Uff, the mukees.
And, of, and of,
and of, and, of,
and, and, this man,
is infiel to the spouse.
he had three
kids
adolescents
we've got to
preparatory
secondary and
primary
says
Santiago I'm
always
I'm always
I'm always
you know
confunded the
passion
with the
true
no is that
I'm
I'm going to
my
life and
he's
he's
he's
he said
I'm
I'm
I'm
like four
months
my house
but I
but I
still
but I'm
still
I'm
I'm
I was
I was
And at the end I do you know, that no, that not
my real love, that my real love
was my wife, my wife, my wife,
my wife, was my wife, my
wife, my spouse, my
his wife. He's
he regress to his house. He
said, he'll give
a pardon to the
lady, and, well,
regressa.
And pass,
pass, in two, three
times, and
I saw that
his wife,
like, he had
a, like, so I'm
a, like, I'm, that
was that I'm
a woman,
I was a woman
here at the
feet of the
camera
and
me say
that I
need to
where
my mother
her mom
she's
she's
what she's
what I'm
and he
he's
no,
well you know
you know
it's that
you're
so me
so I'm
that's
that you
know
that's
you know
when I'm
that you
said it's
that's
so you're
very
very
so you're
very
so
then you're
then you're
then you
then you're
no,
then the
then the
woman
and the
woman
despertable
and he
Here is the
woman.
I was
seeing the
Yeah,
she was
at the
feet of the
camera.
Wow.
And he
said,
Santiago,
in an
occasion I
do I
see in the
camera?
Of those
rareas
that not
was that
was a
time
rarestable
that he
he was
he was
he was
in the
bad,
he said in the
man,
oh,
car,
and where
is that
Santiago,
I'm
of the recamara
and in the
comedor
daba the
the light
the lights
the lights
in the
madrugated
I would
say it was
they were
doing the
but in the
madrugada
he said
and I
see a
woman
like
dispeinada
sated
in the
mess
said
no
Santiago
I'm
I'm
I'm
on the
and is
my
husband
my
my spouse
was
was doing
fetiche
was
doing
monitos
but
like
if
were
in
trance
the
husband,
like if
were in a trance
and he
says, what
you're doing?
It's that
she she
me the
manipulation.
The manipulation.
The manipulation.
That's
we're
right.
Sure.
The
end of it.
Exactly.
And he says
she she
me the
order.
Who can
you do
a woman?
She says
she,
Santiago,
my wife
never
knew a
man never
never knew
the house
where I
lived,
nothing.
I just
just,
no more
because I
went to
to live
with a
woman,
but no
more.
says
that she
me
He'll order. Who me he'll order them?
He said, that woman.
And, he said, and he
He said, and he set
off the closet, Santiago,
like, eight monitos
that he had
done.
Oh, yeah.
So, I was co-sia.
So, all,
those, it was
re-enable,
he said, and
it was co-sia.
That the
woman, and the
woman, and
certainly were
in the plenters of
her.
So, he said,
well, he
was, he said,
no, we're going
to go, we're going to
do, we're going,
we're going,
and then,
no,
no,
no, you know,
because,
you know,
that I was that I've had a
dream
and I
see a
house
I'm a
matter of the
you know
there's a
important
I'm going
to be abadir
yeah
yeah
says
I'm a
house
said me
described
the house
where I
didn't
know
without
without
without
and the
and the
she
and the
final
I'm
a
bird
I'm
actually
there's
actually
there
was a
man
said but
but
I'm
to be a
you
called
of
that
there is where the
sir,
you know,
all right.
All right.
All right.
All right.
I'm going to
finish.
As she,
I'm a
bigance.
And for a
pronto,
he's
a help.
Because he
said the
relation,
I don't know
what he
promised you.
No.
So,
you know,
you're just
with the
sentiments
of that woman.
And,
and so
he was
he was
a question
of the
question of
magic
to be
to be
Wow.
So, he,
says,
Santiago,
as he,
as he
did a fear,
well,
he asked a
help with a
woman.
And he said,
the lady,
I'll
help you,
I'm going to
help.
He said,
but
time they
will be
to be front
to that
and so
you get to.
They're
confronted.
They're
they're,
they're
but
unfortunately,
Santiago,
with what
he has
helped the
person,
we're
saying,
but
imagineate
how,
how the
manipulation of
those
fetches,
What was the fin
of those,
of those
muckees
that was doing
this woman?
A lot of
not I'm
to end up
with all the
family.
Sure.
If they were
many,
no.
What,
what I
know what
is, I mean,
evidently
there's a
sentiment
of vengeance
for the
two, for
the two,
for her
for her,
for him
for him
for him for
to have
played,
but,
but if
they had
more family,
so,
where it
aback the
maldad,
to where
it's the
desire to
to
to be able
with someone
that's
not you
don't have
only
all the
people
that he
he wants,
or appreciate
or a
and say
no,
no,
me base
with him,
he goes to
my
mom,
pap,
my,
my,
my,
children,
and I
make,
so I'm
something,
because
there's a
something
there's a
thing you,
so,
no
you know,
what type
of person is,
maybe,
I mean,
in the
enomomomomomomom
He says, he, he
he said, he said, he said, he said, he'll
know, he's got to be the realer of his life
really is with his wife and his
his son, no?
But the fact of having
juged...
I don't, I don't...
I think that no, I don't know. I think
that no, he said, he's
created the mentira, but
he did a point of that
was, it was, it's what I'm saying,
that much times confunded the passion
with the love, that says,
encounter the love of my life, no,
and say, well,
you like the
person
you like the
how does the
how does the
how does it
but that
you say that
that's the
love of your
life
that's
exactly
and with
this
Santiago
I want to
this
this third
story
that I
think
I think
many
to find
to a
a person
that
you know
that is
like the
person
that I
describe
this
this
story
is my
my
company
of
my
company
Here, I'm going to tell the history of Eric.
Eric,
he had a reputation in his
job in the officeine
that he himself
not he had
the companyer,
that was known
for being irresponsible,
for faulted to
work every
that he had
a week,
he'd say,
you know,
he'd be a
hardissim,
he'd,
or ebri,
or crudo,
as he'd
like he knows
with the resaca,
I mean,
exactly.
I was,
I was a person
that,
to really,
all the
companions
and even
an
apodo
because
he was
he was
very irresponsible
but
he was
a very
strange
and from
and from
the
company
obviously
as being
an element
so we
go on us
to
but
it's a
very
but
when
you
were
to
after
he
before
that
before
they
were
to
and
they
had
they
He, I knew that they were
to give them to
get them to
get them to
the examines,
and he'd have
selected one,
and always
when you were
to go to
work, in
the day
one, the
person
yeah no
was presentable.
For what
Eric,
he was in
his post.
And so
no passed one
one way.
Passed
many times.
And all the
companions
said,
what are
what is
what's happening
with him?
What?
What
What happens with him?
Always
He's always
Always
but
it's always
that not only
it was
not only
because
his life
was very
miserable.
He was
miserable in
all aspect and
he'd
recurre to
alcohol
to forget
to do
all the
bad.
In
an
occasion
one
morning
there
there was
a
friend
of Eric
that's
called
Victor
and
he saw
he
he
he
he's
met
the
hands
to
the
and
when
very rare. No, he knew form, but he had like pelittos and so
so he saw that Eric, he got her, so like very nervous, he
and he said, he says, what is that? No, no, no, it's
nothing, no, no, it's nothing. But, well, Victor,
he told to all the companions, that Eric,
well, it was very rare, because cargave things, like,
like, or, like, said the people, but not
they didn't know why. And then,
and then, Manuel, that was one of his
friends, of Eric,
see you
know
that in the
almasen
also
at the
moment
to
want to
pay
his
food
when he
met
in the
man
over
to
his
carter
he
was
he
something
he
he
he
he
described
like
a
pate
and
those
black
and the
rogos
and
he had
like
a
symbol
rar
but
always
that
he
was
he
was
he
was
he
the
Well, that
not
that was
even.
Incluso
they
were to
think that
this type
like they
had to
his own
his own
so they're
but
I'll
say
something,
not they
know,
not even
to know
what
really
what really
happened.
In
one
on
Manuel,
that was
his
friend,
his
friend
he did
know
that he
he
started
a salpoo
in his
hand.
A salpullid
are
like
little
granitos
erucions
in his
hand.
Aalergy.
Aalier
in the
palma
here in the
part of
the upper
he came
for the
brazo
and like
he was
going to be
more
and this
like he
started
like when
they'd
get a
madura
and it
was to
get used
and he
was a
something
really
and emmanable
an
smell
a lot
very
emmannable
Eric
if
for si
his
companions
you have
idea of
oh yeah
I'm
don't
he don't
he don't
he
don't he
And still, oh, it wele
mal, but Manuel
was his
friend.
And he said,
what is,
you're doing,
you're doing
all the time
is very rare,
very disorbitated.
And Eric,
unicably
back the
look at the
and he said,
I'm going.
In one
occasion,
for the
thing,
the company
he's made
to a
house,
a little
to be able,
and is
where Manuel,
his friend
to go,
what's
what's going
with Eric?
How is?
He was to visit him, and when he opened the
door, he had found that Eric was
very bad. In a little time,
he had gone much of the peso.
He was very delgado, very demacredo.
So, he entombed much of the sojera,
here the muscles of,
like when they're saying that you're chuping,
the salpullied in his man, in his brazo.
Very bad.
And he said,
Amigo, what you've,
you've been to the doctor?
And he said,
Yeah, I'm
but no,
no,
they're not
just
you're going to
say a little.
If you
believe in
God,
take me
present in
your
orations,
because
I don't
I want to.
Manuel
is
and he
gets very
confused,
trying to
understand
what's
what's
what's
what's
he?
He's,
hey,
what is
that's
that object
that you
can't,
and
is where
Eric
he said
a
very
very
very
and he
he said
he said
I live
with a
woman
before
to enter
to
to work
to
a londra
but
something
that
she
she
she
she
had
she had
practices
very
that
I
didn't
me
I'm
cuted
cut
and
I'm
I
sometimes
I
found
that
I felt
a
proper
interior
of
my
cajons
for
this, I have to
say something, Eric,
he was an
a man
a post.
A man
very attractive.
So,
he catched
to Alondra
many times
doing things
very raras.
So,
he's made
easy to terminate
his relation.
The problem
soced
almost like
the story
that you
us told us
allondra
not was the
only person
that practicable
this type
of magic.
His papa
and her
and her
and she
she has
with them
and is
when his
father
he's
that they're
trying to
his
his wife
and he
he said
I'm
I'm going
to be
to be
to make
to be
to be
to be
to
suffer
well
he
he
was
a
kind of
a
kind of
and
he
decided
to
cut
a
lot
block
those
to
get to
get
a
new
life
that is
when
he
enter to the
fabric
but a
from there
he said
that his
life
started
he's
all
but for
a strange
reason
no
no
no
not she
had
a
accident
and he
was
and
fracturable
but
not
he
and record
the
words
not you
you
you're
to
you're
to
so
you
then
so
this
this
friend
when
he goes
to
he
said
Eric. And he started to
talk to her husband and, look at her
and he's to see, he went to
this. And it's when
the husband of Manuel
he said, hey, why
not we've got him with Don Ponciano?
Don Ponciano,
was a person that realized
a limpia, and
he was a person
major, 60-tantos
years, and was, he was
was very known for
to help us. And they're
saying, look at least, look at
Yeah, in the Colonia,
there's a man,
so, and so,
and he could
help.
And Eric,
he said,
you know,
I waske
one of his
help.
No,
me put you
know, but
you're
making
have faith,
me make
think in
that I
can't
get to
this, and
they're
with Don
Ponciano.
When
they're
to get a
Eric,
Don Ponciano
with a
look,
in
peace,
very harmonious,
very
Ah,
I,
I think
they're
interrathered.
They're
doing a
day.
What you
did you
is a
work
very
very
very.
So,
I'm
I'm going
to cost
much
a much
work.
In
that
then,
Erie
accepted the
help.
He
says,
how I
do you
want to
give,
how
I'm
to
pay.
And this
sir
he said,
I
just
I
do you
and I
we've survived
to this
for me
is a
ganace
but I
can't
see a
a son
to do you
do you
like what you
are doing
in this
moment
Eric's
to get to
a series
of limpeas
furs
circles
of fire
herbs
a lot
of things
they were
to start
in the
court
of Don Ponciano
not was
one,
it was
many times
that it
was
but
But it was
that
every
that Eric
he
was out of
a session
this
sir
was more
more
agotado
he started
to get
to get
a very
very bad
because the
manned
a suddit
and he
said he
we know
we're
I'm sorry
the next
the next
summer
but I
was like
yeah
no
he no
could
yeah
in one
occasion
Eric
was
he was
in his
visit
Manuel
his
friend
and
he
still living
infirm
He says
What's the
I'm going to
We're going
to get to
Don Ponciano
For this
I've been
They're going to
Go ahead
To get a
What's going to
Because no
Surge
Infecto
what he's
What's
What's
And it's
When
Mano
He's
To find
To find
To be
To be
To be
He's
He's
He's
out of
his
He's
Go back
to see,
I'm going to
see
When he's
When he's
My
Papa
He says, my
days
that
he
fell
he
my
father
he
got
to
do
and
I know
I'm
he
know
we know
we
remember
the
he
said he
he
my
ganance
was
that
you
and
we
do
we
don't
know
what
was
that
was
that
was
that
and
this
story
not
the
man
Eric
the
man
man
man
man
his
his
his
his
his
his
his
and he
said
encountered a
Don Ponciano
in his
camera
with the
eyes
aborted
his
rostro
his
reaction
that
was
marked
in his
murder
was
a
face
of
terror
his
actions
were
so
his
language
was
of
and
and
lamentable
and
Eric
still
he
still
still
still
but
still suffering.
This is one
of the
I get
with the
title of
I need to
I need to
help
for my
friend.
And is where
he's
where he
tells all
the history
of Eric
since
he's
when he
starts
he has
to know
or to
not to
this
essence
mal
that he
carga
yeah
what
what
She said, the gancance is the
manse is the
sir, right?
A ponciano.
Much of
the end up frontars
somebody
did some mal
and you go's
with someone
that's a realer
a brute who is
a war, and it's
a power of power
and every one
has his
and they say
oh, if I
can't with him,
no I'm
talked to
cases of
that have
been to have
to have been
to have
a mother of
Claudia,
a brute
a girl,
she,
she had
had to
come because
the
The mom of
a man of
a man of
a man of
a child of
an exendado
and the
assentado
contract a
and he said
no,
I'm,
I'm going to
and the
assentado
and he said
no, but
be with
your,
bet with your
family
also and
is when
the children
let them
to talk
to the mom
of Claudia.
He said
Santiago
I'm
I've got
to go to
Guadalajara
I
said
and the
woman
and I saw who
and said that
he was going to
put to me
and said
Santiago
one was to
believe
we're going to
we're saying
we're
vowing to this
woman
and said
I've
I've seen
many
letchusas
up of the
house
yeah
the auto
so that's
so
so that
that woman
demonstrating
the power
that was
wow
and you
I think
many
sometimes
the mald
that is what
about
back
back
a moment
the
I
I've known
the
case of
a
young
that
many
times
in the
bruchery
says,
oh yeah
he's
done.
No,
but I
want more
that's
that's
exactly.
Exactly.
Yeah,
I'm
I'm not
so, and
you know,
like you
see,
you know,
you know,
you know,
I know,
I know,
a child
all of the
whole,
his life
student,
a,
sportista,
but
never
he was
with
novias,
no
novias.
He
Faulted that part
And not because
it was so
feo, no, he was
a deportist,
gallant,
but like he
he'd
more than the
school in the
technological.
Yeah.
Oh,
he's graded
with honors.
It was the
first of
his generation
chemico
metallurgic.
Wow.
We're
present to
the first
novi that
we've
and you
know, you
know, you
know,
so you know,
this
much this
a muchachia
yeah,
uh,
he's
had done
in many
lots.
Yeah,
he's
he's not
he's,
he's
he's very
inamorated
yeah,
well,
well,
so logical
for his
good
qualifications
and they
start
to get
offers to
work.
Very
good
yeah.
Yeah,
she
go to
Monterey.
Well,
in Monterey
is another
environment.
He's
kind of
he's like
he's a
caray,
this
not he had
lived
because
apparently
he
graduated,
he's
his
nobio
of the
woman
and the
I'mbracea.
All right.
So, no,
that's in this period.
Exactly.
Yeah.
Go to the city of
Monterey and
begins, like,
we go,
oh, we've never
done.
Oh, hey,
good.
The woman is
so
two or
are three
and I don't
see any, or
children.
It's one
and the
woman,
very celosa
and it's
with the
with the famous Tolvach.
But,
a bit,
before you know,
that you're
here in Tucepeg,
the Tolwache,
well,
it's like a
plant, but when
they say in
this,
they're referring
to the
water that's
when, when
they say,
the water
of calzone.
Yeah.
Aha.
That's,
that's,
daena,
yeah.
Okay.
So,
it's a,
it's a,
it's a
damage
irreversible,
that you,
that other
will be
to do,
not you will
say,
and the
year
is
actually
this
young
this young
after
to be
an exitoso
engineer
he was
working on
a company
of a
business
then the
woman
is separate
to him
because
he said
because he
he said
he was
he was
he was
and the
man of
he was
in condition
of
no
he was
he said
he was
in a
house
that was
his
father
that his
father
and he
he
he did
a
he
he had
there
was a
there was a
he went
to the
house
and he's
an ojo
in the
wall and
there's
and there
and you
know it's
not you
know it
I'm
a sportist
a whole
an student
all an
exitoso
and look
in what
he said
I'm
the people
that's
that's of
Tuxpec
that's
I'm
a
that I'm
know
the story
of a
man that's
he's
he knew
with
much
respect
because so he's known
him.
That's a story
he's told
in Sergalan Susstos,
that if I've
heard of sergalansustos,
you invite
that you guys
to hear of
Saraglan Susstos,
a project
of extra normal
podcast.
That sir
was a man
was a man
of a situation
of the
here in
Tustepec.
He was
he knew
because
he always
cargable
three things.
A cigarro,
a libretta
and a
revista
for adultos.
So,
the
sir,
all the
time,
he
sent to
write to
write in the
buses.
In fact,
I'm
when I was
a student,
I mean
took to
give them
some
money,
of the
little
that I
had.
But
always
us
just called
the
because
that
this
man,
it was,
like,
it was a
man,
he was a
really,
really,
he really,
he's
a situation
of a
situation of
car,
desnutried,
but
he was
that the
sir,
in his
was a
a
carita,
Like, like you said in a car.
And all the time
he was writing.
And one occasion
was made a viral
in Facebook
that a child
that was
he was waiting
the bus
to go.
So the
sir, the
sir, the
sir,
he was in the
like he
was like,
so like
with the
language to
moh to the
lapis,
and I
keep it
and when
he took
the photo
in the
libretta,
Santiago.
The
The senior was
doing
some
equations
mathematics
of a
grad
or university
so
so that's
that's
the
technological
of Ket
and the
universities
they said
that's
very
advanced
that's
very
advanced
and is
a lot
of equations
numbers
and
dispeg
and a
lot of
things
this
this
man
is
a
person
and
result
that
he
The virality of the
media of the
reality of the
man of the changleon
that he said
and he started
and then
and in the
comments came to
see a person
anonymous
and this person
says I know
that person
was my
becino for
many years
he had
many properties
he was a master
a master
of a university
obviously
very lex of
that sir
that senior
he came
almost to
go to
get to
I know
I know
I mean
many
many years
that I've
seen
the last
we've seen
of him
and that's
because
it was
that this
man
he started
to discuss
much with
her
was a
master
a matematic
university
but
he started
to have
his
handadas
to
to say
to
to get
to
get a
life
resuelt
had
much
money
many
properties. It was very good, a car
very beautiful.
And, yeah, the last
times that we've seen, started to
discuss much with her husband.
On that first, yeah, we're
at firsts, you know,
they'd have been there.
Vendiered the property.
Yeah, no, we know
to know. Until
or not, eight years
after. How is possible
that's in situation of
the case? And you,
you know, the legend.
A this
sir
he did
do
malito
of his
occultals
mental
but
still with
that capacity
to resolve
equations
of a
level
sumamely
a
high, a
degree
difficult.
Desafunately
that
that
he fell
after
approximately
four,
three,
four
years.
He was
he was
he,
he,
he was
he was
refugia
the
people,
the people
of the
people who
know
to be
to
make to
to make it,
always that
someone
he was
he
and he
he was,
he was a
bad humor
because
always,
there's
something,
there's,
something,
that one
was,
he was,
accepted the
help,
but
always,
like,
he said,
like,
always
always,
but
no is that
he was,
he,
he was,
like,
it's like,
he,
like,
his cassette,
he was,
was a
discussion, and
that was,
and so,
he did
all the intention
and all the reference
to what this
woman told
in the commentary
in the photo
that's the
man was
his meddle
he felling
with his spouse
and you
he'd agarrava the
money
so I was
so I knew
so I could
buy to buy
cigars
but
always was
playing or
disputing
with someone
and
unfortunately
they were
unfortunately they
found
a
But if that story, obviously,
being there,
yeah, of the side spiritual,
of the side brohiel,
if they want to be
all the sense of the world.
Figgott,
I mean, I know the case
of a master,
of the UNAM,
but he,
he was,
he was a catherer.
So,
to the maestors,
he was given classes.
So,
then it was,
there was,
there no,
there was a case
of brujeria,
but it was
so,
prepare-as,
that was,
that was being
loo to this person,
this master
that the
director of
the UNAM
in this
time,
no see if
now they're
there's
there in
a place
of a
cabas
exclusive for
maestros of
the UNAM
or the
job and
he said to
get to
he's got to
get a
psychologist
a psychiatrist
he said
there no
there was
there in
those
years
he said
need to
he's
he need to
let me
this
cabas
that no
he's
that not
neither
Or so,
no radio,
or so,
he quitted
to the cabin
radio,
television,
and that not
read a
periodical,
nothing.
He said,
because,
if not,
this man,
he's going to
get in the
and the
and he
and he
even,
I'll hear
someone,
I can't
get a
lot.
A very,
that's
something I
see,
I'm not,
I'm not,
I'm not,
I'm not,
because
there
stories of
people
that are
that
so,
in a
type of
liturgy
I don't see,
something,
they're
like fanatized,
fanatism.
And they're
so,
something in your
mind, in his
brain, in your
cerebr,
that's
they get in
there, and
it's very
rare, but
no,
no,
inventes,
oh,
that good
charla,
that good
stories,
usaventas,
how you
do it,
very well,
and I
say,
I'll say,
very much
to say,
very good,
that you
have fixed
in me,
since you
a good
time,
that's
that's the
participation.
For me,
as a day,
all this is new.
So, all this is new.
I've got much
years in radio.
All the life
dedicating the
thing for the normal
Sancta?
Yeah, 15 years
yeah with the
program.
Wow.
35 in radio.
This.
But,
to do this
of red,
this is new.
And now
see,
as I consider
like a
kind of,
I'm like,
I'm a
thank you.
I'm honres
in a reality,
Santaago.
I go,
I know,
Yeah, of a time
for here
and I'm really
also thank you
with your
team of
work,
that's really,
we're doing
to all the
kids, and
really much
thanks for
accept this
invitation.
Before to
we'd
like that you
know,
you know,
you know,
that's
social,
projects that
are
there's
many,
there's
about the
platforms, and
the 301
of October
we,
we'll
we're,
we're,
we're
a project
of
the mukees,
stories of
moeckes.
Histories
is a
serial,
but
because I talked about, Paco,
these mucas, I have various
newnees that have a story.
No, not were
compredas in a mercadito.
No, I don't,
I have the testimony
of the persons that
me, and why
me, they were
these muckees?
I'd say,
in the set where I
am doing all this,
this, I never
had convivied
so much time
with those mucas.
I never had
been puttas,
those mucats.
So, but they were
They're always.
Yeah,
always
they're
always.
And it's
the first
time that
I've been
many times
and I don't
I'm not
I'm not
I'm not
with these
mukees and
think me
that's
some situations
or something
that's
something.
Oh,
it's a
good in the
program,
man,
yeah,
it's interesting.
Yeah,
I've done
to be
on your
formato
conversational
for the
people who
have seen
that's
that's
in the
channel
of Santa
Segoves.
I'm
recommend.
There
We've talked of possessions.
And I'll invite you to visit the project of my
friend.
Here in the description,
you know,
you know, the links,
for that you know,
your channel.
Santiago,
no,
equally.
Thank you,
to all your
auditorio,
which is much,
that's much,
and congratulations for
that million, yeah.
Thanks,
my God,
thank you,
many,
thank you,
thank all those
who get to
here, you know,
family of YouTube,
family of Spotify,
much thanks,
for favor,
before before,
before,
before,
you, I'm,
you know,
that's subscribe,
subscribe and activate
the
If it's Spotify, family,
you know,
there's a buttoncito
that says to
continue.
We'll help us
with the stars
that you consideres
that you're
going to be really
to be a lot
to thank you.
My name is Pacuarias
and we'll
see more
in a new episode.
Until the
next.
Ciao,
Ciao.
Thank you.