EXTRA ANORMAL - Terror en Asilos de Ancianos: Relatos Siniestros de Abuelitos Poseídos

Episode Date: February 21, 2025

En este episodio escalofriante de Extra Anormal Podcast, Paco Arías se une a Taisey Tort para explorar relatos paranormales en asilos de ancianos. Descubre historias inquietantes donde abuelitos son poseídos por fuerzas desconocidas y misteriosas entidades actúan como supuestas protectoras. ¿Qué se esconde detrás de estos fenómenos?🔍 En este episodio encontrarás:• Relatos de posesiones inesperadas en entornos de cuidado.• Teorías sobre entidades que velan o dominan a los ancianos.• Anécdotas que difuminan la línea entre lo paranormal y la realidad.Sumérgete en un viaje al terror y la intriga, y prepárate para cuestionar lo que realmente ocurre en los lugares donde menos lo imaginas.🔔 Suscríbete y activa la campanita para más historias que desafían la lógica y el tiempo.

The person was sated, but at him, there was a sombra, a silhouette, obscure, like, of a person, parada, but sumamle that had alas. When I took to

care to this person that's and I do the change, I do his medications, and all, like, I don't know I want to leave only, because I feel that someone enter to fourth. Like,

I feel that someone comes to care of or there a presence extra.

No, they've noticed to you know, and then they're they're

oh, yeah we're and we see a in the silluette in the sillon.

So, I was messing to start to be msion, and be a

silhouette and for the little light that there, was a 100 sure

that was Tohita. She was making because even was in the

same place where she was a second. It was a

seat. Rapidly with the Jesus in the book, I'm the

light, and no had nothing. What I'm going to be able to be able to be able to be. What's it. What are you? To be welcome to a one capitol most of podcast extra anormal.

My name is Pacuarias, and I'm very happy to be here with all of you. This occasion, family, I'm content. Because we try us a theme that many people have

asked in the comments and us have written many stories that have with the theme of

the asylum of ancianos for this time us a first a good a good a person

special Taisei how you are you know well aterrada with these

stories that we have given we've the time to readlas and revisars

with much respect for the people that have partied these

experiences and to be able to narrate Okay. For that more people who have the good for,

for this gender, uh, have in carne proper the sensation to live it that I'm

getting aterrada. Genial. Oye, Tizai, for the people who are the first I'd like

that you'd like you'd and that you did you and for suppose your social. Well,

I'm Taisei. Um, me can be able to Taysay Tort. I'm locutorah. I'm

dedicated to the during more to 14 years I'm dedicated to do radio, television actually.

I'm also to do a director artistica in a station of a radio that's a special.

And, you know, reclutal talent, encargarned to promotions. I've

been seen in the theme of entertainment positive, for so to say to do,

all what is the world of the farandula, of the music, of the

kind of the beautiful of but there B, that we could we call it, the side of the dark in the that I'm incursionated

because I'm very meodosal. I'll confessarty that in the moments in those moments in those I've had some experiences that I

could feel presences, hear things, in that moment I said to I'm not. No, no I'm not

want to put a problem the reality of if exists or no. Simply not me do because in that moment no could support it.

I feel like me die of the susto because me consider a person very emotive. If I'm very happy, I'm very happy.

If I'm nothered, I'm very enoched. Imagineate of a susto. No, look, what is this? Because I

want to tell a secret to voices and is that many people think that the people that we're doing this,

that we're to not only only to look at the phenomenon because we have met a lot

of places that imagine, that even yeah, he's a risk our life, because one of the one of us

we're not good in Guadalajara, Halisco. Piance that we don't we know, the reality is that if we

have a lot, much fear, and that we do we do do we do, we do, but we do we're not

see if it's like an adrenaline, of how, you know, you're doing something, you're doing

that's a threat, and at the same time there adrenaline, there is a little. But the

time of this night, before I'm to ask, please, if it's the first or the first

episodes that you're going to you're going to you're going to say, you'll be a member official of this

grand family of podcast extra normal. Asyl of Ancianos, a time of the that's not

he says, and of the I'm atrebo to say that there are many things in this type

of institutions. Fickate that many years I've an abuelito was tatarabuel that's in one

and all the Sundays we go to be my family is very and it's music we've been

music conviviams with all but I don't I can't to share to

share the part that the sensation is quite very is a

very different is a one a convivency a very different

the silence that exists in the asylos you can't impregnard of practically the ultimate the last time of the life of the human, the adultess, in where the majority of the people are trying to pass their last days felices, but at the same time, also

it's invader the fear. Sure, fjutor, there are places, I know so, that eman an energy and a vibration, and you see, when you enter, the hospitals is an example clarissimo. Sure, the vibra is different.

Entras and all your body, a me pass, and what I've said, I've said, I'm a-enfermo when I'm in an hospital. The typical odor,

no, like, are these substances that use them for a limpia of eras and this, no, I don't know,

maybe because I have been, well, much times at a point of a morning, I'm in a hospital interned for

months, so I don't know if it's like a trauma, but I procuro to go to that I'm going. My checkeos, but if, at least that there's a good

important, well, if, try to go, but if, so, for whatever thing, of, hey, this, no see. Imagineate the energy of how much people not nace, but also die. Exactly. Exactly. And, and, unfortunately,

the people that's there, also, see, all this vibra. And, about is that the clavis, the vibra of the asylos. And with this, I want to start, well, this is story is telling you the history of

Tomas. Tomas. Tomas. This is with Stefania. Estefania is a young that's a young that's

an asylum of anciano in Colima. She entered to work, and started to do some of the ancianos

is a place is a lot many years, and that there had much abuelitos there. She, she mentioned that the

place eman a energy, but also an odor very peculiar, a oldor. Yeah, a bigito. Ah, like a yearjito, no?

Like a, but not a person a bigita, but when, no, I see, abres a closet and there's a humedat. Ah, that's so,

the place is a little bit of so, the place, so he says that she, when he starts and all this, there are turns

because there people that look at these and the night, in the morning, in the time, in the time,

that are recording their hours, no, but right to take to your medicament, and so.

She says that in one occasion coming on the passios, doing those rondines, he started

to feel a very strange. He said that he said a little of a little

a little like an oppression in his pecho and he was to try to

Tranquilizer, but when he gets a mirada, at the final of the passio, be a little, like, seven years. Okay. This little, was a paradito with a

flowericita in the man, gyrando by the ventana to the out of the way. Well, it was the day. No, he caused

a fear, but he said that the rostro of the little, then, you transmitted a much a much nostalgia, the little

was a, the little, was a very, Triste. And he says, probably of the

most of the little bit of a little bit. He went to visitar because that's a little there.

Exactly. But what you think? Remember that not a day to visit? When she

starts memory, the little the little of the little there not was.

Then she go, comeina, intent to look to and he he doesn't he doesn't

because Stefaniia is a man a muchach who's that not

in this, and that, apart, no, it's interest. So, it's something that... Incredula. It's incredible. So, then it did he was to pass. It was done the days,

passed the times, and, again, I said, it's like to the nada, I'm going to get this sensation, extrana, and he recorded,

that's the last that was the last time that he was to see, normally like, like, to look to to look to see a little,

and he'll be coming with her little flowericita over And she's And she, I say, I have to

see, I'm to see, I'm a surprise is that only there's a one's a dormita, and the other was simply

looking at the paris, to the nada, sonriending, saying, my jito, thank you, you're just

I'm waiting, but it was a, she said in the correau, that she had much dementia, that his

memory failed a much, And, of the nada, I began to talk alone. But when she began to hear this

woman, this senior, she had a person, and he said, I said, I said, thanks for

troughed flowers, and a lot of things. And she started, and maybe, well, but not

not, and really, is it's being a something, I, I, saw, I, saw, I,

did the day next in the morning, in the day, she had a pen, but with

all the pain of the world he said the question to the abuelitos you. You have

seen a little coming for the passillos with a floor and he

did you know that all those, all they knew to that him

all those. Some he recorded in a form or

so even the abuelito that had more problems in his

memory he he said he said he he he They used to express

to a expresser to a form beautiful, so not of a form of fear. So, no, they'd

not. Like an angel. Ah, like, like those visit them to, for us companyia,

to them to let us and they'd get a rosas, he'd a flowers to the abuelitas.

But, but this woman, no, I don't know what was going, not said,

and there was he was he caused a little of the knowing and they're being to

a spirit, a phantom, no see what in this moment, was revelator. Sure, because all of them

and she was going to see, and she passed on the days and this man starts to appear with more frequency,

more frequency, and she he was in determined those or areas and can't say of this, because between the

employees, well, they were, then they're then they're talking with the director of the

asylum and they said, all, all we have seen a man, is so, is here,

what is what is happening? And it's when to Stephanie they say in the fact. The director,

is an institution private that has passed from family in family, so generation

in generation. And this director says that his antipasasas and practically

was a matrimonio, a family of three, the husband, the husband, and the

son, the husband and the new thing, to do this space for the Ancians for

that they were their last days but unfortunately they were

so they're not to the project that they're so

their little in the asylum practically because there there was

there were and the and the little was commivien with

the little and a day that not they're they're trying

they're he's a accident and fall yes in the installations

says the extrano is that this infirmer Stefania recall the

young with his ropita but he said his robita was like the initial of the

century a little to the antiquita and and I had all logic

with what he was talking this director but the director said something

he said there is that there is there is this man he for

temporas no is always And she And she's what What's going to happen Is that this

He's a little He comes and He's more to the ablittos that are in a point to fallece her. She's sceptica

not it, thinks that they're telling a story of terror and as more or two months

they're to fallyce for problems of health problems in the organs, etc. Depression

and these abolitos falles and she did something at the final of

this because he said, he's not I'm something but he came to

try to help us to help them to the last days to cross the

life and the life and the because as his papas worked with

much in the project he also he also he's doing but

to for a limited time at McDonald's enjoy the tasty

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us they're also that that the patience and the fact of combinar it

with the theme infantil of a story desgarerado I think we know

that exist angels that at the final of the day in our

our came to come to come to come exactly I'm I always

I've said there there experiences fertes and there are these

poquitas that are beautiful that are And that, you get a little to the

heart. I mean, I go the time of the noncians, me, well,

because I have a greation very special with the abolitos. I've to my

abelit so, so it's a thing, so it's a very, very, so well,

I'll tell another that Rambundo, and what curiouso case, because, imagineate

that you have you It's the illusion of all professionalist, no? Like what what enmercary your future

and what we know what we're that during many years we're we're for getting

to finish our licensature and of and then he's to work in an asylum

they're the opportunity to care to the person that person that was that he was

that he he was that he he's that he he's done with much

with much enthusiasm. You know, you know, one, recently has got in the career, has never, no, has got to, has energy. And, of

this story that's a in Guanyahuato, okay. He has a, a situation very peculiar

with one of them because apparently all was normal. Sin embargo, at a little time he knows a

Don Polo that is an ancianito canosso that had an attitude very constant that he

called the attention. So, in some occasion that came to do a the limpeas of the

door, be a Don Polo parado front of the mirror. And you say, well, okay,

normal, no? We're just we're we're going to even, even even even with us

ourselves and we see me be well, I'm an mannice-in- -chated to

all he he's he's he's he's a little normal.

But result that with the the past of the time, he he began to not to

get a many of minutes to start to the space. And yeah was where he said,

well, something, something, something, they're going to call to all to eat a

and he he said a grito to his friend, a polo, and there's the

food, but like he no he's not he was not he went to look to and he

went to find the front of the space. And a And sometimes, not if it has passed, but of

a lot of people who have people call them portals, we'd like to call it. To the

speys? A those speys or a, or a, other things. So, now, then it's,

like, the curiosity, to know, because I've been a time front of the spejo. Curiosamente,

he, he's, he's, he's, he, he, he's, but yeah, I'm,

yeah, I'm, you know, yeah, there's the food, let's, don't Polo.

The The man was Fido Detenied with a minute with a minute

and the space. And he says, well, no me heard,

I'm more, he took the arm and he says, Don Polo, yeah

is the food, but the man had been hungry, no? And no,

desafunabunately not he was un-ganched to this vinkul that had with the

view, and And he started like Don Polo susurrava and he he was going to insisting,

yeah, there's the food, we're like don't he said, he said, he said,

he said, this time you're going to you're going to get to get to get it. And so

then so Raymond so kind of like that, no, I don't see, a little he was

alucinating something, he'll get to get to get to he comes and

preoccupated, and the day continued transcurringing normal. The case is that at the other day, he tries to talk to talk to his companyers and they say,

O'gan, all is the environment is a father, all our ancestors are well but I want to ask

if you've noticed a conduct a rara with Don Polo, because I've seen that he's kept a

little rato parado of the and the fact is that I have, I know, I have seen,

or it's normal or since when it he started. And, well, like, so, oh, no, you know, no, you know, no, you know, no, you know, for the age, they're done his aches and hallucinations, et cetera. But, no, and you know, he's, so, he's, all right? Yeah, we've been

this, but X, no, pungas importance. So, it's like, I, you, I think that there are a sexto-sentence, or that captains the vibra more than other people, no? More than to be incredulous or no, I think there something like that you'll know

that's kind of that's the intrigue the days passed on the days passed and

in repeated occasions I'd to know that Don Polo had that that same

enganch with the picture until that he said this this is that this is

not not not normal no, there was there was a revelation that he took

Don Polo because he began to say the name of one of his

While he looked at the mirror. While he was... While he said, to her no. A she no. The person that he was mentioning, the other day fallece.

Okay. And it's there where Raimundo said, no, here is he is going to something, because then he's

anticipating of that something, so something that's going to go to happen to the other day, so it's that they're a

person, let us familyaries, et cetera. And, well, conform he was passing the

time, resulta that he he he he he there is

like a person behind of the there's there is a that comes

and for so he he he's to end to him to to impede

to and he's he he's until that in an

occasion that he was that he was you know you know that you know

I parre here all the day to look for

where he's the last victim of this situation was a

person very very and lamentable and the only

the only that was don't Paul was he

was he he he did oh so what

so imagine imagine the fear of to know

that you you can't even what going to what's but to the

mal because at the final of the day I think that the people

that they're in the assylus get to get a commoner

a armand and it's something that right that you're that you

have been we've talked in other occasions how there there are

there cultures in Mexico where those space are a medium

for the which some people have this creency, and I repeat a creence

because many times the people think that we're we're saying that we're not, that's a

question that some cultures have, that in the nights, they're going to have to have been to

talk, because something it's, so as, as being a reflect, this function as

a portal making that multiple entities, yeah well, well, so,

well, so, well, they're for this, no see, for this way,

and get to this reality and to be able to do, in this case, things bad, not? Like,

get to humans, um, matting people. What story so impressive. That's impressive. Because I think

that at the day, well, they're getting to work, know, live, stories

aterradoras and, with what they're going and then, you want, I, I want to

tell a story, and mya, that he's parted Christi. I want to Christian is the name that we did us

because it's a person that is a person that's working and is an asylum that's in the state

of Guerrero and this happened just a few years. She says that so his asylum

and me it's one of the most of the most of the betters that's because

there are places where there's where there's bigitos, where the people, for example, that have

details of health, like incontinence, and this type of things, those people, those are people they're doing well, or they're passing medicandolos, for that they're all the time, dormidos. So, there's negligence. Sure, 100.

So, in this, the, those, those old people, they're all the time, they're all right, they're they're just to do, and then they're just a much, and this, and the other. Yeah, yeah, so, yeah. Algo

good Padre. In one occasion passed something, that was what was

what marked the history of this place. A woman, donita,

that was a resident, this this bigita that was very very for

everyone, unfortunately pass a better and falles for motives naturales.

So, we said we said, we're we're much of her good,

Don't Mari because a I was to that he came

and he was a friend and he was a very special with this other woman.

The two did the Rosario the same time. He was to come to come

and they were talking on the life in those meced there in the part of

the corridor. So they're not so they're so we're we're we're

much for Don't Mary because we don't know we're about the

thing of the part of the part of the part of the if we were put

a mal of health. So, he came in the first of the first moment of this this woman

she muto. Of course she had her life normal, being very happy, he'd

he'd be playing because the mackles they'd say that he'd like to

play to and she and she didn't do you? No, he affected? So,

then Christi me said in the correo, I'd notable I mean, I could

make to know that no he was not, then in one occasion standing

asolas with her I'm I'm to read textualment what he said

he said he said he said he said he said and he said he said

my answer with a normal? See? Don't Mary I know I know

that he did you do you practically the the death of

her but I want to say that if you need to talk with someone and you know

he's like but he's she yeah no no no no no he'd be to start

and it's when he said something that's more because Tonyita will

go from where where from his his his

his he was going to not so not so not so he's going

for always in that moment, she first thought

that probably probably was that's the kind of the goal emotional. That's

auto-enka to get, auto-proteged? Exactly. So, was it was not, she was

going to her own that she went to his family for her and went to his children.

And she said, no, I'm, I'm going to say, he's, he's going to see, and

to see, to see, to see, to see, he's, going to go to and

then, then this she, well, she, didn't know how

respond to this so, so he's but the words of this

woman they're very very marked no, this thing of this

thing, and she didn't what, what, what, he said his

people, he said, and the other other employees, oh yeah, for

favor, I have to have to get more care with that she vigilal

not, not they don't let get in sol because she thought

that practically something something something something something something

Cremme, that no I was imaginable what came because days more after this person saw a

very strange it was in the night she was checking some some things of an

officeina and she she was she was sitting when she was in the

cell this typical the meced dora how how it

truan a tantito the madera no every that

every that yeah And she'd be the hour and say, no, three of the morning. No, no, no. And at least those were like at 11th of the night. Okay.

But, well, those bejitos not at this hour. So, so, those bejointed, so, they're still to see. Camina, enter the quarter, was all dark, and see a silhouette in the sillon. So, they were mecing. To start, the ceiling,

so I was making, and he was a silhouetta, and for the poca-lust that there, was a 100% secure that was Toinita. She was missing Because even She was in the

Miserable Where she sat down It was her His chair It was her His seat. Rapidly With the

Jesus in the book I'd the light And no Had been Nothing Simply

She was Meceeing The mecedora Completely Sola This She's She's

She's Because He's Recorded The President Sheer She's She's

She's She's She's But she, no, I mean, it's the Cansion, no, that I don't see if it's passed, that you've been, that you're that you're trying for many hours and you're saying, my, my Cerebrough

me's playing, well, bromas very pesada. Passed, he, and she went, but I saw it, but I saw her that this senior, Do Niamari, started, like, to talk solo.

So, in a occasion, he's a little, and, says, for this, I knew, that, what's of our Vigitos, they're like a

problemita mental. Yeah, but Don't so, no? I never present it

and I said, well, how is Do you Marie, with who about?

With Tony she, Maria, here no there's nobody. Hia, Tohita is here.

And, and, he said, New Marie, we have to talk with you, your

friend, no is she, yeah falleceo. Entendem we he's,

and he said and he's serious here he's you know, you know he's

he's he's a not we make does that does that and the

and the nothing it's on the radio no no no you don't

she yeah in that point so like to see let's

what that the radio is so no no Another

more is the television he said I don't because no because

no you know it's real my my amy here

with us and you you you should you be

being because could pass things that you know you

imagine so so she she I mean, there was a manifestation double, or the radio and the TV,

was there was causing a problem. So, this lady said, I said to form a serious that would have to, like, question her,

questioner, questioner, but accept it. So, so the time, and here, and here came the most

important, because, no, I've heard, that when someone will falleceer, come in your

friends, or your families, or for you. So, like, the people

start to say the names in the moment that they're agonizing of families. They're to be and

to talk with families that's always that's always that's not here. Why do you there?

There's people. There's a my mom or that see a my papa. Sure. Why

I tell you this? In one occasion, I was to go to the work,

I was a time, He said, for that I moved in a motoneta. And the fact, I was, I went to a little bit of excess of velocity. He said, Christy. And a moment, he said, well, it's a little bit, because no view the semaphore,

and me stamped with a vehicle. So, fortunately, was a good hit in the head, had a casco. But in the moment that I chock, was like all it was

me nublo like I'm the noise of the people the ambulance so

like a distance but not could be very because I felt

that the light I'm much when the the murmoy

of the people I I heard I I

know one was the voice of Don't Mary Ferte

and clear the other was the voice to

Tony very very very and I I heard that they said

I don't you to talk to me see this this is what I'm

in that moment she she all the only that is the light

of the hospital and when recuper this conciencia he says

mom ma mom no me you do you don't you in the

moment that I came to the motor that I went I

to I these voices. And it was of Toñita, the who had fallen, and of Doña Mary. And it's when her mom, he said, the time, the time that

you're sitting, he felled my wife. Caray. And it's where she, and I'm going to read what I don't see, at the final is, the words of my mother me lared on the

same, all to what I had lived, no was a delirio for no one goal. It was the last time that I

this Ancianita because yeah no he can't to see in their work.

But she despised to some some way of her that's that you. So,

things that are that it's very common in Mexico to to hear how the people

see those families because even with some people they're even with those

people, like the people, and simply those just you just

they're they're And you think that are connections that only some others can get

to get? I think that not those, but if the majority, so that is the

majority can get to get to because the cases that

I've talked that not not are a person agonisar in the moment

to to mourn ben for example my abuela saw

my and he was very happy. I mean, I put a car of

a legria, I don't know I'm conscious, yeah, it's like what medically said,

you know, they're delirating, but at my little, my little bit

a face, a face, a face, a rostro, and I said the name of

because they're all. Felis, that I've had seen for tantisimous years and I'm doing.

And then then I'm yeah, imagineate, like the form in that

that you have to assimilary the pain of this life, but at the same time, maybe it's a little of a little bit of a way of a way to say, here too, there's something.

Something else is what, I think, I think, that's what, I think, what's going to pass after after to die? Because I think to the age that you have, the life

no, we don't have gone, definitely. So, however, nobody has the response. Existes, yes. Religions,

creediences. We think we're the annel of that exists, the paraiso and all. And,

well, also for those that's not where they're going. But at final of the day,

someone or a problem real, there, there's a fact. There's a thing, no?

And, so, that that that's, that's, that's a moment has connected with a

positive, as people that I think is the power that has the power that has the power in the life of the other creating a link or a connection

that is it's very beautiful because as a very beautiful that I'm a much interesting in the love is that that's what

traciente all the barriers of the time of the space the dimensions but over all the barrier of the murder of

the murder of the because a person that you want you want to you're going to even

after the death. Oh, yes, yes, yeah. And well, to be

to tell one of a story okay. That's not I'm so good to tell

like you the stories I know. Oh, so very very good. But, but

there's something we're that we don't get to the media we could

coincide and is that we're to work with people that we know or in

places that never have been we tendem to send us

familiarized know, like improvise. But the case of the photographers have many stories in

different places. Because I think the photographer has the responsibility to really play what they're living the

people in the context and in the moment, no? So I think that your work has much

compromise to capture in seconds a moment that can be unolvigable a through a

photograph. And I to talk to the case of Wett a photograph that wrote

the experience that I've lived in an asylum. Well, if you're to say that you're going to talk to

take photos in an asylum, then you think it's a a job normal,

not? You know, you know, you know, and you know, it's got in the

thing to endregard the material, no, like any product. But I think he

he's got to have a link a little that really we're to put to think

that he there are things that are the way we're not we're not we're

things that they're that they're that really if they're to work bad.

No, we know. But we let's a conclusion we get with this story

that's a little confusa. And Obed us says that he gets to

to work to have to take photographs in a day very jubios and nublished. For

the regular you says well I'm going to do you say a session of photos, elicke a day

apparently, no, because with the time, never is so, you know, with all

that's all that's perfect, no? Perfect, you know? Perfect. The objective

of the photographias were, were recreat an environment in the that all

the people, they were very very felices in a convidency

positive, because that material they were to be to send to some

family to some kind of had to reflect the good

environment, the good and that they're well they're in quite those who

are in those that they're in the more service and attention for them for that they're

doing their days in peace, enjoy, just living, playing, playing, and well,

he came he was, he was to start, noblado with a jubia, apparently

a pretty, no, associable this type of climates with the time, he started

to do his work, reuniered to all the Ancianitos, to all, in a garden that had

obviously a techito. There were every one doing activities and he, without said,

he started to photographiars to capture those moments naturales, not, what they were doing

certain activities. Resulta that he called the attention an ancianito

because when he took the photo was a a rostro of a person very

really and with a lot of a lot to make the photo all normal

but when when he gets to your to see the material selection what he

he was to notice that there a person and she remember

obviously perfect of the moment in the moment in the he he was

in the photo no he was yeah but but what Chris

in the reality not not no yeah the person

was sitting, but at his side of him, there was a sombra, a silhouetta, obscure, like of a person parada, but sumal the

that he had alas. Alas. I think that was more like a more like an angel negro, no?

Something like. But it was like something that was something that was very very turbio like if

if it was degraded. So, he thought, ah, a sombra, capture mal, but he started

to look at all the material, and he did know that only in the photos of that's ancianito

appeared. So, so it had repeated more times? In all the photos came,

where was that that was he was sent when he he was done, there was a,

a silhoueta oscura behind him in all moment. So, he gave much

curiosity because you you take count that that that

you did that photography, the filter that you put you the resolution

et et cetera it was impossible to recreate that and that were

all and I don't I'm I'm not I'm so I

know so so so curious of all the

material that the only image of the human

that had that Refleho, they're with that Ancianito. He regressed to his material, but one he gave those photos, like he was like he was to, but he went to the

task to investigate who was. So, like, he wasco, he asked, too, with some of the infermeras, and they said that it was done Chivo, and that always was a person very serious, that was a person that always

was like very enfocated in him. With all the the arrogance of the world, the photographer, was, he, he, he Inseignes the photos, like, I mean, this was

what we did yesterday. He simply like he did like, like, something like, because

obviously the Ancianito saw that something. It was evident. It was evident, but for him

was normal. Okay. So, like, like, here's a X, no? Wow.

Obet he said, Oh, yeah, I'd like, I'd like, I'd like, I'd like,

I'd like, I'd like, I'd say, about, these photographs because I feel that there's

there's and I want to you know that you're going to before to get it

with the people and he he said no you don't you don't you is my

angel guardian you're he's looking to the photographer or so

Don Chibbo he said Don't you know this this what you see this is

my And you're looking. Imagineate that you get to be in a service, photography. And resulta that something. Something is,

you think that that's possible? I think that at the end of the day, there are certain signals. But this is

a signal very clear, no? And also I think that's difficult to think. Because in

that moment Obet us told that he was pastmado, incredulo, assusted, obviously.

But he said, no, I think. but I want to know more. Okay. And he

he's asking why. You know you know you know you know you know

well he's doing in that so normal but the photographs

he went to the accord to don't Chibbo that always he was

to give to him not he's well don't Chibbo Feliz

with his photos the photographer like he he

did but he he didn't passing the days, and of course, and, of a point, he

began to have a certain certain dreams, in where that entity, or that silhoueta, and he said, entregamela.

Because if you're, if you let's get, you, no, you'll you know, you're going to save. So, Obed, like, various days without,

because he never to rest, this, this apparition, and he he knew to he was he said,

no? So he kept very marked also what what Don Chibo he said, oh, he's got

looking. So, he, the entity, the message of Don Chibbe that's trying. And the message that

is this Silbeta in the I said, Obed, entregamel because if you you're

you, you don't you're going to save. So, three signals. The incredul obviously

continued his day-a-day but you know you know, you know, you know, you can't

be sure, you know, you're going to be going to what's, no? Well,

what's you're that's, that's he's to have to have much

problems of the health, the mother of the got to they're

to be they they're they're they're He had working, received the

call of that his mom is a hospitalized and said he's not it's not

a little suspicion to correlational the message but he said, no, no,

no, he said, we're we're going to know what he informed that his

mom was very grave and when he comes to get to the mom,

you see that there there are some there he said he said he

he said he saw that that that sombra is

parada at the cabina of her mom. The same sombra

of the photos. The same silueta the photos parada

and and then he he set the garganta he took

and I didn't still still until that I didn't that

was that was a silueta she is fuma the silueta at

the time that the respiration of his mom

and to be it's apagarse and moire. What we don't know really with this story, and

is what he says to this script, the signal was to alert me that was a little

and if I would have had been in some way, he would have saved

of the murder? Or he had been more rapid? No, so

that's that's that's strange no? And I Povercito, because, as you says, he went to work, can't

chambia. Even so, no. And resulta that an entity wants to get to someone close to me. But I don't know, I mean, that's the part important. There are people, and me include you, that no crean the coincidences.

I think the things are for something. No, no, no, they're, for casuality. There's a motive for the while something and for

something was he to take those photos and to see that I think it was I think it would have been a angel

really that I'm going to get him not so he'll get he to a, so a

so a asylum connect to this person that at the more has a protection

spiritual that maybe could existier and at a more in buska to help

or perjudic really you think you think a human that gets to a place

that's a lot of that's a little bit of a other place? Yeah, so

are so what? No, it's a lot. It's it's like that's

it's like something. I mean, I went to a cemetery and it's a person to

think me that that's incredible to the people to be obviously not to any

there, there, there, there, there, there, there, there,

there, there, those people that have a sensibility that

I'm a channel additional like the medianity to be to pass messages

on the other side of now so now so people are people and the

spirits see that the motive to say I want to be because

you can't you can there there's there a motive for the

way this I've I've heard I'm I'm being

I'm I'm I'm something I'm I'm I'm something, and that

they're just that I went to do make to make a little bit more I'm going to like I'm, like I'm, like, I'm, like,

soltee. Yeah, much of these entities, need to them need to get to

this part where your energy is to get to get to get to you, you know,

so are a lot of things. Kareme that there are many many many people, even can

be for other thing, not precisely because you're something, because it's they're

doing something and not you're doing because the maldad exists,

a form impression like this story that the fact that's a little in shock

because I think to our our people that we that's that's something,

never is a good not news and never will be something that's something

and much less to tell you that you could have done that you know,

And you say, it's really a situation that you're in shock and to think that maybe if there's some way to protect us.

Exactly. For example, I want to tell this ultimate story. You're going to say the title. It's called

We're not We're looking many places because we're we're people who are people that we're in places

where we don't we've, and with this I go to pantions, that is the most easy, but we've meted to places very dangerous. And normally in these places, there's a carry energetic. There, like

they're done, there's chocarrero, there spirits, or there's almas penando, and we've been able to send them, we've provoked, that they're manifesting, but it's rare that's

encounter in tantos, tantos in a only place that is abitated by persons.

And this is in the asylum the robles. I'm omit the location

of this asylum because it's working. Asil the robles. One

person us said that there was a night where the sky was coming

the torments, the relampagos this person in this silo of the night and that were

some thrones that were that all the institution retumbar those times where you see that you're getting the skyending the

and that more or less as two of the morning it was to cessar the and it was a jubisnita

very lebe but there had a silence and he said in that moment is when it was when

it started to hear mormoyos at In the principle, I thought that some of our bigots that were very late, but it was, it was very very late, but no, no, so they're still listening to the murmur, and if I was

still, I was up here, and I wanted to know where they'd, it was. It wasia, in a principle, that were from, from out of the the street, of other place, but I started attention to these murmur, and no, so they'd hear them in those installations. So, I'm So I'm

So I'm So I'm going to So I'm going to So I'm going to I'm going to I'm going to start with the installations

and the mormulhoes heard from all the passiers But no They're These mormulos

that you can you do you don't you don't know you know know you know what

they're saying but he did account that they were not of the street

provenian from there of the institution The day The day The next

He He did know that all the abuelitos They were talking of these

famous Murmoyos Allos Those those They were She said Doe

Maria A woman of 89 known for her character Ferte

and her mind lucid So all the time was always was always

was a person was the first She's but she identified

those usurors as a voice maternal, and she understood that they said, Ben, come with us. She said,

she said, but it was a voice suave, sweet, but at the same time, with a sentiment of urgency of, come, ben. Then,

he did a point that more people started to identify these mummullos with voices different. There were

biggitos that they'd listen with voices of the but there's there's

he's he's they're with the voice of a family very

am that's a first the first his mom don't

people people clave yes don't Juan he identified

for his he had felles seven years like

the voice of a man don't Tomas he identified

with the voice of her I mean, all all started

to identify the voice but of a different and it was the same message. Ven,

come with us then with us then some some young, some people who had in

some some they said is that we don't know what that means

that at principle at beginning they're they're they're

because they're that the majority oh, not all all all

heard the murmoo but only some the men,

they're with us then it's it's caused a person

did know that the person he was a put a little

tenso but but all past the days and

the days and they were they they're they're

and they're saying they're listening those murmoyos but

right the people that understand that They said, Ben with us. From the

of the nada, they'd have sangrated in the naris, desangrava the

eyes, and that person that we have the person medical, we said,

no, no, there was no, no, there were presentable these

signos or this type of sangrado, but it was, so, it was,

to be a, an ambient pesed in the place, a past of

that the biggits no had a minute, they were they're talking about the

day the next to hear my my mom, me, he said, but where

where does we want to go you? So, so, between they were,

they're to give a whole of this, but this person that was

he, I didn't understand nothing and didn't what was saying, so

the person started between the personal and the what they want to

to tranquillize to forgets of those voices should or have to

have to have a explanation so we don't we're we're

we're going to we're going to try to not because these people these people

had their activities from manualities some some some

some some other other other so but like

they're not concentrated in those activities like they

were more met in this, no? In decifra the message. In decifra the message. One night, this person was working and began to

hear other again the murmur, but accompanied of the passos. Rapidly, he gets a one of the biggitos caminando

like sonambulo. Okay. He was coming and he did a count of him Tomas, that he was following the voice of his

nephew. And he he was because he said yeah I'm going my my son

he's he got the arm of the he said Don Tomas come come he's he's not

he's come back come me go to don't Tomas come and he

he's he's he's little a little coming to his room

he he was he he was he was he was he was what was

that but passed on the days and these people

that heard to their familyers and present in this sangrado

and they were in they're to start to get onambulos other other

other people and they took to get to get them

in the patio and they were to get to a bad

a bad something so when one one one a

company of a company to this to this

to this spiritual they they they they He says, I know why is

soceding this. This isle has been many years working, many people have fellecided. I know

because in my creences, the people that are not are not important for you, they're going

for you when you when you're to fallacy. And the other other people

listening they said, so what you want to say that's they're going to

die? Yes. I say, I don't believe to that. They're about 10. It's not

it. And even it's incredible after a month, the 10 youngites that were

different voices, one to one were fallecing. One to one.

When so this, Rodolfo who is who is who is who

does working there, he says, Paco, I don't believe in the spiritual. I don't

cost much to believe in phantasm and that type of things. But what I live in this

asylum, has some years, until the day of today I don't I don't

I'm an explanation because delante of our eyes, these people,

they were with persons and the voices of those families and of the

to fallece. It's for that the story is called the we're not because it's

it's it's that the people are to getsel to getsel to getsel to get

to getsel to get something. And is that in the assils or in many

other other places it's common to it's common

that you're you you're you're you're you you

Swaynees that some familyar is going to falle and then you know and they're

saying that it's because you'll you know in some other cases because

you think you did you did you or something or something but what

tragedy that at the time no I don't I was in form how

you could say accidental was a but it was a sequence it was a

sequence, Ha, that's, I mean, it's a impressionate. Pocas times I've

had the opportunity to start in one. I'm going to tell you a chism. Intentee to get a one of the

here at Tuxpec, but no, so, no, I don't because not me didn't me didn't.

I said, I said, I don't, no, no, no, me didn't. Okay, but if you

you've been the support, or not you no, no, no, no, no, no,

no, no there, no, there, no, very beautiful

to where I remember because it's a many years that's there's a little

an tatar abel and it was a place very beautiful and they were much,

there were many many gardens I remember that they had activities precisely like it

for that they were that they they were and also like the manuality the

madera many many things and it was a ambient beautiful,

but at the time the vibra was indisputable different. You know, many stories also

of love because there were people people who were in them, they were a little a little

a little a woman and a man, and you just are the noviets or the

or the amygitas or there there. Because at the final of the day is the

last family that you have to live. That's what you And what beautiful at the time is what you comment is. Yes.

Oh, So, yeah, if were all. Oh, yeah, but I think, I said many years that I'm, that my experience, or the experience of our family, was gratat,

to be in peace, to know that he was well, uh, well, it was like, his last days with much quality,

but also with, with that sensation to say, vivio digno. Right. You know, because yeah in the adultess,

maybe for the job, for a million things that one has done, no they need to do you need to and there,

until where I remember those were very, very well, but also there were aspects of

people that were not all don't they're not they're there, there's much there's much

there. 100%. And so and the abandonment of a much family, that there

had certain abuelitos that they'd get them to visit much or and there

there were abelites that had a year a year and that's that's that's

that's that's that's that's that you that's like like that they say

that's all that's it's and that we're all we're that's they're

they're they're doing they're not and I don't know we don't we don't

we don't we're never of the people that they're that they're 100.

And inculcate to us to our children also and and lamentable maybe what positive

always is but the cases negative or of negligence we also we need to ask the voice and

believe to our little because maybe there's a someone that receive

a child of a woman and that they're they're they're trying

that they're doing that they have to act to that you think that maybe

for the age or why don't want to because they don't want to be in that's

the more when even we've been about in cases of when you call to your

your little to say if you're a thing a school the master the master you have

to be very there's in general, I think of our family, of our kids, oh,

what thing so much more further yeah we're we're almost

over the right final that so is and something

also that's that's when normalize when normalize presences it's a clear

it's a question that's I've heard of many people that say is that in my house

spantan but it's normal they're they're in the vaso

or so or I rented in a house that I'm but

I'm I'm I'm I'm I'm so I'm normalize and

and there they're imagine in an asylum what terrorifico that should be

that normalize in presences I mean I'm really I'm really I've seen nothing of this but I'm

to tell the story of the infirmera of the velo black Okay this this

occurred in the asylum of Santa Marta this story us made making reference that this

was a place was a little a man a man and there had many

many stories that like in both sides, or things that the residents most old are the

news, like, you know, like, you know, like, the first are the first are

the stories of terror. And, well, resulta that there was a figure

mysterious, that was the silhouette of a a infirmer, that I had a

a new of the years, no, so, very, so, in

best of the typical trages of the new things it was like it's

a lot of a old a woman like a like the planchada but

apart of this he had a belo and the belo and the bellos

the those so that for that murmurabing the story of the female

because it was not normal a past that the siluetta was

that had learned to normal was not normal for nothing that only

that only it was like the silhouette or the reflejo because it was a lot the belo even

they were that was like the very penetrante like the radios of the sun but at

the same time not it was not to be the car no it was not

to be his eyes she imagine imagineate between the

silueta but when you didn't not there was there was

very confused this story that the initial with

the infirmities of the people when they were to

present there had for a time in that

was that so of so, of in the

nights it was to start a feeling a

a an sound that there there was a

there even even the coming of someone So, it was very

strange because it was that when there was anian who was a point to diecer, this type of of the

presence was and it had to be who could the silhoueta of the infirmary of the belo

black parada to the ancianito. Okay. But definitive for the

fear, nobody like they'd come and so they were at the way to

know, they're not, but at the little, at the little days the

ancianito was fall and then so that there's that they have normalized the situation.

When they're new people new workers, new new new and then they're

started to know that there was a person a person extrana no, report

to a an Ancianito infirm The new obviously in this case

he said they're they're they're they're they're not even that

something not they didn't the famous the famous so but they said

they're to say in the nights they're they're mormooos and

the coming to the room of the Ancianito Infermo

Okay and these people like they'd say, no, all right? No, no, no, no

there's major rastro, no? They're to comment with the other and they're

saying that when I took to care to this person that's and I do his

medications and all, like I don't want to just because I'm going to get

to the court. Like I'm like that someone came to care or there

a presence extrana. No, you've not noticed you've done you're They said, ah, yeah, we're going, and you know what?

Yeah. It's said that, since many years, when someone's infirm here, always is a person who's a manor with a velo very long, with a trage very different, very large, like of many, many, many,

many, many, many, that, that, as farce, He came to do with his last days. Okay. Because

you're going to get to obviously incredulous, the new ones and they're not this not really,

but then I'm keep in dark to do. At the past of the days,

then, the first the first in turn that they took to and they're saying, ah

caray, or yeah, really, it has really, but it's like it's

like, all, all, it's a, like a, like a, like a shism, no?

Like a rumor. Yes, a rumor. So, it's a little time other abelito starts to get a

infirmarse and the vibra and they're to get to those noises, and they're

to hearse those and it's there where one of the new other of the new infirmers,

let's get, and in that occasion for the first time at the door to the

found her side of his and he said that he didn't he didn't even

because the light that resplandecis in his velo past he lastimed

the eyes but imagine the fear and the other day the first was to tell it

with the other time with the team to say what's what's what's

this thing this is inbruched or me want to they're

And at the day the next fallece the abuelito. It was like an angel of the death.

No, I know, but I think it's difficult to believe, very difficult to believe,

but that the end of there are people to help to pass to other world, no? They're

to come to care. So, that's that's the story? So, that's the

story with the fact of in this place, there's a person that came

to give to to despearles. Jol is that that's very relative because you can say,

he's to give to give to get to get to let's, so like like the function of the

of the death, or so get, came, so it's like we imagine with his

wadana, so it's, it's it's a talk, let's, let's, let's,

let's, it's very relative. It's very relative, and just this what you mention

is, it's has written in the last part of this message that we get and says, the Enfermere of

Bello Blanco, really never I've heard to talk. Never was ever. But her presence was

in confundable. And, well, between my friends, when me intent, I'm trying

to, me said, that maybe it was a spirit of an personer that had

had been in the asylum decades after, while he'd the

patients more vulnerable and others said maybe is the

life and it's the person that I'm that more

is the murder that was because it was when

we have talked when when are when are

that magnitude so like the angel of the

man when when they can cause a question

cause oppression cause something they something that not is so a greatable.

It's like when we when we're that we're not, we feel like we get us you know,

here you see a fear. There's, there's, like, for example, what you

mentioned about that you see a familyaries or you're that you say, you're saying,

you know, we're trying and it's and it's and it's a lot negative of who

you're getting to you're maybe there's some experiences in those

that not not be gratis, but something that's a malignant. Something. What form

to terminate this episode? How did you do you know? Well, very aterrata with these stories because

I think we don't have to the murder. I think we're not we're born and I

think that being being a marvellous a great but but to prepare us

for the ultimate to God I think is something that that

the more soon we're going to we're in more, more we're in

more we're in our day to but also the fear to say how

will be my final day. Exactly. There there there

there sometimes there sometimes there's something to say to make a lot

that's real but that the people know that you know to be to be

scapa one or another. For example, one a bit of a bit of a lot of a great majority

will terminate in a morgue. Sure. While not that day, we're not we're going to hear about

the story of the morgue. So the data that I'm going to say is, you know, you know,

and I remember to have been read, in some moment, you're going to come in some

majority, you're going to buy the rope with the that you can't enderererer.

And in a In some moment, you'll take your ultimate photographia. Never you'll

know what is. It's going to be a last photo or the ultimate or the last thing you come you.

And, you've got to a tio has been a few years, but me called much the attention

that my primitos me said, the guayabera that's my tio, well, the abuelito

of them, was a guyabera that they were going to run my papas in her couple of his

and he said, this hermosa I'm going to guard for a occasion special and

she's that's preenando. Wow! What impressive. How you're going to

do you a man? Very content, very full of curiosity to know

what more in this world, no? Yes. Maybe the day a day

on the side positive in the that I live, precisely I really knew

that today was going to get a great gift to a little more of this side of the

life. Much thanks for accept the invitation. We can't give your socials. Well,

for all those who us accompanied on this podcast, I want to say that in

my social we can keep a day a day to share our activities and our

experiences and well maybe if I get to pass something I'm

some I'm some some You can continue like Taisei, guion, Bajo Tort.

Much thanks for accept to the invitation to get to your family. Thank you

to all the final of every episode. You know, that I want to those people,

those people, please, don't forgets to get if not you're

subscribe, if you don't being part of this grand family,

be rapidly to the button if it's in YouTube, to subscribe to to be

to be part official and if it is in Spotify, even there.

My number is Paco Faria, and we'll see more a little episode. As to the

next time. Ciao. Chao.