Fly on the Wall with Dana Carvey and David Spade - RE-RELEASE - Jimmy Fallon
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All right, let's just start.
There's been some shake-ups at late night.
I'm just going to say it.
I know it's a bold take.
Our friend Stephen Colbert and things like that.
And then we got our friend Jimmy Fallon.
And speaking of Jimmy Fallon.
Yeah, Stephen Colbert, obviously, he's in his
final year.
Goodbye tour.
I think it's till May.
Yeah.
Then we've got Seth, we know most of these guys.
And Jimmy Fallon is probably the one I'm closest with out in New York.
I see him every time I go.
And we had a great show with Jimmy Fallon.
What a blast.
And a lot of people talked about it.
And it did so well, we're going to show it again.
Because we want people to listen to how much fun we had.
And he was such a blast.
And we'll get him on again soon.
But for now, I think everyone's going to crack up.
He came loaded.
He was ready to go.
Yeah, he got his guitar out and rode on a theme song of fly as Neil Young.
Fly on the wall.
Anyway, when I think of Jimmy Fallon, people are at, is he the same backstage in front of the camera?
Exactly the same.
He's just a personal one-man party traveling around the earth.
Anyway, he had a great Neil Young, Bob, Dylan Riff.
He came to play, and sometimes you get people on an off day.
We got him on an on day.
He tries, you know.
He's always on it.
When you get these people on a talk show, sometimes they walk through it.
He did not.
No, no, it's just purifying.
Here's my impression.
So we just all crack up.
My impression of Jimmy Fallon sees a UFO.
He's crazy.
That's my just my sound of him.
But yeah, this was one of our favorites and our favorite people in show business.
So please enjoy Mr. Jimmy Fallon.
If you didn't see it the first time,
or if you'd like to revisit it.
Let me tell you something right now.
Let me tell you something.
When I see something this beautiful, I don't want to touch it.
He was the host.
Now he's hosted.
Now the host is being hosted.
I got to touch it.
It's so beautiful.
We asked the questions.
He gives the answer.
Now the teachers become the pupil.
Oh, he's in the hot seat now.
The host is being hosted and roasted.
Dude, I can't wait to grill you.
Are you going to be hard on me?
Yeah, this is like 60 minutes.
Wacky shut up.
You're doing a show tonight and doing this?
Yeah, we got a good show tonight.
Yeah, we are.
That's very nice of you,
Jimmy, because this guy busts his fucking hump.
This will be on in 2023, but who are the guests tonight?
Glee Clark.
He's the leader of a planet Xenon.
Fucking bleep-blop.
So, yeah, we have guests from the future.
Yeah, from the Pentagon.
Hey, that microphone's as big as his head.
Look at that fucker.
I know, because he's rich.
That mic?
Not as rich as you, Spade.
Bull shit.
If I had his money, I'd throw mine away.
Hey, money bags, silver spoon.
Hey, money bags.
Yeah, life was easy for him.
You know what I mean?
Yeah, he grew up with two spoons in his mouth.
All my cash is tied up in most of a Bitcoin.
I told you, Jimmy, next time I come on your show, I'm just doing a French accent the whole time.
I'll tell you now.
I'm never going to stop.
You won't stop.
Just come on and just do a French accent the whole time.
I won't stop.
Remember that thing we did last time?
We were out there as two, like, European guys.
It was my favorite thing ever.
I was just crying.
I couldn't stop.
I didn't want it to stop.
I could have done it for a half an hour.
Are you talking about the legend thing?
You're the greatest.
No, you're the greatest.
Oh, no.
Legend.
You're legend.
Yeah.
Legend.
Legend is thrown around a lot these days for literally.
I like when people go, I saw this thing about grown-ups.
They go, all you guys are the goats.
I go, do you know what goat means?
I think goat is one.
Does people, do people know they just put a goat emoticon?
too, they're too easy with that goat of motorcom.
Hey, you just, you just put,
you make the A plural.
You're the best of all those goats, you know.
You're the goat of the goats.
You're the goat of the goats.
You know, Dana,
thanks for coming on.
Yeah.
I got to get to business.
You're my first guy said, can we get Fallon for this podcast?
They said, the word was no fucking way.
So it's your,
your new nickname is dream guest.
All right.
And you just run with that.
I'm ready for the one, are we started?
Is this or no?
It's almost over.
Oh, yeah, we're half over now.
Oh, God, I had a great time.
You have a hard out, but I have a hard out one minute before your hard out.
How about that power play?
I have a hard out.
My whole life is a hard out.
Dana, when I do a podcast, I go, all right, thanks guys, right in the middle of an interview.
They go, thanks what?
I go, later.
And I go, what the fuck's going on?
I go, I feel like I've told it all.
David said we've tortured you enough
We got a guest going downtown
We'll let you go
Because we've tortured you enough
But we count David John's
And the amount of little protein bars he has
Because he's...
Oh wait, I do need one Heather
Can I get some green juice?
Yeah, I gotta stay awake for some of this
All right, so...
Yeah, sorry, here we go
I have a real thing to start with
What do you want to like
Are we gonna do like a whole thing
Where you just go like
Hi guys, welcome back to fly in the wall
And we're here with the...
Fuck no, have you heard this dog shit?
We just bullshit and then it's over.
Oh.
Yeah.
We do an intro at the beginning where we kiss your ass when you're not here.
Oh, good.
And then, but listen, Dana, here's a funny story about me and Jimmy.
I know it was going to be about you and Jimmy.
It's Jimmy.
On IMDB, it says I'm one of Jimmy's friends.
That's nice.
That's true.
I put it on there.
The Rolodex King, David.
And when I go to New York, Jimmy, the three comedies,
I call are Jimmy and Chris Rock and Quinn.
And one time about a year ago, we all, that's a fun group.
So we all try to rally, you know.
Jimmy's really good at rallying out.
Jimmy's so busy and he always rallies for dinner or something.
So we went out to Liller and, oh, Jimmy, you were shooting at Coney Island or something
and you go, I'll try to get over after I'm done with my.
Yeah, it was like an hour away from where we have.
But that restaurant was so loud that night.
Do you remember?
Yeah, I know.
Yeah.
I hate. Here was the other catch.
Yeah.
So first of all, you somehow, I go, I go, guys, Jimmy might come if he can, and you beat me there.
That was one funny part.
And then when we're in the middle of dinner, and I'm just plotting how I'm not going to pay, most of the dinner.
That's all I think about.
And then we all leave, Jimmy.
And then do you remember two days later, what do we see on Twitter?
Oh, yeah.
Chris Rock announces on Twitter, yes, COVID.
We don't get a text.
We don't get a phone.
No, phone call.
So Spade and I call each other.
And Spade's like, wait, do we have to follow Chris on Twitter to find out that we might have...
I go, luckily, I do follow him and I do know.
You have to hear about that online?
Yeah.
And then we ask me, he's like, what?
Yeah.
You read about it, didn't you?
Well, yeah, but...
That was insane.
Between a rock and a hard place.
Good night.
Yeah, it was...
Never been done before.
I think that's the whole story.
Most of that story was just to say we had dinner.
Do you end up using any bits from the dinners whenever we hang out?
out? It's sort of a compilation of what all you guys said, and it goes into my act.
John Mullaney said on this podcast, he's looking for stories, and David does that too.
Like if someone follows him into McDonald's, he's got a 10-minute chunk. So he likes stories.
Yeah. He's a storyteller.
Guy asked me straight up for my McNuggets. Straight up. No bullshit. Just give me your McNuggets.
Yeah. Why not? He's going to go into it. And I said, fuck. No, I stood my ground.
think I'm a pussy, but I stood my ground.
No, didn't you, you gave him one.
I gave him one, yeah.
I know the story.
He knows the story.
Legendary.
It's legendary.
It's on your IMDB page.
Let's see if we can do something about Jimmy's beginnings that he's never been asked.
That's kind of interesting.
No chance.
Might be impossible.
I did a deep dive.
You did?
I can't believe.
I mean, I love both of you guys so much.
I can't even tell you.
I want to go into your career and your stuff and everything you've done to, you
influence me. You know, I wanted to be Danny Carvey. I wanted to be, that's my whole reason for
getting on Sarant Live, and that was my whole thing. Oh, you said David Spade wrong. I think that's age,
that's age related because, yeah, David, that's age. Because David, I wanted to be Dana Carvey. I was
sitting behind it read through with a knife. Well, yeah, you were, you were my, you were my surrogate,
you were my stand in. Sometimes I do in the church chat rehearsals, David had to get the dress on,
sit in there for camera blocking, which I thought was horrible.
David, just for a few minutes.
Can you sit in there?
Dana's resting.
But Jimmy, you were 12 when I got on S&L.
And that's what I call the peak formative year.
It's like when I was listening to Monty Python or whatever gets in your brain at that age
and through high school.
So I appreciate you, bro.
Thank you.
I came to tell you how much I would, I was such an S&L nerd.
I would record it every Saturday night.
It would be by myself.
I wouldn't be
I didn't want friends over
I didn't want anyone around me
my parents I didn't want anyone near me
I just wanted to study the show and watch it
and I videotape it then I remember like my favorite sketches
and then I would go to parties like
whatever the next week or whatever
and I would bring videotapes with me
with the best clips of S&L
like I was like a human
YouTube
just going on or watch this part
and watch this thing but I mean I was like
I loved chopping broccoli
there she went downtown
But can I tell you, it's still, she's a lady I know if I didn't know, she'd be the lady I didn't know. I didn't know. Did you ever put that out? Like is that out on Spotify or something? No, the only thing I want to say, which was mind blowing a few years back when I did your show. And then I just, it wasn't my idea, but all of a sudden they go, uh, Jimmy wants to do chopping broccoli with an orchestra. Remember?
that it was fucking crazy
so that was the mic drop of
there was a string orchestra
and then I was playing
John Barclay on a baby grand
I had a terrible hair day because New York
water just flattened it but anyway that's
just my but I
chopin broccoli and I took it really far
she ch'chab she ch'chop
I think that's a 20 minute
bit in my stand-up as you can imagine
but anyway that's so you Jimmy
we do have a kismet there's a connection
to this musicality of what we do
and the way you do impressions and everything.
I brought a guitar.
I mean, I'm in my office.
Will you play something for us?
That'd be awesome.
Dana, while Jimmy's futzing around,
I have to say that if you're on S&L
and you can play an instrument,
Jimmy's like the perfect S&L guy.
He plays an instrument.
He's marginally good-looking.
He voted sexy as one of the top 50.
He was voted one of the tallest hosts.
of the year and he he's got a harmonics fucking guy oh i know he's going to do just for the people at home
he's got up i know he's going to do that supernatural he's either going to do he's going to one of
three either dylan lennon or springsteen which are all brilliant dillian dillons one but i thought
maybe neil young too oh neil young deal yeah just give me anything this this i'm being entertained
now by my guess new young would play the harmonica like he plays it differently than dillon
Neil Young
plays harmonica
like with the song
So he's like
Oh, there we go
There, something changed
Yeah, it's good now, yeah
Can you hear it now?
Now we hear it, perfect.
Okay, all right, so like Neil Young,
Neil Young plays the harmonica like with the tune of the song.
Yeah, with the notes.
Yeah.
So it's like,
David and Dana
Sitting in a tree
We're just a fly on the wall
Down the hall
Of s'n'el
That's pretty good
SNL
SNL
Dana and Dave.
They don't ever call you Dave?
Some people do.
You have to get in the real tight circles.
And then Dylan's faster.
Dylan's like...
Yeah, a lot of up and back.
Like, he gets the highest note of the harmonica and just screams it.
So, like...
Yeah.
Yeah, this is...
Yeah.
This is a podcast about Dana and Dave
are sort of normal world.
Man, let's see my little fade out.
Side of whoa.
He runs out of stuff, he hits the harmonica.
Yeah, exactly.
When you read that of lyrics.
Have you heard Rough and Ready his latest album,
Rough and Ready, Bob Dylan?
Yes.
God, it's brilliant.
Is it good?
Soon after midnight is a masterpiece.
But he's got his new voice, which is the...
Well, that's what I mean.
This other voice, I haven't really tried to do it,
but it's pretty special.
It's really wrong.
Soon after midnight
And I got a date with the fairy queen
With the fairy queen
I love seeing him in concert
Because sometimes he doesn't feel like performing
And he's just out there
And he's going like
Oh man
This is weird
And then he's like
How does it feel?
And you're oh I love this song
Oh my God
That's what he was singing
Yeah
That's what he was singing the whole time
He accidentally stumbles into a hit
And then he's like mad he did
because he's not torturing you enough.
One of our friends just saw Dylan here in L.A. three nights ago
and was taking bootleg clips, but I guess it's interesting,
but I think they said he did like a 45-minute song.
Oh, I got a pop quiz for Jimmy and David.
What is the one song from his big hip hits in the 60s
where he stylizes his voice in a certain way?
Lay Lady Lay.
Yep.
Now, I know you can do that.
No, let me guess now.
Leigh-Lead-Lead-Rodd-L-Barrant, the frog a little bit.
Yeah.
Then you know, yeah.
Lid-D-Lay across, my big-brast bed.
But I love that he experimented with that.
He's like, this could be my voice.
Yeah, you know.
And then it wasn't.
But it was a big hit.
And then, like, Neil Young.
Oh, huge.
Neil Young kind of had one song where he was more rocking.
And then he realizes high voices where it's at, because no one has that voice.
Like, I love people.
Rocking in the free world.
Yeah.
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Did you do impressions of everyone
on the staff of S&O?
Not really.
Who would be the big ones?
Higgins, Mike Shoemaker,
Marcy Klein.
Might mean could you do cast members?
Could you do spade?
Hey, buddy
Doodlip
Beepo
Boop
Yeah
I'm not going to be reduced
to noises
today, gentlemen
So I was
opening the door
I walked in
David is an actual
good
sound effects guy
but he doesn't lean on it
It just comes out
They're woven in
I do you Jimmy
I do you
I do you
I just do a sound
Just saw it go.
Yeah, I was sorry.
That's pretty good.
That's the best impression to me.
It's when you're very, very excited.
Some are very excited.
It's just a sound of exuberance, which I was thinking today, here's a compliment.
You remind me of the Beatles.
Oh, Jesus.
Wow.
The early Beatles because what they told me I reminded you of Kaja Goo-Goo-
You were kind of, uh,
Shaka Khan. But anyway, we'll talk later.
Because the early Beatles just projected so much fun and joy.
It was just irresistible.
And that's what you do.
I appreciate it.
You know, it's very interesting, you know, growing up in Liverpool, we were liverpool, you know, and we'd never eat pudding.
You know, and you'd think we'd have a liver pudding, you know.
But that's what, pudding is different, you know, in England.
It's not the same, you know.
It's not a chocolate, you know, vanilla, you know, strawberry.
The whole town was just eating pudding, you know, because it was called a little pudding.
We're called liver pudding.
The whole town was eating pudding, you know.
I'd ring up George, so you want to go get some pudding.
I mean, some right now.
John would come up, hit me over there with his guitar.
Like, let's go get some pudding.
And that's how we wrote Paperback Writer.
John would just come in and bang me on the head.
All that turned into Paperback Rider.
He smashed you with a guitar.
we'd sit for a plunker
and that's how we made.
John would come in,
he'd hit me over the head,
you know,
and say,
let's go get some pudding.
That's how we wrote,
that's how we wrote,
that's how we wrote
the White's album,
you know.
What the funny for?
He bang me up,
he popped me over the head
with his guitar.
He said,
when he started plunking.
Let's do a plunker,
you know,
we got into hit songs
so we didn't know
what we were going to do,
so I looked at George,
you know,
I hit George over the head
with the guitar.
And next thing you know,
we have,
you know,
we have, you know,
Salted Pepper.
And, you know, John and Paul were the primary songwriters.
Peace and love.
Of course, they were the great there were peace and love.
They were peace.
Which one was peace and which one was love?
We switched back and forth.
There were my brothers.
Sometimes John was love.
Sometimes John was peace.
And then sometimes Paul would be love.
And then I'd say, hey, love.
And they both turn around.
And I'd balk him over the head with the guitar.
And that's how we wrote Octopus's Garden.
You came up with a
song, it was good
That was good
Spade, do you remember
you made me laugh
Last time you were on
I was giving me your intros
And I was like
He's blah blah blah
He won it
He's an Emmy Award winning
Actor
And I go, is that
Is that right Spade
And you were right behind the curtain
You go
Yeah
Yeah, that's right
That's it
That's that tone David uses
No
I do
There's a lot more
going on with me
I can't be reduced to simple noises
and yeah
I was the most complex comedian
and the planet
Yeah but no
Thank you
I remember we went to that one
That thing
That event for Howard Stern
Remember one time
We went to this event for Howard
With Howard Stern
Oh I did stand up
Yeah and I was like
Oh David
Can you do that the bit
The skiing bit
You're like
Oh right
You're like dude
I don't take requests
but like no i did take requests and i did do it you did do it no that was a fun i was a charity gig and you
were uh that was so fun it was scary because there was a lot of people you crushed that night
it was unbelievable but the spake crushes man what was the scheme because they're like your friends
want to go on the black diamonds uh trails and you don't you're like i don't want to i'm afraid
of that i don't like i want to go they say it's easier to teach you if we all go down from the
top but it's just to ditch me so i say no i got the map i want to go down the
green is we're going to stop we're going to start on pop tart and then they go no we're going
down devil's ballsack here we go and i go no no that's a hard one we're going down
listen i'm after that we're going to go down jelly bean into kitten paw kitten paw and then uh puppy love
and then mother goose it's sort of challenging but not overwhelming nope hitler's abortion here
we go two by two everyone line i go no no no we're going down hitler's abortion is the name of the trail
That one sounds hard, yeah, that one is...
Listen, it's always good to work
the word abortion into your act.
It's always great.
It's always put a smile on him's face.
But did you do Norm?
Did you do impressions as a Norm?
Huh?
Hmm?
Hey.
Hey.
Oh, yeah.
No, Norma.
Yeah.
We did a gig.
I think I told Dana this, or maybe I told Dennis.
We did a gig.
Me, Dennis Miller, and Norm did a gig right before the pandemic.
And he was like,
damn it he's always he reacts too much to nothing you know what i mean like you go
norm is it uh uh you know the show starts at eight eight o'clock
that is exactly him yeah eight o'clock and then you go there was an earthquake in oklahoma
he goes when today i go no that's a big deal there's an earthquake here eight o'clock
yeah why would they do it at eight i go because it's the most obvious time in the world
I'm not ready.
Worst time.
Yeah.
It's like the worst time for people to do a stand-up, you know, 8 o'clock.
Yeah.
Because you know, my neck's all fucked up because of the flight there and I go,
and then Dennis goes, Spudley, why don't you go last?
Like it's a big favor.
I go, and follow you two assholes?
You guys kill.
I think Dennis was technically the headliner.
My sake, I got the jet waiting on the termite.
I'll do a cute 20, okay?
Haldi and I are going into Chicago.
him he came
Dennis came on the show
he killed by the way
he was so funny
I'll tell you the bit he did
that made me laugh
but he was backstage
it was backstage
I was going to say
how to Dennis
Dennis Miller
and I put
I never wear cologne
but I put a little
cologne on before I went to see him
not that much
I did a little
like a little mist
of like
and then I dove under it
I kind of yeah
dolphin
I dove under it
dove under it
dolphin under it
a dolphin down
a giant movement
just barely on
so I go maybe doesn't
and I walked in
I go of course
Dennis have always
He goes, gosh, Jimmy Fallon smelling like Paco Raban over here.
Fucking Jimmy.
Did you get the reference?
It just sounds funny.
What is that from?
Is it a perfume from the 50s or something?
It's from the 80s.
She's, I feel like Vinny Nicknock and the Detroit Lions in 19.
Vinny Nicknock.
Yeah, the on side.
I always had a joke that he never did, but he's like, it's so quiet.
It's like the soundtrack to a Chuck Chaplin film, my, yeah.
Chuck Chaplin.
Chuckie Jeff.
That's a real joke or fake one he made up.
No, no, it's a fake one that he never does.
That sounds very close.
Does anyone ever call you Jim?
Knessy's going on Jim Fallon tonight.
Yeah, Jim.
Jim, love an interesting story.
I'm working out a new bit, okay?
That's exuberant, Dennis.
It's a James Bond film, okay?
It's called Bitcoin Finger.
Okay?
Bitcoin Finger.
He loves only risk.
He loves risk.
That was his joke.
He did on the show, Baby, laugh.
Oh, real.
Is that true?
Yeah.
Oh, my God.
Bitcoin finger.
He loves only risk is what he was singing.
He was singing.
Oh, man.
Oh, he's the funniest.
We do him all the time.
He starts laughing in the middle of his bed.
And he starts talking to you.
Christ, cha-cha.
Oh, I just do him just to soothe myself.
Give me a topic, anything.
I'll filter it through Dennis of anything.
Oh, just ice cream, mint chocolate chip.
Mint chocolate chip.
Mint chocolate chip.
Okay.
That's front-loaded.
isn't it, all right?
Can I have some mince or do I have the chocolate?
They're competing with one another, all right?
Last thing I need is a confusing scoop of ice cream, all right?
How many chips do I fucking need?
I'll give Jimmy a topic.
All right, Jimmy, the grocery store.
All right.
Okay.
Why do we have to go to the...
Why does produce have its own section?
The produce section, okay?
There's not like a cereal section's like, we don't get a section.
We don't get a set.
The produce gets its own section.
Yeah.
What am I, Gleco?
Yeah.
I'll have Gleco the bag boy.
Hey, Gleco the bag boy.
Why in Christ's thanks, we've got to have 600 different kinds of cereal, okay?
50 was it enough, all right?
You need 29 fruit loops variations.
I want to pay an extra $2 for the organic out.
don't really see the difference
hey do i want to round up for ukraine where's that fucking cash going
let's be honest christ fine erquantus okay who's up front of koala bear
okay okay yeah good 29 hours to melbourne
paul hogan in first class going that's not a knife this is a knife
just eat your freaking sandwich
pa pa i actually did i submitted a thing at s and l
didn't get on. And it was Alligator McGee. It was a takeoff on Crocodile Dundee or Alligator something.
And everything was bigger. He goes, that's not a refrigerator. They said refrigerator and it's like
20 times bigger. It's everything. They snowed a lamp. They should lamp. You know what you said.
No, that's not a laugh. They didn't get on. Yeah, I did a bit once on the show with Schwarzenegger
where we were doing QVC hosts. And I wanted to talk about this new slicer.
something like that and he wanted to talk about the chopper we had like a veggie chopper and he's like all
so he can go like get to the chopper and i was like no we got to still talk about you know we have this
new iron it steams your clothes while it iron's like get to the chopper and it totally tanked it didn't
really work get to the chopper the only he came on the show once i go i go you smoke cigars right
He's like, yeah, I love the cigar.
So I go, how do you smoke a cigar?
Because I don't really know much about them.
But isn't, don't you like, you have to like, don't you lick it?
And then you cut it and lick it to the last one.
And he goes, you don't lick, you don't lick this cigar.
You don't like to be licking the cigar.
You don't do this guy with the licking.
You don't like with the guy, the guy, the guy, the licking.
He is so positive
There is no problem in life with Arnold
That's why I love
I actually with one of my brothers
I always say what would Arnold do
You know like if the if the
Something's late
Like the cab's late
That's the ride
We walk a couple blocks
We see a better cab
And we actually get a faster ride
To our destination
You know
I love his positivity
We go up the mountain
There's probably
We can make a zip line
out of the vines and just zip line down to the place.
That's right.
We forgot those skis, so we get the wood from the forest.
We chop and we make wooden skis.
We strap them together with the panty hose or whatever we have and we go down the mountain.
We take the spanks off and inflate our spanks to make a hard air balloon so that we can fly to the destination.
We get to have much faster and better for the environment.
And we give rides for children.
The children go and we make lots of money.
in all these things.
Oh, where's he going?
Speedy, he took a break.
Jimmy, can you remember the catchphrase we had when I hosted in like 1999?
I know what it is.
This is why I knew Jimmy and I had the same sense of humor,
because I was a running gag of me being cocky, you know, pawns.
So the whole idea was, and the show was doing fine.
But all week long, I would just say, in reference to the current S&L,
so long golden era.
Good.
Farewell, Emmys.
Good nominations.
So, goodbye.
Yeah.
Hit show.
So long, memorable characters.
Goodbye Emmy nomination.
But you laugh so hard.
Arrivederchi.
P-body awards.
Farewell.
No, what was the one we, you did this kind of redneck character, last time you run with
Mike Myers. Red rednecky. Red rednecky, the redneck comedian. I actually have a couple in case you
asked for that. That's my favorite thing. I'm red redneck the redneck comedian. I said, daddy,
what's for dinner? He said, shit on a shingle. I said, this day just keeps getting better and better.
Come on gets on. Come get some. I went through the doctor. He said, we got to amputate your left
foot. I said, can I keep my right foot? He said, sure. I said, come on gizum.
That's it
He's positive
That's not even a joke
My mama said
What do you want to do with your life
I said I don't know
Living a shack and drink beer all day
Mama said
Don't ever dream too big red
Because you always end up
Disappointed Coma Gees-on
It's all about the Coma Gees-Hong
Yeah you got to get to it
Don't make the joke too long
Because everyone's waiting for
Come on gets home
It's like sometimes they're not jokes
Yeah
Sometimes they're not really jokes
The first one was kind of a joke
I made my sister
Only because Mama told me
down, come a guise home.
There you like that.
We're back.
Okay, I'll give you one Carson, one Carson,
because you like that one too.
Yeah, I love it.
Johnny Carson getting pulled over for drunk driving,
1972.
Oh, sorry, officer, I didn't know I was swerving.
I had two strawberry boom-booms at the Hickory hut.
That's it.
Come on.
Sorry, didn't.
I was swerving.
I had two mandolini's.
No, no.
I had two.
At mandolini.
It's that, yeah, it's at Mandalayas.
It's that's two somethings at somebody's, right?
Strawberry boom, boom, tomato.
I had two, I had two, I had two, uh, I had two rhubarb.
I had a silly goose up with a twist.
I had a purple nerple.
I had a silly goose over and met.
I had two silly gooses at Mandolini's.
I, Kate Manalini's.
Remember Kate Manalini's?
Oh, yeah.
Chris Rock took me there years ago and, uh, paid for my meal and I had no money.
Jimmy.
Jimmy.
Do Chris Rock.
you do them uh what uh what what what what are you going to get to order you got to eat or you got
just stand there what what are you going to why would you even give me a menu just eat just give
me what people eat what something like that i like when he goes i used to bust him for repeating
everything he goes oh bama and then everyone laughs then he goes president obama they laugh again he goes
Barack
Oh I go
Let's go
What is it
Your act is only 20 minutes
Is what you said
Yeah exactly
Yeah
Barack Obama
Obama
Obama
The President
Yeah
The president
Black guys won't eat the pussy
Black guy
Will not eat
Your pussy
Or the white guy will
Oh the white guy
He will
That's not even a doc
I don't know how to...
Oh, God, we're getting blue now.
How about...
All right, Sandler.
Everyone does Sandler.
No, you...
No, you do it.
I just...
Did you audition with Sandler?
Let me do my...
Every time Adam is mentioned on this podcast,
I just go, thabatho...
So I just did it.
So he'll be hearing this.
Thabotho!
But you have the best, Sandler.
You did him on SNL.
Speaking of...
I did it in my audition,
because I loved it
because his impression
are like three impressions
in one, three levels.
Yeah.
He used to do that, that guy, you know, I was talking my mother the other day and, you know, my mom would always say, and then he goes to the second version, like, she would always say, hey, hey, why don't you take the laundry down?
And my dad would say, shut up!
Oh, my God, that is so fucking great.
That is, oh, that is.
The casual Sandler, old stand-up voice is good.
Old Stanley, like the cat.
That is a brilliant observation.
I remember I was buzzing into my grandma's apartment.
I'm pressing the buzzer, and she said,
Who is this?
Who is there?
And I said, it's Adam, you, it's Adam, your grandson.
Who, Charles Manson?
Oh, yeah.
Charles Manson?
Oh, I don't want you to come in.
I don't want Charles Manson.
I don't want John Mason.
I don't want you.
I don't want John Mason.
Oh, yeah.
Oh, my God, that's great.
I was sick. My mom was rubbing that Vicks cold stuff on my chest. And then our eyes connected.
And I go, hey, mom, we're just friends, right? That's a good bit. Oh, my goodness.
That's his bit, but I can't get his voice. You're doing the voice. How do you do Smigel?
Smigel's closest, Sandler.
Hmm. Smigel. Interesting. Because he, he's like, uh, Jamie, he's very, he's kind of like
salmon. Very low key. Yeah, very low key. Let me hear it. I was thinking, well, I was, you
want to try that that's good right he says laughing yeah yeah oh here's my smigel jimmy
when i'm pitching him when i was at s&l and i'd pit go in his little three-foot wide office where
they're writing killer sketches and i'd knock and go hey do you want to help me with this and he goes
uh what is it and he has a nervous laugh because he doesn't want to do my sketch so i go it's about
a guy who does this this and he goes uh i don't think i don't think i don't think i could do that
I don't think I like that one.
In the nicest way, laughing at you.
He's so nice, but he's kind of laughing nervously.
Like, how do I tell him?
And he would just look off into space and start laughing.
You ever see him do that where he's just in the room
and he's just staring at the wall or something and laughing, looking up?
I love making him laugh, though.
Because when you do make him laugh, I made him laugh once.
He never put it in a sketch, but it was like, how does Dracula?
What if Dracula was a comedy writer?
and he was like, uh, judging the, the laughs.
So it's like, he's like, uh,
moa, uh, a, a, uh, and then you tell another joke.
He goes, uh, mu, uh, mu, ha, ha, blah, blah, blah, blah, blah.
I mean, I like the other one.
What do you do, the moa, ah, ah, ah, and they go, how about this joke?
He goes, ma, maha, ha.
That's moa, huh?
It's like judging that, but I was at once, we did it, he does those charity things.
They're really great.
many stars for autism and i did it i did a bit with Tina fey and we're in uh radio city or someplace and
it had an orchestra pit in the front and uh he came out and um he had a laptop with him and he's
you know he's got his glasses on i go uh what are you doing what's up what are you doing smigl and he goes
oh i'm i'm changing all the uh i'm changing all the fucks to shits because we're airing on comedy
central so we can't say dirty words so i'm changing all the the fucks to uh
shits. I go, oh, cool, whatever. So, I'm doing our bit with me and Tina, and I see Smigel backing up
and he's typing in this thing and he backs up and he falls into the orchestra. No. He falls like
six feet down into the, I go, holy cry, I run over. I go, Smigel, are you okay, dude? What's up?
Are you? He's, he looked like a, like a Jerry Lewis would look like if he fell. It was like a,
like a chalk outline of a body. His glasses were broken and the laptop was in three pieces. And I ran
down. I go, dude, oh my God, are you okay, buddy? And he goes, without missing a beat,
he goes, change all the fucks to shit. Oh my God. That's too funny. By the way, what a dumb
like no one's offended by shit. Like that was his last words, you know? Wow, that was,
I'm going to laugh about that even more later. That's going to go through my head today.
It's so funny, man. That's so robber. He is so fucking obsessed.
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I went to a concert with Lorne.
We went to go see Sting and Paul Simon.
And it was an amazing concert.
So they're playing together, Paul Simon and Sting.
And Paul Simon, you know, it's probably in his 70s, I think.
And so he just looks like Paul Simon in his 70s.
And Sting is next to him and he's just jacked.
Yeah, he is.
He's got muscles fit.
And he's got like a T-shirt pulled down, like a John Barbados.
kind of wrinkled and he's a badass and he's playing bass and he's just got veins come out of
his muscles and so i came in i went and got two beers and a couple hot dogs and i gave it to
lauren and i go how old is a sting and Lauren's like my he's probably 63 or something i go i don't
think i ever want to be in that could have shape when i'm 63 and without missing a beat
Lauren goes uh i don't think you have any problem you know you go oh wait what's he saying i'm sorry
He goes, I don't think that'll be a problem.
I'm trying to think.
I go, I don't ever want to be that.
I don't want to be that in that kind of shape when I'm 62.
It's not something you have to worry about.
Yeah, I don't think you have to worry about that.
Do you have other Lornaisms?
Because I've done some on this podcast, but he is a philosopher.
And I don't know sometimes if they're original because they're so brilliant or he gets them from elsewhere.
Do you remember you would do, Dana, you did guess which Paul?
Oh.
He's like, well, I'm having dinner the other night
with Paul.
Guess which Paul?
That would be Paul McCartney.
Wrong.
Paul Provenza.
What's the, you know, that joke?
How do you get to Lauren's house?
What's the directions to Lauren's house?
I don't know.
You go out to Main Street and then you go ride, right, right, right, right.
That's funny.
Jimmy, do you feel like you're Lauren's best friend?
Do I feel like I'm Lauren's best friend?
Out of all the S&L people.
You've worked longer with him if you had S&L and then the two late shows.
And now, so you've worked closely with him as long as any, but 25 years or something.
Yeah, he's the, yeah, I would say definitely is my best friend.
But I mean, he, if it wasn't for him, I wouldn't have gotten late night.
NBC didn't really want me.
They wanted someone else.
That's crazy.
I remember when you consulted me.
When I heard you were available and they were thinking, how about that, that's so fucking.
and perfect. I was like if you felt like doing it because of your range is so huge. I was leaving
S&L and then Conan had signed something where he was going to get the Tonight Show in like
six years or something? Five years. Yeah. Something like that. It was such a fucked up thing.
I never heard of that happening. They didn't want, they wanted to keep Jay but not lose Conan. That was
the compromise. Yeah. So I remember I was leaving SNL and Lauren goes, well, did you ever want to
maybe host a show? You know, you could take her for Conan in five years.
And I go, I don't know if I would do that.
I mean, I think I'm going to be, you know, big Hollywood star.
He's like, but I'm like, I'm going to go do movies or everything.
And he's like, and Tina Fey was in the office.
She was like, I think you'd be great at that.
You're like Irish and you like to go to bars and talk to people and talk to everyone.
That'll be right up your alley.
That's all it takes.
Yeah, that's all it takes you.
And all the stuff that you got to do on, on the talk shows that weren't totally S&L friendly.
They were just different long dance numbers and we'll go over those in a minute.
But it was like, but.
But so then I go and I try movies.
They didn't work.
Same.
And then.
I'll tell you something that Sandler had said to me because I had clean slate and
Trapped in Paradise and I know you had too as well.
And I had things I was developing with Smigel and other people.
But Sandler at one point said to me, saddles up, you could do it better.
It goes, Carvey, they don't, they mean the people making movies that aren't us.
They don't really know how to do it.
They don't really know how to make it, where to put the can.
camera to be funny, you know? Wow. I never forgot that. Yeah, because you said something once I found
fascinating, the idea of you get to the set at 530 and you do the thing and the blocking and the
master shop by four, 10 hours later, you've said the line 150 times, 200 times, and now you're
going to say it for the movie. It's not even English. It doesn't even sound like, yeah. I go, dude,
I peaked at like 10 in the morning. You want me to be funny now? I'm so exhausted. I'm like, I can't be
funny and like then it's I movies which just weren't my thing at all but then so then Lauren
I go he goes five years later and he goes uh remember I asked you that thing I go yeah I go well
let me ask my wife because now I'm married so I go okay so I asked Nancy she's like you got to do it
you got to do it uh I mean look at the list I mean it's Letterman Conan and you that's a great
list you have to do it even if it doesn't work so she was like I'll move to New York and so I said
yeah, I want to do it. And then NBC was like, yeah, we're not sure we want to be in the Jimmy Fallon
business. Oh, really? What the fuck? After all your SNL stuff and your talk show appearances?
When did you host the video music awards? Because I thought you did a great job. I go, oh, this is a
whole new thing. Like, you were perfect for that. Yeah, that was playing your guitar.
2004 or something like that or 2002 or something like that, one of those. Was that during SNL or right
after? That was during SNL. Oh, no. That was right after SNL. That's what I was leaving to do
movies and stuff. Because that was like a good all-round thing to do. But you were a smash right
right? Yeah. When you got on that late night show, I mean, pretty much, right? Well, it worked,
yeah. It kind of. Yeah, smash was a strong word, Dana. Yeah, smash is a strong word.
I'll say stuff that I say about Jim, Jimmy, when he's not around. There's never been anyone
with your range and you're so versatile, talent-wise. There's no one, no, I'm going back to
Steve Allen. And then also your likeability is, is a 12. And then your interview skills where you
make it all about the person, you know, you're just like Carson. So I thought you were like made out
of a factory. And then tall and handsome, I was like, and he can play guitar and he does Dylan and
he can do Neil Young better than Neil Young. And you two couldn't make it tonight. And he, they think
the roots and Jimmy are better than you. It's like, it goes on and on. So yeah, I felt you were made out
of some kind of German factory.
We should make the greatest talk show host
and six foot two check.
Voices check.
Likeability, jack.
Let him go.
Releasing.
I heard from somebody, a little birdie told me,
that when you and Justin Timberlake are out there
doing all your choreography with the choreographer,
that no, he can't, you get it in one take.
Like this woman does like 10 steps.
And you're like, you can do that.
too. So that's my mic drop on complimenting Jimmy Fallon. I'll take the mic drop from
Danny Carver. And Jimmy's willing to travel to Coney Island for bits. That's right.
Because when they do, like I always tell them when I come New York, I go, so you do the show,
which is already like a beating, just a long day and you have to be very present and focused
and we're going to do this, we got to rehearse this bit. And then sometimes after the show,
you travel somewhere and pre-tape something. Yeah. It's like J-Lo wants to go on the jungle
gym and we've got to go to, you know, Long Island for this bit. And then you got to do bumper
cars with Chris Hemsworth. You got to do it. 30 years in, Letterman stopped doing that, right?
When you get to hit 30, you know, Christ sakes into that fourth decade, I think it's a hard
out at 530, all right? I mean, that's, how are you pacing yourself, I think is the question,
right, David? Yeah. Yeah, I don't, I think, you know, it's, there's something about this that's
fun that's different than S&L is because it's every day.
So, S&L, if you did a sketch and it was in a tanked, you had a week to be depressed.
You know, and you're like, oh, that was awful.
So embarrassing.
This one, if I do a bit that tanks, I have another show the next day and I go, oh, I'll recover tomorrow.
Well, you also have full say, like at S&L's read through, and then you're crossing your fingers
and you get on like a fifth of what you hand in.
And if you're there, you like something it's in.
You don't like something it's out.
That's kind of good.
At least you go with your strength.
You go, I can, I think I can make this.
one work. We've got great writers. We're in a good groove right now. We got some great writers here
and good producers. It's like, it's like, oh, it's super fun. It's like, you know, when it's really
fun, it's like kind of camp, almost, like summer camp, everyone's together, and I got a bit and I got
a bit and I got a thing. And it's like, that's exciting for me. And so every day I come in and you
go, oh, that's such a dumb idea, but I love it. Let's do it because it'll make me laugh.
Right. And when you go on the show, Dana knows for the audience, you're very helpful. So, you know,
you're it's a fun atmosphere you get backstage you come back
bullshit a second and uh and then you go out there and if i'm stumbling through a bit
you're jumping in helping and making sure everything works so all that stuff helps because
yeah uh you know you want you want everyone to look good and the show keeps going but the show
keeps going still still still so i guess it's just up to you to figure out one day if it's just
too much is the only and i've i've loved all my host letterman everybody uh conan all of them
Jimmy is the only one who I literally could go out and throw anything at him.
Like I said, any accent, any bit.
He would just start laughing and just go right at it.
So that's, that is singularly unique.
And the next time I'm in New York, which I've got to come out soon because I just want to hang out with you,
I'm going to surprise you with something.
Don't tell me what it is.
And don't tell me what you're doing and just do it.
And let's see what happened.
I might decide when I'm behind the curtain when you're introducing me.
but I'm gonna I did that to Jerry Lewis on the show and I did that to him and he didn't really
roll with it it was weird he was like wait you want to do this now I'm like I'm like let's have
the roots play jazz and you do the jazz bit where like you're oh you open your mouth and
you point of that thing oh my god that's brilliant which is brilliant I go let's just play with it
see if it's fun and he goes and he goes uh he goes yeah he goes you know it's so weird getting
getting older I haven't been in the city in so long um actually you know he when he came out he started
doing like old Jerry Lewis voice so he was like I first time I was you know and he started
it's really really interesting I was like cool and then he goes but I'm older now and I'm in
so I'm taking the subway and I'm on the subway and and he goes and I see this kid with
dyed hair he has a spiked right he has a red a green a blue hair and these piercings everywhere
and he's just and I'm just looking at him and this kid goes uh what are you looking at you got a
problem I go oh wow uh I go what'd you say to him he goes I said no just 20 years ago I had sex
with the parrot I think you might beat my son he was like setting me up for a joke the whole
time it's kind of funny I felt bad for him but then he's getting picked on on the subway and then he's
setting up this joke really dark it crushed it crushed it crushed it was so funny he's like
no I just had sex with the parrot 20 years ago I think you might be my son that's a good weird
though and I actually like it's out of left field
I love it. I had dinner
accidentally with the ingenue in Cinderfella
we're going back to Jerry Lewis in the mid-60s
where he is writing, directing, producing his movies
and it was and then so I did watch
some of it where he does this long dance
on the sound stage and it really is avant-garde
it's no wonder the French love him
I appreciated it so much more.
I watched it like six months ago.
I was like, damn, so that is kind of brilliant.
Was that Cinderfella the one where he's getting in the argument?
He's the boss and he has a cigar and he's yelling at the jazz.
It's the best thing.
It's unbelievable.
And it might have been called self-indulgent then,
but now it's like it just keeps going and going and going.
And it just, it's brilliant, really brilliant.
I swear I thought Sandler was talking about doing a remake of Cinderfellow in the old, old days.
It sounds kind of up his alley.
he can he can say that's true or not but i remember why did i hear that i think he really just
thought that's adam's was funny spade are you doing a new netflix uh movie you know that's a great
question jimmy i'm glad that when i just texted you that you got it um um uh because you know
the wrong missy was unbelievably funny it was fantastic i loved it you know and everyone i recommend
everyone i'm like dude you want to laugh watch the wrong missy you won't even believe how funny and
And everyone's like, it's the funniest movie ever.
The wrong missy, we stumbled upon.
And I'm finally, there was a rumor at the beginning you were going to ask us questions,
but I'm glad it's finally happening.
The wrong missy.
There's a rumor when you were like, I want to ask you guys stuff.
I'm like, oh good.
Hey, man, that movie did 200 billion minutes or however they keep track.
I mean, it was insane, you know, a billion.
We did a billion find out.
Three billion seconds.
And they go, it's the number one movie in the world.
And you're like, I can't believe it.
They're like, um, we can't believe it.
that's pretty funny
and then like for a week straight
they're like number one in the world
number one in the world
and I'm like
who is the actress
that we played Missy
Lauren Lapkis
and she's great
moly she was funny
yeah Jim Carrey S
level
yes
like just enough
just enough to be so funny
and not annoying
it was like
yeah
brilliantly done
she should have won an Oscar
she should have won an Oscar
and really
honestly you know Jimmy
I was thinking that
because when Tiffany Haddish
was up for
Oscar for Road Trip, was it?
I was thinking, oh, it is actually possible.
Like, Lauren could have been up for that because, I mean, it's a dark, it's R-rated and
stuff, but she was so good and so out of the blue.
Never seen anything like it.
I was so funny.
And the movie did so well that I was like, it wouldn't surprise me.
It would have surprised me because that stuff doesn't happen and it did not.
Who directed that?
What team was that?
That was Tyler Spindell.
That was from Happy Madison.
Yeah, I know him.
Yeah, he's good.
But he did, he's doing a new one with Pierce Broson right now.
But I would do another wrong missy.
I actually meeting someone today about a movie with Lauren because Lauren,
yeah, I'd say, do a sequel, wrong or missy?
Well, we're like bogey and McCall at this point, I feel.
Which one's bogey?
I don't know.
I don't know who those people are.
That was like an old, uh, Laurel and Hardy bit.
They used to go like, no, me and the boss had just like this.
and he crossed their fingers.
And he goes, which one's you?
He's like, well, any point.
He's like, well, this one's like, oh, just get on the thing.
Yeah, it crosses which finger is the box.
Yeah, get out of here.
By the way, enough about me, but I did like that.
Thank you, Jimmy.
No, no problem.
Also, when you guys were talking about Neil Young,
I had a confession that you said people have different levels of their voice.
When I was listening to Guns and Roses,
who a lot of you people know, it's a new band.
The number one song, the number one.
Number one with a bullet.
Guns and roses.
What did he do that old song?
Guns and roses.
Mama take this badge.
Oh yeah.
I thought it was two people singing.
Oh.
Guns and roses with welcome to the joke.
Because he goes low and then he goes higher.
You two fucking fools.
Listen to my story.
All right.
Go ahead, Dave.
Checking in.
I'm revive the boss.
Bruce Springsteen, a man in his guitar.
a man who likes to call his guitar his own.
And here he is.
He writes, Dear Casey, dear Casey, can I ever play guitar like Bruce Springsteen?
And the answer is yes.
Keep your feet on the ground and keep reaching for the shares.
Dear Casey, I'm a bit of a fuck-up.
Is there any chance for me in show business?
Of course there is.
He writes, Dear Casey, I'm a complete dick to most people I meet.
How can I be a nicer person?
Dear Casey, I read Playboy just for the articles.
Dear Casey, this may be off subject, but I whack off 35 times a day.
Dear Casey, I put a Fitbit on my left hand, and I get no steps.
I put Fitbit on my right hand.
I get $500 million.
What am I doing with my right hand?
Dear Casey, my socks tend to droop.
How can I hold them up and keep them from drooping?
It's Ben Swiller from Tallahassee, Florida.
I put my girlfriend's scrunchy around.
my dick and balls.
Is there an easy way to get off?
Oh, come on.
We're going to go.
I don't care.
I don't care.
What are you doing?
What are you doing to me?
What is this a corporate gig?
Hey, this guy, over here, this guy over there, over here.
No.
Get over here.
Get out of here.
Yeah, you get over here first and then get out of here.
Get the fuck out of here.
Get over here.
Get out of here.
All right, David, finish your story.
Now I feel bad.
Nobody gives a fat fuck about my stupid.
story about Axel Rose, who's a...
You thought it was two people.
Thank you, Jimmy.
You tracked that story.
But that was the one where he goes,
Mama, take this dad from me.
And he goes, well, give me welcome to the jungle.
You got to be able to do it.
Knockin on heaven's dark.
Yeah.
No, he goes, not.
Welcome to knocking on heaven's down.
Yeah.
And I thought that was a different person.
Yeah.
Oh, you did.
You did.
You're so, you're Arizona.
I hate your guts.
You're Arizona.
Who are you talking to?
Me or Dana?
No, I like you, Jimmy.
You seem cool.
We're supposed to have dinner tonight.
You know what, Dana?
When you come to New York.
At a celebrity hangout.
Oh, yeah, we are going to go to dinner.
Me and Dana are.
We're cheating on you, Jimmy.
Oh, is flying the wall being hit, just changing you guys?
Do you act different now?
We're cock here.
Yeah.
You are?
And you go to hotspots now, LA hotspots?
We go to hotspots.
We go to C and B.C.
And I'm a man about town.
Woo.
Making a move in my 60s.
They go, oh, you're getting famous.
No one can do what he's doing.
Check his Wikipedia.
You're getting famous about talking about a show that made you famous.
I'm like, he didn't fade.
He's as sharp as ever.
Almost 80.
I listen to you and smartless.
They're my favorite podcast.
Oh, what about Clueless?
That's David's new podcast.
Sorry.
I like to go back to the scrunchy around the balls.
That was a real question.
All right.
Is it easy to get off?
My wife loves this podcast.
Oh,
she doesn't like it to go too blue.
She doesn't mind people say,
fuck,
motherfucker shit,
but, you know,
deep downtown
gynaecological type stuff
and balls and dick.
Maybe it's not a favorite.
Downtown,
uptown, round down,
round down.
I'm doing George Carlin.
Oh, yeah.
Later George Carlin.
George,
drop the G and you have orange.
Why are there no blue fruits?
There's no blue fruits.
You can download
Uptown download
Jumbos shrimp
Big shoes, little shoes
Brown shoes, yellow shoes
Girl shoes, boys shoes
Everyone need shoes
garage
They're not selling the garage
Honey we're selling the garage
The king of lists
He was he was had an incredible
He memorized the list
And he just yeah
Brutberry yogurt
Strawberry yogurt
Vanilla yogurt
He'll shut the fuck up all the pot
At the end it was like that
It was like, there's no blue food.
And you go, what about blueberries?
And he goes, okay, there's one.
I waited on George Carlin at the holiday inn in 1976.
Tell Jimmy.
I brought him a bullet.
And we liked it.
We liked it.
I loved it.
No.
I waited on George Carlin in 1956.
And he was doing hippie-dippy weather man.
He's a hippie-dip-diffy-div-div-div-a-d-d-d-d-d-d-d-d-d-d-doo.
He's not a normal weatherman.
He's a hippie-doo
Where they're in.
Tomorrow's forecast hot.
Tonight's forecast dark.
Tomorrow's very far out, man.
Far out, man.
He's the greatest.
Greatest guy ever, man.
What about the guy who talks like this?
Most of my impressions are that.
Just go down.
I was Pat O'Brien.
I did that everybody.
Pat O'Brien's great.
DJ, everything was this voice.
I would do a, welcome back.
You're listening to Z-105, everybody.
We're here with that.
But the great David Spade, David, we're just talking back
Because I want to talk about your movie
We'll be right back on the Z
You Waterly
And then you go to commercial
And you go, David, thanks for being here, man
We're going to talk about your movie
I was so funny on Netflix
All right, here we go, we're coming right back
And we're back here Z-105
I'm here with David Spade
Hey David, I did not like your movie
That was terrible
And you go, wait, you just told me before.
That's basically
how you do Regis Philbin. You've got to go there
if you're going to do Regis? Honest to God,
is there anyone better than Jimmy Fallon?
He's very nice.
I've stolen your Regis Philbin.
I do your Regis Philbund.
When I do it, and I do Dana
yelling like Regis Philp.
That's it. You got it.
Damn, I got one.
Jimmy, I got to go in a little bit.
But Jimmy, we have a hard hour.
No, Jimmy, when you,
go on these radio shows like they go uh uh dana like you're doing a gig in that town and they go you
got you got a call into the zoo crew oh yeah yeah so they go like this hey david we got 30 seconds
okay we're going to put you on hold and we pick up it's going to be jim bobo zip zip a talking zebra
a bitcoin a robot and a cockatoo okay you'll know who everyone is okay here we go three two one
and you go wait what am i what's going on i was a i was a i was a dj i was a dj i was a it's
see if you guys think this is funny it's not but i was a dj in college and i would go i go it's it's um
it's 313 in the city 2 11 on the dane rock it was always a different time than the real time
it's 4 o'clock in the city 3 p.m on the dain rock i don't know what makes no sense
it's not bad that's your and it it didn't stick i like it it didn't because you're on your own planet
you're on your own thing when you're listening to dane rock dain rock i know i know well i like it
It's 3 p.m. in Sacramento, but it's 12.30.
In the Jimmy Rock.
On the Jimmy Rock.
I used to get just Tommy in the Bull.
It's Tommy in the Bull.
You know, you wake up at 6 a.m. playing some shitbox club in Mississippi.
Tommy in the Bull and the...
Yeah, the Greece man.
Remember the Greece man?
Oh, I remember Greece.
The Greece.
What about Lykes?
Dear, never pay for a woman's lunch.
All right.
Jimmy, I'll ask you one last question.
David, you have one last question.
Does he get one last one?
I mean, I was going to summarize this whole appearance.
Danny usually gets one last question, then you summarize.
Go ahead, Dana.
What was it like on Saturday?
When you're leaving, when you're, it's a worst question.
Did you ever, you ever, you ever, you ever listen, Howard Stern always ends his
interviews, the best where he's like, all right, well, we've done it all.
We've said it all.
No, Jimmy, I love Howard.
You've done it all.
You've done it all.
You've done it all.
You've done it all.
You've done it all.
It's great.
And you said, we've said it all.
You're getting pushed out the door.
You're pushing out the door.
They're like, that's the end of the interview.
I like his laugh when he goes,
Oh, yeah.
I can't even do.
I used to do an impression of him.
That was just lost.
That was pretty good.
Can I do my Trump not saying anything for you?
Yeah.
Okay, we'll end on that.
There's no subject.
Frankly, let me tell you, you're going to be seeing a lot of it that I could tell you.
I mean, when you look at it and it didn't work out so great for some of those people,
you're seeing it all over the place.
Many people are saying, we don't want that.
We're not people who do that, okay?
So when you look at it, what they're doing, look at all of it.
People are very disappointed because it's a terrible deal, a really bad deal.
We're going to be doing something very soon, and you're going to be seeing a lot of it.
You're going to be happy like you wouldn't believe.
He literally has no subject matter.
He's not talking about anything.
Anything.
That could fit into anything.
That's his genius.
Wait, do you have one, come on, do you have one question?
Sorry, Dana.
How was it?
I don't think so.
I don't think so.
David, do you want to summon it?
No, I would say.
What are you happiest about when people stop you at an airport or on the street?
And they mention a specific thing throughout your long career, which is the one that kind of
you go, oh, you know that one?
You like that one, huh?
Yeah.
You may not have that at the tip of your brain.
Oh, well, like, Cowbell is the sketch everyone asked about.
Oh, yeah.
That one, which by the way.
Let's not sleep on Cowbell.
One of the best of all time.
That was not, I almost didn't make it to air.
That was not supposed to make it to air.
It was in the, it was in the, what do you call that, the, the death one, the before, before good
nights?
Yes, it's in the death one.
It was in the death space.
With Christopher Walken?
Yep.
Oh, wow.
With Christopher Walken, Will Ferrell and, uh, and, and it was, it was that, it aired probably
right at the end of the show, like probably 10 to one.
Oh, five to one, yeah.
It was five to one.
It was a weird sketch and everyone was on fire, dude.
Everyone was being super funny.
And it was like my third or fourth show on, uh, on the show.
And I remember, that's where I got.
the reputation for laughing and breaking in the scene because it was just everyone was
Will Ferrell was so funny and Catan and Horatio and then Waukin was doing like an
impression of Waukin he wasn't even doing himself he was you know we got to what
you know he was like I got a hanker and more cowbell yeah and it started the room started
shaking do you know when the room when SNL like shaking it's hooked yeah I mean I was there
that night when you were I did a guest spot or something and I remember it
I call it levitated the room
like went to another
level. What sketch of yours
crushed the hardest that
levitated the room?
Headwood Harry? I was doing
yeah. Headwood Harry
with the dog is up there. I was there for that.
I was doing Church Lady
with Joe Montana
and Walter Pate
and a lot of sexual in the window. I wasn't
my proudest moment but it
this old guy came up to me afterwards
you know I've been I'm in charge of sound
I've been looking at the meters for decades
and I never seen them peek like that.
Wow.
And I said, come a geese on.
Oh, all right.
What was your killer?
What was your crusher?
Bye-bye?
Too many to mention.
No, but-bye.
And you are.
Bye-bye was probably the one that we only did once or twice
that had the most lasting effect.
And then one of the best moments is when Farley grabs me by the neck and goes,
lay off me, I'm starving.
Yeah, the gap girls?
Yeah, when he goes, lay off me, I'm starving.
No, wait, how do we all do impressions?
And David, you did not do Michael J. Fox.
Oh, we do that a lot of shows.
Yeah, casually, sorry, you were introduced it.
David.
It's because it's sad.
I only do one.
No, it's not.
People are waiting for it.
It's the end of the podcast.
Can you say, hey, Sarge.
Yeah.
And casualties of war, Michael Fox.
Michael J. Fox.
Hey, listen.
You got to give me a minute on this here, sir.
She's just a farm girl.
She did nothing wrong.
You should do cameo as Michael J. Fox.
Like, you know, those things where you can do.
It's $9.
Yeah, and you charge a buck.
Everybody, you charge, say, Sarge.
Happy birthday.
You guys should do, oh, none of us are on SNL.
We do celebrity cameos.
You should do on your show.
Do all impressions and everyone does their cameo.
Yeah.
You know, it's funny.
Hey, I heard it's your birthday, Sarge.
you're getting your birthday sarch you're gonna have a good time i can't do without saying sarge to someone i need
sarge you got to have sarge in there thank you he's talking to uh shan penn in the scene
because sean pan attacked a farm girl and uh michael good heard you're getting your kidney
removed sarge and i just wanted to wish you the key to get an oscar is always look like the sun is
in your eyes yeah man oh yeah that is good you're squinty that's part of it don't give way all the tricks
all right jimmy i know you got the show tonight you have a heart yeah enjoy the show tonight i love
thank you so much for inviting me to do the show and you guys are two uh of my favorite comedians
ever uh on the planet and i just love both you guys so much and congrats on the show and i hope it
didn't bore you guys too much no way it was such a blast i told david last night on our walkie talk
i go jimmy's just going to be fun and you were just a blast it's just a blast it's just a blast
we didn't get to all of all the questions supposed to ask a lot of rude question didn't get to him it's just a
It's a surprise care man.
Hey, go to the gap.
Go to the PDA.
The price of the cable kool-knit's sweaters.
Okay, bye.
Bye, thank you.
Bye, boys.
Hey, what's up, flies?
What's up, please?
What's up people that listen?
We want to hear from you and your dumb questions.
Questions ask us anything.
Anything you want?
You can email us at fly-on-the-wall at cadence-13.com.
Yeah, you read it.
Okay.
This is from Linda Brand.
Hi David and Dana
That's nice
If you could go back
And be on any season of S&L
Other than your own
Which cast would you most want to work with
And what do you think you could add to the mix
Thanks for the podcast
I look forward to it
Almost every week
Sometimes I'm busy
That's too much information
So anyway, what do you think
Who would you go back to?
Or forward to
I have a big code on it up
By the way if we ever sell merch Dana
We'll sell just a black t-shirt
That's your merch
It's called Be Simple and Black.
It's called Be Cool.
You're cool.
Chicks like this.
If you have a pair of Levi's and a black t-shirt, you're kind of fit like most of our crew is here.
The ladies go crazy.
It's all about the relationship between the shoulder and the hip.
If I had to go back in time and do an S&L cast, I think I would probably want to be on that first year just because it was such an explosion of just blew up the whole country and no one saw it coming.
I don't think I could add a lot to it.
I'm not a super character guy
I just
I would just like to be there
because it was so cool
and it was such a big fucking deal
Dana
Thank you David
I think that
when I think about people
I'd like to play with
I couldn't really pick
a cast or a season
but I'd love to have been in
coneds with Dan Aykroyd
or loved done something with Bill Murray
I got to do stuff with Phil Hartman
and Mike Myers and Adam Thubal Thu
and all those people
Whenever you make a list, later on, you're up at night.
What's wrong, honey?
Well, Will Ferrell.
I loved to be in a killer sketch with Will Ferrell.
I did do one where Will is 6-4-230, and I played his dad, Bush Senior.
He was Bush Jr.
And he had to sit on my lap.
I'm 5-8-150 on a good day.
So that was, but the surgery was successful.
It was a hip dis...
But no, we did do that, and that was awesome.
I do also...
Well, I like everybody.
I think the current cast is best.
I hate a grumpy old man, and my day was better.
I say the current cast
I would love to go in there
with Chris Red
and Heidi Gardner
and you know
obviously
that's all I can do
I'm sorry
I can't answer the question
because it's a fool's
yeah you know
it takes people
a long time to know
the cast
so by the time
you know them well
is about the time
when they leave
so the cast
is usually more famous
after the show
when we were there
and not many people knew us
and then you leave
and they go
oh that was such a great time
meanwhile I once said
we sucked
so when we were there
and that usually happens
they go this
This cast sucks.
I wish I'd stay a few more as long.
I could have gone toe to toe with you
since we should have done some kind of like,
hey, I'm Fricky, I'm Fracky.
You know, it's like a little talk show characters.
Fricky and Fricky could have possibly gone
to read through and crushed it.
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Fly on the Wall is presented by Odyssey,
an executive produced by Dana Carvey and David Spade,
Heather Santoro, and Greg Holtzman,
Maddie Sprung Kaiser,
and Leah Reese Dennis of Odyssey.
Our senior producer is Greg Holtzman,
and the show is produced and edited by Phil Sweet Tech.
Booking by Cultivated Entertainment.
Special thanks to Patrick Fogarty,
Evan Cox,
Mora Curran,
Melissa Wester,
Hillary Shoeck.
Eric Donnelly, Colin Gaynor, Sean Cherry, Kurt Courtney, and Lauren Vieira.
Reach out with us any questions to be asked and answered on the show.
You can email us at fly on the wall at odyssey.com.
That's A-U-D-A-C-Y-I-com.