Founders - #391 Jimmy Iovine
Episode Date: June 13, 2025You grow up in a rough neighborhood in Brooklyn. You drop out of college. Your dad is your best friend but you don’t want to work the docks like him. You’re determined to “do something special.�...�� You get a job sweeping the floor at recording studio. You get fired—twice. You’ll do anything to work in the music business, including working on Easter Sunday. That’s how you meet John Lennon. This is the day your life begins. You focus on being of service. You stay in the room and in the saddle. Bruce Springsteen teaches you what work ethic really means. You work with Tom Petty, Bono, Patti Smith, Stevie Nicks, and countless others. You’ll produce hundreds of songs. You get restless, start a family, and start a record company. You get advice from David Geffen. You figure out your edge is producing the producers. You work with the absolute best, hand them the keys, and tell them to drive. You’re a scrapper, you’re persistent, you use fear as a tailwind, you keep the main thing the main thing, you work all the time, you put 100% into whatever is in front of you. You’re described as fiercely competitive, insanely driven, and brilliant. You can never turn it off and you don’t understand why everyone else isn’t like that too. You start multiple companies, make billions of dollars, and tell the best stories when you go on podcasts after you retire. You are Jimmy Iovine. This episode is what I learned from rewatching the documentary The Defiant Ones and listening to these excellent interviews with Jimmy Iovine. ----- Ramp gives you everything you need to control spend, watch your costs, and optimize your financial operations —all on a single platform. Make history's greatest entrepreneurs proud by going to Ramp and learning how they can help your business control your costs and save time and money. ----- Join my free email newsletter to get my top 10 highlights from every book
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Jimmy I've even spent his career working with the very best people we can people like John Lennon Bruce Springsteen Tom Petty Bono
Dr. Dre Trent Reznor Eminem and Jimmy knew just like Steve Jobs knew just like Jeff Bezos knew that you always bet on talent
in fact Steve Jobs said that you must find the extraordinary people that a small group of a plus players can run circles around a
giant team of B and C players.
And Jeff Bezos set the tone from his very first shareholder letter when he said that
setting the bar high in our approach to hiring has been and will continue to be the single
most important element of Amazon's success.
You must build a team that pursues the A plus players.
That is exactly what Jimmy I've been did.
And that is exactly what Jimmy Iveen did and that is exactly what Ramp did. Ramp is
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so much value for their customers that the customers never leave. Ramp is an example of
that. Last year, 12,059 businesses signed up for Ramp and only eight of the 12,059 businesses decided Ramp
wasn't for them.
I run my business on Ramp and so do most of the other top founders and CEOs I know.
I hear from people that listen to this podcast every day that have switched to Ramp and have
raved about the quality of the product.
Make history's greatest entrepreneurs proud by going to ramp.com to learn how they can
help your business today.
That is ramp.com to learn how they can help your business today. That is ramp.com. I've been wanting to
make an episode on Jimmy I've been for years, if you ask me,
who would you most like to meet and have a conversation with?
He's towards the top of the list of people that I'd love to meet
and have a conversation with the four part documentary on his
life in partnership with Dr. Dre. It's called the Defiant Ones.
It's one of my favorite documentaries
of all time. I rewatch it all the time. I've probably seen it more than 10 times. And there's
certain parts and clips from it that I've seen over 100. And what is fascinating to
me is like if you go and search for Defiant Ones, you can read the description of the
documentary, and it would say something like, the Defiant Ones tells of the unbreakable
bond of trust and friendship between music legends, Jimmyovine and Dr. Dre, two street smart men from different worlds who together defied
traditional wisdom and transformed contemporary culture in the process.
Yes, it is undoubtedly about the life and the partnership of Jimmy Iovine and Dr. Dre
over multiple, multiple decades.
But what I really think the Defiant Ones is about, it is really a documentary about
entrepreneurship. So to make this episode for you, I rewatched all the Defiant Ones and listened to
every interview I could find by Jimmy. And because there's no biographies, there's no autobiographies
of Jimmy Iveen yet. I hope you, I would love if you wrote an autobiography. And so then what I did
is took notes on all this, combined this into one outline,
and that's what I wanna talk to you about.
And just before we jump in, it's like,
one of the reasons he's really special is like,
he's one of these, Jimmy's one of these
super talented people that the general population
probably don't really know.
They're most likely not familiar with him at all,
but the top people in his industry know and admire him. Going way back
from like John Lennon, Bruce Springsteen, Tom Petty, Dr. Dre, Eminem, David Geffen,
countless other music executives. And so hopefully by the end of this, you'll see why those people
and me admire and study and learn from Jimmy Iveen. He's got two of my favorite ideas that
I've ever heard, which I'll point out to you as we go through this. And I want to start with the fact that
he was born in Brooklyn. And his dad when he graduated high school, the plan was like
his dad set him up and to get him a job at the docks. So Jimmy's dad was a longshoreman.
These are the people that obviously move the cargo from the ships to the port and back
and forth. And Jimmy didn't want to be a longshoreman.
He actually does something. Jimmy does something right from a very young,
young age. That's really smart.
That would actually make Charlie Munger proud.
Charlie Munger would always say invert, always invert.
And so Jimmy says, I was thinking not what I was going to do.
I was thinking what I wasn't going to do.
I wanted to do something that was special.
He did not want to have a normal life,
just having a normal job.
He admired his dad.
His dad was his best friend.
We'll talk a lot about that.
But he didn't want to be a longshoreman.
And he didn't have a lot of interests,
but one thing that he was interested in
from a very young age is the fact that he would sit
in his room and listen to music
for hours.
He wouldn't just listen, he would study it.
He says in the documentary that he would read the back of album covers.
And so his family at the time says that Jimmy has a skill that actually come in really handy
later on in his life and career is that he was able to make you a super fan of whatever
he was a fan of. And at this time, it was just the people, the music that he was able to make you a super fan of whatever he was a fan of.
And at this time it was just the people, the music that he was listening to.
So through a family member, he winds up meeting this young, talented singer songwriter named
Ellie Greenwich.
And it was Ellie Greenwich who got him his first two jobs in the music business.
And really that's a stretch to say he was in the music business because his first two jobs in the music business. And really, that's a stretch to say he was
in the music business, because his first job in the music business was sweeping up in the
recording studio. Somehow he managed to get fired from that job. She gets him another
job in a recording studio. This job comes with a 90 day trial period. Jimmy gets fired
on the 89th day. And so he's walking home after getting fired. He calls
Ellie and he's crying. And Ellie gets him another job. This one, she got him a job at what will become
a famous recording studio called The Record Plant. What I love about Jimmy's ability to tell stories,
he will talk about what happened, you know, outline his career and what happened to when
he was younger. And then he'll tell you what the important lesson from that was.
And his point was like, hey, when you're in a position to help somebody, you should help them.
If you feel they deserve help and they deserve a break, you should do whatever you can to help them.
Because he was really talking about Ellie.
What would have his life have been if the second time he got fired from a recording studio,
she decided not to try to help him get another job.
That one act by her changed the entire trajectory of Jimmy's life.
And it winds up being his first big break because at the record plant is where he meets Roy Cicalla.
Roy Cicalla is a legendary engineer and producer, winds up becoming Jimmy's mentor.
Jimmy talks about this. He says, when I was younger, I was scared to death.
I didn't know where my life was going to go.
And then I met Roy Ciccalla and John Lennon and they gave me a shot.
And then I worked with Bruce Springsteen and Patty Smith and that was my college education.
I felt freedom, freedom from what I didn't know.
And one of the best things that Roy Ciccalla did, he's a legendary engineer and producer, he would teach you by
working through you. And so what working through you means he
would literally sit Jimmy down at the board and say, Hey, hit
that button, push down that lever, see how the sound
changes when you do that. Now do this. Now when you do that, do
this at the same time. By working through Jimmy, it gave
Jimmy a feel on how to actually make
a record. He says Roy, Roy gave me my skills. And so Jimmy's first big break comes from
answering phone, he's going to describe what's about to happen here later on as the first
day of his life. So he got a big break because Roy Ciccola calls Jimmy on Easter Sunday and
says, Hey, I need you to come in and help out in the studio.
Jimmy's living at home with his family. He comes from a very traditional, you know, New
York Italian family. And his mom's like, you're crazy. You can't go. It's Easter Sunday. But
Jimmy said, I'll do anything. I will do anything to make this work. He shows up to the studio
and Roy tells him, I just wanted to see if you'd come in, it was a test. In the studio with Royce
Acala on Easter Sunday was John Lennon. And so almost overnight, Jimmy goes from sweeping the
floors to working the board with John Lennon. And so on all these other interviews and all these
other podcasts, Jimmy tells these incredible John Lennon stories. The interview that Jimmy Iveen
did with Rick Rubin a few years ago was the best podcast,
single podcast episode I heard all year. And a lot of the stories that Jimmy tells about this
period is just like taking this extremely serious doing whatever was was ever as necessary not to
get thrown out of this room. Remember, he'd already been fired two times before. And he says,
listen, I was just like, how do I not get thrown out of this room? Because I've been thrown out of
a few rooms. I was sweaty. So I'm being very, very nervous. How could you not be nervous? John's a beetle
for God's sake. I'm sweaty. How can I just overdo it? How do I just serve? How can I
be of service? I learned he talks about, you know, not only running the board, setting
up the mics, making sure this sounds good. He's like, I learned how to make John Lennon's
tea. I got so good at making John Lennon's tea, he wouldn't let anybody else make it.
I timed it exactly right. The way I am about everything, I was about that fucking tea.
And so this is another example of somebody further down the line, more successful, trying to help Jimmy.
He says John Lennon would just give me a shot on anything and everything. It wasn't because I was talented.
It's because he liked me and he felt he could trust me. And so John is
the person that's going to send Jimmy for the first time to California because
John's gonna fly to California and work with this legendary producer named Phil
Spector. There's a bunch of crazy stories are about to happen here. Four decades
later, after I tell you stories, four decades later, Phil Spector is going to
actually murder somebody, and
he's going to die in jail. But one of the things I have to
point out to you is, one of the things that Jimmy talks about,
and it's one of my favorite ideas, and I'll go over this
with you is just like, everybody feels fear. If you're trying to
do anything new, if you're trying to be successful, if
you're trying to change the trajectory of your life, you
are going to feel fear, you've got to be able to step forward
when you feel that.
And I want to give you some background here.
John Lennon puts Jimmy Iovine up
at the Beverly Hills Hotel.
Jimmy Iovine is 20 years old.
He had never been on a plane before.
He had never stayed at a hotel before.
And now he's going to find himself in a room
and have to figure out a way to help
two of the most well-known people in the music business.
And this is where he just tells crazy stories.
So he sets everything up.
It's very difficult to get the sound exactly right.
Phil Spector shows up at the studio.
Jimmy's already been there for hours and hours and hours.
And Phil Spector walks into the studio.
He's wearing a white butcher coat
and he's got two guns strapped to his chest.
Remember, this is a guy who four decades later
is going to murder a woman at his house and die in prison. And so Jimmy is telling a story. Remember, he's 20 years
old, has no experience, has a lot of fear, has a lot of insecurity. He said it was complete
chaos. Phil was yelling at people. He was calling Cher a whore. Cher was in there singing
backup. There was alcohol, gallons of alcohol. They're drinking the whole time. Phil Spector
is yelling at everybody and is crazy. We have to record for three weeks like that.
One day Phil comes in, goes to the bathroom in the recording studio and
starts shooting the bathroom up.
Another day, David Geffen shows up at the studio.
At this point, David Geffen is dating Cher.
So 20 year old Jimmy Iveno has no experience, a lot of fear, a lot of insecurity, finds himself in a tiny, tiny room and he's got David Geffen is dating Cher. So 20 year old Jimmy I've been us no experience a lot of fear, a lot of insecurity, find
himself in a tiny, tiny room. And he's got David Geffen
behind him and Phil Spector next to him. And Phil is drunk and
chaotic and yelling. And so he tries to start yelling at David
Geffen. And this is the way Jimmy tells the story. Phil is
yelling at David. So David says something very David, David says,
I don't know about you. but right now I have the number three, four, five, seven and eight top songs in the
country. This induces Phil into a state of rage. And Phil decides to try to attack him
physically says Phil jumps into a karate stance, which made me laugh. And what also made me
laugh is Jimmy's interpretation of this. Remember, Jimmy's from Brooklyn. He grew up on a rough neighborhood,
and now he's around all these famous and really successful people.
And he goes, oh, these people do this, too.
This is stuff I see back in Brooklyn.
And so the main point here and what I really thought about
as he's telling these stories and I was watching a documentary
listening to these interviews, like imagine being this young kid.
It you have to work through this.
You have to work through all this.
You're in a very turbulent environment. And
you know, if you fuck this up, it's not like you're going to
get another chance. And so that leads me to one of the two
favorite ideas of Jimmy, I mean, I mentioned earlier in the fact
that you need to use fear as a tailwind. This is what Jimmy
says, fears a powerful thing, it's got a lot of firepower. If
you can figure out a way to wrestle that fear to push you
from behind
Rather to stand in front of you. That's very powerful
I always felt that I had to work harder than the next guy just to do as well as the next guy and to do
Better than the next guy. I had to just kill it. That is still with me in how I work
I just go in and he would say over and over again
You have to train yourself that anytime you feel fear you have to take a step forward
And I think one of the most important things it definitely you know, Jimmy talks about this over and over again
It's like one of the most important and influential
relationships he has in his life is with his father and I absolutely love
What Jimmy's father did for him his father gave Jimmy confidence and this is what he said about his father.
My father was a real cheerleader. He always told me whatever room you go into is better
because you are there. So I never felt no one wants me here or I don't belong. I think that's
really important because Jimmy said in another interview that when he was younger, like I had a
lot of insecurities and a lot of fear. I was one of those guys like, Oh man, I hope they don't hit the ball to me.
And so he gets to work with Bruce Springsteen.
There is so many great ideas that he learns from Bruce, but I think the two most important
ones is the fact that he really this for the first time in his life, he sees what a real
work ethic looks like.
He says over and over again, I learned my work ethic from Bruce.
And then the second most important thing that comes out of this is the fact that they become
lifelong friends.
This is like 1975 or something like this.
I think Bruce is like 80 now.
Jimmy's in his seventies and they're still friends.
And so the way I think about what Jimmy is about to witness here is I can summarize this
in one of my favorite maxims.
Mediocrity is always invisible until passion shows up
and exposes it. Jimmy says Bruce Springsteen taught me a work ethic. Bruce taught me that
you don't stop until you get it right. Bruce's parts in the documentary about this time are
some of my favorite ones. This is a bunch of quotes I want to read to you. He says,
if you want to accomplish what hasn't been accomplished before, you have to be relentlessly
and unapologetically determined.
You had two kinds of guys that we ran into at that time. They're the kind of guys that wanted
to go home at five o'clock and their interest in what you were doing didn't exceed the normal day
for them. And those guys never lasted because when you're trying to push the boundaries on things
and when you're trying to move into different types of frontiers, you need to be surrounded by people who really believe
in what you're doing.
Damn it, that is such a good point and a great quote.
If you're trying to do something new, if you're trying to push the boundaries, I would say
if you're trying to live up to your potential, to fulfill your potential, you need to be
surrounded by people who believe in what you're doing.
He continues, we were just very, very determined. If you were new to our club,
the relentless pursuit of our idea would have exhausted you. It was simply
understood that you are there because you believed what we were doing was
worth it. And so all these people are talking about what it was like working
with with Bruce back then and he says that Bruce would simply lose track of
time. Bruce said we spent three weeks trying to get drum sounds right which is
indulgent but sometimes you need to be indulged. Jimmy talks about this that
Bruce would stand over him and say one word over and over again.
Stick, stick, stick.
And what Springsteen meant by that is like hit it again.
The drum was not producing what he called size and power.
It is producing the wrong sound.
It is not good enough.
So do it again for three straight weeks. And then Jimmy has this great quote from Bruce Springsteen.
There's, there's quotes sometimes where a person reveals their inner
belief and they can do it in a sentence or a handful of sentences.
And you immediately understand who that person is.
And this quote is the most important quote for me.
It's the reason why next to me is this giant book that I'm going to read, which is Springsteen's
autobiography called Born to Run.
I heard Jimmy say this quote that he heard from Springsteen and I immediately ordered
the book.
This is what Jimmy said.
Bruce said something brilliant.
He said, I didn't want to be rich.
I didn't want to be famous.
I didn't even want to be happy. I wanted to be rich. I didn't want to be famous. I didn't even want to be happy.
I wanted to be great.
Do you have any idea how many of the founders that you and I have studied on
this podcast that that applies to?
And so I went through Bruce Springsteen's autobiography and I wanted to see all
the mentions of Jimmy Iveen in Springsteen's autobiography and I found this
excellent quote on what Jimmy Iveen was like at this time in their life.
And Bruce writes this line almost like he's writing a song.
Jimmy Iveen, brilliant imposter, young studio dog with the fastest learning curve I've ever
seen.
So Bruce is applying relentless pressure on top of a young Jimmy Iveen.
He says, Jimmy would fall asleep at the soundboard.
He was under so much pressure and so sleep deprived, he almost quit.
And then Bruce's manager gave Jimmy some of the most important advice.
This is when Jimmy thought he couldn't take it anymore and he tried to quit.
And Jimmy said this is one of the most important things that anybody ever told him.
He said, Jimmy, stay in the fucking saddle.
You are missing the big picture. What are we here for? We are here to help Bruce make the best record
he can. That's the job. We're not here to make you happy. We're not here to make me happy. We're here
to contribute to Bruce's project. And it is Bruce's project. If you go back in there and you say to Bruce, I am here to support you. This is
not about me. It's about the album. You will have a friend for the rest of your life and you'll
have learned a lesson. That is the big picture. The idea to always stay focused on the big picture
is the piece of advice that Jimmy would repeat and apply for the rest of his career. This is
Jimmy's key takeaway from that advice in this experience.
He said, you were there to help make their project better.
And part of that is caring as much about their music as they do.
I just said, if these people are allowing me in this room, I'm going to do as much as
I can to be of service to them.
That's what it was built on.
It's funny, some of the best investors
I know actually speak exactly like this and how they view the founders they work with.
In fact, I was talking to Josh Kushner at Thrive and he said almost this exact same
thing to me. I'm going to read this back. And it's really his view or my interpretation
of his view of the founders that he works for. You're there to help make their project
better and part of that is caring as much about their music as they do.
I just said, if these people are allowing me in this room, I'm going to do as much
as I can to be of service to them.
That is what it is built on.
And so Jimmy doesn't quit.
Jimmy goes back in that room.
He helps Bruce do whatever he can to make the best album he possibly can.
And the result, the album they were working on is Bruce's album, born to run,
which goes
on to be the massive success.
And to this day, which I think the album has been out probably for 50 years, if you go
and look at any list of, you know, the top hundred, top 500 greatest albums ever made,
Born to Run is on those lists.
And so Jimmy's life changes.
Now he's like, Oh, I want to work with the same guy that worked on born to run.
And Jimmy talks about the fact that this is success can be one of the most
dangerous things that can help to happen to you.
He says you have success and you start feeling yourself.
He says, I call this breathing your own exhaust to the maximum I have for this
breathing, your own exhaust is a great one, but if you go to sleep on a
wind, you'll wake up with a loss.
Stick to the routine, stick to what got you there.
What was great was that they locked themselves in a studio
and didn't leave until it was perfect.
And so Jimmy sucks while making mistakes
at this point in his life.
He's like, oh, like I got hired by this band called Fog Hat.
And you know, he goes, I wasn't good at my job yet.
I didn't understand.
He goes, I brought my girlfriend to some of the sessions.
So he starts living the lifestyle, not realizing that that's not what it is. It's the work, some of the sessions. So he starts living the lifestyle,
not realizing that that's not what it is.
It's the work, it's the routine.
And so he winds up getting fired off that project.
And then he has this great line about this,
which is also another great idea.
Just a lot of like, you know,
he's a college dropout,
kind of from the streets of Brooklyn,
but he's got so much wisdom about,
he just has a fundamental understanding of,
you know, human nature and how to add value to other people and how to be successful. And he says, you know, he got fired. He was
on like the top of the mountain, right? It's like, we just did board a run. Now my next
project I got fired. Now I'm down in the valley. And he says I was embarrassed. You think everyone
else is paying attention to your life and they aren't. It's complete bullshit. And it
was one of the most important things that happened to him because what does he do? He recommits. He's like, I'm not going to go
sleep on a win and wake up a loss. I'm not going to breathe my own exhaust. I'm going
to get back to what made me successful. And so he starts working with this artist named
Patty Smith. And she's describing working with him at this point in his life. Jimmy
worked all the time. He would stay for hours. He'd study. He thought this is such a genius idea.
He would.
This is his form of professional research and practice.
Jimmy would find old tapes and see if he could improve them.
I'm going to take a song from 10 or 20 years ago and see if I can actually reproduce it
and make it even better.
And then so what Jimmy said at this point in sight, I said to myself, no fun, no life,
no nothing.
You are giving up everything.
You will put 100% into this.
Jimmy's like this, by the way, with whatever he does.
This is another reason why I find him so fascinating and why he's one of the people I most admire.
And keep in mind, he likes to pivot.
He'll talk about this, like, you know, record producer, starting a record company, then
launching businesses with his artists.
Like, he does not want to do the same thing forever, but whatever he's into, he's into
it 100%.
And so this is the result of him recommitting.
He winds up having this massive top 10 hit.
So Patti Smith is going to do this song called Because the Night.
That wouldn't have happened without Jimmy because Jimmy got that song from Bruce Springsteen.
So Bruce Springsteen would write all of these
songs and never use them. Bruce was prolific. And being prolific is highly correlated with
greatness. Just because you're prolific won't mean you're going to be great. But if you're
great, it's highly likely that you've been prolific too. And in fact, I got one of the
greatest examples of this recently, Daniel Eck, who's the founder of Spotify actually
sent me this excerpt on Prince. Let me read it to you. It says, in 1983, Prince walked
off the stage at Madison Square Garden to a roaring crowd. Most artists would celebrate. Prince went
straight to the studio, recorded until sunrise, slept for an hour, then called his band and said,
let's do it again. That wasn't a one-off. Prince worked like that for decades. He wrote a song a day, played every instrument,
produced every track and released 39 albums. While others chased hits,
he stockpiled greatness. By the time he died,
his vault held over 8,000 unreleased songs,
enough for a new album every year for the next century.
Prince didn't just master music, he let it consume him. That's what made him immortal. And so Bruce Springsteen
was like that too. Bruce talks about Jimmy Iovine convincing him to give one of his songs
to Patti Smith. This is what Bruce said, there is the talent of Jimmy Iveen. He eases in and he greases the wheels
so things happen at a certain moment
and Jimmy Iveen works his magic.
Bruce gives the song to Jimmy.
Jimmy gives the song to Patti Smith.
Patti Smith writes some more lyrics to it.
It's called Because of the Night.
I actually went through.
I also went back and every time they mentioned
some of these songs they made, I went and listened to them.
The song's like 50 years old.
Still sounds great.
And it becomes this massive hit.
And then I loved Patty talking about
what it was like working with Jimmy.
Again, going back to it's an act of service.
I am there to make your project better.
I'm there to do whatever I can to help you.
You know, if that means being stuck
in the studio for three weeks,
hearing Bruce Springsteen say, stick, stick, stick.
It means making John Lennon's tea.
It doesn't matter.
There's no ego involved.
I'll do whatever it takes to win.
So Patti Smith on working with Jimmy Iveen.
It wasn't that Jimmy wanted to be the number one guy.
He was ambitious for you.
He was ambitious for me.
You always felt that his whole goal was for the world to see what he was seeing
there's another great interview and
Talks about just the the sheer amount of time that Jimmy would invest into his artist
He says you were notorious for phone calls and long phone conversations with your artists
what was the significance of that and so they were to court we record all day and
Eugene tonight and then they've talked for hours.
And Jimmy says, as a producer, you have a responsibility to understand the person's
record you're making, to understand what they're trying to get out. I would spend a lot of
time on the phone after the sessions. I would spend a lot of time just talking to them.
Again, that's another piece of just very simple and profound wisdom. Take some interest in
other people. It takes time to deeply understand anything.
People are no different.
And so now another example of opportunity handle weld unlocks more
opportunity, Tom Petty wants to work with them.
And so Tom Petty does a great job in the documentary and he gives us a lot of
good insight into what Jimmy I've been like, and what it's like work with him.
He's like, listen, Jimmy is very, very
convincing. He's very, very persuasive is what Tom said. And
he says he's also obsessed. And so another reoccurring theme
that this advice that Jimmy gives out and I think, you know,
obviously said, part of the way he learned this is through
Bruce Bruce Springsteen. It's just like, you don't just record
a song once, you don't just do it five times, you do it 100,
you do it 200 times. He later on works with Bono and you
too. I think they're they said in the documentary like one
track they recorded 250 times. And so Tom Petty says, Jimmy
became so obsessed with getting the right take on a song that we
did over 100 takes. I think we should do more Jimmy would
repeat. Let's do more. And so two of the songs they make are
the songs called Here Comes My Girl and Refugee. And this was
hilarious. Since this is Jimmy talking now, Tom played me the
songs Here Come My Girl and Refugee. I looked at Tom and
said, get another eight songs quick, because we're done, we're
going to be millionaires. Tom thought it was such a strange
thing to say about a song. And then one thing they notice is
it's not just creating the work. Jimmy was also really good at
marketing, one of the best marketers I've ever come across.
They call him a tornado of promotion.
He wanted to have influence.
He wanted to have control on marketing because he says the problem is you'd come to these
record executives and you'd play them like the new Tom Petty song or the new Bruce Springsteen
song and they would just say the dumbest shit.
They're like, yeah, that doesn't really sound like your last record.
And hearing that in the documentary, this induces Jimmy into a state of rage.
He goes, and Jimmy would say, of course it doesn't sound like the last record.
It's not supposed to sound like the last record.
The whole concept is to not sound like anybody else.
Jimmy just didn't want to make a song like everybody else.
In fact, he has a great line.
He says, great is success. That that is the North Star. Make something great. If you can do that, then after that, you can figure out how to get how to get exposed to more people. But the first
thing is great is success. And that applies to not only the products and the songs that Jimmy wanted to work to work on and to
make but it's who he wanted to work with. Tom Petty just nails what is one of
Jimmy's superpowers. He says one thing about Jimmy
Iveen is he's always known which people to hang around with. That is spooky
because Steve Jobs said literally the same thing about himself. Steve Jobs said
I think I've consistently figured out who the really smart people were to hang around with, you must find extraordinary people. And so one of the
main things I take away from studying Jimmy is like you, Jimmy work with the best, you always bet on
talent. He were with John Lennon, Springsteen, Tom Petty, Dr. Dre, Eminem, Trent Reznor, he's gonna
talk about this over and over again, just to find the best people and then he just empowers them.
He talks about this like producing the producers is I think the way he puts this.
I'll get to this in a little bit.
So but he's also you can see he's a learning machine.
Remember Bruce Springsteen says guys got the goddamn fastest like learning curve anybody
ever seen.
So he's like, okay, well, what did I do last time?
I build a relationship with Springsteen.
This guy's prolific.
He's writing all these songs not using I said, hey, this is a good song.
You're not using it.
Can I give it to Patti Smith?
Tom Petty, same thing. Very prolific writes all these songs, doesn't use,
you know, not even half of them. So he takes the idea that work with Patty Smith and he
can bet where he convinces, you know, Bruce Springsteen to give one of the songs. And
he says he's starting to work with Stevie Nicks, who was super famous. I think she was
in this band called Fleetwood Mac, but now she went on her own. And so Jimmy starts producing
her records, her new solo album, and he's also dating her
at the same time.
And he realizes that Stevie has great songs, but she doesn't have a single.
And he found a song that Tom Petty had that he wasn't using.
And this is going to be the song called Stop Dragging My Heart.
He convinces Petty to give Stevie Nicks the song and perform on the record.
And Tom Petty has this hilarious description has this hilarious description of, of, of
Jimmy I've been sales pitch to him.
He's like, give her, give her the song.
And this is going to buy you a house.
Which again, Tom thought was just like a weird thing to say about a song.
So that song stopped dragging my heart around becomes a massive hit.
It goes to number one on the charts.
And I love what Jimmy says here, but this time in his life, and this is how I feel.
I resonate with his story.
This is the great thing about, you know, you and I going over these stories all
the time, it's like, yeah, we're learning about other people, but we're really
seeing reflections of ourselves, the same kind of ideas that resonate with them.
We see, oh, that resonates with me too.
And this is one of them.
He says, I only knew one thing that every time
I went back to the studio, I felt better and my life would get better. It was that simple. This
idea really resonates with me. And I think just think about what we're saying, just focus on making
great product and that product should make somebody else's life better. That's step one.
Then you find a way to keep making a greater number of other people's lives better
and your own life will get better automatically.
Jimmy Ivy was fundamentally uncomfortable with anything else but being in the studio.
And part of this is because he's one of the most relentlessly competitive people you ever
come across.
He's insanely driven.
In fact, they said after this is Doug Morris on Jimmy says after everything is said and
done Jimmy wants a win.
So he's super focused only wants to be in the studio.
How does a super focused workaholic date?
So he winds up meeting, which is going to wind up being his first wife and his first
wife.
This is actually really important part of the documentary.
And I'm going to bring this up several times of like, how do you have personal relationships
with people like a Jimmy I've been or Dr. Dre or really any super driven workaholic. Somebody just like is chasing after some somebody is on
something that's so important to them is on a mission that they have a hard time
taking time away from that. And we see this from the very first time, Jimmy's going to wind up
being married to his wife for 25 years, they have four kids, unfortunately, sends in divorce. And
there's a lot of lessons that'll that'll go over about that later. But there's kind of an indication here.
And so his first wife says, I met Jimmy at a party.
This is a paragraph.
This paragraph is a great summary of his personality.
I met Jimmy at a party.
He said, if you give me your phone number and I remember it, can I call you?
He called me 10 times the next day.
For our first date, he sent a limousine to pick me up.
Inside were napkins with my name printed on them,
but he's not in the limo.
Then I realized we're on the way to his house
to pick him up.
That should have been my first indication
he doesn't want to wait for people.
And so Vicky is a model and a Playboy playmate.
She's a TV host.
She's an attorney. And as part of being a TV host, she's an attorney, and as part of
being a TV host she wants to interviewing a young Bono at the very beginning of U2 and
she's like, you need to meet my boyfriend Jimmy, you guys would work really well together.
And so this is another one of Jimmy's superpowers is like he first goes and sees and hears about
a young Bono in U2 and so he says when I first saw a young Bono, I realized he had the same
thing that Springsteen had.
He had the edge.
This identifying of the very best people to work with is really important.
Why is this important?
Cause just what Jimmy said, you're only as good as the
artist that you're working with.
Any producer who says I did this and I did that is full of shit.
99% of what's going on in the studio is the artist.
And so at first Bono was a little resistant to Jimmy.
He said that their styles were just so vastly different
and then Bono has this great description of him.
Jimmy happens to you.
He's like a virus and that takes over your organs
and your brains.
He just knows this is going to work out well
for both of you.
He chased us all around the world until we agreed to come to the studio with him.
He would not take no for an answer.
Does this sound familiar?
This is the way he signs talent, works on deals.
This is the way he dates.
It's the exact same thing.
There's a hilarious, for some reason this pops in my mind.
When it's like, hey, this guy would not take no for an answer.
This guy's chasing us all over the world until we signed with him.
We decided to work with them.
The founder of Visa, Dehawk, actually described his sales technique one time in this autobiography
he wrote, and he said, I held fast to the notion that until someone has repeatedly said
no and adamantly refuses another word on the subject, they are in the process of saying
yes and don't know it.
And so Jimmy starts working with Bono and he just realizes, oh, they have a lot.
There's a lot that Bono and Springsteen have in common.
They have this extreme work ethic.
And he said Bono and you two work like Springsteen.
They just go.
And on Bono's part, he describes one of the benefits of working with Jimmy.
A great idea has a lot in common with a great melody.
And Jimmy's gift is the clear
thought. He hears the clear melody and applies that wherever he is. So he
starts out as an 18-19 year old kid sweeping the floor in a recording studio.
We are now 12, now he's 31 years old so we're you know 12-13 years into his life.
He's had massive success and then the single worst day of his life occurs.
He says in 1984, I went with my father to his father's funeral.
The next morning I flew back to LA.
I get a phone call from my sister saying that my dad had a heart attack.
I rushed back to New York.
Six weeks later, my father's mother died.
Two days after that, my father died.
My father, his mother, and his father all died within six weeks.
The day that my father died was the worst day of my life.
It is still the worst day of my life.
We were very, very close and I had no idea he was going to die. He was my best friend in the
whole world. He is still my best friend in the whole world. He's destroyed. He's lost. At the
same time he loses his father, he starts his own family. Minds of marrying Vicky. They have their
kid, their first child and he realizes I need a pivot. I can't do this anymore.
He's starting to love business more than producing.
And so Jimmy talks about this point in his life.
He says, it was focused and miserable.
I was working 24 hours a day.
I never did anything other than work.
I didn't want to do anything other than work.
I wanted to stop producing records.
I was 18 years in and I was burnt out.
I didn't want to be out all
night producing records and not see my kids. And so Tom Petty, who was good friends with
him at the time, says Jimmy's heart was in the business. He had a calling. His calling
was to be a great businessman, even though he was a great producer. He was an even better
entrepreneur. And that is exactly what happened. And so we go back to this reoccurring theme
in Jimmy's life, seeking out people
that are willing to help you willing to that are further down the line.
They're willing to teach you and reach back and help you.
So he sees that David Geffen sold his company and Jimmy has this great.
Jimmy has this great observation.
He's a wait, wait a minute, wait a minute.
I think he does what I do, but he just made all this fucking money.
So I went to see David Geffen to seek his advice.
So I said to David, hey, I want to start a record company.
And Geffen told me you should do it.
There are a lot of record people a lot dumber than you are, which I thought was hilarious.
But Jimmy's response, I was like, that's that was actually inspiring for him to tell me
that.
And he says, I've always been a fan of David.
We became friends and he just constantly stayed in my life. And it helped me. David Geffen taught me the art of
business in music. I was going in not knowing anything about business. And again, this is what
Geffen says about Jimmy. If people think you're serious, right? And you're easy to understand,
they will help you. John Lennon understood that Jimmy was serious. Bruce Springsteen understood
that Jimmy was serious. Geffen sees the same exact thing. He says, my first impression of Jimmy was
that he was a sponge. He picked up everything he heard or saw. That sounds exactly like what Bruce
Springsteen realized about Jimmy when he first met. Now we're just like, you know, 15 years or
18 years later. So this is the big push. This is when Jimmy decides to found his own record label.
He's going to start Interscope Records, which is going to become one of the most successful
record labels of all time.
So after David Geffen sold his record company, I think he sold it for like 400 or 500 million,
something like that, there was a ton of people realizing, oh, wait, I need to start my own
record label, just like Jimmy had that same realization, right?
And so Jimmy needed to find his edge.
And I thought what he, his observation here is really, really brilliant.
What is the edge for Interscope going to be?
And so Jimmy says, I didn't feel comfortable around executives.
I felt comfortable around artists and record producers.
Producers know how to get the best out of artists.
So I found my niche.
I got to find great producers and all produce them. One of these is
going to be Trent Reznor, the lead person in this band Nine Inch Nails. So at the time, Nine Inch
Nails was signed to an independent record label that they absolutely hated. They're having a lot
of success. So all these other major record labels are saying, hey, Trent will fund the lawsuit to
get Nine Inch N nails out of the contract.
And Jimmy didn't think that would work and said, you have to act, you
should actually work on convincing the owner of the independent record
label to partner.
And in this case, what that partnership would look like is you're going to
transfer that contract to Jimmy to, to, so he could start working with them.
And the way that Jimmy did this was very interesting.
And I think it is also talks about why he was so talented.
He deliberately chose a different path. So every day for a year, starting at 6am,
Jimmy would call all the parties involved and work towards a solution. And so as they're
describing this in the documentary, they cut to Bono and Bono says, the phone is Jimmy's theater
of war. That is where he is deadly. His wife said that Jimmy just locked himself in the bathroom and didn't come out and was just on the phone all day long. She said that Jimmy had a
red hot focus. It was nuclear. Jimmy wouldn't give up. And then Jimmy describes this the main
advantage he has besides thinking he was very empathetic and looked from other people's
point of views to figure out how like what they wanted and how he can reconcile all these different
parties.
But he just said, I can outlast anybody.
Like, I'm just, it is a war of attrition by endurance.
We conquer.
I can outlast anybody.
And so the interview, the person that had signed nine H nails, the owner of
the independent record company.
And he described why he agreed to go with Jimmy took a long time, but why he
agreed, he says, Jimmy is really good at empathy, at understanding the
other person's
motivation, their primal, their primal motivations, their desire,
what is going to move them.
And so he winds up getting the contract, getting Trent Reznor,
nine inch nails out of this.
And he was doing this for a year.
He just knew that Trent was super talented.
He had never even met Trent in person.
And this again, just speaks to one I want to think the most
fundamental superpowers of Jimmy V. It's like, find the very
best people to work with, work like hell, to get them to partner
with you to get your on your side. And then what you do, give
them the keys and say, go drive. He does something he's very
consistent with, he repeats over and over again. And I'll give
you an example of this. So Jimmy goes to meet Trent Reznor. Let me pause,
let me go back because I think this is really important. Again, one of the
most things I admire about Jimmy, the clarity of thought, unbelievably simple
understanding of the most important thing, a simple way to explain this so
you understand what's going on. So he just worked on this guy's deal for a
year. He understood. And really with all these these freaking geniuses, these
musicians, these filmmakers, entrepreneurs, it's the same thing they're obsessed with control
and Jimmy just keeps it simple goes up to Trent and says what do you want and
Trent says I want you to give me an advance for an album and then just leave
me alone and I'll give you the album and the singles and the artwork I have an
idea please don't try to ruin it as it's trying to come out of me and Jimmy said
okay what else do you want and And Trent said, I want a record
label where I could sign other bands if I felt like that. And
Jimmy said, Okay, what else do you want? And I couldn't think
of anything else. And so from another interview, Jimmy talks
about this, he goes, Listen, I come from a place where the
artists get to do exactly what they want. And no compromise.
I'm not going to sit down there and tell Tupac or Trent Reznor,
why don't you change your lyrics
or change this or change that?
That is a bunch of bullshit.
When you have great artists, when you have great talent,
what you do is you give them the keys and you say, drive.
And so at this point in Jimmy's life, he is now pivoted.
He does not wanna produce records anymore.
He wants to make a successful record company.
And this is what I mean. He just always keeps the main thing, the main thing. This is how they
describe him at this time. Jimmy had this mad, obsessed focus on the big picture. Remember the
advice he got 15 years ago when he almost quit on spring scene focus on the big picture. The big
picture is we're going to make the best record label in the world. And he had an actual like
almost everybody you and I talk about he had an actual, like almost
everybody you and I talk about, he had an he had inspiration from somebody that did
what he was doing, but did it in the past. So 20 years earlier, he's like, Hey, what
I wanted to do is I wanted a record company in the spirit of Atlantic records in the 1970s.
Back then they had Ray Charles, Led Zeppelin, Aretha Franklin, and the Rolling Stones. They
those were the greatest artists of their time. That is what we're trying to do.
What is he doing?
We're just, we need the best.
We're going to bet on talent.
And Bruce Frensing talks about this time in Jimmy's life, people become successful
and they get locked into the behaviors that led them to be a success.
Jimmy was very, very good at letting go of what might've made him a
success to this point.
Remember he could've just been a record producer for the rest of his life.
He's willing to shed that and to go for something else.
He is not afraid to partner with other visionary people.
Jimmy's career is based on a tremendous lack of fear
of moving forward.
And then Jimmy has a meeting that changes his entire life.
Jimmy's going to describe for us
the first time that he met Dr. Dre.
Dr. Dre comes into Jimmy's office to play his album The Chronic. The Chronic has not
been released yet. It would go down to be one of the greatest hip-hop albums of
all time and this is how Jimmy described it. It was one of the greatest
recordings I'd ever heard. Dre's music is not like anybody else's. Dre's sonics
were far superior to any rock or hip hop record being made.
It sounded better than anything else on my speakers.
So I asked Dre who produced this.
He said me.
I said, yeah, but who engineered this?
He said me.
I'll never forget it.
I said, this guy will define Interscope.
And I said to Shug, he's, Dre's in this meeting with Jimmy, with Shug
Knight and Dr.
Dre, and so I said to Shug Knight and Dr.
Dre, give me three weeks, they had all these like lawsuits
that were getting in the way of them releasing the music. So he
said, so I said to Shug and Dre, give me three weeks and I can
clear up all these lawsuits. If you guys fuck around and go to a
bunch of different labels, I'm going to hear about it. And I'm
going to bounce. But they kept their word. This is the
beginning of this three decade long, maybe even longer now,
partnership that Dr. Dre and Jimmy Iovine have. Now they're going to make some of the greatest
music. Interscope is going to be an amazing success, but obviously it culminates in them
starting a company together because eventually he gets tired of running a record label too. He's
like, I want to build businesses with my artists. They went up selling that business for, that's
how they become billionaires. They sell it for three billion to Apple. But I wanna go back to the early days of Interscope
because we're still in the early to mid 90s.
And there's a lot of other startup record labels
at the time and yet Interscope was an outlier.
And they talk about like some of the reasons
that Interscope was successful versus like the other
startup record labels at the time.
And he says, Jimmy was an animal, the most driven and brilliant person at the same time.
He was never off and he didn't understand
why everybody else wasn't the same way.
And Jimmy was remarkably consistent
from the very first time when he was working
with Bruce Springsteen, John Lennon, Tom Petty,
Patty Smith, now they signed Gwen Stefani, no doubt.
And I forgot, No Doubt's record on Interscope
sold like 17 million copies or something. That was just crazy. But Gwen Stefani, no doubt. And I forgot, no doubts record on Interscope sold like 17 million
copies or something that was just crazy.
But Gwen Stefani says that the feedback from Jimmy was very, very consistent.
Write another song, write another song, write another song.
As an artist, you think you're done.
And in his mind, you're never done.
Why?
Why is he giving that advice 20 years later?
Cause he saw what Lenin did.
He saw what Bruce Springsteen did.
He saw what Tom Petty did. I'm sure he saw what Lenin did. He saw what Bruce Springsteen did. He saw what Tom Petty did.
I'm sure he saw what Prince was doing.
And he's also applying that relentlessness to his own craft of building the record label.
His first wife talks about this.
We knew that Jimmy Sting was going to be the thing that was going to change the world.
So it was worth it for me to make sacrifices.
This is Jimmy on building Interscope.
I was on a mission, a very, very intense mission. Let's go to another brilliant
idea that Jimmy Iveen had, the fact that you should be optimizing for long term relationships.
There was so many people trying to screw over Dr. Dre. Jimmy could have been just another guy in
the long line of people trying to screw him over. Hey, I'm going to, you know, put him into a bad
deal. I'm going to make all this money on the chronic, you know, which is gonna be obviously, if you
listen to it, it's gonna be a great album. But what you make a couple million dollars more by
screwing over a guy and then you lose out on that relationship, the relationship that one,
your close friends and will make you billions and billions and billions of dollars,
30 years into the future, loyalty and long term relationships, loyalty and long term relationships,
Jimmy finds his people and then just covers their back no matter what. So when Dr. Dre has a falling out with Suge Knight over death
row records, like I gotta get out of here, man. I like I want to start my own record
label. Jimmy immediately goes cool. Let's do it. What do you want to name it? Aftermath
records. Okay, done. And so Dre is going to own 50% and Interscope is going to own 50%.
Now talk about loyalty. It's really easy to be loyal when everything's going right. So
that's not what loyalty is.
Loyalty is like you're there when shit hits the fan.
So everybody at this time is like, Dre is one of the best producers, you know,
putting out some of the greatest albums we've ever seen, producing some of the
greatest albums we've ever seen.
And yet the first two albums that Dre puts on his own record label for the
first time, the one that he owns, he's not partners, he's obviously partners
with Jimmy, but he doesn't have like sugar and air or anybody else.
And they flop. Both records flop. Bad record
sales means that Dre is in a lot of debt. And now you have Jimmy's corporate partners through
Interscope saying, Hey, you need to get rid of this guy. And so Jimmy says I was getting a lot
of pressure corporately to get rid of Dre. And I said, Yeah, we could do that. And then you'll
save my salary as well, because I'm going with him.
And so at one of the lowest points in his career, Jimmy helps Dre. This is the maximum that opportunity is a strange beast.
It frequently appears after a loss.
Dre didn't have an artist to work with.
He had no successful releases on his own label.
He didn't know what to do.
So Dre would go over to Jimmy's house and they'd have listening sessions.
Jimmy was trying to help Dre find an artist to work with. Go back to Jimmy's niche.
I'm going to produce the producers. So Jimmy throws in a tape. Jimmy plays the tape and Dre says,
what the fuck and who the fuck is that? The answer to that is Eminem. It is a demo of Eminem that
Eminem handed out at the rap Olympics to someone that worked forem. It is a demo of Eminem that Eminem handed out
at the Rap Olympics to someone that worked for Jimmy.
Think about this.
People are telling Jimmy to ditch Dr. Dre
because he had two projects fail.
Ditch him right before Dre is going to help develop
the artist that will go on to be the best selling
rap artist of all time, top 10 best selling
of all musicians of all time.
And so then Jimmy says, one of the greatest things about this great can come from anywhere.
Great can come from anywhere.
Eminem was growing up poor in a trailer park in Michigan.
And so Jimmy says, we weren't looking for a white controversial rapper.
We were looking for great again.
Jimmy is very consistent.
Great.
Go for great, great talent, great products, great marketing.
And so Dre starts producing Eminem.
Eminem's first few albums are some of the best selling, I think the best selling
rap albums of all time, and he's getting all kinds of attention and he's saying
a lot of controversial things.
And so he's getting boycotted.
There's pressure on Jimmy to like police the lyrics.
And yet even though throughout all this controversy, the Eminem was getting
at the beginning of his career, Jimmy was consistent.
He said, let him be him.
And it is during this time that Jimmy describes why he said that, that he says
my second favorite idea of his.
So when I say that I've watched certain parts of this over a hundred times, the
pushing through fear and using it as a tailwind instead of a
headwind was the first one. This is the second one. I feel like I should make a poster with this quote
and hang it on the wall. And this is what Jimmy said, I don't give a fuck what anyone thinks.
When you're a racehorse, the reason they put blinders on these things is because if you look
at the horse on the left or the horse on the right, you're going to miss a step. That's why those
horses have fucking blinders on. And that's what people should have.
When you're running after something, you should not look left and right.
What does this person think?
What does that person think?
No, go.
I clipped that from the documentary.
It's been on my phone for years.
I just sit there and listen to that over and over and over again.
It's one of the best ideas that I've ever heard and the way he says it and the
intensity and the passion is it's just perfect.
And so now he's going to pivot again.
He sees that the music industry is there's this unstoppable
technological phenomenon.
It's going to go from selling CDs to iTunes to eventually streaming.
He says something like, you know, I don't want to be the guy that sells the last CD.
And so his next pivot is, Hey, I want to build businesses with my artists, but at
the same time this happens, he gets divorced.
And I think this is actually one of the most important parts for founders
actually had dinner with a friend last night.
And a large part of our discussion was around this, the tension that he feels
between the focus and drive for his work and his wife, not wanting, essentially
wanting him to be just, just, why can't you be more normal?
And I think this part where Jimmy I'veine's ex-wife Vicky describes exactly what it's like to be married to people like this.
And she says, look, this is what we married.
If you're going to say I want an ordinary husband, well then you can't marry a genius.
There's a lot of extremes because genius needs to feed itself.
It needs to make its own hours.
It needs to not talk to
you when it doesn't want to talk to you. I didn't want to get a divorce until I
did. And for Jimmy's part, he owns up to this. This is after they were divorced.
So the interview takes place after they were divorced. He says, I would imagine
it'd be very hard to be married to me because I was so focused on what I was
trying to accomplish. It's one of the most difficult parts of his life. He says,
I was frustrated with music business. I was frustrated to accomplish. It's one of the most difficult parts of his life. He says, I was frustrated with music business.
I was frustrated with getting divorced.
And whenever I get sad or scared, I wish I knew some other therapeutic ways of doing
things.
But the only thing I know how to do is completely bury myself to the point of absurdity in
my work.
Going back to what he said earlier in his career, all I knew is that if I went to the
studio, my life got better. And so he continues, I wanted to build businesses with our artists. I back to what he said earlier in his career, all I knew is that if I went to the studio, my life got better. And
so he continues, I wanted to build businesses with our
artists, I like to pivot, I get complacent and bored. I got
bored of producing records, I got bored of running a record
company, and I wanted to move on. That is how beats got
started. And so Jimmy actually goes to Dr. Dre's house in
Malibu. And Dre is telling him, hey, I have this offer to
endorse a pair of sneakers. And Dre wasn't sure it made any sense. He's like, I donu and Dre is telling him, hey, have this offer to endorse a pair of sneakers.
And Dre wasn't sure it made any sense.
He's like, I don't know anything about fashion.
I wear the same thing every day.
And Dre was just very selective with anything he'd put his name on.
But at this point, he turned down dozens of endorsements.
And Jimmy's hearing him talk and he interrupts him.
He goes, fuck sneakers.
You should do speakers, speakers and headphones.
And then Dre says, Jimmy immediately gets up and leaves.
A few days later, Jimmy calls Dre, come to the office.
Dre comes to the office.
There's a hundred different pairs of headphones with all different designs.
So again, I think this is like a microcosm of Jimmy's entire like his M.O. how he approached his work, speed, all in, do more reps, reoccurring
themes in Jimmy's life.
And so this is also the marketing genius of Jimmy I've been because he's talking
about the positioning of the headphone market at the time.
He's like, this doesn't make any sense.
The most popular one are Bose, right?
And what are they?
They're noise canceling headphones.
And Jimmy says, we don't want to put you to sleep.
We want to make you move.
We were looking at it as motivation.
We want looked at it as emotion.
We wanted to sell you something that would get you off your ass. And so Jimmy's idea for
distribution is very simple. If we get our headphones on the best
musicians, and then later they do the same thing for athletes, that
will cause people to try them. And then the great sound will get them
to stay again, go back to that clarity of thought that Bono
mentioned was obvious about Jimmy when he met him. And then Jimmy
was absolutely relentless everywhere Jimmy and when he met him and then Jimmy was absolutely
relentless everywhere.
Jimmy went, he would carry the headphones with him every single meeting.
He'd say, Hey, put the, any person he met, he'd have you make you put on the headphones
and then he would take a picture.
That is the marketing.
And Jimmy says, I was obsessive about it.
Jimmy insisted that you put beats in all of your music videos.
And then he courted controversy.
Jimmy was so successful at getting athletes to wear beats headphones that
beats were banned from both the 2008 Olympics and the NFL because beats
wasn't one of the official sponsors.
Again, that's just another idea from history.
When, when the first Michael Jordan shoes, the Jordan brand shoes came out,
the NBA tried to ban them.
They would find Michael for wearing them. They would fine Michael
for wearing them. Nike would pay the fine that generate all this attention. And I think
they wanted to, you know, make like a couple million dollars. I think the idea was like,
we're gonna sell three to $4 million worth of shoes by the like the fourth year. And
I think the first year they do over 100 million. This just works. And so in addition to making
headphones, this one Jimmy's like, Oh, I see what's coming. Like, I don't want to be the
last person to start to sell a CD.
He starts to beats music streaming service.
A few years after that, Apple buys both the streaming service and the headphones for $3
billion.
Now, what's fascinating about that is as he was working on the deal, he was very secretive.
So he told Dre, don't move, don't go anywhere.
This absolutely can't leak.
Obviously, Apple is known for being super secretive.
And then Dre goes into the studio when I get drunk with this guy named Tyrese. Tyrese films a video of them in
the studio drunk talking about the fact that Dre is now a billionaire. And Jimmy couldn't believe it.
He was worried he was going to spike the deal. Why not not spiking the deal? But what Jimmy told
people at the time about, hey, are you upset at, you know, what, what Dre
did? He's like, yeah, I'm obviously upset. But again, loyalty and long-term relationships,
Jimmy said, but this is the horse I rode in with. I ride or die with Dre. And so after
a few years, he decides to pivot again. And this time he pivots into retirement. This
is what he says. I was very driven to the day that I retired. And that is why I retired.
I didn't want to be driven anymore.
And it was a conscious thing.
Bruce Springsteen asked me, how come you're going to retire?
I said, look, man, I just left Italy with you.
80,000 people yelling, Bruce, Bruce, Bruce.
Yeah, if they were yelling Jimmy, I wouldn't retire either.
But I talked to scumbags all day.
And I don't want to do that anymore." And so
then finally looking back on his life, he's asked, do you have any regrets? And
he gives excellent, excellent advice. So do you have any regrets? I don't have a
rearview mirror. With the rearview mirror, you're taking victory laps and
those are a waste of time. I'm more like, let's go. What's new? What's tomorrow?
That's what I was always about. So I made a lot of mistakes. Who doesn't?
But I don't care about the mistakes. I don't look at life like that. I took the rearview
mirror out of my car a long time ago. And for me, that parting advice is just like what
he said earlier, when you're running after something, you should not look left and right.
What does this person think? What does that person think? No, go.