Fresh Air - A Cultural History Of Hypochondria
Episode Date: December 5, 2024Are you hyper-vigilant about your health, constantly monitoring yourself and panicking when you feel the slightest symptom? You're not alone. Writer Caroline Crampton has a new book about illness anxi...ety disorder, a.k.a. hypochondria. We talk about our evolving understanding of the disorder, its connection to PTSD, and new treatments. Her book is A Body Made of Glass. John Powers reviews two new spy series, Black Doves and The Agency.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
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This is Fresh Air.
I'm Terry Gross.
I think I may have a mild case of a health condition I just learned about and
You may have it too. It's called
Cyberchondria, it's a cousin of hypochondria
Cyberchondria is when you google your symptoms and convince yourself you have the worst case scenario and are doomed
My guest describes the internet as the most expansive and spacious playground that
hypochondria ever had.
Carolyn Crampton is the author of a new book about hypochondria because she's pretty sure she has it.
She has a reason to be hyper vigilant about her health. When she was 17
she was diagnosed with Hodgkin's lymphoma, a form of blood cancer. After months of treatment and monitoring
she was given the all-clear and went to college.
But a year later, she found a lump in her neck. The cancer had returned,
requiring more chemo and a stem cell transplant. She spent weeks in a hospital isolation ward.
After five years had passed, she was told again she was in the clear.
Is it any wonder she's always feeling the sight of the tumor and going to the doctor
every time she feels a twinge in her neck or any suspicious symptom?
Crampton's new book is called A Body Made of Glass, A Cultural History of Hypochondria.
It's about her own experience of hypochondria and it examines how our understanding of hypochondria has changed, from ancient times to today.
And she reports on the latest therapies for treating it.
Crampton is also a critic who has written for The Guardian
and other British publications,
and she appears regularly on BBC Radio 4.
She's the creator and host of the detective fiction podcast, She Done It.
She's speaking to us from her home in England. Carolyn
Crampton, welcome to Fresh Air. And how is your health? Are you in good health
now? I'm in good health at the moment, yes. Thank you, Terry. I suppose what I
generally mean by that though is that I'm not currently investigating myself
for any serious illnesses. Well good, keep it going as long as you can.
So we think of hypochondria as a condition when you're convinced you're
sick but you're not and the common expression is hypochondria is when the
symptoms or the illness you're experiencing is quote all in your head.
It's a form of catastrophic thinking. What's the definition now?
So the definition that I like and that I use comes from the Oxford English Dictionary,
and it runs, a mental condition characterized by the persistent and unwarranted belief or
fear that one has a serious illness. I think that has all of the different components in.
Yeah, it never on unwarranted. Exactly.
The persistent and unwarranted has really been my experience of it.
It continues for a long time and unwarranted suggests it's a fear that can't be substantiated
by any medical tests you might do.
And there's two kinds now.
There's somatic symptom disorder and illness anxiety disorder. Would you describe
the difference?
Yes. So, illness anxiety disorder is pretty much as it sounds. It's the stuff going on
in your head. It's an excessive hypervigilance and anxiety around potential health problems.
Somatic symptom disorder has some of that in it, but then adds this extra thing
of phantom symptoms. Somatic is an archaic word just meaning body or bodily, but it's
used in medicine today to mean things people can feel in their bodies that then can't be
picked up on tests. So that's what they mean when they say somatic symptom disorder might
be someone who presents convinced that they've got
a terrible wound in their leg, but actually no wound can be detected. That would be a somatic
symptom. Do you feel like you fit into a bit of both categories? That has been my experience.
I don't know that I or probably many people can be so easily classified as one or the other.
probably many people can be so easily classified as one or the other. A lot of the time, I think I would fall under illness, anxiety disorder, but occasionally I do have pins
and needles or pains that can't be readily explained or identified, and that would put
me under the other one. So I don't know whether splitting them has necessarily helped the
understanding or enhanced the treatment.
And actually that has been the sort of academic consensus
around that way of splitting them too.
I kind of like the expression illness, anxiety disorder,
because it implies obsessive worrying,
but it doesn't imply that you're making something up
or that you're totally delusional or mentally ill.
I agree. I also think it's readily understandable by most people that you might say it to. This has been a big part of writing the book actually and talking
to a lot of people about it is this feeling that hypochondria, illness,
anxiety, disorder, health, anxiety, whatever you want to call it, is in some
ways just a yearning to be understood and to be seen and to be empathized with. So if you use words
that most people don't fully know the meaning of, then you've kind of fallen at the first
hurdle. So illness, anxiety, two words, everyone understands, I think.
So within those categories, there's two types of people, the people who go to the doctor
and the people who avoid the doctor,
avoiding out of fear that you'll be told you really are sick
and going to the doctor with the hope of being told,
you're fine, stop worrying.
You're the going to the doctor type, is that helpful?
Yeah, so people fall into either care seeking
or care avoidant. People tend to be very polarized.
I'm definitely care seeking. I think whether it's helpful or not often depends on the type
of doctor that you see. I've seen some incredibly helpful doctors and I've seen some incredibly
unhelpful ones. So in some ways it feels a bit like the luck of the draw, you never know quite what you're going to get.
But I think I would always encourage people to seek medical help if they have a reason
to do so, if that makes sense.
I think I, on balance, feel it's always better to go than not go.
When you go and the doctor or nurse you're seeing reassures you, I know that you're experiencing
a symptom or that you're worried, but you, I know that you're experiencing a symptom or that
you're worried, but there's nothing we can find.
Do you find that reassuring?
And if you do, how long does that reassurance last?
Because it doesn't mean tomorrow something may show up.
No, it doesn't at all.
It's no guarantee that you won't test differently another day. I do my best to take medical
personnel at face value, if that makes sense. And I try and do this test in my mind of,
if it's serious enough for me to worry about, then it's serious enough for me to go to the
doctor. And if it's serious enough again, I'll go to the doctor again. I think I used to have a lot of shame
and concern over time wasting or taking up resources that other people could be using,
especially acute because here in the UK we're very lucky to have our healthcare free and
state funded. But it does feel like there are limited resources to go around to everybody
and I could be taking a spot that somebody
with a more serious condition could use. I have, with the help of therapy, tried to get
over those feelings and understand that I'm worthy of attention just as anybody else is
and that I'm not time-wasting. I am being a concerned and active patient participant in my own care. So I try and sort of take, give,
you know, in the sense that I'm there in good faith,
I try and assume that the doctor
or the medical professional is there in good faith too.
And if they're not, I will just go back
and ask for a second opinion is what I tell myself.
Yeah, you asked the question, am I a hypochondriac
or am I just being a responsible patient?
And I think that's a question a lot of people ask.
I think it is, yeah. And the whole thing was really amplified for me by my experiences with
having cancer, because part of having an ongoing and serious illness like that is, it feels like
a collaboration between you and your medical team. They will repeatedly say things to you like, you must tell us if you
experience any side effects or you're the first line of defense, you'll notice that
something's wrong before we do, you must bring any changes to us. So they're really asking
for your help and your participation. And then once you are lucky to be cleared of all of
that and you don't have to go to all those checkups anymore,
I retained that sense, I think,
of well, I must always be checking.
That's just being responsible.
And so I think for a long time,
didn't consider that what I was doing
could be explained by health anxiety or hypochondria,
because I thought, well, I'm just being a responsible patient
like I was told to. The difference, I think, is the matter of degree. There is
a level of responsible patienthood, and then way above that is health anxiety. And I think
once most of your thoughts are about your state of health and how you feel about it.
You've tipped over the edge of responsible patienthood and left that far behind.
I mentioned in the introduction, cyberchondria, which is when you're always like Googling
symptoms and imagining that you have the worst case scenario.
Do you Google symptoms?
Doctors really don't want you to
go on Google, but there are some medical sites that are really helpful. And these are like
you know official like hospital sites and you know very well respected clinic sites.
And they'll give you an overview that can be like super helpful and help you be informed
about how to report your symptoms
if you do go to the doctor.
I completely agree. So what I do is I try and restrict myself. I don't not look at the
internet in relation to my health, but I limit myself only to reputable sources. In particular,
here in the UK, the NHS website has a very, very wide ranging catalogue of illnesses and connects all the
symptoms together and will allow you to click through and see how things relate to each
other. So that's my first port of call. I look at the NHS website because I know it's
evidence backed and I know it will tell me if you think you have this, please go to the
doctor and so on. And yeah, there is a short list of others that I take the same approach to. What I try not to do, I won't say I never do it, is just type symptoms into Google,
fresh, blind, with no sort of guardrails at all, because that's where I can easily find myself falling down a spiral
and getting into a really bad place mentally. Yeah, yeah. When you go to the doctor or to the nurse
and you report symptoms that are frightening you
and you don't know if they're meaningful or not,
you don't know if they're actually a sign of a problem,
do the doctors and nurses believe you?
Do they consider you just someone who is always coming back
and there's never anything wrong and And oh, here she is again.
Like what's, what attitude do you feel like you're met with?
Almost all of the time I find myself taken very seriously.
Sometimes a little voice in my head says maybe too seriously.
Maybe occasionally I could benefit from being told
it's nothing to worry about, you can go home. I think because of my serious medical history and
the fact that my medical file is like half a foot wide, I feel like every single little thing that
I even vaguely mentioned gets tested, which is in some ways an incredibly fortunate thing to happen.
I spoke to a lot of people when I was writing the book who have the opposite experience
of having health anxiety, where they don't get believed at all. They get dismissed only to have
serious diagnosis later on that could have been caught much earlier. So that is definitely a very
widespread experience of health anxiety, but it hasn't been mine by
and large. Just to give one really minor example, I reported a couple of years back that I could feel
strange prickling sensations on the bottom of my feet. And in my head, I thought, oh, this is the
beginning of multiple sclerosis or some kind of nerve disease. I mentioned it in passing to a podiatrist.
Three months later, I was sitting in front of a consultant neuroscientist who was checking
my reflexes for all the most serious neurological conditions. It sometimes feels a bit like
I sort of whisper and they turn it into a shout and I end up getting sent for all kinds
of tests that I'd never even imagined,
which again, feels like an awful thing to complain about.
But sometimes I do think mentally I could benefit
by not being taken quite so seriously.
So you got very sick at the age of 17
when you were diagnosed with Hodgkin's lymphoma,
which is a form of blood cancer.
And then you had a recurrence a year later
after being told that you were cancer-free.
So it is kind of logical that you'd be vigilant, as you explained, but you also missed the initial signs. What did you miss?
I missed all of it. This is what is so extraordinary to me in my mind. So after the diagnosis, I was able with the doctor's help to put together the
timeline of what had really happened, which was that most likely I had had a bout of glandular
fever, which is quite common in teenagers, and that in the process of having glandular fever,
some cell somewhere had mutated and that had tipped the glandular fever over into
Hodgkin's lymphoma, which is, say, a cancer of the blood and the lymphatic system. It
attacks your immune system and your ability to make white blood cells. And it also causes
tumors in the lymphatic system. In my case, in my left lymph node in my neck and also
very substantially in my chest, sort of around where my breastbone is. The ones in your breastbone you can't feel or know until they get very, very big,
but the ones in your neck, you know, they're quite near the surface, your lymph nodes.
And so I had, by the time I was diagnosed, I think in the January, they estimated that
I'd had the tumor for maybe four months. And there are even photographs of me from that time. My school
had our equivalent of a prom during that time and I was photographed wearing a dress, an
off-the-shoulder dress, and you can see it there in my neck. But I hadn't noticed it.
My mother, my parents, anyone else who saw me regularly hadn't noticed it because I think
it had just grown so gradually and they saw me every day
that it had become part of me. It was just, you know, when you can't really see what's
in front of you because it's changed so gradually. And then I had also been quite ill and run
down that term of school, but it was also the most busy and hectic period of my life
so far. It was when I was applying to
university, preparing for my school leaving exams, preparing for music exams, learning
to drive, doing all of these just about to enter adulthood things all at the same time.
So again, I and nobody else thought it was odd that I would feel tired and stretched
and pulled in lots of different directions. What eventually prompted us to go to the doctor was that the school term finished, I was home for the Christmas holidays
and I didn't get better. No matter how long I slept and I was sleeping like 12, 14 hours
a night at sometimes, I never seemed to be anything but tired. I never got better. So
after three weeks of this, of complete rest and not being better at all, my mother went, no, this is not normal. We're going to the doctor. And
it all unraveled from there, really.
So in terms of health and cures or treatments, about a year ago, maybe two years ago, you
got a letter from the medical service, the health service in England,
saying that the radiation therapy that you had for your cancer has recently been determined to
elevate the risk of breast cancer. So now you need to be monitored for breast cancer. So even the cure
can create problems you need to be vigilant about. That must be really brutal for you,
being hypervigilant to begin with.
It really is, yes.
It took me a long time to get my head around the idea
that I had done all the things I was told
I was supposed to do.
I'd accepted all the treatments,
even though they were unpleasant,
and in some cases painful.
I'd done all of it.
And then I felt a bit betrayed,
not necessarily by the doctors or
anything themselves, but almost by the science. I felt a bit betrayed that I'd been told that this
would cure me, but actually it turned out it could make me ill in another way. And so yes,
now I have to have this annual round of monitoring under the breast cancer center near where I live,
all aimed at early detection
of any potential breast cancer that might be caused by that radiotherapy 15 plus years
ago. And I really, really hate it. And I find it mentally very difficult to do. I really
have to psych myself up every year to go through those scans and those treatments. It gives
me some comfort to understand that I don't
think anyone getting a diagnosis of Hodgkin's lymphoma today would be given that treatment.
I think just as the science has moved on in terms of the risks, it's moved on in terms
of the treatments as well. So I do feel oddly better that people now won't have this same
risk, but they might have other risks.
The treatments that are being given now might have risks that we don't know about. It has
helped me, I think, to understand science, medicine generally, as a work in progress,
that we're always just doing the best we can in any given moment. It's not necessarily
the best, absolute, perfect treatment we could ever give. And that I found
really interesting to think about when I was writing the book that we have to believe,
I think, otherwise no one would ever submit themselves to being injected with chemotherapy
drugs if they didn't believe that this was the right thing to do and the best science
available. If you had to confront the
fact that, well, this is just the best we have today in a week, a month, a year from now,
we might have a better version, I don't know we would ever be able to bring ourselves to do it.
So it's this convenient fiction almost that we have to believe in in order to go through with any
of it. Well, sometimes the alternative is dying. Sometimes the alternative is dying or I think the more pernicious version is you might feel like well if I just wait,
if I just wait a little bit longer maybe there'll be something better when actually waiting can be
a terrible decision to make. Right because the cancer just advances. The cancer doesn't wait.
Yeah well we need to take another short break, so let me reintroduce you again.
If you're just joining us, my guest is Caroline Crampton. Her new book is called A Body Made
of Glass, A Cultural History of Hypochondria. It's also part memoir. We'll be right back
after a short break. I'm Terry Gross, and this is Fresh Air.
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Caroline, it's now kind of believed that hypochondria is related to PTSD. What is the
relationship?
The idea is that hypochondria can be a response to some past trauma in the same way that post-traumatic
stress disorder is related to a trauma in your past, that hypochondria and illness and
anxiety can be a response to such a past trauma in a illness or medically related sense.
In my case, having had a cancer diagnosis and treatment in my
past, that seems very plausible. I spoke to some people when I was working on the book
that had some more circuitous roots to it, such as someone who was a twin and her twin
had had some quite serious childhood illnesses that required them to be hospitalized. She,
the other twin, had been completely healthy, but watching her twin go through that had then, as an adult, surfaced for her as hypochondria. Other people
who'd had a very close friend pass away young from a serious condition, and then after that
had happened, that trauma, they had then developed anxiety about their health, having previously
never suffered from it before. So it feels like an idea that checks out to
me that you might respond to a really traumatic event by developing the anxiety that something
similar might be going to happen to you in the future.
And another thing you think of as traumatizing was when you were told that the treatments for your cancer might ruin your fertility, that therefore
you should extract eggs and you know save them for later if you wanted to become a parent.
So you did that, no one prepared you for the fact that it's actually very painful. I didn't know
that either. So that was kind of traumatizing too. Definitely, yes. Some of the therapy I've done has been very
specifically about that procedure, actually. The larger
question of, oh, this might affect your fertility. I don't
even really remember registering with me very hard at the time. I
was 17 and the idea of having children felt very remote to me.
I was still technically a child myself, according to
the health service. I was in children's wards and so on because I was under the age of 18. So it
felt like a very remote possibility and like just another medical hoop to jump through. But the
actual procedure I really found very unpleasant and all of the self-injecting and so on you have
to do in the run-up to it. And it was also quite an interesting
and bizarre experience to be in fertility clinics at that age and for that reason, when everyone
else in the waiting room is there because they're trying to have a child and then here's this
17-year-old, what on earth is she doing here? It was very strange. But it was interesting,
nonetheless, and actually it has equipped me quite well when I've had,
now that I'm in my late 30s,
when I've had friends who've gone through IVF
for the reasons of wanting to have a child,
I've done it in a bizarre kind of way.
I can support from a place of genuine experience.
A couple of the treatments used for hypochondria
are also used for post-traumatic stress disorder.
One of those treatments is EMDR, which stands for eye movement, desensitization, and reprocessing.
You did EMDR.
Would you describe what that treatment is?
Yes.
So it's a combination of a talking therapy and a physical process that is intended to help
traumas that you're still experiencing in the present moment, even though they happened a long
time ago, you're still experiencing the psychological effects of them in the present.
It's to help move those into the past, help them become memories rather than things that are affecting
you every single day. So the form it takes is that you take part in some kind of what
they call bilateral stimulation. So the most common version is the eye movement where my
therapist used an LED light bar on a stand in front of me with a light that moved from
side to side and you follow this with your eyes, keeping your head still so that your eyes are going from one
extreme side to the other. And while you're doing that movement, the therapist is based
on previous extensive work you've done asking you questions about the trauma that you're
trying to process. And they'll ask the question, you'll do the eye movement, and then you just say whatever
comes into your brain after the, I think, 20 second period of doing the eye movement.
They can also do it by tapping on alternate sides of your chest. The idea is just that
side to side movement is what's required. And you keep doing this for as long as it
takes for the memory to stop feeling like it's happening to you in
the present anymore. And I have to say I went in skeptical and I still do have some of that
skepticism because the experience of doing it feels a little bit like hypnotism, I can't
lie. The eye movement and the talking, it becomes this very rhythmic
exchange with the therapist that feels a bit sort of mesmeric almost. But I can't deny
the effect of its results. The fertility procedure that we just talked about, that was one of
the traumas that we used this EMDR process for.
And it went from being something that I was almost every night having nightmares based on it,
to being something that I don't think about for months at a time. You just mentioned it,
and I thought, oh yeah, I haven't thought about that in months, which never used to be the case.
It used to be something that I thought about every single day because I was having these
nightmares based on it.
So I can only say that it seems to have worked, but I can't really explain how it worked.
Another treatment that is used both for PTSD and for hypochondria is CBT, cognitive behavioral
therapy.
Would you describe that?
Because you've tried that too. This is a more traditional talking therapy and it's very results focused.
So it's not particularly interested in why you might be exhibiting certain
behaviors. It's focused on how can your behavior be changed?
And so for health anxiety,
this mostly means confronting the fears, confronting the
triggers and learning to react to them differently. And it can be a very uncomfortable process
because it does mean that things that you've maybe avoided or only allowed to penetrate as far as
your subconscious, suddenly you have to make them the entire focus of your day and you actually
have to do exercises that mean that you are putting yourself in the way of these triggers.
But ultimately, it's a process of desensitization. The more times you do it and the terrible outcome
that you expect doesn't happen, the more likely you are to accept that it's not going to happen anyway.
I spoke to several different CBT therapists who describe different ways in which they
use it for chronic health anxiety. A really big one that presents a lot these days is
people who have diabetes and who have a device that's connected to their phone that allows
them to monitor their blood sugar level. And in
its simplest form, that's a great technological advance that helps people manage their health
better. But at a certain point, the checking of the device can become completely obsessive
and it can even start causing sort of phantom memories where you think you heard it, the
alarm go off, but actually it didn't. And so they have to do exercises like
you're not allowed to check the device for 24 hours, or you have to give the device to
somebody else. And they will tell you if your blood sugar spikes, but other than that, you're
not allowed to look at it. Whereas if you've been completely attached to this thing and
looking at it every 10 seconds for six months, that will be very, very difficult to do. But
after you survive 24 hours and then 48 and then 72,
without it being a problem, you gradually learn
that you don't need to look at it
as much as you had been doing.
Since one of the issues that you faced
was being traumatized by the egg extraction treatment
that you went through, so you're not gonna keep going
through that in order to desensitize yourself towards what kind of exercises were you assigned to do?
No. So this is why I ended up doing a combination of CBT and EMDR because I found that CBT was
really helpful for, call it the small day-to-day problems such as Googling your symptoms and reading health related stuff
on the internet or watching too much wellness things on Instagram or spending too long checking
all your moles, that kind of thing. That can be really helpful in changing those kind of
daily behaviours. So exercises mostly just included not doing them for long periods of
time and having to record every
time you felt the impulse to do it and how you were feeling at the time. So that it was
very helpful to be able to associate, oh, I'm feeling anxious about this work thing
I've got coming up. Oh, I seem to be checking WebMD a lot more than I normally would. Maybe
those things are related. So it was very helpful for things like that. But even after I'd been through that and really improved in those regards, it wasn't treating
those bigger trauma memories that were causing things like the nightmares. So that's why I was
recommended to do EMDR as well, because that does actively look back into your past to find the
source of your problems. So when you feel yourself getting anxious or hypervigilant, can you distract yourself by
listening to music, watching TV, exercising, taking a walk?
Yes, those are all good coping strategies. And even just knowing that distraction is possible
is actually a really good strategy in itself. One of
the other things I do is I set check-in times for myself. So I say, okay we're
worried about this now, we're gonna get on with our day, go to this event, whatever
we need to do, and then in four hours when I get home I'll check in on it
again. I'm not allowed to think about it until then. And so I sort of set these
little deadlines for myself and often it can be as simple as allowed to think about it until then. And so I sort of set these little deadlines
for myself. And often it can be as simple as I'll sleep on it. You know, I'll see how I feel in the
morning. And if you can eliminate all of the other factors that can add to anxiety, so can you
eliminate what might be causing you stress or are you hungry or are you tired or have you spoken to
anyone today? Have you been outside? This is what I say to myself. If
you do all those things and you are still really worried about this, then you
have to make a doctor's appointment. That's the process that I go through.
And it works?
It largely works, yes. The doctor's appointment test is a really good one
for me actually because I do have a lot of fears and baggage and shame around
taking up medical resources. So if I think it's serious enough to need to go to a doctor,
then make the doctor's appointment. If I don't, then I'm not allowed to worry about anymore
because it's not serious. Well let me reintroduce you again. If you're just joining us, my guest is
Caroline Crampton and she's the author of the new book, A Body
Made of Glass, A Cultural History of Hypochondria. We'll be right back after a short break.
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How do you think your cancer its recur recurrence, and your medical hypervigilance have affected
your feeling of the relationship of your mind and your body?
You're the kind of person who, and you write this in the book, you're the kind of person
who lives in your brain and, you know, didn't use to pay attention to your body.
You were never an athlete or anything.
Has your connection between your mind and body been changed by
everything we've been talking about?
Yes, it's been changed very profoundly, actually. I think I say in the book that until my diagnosis
when I was 17, I very much thought of myself as a brain in a jar, that I thought the only
part of me that would ever produce any value was in my mind and that the body was just
the way I moved the mind around the world.
It would never do anything remarkable. Since going through all the treatment, as difficult
and traumatic as it was at times, I did come out of it with this incredible appreciation for the
myriad complexities of the human body. And actually writing the book and doing all of
this research into medical
history and the different ways different people and cultures and times have conceived of the
body in all of these extraordinary ways gave me this almost sort of rapturous appreciation
for it. Sometimes I feel a bit like if you go into a really incredible building like
a cathedral or a civic hall and you have this feeling of awe that, wow,
you know, so someone conceived of this design and then it was built and now I can stand
inside it. I sometimes feel a sense of awe a bit like that, thinking of my own body.
Well, you're a critic professionally and I imagine you review books?
I do, yes.
And so you have to examine a book really critically. It seems to me maybe you've been applying
the same kind of critical faculties to your own body.
I think that's right, yes.
I have been judging my body very harshly
and holding it to a very high standard, perhaps.
You know, it's been through a lot of you.
Your body gets a bad review.
It hasn't.
One out of five stars.
It's still going.
I think that's maybe what the process has brought me to now is that, you know, it's
definitely not perfect and there are better ones out there, but it's still going.
And that's something worth noting and worth celebrating perhaps.
I'd like you to explain the title of your book, A Body Made of Glass.
So the phrase a body made of glass came from the existence of this thing called the glass
delusion, which is this centuries old psychological condition disorder whereby people suddenly
think that they are made of glass instead of being made of flesh and bone. And this
goes back a very long time. The French King
Charles VI thought he had it in the 14th century. Cervantes wrote a novella about it in the
16th, 17th. There are lots and lots of documented cases of it. And I don't think the glass delusion
is hypochondria, but the more I became fascinated by it and researched it, the more
I began to think that it was a very good image or metaphor for what it feels like to have
hypochondria because the sufferers from the glass delusion were absolutely obsessed with
the idea that they were breakable and fragile because they were made of glass and that if
anyone hugged them too hard or if they fell off anything or if they got jolted
around on a horse, they would break into a million pieces. And that's sometimes, I think,
what it feels like to have hypochondria is you feel incredibly fragile and breakable,
but to everyone else you just look completely normal and they might think that, oh, this is
just all in your head and a delusion that you've got. So that's why I gave the book that title because I felt it really encapsulated
the feeling of what it's like to have hypochondria.
What effect did writing this book have on you mentally and in terms of your obsession with
your health and with anything that might be a symptom of something serious. Did it calm you down
or did it make you more hypervigilant? Sometimes talking about it, whether it's with a friend
or a therapist, takes it off your shoulders.
It does. And I would say largely it's been very positive. I'm not sure that I could recommend
writing a book as a treatment to everyone with hypochondria, but it's certainly been good for me. The actual process sort of day by day of especially writing
the personal sections of the book was sometimes quite unpleasant, reliving memories and sorting
through recollections and deciding what would be good in a book and what wouldn't be. I didn't find
that very enjoyable. But the overall process of putting it all down and then being able to send
it out into the world almost like it's a chapter that I'm closing and giving over to everyone else
to have their thoughts about that I think was mentally very helpful. And also just realizing
that I could talk about these things and nothing bad would happen to me. I think I had, without
realizing it, I'd lived with this fear
for a very long time that if I spoke about having cancer, having hypochondria, people would judge me,
people would think less of me. And I was braced all the time, I think, for that reaction. And
there's been absolutely none of it. People have been nothing but kind and interested and wanting
to share their own stories and so on. So I think that was a very good realization for me that I could do this and it could actually
have a good outcome instead of a bad one was maybe the culmination of a lot of therapy
of doing hard things to find out what the outcome is and then finding that actually
they're not that bad after all.
Well thank you so much for talking with us and I wish you good health.
And you. Thank you very much for talking with us and I wish you good health. And you.
Thank you very much, Terri.
Caroline Crampton is the author of the new book, A Body Made of Glass, a Cultural History
of Hypochondria.
After we take a short break, John Powers will review two new TV spy series.
He says each takes a radically different approach to the espionage genre.
This is fresh air. Lately on the NPR Politics Podcast, we're talking about a big question. How much can one guy change?
They want change. What will change look like for energy?
Drill, baby drill. Schools.
Take the Department of Education closer. Healthcare.
Better and less expensive. Follow coverage of a changing country.
Promises made, promises kept.
We're going to keep our promises.
On the NPR Politics Podcast.
Breakup stories are going super viral online.
Normalize posting why you broke up on the internet.
I cannot believe I'm about to tell this breakup story and expose myself like this.
On It's Been a Minute, we're asking the big questions about dating.
Like, what's the line between a juicy story and an invasion of privacy?
To find out, listen now to the It's Been A Minute podcast from NPR.
Spy series have become a staple of the modern TV landscape.
Two big new ones are closing out the year.
The Netflix series Black Doves and Paramount Plus's The Agency, a reworking
of the acclaimed French series The Bureau.
Our critic-at-large John Power says that one of them is fast and one is deliberate, but
both will keep you hooked.
Ever since I saw my first James Bond movie as a kid, I've had a thing for spy stories.
They always draw me in, be they
nuanced like John Le Carre, witty like slow horses, or pot-boiling like
homeland. I love their labyrinthine plots, their bubbling menace, their
deep-dish paranoia. Never trust what you see on the surface. I'm happy to
report that the year is ending with two good new spy series, Black Doves on Netflix and The Agency on Paramount+. They make an
interesting pair, for while both are compelling and feature top-drawer talent,
each takes a radically different approach to the espionage genre. Where
one flashes with pop energy, the other is a slow burn.
Set in London, the mecca of spy stories, Black Dove stars Keira Knightley as Helen Webb,
the wife of Britain's defense minister, who secretly works for the Black Doves, a private
espionage firm that sells information to the highest bidder.
When her lover is murdered, Helen vows revenge. Much
to the disapproval of her boss, Reed, that's Sarah Lancaster of Happy Valley fame. To keep
her safe, Reed enlists Helen's dear friend Sam Young, a gay contract killer played by
Ben Wishaw. Soon Helen and Sam are sucked into a bloody maelstrom that touches everyone from the Chinese
embassy and the CIA to No. 10 Downing Street and the world's most powerful criminal gang.
Telling a complete story in an admirably brief six episodes, the show starts fast and just
keeps coming—jokes and plot twists and fight scenes and flashbacks.
Heck, even Tracy Allman
turns up. Black Doves was created by Joe Barton, who did Geary Haji, an
exhilaratingly original Netflix series about a Tokyo cop in London. While this
new show is more conventional, you can feel Barton's sensibility in its
depth-shifting from violence to comedy to surprisingly deep
emotion.
Even the villains have more dimension than you'd expect.
Of course it's the heroes who hold us, especially since Knightley and Wishaw play off each other
with such ease.
Here for example, Sam and Helen are driving to kill one of the men who murdered her lover,
and she thinks he's acting a bit odd.
These webs we weave, they are tangled, are they not? Have you been drinking? to kill one of the men who murdered her lover. And she thinks he's acting a bit odd.
These webs we weave, they are tangled, are they not?
Have you been drinking?
What?
Your breath smells of wine.
Um, I was at dinner.
Are you pissed?
I think that I can have three glasses of Sauvignon Blanc
and still do my job, thank you.
Was it three glasses though?
Four.
Five.
And a line of what I thought was cocaine, but I'm starting to suspect may have been ketamine.
Oh great, cool. So a bottle of wine and some horse tranquilizer.
Anything else? Did you shoot up under a bridge on your way here?
Listen, I have just left a very enjoyable evening with some old friends to come and
murder a hired contract killer for you. So let's tone down the judgment a tad,
shall we?
Helen and Sam are so enjoyable in such scenes, and their friendship so palpable,
that it's easy to lose sight of the immorality of what they do, especially as
both are capable of profound love and generosity.
The human cost of spying is less breezy in the agency, whose provenance could hardly
be finer.
It's an American transposition of maybe the best spy show of all time, the French series
The Bureau.
Based in a CIA outpost in London, and dealing with issues torn from our headlines,
it centers on the spies who live for years in foreign lands under fake identities and the desk jockey agents who run them.
Ambiguously handsome Michael Fossbender stars as the crack agent known as Martian.
As the series begins, he's suddenly called back to London from Addis Ababa,
forcing him
to leave behind his Ethiopian lover Sami, that's Jodie Turner Smith. He tells his
superiors, played by the likes of Jeffrey Wright, Katherine Watterson, and Richard
Gere, that he and Sami are over, but he's actually still in love with her. In the
spy world, this lie is profoundly compromising, and it sets in motion all manner of trouble.
You see, not only is he training a young woman agent, played by Soura Lightfoot Leon, for
an undercover job in Tehran, he's helping endangered assets in Ukraine.
If black doves gallops forward like a racehorse, the agency is quieter and more precise, like dressage.
Although I've only been able to preview the first few episodes,
the show closely follows the Bureau's template. It carefully lays out the
agency's daily life with its strong personalities,
office politics, and murky missions. Then
it starts tightening the screws of suspense.
Like most spy stories, the agency taps into our modern obsession with identity.
As Martian tries to juggle his romantic passion and his sworn duty,
the show offers a heightened version of something universal.
The gap between our public selves that act in the world and
who we feel we really are inside.
For all their differences, black doves in the agency address the same fundamental questions.
Can you be a spy and still keep your humanity?
At what point does your mask become your actual face?
And at what point, if any, do you start saying no?
John Powers reviewed Black Doves and the Agency.
Fresh Air's executive producer is Danny Miller. Our technical director and
engineer is Audrey Bentham. Our interviews and reviews are produced and edited
by Phyllis Myers, Roberta Shorrock, Anne Marie Boudinado,
Sam Brigger, Lauren Krenzel, Teresa Madden, Monique Nazareth,
Susan Yacundy, and Anna Bauman.
Our digital media producers are Molly C. Vinesper
and Sabrina Seaworth.
They are challenger directed today's show.
Our cohost is Tanya Mosley.
I'm Tarik Rose.
Tis the season for rich meals, twinkly lights, and New Year's resolutions. At LifeKit, NPR's self-help podcast,
we're here to help you make those resolutions less of a December and January thing and more like a year-long affair.
We've got shows that'll help you draw up plans to meet your goals, whatever they are.
Get the tools you need all year round with the Life Kit podcast from NPR.
On the embedded podcast from NPR, what is it like to live under years of state surveillance?
So many people have fear, fear of losing their families.
For years, the Chinese government has been detaining hundreds of thousands of ethnic
Uyghurs.
This is the story of one family torn apart.
Listen to The Black Gate on the Embedded Podcast from NPR.