Fresh Air - Best Of: Inside The Pronatalist Movement / Making Sense Of Trauma
Episode Date: May 3, 2025We're diving into the resurgence of the pronatalism movement, the belief that having more babies will save a failing civilization. With new Trump-backed policies promising "baby bonuses" and even a "N...ational Medal of Motherhood," pronatalists are warning that falling U.S. birth rates could mean economic collapse, or even extinction. Sociologist Dr. Karen Guzzo and NPR reporter Lisa Hagen join us to unpack the motivations behind this growing movement.Also, we'll talk with author Daria Burke. She spent several years digging into the science of how our brains and bodies carry the imprint of early experiences. She wanted to understand the trauma of her childhood. Plus, Justin Chang reviews the new Cronenberg thriller The Shrouds.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
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From WHYY in Philadelphia, this is Fresh Air Weekend.
I'm Tonya Mosley.
Today, we're diving into the resurgence of the pro-natalism movement.
The belief that having more babies will save a failing civilization.
From new Trump-backed policies that promise baby bonuses and even a
national medal of motherhood.
Pro-Natalists are warning that falling U.S. birth rates could mean economic collapse or
even extinction.
Sociologist Dr. Karen Guzzo and NPR reporter Lisa Hagen join us to unpack the motivations
behind this growing movement.
Also, we'll talk with author Daria Burke.
She spent several years digging into the science of how our brains and bodies carry the imprint
of early experiences.
She wanted to understand the trauma she lived through, growing up in 1980s Detroit with
a mother who battled addiction.
She suffered years of neglect before finding stability through school and rising in the
corporate world.
Plus, Justin Chang reviews the new Cronenberg thriller,
The Shrouds.
That's coming up on Fresh Share Weekend.
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This is Fresh Air Weekend.
I'm Tonya Mosley.
Have more babies or civilization dies.
That's the rallying cry behind a once fringe ideology
that has made its way into the mainstream.
Pro-natalism has been in the news lately, with Trump policies underway to increase birth
rates by giving away a $5,000 baby bonus for parents and a national medal of motherhood
for moms who have six or more children.
Pro-natalists warn of an apocalyptic future, that if birth rates in the U.S. keep falling,
we might be headed towards economic
collapse, even extinction.
They're pushing ideas like genetic engineering, limiting access to contraceptives, and the
Great Replacement Conspiracy Theory, which believes that there is a plot to replace white
populations with non-white immigrants.
One of the more well-known faces of the movement is Elon Musk, who reportedly has at least
14 biological children with several different women, and has called the world's population
decline the greatest threat to humanity.
But critics argue that this movement isn't solely about increasing birth rates.
It's about who gets to reproduce, under what terms, and at what cost.
They argue that this movement ignores the skyrocketing
price of child care in our country, our broken parental leave systems, and a woman's autonomy
over her own body. Well, today we're joined by two people whose work explores this movement and the
motivations behind it. Dr. Karen Guzzo is a sociologist and fertility expert serving as the
director of the Carolina Population Center
and a Professor of Sociology
at the University of North Carolina at Chapel Hill.
And Lisa Hagan is a reporter for NPR
who has been covering the pro-natal movement
and attended last month's
Second Annual NatalCon Conference in Austin.
Lisa Hagan and Karen Guzzo, welcome to Fresh Air.
Thanks for having me, happy to be here. Well, I wanna Karen Guzzo, welcome to Fresh Air. Thanks for having
me. Happy to be here. Well I want to start with you Lisa and I want you to take us
inside of this conference that you attended in Austin. First off, kind of set
the scene for us. How big was it and how would you describe this overarching
message you heard this year? Well, there were about 200 attendees.
This was the second ever NatalCon.
The first one was held two years ago,
and it was half the size.
Still a pretty small conference.
And I think what's interesting about it
is that there were a lot of different kinds of messages.
The tone had also shifted quite a bit
from the first iteration of the conference.
So you heard everything from people saying,
you know, we should have a child tax credit increase
to, you know, our enemies are the enemies of humanity
and that sort of language.
I'm just curious, what was the breakdown of men versus women at NatalCon?
Oh, 95% men, absolutely.
And like, let's also be-
95% men.
Yes.
So another interesting thing to note there, right, is like some, there were supposed to
be some women speakers, they have lots of kids.
So some of them, their kids got sick or child
care, like, whatever, right? Things fall through. I think there are some natural ways in which
it ends up being a lot of dudes who are talking about this.
The other thing is this was a very, very white crowd. And I say that as someone who's been
in a lot of sort of right-wing spaces, they're not always this white. There weren't
no people of color there, but it's just important to sort of say that about who was gathered
there.
Lylea Kaye What kinds of policies or incentives were
seriously being discussed at NATOcon?
Amy Quinton You know, NATOcon is a bit of a, I would say, pie in the sky kind of gathering. It's very open
to a lot of ideas that would take a lot of political change to actually bring into being,
like parental voting, for instance, you know, having parents vote on behalf of their minor
children. That was suggested, I don't know, I think
that would be very hard to bring about. You know, you hear things about like the child
tax credit or getting rid of no-fault divorce. But what I would say, I think, is the through
line always is that there's something off about culture, and that culture specifically needs to change,
and that mainstream culture has devalued motherhood, those kinds of arguments.
So that's sort of one of the bigger things that you'll hear a lot about how culture needs
to change.
I mean, you also will hear sort of traditionalist religious arguments like, people need to stop
having abortions, or, you know, pornography should be banned,
or we need to rein in technology
so that young people are looking less at their phones
and more focused on having babies.
I mean, I think it's a lot of more generalized stuff
about culture needing to change.
Okay, we're gonna delve into some of those
more granular details in the moment.
But before we get to that, I want to go to you, Dr. Guzzo, to talk about the legitimacy
of the problem that they're trying to solve.
You're a demographer who studies when and why people have children.
Remind us of some of the reasons, particularly here in our country, that we are actually
seeing a decline in birth
rates?
Sure. So one of the things I think is really interesting about this movement is that there's
not been a huge increase in the share of people who say they don't want to have children.
Instead, what's really happening is people are still generally saying they want to have
kids and they want to have two, maybe three, but they're saying not now.
They are taking parenthood and decisions to have kids really seriously.
And so they look right now at the future, at their own lives, at the world around them,
and they're like, now's not a good time, so maybe later.
And they keep making that decision to push it off and push it off because now's not a
good time for them.
And then that's how you end up with lower birth rates because some people will find
that it is never a good time.
Lisa, in your reporting, you featured a popular couple that has kind of been like rock stars
in this movement, the Collins.
They describe themselves as techno-Puritans.
Who are they and how many children do they have
and kind of what's their overarching messaging?
The first time I heard of the Collins' and I think this was a moment that maybe
anyone who's heard of them possibly saw is there was an article that sort of
named them the elite couple breeding to save mankind," which is a great headline. And, you know, they have
a very specific visual appearance. Simone Collins wears very chunky, memorable glasses.
She dresses in a specific way.
LESLIE KENDRICK She dresses like a Puritan. She dresses like from another era, another
time.
LESLIE KENDRICK Sort of, but like from Etsy, as she, you know, will tell you.
They are very open about having designed their look and their appeal to draw attention.
They have four children now.
They have another one on the way.
They plan to have as many as possible.
And Simone has said that she is willing to die in childbirth to have as many kids as possible and sort
of, you know, advance this movement.
Well, I think what's interesting about them is that they have evolved in how they appear
in the media.
They are now a very specific brand.
And they are cultivating that brand.
And one of the things they talk about in their brand is their view of, you know, everything
is data-driven.
Everything they're doing is very calculated and designed to be really efficient.
And that's how they figure out what kids and how to have kids and spacing and all sorts
of things and parenting.
Except there was a profile of them a few years ago where Malcolm sort of swatted his child
in front of the reporter and the
reporter was sort of aghast at it. And he said that his wife saw it on like a nature
documentary that this is what, you know, a lioness was doing to her cubs and they thought
that was good.
Danielle Pletka Tigers. It was tigers.
Julie Bader-Klansky Yes, there you go. So I'm thinking to myself,
wow, data-driven. I'm like, well, as a family sociologist and demographer, I can tell you there's a whole
lot of research on corporal punishment and child outcomes and well-being.
So that data was, I think, inconvenient.
So they are data-driven when it's convenient and not data-driven when it doesn't fit their
brand.
What do the Collins think about IVF?
Did Simone Collins actually have her children through IVF?
Yeah, they say that they've used a lot of procedures
in their births.
They're very pro.
They're interested in leveraging any and all technology that
exists sort of without limitations, really.
I think what's so interesting about what you all are sharing is that there is like no one
main pathway to building a greater population.
Like there are several different segments of this movement that have varying different
ideas on how to do that.
Dr. Guzzo, can you talk a little bit about the three segments of the pro-natalist
movement?
Sure. So, we've talked about the Collins, and they sort of fit into this tech world
where sort of, you know, they want to use the best technology available to have the
best and brightest children and make sure their children, you know, have the best possible
chances in life and sort of maximize their own fertility.
And then you have sort of the more religious groups who would not want to use technology,
who would be against IVF because life begins at conception and so destroying embryos is
destroying human life.
And they're really concerned about getting people married earlier and having them have
births within marriage.
And so they are not interested in raising necessarily teen birth rates unless they are
marital teen birth rates.
So they're really focused on the two-parent family and really it needs to be married too
and preferably Christian.
And then you have sort of the more racist groups who are very concerned that somehow
true Americans, and I say that
with sort of quote marks, you know, true Americans are going to be outbred by immigrants.
And so this is a longstanding idea.
So we've of course heard about it in the Great Replacement Theory, but this goes back
25 years.
You know, Pat Buchanan wrote a book, The Death of the West, in 2001, about sort of the danger
of immigrant populations coming
out and coming to the United States and having more children than native born true real Americans
and that this was going to ruin our society.
So this is not a new idea.
I would say they all have overlapped.
So you would think the Collins have been pretty clear that they don't necessarily care about
race or ethnicity.
Having said that, when you talk about having
the best and brightest and using technology, you are really darn close to eugenics. We
have done this in the United States before, where we have sterilized poor women. We have
sterilized women who are considered feeble or unfit. There are tons of really rich but sad research on Mississippi appendectomies, you
know, about women of color getting sterilized against their will. And so, that those, these
are some of the same ideas about who should and who shouldn't have kids. So, you want
to have the best and brightest kids. Does that mean that people who are having kids
the old-fashioned way are somehow a second-class citizens? Is that what we're moving towards? It's very science fiction-y but it makes many of
us who are in demography and know our history very uncomfortable. Let's take a
short break. If you're just joining us, my guests are NPR reporter Lisa Hagan and
demographer, sociologist, and fertility expert Dr. Karen Guzzo. We're talking about the resurgence of the pro-natalist movement.
We'll hear more of our conversation after a short break.
I'm Tonya Mosley, and this is Fresh Air Weekend.
Dr. Guzzo, like, do incentives work?
I mean, $5,000 in this economy to have a baby?
They don't work.
I mean, there's so much research on this that really shows that countries have tried
this.
And so they have this little tiny bump.
They might change the timing.
You might decide to go ahead and have that first kid or you might decide to have your
second kid a little bit sooner.
But by and large, they do not have any appreciable impact on birth rates overall or the number
of births people have over their own lifetimes.
They don't work because it costs on average something like $300,000 to raise a kid from
birth to age 18.
$5,000 isn't going to cut it.
We had the expanded child tax credit of the American Rescue Plan in 2021 that halved child
poverty and we did not vote to expand it or continue it.
And so the idea that we would be revisiting this in a different way
on a much more limited basis is really concerning.
COLLEEN O'BRIEN I just want to also mention expanding the child
tax credit is something that JD Vance has talked about specifically. And he had an opportunity to
vote to expand and extend the child tax credit and did not.
So I think something that's important to mention is that the pronatalist groups, for the most
part, have a tendency to be very supportive of the Trump administration and specifically
what Elon Musk is doing with Doge.
But these are not policies generally associated with helping families that are struggling.
AMT – And even these birth bonuses they're considering, they're not available to everybody.
What was neat about the American Rescue Plan is that it wasn't something that was just
you got money back at taxes.
You got $300 a month if you had a child under age six.
And you didn't necessarily have to pay income taxes.
They expanded eligibility for it.
So it went to everybody.
These new plans they're talking about,
they're not going to give them to poor women, to the people who
would really need them most.
They are, again, trying to say, no, no, only some people
should be having kids.
You mentioned how these types of ideas do not work.
But I was just wondering in other places,
in other countries, because I know that Hungary and Russia, I think even Singapore have introduced these kinds of incentives,
like tax breaks and housing benefits. I think that Hungary even offers free fertility treatments.
How effective are those types of measures?
So the country that probably has had the most effective fertility plans is actually
probably Israel because it makes IVF really widely available.
So, when people delay having kids, in part because they're getting education, they're
building careers, that does seem to help Israel.
But most of these other programs, they're very careful about how they extend them.
So, many of these countries, again, don't give the benefits to single women
or unmarried women, LGBTQ families. They don't have big impacts. They help a little bit on
the margins, but for the cost of them, they are not having big impacts. But the ones that
matter most are the things that actually make it easier for people to combine work and family.
So one of the things that people worry about is if we offer quote-unquote too generous
of a social safety net, people won't work.
There's not a lot of evidence for that.
People generally want to work.
When they have kids, they want to work a little bit less.
They want to stay home more, which is something we all think that would be great for kids.
We know that actually having parental leave is great for kids and for bonding, and it's
good for both mothers and fathers.
But investing in a robust childcare infrastructure is really important.
LESLIE KENDRICK-KLEIN Elon Musk has been evangelizing.
He's been sending these dire warnings that unless the low birth rate changes, civilization
will disappear.
He's framing it as the biggest threat to civilization.
What do you make, Dr. Guzzo, of tech leaders kind of stepping in?
I mean, some techno-pronatalists also argue that a bigger population means like more geniuses
and innovation.
Yeah.
So, Elon Musk is interesting in the sense that there are a lot of people in the tech
world who are good at math and think that makes them good at demography because it's
a math-related field, but they
don't really understand some of the theories, some of the ways we do modeling and think
about this.
So at one point, Musk was projecting something and he projected this all the way down to
zero and I was like, well, no, that's not right.
But he has this huge influence and so people are listening to him.
So it is important to take him seriously.
But some of the stuff he just says, to be honest, is pretty bonkers.
He has this whole thing about C-sections, that women should have C-sections because
that allows their baby's brains to be bigger than a vaginal birth.
And that is just so utterly bonkers.
I mean, babies' heads, their skulls are not fully fused for an evolutionary reason to
go through the birth canal without, you know, crushing
their brains. And so the idea that we're listening to this guy, I mean, it chills me.
Lyle Ornstein It also deeply ignores the fact that those
are really personal decisions that carry real health risks for people giving birth, right?
So it's a very specific focus on the product of the birth rather than the person doing
the birthing. Elan Musk has a lot of kids, but he definitely is not a traditional family man.
That's something that's also been discussed.
And thinking about traditional family, lots of kids, the nuclear family, and just this need to have more children. Of course there are folks, especially on the sort of religious end of pronatal advocacy,
who say, you know, I don't love everything about the way that Elon Musk is building his
family.
But there is a sometimes explicit, sometimes underlying acknowledgement that he is the
biggest beacon of this issue. He's very rich, he's very powerful,
and folks in the pro-natalist movement, though they may not agree with the way that he's
living his life, they would all love his support and for him to continue doing exactly what
he's doing. And so that sort of tells you about the focus on purpose rather than any of the specific values or
disagreements these communities may have with each other.
Dr. Guzzo, one of the things I'm trying to reconcile are the thoughts in the
past around pronatalism along with today's action. So for instance, during
the Cold War, population control was seen as a
kind of master key. So American elites actually believed population growth caused poverty
and that poverty then turned into communism. How does this square with today's movement?
So one of the things that's interesting is that this all has this idea that reproduction
is the future and it's the key to everything
and all we have to do is control women.
So it's for me it's always really hard to separate the arguments about populations from
the fact that this is about what women should or should not do and who gets to decide what
women do.
And so when I think about low birth rates right now and what does that mean for, you
know, the economy, well, it does mean potentially fewer workers, but then we also have things like technological
advance.
We're having a whole separate conversation about the meaning of automation and robotics
and AI.
So, maybe we don't need as many workers.
And the research really shows that young men, they don't want to have kids right now either.
If we wanted to raise birth rates right now, young people are saying, yeah, I want to have
kids. I just can't right now for these reasons. We could try listening to those reasons or
we can say, you know, we're going to give you a medal if you have six.
Lisa, I was just wondering, you mentioned how Vice President J.D. Vance has kind of
echoed these worries. The Trump's White House has been asking for suggestions from married
couples to boost birth rates. How empowered does the movement feel with perceived allies
and government that all of this will turn into concrete policies? Did they talk about
this at all during the conference?
Oh, yeah. Natalcon was a very celebratory moment for folks. They certainly wouldn't
argue and say that they've brought this conversation about, but they're so excited by the fact
that things that they were talking about, you know, previous to this iteration of the
Trump administration, are now being discussed by people in very powerful positions in our
country. Absolutely. The other thing that you will hear a lot, you know, there are a lot of different groups,
as we've discussed within this movement, but they have a through line.
And the through line is that our current culture is messed up, either culturally or through
policy or feminism has screwed things up, birth control, whatever it is. But what you hear a great deal less about are that there are perhaps other options for
why things are messed up.
And so I think what this does is it takes dissatisfaction with the very difficult world
that we're all trying to survive in, and it says, hey, the solution is more babies, and
sort of leaves out this whole range
of other things that we might be talking about to improve people's lives and confidence to
bring children into the world.
Lisa Hagen and Dr. Karen Guzzo, thank you so much.
Thanks for having us.
Yeah, great being here.
Dr. Karen Guzzo is a demographer, sociologist, and fertility expert, and Lisa Hagen is a
reporter for NPR.
In The Shrouds, a new thriller from 82-year-old Canadian writer-director David Cronenberg,
Vincent Cassel plays a wealthy tech entrepreneur
who has devised an unusual technology to help people still grieving from the loss of their
loved ones. Our film critic Justin Chang has this review.
When The Shrouds premiered at film festivals last year, David Cronenberg described it as
his most personal work. A deeply felt response to the death of his longtime wife from cancer in 2017.
The movie is about a man named Karsh, who lost his wife, Rebecca, to cancer four years earlier.
That's not the only similarity.
If you know what Cronenberg looks like, you'll see that Karsh, played by Vincent Cassel with
a silvery shock of hair, resembles the director.
Maybe not a dead ringer, but close enough to give you a chill and a bit of a chuckle.
That's the thing about the Shrouds.
It's deeply morbid and sad, but it's also disarmingly funny. Karsh is the mastermind behind a company called Gravetech, which allows people to monitor
the remains of their dead loved ones.
Before the body is buried, it's wrapped in a high-tech metal shroud equipped with an
MRI-style scanner.
And so at any time, with a swipe of your phone, you can watch a feed from the
grave of the decomposing body. It's not just on your phone, either. The feed also goes
to a screen built into the person's headstone.
Karsh himself uses gravestech obsessively, keeping close tabs on his wife Becca's body
at all times. This has naturally made it difficult for him to move on.
One amusing early scene finds Karsh on a blind date with a woman who heads for the exit the
minute she finds out what he does for a living.
The next day, Karsh is debriefing the date with Becca's sister, Terry, played by Diane
Kruger.
Another bad date last night? She put off by a desperation like the last one.
I'm out of practice. It's been decades since I had to seduce a woman.
I'm never really sure whether I'm flirting or not.
That's what you get for having had a successful marriage.
I don't have that problem.
Should I give up trying to find a girlfriend,
or should I just sink gracefully into terminal asexuality?
You'll never replace Becca.
I'm not trying to.
I did love that body.
What you provocatively said was a lot like mine.
You have her body.
I have my own body.
Cronenberg is often described as a master of body horror, a sub-genre he helped pioneer
with early efforts like The Brood and Scanners, and recently
pushed to audacious new extremes with the wondrously icky Crimes of the Future.
The label can be misleading, though.
Cronenberg's films are even more cerebral than they are visceral, and he's never been
purely interested in grotesque for grotesque's sake.
The Shrouds is certainly a body horror movie in perhaps the most relatable sense.
It's about the physical ravages of illness and death.
At various points, Karsh sees Becca, also played by Diane Kruger, in dream-like flashbacks
that reveal exactly what the cancer did to her body.
I can't think of a filmmaker besides
Cronenberg who could present the body this way, with clinical directness,
undimmed desire, and real tenderness. Early on in the film, someone vandalizes
the Grave Tech Cemetery, ripping the headstones from their foundations, and
hacking into the video feeds, for reasons unknown.
The Shrouds isn't just a horror movie about corporeal decay, it's a thriller steeped
in techno paranoia.
To get to the bottom of the vandalism, Karsh enlists the help of Terry's ex-husband, a
computer whiz played by an unnervingly twitchy Guy Pearce.
Karsh also relies on an AI personal assistant, voiced by, you guessed it, Kruger again, who
doesn't seem entirely trustworthy.
There are whispers that the Vandals are aligned with shadowy Russian and or Chinese forces,
hinting at a mass data theft conspiracy that may or may not exist.
The shrouds never fully coheres as a mystery.
In the end, it's an intriguing, but not especially satisfying, puzzle.
I didn't mind that about it.
Cronenberg isn't out to provide easy answers.
He's saying that we live in such a 24-7 internet fog now, who knows what could be out there?
Mining the most human and vulnerable parts of ourselves, our habits, our yearnings,
our relationships. This isn't a new theme for Cronenberg. He's always been fascinated by the
way technology alters our minds and even our bodies. In his 1983 classic Videodrome, the director inserted a Betamax cassette into his protagonist's
torso, literalizing the idea of what TV is doing to us.
The Shrouds isn't nearly as graphic, but it doesn't have to be.
It's set in a world where most of us have all but fused with our phones already.
All of which is to say that this seemingly death-obsessed movie, about grief and desire
and the unsettling power of technology to assuage them, is also a movie about life,
and the way more than a few of us live now.
Justin Chang reviewed David Cronenberg's new film, The Shrouds.
Coming up, writer and executive Daria Burke will talk about her new memoir, which explores
her childhood in 1980s Detroit amid addiction and instability, and the years she spent trying
to outrun the past by building a carefully curated, outwardly successful life.
I'm Tonya Mosley and this is Fresh Air Weekend.
From the outside, Daria Burke's life seemed pretty great.
A big career in marketing, amazing friends, a resume filled with accolades.
For two decades, she perfected the art of image, not just her own, but for major brands
like Estee Lauder and Facebook.
But underneath was a story that she has spent most of her life trying to outrun.
Burke grew up in Detroit in the 80s and 90s, when jobs were disappearing, crime was up,
and the crack cocaine epidemic was ravaging communities and families.
And her home life mirrored the city. Both of her parents struggled with addiction. She didn't grow up hearing
bedtime stories or celebrating birthdays. She has no snapshots of her childhood,
just memories of her and her sister basically raising themselves. Beneath her
perfect exterior, Burke says she moved through the world in shame. Until one day,
a few years
ago, when she discovered a photograph of the car crash that killed her grandmother when
she herself was seven. Her grandmother was the one person from her childhood who made
her feel safe. And that image unearthed a well of buried grief and set her on a four-year
journey into brain science, trauma research, even
epigenetics, which is the study of how our genes are influenced by our environment.
At one point, Daria Burke even had a 3D scan of her brain to see how trauma had shaped
it.
She's written about all of this in her new memoir, Of My Own Making.
Daria Burke, welcome to Fresh Air.
Thank you so much for having me. It's such an honor.
Well, Daria, I want to start our conversation with the day that you discovered the details
of your grandmother's car accident and death. The article you found said that your grandmother's
car had stalled on the freeway and she was rammed
from behind from another car and she was on her way to your house. You were around seven
years old at that time. She was on her way to come pick you guys up for church. What
did your grandma represent to you that not just what she represented to you being this loving person, but what she represents
in the way that forced you to confront the other parts of your childhood, the stuff that you kind
of had been running from all of your adult life. I think she represented a before time
represented a before time when things were good, even if I couldn't fully remember all of that. She represented a safety
and a stability and a level of care and attention and intention
that was markedly absent after she passed away. And I think it
was easy to tell myself a story that that was the shift, that her death was
the end of these before times that were secure and safe and loving and nurturing, very much
driven by her presence.
Because the aftertimes, those are the times when then your mother began to fall into addiction.
Yes. I have memories that have come back to me.
I write about one of them in the book that suggests that perhaps she was using before my grandmother died.
And I imagine that grandma was probably a bit of a buffer for us as kids in some way.
Her presence was so formidable and consistent that I think it would have
been quite difficult to actually have the same kind of proximity to my mother's addiction
that I had after my grandma died. And so it's when I was around age seven or eight that
my earliest memories of my mother's addiction emerged and where I have great clarity on that shift in her behavior and in the
ways in which we related to her and could rely on her.
Is there a memory that comes to mind for you when it was strikingly clear that
your mother had a problem?
It's interesting. I don't know that I would call it, I would have called it a problem
because I was so young. I knew pretty early on that my mother was not like other mothers
in that we weren't having snacks made for us when we got home from school. She wasn't
hovering to make sure that our homework was getting done. Dinner could be a bit of a scavenger hunt at times. And so I even then started to get
the sense that something was different. I think my fear around people learning about
how things were at home began probably between eight and nine when
we wouldn't really want our neighbors to go beyond our front porch and we didn't want
them to come into the house because they might find that we didn't have our electricity
having turned off or we didn't have running water, the gas had been turned off.
We often didn't have a working telephone so I didn't give my phone number out to people,
generally, really until high school.
But it was really clear to me that there
was something that should be hidden from people.
And that was, I would say, my first instinct.
Did you ever feel ostracized from the kids?
You were hiding this big secret from them. Not at that age. I don't know what anyone knew. If they knew anything, they never said anything.
And so my earliest, you know, if I think about it now in reflection, I think the first people who probably had instincts
were probably folks in my life when I was in high school. And I think I had a different kind of freedom and could therefore be in places with friends
and with their parents that maybe created more points of exposure.
I think as small children, there wasn't a lot of investigation or interrogation necessarily.
And to be fair, one of the boys who lived next door, his mom had four children.
Each of the children had a different father. You know, they had their own kind of chaos,
for lack of a better word. And so everyone had their own story that they were living in.
And I imagine it's easy to get lost in the details of your own life when you're also working really hard
to put food on the table and keep the bills paid
and take care of aging parents
or whatever the case may be.
I will say that there was one moment
that there was a song that came out in the 90s
about it was children taunting another child that the child's mother was on crack.
Your mama's on crack.
That's right.
Yeah, that song.
And I do remember when that song came out, just wondering if anybody would figure out
somehow that it was, that was my story, that that was true for me.
And I hated that song because it felt like
I was being taunted through the radio.
Were you ever with friends or with others
and that song came on?
I mean, kids would sing it at school.
And so it was there.
And I think I just tried to pretend like nothing was wrong
and I would just sort of ignore it
and wait for it to go off or
wait for people to stop singing it.
No one ever sang it at me, but it always felt very much like I was at risk of being exposed.
What did the kind of poverty you lived under look like?
Well, my mother didn't work and we typically weren't getting child support from my dad.
And so we lived on public assistance.
My mother got food stamps, and there was a small check payment, cash payment essentially,
that we got every month.
And so it summed together maybe around $500 or so, $300 or so of that was food stamps, and then the
rest came in cash that was really just enough to cover the mortgage payment and maybe the
electric bill or the utilities. They were off and off, and so those bills were going
unpaid. We would generally do like one big grocery store trip at the top of the month,
which was like Christmas.
It was always so fun.
But my mom, generally, she was getting food that we could kind of fix ourselves, a lot
of like ready-made and heat to eat or just bread and cheese and hot dogs, that kind
of stuff, cereal, milk.
You know, she'd get eggs and things that she'd make us for breakfast from time to
time.
But when it ran out, there was no second big trip to the store.
She usually would do that first big trip and then sell the food stamps, the rest of them,
for money that she could then use to buy drugs.
So we grew up without a lot.
I write about a time when I actually went to the grocery store to steal food
because we didn't have any in the house. It was quite scarce.
So much of your childhood as you write was about getting out of Detroit. Like you daydreamed about
that a lot and you write about knowing just intrinsically knowing that there was another life waiting for you.
How did you know that as a kid without being exposed to these other ways of living?
In some ways, I think it was just this act of faith, and not a religious faith, but like
an inner knowing that there was another way to live that was possible beyond what I had witnessed.
Certainly, it helps when you have media around, and so TV and books played a role in that
for me as well.
I suppose it was a blessing to have grown up as a Cosby kid, you know, to be able to
grow up and witness a family that was so different from mine and parents who were not only present, but they
were successful. And you had a mother who was a lawyer and a father who was a doctor.
And there was conversation about art and about school and education. And we saw loving discipline.
And so I think I could grasp onto some of the images that I saw on TV. And I
was such a reader that I think it fed my escapism as well in that way. And every chance we got
in school to do anything different, whether it was a field trip to a museum or to a farm or the zoo, it just all felt so
expansive for me.
And I really held so tightly to the possibility that there was another way to live, even though
I didn't have a lot of evidence that it was real.
What books were you reading?
Was there a specific, I know what I was reading during that time, I'm
just curious, what were you reading that took you to other worlds that really
opened that up for you?
Okay, so by the time I was 10 years old I was reading Danielle Steele.
Oh, really?
And I don't know where I got these books from. Someone in my mother's life must have been a part of one of those membership clubs,
you know, where you could sign up for.
Yeah.
Remember, Columbia House Records had it for CDs,
and then there was one for books.
So I had come across,
Full Circle was the first book of hers that I read.
And it was like a salmon pink cover.
And that was what I was reading.
I was not reading Sweet Valley High and Judy Blume. I was reading Danielle Steele and then
eventually...
You were down the romance novel.
Girl. And then Terry McMillan. Yes.
Why did you want to write a book? Now everything about you is out there or these particular
things about you are out there,
in a way that kind of leaves you exposed. These are things that for so long you didn't, you tried to hide.
There are a couple of reasons. I think the first one is that there was something specific about the telling of my story in this way that was a knitting together all
of these selves that I had shed along the way towards survival and a reclaiming of them
and an honoring of them. That felt really important to me. And I suffered in silence
for years because my story was a secret and I only told very few people along the
way that I didn't want that for other people.
I wanted the little kid who felt like they were escaping in books and looking at stories
that felt so far and away from their lives to maybe find this book, the teenage version of myself,
to find it in a library or having been gifted it and to see themselves in a story that also
affirmed that their reality didn't have to be their destiny, that everything that they
had inherited they didn't have to carry. And that was so deeply important to me, just personally.
And I think had I allowed myself to share my story
with more people, I wouldn't have been so alone
in that journey for as long as I was.
I got so much out of stories as a young person,
so this is certainly my offering in that regard.
The other reason, though, that I wanted to tell my story was because when I learned about
post-traumatic growth, that was such a revelatory moment, but it also felt like a mission. I had this mission suddenly that I wanted to tell people
about this phenomenon that occurs for people who experience adversity as well.
And can you slow down there because we know about post-traumatic stress.
We often hear like stress at the end of post-traumatic.
What you're talking about is post-traumatic growth.
Yes.
It's a phenomenon that occurs where amidst or on the heels
of an adverse event or a traumatic event,
some people actually report experiencing
a greater sense of personal strength
or greater, stronger relationships, deeper spiritual values, a greater sense of personal strength or greater, stronger relationships, deeper spiritual values,
a greater sense of possibility in their lives.
And I was, first of all, fascinated by this idea.
That alone felt, I understood that.
That spoke to what I saw and what I thought about my own life and my own experience.
And I wanted to understand more.
And what I learned, there's two things
about post-traumatic growth that I think are phenomenal
that everyone must know.
The first are the conditions
under which we tend to experience it.
And there are three things that are common
with people who've reported experiencing PTG
after a traumatic event.
One is that they have a supportive community around them, so they know that they've got
a loving environment of people who are there for them.
The second is that they find a way to make meaning with what happened and make meaning
of what occurred in their lives in whatever way, great or small.
The third, which is really hard to do, but important, is that they find the benefit of
what happened.
And I think in so many ways I saw my own story, the benefits of my story, such that I could
be a witness for someone else, that I could share this with someone else.
And then it's the who.
Who is most likely to experience post-traumatic growth?
And that really blew my mind.
It's people from impoverished backgrounds.
Why is that?
Is it the grit?
It's the grit.
It's the capacity to sort of make a way out of no way. So it's people from
impoverished backgrounds, it's people, non-white people typically, and women.
And when I look at all three of those populations or identities, experiences,
they're all groups that have been forged despite conditions that
weren't always favorable to them, to us, right?
As a girl who was born poor and black and female, I was consistently consuming messages,
right, even subliminally, that I shouldn't want very much, I shouldn't
have very much, that I wouldn't have the wherewithal or the intelligence or the strength
to create the kind of life that I've made.
And so in learning that these populations are actually most likely to experience growth
and a sense of strength and greater sense of relationships after trauma
was really revelatory for me.
Daria, thank you so much for this conversation.
This was such a pleasure and thank you for this book.
Wow.
Thank you so much.
This was incredible.
Daria Burke's memoir is called, Of My Own Making.
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