Fresh Air - The 'Land Grab' Displacing The Maasai People
Episode Date: April 11, 2024Atlantic journalist Stephanie McCrummen says foreign interests are acquiring Serengeti territory in Northern Tanzania, effectively displacing indigenous cattle-herders from their traditional grazing l...ands. McCrummen spoke with Dave Davies about the billionaires, conservation groups, and safari tourism in this story. Also, John Powers reviews the TV adaptation of Viet Thanh Nguyen's Pulitzer Prize-winning book, The Sympathizer.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
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This is Fresh Air. I'm Dave Davies. In a world of global warming and habitat destruction, programs to protect wilderness and travel to visit remaining natural lands and species are appealing.
But our guest, journalist Stephanie McCrummon, writes that in many parts of the world, indigenous people are being evicted from their lands to make way for ecotourism, carbon offset schemes, and other activities that fall under the banner of
conservation. In a new article in The Atlantic, she focuses on the Maasai, pastoral tribespeople
who for centuries have herded cattle and goats in northern Tanzania. She writes that the Maasai
are increasingly being forced off traditional grazing lands to make way for foreign investors,
including the royal family of Dubai, who wanted an exclusive
game reserve for hunting expeditions. The Maasai's displacement, she writes, has been accomplished in
part through harsh government measures, including arrests, confiscation of livestock, and lethal
violence. Stephanie McCrummon is a staff writer at The Atlantic. She previously worked at The
Washington Post, where she covered national politics, and served as the paper's East Africa bureau chief. Among her journalistic
honors are the 2018 Pulitzer Prize for Investigative Reporting for coverage of Roy Moore's 2017 Alabama
Senate campaign and two George Polk Awards. Her new article in The Atlantic is This Will Finish Us,
How Gulf Princes, the Safari Industry, and Conservation Groups Are Displacing the Maasai from the Last of Their Serengeti Homeland.
Well, Stephanie McCrummon, welcome to Fresh Air.
Thanks for having me.
Let's begin with the Maasai. Tell us about them, their way of life, you know, traditionally? Well, the Maasai are pastoralists.
They are essentially cattle people.
Their culture, their livelihood, their way of life really revolves around keeping cattle
and, by extension, tending to the landscape that supports cattle raising.
They migrated from the lower Nile Valley through Kenya into northern Tanzania
approximately 400 years ago, settling in this, you know, lush grasslands that they called
siranget. That's in the Ma language. It means the place where the land runs on forever.
Some of your listeners, if they've been lucky enough to go on a safari in Kenya or Tanzania,
they might recognize the Maasai as people who wear bright red, often plaid, shawls,
beautiful beads. They often serve as guides in safaris and, you know, have been very photographed
and really romanticized in many ways over the years.
You describe them as among the lightest living people on the planet.
Meaning what?
Yes.
Well, like many indigenous groups around the world, these are people who live in, you know, their traditional homes are mud and dung.
They're called bomas. These are circular enclosures that might have any number of houses inside, depending on the number of wives or extended family that live there.
You know, they famously wear recycled tire sandals.
And they live really very much in harmony with the ecosystem.
They don't cut down trees.
They don't hunt.
You see the occasional satellite dish
on top of a house. But basically, these are people that live in very, very traditional way
with the ecosystem because they have to for their livelihood.
You know, it's interesting. I mean, I think I first read about the Maasai either when I was
in school or when I taught school, which was decades ago. And I remember them sort of being described almost as if people living prehistoric lives
among us.
I assume that's not true.
I mean, they have cell phones.
I don't know.
Do their kids want to go off to the cities and live urban lives?
And that's a very important point to make.
Yes.
You know, the Maasai are at this point living this way by choice. It's not
like they're out of touch with the modern world. They have, of course, they have cell phones,
plenty of Maasai, you know, many girls. It's used to not be the case, but girls and children,
of course, go to school. They're Maasai in the context of the situation that's happening.
They're very, you know, prominent Maasai activists who are lawyers who
are getting their PhD at Oxford. Plenty of Maasai do leave the traditional life behind for lives in
cities. So yeah, so the Maasai have adapted in many ways as time has gone on.
Right. You write about a lot of violent actions that have occurred to displace
the Maasai in recent years, but this is an issue that goes back decades. I mean, in the early 90s, a company called the
Aterlo Business Corporation was granted a hunting license for an area near the park
in lands that the Maasai used for grazing. Who is behind this corporation?
That's right. The company is often referred to as OBC, and it's a company that has a lease for this land on behalf of the Dubai royal family. So the Dubai royal family has been hunting in this 600-square-mile area adjacent to Serengeti National Park since the early 90s. This 600 square miles is also an incredibly important grazing area to
the Maasai. They refer to this area as Osero. This is a word that means lush grazing land.
And so the Dubai royal family has been there since the early 90s, and there has been conflict
often on over the years, often violent conflict in which security forces working at the behest of OBC. I mean, that's a very, very bitter conflict
that has been going on. But there are also, you know, there are other safari companies that have
also become notorious to the Maasai for how they treat herders. There have been conflicts with
safari companies, with conservation authorities, and with Tanzanian authorities for decades. When the royal Dubai family came to do their hunting, what kind of footprint did they leave?
Did they actually leave structures or roads or runways?
Well, it's quite a production when they come to town.
They have their own airstrip.
They come with cargo planes hauling land cruisers and, you know, trucks, dozens of them, tents, food, structures where they and their guests stay, although the emir himself has his own particular compound.
He has a compound there in these grasslands? Yes, he has a permanent structure up on a little hill sort of overlooking this area,
which is, again,
breathtakingly beautiful.
It's a spectacular,
it's essentially
Serengeti National Park,
although it's not in the park,
but it's beautiful land.
So it's quite a production
when they come.
So the Maasai sort of see
the planes coming down,
you know, landing.
For a while before cell phone networks improved, the Dubai royal family, they had their own cell phone tower in this area.
And so when the Maasai would get close enough, a message would pop up on their cell phones that it would say, welcome to the UAE, which, you know, stung, obviously, in the context of the conflict going on.
You know, it's kind of hard to picture.
I mean, I picture a fairly wide area of grasslands and, you know, someone hunting.
I mean, I guess what I'm wondering is how grazing cattle could be such a problem for these folks hunting wildlife.
Well, you know, this is precisely the question
that the Maasai are asking. And in fact, for decades, you know, there was sort of an understanding
that when the royal family was in town, the Maasai would sort of try to keep away, keep their cattle
away and so forth. So on the other hand, the Dubai royal family, when they hunt, you know, they're in trucks.
They're using semi-automatic rifles.
The animals, you know, it's all the big game animals that you imagine are there.
Zebras, giraffe, elephants, antelope, everything.
And, you know, they sort of, according to Masai, I've seen them, you know, they speed around in these trucks.
And some people would say it's not terribly
sporting the way that they hunt. Firing the automatic weapons from the trucks at these
animals. Yes. And you do write that there were times when, you know, they would actually pay
Maasai well to act as guides or drivers or, you know, other helpers. But there was some severe
government suppression. You talked to a guy who had been shot in the face in one of these conflicts, right?
Yes. I spoke to a Maasai man who was shot in the face by security forces working for OBC.
He was accused of trespassing, if you will, in one of the areas that was supposed to be a hunting
preserve. And so in many cases,
safari companies, hunting companies have arrangements, security arrangements with
park rangers and Tanzanian security forces to sort of patrol there. And, you know, he described
his colleagues taking him to the hospital. He's bleeding. He described being handcuffed to the hospital bed and the security
forces in the room screaming at the doctor just to let him die. And he's bleeding from his eyes,
from his ears, and he ended up surviving and losing an eye. So in any number of Maasai villages
that we visited, you will find people who have been
in some way injured by park rangers, either beaten or shot at. So his story isn't terribly unusual.
And now things would change when the Tanzanian president, John Magufuli, died
in office and the newly elected president, Samia Sehulu Hassan, was elected.
And unlike the previous president who didn't find favor with the West because he suppressed media and opposition parties and alienated investors, she took a different approach that Western governments found more appealing.
What was she up to?
So Samia Sehulu Hassan takes office in 2021, and she immediately begins looking for an investment. And as part of this, she wants to develop tourism in a very aggressive way. So, she strikes a deal. It was a $7.5 billion deal with the United Arab Emirates. It included a deal for Dubai Ports World to manage two-thirds of
Tanzania's ports. It included a deal with a company called Blue Carbon to manage some 20
million acres of forest. This is roughly 8% of the entire landmass of Tanzania, and this would
be to generate carbon credits. And it also included
money for tourism and conservation. And this part of the deal was a little bit less specific.
But Samia Sulu-Hu Hassan begins talking about, you know, the need to conserve the Ngorongoro
Conservation Area and later, you know, also this area adjacent to Serengeti National Park.
And the Ngorongoro Conservation Area and Serengeti National Park are world heritage sites that are
governed in many ways by UNESCO rules. So she starts talking about the need to preserve these
world heritage sites and conservation. And she starts talking about the ecosystem being
destroyed. And the people that she really blames for this are the Maasai.
So the country's new president, President Hassan, really embraced foreign investment
in tourism and conservation, part of a plan backed by the World Bank and UNESCO,
the United Nations Agency, to bring more tourists to Tanzania and presumably in an
ecologically sensitive way to conserve natural resources but also build economic growth in
the country. And the president found that in some way, the Maasai were seen as in the
way or in some way inhibiting conservation. Was that the case they were making?
Yes. So the Tanzanian government and specifically, you know, their own
conservation authorities had been under some pressure for years from UNESCO and another big conservation partner there is the
Frankfurt Zoological Society. And I don't want to minimize the point that, you know, there has been
some ecological, you know, damage that has occurred. I mean, there are invasive species,
there are water issues and so forth. But these groups really express great concern about what they would say high
Maasai population. So the Maasai population around the Ngorongoro crater has grown to
approximately 200,000 people in total around the northern tourist circuit more broadly.
So these groups have been sort of pressuring the government to do something about the population. They accuse
the Maasai of sort of overgrazing, blame them for, you know, introducing these invasive species and
so forth. The Maasai, of course, would say that, you know, and they have countered with their own
studies and reports and, you know, saying that tourism has an impact on the environment. And, you know,
thousands of land cruisers have an impact on the environment. And, you know, there are other things.
And so President Hassan, she spoke about conservation. And what that turned out to mean
was that she wanted to resettle roughly the 100,000 Maasai people, the entire population of Maasai from
the Ngorongoro Conservation Area to other parts of the country. And it also meant, I should say,
conservation also turned out to mean that she wanted to create an exclusive game reserve out
of that 600 square mile piece of land adjacent to Serengeti National Park.
This would create an exclusive hunting playground for the Dubai royal family. So where the Maasai
had previously been sort of allowed to be there, she proposed making that an exclusive
hunting reserve in the name of conservation, which turned out to mean that
the Dubai royal family could still hunt there. And roughly 70,000 Maasai who depended upon that land
could no longer be there. Wow. Now, one of the things that you mentioned is that
when the new government of Tanzania made these arrangements with these entities associated
with the United
Arab Emirates. One of them was a company called Blue Carbon, which had a huge, you said 20 million
acres under their management, which they would then use to assign carbon credits. Explain how
this works. These are companies who are emitting carbon, and in order to offset the damage they're doing, they can buy carbon.
Just explain how this works, carbon credits.
Basically, the idea of carbon credits is that if you're an oil company, instead of sort of dramatically curbing your own pollution, you will save a forest is sort of the idea. You will secure a forest
somewhere to absorb your pollution. And the mechanism for this is carbon credits. So a
company like Blue Carbon, they're sort of a middleman in a way. So they go out and they find
the land. So in this case, it's the 20 million acres in Tanzania.
And then a certain number of carbon credits will be generated, if you will, from that land and then be put into a market where a company, you know, and this is an oil company.
It might be, I think, Gucci for a while would promise consumers that, you know, their clothing would be carbon neutral. So these
companies can purchase these carbon credits and then, you know, sort of say that, you know, they're
clean, if you will. And so blue carbon is in this business, which is expected to become
a trillion dollar market in coming years. I mean, it's a huge business.
But the Maasai were essentially targeted, if you will, because they were in the way of this
expanded tourism, tourism and safari and hunting. Absolutely. Yes. Yes. And I should say here that
one of the more interesting and important things that I learned in reporting this story is about the image that
is sold to tourists who, tourists just want to see, you know, animals in this spectacular
landscape. So I don't want to vilify tourists or anything like that. But the safari companies,
and for that matter, you know, a thousand movies and documentaries have painted this image of the Serengeti as
being this sort of primordial landscape, this sort of pre-human place.
And the reality is that the Maasai, you know, having lived in this ecosystem for hundreds
of years, really in in many ways, created
this landscape. Why? Because they need grasses for their cattle, and they need nature to live,
and so they have traditional practices, you know, controlled burns, they rotate grasses,
they have very intricate land management systems, if you will. And so the real story of the Serengeti and the real image of the Serengeti would be of seeing Maasai with their cattle, grazing their cattle, I should say, with animals, with zebra, with giraffe. That's the true image of the Serengeti, not this land without people, if you will.
So in many ways, when the government wants to get the Maasai out of the way, they're trying to give these tourist companies, create this image, recreate this image, or match this image that safari companies are selling.
We need to take another break here. Let me reintroduce you. We are speaking with Stephanie
McCrummon. She's a staff writer at The Atlantic. Her new article is, This Will Finish Us, How Gulf
Princes, the Safari Industry, and Conservation Groups Are Displacing the Maasai from the Last
of Their Serengeti Homeland. She'll be back to talk more after this short break.
I'm Dave Davies, and this is Fresh Air.
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So the government of Tanzania, after a new president was elected, decides that we're going to really invest in tourism and conservation.
And we've concluded that the Maasai, they're grazing too many cattle.
They're a problem.
And they are going to have to move, you know, tens of thousands of them.
What was their offer to entire Maasai population of roughly 100,000 people in the Ngorongoro Conservation Area.
So this is next to the famous Ngorongoro Crater.
And they are offering to settle them in this development far to the south in a sort of hotter, flatter part of the country, an area called M. Samara.
And they're building this massive development of cinderblock houses, thousands of them in this area.
They're offering them some few thousand dollars as compensation to move.
The cinderblock houses have, you know, running water, electricity. They're building schools and, you know, computer
labs and so forth as a way to, you know, entice the Maasai to go there. So it's roughly 5,000
of these houses sort of laid out on a grid in this sort of other part of Tanzania, 5,000 houses is not nearly enough to resettle 100,000 people,
obviously. So it's unclear where they expect other people to go. The Tanzanian government
says that this is a voluntary resettlement. The Maasai say that it's not voluntary, that they're
coercing them, that they've cut services in the Ngorongoro Conservation Area, and that they're harassing them in many ways to get them to move.
The government also, government official told me that they reserve the right to use force if the Maasai ultimately disagree. And the government has been dispatching these people
to sort of go to markets in the Ngorongoro Conservation Area
and sort of make this pitch.
And at one point when we were there,
one of these two officials it was actually were making the pitch
and they got pelted with stones.
I mean, they were just sort of run out of town.
The Maasai say they do not want to
move. And in fact, they were promised this area in the Ngorongoro Conservation Area back when they
were evicted from Serengeti National Park. The deal was that they were supposed to be able to
live in this area in an arrangement where, you know, they were supposed to be able to graze
their cattle. It was this new
pioneering at the time conservation arrangement there. And so they really feel that this is
another huge betrayal. So in June 2022, there's a major operation involving security personnel,
soldiers, police, park rangers, to go ahead and enforce what the Maasai don't want to embrace voluntarily, tell us what happened.
In June of 2022, hundreds of security forces and trucks start rolling into Maasai villages around this area, the roughly 600 square mile area, to demarcate the 600 squaresquare-mile area as a restricted game reserve.
So they come in, and this is sort of a show of force that the Maasai had really never
seen before.
The security forces set up camps on the edges of 14 villages that border this 600-square-mile
zone.
And then what happened next was fairly systematic. They called
village leaders to a meeting and then told them what was about to happen, that this demarcation
exercise was about to happen. And when leaders refused to agree with this, to go along,
they were arrested. So 27 leaders were arrested and eventually held for many months. And, you know,
there was a real sort of protest going on against, you know, this, what was happening.
And these young Maasai warriors took up positions, thousands of them in these areas along the road,
and were sort of ready to fight. And at one point, one of them shot an arrow and killed a police officer. And after that, all bets were off and security forces opened fire at Maasai. They started ransacking Bomas. They started beating people. And it was a really terrible scene. And, you know, thousands of Maasai ended up fleeing into Kenya at that point.
Now, what about the homes, the bomas, these compounds that includedarcated area and began burning Bomas. So they
torched hundreds of Bomas. They had bulldozers. They bulldozed them to the ground. And these were
homes of roughly 70,000 people. And after that, you know, it was just this whole area basically
became for time a kind of militarized zone.
So people sort of slowly came back to their villages.
Security forces were patrolling the roads.
Hundreds of people were sort of taken in for questioning about their citizenship.
They were accused of being Kenyan Maasai, not Tanzania Maasai. And then what began happening is security forces and park rangers began seizing cattle by the hundreds and by the thousands.
And eventually the number has reached into the tens of thousands at this point. So they seized the cattle and they would sort of hold them in a pen and force the
Maasai to go to court or otherwise prove that these cattle were theirs in order to get them
back, levying exorbitant fines. And so many people couldn't pay. We need to take another break here.
We are speaking with Stephanie McCrummon. Her new article in The Atlantic is This Will Finish Us, How Gulf Princes, Safari Industry, and Conservation Groups Are Displacing the Maasai from the Last of Their Serengeti Homeland.
We'll talk more in just a moment.
This is Fresh Air.
You write about one man named Songoyo who was a Maasai cattle herder, who was deeply affected by this displacement of
his people. Tell us a bit about him and his position before this movement began.
Sure. So before all of this began, Sungoyo was a very traditional Maasai man. He would probably,
you know, in our terms be sort of a middle-class man. He had 75
cattle, which is a good number of cattle. He had three wives and 14 children. He had two homes,
traditional Maasai homes. One was in the area that would soon become this exclusive game reserve for
the Dubai royal family, and another closer to the village
where his children went to school. This is how many Maasai families arranged themselves.
And he'd grown up in a very traditional way. He learned everything that a Maasai learns,
including cosmology, if you will, that the story goes that when God left the earth, God left the
Messiah to care for all the cattle in the world, and by extension, the land, too.
So he was a, you know, by his own estimation, a proud, respected, basically middle-class
Messiah man before all of this began.
Right.
And he was, his life was, gosh, not too much to say ruined by this displacement.
Where did you meet him?
And how did you get all this detail about his life?
Well, by the time that we met Sangoyo,
his home had been burned due to this campaign
that had unfolded to create this exclusive game reserve
for the Dubai royal family.
So his home had been among the hundreds that had been burned.
All 75 cattle had been seized by park rangers.
So by the point that we met, he was without any cattle
and was trying to start his life again as basically a herder for hire.
He was in Kenya at that point.
He had been hired to sort of herd
businessmen's livestock from market to market to sell them. And, you know, very, very, you know,
laborious, very difficult way of life. And the point was he wanted to earn enough money to buy
one cow to start over again. Without a cow, he's not a man.
Without a cow, as he said, you know, no cattle, no land, no life.
When you say herded, I mean, what did that look like? I mean, him taking these goats or cattle on this effort, taking them to market?
Sure. You know, so he would start at one market, and if he didn't sell the sheep, it was often sheep, he would have to proceed some 60, 75 miles to the next market.
You're talking about him walking what, with a stick?
He was walking, yes.
So he's walking with a stick with this group of livestock, and, you know, he has to make it to the market on time. So he's walking, you know, for hours and hours and overnight.
And oftentimes he's crossing the Maasai Mara.
This is in the Kenyan side.
It's sort of the Kenyan equivalent of Serengeti National Park.
So he'll cross, you know, at night.
And this is very dangerous.
He'll cross at night because really the Maasai aren't supposed to be in this park. Kenyans sort of look the other way a little bit. So he's facing wild animals. He's almost,
you know, trampled by elephants at one point. He has lions, you know, he's dealing with at one
point. At one point, he's asleep and some hyenas come kill some of the, were they goats or cattle? I'm trying to go to that. So at some point, yes, he's so exhausted and he finally decides to sleep one night and hyenas come and they kill a couple of his sheep, you know, that belong to another businessman.
So now he has to, of course, sort of compensate the businessman for the lost animals.
So, you know, his situation is just spiraling downward. Right. So he goes just great distances. When he finally gets back to his
village, what does he have for his efforts? I mean, he's compensated something like,
you know, the equivalent of $10, $20, $25, depending on how it goes each circuit if you will so this is what he does
every week and
he's trying to raise enough money to buy
one cow which is anywhere
$200 to $300
It's just heartbreaking to read this story
because he goes through all of this
risk and exertion without
food and water and ends up with $20
and he needs what a couple of hundred
to buy a cow someday.
Yes, yes.
And in the end, he didn't get his cattle back.
He could have borrowed money from loan sharks to try, but that wasn't a good course.
Right.
And the court ended up deciding that they could pay a fine to get their cattle back.
Well, his portion of the fine was something like $5,000.
And so he decided not to do that and not to borrow the money. Many Maasai, what they're doing is they borrow the money, they get the cattle back, and then they sell half or two-thirds
of the cattle to pay back the money. And so, as I say in the story, you know, the government is making money off of this
campaign to sort of dispossess the Maasai. But Tsongoyo decided not to do that. And after the
court case, he goes home. He's just sitting there thinking, my life is over. I have to have nothing.
And, you know, he talked about considering suicide, which is very unusual in Maasai culture, but instead decided no, that he would try again and try to raise this money to start over.
I want to talk a bit about tourism and how that fits into this.
Some areas have been granted to wealthy people for exclusive hunting rights. There are also just lots of companies that
offer safaris and bring regular tourists. You're right in the story that the safari industry is
selling an old and destructive myth. What's the myth? The myth is that, you know, that the
Serengeti, the park, the ecosystem, is somehow this primordial landscape, this sort of
pre-human Eden, and that what people are seeing is this pristine nature. And it is pristine. It
is nature of, obviously, it's spectacular landscape. But the reality is, and this is so
fascinating to me, I didn't quite understand this when I first embarked on
this story, but the Serengeti is, in many ways, the Maasai created the Serengeti ecosystem,
what people think of as the Serengeti ecosystem. The Maasai have been, you know, grazing cattle
and really managing this landscape for 400 years before the British came and decided to, you know, save it, as it were.
And so they have traditional practices.
They rotate grasses.
They would do controlled burns.
They had certain rules about keeping their cattle away from wildebeest during calving season, for example,
when wildebeest carry a certain disease
that can be deadly to cattle.
You know, they have all these rules around...
Never cut down a tree is one of them, right?
Never cut down a tree, yes.
So they have all kinds of, you know,
intricate rules around maintaining this landscape.
And so the lush grasses of the Serengeti ecosystem,
these great savannas,
in many ways were a product of the Maasai managing this land.
So in some ways, it was sort of a tended landscape, if you will.
And the same is true of many landscapes, many areas around the world, that these traditional people, indigenous people, know, the original conservators of this landscape.
So when they hear someone say, oh, we want to conserve this land from their point of view, they think, well, what does that mean?
It's conserved.
So from their point of view, it often, you know, this term conservation often feels like a looming land grab.
Right. You know, this term conservation often feels like a looming land grab.
You know, you do include one example of how, you know, the tourism industry, when it gets big enough, when it brings enough people and enough vehicles, can really interfere with things. And this was a moment where there's a herd of wildebeests.
You know, these animals that are in the antelope family have these big muscular bodies, are going to, trying to cross a river.
And on the other side of the river, there are a bunch of vehicles lined up with tourists and their cameras.
Tell us the story.
Yeah, so this is one of the big events that tourists come to see, the Great Migration.
And it is a spectacular sight of just millions of wildebeests crossing from Tanzania into Kenya. They're following the
grasses. And at some point, they cross this river, the Mara River. And this is just an incredible
site. But what is happening is there are so many tourists now. So when we were there,
we arrive at the Mara River, and there are just hundreds of land cruisers lined up on one side of the river.
And on the other side are these wildebeests, and they're sort of massing and waiting for the moment.
Usually, you know, one will sort of plunge into the river, and then the rest follow.
But it was hours, and they, you know, if you're a wildebeest, you're looking across the river and you see this metal fortification, basically. And so we sat there for several hours. The wildebeest weren't crossing. And finally, they sort of moved upriver where there were fewer cars or there's some gaps where they could get through when they, you know, when they reached the other side. And then finally they began crossing, at which point in the Land Cruisers, you know, all of a
sudden, you know, there's radio chatter and work gets out that they're crossing. And now all these
Land Cruisers sort of move in mass down the river. And so it's just this sort of this absurd scene.
And again, I don't mean to vilify tourists at all. I mean, this is an
incredible sight to see, and everyone should be so lucky to get to see it. But there is a sense
that things have gotten out of balance. Well, Stephanie McCrummon, thanks so much for speaking
with us. Thank you so much. Stephanie McCrummon is a Pulitzer Prize-winning journalist and a
staff writer at The Atlantic. Her new article is This Will Finish Us,
How Gulf Princes, the Safari Industry, and Conservation Groups
Are Displacing the Maasai from the Last of Their Serengeti Homeland.
Coming up, John Powers reviews the new TV series The Sympathizer
about a Vietnamese double agent during and after the Vietnam War.
This is Fresh Air.
The new TV series The Sympathizer tells the dark, funny story of a Vietnamese double agent
during and after the Vietnam War. The show, which premieres on HBO Sunday night,
is based on the 2015 novel by Viet Thanh Nguyen, which won the Pulitzer Prize. Our critic-at-large
John Power says there are countless ways to go
wrong adapting such a tricky book, but the sympathizer gets it right.
The first person I ever saw address the question of personal identity was that renowned philosopher
Popeye. I am what I am, and that's all what I am. If only life could be so simple. Nowadays,
we all wear numerous identities. National identities,
racial identities, gender identities, religious identities, family identities, digital identities.
And it can take years of struggle to find out who we truly are. A world-class identity crisis
drives the ambitious new HBO series, The Sympathizer. It's based on Viet Thanh Nguyen's Pulitzer Prize-winning novel,
which took a seemingly well-known subject, the Vietnam War, and flipped it, telling a tale that
was fresh and saucy and steeped in Vietnamese experience. Draughtily adapted by Don McKellar
and the great South Korean director Park Chan-wook. This complicated seven-part show takes
a surreal look at the costs of colonialism and the disillusionments of revolution, the ambiguous
promise of America, and the reality of immigration. The story is told by a young man known only as
the Captain, played with tightly wound irony by the Australian actor Hua Shunde. Pushing ambivalence to its existential
limits, the captain is not only the son of a Vietnamese woman and a French priest,
he's blood brothers with two ideologically different buddies. While Bon is a fiercely
loyal South Vietnamese soldier, Man is secretly a communist. In a way, the captain mirrors both. He works as a spy for the North
Vietnamese, while serving as the trusted aide-de-camp of a South Vietnamese big shot,
the general, a childish, bullying paranoiac made oddly likable by Duan Le's delightful performance.
Starting just before the 1975 fall of Saigon, the action takes the captain from a harrowing
airlift out of Vietnam and on to a new life in L.A., where he lives with Bong and keeps
spying on the general, who plots a return.
He starts sleeping with Sophia, a droll Japanese-American played by Sandra Oh, gets roped into a couple
of murders, and navigates a series of overbearing white guys. A scheming CIA
agent, a gun-happy congressman, a professor who talks about the oriental mind, and a vainglorious
Hollywood filmmaker who's shooting a Vietnam War epic. All four are played by Robert Downey Jr.
Through it all, the captain holds to his double identity, sometimes for laughs.
Here he toys with a young American journalist who naively tells him that he's on his side.
We were on your side.
Really? And which side was that?
Uh, the side of the Vietnamese people.
Oh, which people? The people in the north or the people in the south?
Well, all of them, I guess.
Guess we all look the same after all, right? I mean, I could be Viet Cong, for all you know.
Undercover. How would you know?
Now, as it leapfrogs between satire and tragedy,
the show asks and rewards your full attention.
Cinematically directed, especially in Park's dazzling first three episodes, the show brims with good stuff. Pointed comedy, a gloriously
vivid 70s look, and a grand thematic sweep. Or an enjoyable series like Shogun has little going on
beneath its lush surface. The Sympathizer has almost too much.
History, politics, guilt, racial stereotypes, notions of loyalty,
the alluring lies of pop culture, the elusiveness of stories.
It reminds us that the Vietnam War was Vietnamese, not American.
And it builds to an ending I found more powerful than the novels.
Not everything is perfect.
The episode about making the Vietnam movie is old hat.
Enough with the run-of-muck auteurs already.
And the decision to have Downey play four roles proves more a stunt than a revelation.
It's clearly a nod to Dr. Strangelove, in which Peter Sellers was three characters.
Yet Downey's fame and showiness lead him to overpower scenes that shouldn't really be about him.
Like Ralph Ellison's Invisible Man, one of Wynn's inspirations, the captain isn't seen for who he truly is.
While the white world projects its fantasies onto him, his South Vietnamese comrades are taken in by his mask as a double agent.
Already tied into knots by his imposture, he's also blessed or cursed with sympathy,
the ability to see the world from different sides.
He's never quite sure he believes what he thinks he believes,
or whether he should love the American pop songs he loves.
Looking at Shunda's face at almost any point, you see that nothing for the captain is simple.
Back during the Vietnam War, the comedy group Firesign Theater brought out an album called How Can You Be in Two Places at Once When You're Not Anywhere at All?
That title came to mind as I watched The Sympathizer.
The captain is constantly trying to be in two places at once, in Vietnam and America,
in the revolution and against it.
But what he needs is to take the hard truths he's learned and start over somewhere new.
It's hard not to sympathize.
John Powers reviewed the new HBO series The Sympathizer.
For Terry Gross and Tanya Mosley, I'm Dave Davies.