Get Sleepy: Sleep meditation and stories - A Relaxing Journey through Benin City (Nigeria #2)
Episode Date: July 8, 2026Narrator: Thomas Jones 🇬🇧 Writer: Kathleen Fowlds ✍️ Sound effects: distant city hum, crickets 🏙️ Welcome back, sleepyheads. Tonight, we continue our travels in Nigeria, West Afric...a, as we take a tranquil journey through Benin City and immerse ourselves in its rich culture. 😴 Includes mentions of: Travel, History, Colonialism, Art, City. Get Sleepy Premium Listen completely ad-free and access our entire catalogue of stories and meditations by subscribing to our premium feed. Your support means the world to us and makes it possible to keep the show running! ❤️ Get your 7-day free trial: getsleepy.com/support. Enjoy various playlists of our stories and meditations on our Slumber Studios Spotify profile. Connect Stay up to date on all our news and even vote on upcoming episodes! Website: slumberstudios.com/getsleepy/ Facebook: facebook.com/getsleepypod/ Instagram: instagram.com/getsleepypod/ Our Apps Redeem exclusive unlimited access to Premium content for 1 month FREE in our mobile apps built by the Get Sleepy and Slumber Studios team: Deep Sleep Sounds: deepsleepsounds.com/getsleepy/ Slumber: slumber.fm/getsleepy/ FAQs Have a query for us or need help with something? You might find your answer here: Get Sleepy FAQs About Get Sleepy Get Sleepy is the #1 storytelling podcast designed to help you get a great night’s rest. By combining sleep meditations with a relaxing bedtime story, each episode will guide you gently towards sleep. Thank you so much for listening! Feedback? Let us know your thoughts! slumberstudios.com/contact-us/. Get Sleepy is a production of Slumber Studios. Check out our podcasts, apps, and more at slumberstudios.com. That’s all for now. Sweet dreams ❤️ 😴 Learn more about your ad choices. Visit megaphone.fm/adchoices
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Welcome to get sleepy.
When we listen, we relax, and we get sleepy.
I'm your host, Thomas. Thanks so much for joining us for the third of our five episodes this week.
Tonight we continue our travels in Nigeria, West Africa, as we take a tranquil journey through Benin City.
This small city is located not in the country of Benin, but in southern Nigeria.
In just a moment, you'll immerse your city.
yourself in this vibrant place, discovering its rich culture and history. Part one of this miniseries
came out on Monday, but don't worry if you're yet to hear that one. There's no need to listen to them
in any particular order. Thank you again to Kathleen for writing these tales, which I had the
pleasure of recording. As always, don't worry if you drift off to sleep whilst listening.
you can come back and pick up where you left off another time.
So make yourself as comfortable as can be,
relaxing into the support of your bed.
And as you settle into the quietude of this moment,
embracing the chance to rest,
remind yourself that tomorrow is an opportunity
to start afresh in any way you see fit.
Perhaps you're feeling bogged down by something
or you're doubting yourself in some way.
Maybe you've even associated certain behaviours or emotions
with your sense of self so much
that over time you feel it's become completely ingrained in who you are.
It can be really challenging,
to let go of those things.
But a new day presents a new opportunity
to be the person you want to be
without feeling held back
by any sense of negativity.
So, as you settle further into bed,
preparing for a good night's sleep,
take some deep breaths
and with each exhale, release anything that you no longer wish to associate with your sense of self.
Maybe it's certain anxieties, ill feelings towards someone, or a sense of self-doubt that is holding
you back. If any of this resonates with you, just know,
that that negativity doesn't have to be a part of you anymore.
With each release of the breath, let it flow out of you and know that tomorrow is a chance
to start afresh and to evolve and grow. We all deserve happiness and self-love,
and though it won't always be a constant, it's important to avoid hanging on to anything holding you back
from having that freedom of mind and comfort within yourself.
I hope you rest well tonight and when you wake tomorrow,
you can feel that sense of positivity and renewal coursing through you.
Now, let's enjoy another adventure as we travel to Benin City, Nigeria, where our story begins.
It's a sultry and hazy afternoon as you leave your hotel room.
The sky is dotted with the odd cloud here and there, and the air is heavy with that all-too-familiar
a hint at the promise of rain. You catch the scent of the earth, not yet dry from yesterday's
downpour, mixed with the smells of foliage and distant smoke, navigating your way down the road,
you're struck by the pulse of the city. At present, a distant throbbing as you near the city centre.
You can identify the calls of hawkers selling their wares, the lively chatter of market stores,
the hum of motorcycles, and the laughter of children playing in narrow alleyways.
Yet beneath this lively scene, you sense a quiet undercurrent, a stillness that hints at something
deeper, something older and constant. It is this undercurrent that attracted you in the first place.
You've come to Benin City, not just to explore its landmarks, but to delve into the stories of its long
life. This city was once the center of the powerful Benin Kingdom.
One of the oldest and most advanced civilisations in West Africa, and while you've read about
the kingdom, its art, its achievements, and its tragic encounter with British colonial forces
in 1897, you know that books can only convey so much to truly understand this place. You need
to experience it first-hand, to walk the same paths once trodden by kings, warriors, priests, and artists,
and to put your finger on the pulse of a history still living, hat on head, bag in hand,
and sunglasses perched on the bridge of your nose, you walk along the street,
you can feel the sun shining down on you.
But although it's humid, the city also feels open and airy,
allowing for gusts of wind and the generous shade of mango trees.
The mangoes currently unripe promise to be full of flavor in the next couple of days.
You're tempted to pick one off its branch.
But you refrain, knowing you should allow for the natural progression of things to take its course.
The sun casts a haze that distorts the horizon and blurs boundaries.
Everything before you shimmers, despite the intensity of the sun.
There's a certain beauty to the hazy atmosphere.
As it baths the city in light, you can feel the warmth of the sun through your leather sandals.
These practical shoes, which you bought from a vendor in Lagos, are covered in small beads.
In the sun, they seem to cast small shards of light onto any reflective.
surface around. Soon, you reach the bustling streets of the city centre. The air practically vibrates
with energy, the energy of centuries of cultural exchange. The streets seem to echo with the footsteps
of traders and travellers who've been passing through for generations. The marketplace,
A loosely woven tapestry of colors and sounds
stretches out before you like a living canvas.
Stools line the narrow alleys.
Their trinkets displayed in a dazzling array.
Each stool is a veritable treasure trove.
Brightly painted fabrics catch your eye.
Their intricate patterns and boldness.
colors, hinting at stories untold, from the highly pigmented indigoes of traditional Adiray cloth,
to the shimmering silks favored by Benin royalty. Each piece carries with it a threaded hemline
of the city's cultural heritage. The very designs imprinted upon them seemed to whisper tales
of dynasties long gone. Of queens and warriors, who once walked these same streets,
the air is heavy with the heady scent of spices. A tantalizing blend that dances on the breeze
and sets your senses alight. Cinnamon mingles with cloves and cardamom with ginger,
Creating a fusion of aromas that evokes the culinary traditions of the Benin Kingdom, pre-colonisation,
trade was the heartbeat of Benin's thriving city. In 1490, Portuguese travellers arrived,
drawn by Benin's rich cotton, leopard skins and palm oil. In return, they offered Sean.
shining brass and copper arm rings.
One beautiful commodity in exchange for another.
The king at the time, Oba Ozalua, presumably welcomed these visitors.
But later on in history, a darker story unfolded in the 19th century, Britain seeking control
over West Africa, set its sights on Benin. Ober Oven Ramwan tried to protect his kingdom.
But in 1897, the British invaded, burning Benin city and looting the royal palace. The Oba was exiled,
and the kingdom of Benin, once strong and proud, fell under British control.
Becoming part of what came to be known as British Nigeria.
Nigeria eventually reclaimed its independence in 1960,
and while Benin city's royal past now resides in memory,
Its legacy lives on in the vibrant markets and cultural traditions.
On this street, where business bustles and artisans work with skill passed down through generations.
The story of the Benin Kingdom's rise and fall remains.
A reminder of a realm that once glittered.
with promise. As you wander through the market, the air hangs thick with the scent of roasted plantains,
spices, and the earthy aroma of wet clay. You imagine that this is exactly how it smelt centuries ago.
An invisible thread connecting past through present. You wonder how many plantain trees
Trees witnessed the transformation of this former kingdom.
And as you think of those trees, you wonder how many generations of children have clambered up
them.
Chatter offenders and the clamour of customers negotiating prices fills the atmosphere.
All around you, the iridescent colours of beads shimmer in the sunlight.
pinks, lime greens, and ultramarine blues, catching your eye as they sway gently in the breeze.
Like accidental wind chimes, the vendors call out to you, their voices carrying over the din as they invite you to admire their works.
But it's something else that draws you in.
Something small and unassuming, your gaze settles on a humble stall, where a man sits behind a wooden desk.
His eyes warm and welcoming.
Laid out before him is an array of cowrie shells, meticulously crafted into bangles, anklets,
rings and necklaces, the creamy shells gleams softly. Their smooth, curved surfaces,
reflecting the light in a way that feels almost magical, intrigued. You meander up to his store,
drawn in by the simplicity of its display. As you approach, the man greets you greet you with a
smile. His voice deep and resonant, warm hello, he says. You return his greeting,
and he gestures towards the cowrie shells, inviting you to take a closer look. These shells,
he begins, are more than just adornments. They carry with them the weight of history, the stories of
our ancestors. His words peak your curiosity, and you lean in, carefully picking up a bangle made
of delicately strung cowrie shells. The shells are smooth to the touch and cool against
your skin. You can't help but wonder about the journey they've taken to reach this
market stall. The man's eyes light up.
as he sees your interest.
Do you know, he says,
there is an old Hauser proverb.
Whoever is patient with a cowrie shall
will one day have thousands of them.
He pauses,
letting the words sink in.
Then he continues.
In a voice now tinged with reverence,
he tells you that.
for centuries, cowrie shells have been cherished in many African cultures. These shells have been
used for everything, from jewelry and hair accessories, to ceremonial garments and religious rituals.
Some even believe that the shells offer protection, that they can ward off evil spirits. As the man speaks,
he gently takes the bangle from your hand, turning it over to reveal the shell's intricate markings.
These shells, he tells you, were once so valuable that they were used as money.
In fact, they were so widespread as currency that the scientific name of the snail means the money cowrie.
Imagine that, he muses. A hint of wonder in his voice. You nod, captivate it.
The idea that these tiny ivory shells were once a means of trade, of survival, feels almost surreal.
The man places the bangle back on the table, and you feel a spark of connection.
not just to the shelves, but to the stories they hold, to the power something so small
can possess. Without hesitation, you decide to buy one. The man's eyes soften with approval
as you hand him the money, and in exchange he passes you the bangle with a slow, deliberate motion,
as though in trusting you with something precious, you slip the bangle onto your wrist.
The cool shells brushing your skin as you walk away from the stall, the shells clink softly together.
The sound delicate yet resonant, much like the man's voice, his words are
linger in your mind, you feel a little more connected, a little more grounded. It's as though
the bangle has anchored you to something deeper, an unbroken threat that stretches back through
time, linking you to the people who once carried these shells as both currency and talisman,
As you wander further, you come upon what many would call the crown jewels of Benin City.
The Benin bronzes.
These exquisite artifacts are housed in museums and galleries worldwide, with some displayed in
Benin City.
In total, there are about 5,000 pieces, many of which were covered.
created between the 13th and 16th centuries. In 1897, they were stolen from Benin City by the invading
British troops. Some artifacts have since been returned to Nigeria. Today, each retrieved or repatriated
bronze figure tells a tale of craftsmanship and ingenuity. Their
Intricate details, a testament to the skill of the artisans who created them.
But behind their beauty lies a darker history, one of colonization and exploitation, as these
priceless treasures were looted from their rightful home and scattered across the globe.
a reminder of the complex legacy that defines this city. Your first destination to delve deeper into
this history is the Benin City National Museum. The building is modest, but inside you find a collection
of artifacts that offer a glimpse into the grandeur of the Kingdom of Benin, as you move through
the exhibits, you're captivated by the craftsmanship of the objects on display. There are bronze plaques
depicting scenes of court life, ivory carvings, and terracotta heads, with expressions both serene and
regal. Each piece tells a story, not just of the people who made them,
but of the society that valued such artistry. One plaque in particular draws your attention.
It depicts a warrior, tall and imposing, his clat in a labrata armour, with a sword raised high,
his face is stern and his gaze unwavering. As if daring anyone who looks
looks upon him to challenge his might. As you study the plaque, you can almost hear the clanging
of metal, the rhythmic pounding of hammers on anvils, and the murmurs of apprentices
learning the ancient craft. You imagine what life must have been like during the height
of the Benin Kingdom.
the warrior, marching through the city's streets, the cheers of the people, and the tension of
an impending battle.
The plaque is a window into an ancient time that feels immediate, almost tangible.
Everything truly seems to breathe, and as you continue on your journey, you carry with
you a newfound appreciation for this city's cultural heritage. While you reflect on the past,
you catch glimpses of the present, children playing in the streets, their laughter echoing off
the wars, artisans at work, their skilled hands shaping clay and metal into works of art.
and elders gathered under the shade of a jacaranda tree, sharing stories passed down through generations.
Just a short walk from the museum lies the Ober's Palace, the historic residents of the Oba
of Benin. Though reconstructed after the British invasion, the palace remains a powerful
symbol of the kingdom's resilience and enduring heritage. The current ruler, Oba Iwari
the second, is the fortieth in a royal lineage that spans over a thousand years. As you draw nearer
to the palace, you're struck by its majestic presence, the solemn guards standing at attention
underscore the building's importance, reminding you of the legacy it represents.
Inside the palace grounds, you find yourself in a space filled with various courtyards,
shrines, and ceremonial buildings.
The atmosphere is one of dignified solemnity, as if the very air is charged.
with the presence of the ancestors, you can feel the weight of what came before here, the sense that
this is a place where time moves differently, where the reverence for what came before, and the expectation
of what is still to come, coexist in a delicate balance. You are led to the main courtyard,
where the obar occasionally holds audiences and conducts important ceremonies.
The space is dominated by a large tree, its branches spreading wide, as if offering shelter
to all who stand beneath it.
You learn that this is a sacred tree, believed to be a link between the physical and spiritual
all worlds. As you stand beneath the tree, your mind wanders to the stories you've heard
about the obers of Benin. These rulers commanded not just respect, but awe. They were seen as
divine figures, intermediaries between the gods and the people. Their authority, unquestionable.
you imagine what it must have been like to witness a royal ceremony,
to see the oba in all his regalia,
surrounded by his chiefs and courtiers,
each one playing a role in the elaborate rituals that defined court life.
The thought fills you with a sense of wonder.
Next, you make your way to Egan Street.
Home to the Guild of Bronze Castors.
The street is a hub of activity, with artisans busy at work.
Their hands move with practised ease, as they shape molten metal into works of art.
You're fascinated by the process, watching as the craft's life.
men used techniques passed down through the generations. The air is filled with the sounds of
hammers striking anvils, the hiss of metal as it cools, and the occasional crackle of a fire
being stoked. It's a place where tradition is alive, where the past is not just remembered,
but actively preserved.
You strike up a conversation with one of the artisans.
An elderly man whose hands are rough from years of labour
and whose eyes shine with pride.
He speaks of the lineage of his craft.
The practice used to be passed down through the family exclusively.
But now they are keen for anyone to pick it up, for fear of it going extinct.
The guild was established centuries ago by the Oba, who recognised the importance of the bronze
casters in immortalising the achievements of the kingdom, as the artisan explains the process
from the creation of the wax model to the final casting and polishing.
You listen intently. It's a meticulous and time-consuming process, but the results are worth it.
You realize that the bronze casters are keepers of history.
Their work ensuring that the legacy of the Benin Kingdom endures, you look up to the sky.
It's a wash in deep oranges, soft pinks and fading indigo.
Each colour blending seamlessly into the next, as the sun begins to set, casting.
casting long shadows across the city, you decide to visit one final place.
The moats of Benin, known locally as the Ea, these ancient earthworks were constructed around
the city to defend against invaders. They demonstrate the engineering prowess of the Benin, of the
Benin people. You've read about the moats, but seeing them in person is a different experience
entirely. The walls are massive, stretching for miles. Their sheer size, a reminder of the
determination and skill that went into their construction. You walk along the edge of one of the moats,
marveling at the depth of the trench and the height of the embankment.
It's easy to imagine how daunting these defences must have seemed to anyone who sought to breach
them as you stand there gazing out over the landscape.
You're struck by a sense of awe and wonder.
the city you've explored today is not just a collection of buildings and artifacts.
It's a living, breathing entity, shaped by the hands of countless individuals over the centuries.
Every street, every building, every artifact you encounter is a testament to the
enduring spirit of a people who have faced challenges. Yet remain proud of their heritage as you prepare
to leave. You carry with you memories of the places you've seen and a deeper understanding of who and what
shapes them, you turn your cowrie shell bangle around your wrist. It serves as a tangible reminder
of the encounter, and as you move forward, you do so with the knowledge that you carry a piece of that
history with you, hanging on your wrist like a quiet, enduring promise. Benin City is more than just a place.
It's a story, a story that you've now become a part of.
