Get Sleepy: Sleep meditation and stories - The Fairy Tale Collectors (October Bonus #1)

Episode Date: October 3, 2025

Narrator: Thomas Jones 🇬🇧Writer: Jessica Miller ✍️Sound effects: woodland crickets 🌲  Welcome back, sleepyheads. Tonight, in the first of five extra episodes this month, we'll join the ...Brothers Grimm on one of their expeditions to record the very best folktales from renowned storytellers in Germany. 😴 Includes mentions of: Magic, Autumn. Get your 90-day free trial of Get Sleepy Premium! Only available during October: ⁠⁠slumberstudios.com/premium Get instant access to ad-free episodes and Thursday night bonus episodes by subscribing to our premium feed. It's easy! ⁠Sign up in two taps!⁠ Get Sleepy Premium feed includes: Monday and Wednesday night episodes (with zero ads). An exclusive Thursday night bonus episode. Access to the entire back catalog (also ad-free). Extra-long episodes. Exclusive sleep meditation episodes. Discounts on merchandise. We’ll love you forever.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Connect Stay up to date on all our news and even vote on upcoming episodes! Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠getsleepy.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠facebook.com/getsleepypod/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/getsleepypod/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠twitter.com/getsleepypod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Our Apps Redeem exclusive unlimited access to Premium content for 1 month FREE in our mobile apps built by the Get Sleepy and Slumber Studios team: Deep Sleep Sounds: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠deepsleepsounds.com/getsleepy/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Slumber: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠slumber.fm/getsleepy/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ FAQs Have a query for us or need help with something? You might find your answer here:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Get Sleepy FAQs⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ About Get Sleepy Get Sleepy is the #1 story-telling podcast designed to help you get a great night’s rest. By combining sleep meditations with a relaxing bedtime story, each episode will guide you gently towards sleep. Thank you so much for listening! Feedback? Let us know your thoughts! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠getsleepy.com/contact-us/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Get Sleepy is a production of Slumber Studios. Check out our podcasts, apps, and more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠slumberstudios.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. That’s all for now. Sweet dreams ❤️ 😴 Learn more about your ad choices. Visit megaphone.fm/adchoices

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Starting point is 00:00:00 If you've benefited from Get Sleepy, then the single best way you can support our work is with a premium membership, and right now is the very best time to try out premium, because during the month of October, you can enjoy a 90-day free trial on any premium membership in our network. You'll get ad-free listening across the entire catalogue, access to all exclusive bonus episodes, and much more, totally free for 90 days. So if you've been thinking of trying a premium membership or wondering how you can support our work, now is the perfect time. Give it a go for a few months before you commit and see if the premium experience helps you sleep even better. You can cancel any time. Don't wait though because the 90-day free trial is only available during the month of October. So take advantage of this incredible deal now by going to slumber studios.com slash premium. That's slumber studios.com slash premium. Or if you're on Apple Podcasts, you can sign up directly in the app.
Starting point is 00:01:12 Thank you so much for your support. If you enjoy Get Sleepy or any of the other shows we produce here at Slumber Studios, you'll love our app called White Noise, Deep Sleep Sounds, With hundreds of sounds to choose from and even the option of mixing them together to create your perfect soundscape, it can help you fall asleep fast, wake up less often, improve focus, reduce anxiety, relieve tinnitus and calm babies. As a listener of Get Sleepy, we have an exclusive offer for you. Download the White Noise Deep Sleep Sounds app and get 30 days free access to all of the premium content. Just go to deepsleepsounds.com slash get sleepy. That's deepsleepsounds.com slash get sleepy or follow the link in the episode description. In case you didn't know, our company's Slumber Studios also has a sleep app called Slumber.
Starting point is 00:02:18 with well over a thousand episodes it has every type of sleep inducing content you could possibly want from stories meditations audio books and history to soundscapes and music new episodes are added each week and you can even search by narrator and listen exclusively to episodes narrated by me or by any of my wonderful fellow storytellers some has other unique features too, like the ability to add and adjust background sounds to create your own perfect mix. So I highly recommend you give Slumber a try. It's available in the Apple App Store and on Google Play. And as a Get Sleepy listener, you can unlock all of the content in the app free for one month. Just go to Slumber.fm slash get sleepy to get instant access to all of the content in Slumber.
Starting point is 00:03:18 free for one month. That's slumber.fm slash get sleepy. Welcome to get sleepy, where we listen, we relax, and we get sleepy. My name's Thomas and I'm your host. Thanks so much for joining us for yet another bonus episode. This is the first.
Starting point is 00:03:48 first of four extra episodes we'll be releasing each Friday throughout October. It was written by Jessica and I have the pleasure of reading it for you. We're going to be giving you a window into the world of fairy tales. Tales like Rapunzel, Little Red Riding Hood and Hansel and Gretel. These well-loved classics, were first published in a book called Children's and Household Tales by the Brothers Grimm. But the brothers, Jacob and Wilhelm, didn't actually write the stories themselves. Instead, they collected them from all over Germany, from cities and towns, and from the forests and the mountains.
Starting point is 00:04:45 They visited folk who were famed storytellers and wrote down the tales they had. Soon, I'll invite you to join the Brothers Grimm on one of their expeditions. But before I begin, I welcome you to take a moment for yourself. It's time. to relax, unwind, and prepare your body and mind for sleep. First, check that you're comfortable. Take a minute to make any adjustments you might need. Stretch out your arms and legs.
Starting point is 00:05:43 loosen your neck and unclench your jaw feel any knots of stress or worry gently come undone then breathe in and invite a feeling of ease and calm into your body Stay with that feeling for a moment or two while your breathing becomes deep and steady
Starting point is 00:06:25 and when you're ready close your eyes Now let's begin with the tail behind the fairy details. The year is 1809 and the location. The year is 1809 and the location. location is Germany, the woods of Hesse to be precise. It is October and the kind of weather
Starting point is 00:07:24 that Germans refer to as goldener-hebsd, golden autumn. The afternoon is crisp but warm, and sun burnishes the leaves on the trees, turning them from yellow and orange to gold and bronze. Two men dressed in walking suits and matching wide-brimmed felt hats are making their way through the forest. They aren't in any particular hurry, for they are not expected at Dorothea Fiemann's cottage for another hour. Both brothers are determined to enjoy their afternoon walk through the forest. The stroll makes for a pleasant contrast from their usual work. at the University of Marburg, where both are librarians. The rustling of the forest leaves is to their ears, brighter and more vivid
Starting point is 00:08:50 than the whispering rustle of manuscript pages, being turned over in the library. And the earthy smell of moss and fungus, fungi is a welcome change from the sense of ink, paper and wood polish. Every now and again, Jakob, the elder of the two, stops to gesture at a particularly fine toadstool with the tip of his wooden walking stick. Occasionally, Wilhelm, the younger by a year, leans on the handle of his stick, and points up at a swift, flitting from branch to branch. The brothers speak little while they walk, but they know each other very well, and each is a little.
Starting point is 00:09:58 aware of the excitement and anticipation the other feels. The brothers have always been passionate about art and literature. While studying literature at university, both were exposed to the German romantics, a group of philosophers, artists and writers, and writers, and writers who celebrated art forms that had previously been overlooked, like folk painting and oral storytelling. Inspired by the Romantics, the Grims realized that the folk tales they had grown up hearing around the fireside were part of a rich literary tradition. So, they set themselves the ambitious task of collecting and recording as many of these folktales
Starting point is 00:11:10 as they could. It was their intention to eventually publish them. Until this point, there was no written record of German folk and fairy tales. Instead, they were memorized, passed from one generation to the next. They were often told to children by their nurses as they drifted off to sleep or shared around a fire as night drew in. Sometimes the stories were told among women. as they engaged in repetitive domestic tasks like spinning flax into wool or shelling peas.
Starting point is 00:12:11 The brothers had begun by searching out tales from among their circle of acquaintances. Then they cast their net wider, meeting renowned storytellers. across the region. But the woman they are on their way to visit now, Dorothea Femin, is a relatively new connection and a particularly exciting one. Dorothea's father was a tavern keeper. As a young child, she spent her days and night. working at the tavern, listening to the stories, legends and fairy tales that the guests
Starting point is 00:13:07 spun late into the night. In her early twenties, she married a tailor, Nikolaus Fiemann, and together they had seven children. Each night, Dorothea would tell her children's stories to send them to sleep. And to support her family, she sold produce from her garden at the local markets, where she swapped stories with fellow stallholders. Now in her 60s, Dorothea holds a treasure trove of tales in her brain and is very well practiced in the telling of them. The brothers have paid her two visits before and transcribed tales like Hans My Hedgehog and Clever Elsie.
Starting point is 00:14:22 And today she has promised to tell them one of her favourites. The story of the three feathers. Through the trees, a church bell chimes four o'clock. The brothers follow the path formed by a clear brook, with mossy pebbles and pink-bellied trout visible under its surface. The stream winds its way through the thinning forest and leads out to the village of Rengershausen. Here, the high church tower is surrounded with a cluster of small shops that face onto a market square. Radiating outwards from the shops are houses,
Starting point is 00:15:33 grander villas at the centre of the village, giving way to humbler cottages at its outskirts. Dorothea's cottage is so far out of the centre of the village, it is almost swallowed back into the forest. Its shambling garden, where turnips and Rapunzel grow in profusion, backs onto the tall, dark pines of the wood. The brothers take a minute to straighten themselves after their walk. Jacob dusts down his coat, both take off their hats and hold them in their hands. Then Wilhelm strides forward and knocks once with his walking stick on the cottage's wooden door.
Starting point is 00:16:46 Dorothea opens the door and ushers them inside. She is a small woman with a wrinkled face and bony hands, but her movements are still quick and her eyes still sharp. Jakob and Wilhelm take their seats in her modest parlour, where a fire burns low in the grate and neat piles of linen. waiting to be mended are stacked upon the table. From the parlour, the brothers can see into the kitchen, where stock bubbles in a large copper pot over the stove. A pan of freshly set red-current jam is cooling on the table beside a person. pastry wreath, where sweet dough has been braided with marsy pan and poppy seed paste.
Starting point is 00:18:03 The smell of all this cooking wfts out through the house. Dorothea settles in her chair nearest the fireplace. Outside, the wind stiffens and a branch taps against the window. Through the glass, the afternoon sky is deepening into evening. Dorothea stokes the fire with a poker and coaxes it into a substantial flame. There is polite conversation for a few minutes. Dorothea asks for the news from Casa and inquires after the goings on at the University Library. The brothers ask after Dorotaya's health, but it isn't long before she settles back in her chair and draw
Starting point is 00:19:22 draws a piece of mending into her lap. She likes to keep her hands busy while she tells her tales. As her needle flashes up and down, she begins the story of the three feathers. Upon a time there was a king, and this king had three sons. The first two sons were intelligent, but the third was not thought to be so clever as his brothers. His name was France. The king grew old, and in his old age he became weak.
Starting point is 00:20:19 and frail. At last, he felt he was nearing the end of his life. There was only one problem. Which of his three sons should inherit his kingdom? He called each of his sons to his bedside, and told them the one who brings me the finest carpet. he shall be king after my death and to prevent any arguments he told them to go to the front of the castle and each blow a feather into the air as they fly said the king so shall you go Dorothea drops her needle for a moment, flattens her palm, and blows an imaginary feather into an imagined breeze. Outside, the real wind is blowing hard, and the house creaks around them, in the way that old wooden houses do. when the wind picks up.
Starting point is 00:21:48 A squeaking door here, a rattling shutter there. But the parlour is warm and cosy, unlike the darkening night suffused with the glow of the fire. Dorothea picks up her needle and resumes her tail, one feather flew to the east the other to the west and the third feather flew straight ahead but fell to the ground before it had gone very far this feather of course belonged to France
Starting point is 00:22:41 His two brothers laughed at him, standing where his feather had fallen, as they rode off in pursuit of their own feathers. Crestfallen, Franz sat down, but as he sat, he noticed a trap door next to his feather. He lifted it up, found a stairway, and climbed down it until he came to another door. He knocked. Someone inside called out, maiden green and small, quickly see who is outside. The door opened and Franz saw a barrow. big toad sitting behind it, surrounded by little toads. The big toad asked Franz what he wanted. Franz replied that he wanted the finest carpet in all the world to take to his father. The big toad called to a small toad.
Starting point is 00:24:11 Made in green and small, bring me the large box. The toadlet brought to the box for the big toad to open. Inside was a carpet so beautiful and finely woven. It could never have been made by anyone in the world above. Franz thanked the toad. and climbed back up above ground. The clever brothers, meanwhile, were sure Franz would find nothing to bring home, so neither of them wasted any time looking for a particularly fine carpet.
Starting point is 00:25:03 Instead, they each bought a piece of coarse cloth from the first shepherd's wife they met on their travels and brought these back home to their father. Here, Jacob interrupts. He has his logbook and pen, and he is transcribing everything the woman says. But perhaps she could go a little slower. hard for his pen to keep pace, and he doesn't want to miss any details of the story. Did she say Shepherd's wife? Dorothea nods and pauses her telling so that Jacob can catch up.
Starting point is 00:26:04 For a time, the only sounds in the room are the crackling of the fire, and the scratch of Jakob's pen on paper. Dorothea resumes her story a little slower this time. So, the two older brothers returned home with nothing more than coarse cloth. At the same time as they arrived, so did France carrying his incredible carpet. The king was astonished and admitted that the kingdom should go to his youngest son.
Starting point is 00:27:02 The other two brothers were enraged. Fruns would make a terrible king, they said. They pleaded with their father to declare another contest, and the king relented. This time, said the king, the son who brought him the most beautiful ring would inherit the kingdom. Once again, the brothers each blew a feather into the air. And once more, each brother followed in the direction that their feather travelled. The elder brother's feather blew west. The middle brother's feather blew east.
Starting point is 00:28:03 Franz's feather fell onto the ground beside the trap door. For a second time, Franz climbed down the stairs, until he reached the Big Toad. He told the Toad he needed the most beautiful ring imaginable. The Big Toad called to a little ring imaginable. a small toad. Made in green and small, bring me the small box. Inside the box was a ring glistening with precious stones. It was so beautiful. No goldsmith on earth could have made it. The two older brothers made no effort at all. Instead, they each drove the nails out of an old wagon ring and brought this ring back to their father. When Franz arrived with his ring, the king admitted for a second time
Starting point is 00:29:26 that his kingdom belonged to his youngest son. But once again, the elder brothers were unhappy. They pleaded with the king, until at last, he declared a third and final contest. Whoever brought home the most beautiful. beautiful woman, the kingdom would be theirs. The three feathers blew into the air, and each went in the same direction as before. Franz opened the trap door, went down the stairs, and came to the big toad. I am supposed to take home the most beautiful woman, he told the toad.
Starting point is 00:30:34 This time, the toad gave him a hollowed-out yellow turnip, to which were harnessed six little mice. Franz was disappointed. He didn't know what he was meant to do with the turnip. But the toad told him to put one of the little toads inside, and Franz did. No sooner was the little toad inside the turnip when she turned into a beautiful young lady, the turnip into a coach and the six mice into horses. Frans raced the horses straight to the king.
Starting point is 00:31:36 His brothers arrived later and for a third time, neither had put any effort into their search. they had simply brought along the first peasant women they saw. At once, the king declared that the kingdom should go to his youngest son. Dorothea puts her needle down with a wry smile. The brothers know this smile well The tale is coming to its end But Dorothea's stories never finish Quite where the brothers think they will
Starting point is 00:32:31 She continues weaving her tail Once more The two eldest sons protested. They looked at the hoop that was hanging in the middle of the hall, and they hit upon an idea. They persuaded the king that the kingdom should go to the brother whose woman could jump through the hoop. They were sure that Franz's dainty lady would not be able to manage it. but while neither of the first two brothers' women could jump through the hoop Franz's maiden leapt through as lightly as a deer
Starting point is 00:33:28 At last the brothers were defeated Thus it was that Franz received the crowns received the crowns received the crown. And perhaps he was clever after all, because he ruled the kingdom wisely and well for a very long time. Dorothea lays down her needle and bows her head. She has reached the end of her story, and now there is a long silence. The brothers know well enough not to break it. Dorothea will start to talk again soon. For now, there is just the low hiss of the fire,
Starting point is 00:34:36 and outside the drizzle of what you are. what might be rain, or even the first light snow of the season. The brothers have talked between themselves about Dorothea's curious habit of falling silent after she has told a story. Perhaps, Jakob once proposed, she was simply exhausted. But maybe, suggested Philham, there was more to it than that. For it isn't just Dorothea who is telling the story. All her tales have been passed down among families.
Starting point is 00:35:36 They've been shared and shaped around firesides and spinning circles, and they've been threaded with details from storytellers as near as the next village, as far as the next mountain range, and sometimes even further still. The reason Dorothea's stories feel is smooth and familiar is because they had been told so many times, in so many ways, by so many different tellers. As she tells her stories, Wilhelm thinks, her humble cottage parlour, fills with the half-remembered outlines of all those other tellers, of all those dark autumn nights, where people had gathered to hear tales of brothers and frogs, of witches and kings. Doraetia's silence could be her way,
Starting point is 00:37:06 of waiting for all the spirits and memories that her stories conjure to leave the room in their own time. And maybe this is true, because when she does speak at last, it feels like a spell is breaking. she thanks the brothers for their visit and apologises if she has muddled her words the brothers assure her that she has not they begin to stretch their legs and gather their paper and writing tools They had best be on their way But Dorothea protests What's the rush
Starting point is 00:38:11 There is dinner waiting in the kitchen And she stokes the fire back into blazing life It is warm here by the hear the brothers are happy to accept her hospitality they sink back into their comfortable chairs and admire the glow of the fire against the deepening dark of the forest outside the end
Starting point is 00:38:53 End. Thank you. So, you know, We're going to be able to be. You know, I'm going to be able to You know,
Starting point is 00:40:29 you know, So, you know, Thank you. We're going to be able to be. It was a Oh Oh
Starting point is 00:41:09 Oh Oh Oh Oh You know, I'm going to be able to So, you know,
Starting point is 00:41:18 So, you know, I'm going to be able to be. We're going to be able to be. ...you know. ...it ...you know ...you know... ...their...
Starting point is 00:42:01 ...and... ...you... ...the... ...there... ...you... ... ... ...theon... ...this... ...this...
Starting point is 00:42:14 ...if... You know, you know, So, you know, So, you know, ...withan...
Starting point is 00:42:31 ...when... ...you know... ...with... ...you know... ...the... ...that... ...you... ...or...
Starting point is 00:42:43 ...and... Thank you. Thank you.

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