Gilbert Gottfried's Amazing Colossal Podcast - GGACP Classic: The Cinema of Marlon Brando and Richard Pryor
Episode Date: February 13, 2025GGACP celebrates Valentine's Day 2025 by revisiting this classic installment inspired by the ALLEGED dalliance between acting legend Marlon Brando and comedy icon Richard Pryor. Also in this episode:... The Nairobi Trio! “Last Tango in Paris”! “The Bingo Long Traveling All-Stars & Motor Kings”! Gilbert impersonates Colonel Kurtz! And Jack Klugman makes a shocking discovery! Learn more about your ad choices. Visit megaphone.fm/adchoices
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TV, comics, movie stars, hit singles and some toys.
Trivia and dirty jokes, an evening with the boys.
Once is never good enough for something so fantastic. So here's another
Gilbert and Franks. Here's another Gilbert and Franks. Here's another Gilbert and Franks.
Colossal classic. Here we go, boys. One, two, three, four.
Gilbert and Frank's Colossal Obsessions!
Hi, this is Gilbert Gottfried, and I'm here with my co-host Frank Santopadre
and this is Gilbert and Frank's amazing colossal obsessions
with Blue Singer.
Blind Raybone.
Blind Lemon Raybone.
Ha ha ha ha ha.
Muddy Raybone.
This never gets old.
I just came back from Highway 61.
It never gets old, does it?
It never does.
We'll beat this into the ground.
Let's see.
When have we ever done that?
Last week we were talking and we were saying goodbye to the great Chuck McCann and talking
about Casey Kasem meltdowns and all other kinds
of things.
This week we're going to do a Producer of the Month.
This is something we do through Patreon.
But last week we didn't talk about an 800 pound Marlon Brando fucking Richard Pryor
in the ass.
Well you haven't let me tell you what this Producer of the Month episode is about.
Oh, okay. Oh my god!
That's a hint.
Are we on the same wavelength?
I didn't even show him these cars. How does he know?
What wavelength is that exactly?
Wow!
I'll explain this since Gilbert doesn't go to Patreon and has no idea what Producer of the Month is.
Or Gilbert sings. He just shows up.
And we talked about how Bruce Stern called me a smart motherfucker.
He did. He called you a smart motherfucker.
Not to be confused with my dad who said you were one funny fuck.
My late dad, Charles.
This is Producer of the Month. We do it through Patreon.
You go there, you toss in a couple of shekels and you get to pick your... If we like your episode idea, we do it through patreon you go there you toss in a
couple of shekels and you get your pick your week with we like your episode idea
we take it and this is David Komarovsky I hope I'm saying that right ko me oh
camey k o me are oh fs ky Gilbert would have a great time with that one and his
idea for a producer of the month episode is, what are your favorite
Marlon Brando and Richard Pryor movies? Now where would he get that idea? How would he think to
combine those two artists? Have those two ever met? I don't know. that would just that Superman David was being a little cheeky. Yes
Well, I don't well Brando was not in he didn't shoot anything new for Superman three Brando Brando was in
Richard-Prior's cheeks
Assume this has come up before why do you assume that prior was the bottom was the bottom? Because the image is too great of a terrified Richard Pryor with his eyes bugging out like
the black Pullman Porter in an old movie.
Like Mantenmoreland.
Yes.
And an 800 pound Brando fucking him in the ass. This is just not PC at all.
And they said that Marlon Brando also fucked in the ass Marvin Gaye and James Baldwin.
Where did you hear this?
Was that also Quincy Jones?
I only heard about Pryor.
And Quincy, you're invited on the show.
He's not gonna do it.
Anytime you want.
We've tried repeatedly.
That would be a train wreck.
And like, Richard Pryor,
one of Richard Pryor's daughters denied it,
but his wife said-
His ex-wife.
Yeah, his ex-wife,
cause he's not married to her now.
She's been largely discredited by anyone reputable.
And one of Pryor's other daughters said it's true.
Really?
And I go along with Quincy.
Okay.
I mean the Jack Klugman Quincy.
Of course.
Who examined both Marlon Brando and Richard Pryor's corpse. He was digging through
the asshole of Richard Pryor's corpse and said, you know, I think we found some of
Brando's semen
See this is what you're talking about. I you can't find this on any other podcast. You really can't
Really can't a bad impression of Jack Klugman
doing forensic work in
Richard Pryor's ass sphincter. And that was a very important Quincy.
It was a good Quincy.
It was a special Quincy.
It was a very special Quincy.
That's one of those that ended without the closing music.
Just the titles came up.
It spoke for itself.
Oh my God.
I'm not even going to get to this premise.
Well, do you have any ability
in the course of the next 20 minutes
to discuss your favorite Brando and Richard Pryor movies?
Uh, I have my own list.
Deep Throat?
No.
You wanna start with Brando or do you wanna start with Pryor?
Up the Down Staircase?
I'm gonna let him tire himself out which should take no more than 30 or 40 minutes. Not with my face you don't. Lord Almighty. Is this in the act yet? The
Brando Prior thing? Have you put it in the act? No! Why don't you put it in the act? Because that would make it something new. You'd actually have to write punch lines for it.
Here's some Pryor films. Blue Collar with Ed Begley. Oh that's right! And Yaffit Kodo. Yes!
Who's a Jew. A Jew! Yes. And he's one of the Jew James Bond villains. Yes, and Harvey Keitel
Yes, and didn't we find out that Yafet Koto was born Jewish that he did not convert that's yes
He said he did not come by and he was and
that blue collar made by Paul Schrader picture what's it oh I
heard you know when they got to TV,
there was a lot of obscenity that they had to replace,
you know, like fuck with gee whiz and stuff like that.
It's like they do.
And I heard, I think it was Dave Coulier,
who was imitating Pryor.
Are you serious?
Yeah.
Oh, wow.
He said they got him to imitate Pryor and, you serious? Yeah. Oh wow. He said they got him to imitate Pryor and you know put in clean versions.
I had no idea that. What are you looking up Paul? I got Yafet Koto here born 1939. We haven't had him on the show.
No we have not had Yafet Koto. They had to replace that line where he said oh Marlon Brando's fucking Pianist
Dave Coulier did it. Live and Let Die was the Bond movie. Dave Coulier. Live and Let Die yes he played
Kananga. I don't have the name here. Yeah I believe that's it. A good picture by the way
Paul Schrader's Blue Collar. Our friend Ed Begley is in that.
I'm gonna run through some prior films here
and Gilbert can do bits.
Car Wash.
Michael Schultz directed, you know that picture?
George Carlin's in it?
Yeah, yeah.
Also Professor.
Professor Erwin Corey's in Car Wash.
And Franklin Ajai.
Oh, that's right.
Yep, yep.
Erwin Corey, very special person for this podcast
Yes, he was
Patient zero
Yeah, he was that mystery guest
Years there was speculation was right for years everywhere. Who was the mystery everywhere?
He was like that guy opening the umbrella in the sabotech Anderson was writing books about who was the first
guest how about grease lightning you know this picture with prior we plays a
stock car driver oh yeah Wendell Scott yeah movie I like that one um let's see
lady sings the blues Diana Ross movie yes Yes. He's in that. He's very good. Sid Melton's in that, by the way.
I know that's going to get your nipples hard.
Yeah.
Forget my nipples.
I'm getting a raging boner. Ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha Here are some... oh and Richard Pryor Live in Concert, a wonderful stand-up movie, which
influenced Patton Oswalt.
In fact, we talked about it last week.
Those are the Pryor films.
And Pryor walked out on stage, bow-legged.
No kidding.
Why would that be? What's the time on this one?
Oh I'm only 10 minutes in.
This will be a 12 minute episode.
It's been lovely being with you.
I like carp.
And Brando's semen was clearly seen on the back of his pants.
Ha ha ha ha.
Ha ha ha ha.
Ha ha ha ha.
Alright, do you like any particular Richard Pryor films?
Uh.
Do you like any of the ones I named?
Yeah, yeah I like Blue Collar.
You like Blue Collar?
Yeah.
Car Wash, it's okay.
Yeah, yeah, I guess for its time period here are some prior
misfires yeah uh holy moses oh i remember was was was what's his name the english uh
dudley more dudley more and i believe lorraine newman former podcast guest uh superman 3 yes Superman 3. Yes. We talked about Harlem Nights with Eddie Murphy. Oh and Red Fox. And former
podcast guest Danny Aiello. Nice work. Look at you when you pay attention. We'll get angry
mail from people who say what do you mean Harlem Nights isn't a great thing? What do you tell you assholes?
Holy Moses!
Brewster's Millions with John Candy?
Oh, that's right.
That was a remake.
Was it Brewster's Millions?
No, I don't think so.
I think it was made
post-Keaton. Some kind of hero.
You know this picture?
Oh, with Ray Sharkey.
And Margot Kidder.
Yes.
Yes.
Yes.
In God We Trust, that was the one,
our former podcast guest,
George Shapiro was a producer on that one.
Because Marty Feldman was in it,
Shapiro West managed Marty,
and also Andy Kaufman turns up in that one because they also managed Andy Kaufman
So that was a Shapiro West joint a critical condition Oh
Starring another podcast guest who was it? Oh
God
Who gets dirtier with you than anybody when you guys get together?
Was a Bob Saget?
Bob Saget!
Yes!
Bob Saget!
And last but not least when we're talking about the cinema of Richard Pryor.
Oh, I will point out two, I will point out a couple of good ones actually before I go
to this last bad one.
Well, let me do the last bad one.
Oh, and I worked for two weeks.
Oh, yes! we should mention that.
Yes, on the last, I didn't make it to the final reel, no loss.
And that was the final film of Richard Pryor and Gene Wilder.
Another year.
And that was awful.
Really terrible.
But you were working for the original director, former podcast guest, Peter Bogdanovich.
Yes.
Boy, your podcast guests are all over this.
And-and I met, um, uh, Gene Wilder's nephew at some point.
Yeah, Darro was telling me.
Does he know a lot about his uncle?
Well, he said during the making of Another You, at one point Peter Bogdanovich left and
to go home and his girlfriend directed the scene.
No kidding.
And Gene Wilder said, well, well, well, does she direct?
Oh my God! Bogdanovich went home and left his girlfriend in charge.
And he said, well, I'm pushing her in that direction.
Perfect!
And that was the last you saw of Peter Bogdanovich on that picture.
Yeah, I will mention the last one I wanted to mention also has a podcast connection,
The Toy with Jackie Gleason.
Oh God!
Richard Pryor was directed by future podcast guest Richard Donner.
Yes!
Yeah.
But that one was, you know, that's one of those where you hear,
Jackie Gleason, Richard Pryor, how could this not be correct?
Yeah. Oh, was that bad.
Also like 35 years behind it's behind the times.
Oh yeah.
Here's two.
And that was a remake of a French movie.
I believe it was.
I believe it was.
That was terrible.
Well I'll also mention Richard Pryor for being one of the writers on the Great Blazing Saddles.
Oh yeah.
He was in the writers room.
And.
With podcast guest Norman Steinberg.
That's right and Mel Brooks
wanted Richard Pryor. Correct. But they did they number one he had a drug problem.
Warner Brothers didn't want to touch him. And they didn't feel he was big
enough box office. He also kept disappearing. I think that has something to do with it.
As Norman pointed out on this very show that Pryor would come and go
Yeah, he would do an hour in the room and and leave for lunch and never come back. Well, but they would find him at Brando's
You don't say?
He made it all the way to Tahiti
What they were doing there, I'm not sure
Fascinating You think he doesn't know trivia, but he does. Yeah.
You'd think he doesn't know this stuff.
Two quick prior movies that we have to mention.
Silver Streak, since you brought up Gene Wilder, which is a Hitchcock homage.
Yes.
Written by Colin Higgins, who wrote Harold and Maude.
And also, we have a personal connection to this because it was written by Drew Friedman's
dad, stir crazy. Oh. So, there have a personal connection to this, because it was written by Drew Friedman's dad, stir crazy.
Oh.
So there you go.
And the last prior film I will-
Oh, and then there was See No Evil, Hear No Evil.
Yeah, we don't talk about that one.
And now Joan Severance, I think, is the girl in there.
Wow.
And she does a nude scene.
No kidding.
So that's what it's saying, the rest of it.
Wow. Wow. Where's Joan Sever worth saying the rest of it. Wow
Wow, what happened? Where's Joan said? I don't know. I don't know. Maybe we should get her on the job I saw you gonna talk like this in front of her
Last prior film is bingo longs traveling all-stars and motor. Oh, okay
Do you leave oh and and and was also James Earl Jones?
So-and-so your life is calling Jojo dancer
Yeah, you don't want what you want to avoid that one. Yeah, we will return to Gilbert Gottfried's amazing colossal podcast
after this
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Let's talk about Brando. Okay. Now what would Brando, what connection did he have with Brian?
If only David Komorowski, who recommended this episode idea, had any idea.
There's a couple of-
Well, he was in that old star thing about the Strangler, Richard Burton and Ringo Starr
were in it.
Candy?
Candy!
Yes!
Yeah. That's a terrible terrible motion
picture yeah and I think it was after Brando agreed to do it then it becomes
like dominoes based on Terry Southern's book and everything was lost in the
translation yeah and they said oh well if Brando agreed to do it yeah yeah we talked
about that movie with Mike McPadden, who was here.
Yes.
We talked about Candy.
That is Skadoobad.
Oh yeah.
Candy.
And somehow not even as much fun as Skadoobad.
No.
Which is, the Brando pictures, I mean obviously the Godfather pictures, obviously Apocalypse
Now.
Um.
Oh and uh, uh, uh, uh, Last Tango in Paris. Um
Last Tango in Paris last tango in Paris
Obviously on the waterfront still from the wild one and I heard
After last day in Paris, uh-huh
Brando would put butter in Richard Pryor's asshole as a lubricant. Is it worth even reading the rest of these brando moments?
Here's some trivia about Apocalypse Now written by John Milius.
George Lucas was supposed to make it. Did
you know that? No. Yes. Let's see. I think Brando's fun in that movie. He's strangely
comical in Apocalypse Now. How about... And that's where he goes, Are you a killer?
And he says, I'm a soldier.
And he goes, You're neither.
You're a delivery boy,
sent by the grocer,
to collect the check.
Beautiful.
Gilbert, that was great.
Nicely done.
That was great.
I didn't believe a fly lands in his mouth
I had his forehead at some point in that scene
Here's a couple of fun Brando
Performances the Missouri breaks. Oh with Nicholson that was one of those when Brando was he realized people were
Intimidated yes, and he didn't give a fuck. Yeah, and they would say oh, Brenda wants it this way
So he wanted it was his idea that he'd be in drag
And his idea that in the old revisionist Western. Yeah, see it Paul Missouri breaks or see it
Oh, and then the old west he's got an Irish bro. Yeah
Yeah, it's fun. It's it's not entirely successful, but it's fun
Here's another fun one the freshman made by Andrew Bergman what we just talked about road blazing saddles
Paul Benedict shows up with his with his agri-megali
Bruno Kirby. Yeah is in that one Maximilian shell
and former podcast guest Matthew Broderick.
And he sends up his godfather. Have you seen the Freshman? You must see the Freshman.
He sends up his Don Corleone character as Jimmy the Toucan. And that
one's a lot of fun. And here's another one that's a lot of fun. Don Juan de
Marco. Do you know this picture with Johnny Depp?
Oh, Faye Dunaway. Yes. I'm picture with Johnny Depp? Was, oh, Fade Down Away, yes.
I'm gonna recommend both of these.
I'm gonna recommend to our listeners,
because people miss that we don't do the movies anymore.
See, now, I never, Don Juan DeMarco.
I never liked The Freshman.
You never liked it. Now.
How come? It's fun.
I don't know.
To me, it's like, I love the Godfather picture.
Really?
And I feel like, what the fuck you making fun of it?
All right, Gilbert is not recommending your freshman
Missouri breaks yeah, he's recommending Missouri breaks. Oh fuck Richard Pryor in the ass
Leave the god leave the cannoli
Mean take the take the cannoli leave the gun
I mean take the take the cannoli leave the gun. He's a shrink Johnny Depp thinks he's Don Juan and he goes he's a mental patient and and
Brando is have you seen it? It's quite good. Brando is the psychiatrist and
and treating Johnny Depp I don't want to give too much away. Oh and in the heist
in the heist he he for some reason he didn't want to wear pants. You mean
the score? The score! That's the one. He didn't want to wear pants so he's walking around in his
underwear. Yeah, Michael Weber told us that. Yeah and they're shooting it from the waist up. Yeah,
I'm gonna recommend that one too. That's a good... We're having the waist on brand.
And that one too, that's a good... Wherever the waste on Brando is.
That's a good heist movie.
Yes.
Yeah, the score.
Oh, oh!
And a connection I have there...
...with Brando...
...is I was on Hollywood Squares and the question...
I can't wait for this.
Yeah, the question...
The question was, what animal has the largest eyes and I said
Marlon Brando at a buffet. Hilarious. And then I started doing more Marlon
Brando jokes and they were uh they they oh oh so then they wanted to do a
commercial and usually they pick out the funniest line of the week.
And that was the biggest line.
And they didn't do it.
And then we found out that Brando called Whoopi Goldberg.
Oh, I know this story. You told it on the Whoopi episode.
And he said,
Am I gonna be the running joke on every one of these shows?
Wow.
And I thought, well, not really running, lumbering is more like it.
Why the hell is Brando watching Hollywood Squares?
Yeah, well, he sits there with a giant cart and a peanut butter cup.
Big truth.
Well, there is the Wally Cox connection on the old Hollywood squares.
Oh, that's right.
To Brando.
Maybe he became a fan on the old show.
But I think Wally Cox used to fuck Brando.
That's what I hear.
That's what I hear.
And he'd do his Mr. Peeper's voice.
I read it in Newsweek. And he'd work. You can hardly not hear it. Peeper's voice. And I read in Newsweek.
And he'd work.
You can hardly not hear it.
No, it's everywhere.
While he fucked Brando in the ass, he put on a superhero cape and said,
There's no need to fear.
Underdog is here.
The Free Associating.
I will recommend the score directed by Frank Oz with De Niro and Ed Norton.
Edward Norton.
Norton!
Not that one.
Very good picture.
Let's see, what other brando pictures do I want to recommend?
Definitely not The Countess from Hong Kong directed by Charlie Chaplin.
And yeah, and I heard that two of them hated Charlie. They were Oil and Water. And Sophia Loren. Definitely not The Countess from Hong Kong directed by Charlie Chaplin and and yeah
And I heard that two of them hated they were oil and water and Sophia Loren. Yeah
I do not want to recommend reflections in a golden eye
but
Oh, and then there was what one eye Jack one eye Jack's is the one he directed. Yeah. Okay. Yeah, that's the with Karl Malden
But I will recommend this one and that is a movie called The Chase
You know this picture wait anything Paul Raybone. I know I get another talk about this one
I got another one. I want to mention. Okay. What was the chase?
The Chase was a Western another revisionist Western because Arthur Penn liked to do those kinds of movies
Robert Redford was a fugitive
on the run. Brando was the sheriff. It had Robert Duvall, Jane Fonda, E.G. Marshall,
Wow! Angie Dickinson and get this Henry Hull was the werewolf of London. Oh my goodness! How
about that? Now I will tell you why I bring that movie up in particular because there's a character named Seymour in that movie played by former
podcast guest Paul Williams. Oh my gosh. And that is the movie where Paul Williams who
was trying to make it as an actor was killing time on the set with a guitar goofing around
writing songs and Robert Duvall as the story goes overheard him
singing the song brought it to Arthur Penn they put the song in the movie and Paul Williams
embarked on a songwriting career yeah and it goes back to that movie the chase and and you know i
have cleverly tied another podcast into the sodomy themed episode of the Paul Williams.
I was when I was showing there was a screening of my documentary, Gilbert.
Paul Williams was either sweet enough or stupid enough.
I was in the room.
And and the minute I saw him in the audience, and he was there with also former podcast guest,
Nicholson from Car 54.
I think you're confusing your two screenings.
Oh, they were two different.
So sitting in the first row there is Paul Williams.
And so immediately I go, you know, I get a lot of requests for this
So this is Paul Williams fucking Shirley Temple and I went into it like oh
Surely I remember
my cock
And he was thrilled yes Mr. Williams. Ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha to go down roads and I just refuse to go down those roads. Paul said Gilbert could be very inappropriate.
Gilbert can be very inappropriate.
Poor Paul.
What do you got, Ray Bones?
I hope you didn't already talk about this while I was buried in research.
I'm sure we did.
I'm sure you did The Men.
Yeah, The Men.
Yeah, in 1950. I'm sure we did. I'm sure you did. The men? Yeah, the men. Yeah, Stanley Kramer. And it's weird, you know, the movie poster here, it
says, a completely new experience between men and women. Interesting. Gilbert, what
is that? Completely new experience between men and women. Well, you'd have to ask Richard
All right, we're gonna put the call out again to Quincy Jones yes
What if we got Pryor's widow in here and Brando's widow? Oh, that would be great. Yeah, and we just we had a debate
You know my point counterpoint Quincy Jones produced all Michael Jackson's records all the great stuff. He's got time on his hands. I mean Michael Jackson hasn't been around for years. Yeah we asked Quincy to do the podcast. We asked Quincy to do the show and they
his handlers have shut Quincy down from doing any press. I know that's
shocking. You can't imagine why. He can't do any press with anybody because we asked.
No, he said Gilbert in particular. Gilbert in particular. So we're gonna thank David Komorowski for his Producer of the Month idea.
You can do the same.
Go to Patreon.
Quincy Jones did the music for The Pawn Broker.
He did!
Yeah.
There you go.
There you go.
A little Sidney Lumet reference.
For his theme prior and Brando movies, we will recommend...
What did they release?
Gilbert does not like the Freshman.
He has not seen Don Juan DiMarco, but I'm gonna recommend both.
Paul brought up the Men, which I don't think he's even seen.
No.
But what the hell?
Apocalypse Now, obviously I will recommend The Score and The Chase.
And for Richard Pryor, definitely Blue Collar, Car Wash,
and the bingo long Traveling All Stars and Motorcams. Is it necessary for Producer of the Month
to suggest a theme that raises some interesting sexual perversion
that we haven't covered?
No, I think that's the first Producer of the Month episode specifically covered sexual
perversion.
I was going through the list of Producer of the Month pitches on Patreon and I said, what
makes me think Gilbert will respond particularly well to this one?
We like to keep him engaged in the show that bears his name.
So there you go. That covered a lot of ground and we never mentioned the
Cunnilingus chimps. So thank you David Komorowski. Yeah and while they were performing
Cunnilingus the music would play...
There's a Nairobi Trio callback. That's right. From the last episode. Da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da And this has been Gilbert and Frank's amazing colossal obsessions.
Yes. Thank you David. Thank you Raybone.
I'm not thanking you.
And now to play us out the Cunnilingus Trio. out. The
the
the
the
the
the
the So I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, I'm alone, So I'm lost. So, pay dear.