Gilbert Gottfried's Amazing Colossal Podcast - Mini #165: Producer of the Month: The Cinema of Marlon Brando and Richard Pryor

Episode Date: May 24, 2018

This week: The Nairobi Trio! "Last Tango in Paris"! "The Bingo Long Traveling All-Stars & Motor Kings"! Gilbert impersonates Colonel Kurtz! And Jack Klugman makes a shocking discovery! Learn more about your ad choices. Visit megaphone.fm/adchoices

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Ontario only. Gambling problem? Call Connex Ontario at 1-866-531-2600. BetMGM operates pursuant to an operating agreement with iGaming Ontario. That's the sound of unaged whiskey transforming into Jack Daniel's Tennessee whiskey in Lynchburg, Tennessee. Around 1860, Nearest Green taught Jack Daniel how to filter whiskey through charcoal for a smoother taste, one drop at a time.

This is one of many sounds in Tennessee with a story to tell. To hear them in person, plan your trip at tnvacation.com. Tennessee sounds perfect. This month's producer of the month is David Komarowski for the month of May. So thank you, David Komarowski. And if you would like to be producer of the month, go to Patreon slash Gilbert. That's Patreon. P-A-T-R-E-O-N slash Gilbert. Bills to pay The podcast Lent is due today

Check low cash It's all it takes And we'll make you Producer of the month Here we go boys One, two, three Hi, this is Gilbert Gottfried, and I'm here with my co-host, Frank Santobadre, and this is Gilbert and Frank's amazing colossal obsessions with blue singer Blind

Raybone. Blind Lemon Raybone. Muddy Raybone. This never gets old. I just came back from Highway 61. It never gets old, does it? It never does. We'll beat this into the ground.

Let's see. When have we ever done that? Last week we were talking and we were saying goodbye to the great Chuck McCann. Yes. And talking about Casey Kasem meltdowns. Oh, yes. And all other kinds of things. This week we're going to a producer of the month.

This is something we do through Patreon. But last week, we didn't talk about an 800-pound Marlon Brando fucking Richard Pryor in the ass. Well, you haven't let me tell you what this producer of the month episode is about. Oh, okay. Oh, my

God. That's a hint. Are we on the same wavelength? I didn't even show him these cards. How does he know? What wavelength is that exactly? Wow. I'll explain this since Gilbert doesn't go to Patreon and has no idea what producer of the month is or Gilbert sings. He just shows up.

And we talked about how Bruce Stern called me a smart motherfucker. He diduce stern called me a smart motherfucker he did he called you a smart motherfucker uh not to be confused with my dad who said you were one funny fuck my late dad charles uh this is producer of the month we do it through patreon uh you go there uh you toss in a couple of shekels and you get your pick your if we like your episode idea we take it and this is David Komarowski I hope I'm saying that right K-O-M-E-R O-F-S-K-Y

Gilbert would have a great time with that one and his idea for a producer of the month episode is what are your favorite Marlon Brando and Richard P pryor movies now where would he get that idea how would he think to combine those two artists have those two ever met i don't know that that would just that superman david was being a little cheeky yes

well i don't well Brando was not in. He didn't shoot anything new for Superman 3. Brando was in Richard Pryor's cheeks. Now, why do you assume, this has come up before, why do you assume that Pryor was the bottom? Because the image is too great of a terrified Richard Pryor with his eyes bugging out. Like the black Pullman Porter in an old movie. I see, like Manton Moreland.

Yes. And an 800-pound Brando fucking him in the ass. This is just not PC at all. fucking him in the ass. This is just not PC at all. And they said that Marlon Brando also fucked in the ass Marvin Gaye and James Baldwin.

Where did you hear this? Was that also Quincy Jones? Yeah. I only heard about Pryor. And Quincy, you're invited on the show. He's not going to do it. Anytime you want. We've tried repeatedly.

That would be a train wreck. And, like, one of Richard Pryor's daughters denied it, but his wife said. His ex-wife. Yeah, his ex-wife, because he's not married to her now. She's been largely discredited by anyone reputable. And one of Pryor's other daughters said it's true. Really? And I go along with Quincy.

Okay. I mean the Jack Klugman Quincy. Of course. Who examined both Marlon Brando and Richard Pryor's corpse. Stop him. He's free associating. Marlon Brando and Richard Pryor's corpse. Stop him. He's free associating. He was digging through the asshole of Richard Pryor's corpse and said, you know, I think we found some of Brando's semen.

See, this is what you're talking about. You can't find this on any other podcast. You really can't. A bad impression of Jack Klugman doing forensic work in Richard Pryor's sphincter. And that was

a very important Quincy. It was a special Quincy. That's one of those that ended without the closing music. Just the titles came up. It spoke for itself. Oh, my God. I'm not even going to get to this premise. Well, do you have any ability in the course of the next 20 minutes

to discuss your favorite Brando and Richard Pryor movies? I have my own list. Deep Throat? No. You want to start with Brando or do you want to start with Pryor? Up the Down Staircase? I'm going to let him tire himself out, which should take no more than 30 or 40 minutes.

Not with my face, you don't. Lord Almighty. Is this in the act yet? The Brando Pryor thing? Have you put it in the act? No, I haven't. Why don't you put it in the act? Because that would make it something new.

You'd actually have to write punchlines for it. Here's some prior films. Blue Collar with Ed Begley. Oh, that's right. And Yafit Kodo. Yes. Who's a Jew. A Jew.

Yes. And he's one of the Jew James Bond villains. Yes. And Harvey Keitel. Yes. And didn't we find out that Yafit Kodo was born Jewish, that he did not convert? That's, yeah. Someone said he did not convert.

He was. And that blue collar. Made by Paul Schrader. Good picture. What's it? Oh, I heard, you know, when they got to TV, there was a lot of obscenity that they had to replace, you know, like, fuck with gee whiz and stuff like that. It's like they do. And I heard, I think it was Dave Coulier who was imitating Pryor.

Are you serious? Yeah. Oh, wow. He said they got him to imitate Pryor and, you know, put in clean versions. I had no idea that. What are you looking up, Paul? I got Yafet Koto. Yeah.

Here, born 1939. We haven't had him on the show. No, we have not had Yafet Koto. They had to replace that line where he said, Oh, Marlon Brando's fucking peonies. Yeah, that one. Dave Coulier did it. Live and Let Die Yeah, that one. Dave Coulier did it.

Live and Let Die was the Bond movie. Dave Coulier. Live and Let Die. Yes, he played Kananga. Mr. Big. Yeah, I believe that's it. Good picture, by the way. Paul Schrader's Blue Collar. Our friend Ed Begley is in that.

I'm going to run through some prior films here, and Gilbert can do bits. Car Wash. Oh, yes. Michael Schultz directed. You know that picture? George Carlin's in it? Oh, yeah.

Yeah. Also, Professor... Professor Erwin Corey's in Car Wash. And Franklin Ajayi. Oh, that's right. Yep, yep, yep. Erwin Corey, very special person for this podcast. Yes, he was.

Almost derailed it. Yes, he was. Almost derailed. Yes, he was patient zero. Patient zero? Yes! He was. Yeah, he was. He was that mystery guest that no one knew about. For years, speculation was rife for years.

Everywhere. Who was the mystery guest? Everywhere. He was like that guy opening the umbrella in the suburb of Texas. Jack Anderson was writing books about who was the first guest. How about Grease Lightning? You know this picture with Pryor where he plays a stock car driver? Oh, yeah.

Wendell Scott. Good movie. I like that one. Let's see. Lady Sings the Blues. The Diana Ross movie. Yes. He's in that.

He's very good. Sid Melton's in that, by the way. That's right. I know that's going to get your nipples hard. Yeah. Forget my nipples. I'm getting a raging boner uh here are some uh oh and uh Richard Pryor uh live in concert uh a wonderful stand-up movie which has which influenced Patton Oswalt in fact we talked about it last week those are the Pryor live in concert. A wonderful stand-up movie which influenced Patton Oswalt. In fact, we talked about it last week.

Those are the Pryor films. And Pryor walked out on stage bow-legged. No kidding. Why would that be? What's the time on this one? Oh, I'm only 10 minutes in. This will be a 12-minute episode. It's been lovely being with you.

I like Carl. And Brando's semen was clearly seen on the back of his pants. All right. Do you like any particular Richard Pryor films? Do you like any of the ones I named? Yeah. Yeah, I like Blue Collar. You like Blue Collar.

Yeah. Car Wash. It's okay. Yeah, yeah. I guess for its time period. Here are some Pryor misfires. Yeah. Holy Moses.

Oh, I remember. Was what's his name? Dudley Moore. Dudley Moore. Yes. Dudley Moore. And I believe Lorraine Newman, former podcast guest. Superman 3. Yes.

We talked about. Harlem Nights with Eddie Murphy. Oh, and Red Fox. And former podcast guest Danny Aiello. Nice work. Look at you. Look at you when you pay attention. We'll get angry mail from people who say,

what do you mean Harlem Nights isn't a great thing? What are you, you assholes? Holy Moses. Brewster's Millions With John Candy Oh that's That's right That was a remake

That was a remake Of was Was it Brewster's Millions Or something No I don't think so I think it was made Post Keaton

Some kind of hero You know this picture Oh with With Ray Ray Sharkey And Margot Kidder Yes Yes Yes In God Oh yeah Yes Ray Sharkey. And Margot Kidder. Yes. Yes.

Yes. In God. Oh, yes. Yes. In God We Trust. That was the one. Our former podcast guest, George Shapiro, was a producer on that one. Because Marty Feldman was in it. Shapiro West managed Marty.

And also Andy Kaufman turns up in that one. Because they also managed Andy Kaufman. So that was a Shapiro-West joint. Critical Condition? Co-starring another podcast guest? Who was it? Oh, God. Who gets dirtier with you

than anybody when you guys get together? Was it Bob Saget? Yes. Yes, Bob Saget. And last but not least when we're talking about the cinema of Richard Pryor oh I will point out two I will point out a couple of good ones actually before I go to this last bad one uh well let me do the last bad oh and I worked for two weeks oh. We should mention that. Yes. On the last, I didn't make it to the final reel, no loss. And that was the final film of Richard Pryor and Gene Wilder. Another year.

And that was awful. Really terrible. Yeah. But you were working for the original director, former podcast guest, Peter Bogdanovich. Peter Bogdanovich. Peter Bogdanovich, yes. Boy, podcast guests are all over this. And I met Gene Wilder's nephew at some point.

Yeah, Darrow was telling me. Does he know a lot about his uncle? Well, he said during the making of Another You, at one point, Peter Bogdanovich left to go home, and his girlfriend directed the scene. No kidding. And Gene Wilder said, well, does she direct? Oh, my God. Bogdanovich went home and left his girlfriend in charge and he said well i'm pushing her in that direction perfect that was the last you saw peter bogdanovich on

that picture yeah i will mention the last one i wanted to mention also has a podcast connection the toy with jackie gleason which probably was directed by future podcast guest Richard Donner. Yes. Yeah. But that one was, you know, that's one of those where you hear, Jackie Gleason, Richard Pryor, how could this not be? How could this go wrong? Yeah. Oh, was that bad. It's also like 35 years behind the times.

Oh, yeah. Here's two. And that was a remake of a French movie. I believe it was. I believe it was. Oh, that was terrible. I'll also mention Richard Pryor for being one of the writers on The Great Blazing Saddles. Oh, yeah.

He was in the writer's room with podcast guest Norman Steinberg. That's right. And Mel Brooks wanted Richard Pryor. But they, number one, he had a drug problem. Warner Brothers didn't want to touch him. And they didn't feel he was big enough box office. He also kept disappearing. I think that had something to do with it.

Yes, yes. As Norman pointed out on this very show, that Pryor would come and go. Yeah. He would do an hour in the room and leave for lunch and never come back. Well, but they would find him at Brando's. You don't say. Tahiti. He made it all the way to Tahiti.

What they were doing there, I'm not sure. Fascinating. You think he doesn't know trivia, but he does. Yeah. Yeah. You think he doesn't know this stuff. Two quick Pryor movies that we have to mention. Silver Streak.

Oh, that's right. Since you brought up Gene Wilder, which is a Hitchcock homage. Yes. Written by Colin Higgins, who wrote Harold and Maude. And also, we have a personal connection to this because it was written by Drew Friedman's dad, Stir Crazy. Oh. So there you go. And the last prior film I will— Oh oh and then there was see see no evil

hear no yeah we don't talk about that one and now now jones severance i think is the girl in there wow and she does a nude scene no kidding so that's that's worth saying the rest of it wow wow what happened where's jones i don't know. I don't know. Maybe we should get her on the podcast. Jones, are you going to talk like this in front of her? Last prior film is Bingo Long's Traveling All-Stars and Motor Kings. Oh, okay. With Billy Dee Williams.

Oh, and was also. And James Earl Jones. So and so your life is calling. Jojo Dancer. Yes. You want to avoid that one. Yeah. We will return to Gilbert Gottfried's amazing colossal podcast after this.

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Ontario only. Gambling problem? Call Connex Ontario at 1-866-531-2600. BetMGM operates pursuant to an operating agreement with iGaming Ontario. Let's talk about Brando. Okay. Now, what would Brando, what connection did he have with Briar?

If only David Komarowski, who recommended this episode idea, had any idea. There's a couple of... Well, he was in that old star thing about the Strangler. Richard Burton and Ringo Starr were in it. Candy? Candy. Yes.

That's a terrible, terrible motion picture. Yeah, and I think it was after Brando agreed to do it. Then it becomes like Domino's. Based on Terry Southern's book, and everything was lost in the translation. Yeah, and they said, oh, well, if Brando agreed to do it. Yeah, yeah. We talked about that movie with Mike McPadden, who was here. Yes.

We talked about Candy. That is Skidoo bad. Oh, yeah. Candy. And somehow not even as much fun as Skidoo. No. Which is, the Brando pictures. I mean, obviously, the Godfather pictures.

Obviously, Apocalypse Now. Oh, and Last Tango in Paris. Last Tango in Paris. Obviously, on the waterfront. Great still from the wild one. Last Tango in Paris, obviously on the waterfront. Great still from the wild one. And I heard after Last Tango in Paris,

Last Tango in Friar? Yeah, Brando would put butter in Richard Friar's asshole as a lubricant. Is it worth even reading the rest of these Brandon movies? Here's some trivia about Apocalypse Now, written by John Milius. George Lucas was supposed to make it. Did you know that? No. Yes. Let's see.

I think Brando's fun in that movie. He's strangely comical. Yes. In, in, uh, in Apocalypse Now. Yeah. How about, um. And, and that's where he goes, are, are you a killer? And he says, I'm a soldier.

And he goes, you're, you're neither. and he goes, you're neither. You're a delivery boy sent by the grocer to collect the check. Beautiful. Gilbert, that was great. Nicely done. That was great. Yes. I didn't believe a fly lands in his mouth or on his forehead at some point in that scene.

Here's a couple of fun Brando performances. The Missouri Breaks with Nicholson. a couple of fun brando performances the missouri breaks oh with nicholson that was one of those when brando was he realized people were intimidated yes and he didn't give a fuck yeah and they would say oh brando wants it this way so he wanted it was his idea that he'd be in drag and his idea that in the old revisionist's a revisionist western. Yeah. You ever see it, Paul? Missouri Breaks?

No. I see it. Arthur Penn. And in the old west, he's got an Irish brogue. Yeah. Yeah. But it's fun. Yeah. It's fun.

It's not entirely successful, but it's fun. Here's another fun one. The Freshman, made by Andrew Bergman, who we just talked about, wrote Blazing Saddles. Paul Benedict shows up with his agromegaly. Bruno Kirby is in that one. Maximilian Schell. Oh. And former podcast guest Matthew Broderick.

And he sends up his godfather. Have you seen The Freshman? You must see The Freshman. Freshman. He sends up his Don Corleone character as Jimmy the Toucan. And that one's a lot of fun. And here's another one that's a lot of fun. Don Juan DeMarco.

Do you know this picture with Johnny Depp? Was, oh, Faye Dunaway. Yes. Yes. I'm going to recommend both of these. I'm going to recommend to our listeners, because people miss that we don't do the movies anymore. See, now, I never liked The Freshman. You never liked it?

No. How come? It's fun. I don't know. To me, it's like I love the Godfather picture. Really? And I feel like, what the fuck are you making fun of it? All right, Gilbert is not recommending The Freshman.

You fat fuck. What about Missouri Breaks? Yeah, he's recommending Missouri Breaks. Go fuck Richard Pryor in the ass and leave the Godfather alone. Leave the cannoli. Leave the cannoli. I mean, take the cannoli. Leave the gun.

He's a shrink. Johnny Depp thinks he's Don Juan, and he goes, he's a mental patient. And Brando is, have you seen it? It's quite good. He's a mental patient. And Brando is. Have you seen it? It's quite good.

And Brando is the psychiatrist. And treating Johnny Depp. I don't want to give too much away. See the movie. In the heist, for some reason, he didn't want to wear pants. You mean the score? The score. That's the one with Frank. He didn't want to wear pants.

So he's walking around in his underwear. Yeah, Michael Webber told us that. Yeah, and they're shooting it from the waist up. Yeah, I'm going to recommend that one, too. That's a good. We're having the waist on Brando. That's a good heist movie. Yes.

Yeah, the score. The score. Oh, and a connection I have there with Brando is I was on Hollywood Squares, and the question— I can't wait for this. Yeah, the question was, what animal has the largest eyes? And I said, Marlon Brando at a buffet. Hilarious. And then I started doing more marlon brando joke and uh they were uh

they they oh oh so then they wanted to do a commercial and usually they pick out the funniest line of the week and that was the biggest line and um and they didn't do it. And then we found out that Brando called Whoopi Goldberg. Oh, I know this story. You told it on the Whoopi episode. Yeah. And he said, am I going to be the running joke on every one of these shows? Wow. And I thought, well, not really running.

Lumbering is more. Why the hell is Brando watching Hollywood Squares? Well, he sits there with a giant carton of peanut butter cups. Big true. Well, there is the Wally Cox connection on the old Hollywood Squares. Oh, that's right. To Brando. Maybe he became a fan on the old show. But I think Wally Cox used to fuck Brando.

That's what I hear. That's what I hear. And he'd do his Mr. Peeper's voice. I read it in Newsweek. And he'd work. You can hardly not hear it. No, it's everywhere. Wally fucked Brando in the ass.

He put on a superhero cape and said, there's no need to fear. Underdog is here. The free associating. Yeah. I will recommend the score directed by Frank Oz. Yes. With De Niro and Ed Norton.

Edward Norton. Norton! Not that Norton. Very good picture. Edward Norton. Norton! Not that Norton. Very good picture. Let's see. What other Brando pictures do I want to recommend? Definitely not The Countess from Hong Kong, directed by Charlie Chaplin. Yeah, and I heard that two of them hated Charlie Chaplin.

They were oil and water. And Sophia Loren. Yeah. I do not want to recommend Reflections in a Golden Eye, but... Oh, and then there was, what, One-Eyed Jacks? One-Eyed Jacks is the one he directed. Yeah, okay. Yeah, that's with Karl Malden.

But I will recommend this one, and that is a movie called The Chase. You know this picture? Wait. Anything, Paul Raybone? I know the title. Talk about this one. I got another one I want to mention when you finish. Okay.

What was The Chase? The Chase was a Western, another revisionist Western, because Arthur Penn liked to do those kinds of movies. Robert Redford was a fugitive on the run. Brando was the sheriff. It had Robert Duvall, Jane Fonda uh e.g marshall oh angie dickinson and get this henry hull who was the werewolf of london oh my goodness how about that now i will tell you why i bring that movie up in particular because there's a character named seymour in that movie played by

former podcast guest paul williams oh my. And that is the movie where Paul Williams, who was trying to make it as an actor, was killing time on the set with a guitar, goofing around, writing songs, and Robert Duvall, as the story goes, overheard him singing the song, brought it to Arthur Penn, they put the song in the movie,

and Paul Williams embarked on a songwriting career. Yeah. And it goes back to that movie. The Chase. And you know... I have cleverly tied another podcast into the sodomy themed episode of the... Paul Williams I was... when I

was showing... there was a screening of my documentary Gilbert. Uh-huh. Paul Williams was either sweet enough or stupid enough to show up. I was in the room. And the minute I saw him in the audience, and he was there with also former podcast guests, Nicholson from Car 54. I think you're confusing your two screenings. Oh, they were two different. So sitting in the first row

there is Paul Williams. And so immediately I go, you know, I get a lot of requests for this. So this is Paul Williams fucking Shirley Temple. And I went into it like, oh, Shirley.

I remember. Take all of my cock. Oh, you have such a big dick, Mr. Williams. And he was thrilled. Yes. That's around the time he told Gino, you know, Gilbert tries to get me to places that I don't want to go. No, that was Henry. Henry Winkler. That was Henry.

Yeah, Gilbert tries to get me to go down roads. And I just refuse to go down those roads. Paul said Gilbert could be very inappropriate. Gilbert can be very inappropriate. I'm sorry.

Poor Paul. What do you got, Rainbow? I hope you didn't already talk about this while I was buried in research. I'm sure we did. I'm sure you did. The Men? Yeah, The Men. Stanley Kramer. But it's weird, you know, on the movie poster

here it says, a completely new experience between men and women. Interesting. Gilbert, what is that, completely new experience between men and women? Well, you'd have to ask Richard. Anyway. All right, we're going to put the call out again to Quincy Jones. Yes.

Yeah. What if we got Pryor's widow in here and Brando's widow? Oh, that would be great. Yeah. And we just, we had a debate. Like point counterpoint. Quincy Jones produced all Michael Jackson's records, all the great stuff. He's got time on his hands. I mean, Michael Jackson

hasn't been around for years. He's surely got time to do the podcast. We asked Quincy to do the show and his handlers have shut Quincy down from doing any press. Really? I know that's shocking. I can't imagine why. He can't do any press with anybody because we asked.

No, he said Gilbert in particular. Gilbert in particular. So we're going to thank David Komarowski for his Producer of the Month idea. You can do the same. Go to Patreon. Quincy Jones did the music for The Pawnbroker. He did. Yeah can do the same. Go to Patreon. Quincy Jones did the music for the Pawnbroker. He did.

Yeah. There you go. There you go. A little Sidney Lumet reference. For his theme, Pryor and Brando movies, we will recommend... What did they release?

Gilbert does not like The Freshman. No. He has not seen Don Juan DeMarco, but I'm going to recommend both. Paul brought up The Men, which I don't think he's even seen.

But what the hell? Apocalypse Now, obviously I will recommend The Score and The Chase. And for Richard Pryor, definitely Blue Collar, Car Wash, and the bingo long

Traveling All-Ststars and motorcades. Now, is it necessary for Producer of the Month to suggest a theme that raises some interesting sexual perversion that we haven't covered? No, I think that's the first Producer of the Month episode specifically covering sexual perversion. I was going through the list of Producer of the Month pitches on Patreon. I said, what makes me think Gilbert will respond particularly well to this one. You know, we like to keep him engaged in the show that bears his name.

So there you go. That covered a lot of ground and we never mentioned the cunnilingus chimps. So thank you David Komorowski. Yeah, and while they were performing cunnilingus, the music would play. Dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dun, dunderosa, can we end it with the Nairobi Trio?

You see if you can find the music from the Nairobi Trio there, Frank. I'll be impressed. And this has been Gilbert and Frank's amazing, colossal obsessions. Yes. Thank you, David. Thank you, Raybone. I'm not thanking you. And now, to play us out, the cunnilingus trio. Música Mi sol la re pa re sol, do mi do fa re sol sol.

Mi sol la re pa re sol, do mi do fa re sol sol sol. Do mi fa si re si mi, la do la fa re sol sol. Do mi do fa si re si mi, la do la fa re sol sol sol. Thank you. La donna pare sol sol sol. Tommi dopo si resini, la donna pare sol sol sol. Tommi dopo si resini, la donna pare sol sol sol. Thank you. Sopertio all