Girls Know Nothing - S2 Ep32: Rebecca Ajulu-Bushell | Leonardo Dicaprio, Olympics & Becoming Arthurs
Episode Date: September 20, 2023GKN Social Channels: Https://linktr.ee/girlsknownothing Instagram: @girlsknownothingpod Tiktok: @girlsknownothingpod TikTok: @girlsknownothing ...
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I keep making jokes I'm too old for Leonardo DiCaprio.
You are.
And that's fine.
That's true.
That's a fact.
My life is basically over now.
It's over now.
You'll never date Leonardo DiCaprio.
To be fair, I think I might be okay with that i think you're probably right there are rumors that he has sex
with headphones on what yeah confirmed that's actually true i know that on very good authority
with noise cancelling headphones on
welcome back to another episode of girls know nothing our next guest is an ex-elite athlete
who swam for great britain and kenya over a 10-year career she is a former british champion
a world number one and the first black woman to ever swim for great britain her 2019 documentary
breakfast in kasumu which she directed produced, premiered at renowned film festival
IDFA. Rebecca has also been honoured in Forbes 30 Under 30 Class of 2023 in the social impact
category. Not only this, she is also the CEO of the 10,000 Interns Foundation, a non-profit that
champions underrepresented groups by creating an internship opportunity prior to this she founded and ran nkg a creative
strategy and media agency focused on social change projects rebecca also studied fine art at the
university of oxford at brazenose college so welcome to the studio rebecca what ick that's a
new ick on my list like headphones during sex anyway um tell us about how you became a swimmer okay we're in all right um so I
grew up being terrified of water okay which I think is really common in like black communities
and I mean that definitely wasn't my experience so I'm mixed race my mom's white my dad was black
and when we moved out to Africa we lived in Uganda for a while
on the shore of Lake Victoria which is where my tribal family is from um and I used to get in the
pool with like a rubber ring and like armbands and like I used to be like make my mom hold me
and I don't know one day it just clicked and all the plastic floaty stuff
came off and then that was it it just felt like home it's like easier than walking and i loved it
it literally just like that just one day yeah i was gonna say fear of water is not irrational
no it's not and i feel like i'm still like really terrified of the ocean um yeah you
know I have like a lot of reverence for just open water and I think it's immense and scary and I
don't know like existential but it is um you know you have to have a lot of knowledge to have like
good water safety so I think yeah it's not irrational at all but then so going from rubber dinghies to then swimming like as a
professional athlete that's that's quite a big jump yeah it wasn't a short journey yeah I can
imagine like so how did that journey like start or come about so we moved to Kenya um which is
where I grew up and kind of where I'm from.
I'm half Kenyan, half British.
And I did my first race when I was about six years old. It was like, it was very cute.
And I think I swam like the 25 meters front crawl.
And I was just so fast, like a little eel.
And I remember going home that day and I like drew my mom this little picture of like a girl in
a swimming costume with a medal around her neck and I was like this is me when I win the Olympics
um and then that was just that was it and then I just started training and I started training more
and we moved to South Africa and I trained even more and training is like the kind of constant theme of the whole thing.
And then when I turned 12, 13,
my parents were thinking of moving back to Kenya.
And there aren't really great facilities there, you know,
no indoor pools, no kind of, you know,
infrastructure around big kind of coaching faculties or whatever and
then I came to UK went to boarding school here um and swam and swam and swam because you became
the first black woman to swim for Great Britain so you literally manifested by that drawing right
if you believe in that kind of thing I certainly don't but if I did if I did
then yeah that's what I did so um what challenges do you did you face in the world of professional
swimming and like how did you overcome that being the first black woman I think it was
it was weird having like a mixed heritage and kind of facing that level of scrutiny and also getting that title
really young so I was 16 when I became British champion um 15 when I got my first kind of world
number one ranking and then my kind of senior British debut was like later that summer so I was
super super young um and I think I'd like always understood myself as being mixed race I grew
up in this really kind of like white expat world in Kenya um I didn't have like a really strong
connection to my black identity I didn't really like understand myself through blackness
yeah um especially like going to boarding school in Devon like it was such a white area you know
like it was just it was and also all those tropes around like black people don't swim and I was
always the only black girl on poolside um and so you know that title really felt like quite
affronting it was like quite a lot of scrutiny um you know I was like 16 my body was developing
like there was a lot of I don't like press and media attention just around what I was like 16, my body was developing. Like there was a lot of, I don't know, like press and media attention
just around what I looked like as opposed to how good I was at what I did.
That's quite a big thing to deal with at the age of 16.
So I think at 15, 16, I was in a park playing with the football,
but definitely not at a professional level with all that media attention on you.
Was that really tough to deal with?
Yeah, it was. It was.
And I think for a long time, I didn't really talk about how hard it was.
But yeah, it was incredibly hard.
I mean, I think when you're competing at that level,
like the nerves and the pressure, that's all there already.
And to be really good at what you do especially when it's an
individual sport like swimming like you have to really like block out the noise and you kind of
get up behind the block and you just have to kind of forget that everything else exists and when
there was so much noise around my race and um you know whether I was going to succeed and whether I was going to prove people
wrong and whether I could swim against these narratives that were so entrenched in, you
know, the world of sport, it became like harder and harder to block that out, you know, and
I think it really started to affect my performance.
Do you think that your achievements contributed to an increase in diversity and inclusion
in the world of swimming.
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That's an interesting question.
I mean, it took 10 years after I quit until there was a black woman at the Olympics for Great Britain.
And that was Alice Dering in 2021.
Wow. And I retired from professional sport in 2011.
So, I mean, how much has it changed as a kind of institution like not that much I don't think
um and when I first quit I think that you know a lot of people wanted me to speak about
you know what it was like or what what it meant for me and I think I felt like I had to have all
the answers you know and people would ask me like why don't black people swim and I was like or what it meant for me. And I think I felt like I had to have all the answers, you know,
and people would ask me, like, why don't black people swim?
And I was like, I don't f***ing know.
You know, I'm like, I'm 17.
I don't, you know, I don't even know myself right now.
And I was still trying to figure out, like, what it all meant.
And then, I don't know, a couple of years ago, I guess,
I realized that just like the value of sharing my experience
was probably enough, right?
And, you know, I can't represent for everybody,
but I can do what I can.
It's a lot to take on.
It's quite a grown-up thing to take on at the age of 17.
Yeah.
Yeah, I didn't feel particularly grown up.
I still don't feel very grown up.
Sorry, I needed one.
I definitely didn't then.
But I was like, when I was doing research for you on, for this episode, you've literally done so much. So like after you stopped professionally swimming and that kind of
moved on from being an elite athlete, you went into being a filmmaker and a writer. So
talk me through that transition and how
you decided that was the path you wanted to go down um I'm trying to think about where to start
so when I quit something and I think much like you I'm like really voracious and kind of intense
and I'm always like what's the next thing like what's the next hurdle what's the next moment um and so I kind of I guess I dusted off my school books and worked really hard in my last
year of school and I went to Oxford and I thought that I was going to study politics and I ended up
studying fine art um and I specialized in film and I loved film I was really interested in making
and you know then I realized my parents weren't really rich enough for me to become an artist so
that that went in the bin um but it took me a long time to come back to kind of creating
and then eventually I did I kind of I made this film and I kind of I guess understood that through writing and I really
wanted to I don't want to be involved in storytelling I think I probably wanted ownership
over my own voice after feeling like I didn't really have that during swimming is that how it
shaped your perspective on like diversity and representation like by wanting to put it through
a different form yeah that's a really interesting
way of putting it I think I've never necessarily thought about it like that but I really liked
being behind the camera for once um and um I liked having that complete control over like how the
story was going to be told and what people were going to feel um when they when they heard it when they
experienced it and I think that that level of control is something I've probably sought a lot
after my swimming career where it felt like you know I was in control of nothing I can imagine
as well moving on from like the politics of being a professional athlete to then moving I can imagine
as well politics in Oxford is probably
not as fun as doing fine art right it was a really it was an interesting degree I mean
art school is kind of mad obviously it's just like loads of um you know self-conscious like
narcissists just like all in one place um but you know again I was like the only black person in my year
and you know Oxford has its own issues with diversity and representation as all kind of
elite institutions do as a lot of our you know British institutions do and so you know again
it wasn't like a super comfortable space for me at times.
It was, you know, it still felt like a kind of struggle to find my place in it.
Your first documentary, Breakfast in Kisumu, and it did receive a lot of recognition.
What was your inspiration behind making that documentary so um I guess this kind of like links into what
we were talking about earlier right like finding some sense of your identity and your heritage and
for me that was after my father passed away and he was a freedom fighter academic he was very
involved in um the resistance against the kind of apartheid
regime in South Africa. And so when he died and we buried him in Kenya, it was the first time I'd
kind of gone back as an adult. And it was this kind of real awakening and I guess just reckoning
with, you know, where I'd come and and how it felt to be back there especially
you know being like a light-skinned black woman and that that was a difficult narrative to kind
of hold in tension with having grown up in the UK but having all of this family that I hadn't
spent a huge amount of time with um and weirdly just before he died I sat with him over breakfast and I recorded this conversation
and I asked him about his life when he was my age and meeting my mother and being in prison
and being out of prison and he didn't know that I was recording him and then I know after he died
I found the
voice notes and all the recordings and I started putting this film together
there must have been like a part of you that was like I might I have to like record this
conversation it was really serendipitous like I don't know why I did it I also like don't really
do things like that so it's a very strange it was a very strange thing that I decided to do
um but basically I kind of traced his footsteps and we went to all the places that he talks about um he was exiled from Kenya and went to university
in Bulgaria and so like we filmed in Sofia it was crazy it was nuts yeah I think that I actually do
wish I did that with my granddad because he had like quite a wild lived experience as well but I
think that there's a general consensus with every mixed race
person I know that you it's great because you grew up in so many different cultures and you
have such a good understanding of so many different things but like for me I never felt
white enough to be Polish right I felt dark enough to be Asian so and then in each community
it's a little bit like what really are you, you're born very much in between, right? And you kind of end up as this translator
between two worlds,
but you're not fully a part of either one of them.
Sometimes when I go back to the village in Kenya,
the kids will like point to me,
and they're like, Mzungu, Mzungu,
which means like white person, you know?
And I'm like, oh my God, who?
Like, what?
Oh my God, me.
You know, and it's like the color of my skin changes the way I'm like oh my god who like what oh my god me you know and it is yeah it's
like the color of my skin changes the way I'm identified in so many different places like in
the UK and black when I go to Kenya I'm like almost white when I'm in South Africa I'm like
cape colored and it's like a really dislocating experience I think it's a weird thing that I think
every mixed race person will feel because like I get that if I walk it's a weird thing that I think every mixed race person will feel
because like I get that if I walk into like a Polish supermarket they're like what's this girl
doing here but then if my cousin my baby cousin used to cry at the sight of me because I was so
white wow and like so I think I always felt like oh where do I fit fit in and then I guess that's
probably like what inspired you to to go on and to tell
like stories and shine light on these yeah i think that especially kind of first and second
immigration kids mixed race kids like us you know like you don't necessarily have access to that
world right like now that my dad's gone i have to take myself home when I go back to the village and
that's like a weird thing because it's not somewhere I grew up it's not something that
the way I look you know easily kind of identifies me as being from and so you do have to kind of
take your own ownership of it and shape it in a way that makes sense to you. There's no like blueprint. Yeah. Do you feel like you've grown as a person by forcing yourself out of these comfort
zones and taking yourself home and trying to learn a bit more about where you've come from?
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podcast terms and conditions apply hiring indeed is all you need i'm from your family yeah definitely
definitely i mean the last time i did it i kind of drove by myself which felt i mean it's not a
big deal but it kind of felt insane it was this like okay this is kind
of my life now I'm going to be making this journey myself I'm going to be making it with my kids
hopefully one day and knowing that I can do that I think is quite powerful I mean even if it doesn't
sound like a big thing it feels like a big thing to you yeah and I think that's what's important important right absolutely but um all of your work seems to really focus on a lot of social impact
like things and could you elaborate a bit more on the mission behind the 10 000 interns foundation
yes i can i talk about this all the time um so we're a charity that champions underrepresented talent um and what that
means is that we create programs for young students and graduates um from underrepresented
communities to gain access to opportunities that they are oftentimes overlooked for um or that
oftentimes aren't really accessible to them so we have a program for black students and graduates,
and we have a program for disabled students and graduates as well.
And we've been three years in the making.
We've created 5,000 paid internships so far.
Oh, wow.
So we're already halfway there.
And we've had 25,000 young people come through our programs
and receive training and development opportunities.
It's a really insane job in that it's both amazing and that it's just so full on.
Are the internships in a specific thing or are they like depending on what the person wants to do?
Yeah, so we work with over 700 companies all across the uk and we represent maybe like 30
sectors um so each intern that applies gets kind of three choices of things that they might want
to do so marketing advertising and i don't know creative and culture um we partner with the royal academy with nhs nike bbc goldman sachs
nationwide all the big ones everybody everybody that you can think of um and
yeah it's very very as you can imagine like meaningful and kind of humbling work so when
you get to the 10 000 mark what happens what are you gonna do like what happens next like well then
we've solved all the problems of the world and it's over so um no then you know then kind of
more impact i'm thinking about breadth and depth of impact impact at scale you know what does it
mean to kind of not be so london-ric how can we create even more diverse opportunities for
people how do we nurture our alumni community are there other underrepresented communities that we
can help you know I think yes we're only solving a very specific problem by creating internship
opportunities but oftentimes it's the first step for somebody in kind of changing the trajectory
of their kind of career and broadening their
horizons and so I think that I mean everyone kind of remembers their first internship did you ever
intern anywhere I actually I don't think I ever interned anywhere I literally went straight from
sixth form straight into government wow so I went straight into my first full-time job at 18 but I
remember that's so hardcore it it that's where the menopause story
starts coming but like it was I think it was it was quite scary because I didn't feel like I had
a safety you know when it's when you're an intern people always I feel like they're a little bit
more lenient towards you whereas I think yeah you can fail forward you can kind of just you know
people don't expect you to know what you're doing which is like the best learning opportunity yeah
I didn't get that but then it's nice as well when you picked up on the London centric stuff because
you know neither of us grew up in London and I felt like being from a diverse background is hot
it has its own challenges anywhere in the UK but I think when you're more London centric it's it's
just generally more a diverse city anyway whereas I came from South Oxfordshire and I probably stuck out like a sore thumb in many ways absolutely and then all of the opportunities
you tend to find or like ways to help you get into like certain opportunities are all
London based yeah and then other people especially up north tend to get forgotten about yeah really
really left behind I mean I think that's part of like a broader agenda at the moment. But it's something that, yeah, we've got to take very seriously. I mean, my parents live in Gloucestershire, and it's like kind of growing up there without the level of representation that
we have here in London right and I think if you can see it then to some extent you believe that
you can be it a little bit more yeah and I think that that you know that needs to kind of be
extended outside of you know where we are right now in metropolitan you know what I hear that
phrase from so many guests that sit on that sofa and they're like you can only be what you can see
and it comes from like you know so many people feeling that they have to walk so other people
can run after them um and you were talking about how your parents live in Gloucester and
how all these places you've lived how do you feel like it shaped your your own identity
I think about this a lot I think when I was younger and I was growing up I really
wanted that kind of what other children had they you know they grew up on one street and they had
all these friends they went to the same school their whole life and there was this sense of kind
of continuity and yeah you know really physical community that came from that. I moved around all the time.
I moved schools like every two or three years.
I moved countries almost as much as that.
And so I guess now that I'm older,
I think it's given me this amazing sense of cultural literacy
and this ability to kind of, you know,
imagine the world outside of where we are right now
or what I can see around me.
And I don't know.
I mean, I think what feels important to me now is that every interaction
and every conversation, every interaction that I have with people
is kind of
inherently political and important and you know I don't really have a strong sense of kind of
nationalism or identity that's rooted in any one place it kind of feels like it comes from
everywhere I think that's one thing that I mean I've never lived abroad but like having traveled
to like home for long stints of time I felt like that where is home
for you so my mum's Indonesian so like I used to spend summer and all of Christmas like it was
basically like almost two months in a whole year there oh my god wow um so it was a lot but like I
think it made me it really opened my eyes and I think that made me realize how lucky we are
sometimes in the UK to have access to the things we have access to and being able to understand how different people live and I think it makes
me makes you less ignorant as a person I think when you meet somebody that's not like you
yeah I think that's so right I think that's so right it's really good to be out of like your
echo chamber and to not kind of think that the whole world is
created in the same way or that people are having the same kind of experiences but I also did have
what you said that you wanted when you were younger about growing up on the same street
and having the same friends and things and I actually think now maybe it's just because you
know when you're always sitting the grass is always green on the other side because sometimes
I think oh maybe I would have liked to move
to a different country when I was younger
and like take those opportunities
because you have a weird,
like when you outgrow your friends,
if you've had the same friends
for the whole time you've been a child
all the way to adulthood,
you feel like you have to stay with them.
Yeah.
But you don't.
I see that so much, right?
People have kind of pulled their,
you know, high school or like uni have kind of pulled their, you know,
high school or like uni friends kind of into their life.
And, you know, I mean, some people are really lucky and those are the people that they're kind of bonded to.
But I think for a lot of people, they're in London,
which is inherently, you know, kind of a lonely place anyway.
And they don't feel that connected to this group of people
that they've kind of just
inherited and like had for a really long time um and I think if you move around a lot you just
you end up having this more kind of diverse and eclectic group of people that are from different
places and different parts of your life and you can be different parts of yourself with each of
them yeah that's why sometimes friendship groups don't mix yes don't always
mix your friendship group um one thing I was talking to you about earlier was congratulations
on being Forbes 30 under 30 even if you don't get any shiny there's no award no sparkly prizes
there's no award I feel like I'm that type of person I would make myself one is that really vain just to like make
myself a trophy for me like the only person it's like this is my Forbes 30 under 30 award yeah no
we don't we don't get anything apart from obviously a very warm feeling and you're hot
no I'm kidding um did you get a warm feeling did I get a warm feeling I'm thinking about that
um I don't know I thinkours lists are kind of complicated.
Like we were talking about earlier, I think it's hard to measure your life
in these really like discrete chapters and what happens after 30, right?
Like there's no Forbes 40 under 40.
Because it's like I was saying to you, I was like, oh my God,
but I turned 30 in two years.
What if I didn't get Forbes 30 out of 30?
Panic.
Life is over.
I think it actually might be.
It's certainly not over.
No, I, you know,
I think the social impact category
is really interesting and important.
We've got to build a future
that is different to the present
that we currently experience and for so many reasons.
And so I think to honor people who are doing things to change the kind of social fabric of our country, the world, you know, the way that the climate interacts with everything else that's going on, you know, that feels really important.
And so, yeah, to be in any category, I think that is definitely the one that feels most
yeah salient to me. Does it did it give you any kind of leverage to like make change or was it
just one of those things you kind of collected on the way around it makes it sound life is like a
monopoly board so yeah gotta catch them all um did it give me any leverage you know I think after after I quit swimming and I'd kind
of been really visible for quite a long time I really shied away from that and I didn't really
want to have like a hyper visible job or like a hyper visible personal brand um and then I took
the job at 10,000 interns as CEO and that kind of changed that
and I had to lean into it a little bit.
And so definitely having platforms and awards
and being honored in Forbes 30 under 30,
it only serves to kind of strengthen
the power that I have to impact change. and so that's the way I have to
use it I guess as well if you if there's other like when you were saying that how people make
comments about black people don't swim and then if you were a black swimmer and you see somebody
who's done it the same way as if you'd seen a black person make 30 under 30 kind of even if
you don't actually necessarily do those things
yourself it can say like if someone else can do it I can do it yeah absolutely I mean I think um
you know I was really lucky that my parents kind of raised me to
believe that I could do anything that I wanted to and be anything that I wanted to be um
and I think that probably freed me from a lot of the kind of gender and racial politics of being
black and being a woman but it didn't stop me from having to face it anyway and so yeah there's
a part of me that when I get recognized for things like that I'm like yeah yeah you should feel like
fuck you yeah even if you like This conversation is your sparkly prize.
I'm sorry it's not as glamorous as getting a nice trophy.
But there are so many things I wanted to talk to you about.
But I think one thing that I really wanted to ask you about was your book.
These Black Bones was your debut as an author.
Can you tell me about your book and what it is about, essentially?
Yes. So it comes out next year in June 2024 um but I think pre-orders will be ahead of that so
look out for it um these heavy black bones is about coming of age and it's about race and racism.
And it's about my journey through elite sport and why I so badly wanted to be
the best and also why I kind of walked away from it.
It's,
I guess a bit of like an offering of freedom to myself.
I think I spent a lot of time after I quit,
you know, just not being able
to kind of interrogate it and not knowing what it all meant and so writing about it I think helped me
just to kind of set some of that stuff free and also I guess to acknowledge other people who would
also experience similar things I think because one criticism I've always got is when you put
something that's quite personal out online everyone's like well why are you sharing that if it's personal
and I think it's about taking about your own power yeah about allowing what you want to share with
people be shared and then being able to keep certain bits for yourself and it's a really
powerful way to think and move for yourself I think that's if people aren't online or don't have
a public facing role they don't necessarily understand that it's hard to know like what to
give away right and what not to and where's that line and when I was writing the book I was really
I didn't think about anyone reading it because I wanted to be as kind of truthful and as self-facing
and as honest as possible. Yeah.
I was speaking to my agent at my editor the other day and they were like, okay, so, you know,
all these people are going to read this book and like, they're going to know that like,
this is about them. And I was like, oh my God.
Oh God, yeah. I didn't even consider that when it came.
Yeah. So it's, I mean, so there's all of that. And then there's all this stuff about me and like,
you know, what my parents are going to read and what they're going to think. I mean, so there's all of that. And then there's all the stuff about me and like, you know, what my parents are going to read and what they're going to think.
I mean, it's not like a scandalous tell-all, but it is my life, right?
And it is my experience and it's my story.
And there is something really fucking terrifying about that.
But I think like you said,
there's something really powerful about that as well.
There's something really important about you know
just releasing the things that have happened to you that have been hard and scary and terrifying
and amazing and you know releasing them into the world and owning them in a different way
not worried about anyone popping up like prince harry's did after he released his memoirs
i'm hoping no one i'm hoping no one sees me yet.
So as someone who's achieved so much already,
what are your aspirations for your future,
both personally and professionally?
I spend a lot of time thinking about how I can go to the gym.
And if there's time for me to do that
it sounds small but taking time for yourself is really important well I never actually get to the
gym so I'm still working on that spend a lot of time thinking about why I don't have enough time
to get my nails done um time is like the general theme I would love to have more time for myself and I think that that
probably involves you know really thinking about where I want to put my energy and being really
focused about okay where does work end and where does Rebecca start and you know I think I hear all the time especially young female founders and
like you were saying earlier that kind of hustle culture in London and people are always talking
about like you know it's such hard work and like I'm so busy and I think the fact that what I do
and what I've done is hard is like the least interesting thing about it and I just can't like
stress enough how desperately I don't want to talk about how I'm so busy or and I just can't like stress enough how desperately I don't want to talk about
how I'm so busy or and I just hate hearing people talk about that like yeah it's hard of course it
is of course it's hard sometimes being busy isn't being productive though completely like you could
be running around that hamster wheel for ages but actually never get anywhere yeah and I hear it
from my family you know and it really makes me sad when they're like, oh, we know you're so busy, you know, and I'm like, I don't want you to think that I'm too busy to see you or to spend time with you or that this is more important than the other things that I have to work on in my life.
Right. Like it's all work, relationships are work and they're as valuable and as equally important as the work that I do you know day to day yeah and
especially when your job is pouring into so many other people's cups you can't do it if your cup's
empty yourself oh completely completely and I think yeah anyone who like yourself is kind of
running around spinning a thousand different plates right like it's it's exhausting it is but
but you can't let that suck you under and I think that can't
be the focus so it's how do you kind of create a balance that makes sense for you um that's
something I'm still learning like every single day I don't think it exists I think that you
just have to integrate well and yeah figure it out as you go that's good because that's
pretty much the approach I take to all of my life yeah I think just wing it work-life balance is such a fallacy and that isn't to say that you
should be running a thousand miles an hour all the time but you know I think one of my friends
said to me the other day I like to think of life in terms of chapters um and maybe this is a chapter
of hard work and the next one's a chapter of rest. On a yacht in the Bahamas.
Amen.
With painted nails.
And Leonardo DiCaprio.
Minus the headphones.
Please leave them at home.
I'm going to be thinking about that in my sleep now.
Oh God, I'm so sorry for you.
I always ask my guests a similar final question
so what piece of advice would you offer
to your younger self based
on your life and career journey
so far? Oh god
um
just chill
out
just chill out
um I think
I really when I was younger
felt so often like I had to prove people wrong um and I've got to this point in my career now where
you know I've done all of these things and there's a kind of level of respect I think that comes with that um and I wish that you know
I I knew that the only person I kind of had to prove anything to with myself yeah no that's a
really good piece of advice I think that a lot of people I can relate to that when you're constantly
in like trying to prove someone wrong but then you're actually what satisfaction do you get from that completely if you're not happy within yourself yeah and happiness I think that's a lifelong
journey but I think being present and kind of you know not thinking too much about what other
people think is a good start oh no that's a really good piece of advice um thank you do you know you
speak you're such a calm
talker and I feel like it's made me change my tone of how I talk I'm such a loud person
and I admit I didn't realize how loud I was until we started talking I was oh my god if am I really
this bad now I get what my teachers are talking about just chatting yeah I don't actually know
where the volume dial is in my brain it's something that's
something I'm gonna have to work on for the rest of my life I think you know I think I try
I don't know if my team would say that I'm very scary but I think not shouting there's quite a lot
of like power and like when I tell people off and I'm just speaking in a very kind of even keel
then I go oh my god I think that's worse oh I think it's way worse my dad used to do it I think it's way worse it's like when it's like I'm not angry I'm just disappointed
it really hits you a lot harder than like I'd rather you just hate me just shout just scream
yeah just scream but I'm always just shouting but I don't mean to be we'll work on your we'll work
on your podcast volume I'll find sorry Luke can change my volume just turn her down
you're a seasoned professional I think you've got it on log oh thank you but no thank you so much
for coming and I can't wait to read your book when it comes out next year thank you for having me
and please I will send you a copy