Global News Podcast - The Happy Pod: Turning my toddler's tales into tunes

Episode Date: March 14, 2026

Stephen Spencer has set his daughter's stories to music. What started as something he posted for his few followers has turned into a social media sensation, with fans around the world left smiling, laughing or even crying by the catchy tunes and often bizarre lyrics. Also: how a chance conversation between two women on a train led to one donating her eggs so the other could have a baby. When Anita revealed her fertility issues, Ginny instantly offered to help.A surgeon who successfully operated on a patient hundreds of kilometres away says it opens up new possibilities for people around the world. He was able to remotely control a surgical robot in real time, thanks to advances in technology.In Singapore, medical students are learning to be more compassionate doctors by studying poetry. Those behind the course say it helps the students to understand nuance in how patients are feeling.Plus are dogs that howl along to music actually singing, and how a sly fox accidentally made a transatlantic voyage.Our weekly collection of inspiring, uplifting and happy news from around the world.Presenter: Holly Gibbs. Music composed by Iona Hampson.

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Listen to The Global Story on BBC.com. or wherever you get your podcast. This is the Happy Pod from the BBC World Service. I'm Holly Gibbs, and in this edition, the man turning his three-year-old's tales into tunes. We feel connected to the child in us that was able to speak freely and dream up what they wanted to dream up without fear of being judged or having what they say be immediately evaluated by people around them.

A life-changing conversation on an underground train. She sort of said the only way I can have children is if I have a younger woman donate eggs to me. I was like, wow, I'd love to help someone like that. And then she just went, would you help me? We find out what happened next. Plus, it brings equity of access. There is a humanitarian role. And we hope now that with the connections being much faster, the robots being much more intelligent,

I think this could bring in a new era for patients. The surgeon who operated on a patient, hundreds of kilometers away. And can dogs actually sing? We wanted to test an experiment if they were shifting pitch as a way of coordinating what they're doing with another singing voice. And they did. We start with a rather unusual music style

that's been bringing joy to millions of people around the world. That's Stephen Spencer, a completely time. That's Stephen Spencer, a completely. poser from New York, who's been making songs out of the stories his three-year-old daughter tells him. What started as something he posted for his 30-odd followers has turned into a social media sensation, with fans around the world left smiling, laughing, or even crying by the catchy tunes and often bizarre lyrics. I caught up with Stephen. I'm a songwriter.

So I've kind of trained myself to hunt for musical material everywhere. I've always kind of done that with her baby babblings. And so when she started to develop this kind of narrative impulse, I was really fascinated and just delighted in the fact that she was coming awake and making these amazing stories that had a beginning and a middle and an end and characters and sometimes morals, you know, I wanted to capture them somehow. There was one just breaking the webbit.

She had making the ponytail just like me. And I also wanted to honor the musicality that I kind of heard in them. They felt like songs to me. And then I also wanted to capture this kind of fleeting moment, bottling up this particular stage in her development. So she could see her mom. Yeah, her mom was. How involved is your daughter in the process? Does she get final approval?

She does. She really does. She's actually very, very involved. The way that it works is that I will capture her telling a story somehow. Sometimes, if I'm lucky, I'll capture it in audio. Whenever I say something back to her, she will correct it or change it, or she has lots of opinions about how the story should go. So I'll say something back to her. She's like, no, no, no, you got it all wrong. The stories are alive. They're constantly evolving.

Lots of people online love the fact that you are using her exact words and you're not applying adult grammar or logic to this. Again, it's a kind of documentation, right? I really want to capture this moment. So it's not about capturing the essence of the story and translating it for adults or changing it into what I think a story ought to sound like. It's about capturing her and honoring her unique way of thinking and making sense of the world.

I think it also connects to parents, that parents hear those phrases and it takes them right back to when their kids were that age. I'm an important mermaid. As someone that grew up wanting to be a mermaid, it took me right back to being young. Parents hear their kids, but kids hear themselves. People hear themselves in these songs. And I think there's something touching there that she's very free to say what she wants to say exactly how she wants to say it.

And there's no judgment and there's no correcting and there's no interrupting. When people hear that, I think there's something that that we feel connected to the child in us that was able to speak freely and dream up what they wanted to dream up without fear of being judged. or having what they say be immediately evaluated by people around them.

And Stephen, you've now had millions of views with one song bringing lots of people to tears, Appleman. And I just want to read you this comment that's been left under that video. Somebody said, I spent a weekend in hospital very recently. all of these songs stuck in my head and made me smile, I'm better now through it. People need help sometimes and you helped me. How does that make you feel? Wow. I mean, that's incredibly moving. I don't know if I can describe really the feeling. I'm always moved every day by the things that people have said, the way that this music is affecting them. It's kind of overwhelming to think that this music can help somebody through a hard time. I've received messages and comments on similar themes. that I'm just kind of blown away by, and I don't really know if I can capture exactly the feeling. It's, it's, it still sort of feels very surreal, but I'm proud of, of my daughter, and I'm, I'm, I'm happy that I was able to use this music to connect with people in that way.

And how much joy has it brought you? Oh, overwhelming joy. To spread warmth like this, I think is a gift. I just feel very grateful. And finally, if you could attach a message to all of these songs and say in 10 years' time you play these songs to your daughter, what's the main message that you hope that she would take away? Wow, that's an incredible question. I think just I'm listening, and no matter what you say, I will accept it.

There's beauty in whatever it is that you're thinking, and the way that you're thinking it is beautiful, without me having to do anything at all. All you've ever had to be is my daughter, and you're nailing it. Stephen Spencer, and we apologize in advance if Appleman is now stuck in your head. To London next and a life-changing chance encounter. Ginny was on an underground train when she started chatting to the a woman sitting next to her about children. When Anita told Ginny she had fertility problems,

Ginny immediately wanted to help. Frankie McCamley has the story. I got onto the Piccadilly line and was getting to Piccadilly Circus. 30 years ago, Guinea Bogle was on an underground train in central London, going to meet some friends when a young child started making the passengers laugh. He was just making everybody laugh. His mum laughed. The light entertainment meant Guinea started talking to the woman sitting next to her, Anita. She asked me, she was like, do you have children? So at the time I had my eldest son, and he was only about two, three years old at the time.

And I, so I kind of said to her, yeah, I've got a little boy. But weirdly, even though that conversation kind of went on to something else, I came back to it and asked her, do you have any kids? And she sort of said to me, she goes, no, I can't have children at the moment. She goes, we've tried. But for certain reasons, my eggs are too mature and they're dying. So I can't have children. But the only way I can have children is if I have a younger woman donate eggs to me.

Guinea says what happened next was a light bulb moment. I was like, wow, I didn't know that was a thing. I'd love to help someone like that. And then she just went, oh my God, would you? Would you help me? After chatting for just a few minutes, the women exchanged contact details. I gave her my number and, yeah, we partied ways. We said goodbye and off I went.

And then two days later, I got a call in the evening. Guinea's husband was initially concerned that she was taking such a huge step for a woman she barely knew. My husband was a bit like, why you, why not anybody else? And I was like, look, just say if we needed help at one point, and no one came forward, you know, how would we feel? At least I can help someone this way. But her determination persuaded him to support the idea. She started hormone injections and was able to donate 17 eggs.

The 10th IVF embryo worked and Anita became pregnant. Nine months later, Christopher was born. The women didn't have a formal agreement to stay in touch. And laws 30 years ago meant Guinea as the egg donor could remain totally anonymous. But both wanted to keep in touch. They exchanged regular emails, and Anita's family visited London. But they didn't tell Christopher who the woman he knew as Auntie Guinea really was until he was 26. Growing up, I had no inclination.

And the reason they were able to keep it a secret from me was because they're both of Indian origin. And Anita is of Goan origin, whereas Guinea is of Punjabi origin. Now age 30, Christopher, who is working in Miami, says discovering the truth, was a very emotional experience, but that it was phenomenal to be considered a miracle baby by his mother, who herself went through a difficult process. He also now has a close bond with Guinea and has stayed with her in London.

I went to pick him up from the airport, and as soon as he saw me, his face kind of lit up, and mine did him, just gave each other a very big hug. The bond is a friendly parental bond, I'd say. He kind of asks me for advice, and various things, and then I give him my opinion. As for Christopher, he is enjoying meeting what he feels are his new extended family. He even joined Guinea and her children on a holiday.

My life, it's changed it dramatically. I have a much larger family now. Guinea has three children, so they're like family now. All their extended family, all my cousins in the UK and whatnot are amazing. I love them in a bit. now I feel like I have like a bonus family. And it's been a phenomenal experience. Christopher ending that report by Frankie McCamley. Has a stranger ever changed your life? We'd love to hear from you if so. The address is global podcast at BBC.com.uk. Next to an extraordinary operation

that could improve access to life-saving surgeries for people around the world. A surgeon carried out a prostate removal on a cancer patient from nearly two and a half thousand kilometres away, using a robot. Professor Prokhar Dasgupta was in London, remotely controlling the machine operating on Paul Buxton in Gibraltar. My colleague Johnny Diamond spoke to them both about the procedure. The robot has tiny little wrists and a 3D HD camera which magnifies the vision inside the tummy. So the prostate gland which was removed actually looks like a full. I know Paul is a football fanatic. And I can see all this from a computer console or a robotic console in 3D HD and move the instruments with my hands and feet.

The difference is 20 years ago I would be in the same room with a robot doing this for a patient, removing his cancer and curing him of it. On this occasion, the difference was that I was 2,400 kilometers away. using a different robot, but having the same view of Paul's prostate and the inside of his tummy and guiding that robot, literally moving the arms of the robot on a high-speed dedicated fiber line, and I'm really excited and glad that it went well. Procar knows me inside out, really, doesn't? But we've never actually met face to face.

And Paul, I mean, did you care that no one was there? The two consultations I had with Procar at the beginning, it really explained it well, which obviously helped me make my final decision. I had a week to think about it, discuss it with my family, and I found it rather interesting, to be honest with you. When I put it to a couple of my friends and a couple of the family, you're not going to do that, are you? And I said, I am. I'd made me mind up from the first consultation, and nothing was going to sway me. Procar, was there anything that you missed by not being there? I didn't miss anything, and this is the beauty of it. The connection delay between the London Clinic and Gibraltar was only a fraction of a second.

So it felt like I was in Gibraltar. And of course, although this has taken a year of planning, in the end, the only thing that matters to me is patient safety and the doctor-patient relationship. So I reassured him that there would be my team in the operating room in Gibraltar, with a surgeon being present who would be able to finish the operation just in case the line or the connection went down. But in reality, that didn't happen. People in Gibraltar, the excellent Gibraltar team have told me it felt like I was in the room myself. To be honest, really, I don't think I realize the gravity of you.

When you speak to people like Procar and his nurses, they're so calm that it puts your mind at rest as well. Procar, I mean, things like this have been done before. Is there anything we should take from this specific operation? Yes, absolutely. This is Tully Surgery 2.0. We did the first trial in the world between Guy's Hospital and John's Hospital. Hopkins, putting a needle in the kidney in 2002. But then we, the technology did not have telesurgical capabilities. The current technology does. So I think this is good for patients as

new robots are coming to the market because it brings equity of access. There is a humanitarian role, for example. It has been done between USA and Angola, for example. In China, a vast country, they have even done a trial. And we hope now that with the connections being much fast, the robots being much more intelligent, with such a lot of AI in play, which you can't see. I think this could bring in a new era for patients. It takes so much stress out of obviously having a cancer diagnosis is serious. And it's shocking when you first hear it. This option, I recovered in my own home.

I have the people around me. It's a game changer for having surgery. And thank you, Paul, for putting your faith in us and our teams. Thank you. It was well worth it. Thank you. Paul Buxton and Professor Prokha Dasgupta speaking to Johnny Diamond. Coming up on this podcast, how learning to appreciate poetry can improve the way trainee doctors interact with patients. You need to be present and you need to be able to give you full attention and you need to be able to hear what the patient is saying but also what they're not saying. and read between the lines.

Legacy systems, disconnected data, manual processes everywhere. Sound familiar? I'm Ashman Patil, special host of Resilient Edge, a business vitality podcast paid and presented by Deloitte. I sat down with leaders from Toyota Motor North America who decided to stop patching and start rebuilding. Chris Jungeretti from Deloitte and Jason Ballard from Toyota walked me throughout their transformation.

We keep hearing. 95% of the pilots fail. My response to that is it's not the technology that's failing it. It's the use case that you pick, right? So you got to first look at the business process and identify the bottlenecks and the use cases to start with. There's a difference between modernization and transformation. When we first introduced AI in the scenario of the demand and supply planning function

where we had the planners stitching together a lot of spreadsheets, through some of our early releases of the new product, We immediately saw upwards of 60% productivity gains. We were expecting maybe 20%. What sets them apart? They leveled up. With a drop in manual effort, planners got hours back to do the work that really counts.

So how do you scale AI responsibly across a complex global operation from mainframe constraints to real-time intelligence? The full conversation reveals how Deloitte, AWS, and Toyota built a digital data thread connecting forecasting, suppliers, production, and dealers. Plus, what this means for any enterprise ready to transform.

All of that and more on this special episode of Resilient Edge, find us wherever you listen to podcasts. It's the Oscars on Sunday. And while American movies have long been America's great cultural export, the Academy Awards are increasingly nominating international films, not made in America. I'm Asma Khalid, one of the hosts, of the Global Story podcast from the BBC.

How did Hollywood's biggest night become so international? Listen to The Global Story on BBC.com or wherever you get your podcasts. Welcome back to the Happy Pod. Have a listen to this. That's a dog shifting pitch in response to a song. It's not uncommon to see a dog howling along to music, but are they just making a noise or actually singing? The recording is part of a study by Tufts. and Harvard universities in the US into whether dogs can actually demonstrate any musicality. My colleague James Menendez spoke to Professor Arnie Patel from Tufts who led the study.

So what are dogs trying to do when they sing? We wanted to test an experiment if they were shifting pitch as a way of coordinating what they're doing with another singing voice, which is what we think is one of the fundamentals of human music. We see people doing it all over the world. But was it uniquely human? and does it depend on our sophisticated abilities to imitate complex sounds and speak? And so we were fascinated by the idea that other animals like wolves, for example, were claimed to shift pitch when they listen to each other howl for functional reasons

to make them sound like a larger pack, for example, by detuning their pitches. So we took advantage of that to test dogs who are related to wolves, ancient breed dogs, to see if they would shift a pitch when they were howling along to something that set them off, in this case, popular music, to see if they would shift their pitch up or down when we shifted the music up or down. And they did. And this was a clue that an animal with largely instinctive vocalizations could do this. Right. And just to be clear, so they're not trying to match the pitch of the music, but they are moving it around. And you say what, that that could be that that response to try to give others the idea that this is a big pack and not to be mess with.

Yeah, that's one way they could do it, is actually try and detune their pitches from what they're hearing. Another way, they could come into convergence if they're using it for pro-social reasons, like try to reunite their pack. So these were all speculations, but this was an actual experiment to see if they had this capacity. And if this in principle could say that our own ancestors could have this capacity to sing and coordinate pitch for social reasons, even before we had the ability to speak and imitate complicated sounds. Right. So as you sort of hinted, this may well predate speech. This was another way of learning to communicate and what reinforce those bonds? Yes, to have important social communication in ways that use musical elements

before there's even linguistic elements in an animal's communication system. This isn't all dogs, is it? Not all dogs can do that? Well, we've only tested this ancient breeds that are more closely related to wolves genetically that share these genetic similarity. But it would be interesting to test modern breeds as well. There's plenty of videos on the internet of dogs how it along to music. But without doing an experiment, it's hard to know if they're in control or if they're just being instinctive and doing something inflexible. Professor Arnie Patel from Tufts University. Poetry can mean different things to different people, from a powerful way to communicate emotions to something they were forced to study at school. But at the Li Kong Chang School of Medicine in

Singapore, it's being used to train doctors. It's hoped reading and understanding poems will teach students to recognise the nuance in what patients might say to doctors and to have greater empathy and compassion. The BBC's Rita Raman went along to a class. Doctor, you say there are no halos around the streetlights in Paris, and what I see is an aberration caused by old age and affliction. I tell you it has taken me all my life to arrive at the vision of gas lamps as angels. Dr Tanya Turney listens, as second-year student Marsha, reads a poem about the French impressionist artist, Claude Monet, refusing an operation to correct his eyesight.

The poet, Lizelle Mueller, describes Monet arguing with his doctor, saying that the way he sees the world, blurred edges and all, is what defines him and his art. So if we shift this into a clinical space, when we're explaining procedures to patients, and asking for consent, is there a message that you're seeing? from this poem.

Even though subjectively it might think it might help the patient, but objectively it might be the patient's own choice to not have this operation, which should be respected. Poetry forms part of the school's medical humanities course, which is aimed at producing more compassionate doctors. It's compulsory and has recently been extended into all five years of study. The students come into medical school with a very science background and often want things to have.

one right answer, things to be black and white. But medicine's not like that. Medicine, there's uncertainty from all sorts of different directions. And they need to navigate that uncertainty. I found that it was a very enlightening experience because not only are you sort of forced to slow down and understand the nuance behind every word that you read. You also get to hear the perspectives of everyone else around you. When they're starting to interact with patients, you need to be present and you need to be able to give you full attention and you need to be able to hear what the patient is saying but also what they're not saying and read between the lines so the skills that you develop as you're exploring a poem encourage the reading between the lines that they can take into

their patient interactions um can we just look briefly at the first few lines there's this fire references all the way through, this tongue of flame, the dry mouth, and the thirst, when you look in the textbook and it says excessive thirst. So how unbearable does it sound when you just see the words excessive thirst, whereas this description, it's so powerful. Marsha has even written her own poetry to help her manage the challenges of studying. Our medical professionals are often seen as saviors, and so we often have to present ourselves as the strong one.

But I do think that we also need to carve out a space for ourselves where we can be open and vulnerable. Because in order to treat our patients well, we have to be well ourselves. For those that it is a media that they connect with and it does bring meaning to how they relate to patients, how they relate to themselves, how they understand their own identity as a medical student or a doctor or a human being. To see that, that's my hope and it's a real pleasure when that happens. And student Cheryl is noticeably moved when she tells me how poetry has helped her manage the doctor-patient relationship. We kind of have to unclothe and clothe ourselves, the identity that we put on as a professional when we come to see patients. And the patients, they themselves have an identity that they present to us.

But there was a time that I had an opportunity to speak with this very lovely old lady. who shared with me the life that she had before she was sick. And I think that really made me see how actually we are not very different because we all have identities outside of our profession and outside of our personal lives as well. Rita Rahman reporting, and for more on this story, just search for people fixing the world wherever you get your BBC podcast from. And we end this episode with the tale of a rather unusual stowaway

who travelled from the UK to the US in the hold of a cargo ship. When the vessel carrying cars from Southampton arrived in New York, dock workers were surprised to find an extra passenger, a fox. The animal, a male thought to be around two years old, is being cared for at the Bronx Zoo while awaiting a permanent new home. Keith Lovett is the zoo's director of animal programs. Surprisingly, it's doing well. You would expect that this animal would be a lot more stressed,

may be thin in weight, but it appears pretty strong at this point. Our animal care teams are monitoring. Our veterinary teams have looked at the animal, and we have a few test pendant that we're waiting for. But all in all, considering what this animal has gone through, it looks to be in pretty good condition. They are very opportunistic feeders. They will eat different types of produce. They will eat different types of protein. They will go after small rodents and stuff like that. So whatever it could get access to, I'm sure it was eating on that, but it's in pretty good body weight. You know, and down in New York, New Jersey, we do have one of the, you know, larger ports in the country, if not the world. So there is a lot of wildlife that comes through there. But this is a pretty

unique story that this animal was, you know, in the cargo hold for that long, doing this well. So, you know, there's a personality involved with this animal as well. So, yeah, this is a pretty unique story. Am I surprised from a species standpoint? No, because they are so opportunistic. and they can be a very hearty species. This is why they are so widespread in so many areas. So from a species standpoint, I wasn't terribly surprised. But again, for this animal to get himself locked into the cargo hold of a ship and do this long voyage and then come and really not show much wear and tear,

if you will, from that voyage, yeah, that is a little bit surprising. He's not as skittish as you expect this animal to be. He's actually pretty receptive to the animal. care staff that's taking care of him. He's not acting terribly shy. So one would assume he had some level of exposure to humans prior. Keith love it. And that's all from the happy pod for now. We'd love to hear from you. As ever, the address is global podcast at BBC.com.uk. This edition was produced by Rachel Bulkley. The editor is Karen Martin. I'm Holly Gibbs. Until next time, goodbye.

It's the Oscars on Sunday. And while, Well, American movies have long been America's great cultural export. The Academy Awards are increasingly nominating international films, not made in America. I'm Asma Khalid, one of the hosts of The Global Story Podcast from the BBC. How did Hollywood's biggest night become so international? Listen to The Global Story on BBC.com or wherever you get your podcasts.