HABLEMOS DE LO QUE NO EXISTE - 4 Historias de Mala Suerte , Hospitales Embrujados , Brujas y Demonios | EP 245 | EL NARRADOR

Episode Date: December 6, 2024

Bienvenidos a ésta Oscura Fogata de Historias PARANORMALES de Mala Suerte , Hospitales Embrujados, Brujas y Demonios. El día de hoy les preparé historias que ustedes, querida Familia Nocturna, me han hecho llegar al whatsdelaspesadillas; escucha la historia de MALA SUERTE y como devoró al tío Simón; descubre el aterrador CAMINO DE LA MAGIA y Violeta; conoce a la escalofriante creatura que sigue aterrorizando los recuerdos de Elías y Dante , tal vez tu la conozcas... ¿has escuchado de la Sonrisa del Perro Demonio? Y si te gustan las historias de hospitales embrujados ésta te va a encantar... así que prepárate para que @hablemosdeloquenoexiste Hablemos de lo que no existe es un canal de youtube con el formato podcast que comenzó en abril del 2022 su primer episodio fue vivo en un casa embrujada en el que una chica narro sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de este canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de este canal , la familia nocturna creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de este canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando esto tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora. El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado

Welcome to Family Nocturna, to this oscura fogata of stories in Let's do what no exist. Today,

we'll talk about the mal suerte, of the and the way of the magic,

and seres spectrals or demoniacos that are a sachandot in the somras that maybe

have made have made to pass for some some some

and we want to tell some little of the places in those

you have been but that you know that's that's the entrance a world

much more macabro. Today, in this oscura fogata of stories, I'm

the first time you is the first time you just let me say that, let me say, let me get in the

place you're in the family Basco and Simon were devoured for mal-suart, if no, you have to hear this story.

Ignacio knows the place in that he abit mal suorpe. But

before, before you get to get to know, you know, you know, what is

his history. If Ignatio had a hero or someone that would

have designated as a hero, that had been his his

Tio Simon. The Tio Simon had had been a great,

grand, grand subject. In many things. The T. T.O. Simon

had a story to tell. He had been born of a brother. When I

said, he was that had many complications in his muscles, and

his and that his his person, I'm the I'm

about the right. The life is cruel and when you know

you know, you're in your contra, or more with the fault of certain parts functional of you, the world not will be

more easy. In many occasions the world to be more difficult. And that's the story of the Tio Simon, because it was

the burl of many people, even the own family he said the Tugid. And that the Tio

Simon was frustrated from very, very little. But the Tio Simon was a type that was

like of a pill delgarita, that that were that was a little bit of easy to

make to make a little was a person like a problem when they

when they about their defects when they was he instantly he instantly he instantly

he was a person a person and he and

he was learning to think to make different

different he and he art martial even when

he only only could use even but if

you had took to know he had been

he standing a meter and a half, you had you let's a lot of a stupeton with the other, something that

you'd have expected, because practically it was there was a little bit. That's after the

artes martial, learn to get a time to box and start doing sports,

he did know that there were other other other things things and he

and he started to questions of debates. For when when

the prepa debate with the Tio Simon, it was impossible. Apenas abridas the

back, he had barred ten times. He had all the arguments, and he was

to be delantar ten passes to any way to be a lot of a type, a type

that had the little bit delimitated. Not so he was to be to to be the

time. That's not going to be that's not going to be a time.

That's that you don't you don't to be to give a a surprise, that at the

time of the second is he was going to a guy he was going to a type supermating a guy who

was a very, always had to get to work at the business, and had been first with

a new a new new thing, for what, practically to be really to be a

little the point that you did you want to be my first thing to

make sure to show to show and I had been various vines Rites.

And well, a sinfine of things. The point is that the Tio Simon

was that practically the image of the idea of the mind of Ignacio if

had been asked if he had had been the image of the Tio Cimone. Nobody

said he asked he did not so he was he was very present

that any any recommendation any anything anything that said the

Tio Cymon for Ignacio was for So when the Mal Suarthe took on the

door of the Tio Simon, or more than the Tio Simon took in the door of a lot of his own.

Inacio sent him that he would have done to him. The Tio Simon

had to this time had a 50 years. He had a wife two two

children. The children were between 14 and the other between

10 and one and the a repent, one day of the other

a husband to the person, a very aggressive, you know what is.

Nothing that's allahed in the brain. And the doctors they

say, no we're doing, we've had generated, had massed

that money, he said, no, no, me say, and he

said, and he did it and he was a thing, he went,

a car, rented a a caro private, and he was in

various countries in America and in Europe, where were the best neurosurbanes that could

have done in the treatment in one of those years, after having done

two and have a pronostic that was that was a possible,

the wife his his Tio Simon was destroyed,

but at the time, he was a person still more more more

more Sureste no me will Gainer. And nobody understood. Because the

phrase should say the mal suor not be going to not be

so. Mala Suartes not I'm going like something or

someone. Nobody he he asked because when I said this, it was

with a good that was much more to mention

that thing than to do B'A B'A B'O.

C'I. Nobody he was In the kids were very the people were talking to talk about that. They were living with the perid of mom. When they detected, the same infirmada, the most of the small. Three months, no, the issue of the time. It's not, you know, the diagnosis, the Tio Simon, is it over here to be able to be able to be able to do not. When the child in a madrugada, falleces. No, he was able to do not. And the Tio Simon that if

was a It was a a gulp very bad he was he's got to and here is where the

things are you are very too because you and we are we we're going

in the the other of the things that maybe in this time

were had been had had things that they are

in some in some people someone to get to

the food and to envenen the installations in

that that are that are there are there they're

all with certain all the different things. Something having the something to be to be decar

something. And the Tio Cimone in the other to move to do that did you

was to get to get to get to the house that they

started to they're and they didn't I'm I'm I'm

I'm I'm the family said simon for people

come your because you have been what you're doing is well, for

your need to be your child, you need to your go out of your go out of their

way in other other other side. The money is a problem with you and just

they were in the discussions family with that when his other his other

he died. Not this in the brain in the simply

they discovered that the curation not the man. The Tio Cimone he

had made examines to the root of the of her wife and the son, the

little the boy, the boy, the boy they'd say they're that they're that's congenital

that's from the last time, not it's three days after. What carh had in the

heart? Who know? Simply it was that it was a bad

that the things were coming about. T. Simon started his

fortune but in things very strange. Vendio all what

had simply to to have money in his hands. And he

started to a country to do you know, nobody didn't know because he had been in

these temples and getting them and then you get to get to you never you never you

know about you know, for a tomo of a book, for a play with

a person for things that to be a hoax that would be a person. And one

Simon only he just he was that this message was for the family in general

not so they're to get to the house the house never

was me always was the so I I

rebat he he he I I try to

let's I but if no I do I

don't be not to they don't they they

can that that that that was that had

transformed as in the grand enigma of the family. Simon's has been a lot of

if the family had been that time had been something, he had had been not they had

had done. Nobody had said if had had done or examines or no.

The situation is that simply Simon disappeared. Yeah nobody knew of

he. And passed a two years because he left all paid,

all liquided. A guard a post in the part of the outside

of the house, two persons that every certain time went to the house one to

do that and the other person to do a but under certain instructions only could

be a quarter per day so he took only 15 minutes after

to do that was that was that had to be to the property

and not to get to the day and why

were so they were the Tos Simon had

had nobody did it. But one day we'd say the codice entered

in the heart of the family of the family of the Tio Cymon and he's

when a discussion family in a night of the time of those moments

that are so important when it is a barisia more profound

and it's because in the middle to the Pover and have

these moments in those were in those were in those Sobrinus of the Tio Simmon,

it's to be said, well, when, carhaw, they're to run the bad bad to get the man,

that's the man, and we going to see what we talk to each one, like if they had been

in that in that discussion, Ignacio revented. Because he not he was but the

Tio Simon was his hero, and that they were like, as if it were a like if

the only that the Tosimmon had been had been the He said, it's a

Cuello and he says, nothing of that we're not of us pertainse to us. And if the

Tio us said we don't we don't we've to get us we've got. And then the parents

of one and they're saying, those are the problems, the problems is that we don't

have the papelry and and he he said, no me say that he's this

Boppa if you if we're not we not we're not the us and apart he

he not wanted that we were the time. The Tio Cimon and the Tio Cimone

was a good person I'm going to be doing things that I didn't think he

he's but but it that the most good is the most they're the

one of the family he put to a couple several

months after after that in that situation and

they're they they're that he's to be the part

the Because there Deudas that had to pay. There were things that were priorities

and that was in little to put into putting to putying, pergient their

plus valia and maybe in the moment in the that that

there was there was there was too too too turn and it

because we're that we're that was a much good

in the question to say the question of the convinced

and there's the poor Ignatio a day to the door a guard that has

a certain time he's very asked he he's he's he's

he's the son of the Tosimone and that he's he's time

he's time he he's he's and where he's there's there's

a chalof there there's there there's because the

guardia he he's the he says no no No, you know what

I'm going to how I'm going you're going you know, you're going to not to get to the house I'm going to

I'm going to I'm going to get to get to and I'm going to go to get to go to get to get to the shone

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The conditions apply. When you were pretty, you had been brought to recrace, always in trying to negotiate and to

do you're doing to make these exchange. The appellate T-D you can't to renewing with this instinct that. With cent operation

gratuit, no amount of minimum and no free mensual. You're made for negotiate, and the TD is there for you aid. Ignacio, no is a co-barde, but that

day no entered. That day, he said, he went to meditate very well the things. Never had seen a person so astustada. At the day next, he went, with what excuse he was to go back with the family?

Yeah, they had convinced that was his responsibility to be for there, and now, and now, standing there, he had cobarreded by a guardia, a guardia, a guardia,

that maybe, because this he was to say his his father, that maybe only is there, expecting that

he can't more pedasos of the fortune of the Tosimone, and he

and he and he to your family, and not you to be your and then then this

voice, Ignacio decided that he had to get, and he was, and now

so, he's, he's, he said, he said, no me he said, I'm,

let me the door, I'm, And the guarder said, "'Joveen, "'no knows where "'and's trying. "'No, enter there.

"'For what he wants, "'if, "'if, God, "'not enter that "'Cassio. "'Innesio "'se to "'is he said,

"'to, "'how, "'no, no, "'it's a day "'of, "'and, "'said, "'it's a

"'to be a "'to be a-o-oh-oh- "'loughed "'and-roarerererer "'Inn't, "'and from "'It's, "'that the guard

"'se'' "'So, when me gritty, I'm going to be able, while, sir, no I'm going to be

not to be not to be able to be a more of you know, I'm not going to be a and he's

and he's that person going to and that the things went bad. Ignacio

commens to go to the house, a house in that that had been

a lot, passills long, abitations enormous. The teech a bobe

a bobe a problem is that the house, not the house, although

was a back, now it was a whole, it was a little in the

place in the place in the room in the man, he was a public a man

a man a man, he was a man, when I went to

the zone there was there there there all the books had

mo. All the the books were all the The problem is that the place was completely limpio.

And the mueble in the room in the sit down exactly with the form of the man, like if he

had been there was all moecide, only the form of the man, there, in that

that was like a sofa that was that was that he had been semi-acosted and he

was not only was the moe the problem. It was the sensation. Something something.

Something that was He He said that his Tio had a bobeda

personal in his abatation in the he was in the he was he was there was

a bobedita that had a combination in that the man he had said that he had

all the in the Bible that had like the the Bible of the

family in a carh and that in the other there there

there was a there a much encanto, because no could be that the family

not have been found out of something that because this not he had said to be especially to this is a

thing that he was a little again to say his sered as his his head to be when he

when he he's got the room, he's got and he's there's a bobedita this little

caja that's where he has been where he has been he's been there

has been he he's he's coming into where is a Mesa of

the night, it's a Bible, and in the last page, there's a

one of the really. Really, nobody had been found out of a hojita. In the

one of a series of 16 digits or 16 digits, a little more, a little

less, it's a bobedita to this car and press the combinations, it's

does a count that no has no batteries, and then then you

see that there's a signito of a the inside the

the same the the series numerica, there's a key and metida

it's and it's a lot of and there a lot of a lot of a lot of the same

in the moment in the he gets to he says here there's the documents

of the house but no I want to hear here the

house not doesn't feel and he commenced to

come to get when it when it does when a

Mal a Suerte Acaso Is that you He will attract Mal Suerte Or are the words of the

Tio If you get to My house can Topar with mal Suart

Or mal Suart those can to start to continue And that he came

in the because when he came to come to the passillo Rumbo

to the Salida Esperand going to go to to go to go back because he no he didn't feel a good at the history of

his Tio, for not know where he was for the decisions of the family and because he not felt that he was a matter. When he was coming down,

he was sure that in the entry of the house, he saw a Tio parado. And when

he sawprenue Tio, Simon! In the moment in the name of the Tio Simon,

he did count that he made the the worst error that had committed in his life and then

he said, accorded of the reaction of the guardia because after the

back of the back of the end of the part most of the first the part of

the house, it was to get to start to and to get a long

time had been long and then some a big

and then after some that a a a a

little the the he was a guy he

was so petrific that no he did know that

they were going to those times and the and the those times

they're going to he's he's he's he's he's to be in

about 20 meters to the end of every pass little

were they're little and I felt like the entrance

and and he and he and he and he

but after he the the past the that

that was that it was It was something because he did know that Ignacio

because of he was going to because of a little and he went to go back and he was going to go back

very much was almost almost 100 minutes you are talking of a long I say.

When Ignacio he was he was he started to gore to the entrance and then

there was there was a voice that he was from the front of the door

Simon but with one tonos that was more a animal imitandol

and he said, Mal a Suerte the suhirt Ignacio commenced to

when he went to get to get to I'm inside and he started

abran me for favor help help help me and he

he he's he's from the other side of the

person someone started to tambal to start baler with you're with

mal a suitor or you're only and he said, Solor for

favor help him and he's not sure me because this is his

house but also his prison when when he

were the thing he did was to make

his and something he was a point to to

get the and he he put the back

back back and he never he and then the guardia understood

that Ignacio he had enganed you know, you know, that is something that is something when he made

the story. It's just the only the house and the and the he does this contact with a bad

is invisible for the other. Because he he'sacher, he gets and then he gets a

he comes. Never to be that place. Never he was a but you

know you three resident stood that was the place. All were the same

the same year after the apat about. They're that's the door

in the infirno they're that the people for ambitious those

can't the unasur is clear in something the mal

suor has a place there there and who

sope with her is going to be a surprise. I have a question. What do you

think is bad a good because if you want to do you have a thing to

do you do you recommender before this story for over the year

2001 finales of the 90s the show the novel of Harry

Potter and from there he generated a concept

in torno the magic the the the world magical

and the world in America. There are other traditions, other

form of all these rituals and this type like of realities occultas and the

visible that we have in our eye human. Sin however,

Violeta Violeta me says, you know don't know what is the

way of the magic. I see what is, family knows what

is and we we're a really good really a story very very interesting and very strange and

me a me he really a question for something has has to be with this channel and

it has to do this program for that when I read this history to me

he he was surprised and impacted you I'm to

tell a little because this is a story combined a

a little with you're going to you're going to this situation. As I've said in many occasions, when they're

when they're not having stories, I don't have if the story that's an anecdote or is a story that is a story that

the family or is a legend family or what you put in the story is where I

go to get to in many occasions me permit to talk with people to,

let us to add things that that are in the relato that I want to more about

their context, understand more of your history and things in the

case of Violetta is different. In the case of Violetta, we are the

detonante for that she was in some kind of there

kind of a kind of in the life real without to

you let's let's let's during a certain time many many of

relatoes of bruchery and many. When I'm talking about many, is a quantity

a quantity that's a lot of that's that we do we to give us about

other other other editions or episodes or episodes special in

a or a situations related with some certain types

of magic in some of these special is,

she talked. Much, he emphasized about the bruchas that robin the children.

And here is where the story of Violetta does, but for before, you have

to give a context. Violeta live with her brother, her mom, her

brother is Sabino, her mom he says Nena, and is the apod

with the people, even those people are even the and it's a family that has been,

let's his moments difficult. The papa is absent the mom has to get the things

ahead. The mom had a mother that during many was her and then that was

her mother was that's her to be a enemy to the point in

the mother and she was that about violetta and

that'sabino that not they're to that their she not

they were not they had to had been in her,

that even they'd call to the policeia, but that they're they're

not to be a lot of they're not a man, the woman even that's

a man, and that is a person is a person that's that's

that's that's that I'm that raya for not say that's that he

has that's that's that's that's the The imposition. He is to do it because

you know, is part of the day-a-day. And to tell you those details, because then you're going to make sense that when

Violetta had 21 years and was she was she was going to say to the family that was an

not just not just for occurrence, but because eventually all they were to be able to be

notory. So, when she went with her mom, nina, and with her brother, Sabino, and he said,

he put together those two very very rare, but very rare. So, they were those ones to the other, like,

they were in those two-as-complices, when she said, what's, what I'm going to be in cargare,

no you're and they were to be rare, and then they were to see the light of the

yellow. Literally After a day, there's a day, they've got to a word of and then a day that

Violetta regress from the school, it's top a lot of maletas, not you imagine,

things beautiful and from three bolsas with things in things in the malet

that's more parched than used, the ballsas that I've used to have used to

have have been his muchillas that had had the years

that's all of the whole all of the things and she is going to see what

and she says, and so he top a note on a other that says

before I'm I don't I want to see in this house

never more to not you to not you not don't

be so I'm he was of the yellow. It was like if not

he would be a bit of Sabino, even when Violet and he said, Erman, tell me what

they're doing? Why don't me say, why they're being able to this? But, but help them

even if they don't even a teche no me don't even in the car. You

could assist a moment historic. You could get the for the final of

the Cup of the FIFA 2006 with Visa with Visa BMO for

participate. Escribe you at BMO.com bar-oblic Concour. The Reglement of the Concour's SABIOC-S Sabino's bolted and closed the door. And then, Violetta went, agarro his things, and he did, Well, then you're going to encounter in the house of the Tia Lila. And where he said,

is her in tone of a menace, while he was taking to his things, Sabino was coming with her and he met her a cachedada. And she was kept, impactada. not was a cachedada like to to turn to the

but it's a boffetone and Sabino just he said and he said if you don't me want to see to be

with my tia and sabino he he was to get a man and

he said he said like that that's no so she she she has

a lot for the reaction of the one to know what is

she she she has about with a My friend of the school, the friend has been able to

his papas, they permit in a time, and, at this moment, the life of Violetta is an odysia horrible. He's a decas in house, brinkando from

a place to turn to suspend studies, he's going to work as how can, he's, and then to pay,

not with family because no, no, more than that's a tia, and for the reaction of the brother, you know,

the family not at the more. But if the family of the family, what for you

is very lamentable. And they're to come to be to come to churches, and there's

churches, and there are pastors, and there are people who understand and a place, a house like

for people that are and she goes and he does a little they permit to have

a quartito. Not to live with the rest of people that reallyerably some of the good people who are the best

condition of and they're in the idea. A odicea when it has a new newna

she transform this baby in the motive, in the reason to continue to get a

past that her family and his brother Sabino no want to be to know to know

to give us to the little to the door in the car and he made pure signaries that

that's that's that that's that's a the name a little

a man is the the first is the center is what

is the what is the thing is the the and has passed

yeah three years pillar is a beautiful a

and a other other as has got to

get you you see be enve and she has

but she has been a luchona and has found that she has been a madera of the which he was

not even if she was not even that they were all the time after the three years that the

abuela the localisa who who knows because you know they're not a year

and a old the olda the girl the girl the woman nina the mom of

violeta the localisa and He wants to do the passes. He said that, as far as Christmas,

how are you, that's all right, that's a little bit more and Violetta, you can't imagine. It's a ball

of emotions that's a ball of the maraigne, of odio, of courage, to say, to say all

the things in your car, to want to be boffeteer to, let me, she'd do it,

what class of the mother does it, but at the same time, some time, the

the more of a brother, to give her a brother to present her a newtel to present to another part,

a woman that you know that the people that have never you can be able to have a that they can

go to be more than that they can't that not be the guardia then it's a boragene a part

a part a part of other two parts of different both and good and and malo

and I love and other part that's like like you say, like, you know, you know, you know,

you know, and if not, if not you want to get to get to you're doing with that. When you're

going to receive another call to the woman, for favor, let me to know my nieta,

for favor. And there's where the things are all that's they're

that's a nieta. The way that was she was a pen was a baby and

he didn't even the name, because no they didn't say anything. They've said they

said, and said, and said, they've had been contact, and he's kept thinking,

well, maybe someone, to some someone, to some someone who was,

someone who's so that's things. Here's where we we're in we're we're

the person, the words of the more there, the stories of the bruchas,

the invited this, because it's that that she is a

stress that's that's a thing that's a little that's a not a little

she's a little bit of and he doesn't hear of what we're that we're and thanks

Violetta for having this because thanks this we know we know we're

recommendable and it's in serious are many some stories of terror but well the

point is this So, it's to listen in the night and we put to

we're in the madrugated and it put like the world the episodes in

Marathon for the Pilar to hear and get dormied. There's a moment

in the that you have done to all the stories that have

been abid there for her when you she's that you have

heard and this also that too that I've also you know

and you know and all all all stories

new so then episodes where we we're we've got you know

you know you know you know you know this because she didn't know that

because not she considered yeah was a family nocturna but

no he had had done she did when when

passed a pastos a time to have to be talking

the podcast to have said that I know

that I know that I could to continue with his

fears, with his courage, with all this situation that he was in going to try it was

to get a to get a to get a her old and to the mother and that she was a

pilot is going to Pilar he's trying to tell you that he going to

know to that's not so not so it doesn't do you can be that they

can be a little aggressive then if if something that then that's

then you that she is a good, that she is the person that is the person that he's the thing that's the

never the never ever ever seen. Since that he goes, there's a little bit of a mom, felices to

find them to be brought to the nina, they were they were no, they were not even how

to give disculpa there's there something and it was a

one a week a month the one of the like the Sabino, and there she was over,

and the re-enchantro, incredible, hermossi- never-you- never had ever. And I don't

see if you have passed a bit, but at sometimes is the a lot of the

stress emotional in these situations, that you can't be that the time

in the part of the part interior and you know to know and

to be some to some and there's some there's a

time. And there is where we we'll come to enter we're

for the second day that is with this family with the family

of the family of the mother, but is there a moment in the

he's a time in the that not they're in the all

all all all and you have and other

other other and is that I don't do

I'm there there there there there there there

there there there there there not there they're

what they But it's not. There are miras, complices. There are moments in those in those that

there are and she's much attention in the place. And no it's not to understand.

It's that needs to be able in that way. But also she's tired, it's can't

mentally, is it's really, it's a wayquit in those moments in those

you get these things, put this can't, put stories of terror. They gave

and I know, I don't see have heard this, but is that are stories that

some that I'm some that are much and others that have made to do you and others that

there's there's that I'm much so I'm so I'm and then I know

and it's she's to do you and then the first she's she's and then the

family night the point all this has to all this because a day

about the last of the last the 12 of the night they're they're they're

one of this saga of the bruchas. And then they're talking of the bruchas that's robin, you know,

that's so we, weissomous this story. And there is where it's a swel to read. And he says Sabino, listen to that story, brother. A me me has a much risa. Every thing that's inventant in this channel and Sabino is to put

serious. And he says, to what you refer is? How do you think they're in this channel? And says, yes, they're talking to that the brohas that's robes and the

other those are the other and the other result and he he said Violetta

me you're you're taking the hell and he said

Sabino no no no me don't do you do for

for for for for for I'm not you I'm

I'm you I'm you you're saying you don't

you How I'm going to believe in that? But is what I'm like the channel. It's stories

that are weird. But there's that's that's not men's. They're super inventing

and say, Isabino the interrup and he said Violetta. No you know

because we're we're to make to do you know, and then Violet

so he said he and said you're not so you don't goves with that

no no no no no no no, no,

we don't we've made it with the things we've done you know, never you

didn't know, because I'm that said, ma, that's aceras to the point, like,

you know, you know, you're going to put in a lot, we're going to get to this,

no, me stientient I'm not, don't me don't get with truas for

favor, minimum, assume your responsibility and he says, we're going to

maybe there's maybe there's and I don't know you know I've done this I'm I've got to know

I'm sure well well I'm this this is the thing that's this is the

thing that I've heard of that I know the reason for you know and that you

know you're not you know what is the the way the

the way the to me me me So, Sabino, is with Violetta,

the sack of where she, he's, she's, she's, she's, Moma, for favor,

get to Pilar, doormelah, we need to talk to three. Bioleta no

istendient because we did we're, not, not of the Tia Lila.

We have to be clearos. No he's the the danger in the the the

and then Violetta he says, you're going to be going to be able to my my nina

and he's no, no, no, you know don't we're we're going to

do you your this here is sure here here is we're we're

we're so you get to the defensive or so that's feeling that's

being that he's he just he just just he just he's all over

let's let's let's let's be let's be understanding all. A let's

the day you want to you can't go to get to the house nobody to be in

this moment you can't get in this moment, you can't do you don't you're

not you don't it's not you want to you there's

there there's there there you know that you know not is

a not a secret to me and it's a secret

of my it's a tia your tira the Brouca. If you

Entienties this part or no. Dice, Ah, Sabino, for favor, no me vengas not.

No, don't know you knowces things, I'm the only do you know your my name

because what I'm going to talk, if he to get to hear to your little to

do you and here and it's going to go to let's you know

you not you can you have to your a little

you're talking of things very serious. Well, for this point, Violetta,

you know, she's not going to be her she's she's she's

she's she's she and she and the time. She and maybe

get a time. Violetta expecting that Sabino yeah not

that's more more that's maybe it's like you have got

on some some some some is sated and is where you're and here is where it's

one of the many of the many of the many people that are in a caris world. Super,

an offer for the assort, station thermal, volcano, you've seen the for the Japan?

M, the pardg and sushi. Wow, the sold are to go to the bar of the sea, Cisil.

Hmm, I'd love the canolies. Attain, there's another. Decide, this sold and dinsury limited.

Reserved to R-Canada.com or at your agent of voyage. The conditions can't apply. Beavnue at board of

Vy Aray, embarked and profite. Embarked and relaxed. Ciroquet, bookinet. Oh,

that also. And profite. Via Rai, the voice that we love that we're not. We're going to say,

yeah, who said, okay, how and how responded, I'll tell directly of what

they were what they were the many of many years there's two there's

two women's the Tia Lila and the Tia she's are

her men she's she were without papas and in

some moment a woman this this woman was a

kind of curand maga that had had limped work,

amarries, malificios. A Tia Lena no, he interested. And this woman not a person

malvebola or not with them. Because she she was she was she simply she.

At the years, when he got to her majority of age, and

he got a pair of and she was a mother, simply she went

to the house and to get to visit to her her

her to visit to the the adopted, no they're in a good relation. The problem

was Lila. Lila was a child who's embevied in those and not that those things are bados

because, actually Lila was a person very very nice, very Linder. It was a person

that the people were and she had said like I I'm going specialize in magic

Blank. I'm specializing in help to the people in

to take them the things bad as the other I'll say very linda in all the things.

Physically, in the form of being, in the form of the but something. But something and then

then, has a couple of months in who has seen that she's been very embebid

with a job in that a person that was having a malifio she

was trying to experiment things new to keepersel and she not he

I just about that Sabina was there to hear that that's that's always then I'm a little and he said

to her mother, Lila, in serious no, you know, you know, I'm not

that my kids do you do that's not. But to give a little bit a

little when when she the little she decided put Violetta

in honor to the she that I wanted a man but it was

that something that something something because when he with the

little a minute and he said, you know, how's your subrina?

She called Violetta? The Tia's started to to make to make a real.

And he said, oh, then you that's for me, me you're

you're going to be my my, and you're going to

give this herensia that's to us to us to us and then

he said to her his our your thing, you do you

do you what you You know what you I don't know- And he's He said Nena Always you've

You've got You're gonna You're gonna You're gonna You're gonna You know this She's gonna do you And believe me

What I've What I've I've learned The came The magic Where I've I've given I'm gonna

I'll make They're Rackackackid I'm I'm That's the Mioxx That's the

Fortunes Not your Mugigatos No, that's a-N-N-N-N-0-0-he-old That's a man. That man, Mugrosy and cowardic that there is, no.

It's a nene's for me. What was what was what was a little? Because she was a person

a despot so, so disagradable, tan litigist, tan, and so extrana and malabola and

machiavelica, because that is a form of a normal. It's a person that is a person,

that I want to use a thing she's good and that she important the opinions of the other. Nena

is a matter that her mother is a little and from the political of not they to do you

do you get that she can't because month and year and year and year we'd

go out of the beauty of she was going and she'd let her relucing all the

malddd that was she was bygrabrand of many people or of malepicios

or something had but you're a person totally different and the and of the

god of the witch there's a little bit of the house and the person they were in her person's

but you know they're they're looking for things specific this person me said I want

to be to be this person has been and I know that I'm just I'm

just I'm that you're not so I'm invocations invocations the most malevolo

and he was the good. It's a famous in, you know,

the circles most of the place in the country in the and it's

there where Violetta me and he said, when me

they were talking all that they had be open open

I I think I'm making I mean, but at the

time, it started to be so to start and

then then then then they did but why

me they they We don't we We can't say that part of all,

but we're going to understand. Suees. We've dreams, suingos. Yeah

we're you're so much before you you're you're you visit it

Lila a day that you not you didn't and he was to be

for me that that I want to that I'm because

you're not had been had been dreams, every one for his

country and we've talked about then we're we're that she simply just had been

a child who's a little, and that's about me, of what's talking? And one

night we we've a same a same no we can not of

that but we're we we're we're we we're

we're we we're we're we we're we're we can't

understand when When we're Moma and I we made that in a little the

vincal we had to be to get to the little and that's not a and a part of you know

you can't know what you have to know every six months mom and we have

to do something to do that with you with the the in any in any

in any rastro with lila no you to not

to we we we we we say narrator

I'm afraid and I'm scared of you know, you know, because one once that I'm going to try to

my mom and with my brother, I'm going to I'm going to the Tia and Lila in my

dreams I was to tell me things. I was a little and she was talking

of magic narrator that never never never in the real but the

thing is that I did the house of my tia. And where he had

his things? When I told to this, but I told it to a man to

a new he's a lot of because he said you're describing the house

my mom that's where you live your little she says

narrator not we don't mention the name of my

she know we because we're we're we we're

we we're we we don't we're not that he's

teaching some books with different with when she is a dream.

And when me describe the place, me is describing the house of my mom of my

mom, the house of the Tia Lila. It's she inpegated

in transmitting his way to the magic to Pilarcita. And you

you, know, you know, you know, you know, you know, that your life is

normal, and you You work within an hospital. You've 20 years. Jamas

never have been a paranormal. And you think that those are simple patrains

of people that's and then then you start to happen to do things that has

any other people, the people to do you know, you know, you know, you know,

you know, that's that's a person, you know, you know, you can't see a

thing that don't have to be that's story of Samuel, and here we're

to tell you scalofreante story. Samuel is a person that has the day of the

day of years. But in his his youth was a little he was

a poornido that had a character we of many

words of many many very very very not

a situation, no I'm never pabu he was

always he was he was a years being camillero. It was a

job that for a situation, he was a passionable. He was many, many occasions

in questions of emergency, and he learned he made you know, many times to do you always they were

like, they were like, movements delicates. It was a moment in your

experience that was there were different profiles of people that were those

who were very nervous and those who were very insecure, that not just the nervousism. They were not

making decisions. Always their head was two, three, four options, and they were to take any and then they were

a storbo. Those who were nervous, they were a problem, but those that they were those who

were very too, but only were those were those things and they because that so they

went and when they were all they were very, very bad and not parable to justificing those actions.

That's it was in that in moments conformed were passing the years, it was fastidiava

of the people. Very few people people were to come to their around the

other, when someone when someone was when they called and for more that he was that

let me train them and everything, as I didn't, let me the studios, not they

had to be to train the people and make that capacitar, he put in

front of the situations delicates, you know, because they were they'd get him

and they were doing a lot of that he's that he did he he was that he

was unkentan so much a lot of time of time very to endaportable, or to

desencantartes profoundly. It's at final of these 20 years of Camillero when

he occurs this. Samuel was a little up to the chung of the situation. No, I was going

to be to get a part of his life to do it. And of a time he had

to talked many people that were talking about of stories of terror in the hospital.

For him wasura all what they said and and things to start a person

to get 20 years there there 20 years there nobody he will

come to tell nothing. He was going to say how he's seen in a

hospital in the madrugated because he's been in the middle in the movements in those

that's people have parted to the other side. He has no has any

that's a pce less, nor then then something that's something that's

a lot of that's all those are inventors of people nervous that. It was

what I thought Samuel. Samuel is the that he made this

story and Samuel me said narrator you I'm going to

tell why I'm out of the hospitalary not just of the

community and I'm that I'm know I know the other The series Stephen King calls Scary as hell

Everything here is impossible But it's also real Sci-fi vision calls it the best show streaming right now We're running out of time and we still don't know the rules Don't miss what the movie blog calls something you need to watch Saving those children is how we all go home From binge all episodes exclusively on Paramount Plus

The people The people went with and I was saying about the phantasmas of persons that had fallen and that's

in the aftariness and in the nights, they're saying, there were bees. It were things like obvious but the

people were things about stories. But there was a patient that I didn't know that wasable.

I was when I was when I was to get a little more of the money because I knew

that was going to get to this question. No I didn't know if I was to bring to a question

more of the infirmary or of an assistant of someone, I didn't know exactly for where I'm going to go.

So, I'm going to try in areas. Like all of them knew you, I'd have been to be in,

I'm in things and I'm a company, with that, I'd put a little of the

money, they'd get a time, I was doing my accumuladit and,

well, all I went to all was going to be to know the area.

And me to go to go to do for something that not camillero really in

what I am going to get to work, so it was rotando, I'm doing this

the people, I'm doing going to my plan, and it and it was when I started to

a companyer that was in in in the un-ad that

there was there a woman that I don't think that was what he

was never to day of all of the explanation that

I don't think that I have another. This woman was her

was a woman. She had a woman that had a lot of I don't want to give

details but I think it's obvious. The body was not a power and coordination.

It was a lady. And I when I came there and I felt a last I

was like my mom or my my tia a person to a person to

the I was a This chick, in the weakito in her agenda for that I could enter and she took some days, me left five days

standing there in that zone. Nobody's going to do because we were going with overcup of patients and apart, I had been called with her jeffa and we had her telephone

on the man. All right. It was a little bit a good, not, she was the head of nothing. She was the chachinkle of the chichinkle. So, really I had

very tranquil. But, doing one of these Rondin's, is when I noticed that this woman, he passed

things that's a major, that I said, that I'm much, that no had much a lot of

the time, it was a repented, it was a where was a cubicle, the area in that was

the area in a chair of the ruees. Silla of Ruehs, that 10 minutes before, when I passed,

no I was there, and the woman was atosted with the glasses. Now the two are the buses were on their cubicle, and

there was in the cell of Rueas. He was to get a talk, the person me about a

little articulated, after that's then it was not said the medication, or if she, apart,

had another other type of problem or if was part of your problem, no, I don't do, I

know, I'm studied a The situation was that of a sudden had a moment of lucidity and moments no.

In the moments in those moments in those that not was lucid divagababba and said about the

children, of the somebras in the moments of lucid was where really

really really I said no deges that me they're they're

getting they're going to the other hospital and

they're they they're what other hospital and me

says No, you can't be, to be here. No, you see the other hospital, to the other doctors,

those who they're not they're doing? You're not, you're doing? And I'm back back, like in these

lapses rarous, never took a conversation large, but I'm going to put to the o'clock.

Because what's the and I said, no, well, I didn't, I didn't, you know,

well, that's not, you know, to do you would say. And they believed that I was evading some

responsibility. That, for to give her a man, he had been the only that

had forces to do to the car. I was that I didn't know I was

no, who was who were the other people in that were people were people

people people who nobody he was to be to the time. Salvo

that the person in the not to be perfectly being would

be No, I said I'm going to look at the narrator, the stella

the stya was a mother, never I never did I'm I'm sure that you're

a person human for one one one only on one on

I'm I'm I'm the way I'm the light, I'm a carthine

did a switch of the light on my feet I'll, the cartina is open, the woman is dormied,

above of a chair of the wheeled, that's not there's a two seconds after. That's what I

do, I do you, that's not me what I'm don't me know, where, who who

was not there, no I'm the menor idea. I'm going with the woman,

the subbo in the camera, I'm not I'm going to medent for this

situation, me I'm the car the but not is the woman. And I'm going to go,

I'm looking at the company. Because he gets to a person. Calleta, that's going to get to be on the other

other side. I'm a little two minutes. If in 10 minutes I don't know I need to report that this person disappeared.

I'm going to do a world and now is again again, in where five or six minutes before I had passed and the

the place was a place. What was what was what was what I'm going to all the time all the

curtain was over a lot of the lights and the woman appeared with a seat of reas that nobody had

had given to I was I was that person I was a person I was I asked in various

occasions to the other she had had done in some in some moment

in some she were in some the moments of lucidity, it's it was you

you know has seen how is her her brain. She's not she can move her. Her brain

is a badiard. The she's not a woman not a girl and then then I'm

when you're doing moments of lucidity and it says, and then I'm going to understand

that's going to this things that that's that I'm that I'm and a

day, I'm sitting the side of the lady and I'm I'm I'm I'm

before before before you before you go or you may be that

the other hospital of the other hospital of the I'm going to me. So, so you know, and the

lady, like if was a little bit more, I gotro the man. The she was like

a coma, but me got her with a lucidity and where me he gotra,

it's like if I was like I'm going to other other place.

the the door where was not there, it's in other

point. The sal Phantasmas and phantasmas, but to I'm talking about that I'm scared terrorized. Ni-nios,

women, nobody me I'd beia, just they were going to be like if something those guillar or those

and they were going to not they don't they know the part of the entry, and now

the entry is for another part. I'm I'm so I'm going to come in

that way I'm going to only going to be looking that there are very

dark in where there there's there's the light but not it's like if

were more phosphorescent more redosa is rare but not standing

there not I was not not so it was curious I wanted I was

what was I'm where carajos I'm see the

salas is that I'm looking in the hospital in the but

of 30 years 40 years. It's a bit of numbers that have the type of

the type of the piece of the other. But then I'm a passio and it's something more

more than the reality of day of day of the way. Change of the passillo and it's

numbers with lights, it's been other type of illumination all so they see much

more more modern and I'm I'm did a I'm a I'm

doing loco here or what's what's passing, and then I see, and then I see, as I'm, in a passillo,

all of the dark, and the sombras start to advance to me, and I've seen the voice of the woman, that I've heard of many times, but that they say in the o'clock, Regressa, or you get us for ever, to you.

When I hear you, I'll go, and I see a parade in front of me, me, me agarra the man, and I'm dispirto, I'm in the sill. And the, the the next the next

the next I'm I'm after the day I'm go to the hospital and after

no circumstances I'm to give me and the health I'm going to go back to get to

get to that another I'm if you ever has lived something

something you've to get here or you see here or you know

I'm made around a story that's a story very a story not so I'm

cryptid, of a demon, of a while, or something more strange. So, listen to it. And at final, please, tell me, with what you think you that they were? Elias and Dante? Elias and Dante, are two types that

during the time, more or less, of the 80, 90, they were, for their count, not so they were to know a States United. No, I don't know if entered in form legal or

illegal, standing there, but, after 10 years, both put them were made papers. When they had

their papelery and they were working or laboring, yeah, of their way, we've been

done. And there was a chemical instantane. Ambos had a preference sexual

similar, and they were probably and decided that they were a couple of they're

there. There's a when they two commenced this relation, that

It would like if the destiny not would be they're together

because they're when they're when they're when they had been to decide

for a house and when when it comes a new they never

had never ever then then all is all

is getting and they're saying at mal time

good time they they're a style of routine,

that's permit to do the things like the things, as a day, they're doing

different labors, the day is doing two jobs, and Dant, is having puros

workes, and they're not that formal, but he's paying a effort titanical

because in some, it's, just, it's, it's just when he never

to know when it he's the day the next the day the day they're going,

they're they're work. And there is where it's where it's a routine. Normally they're, and when they're directly, they're sub in the car. Prenden a very good

song. They're going to like asions they're using as long as they're certain uses similar. And they're looking bars that now are still abjured, and in those that can be, no say, platicando,

tomando a service, pass the rato of gusto, disconnecting to practically. The place in in the of the there's a there's a

homophobia. So this history has nothing to be about with that relation. What is

with the image that they're in outside are of two types of machotes, and that are

two people, you know, that's the image that they're, but they're not they're

not really and the people, but when they're in the car, no, there's nothing

of moments romantic. Yeah, yeah is sufficient the things

that for that moment they were in contra, as to make more. I'll tell this. Because if you

in this context, in the thing that the thing that's that's been that's

that's the time, and that's the day of today to and you have passed more of

20 years. Those two two subjects are listening a music

to volume. They're in the car, they're doing, one

you know a sombrero vaquero, and and they're in the vehicle one

he's a cigarito, commenced to fumar, they're in the videos about, remember that all these routine is

disconnecters, is what they're looking. And there, when they're in the vehicle, there's a lot of

that's that's impede disconnectarce and has that the subject of the right, Dante,

the that's like copilot as shot that they call a lot to get

furious to the instant. You want to say, imagineate two

people who are more that are like they're like a point of a point of a lot of a couple

romantic, because when you know, the guy was the man who's a lot of a car

furious, open the door, it's all, and see a lot of people, and all

are doing a same direction. Just as a metro of the

there's, there's a poor catito chikititit that's that's

going to the people and they're like they're like it's a

he's a crea that no two, three months and is with that voice-a-sitting a mawilled-o-moo-you-movey, and a loton of perros doing a media-luna ladrando asy-adrantly? No, no, no. Entient the context of Danty,

because me says, I'm me re-reflegged there. I mean, reflected there. I'm going to the part of the carmone, and Elias me said, what you're doing?

And I said, Callate, Lias. No, no, I can't let that these things pass. If we're not. And you guys, me, you're You're going to?

No, there's no I'm saying. But is that I'm I'm seeing. I'm being. They're ababoo y'clock to the poor animalito because

are much and I'm not. And here is where it's the situation more horrible that I'm also heard

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Let's see what you've got. Sign up for free at rBC training ground.ca. When he goes back to the part of the camoneta, he's a tableon great, a tableon that for him is almost like a barred of baseball of a boy. It's a tremendous tipso, and he's a lot.

He goes to the perrots, and no less want to do that year but he wants to start. And he's gritty with a bocern. Betonsse with one of his time. And he agarra the pail and he'll vented for above,

without to help to help to make to get a down, and then you get to get

a lot of a poste, that makes a real realto and do you docentos and they do you

do this and it and it and it when the palo out of you

and they heard of those those were those were and much

they're a little he was a little he was a little that was not pego in

the poste and the perro got them out of a stampida but for all the

there's where he's where he noticed a very rare to anyone he was really the

cato only they were and the the cat was also was a

got more and they were that they were grunyinging and all

being down but they they didn't not they're not

the cat was parted on arco with the parable

and then so He was where all the Perrots had the and then

he knows that the cat mawja but with a sound soylical that someone and he

he's in the other the other where he that's that one under the dark of a

light he not he had had done but he had the light directly

and in the part of back there was form another middle there

was a little there was a little a bult a of

above, like if something like if something it's a down, and then once he was

laddran the gato, he was laddraining to the when he's getting to that's

getting to the bultu is to start more, more, more, more, and he

starts to see a moment that's the thing that's the thing

I'm to be to the words that me do that's what you to describe

is what he said Dante not what is there this is very important

Dante says I saw I saw I'm a real a a

a psychopath was a was a a man a man no

I not not see the person um but was

something something that was something was like was

like was a a person is a person. And where it's a

start in two patas parado of kind of a kind of a form of robotic to me I'm a

susted much and I said this is a psychopath or is a guy, he's a I know

that I can I'm can't I'm I'm going to do you know to do you never going to

go to go to not it's no it's the thing the physical, but not I'm a type of aggressive. And someone that's been

that's, I'm going to have been I'm going to try a knife that I'm going to goreys the car, and he said, Elias, let me, go, let me, go, nos, let me, go, and let me,

and then say, and we ask us, as a while after as a biter like, like, if something to do you get to be a psychopath,

and me say, no is a psychopata, is another thing. And he said, Elias, it was a loco, was a a loco vestido of perro and he

doesn't no exist no person that's a car that's a lot of 80

kilometers d'an tranquill but that thing not a person where

I'm I'm I'm not I'm I'm look the

facions but that but that thing goes two path

and and go run to the car and

he's he's so let's let's let's all until

until we get to 120 for hour is where we we're going to

start distance with that thing. What what was what we was the night?

No, I know. First, it was a person a person of a perro,

a manro a but the velocity I don't know no

animal in a city that could get to that you

know, when I'm when I came to I had much a

way to some rasterer or something. Elias me

He said We did we We'd We'd We'd We'd We'd We'd

To put A fashash The fashada That we'd We'd So it It's It's a

Time it We'll We'll After A few After a After a Mauto

And Where I'm Sommo For the Ventana No, There's There

No, The farol Mercurial I, I've Where'd Where's There's

being up and above and where he he'll look at the same the same the same

the same the same I'm met I'm getting to the house to start the

door of the lias was in the patio and not more he said

I'm money me valio me valio the point was that

he got and we we're we we're we

we're to be to be to the first to start

to how fregated but it was a form in that was a a piece of the way of it was a

little to get the body we'd be able to get to get the first piece. He said, he said, a scopet

that we'd come up a month before we've never had used to use it to use it's more

no, we didn't even know we're we're not even we're we're

with the idea of that is the or we we're we're we we're going

to have to be we When we came, no, there was a rastro of that thing. No,

there were marks in the wall, no there rastro for out of the house, we'd

look it in the house, and no there was that you said, I mean, I saw, I was,

I'm going that , what we, what was, what was, that was that was,

I'm never to know to not to pop never to never to never, that you

had passed to to you, to your family or to your friends, for a favor, ask me to get

to the WhatsApp of the pastries or write to you know, or send her to get to call it.

You know, for that you're in the stories to let me know that. And with this story

that's this story, we've got to the final of this offgata of stories.

For favor, tell me what was the story that most the most the most

the most that's the most of all. And then if this is your first fogata

and this is the first first time that's at the final, ask me to say to you, welcome to the

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so, independently of the infirmat not this episode. Now, see,

let us a baras a but we're on the Saturday, but more, I'm not

to be all right. And one once said this, it's a good time,

and it's beautiful semas. Bye-bye.