HABLEMOS DE LO QUE NO EXISTE - 5 Historias de Brujas, Brujería y Maldiciones | Episodio 412 | Hablemos De Lo Que No Existe

Episode Date: July 30, 2026

Bienvenida #FamiliaNocturna a esta oscura, extraña, perversa y muy embrujada #FogataDeHistorias en  ⁨@HABLEMOSDELOQUENOEXISTE⁩  ¿Qué son estos seres a los que les llamamos #brujas ? Hoy te contaré historias de seres a los que les hemos llamado así pero parecen ser algo mucho mas temible y aterrador. Cuéntame en los comentarios si conoces alguna historia de brujas.Y si eres de #Mérida o #Cancún nos vemos mañana Viernes y el Domingo en la fogata en tu ciudad de #HablemosDeLoQueNoExiste

Welcome to Family Nauturra, to this Oskura Fogata of Histories. The day of today to say I'm going to talk to Bruchas, brusiness, but not is any any any kind of

of a brujeria, and much less any kind of of maldiction. You're going to talk to people. I don't know

why. They've put the name of the bruchas, things strange, sumamente raras, and also something

rare and that I don't know what's going to do you're going to this foggata in Merida, because the day

of the morning we'll see in your city. And also I want to to make sure to this is the ultimate call for the

family nocturned because this dominoing we we're going to see this on your time. Morning,

Wednesday, on Merida, dominole and thencun. And prepare this family nocturna because it's

moment of that we live in the experience that we're in the time. Ditch one

once this there where you're there's in your car, in your car,

prepareate, putte comod, continue us and subscribe and put the five stars

because they're that But, not to occur to do you

because we're going to start a dark fog of the story. Comeence us. There's

there's in the part supernatural of the universe that's passing by the

people. Many people they're these people are these people,

but really they're in the reditch if they are and then

after you and then you we're going to be in the

the same-entendid. Dentro of all the stories that they're in some of the essence, an aura, an energy that's a but at the

time, but at the same time they generate a little bit of because me does the impression that what they're

saying there if they really really occurred in the world real. And if that is so that we know

much more less of this world of what we think we're a chica that lived a situation very complicated when he was called his 15

years. We're going to put to name Iracema. Iracema has an brother who wants with all his soul and with his devotion. His brother

is Ephraim. Ephrain and Erasema are super-amigues. Ephrain is two years than Irasema. He has

around of 17, 18 years when he comes this year. And is that in this age, they are

part of a family very pudient. The Papa of I to go to Sema and of Ephraim. It was a man that

developed a constructor from zero, being a person that came to the and he was doing many good, he was a

type very intelligent, and he always managed all with a great ethic. He was a family very conflictive,

of a family in that that he no I could that he was going for complete. So,

so he was he was going a woman a person, and the moment in the moment in the

He started to have his kids, he dedicated in a body and almaser two things. The first, an example vivient for them.

The second, a father really incredibly entrusted and compromised with the future of his

children. The doors were opening, and of one moment to another, I'm talking in those

15 years, because he got to have to have much money, much properties,

and he came to the moment in his life in the time years, of much

effort, Tantroarcyment, tantos, tantos, that was indecisis if it was a time of a time of

or not. And there is where there is where something something very, very, very, very

extra. It would be a repent we'd get us in cycles of the life that

are totally in our contra. Because, even when all the father of Irasemah,

the the sir bought a property in the affuars of the city,

that's that's his house of Retiro, about that house, a house that has

been doing detail to detail, as he has has been how he has desired, how he's a way to

his family, you know, there's a way of a few, three arboles of the right,

three arboles of the side of the other his life, as the hardianes, because it was

the name that he was the person, because in the imagination, that were in the people,

and they were resguarded them of the and the Seema was very creative I had much imagination

and I'm a he was a love and he was the way to the road to the area that was

a house of two levels that had six abeyations in the plant back,

six abatations in the plant alta more than ten banos

in the house and after the after the house that was very

great that you can you can't you the rest of the

time you You had more than 10 minutes coming on getting to the Fondon. You can't give the idea

of this. It's a Kinta, a rancho enormous, a place beautiful. He had

a lot of all. All the rancho was with a barred perimletral was

very secure in a area and the other house was a place.

It was a house to a return that had

all the lot you could you imagine. When she when she

comes when her man has a 18, when the house has

a years constructed, when this man is in the situation, of if

is going to do you do that time, all of that time, the

night of the morning, the woman that is the love of the

life, he has been a other person, he has been

putting the the world during the and she no

support to with him. That woman, that had been a mother exemplar, that had been a spouse example, and not for standarers of someone more, for his family. It was a person that was the person that was the person that was the person most very much of a major confianza, had another

life since years. When it was revela, apart revela the truth. No, he wants to have yet nothing to be with this family. He wants to re- re-execere, and it's reconnected for complete of his kids, and that same day, he's

going to exactly a 50% the fortune that he had got to be the father of Iracema,

that rapidly he moved with an abogative, and his instruction was direct, I was there

and he was there, let me my little of my kids, but as that this

end up this, I'm not want to be to be never to know

never, never never, even more all over everything, it was done,

the The senior never fared to to let her to do the car to her and she went

she went to do with her to get to her as a life and she and she

was there was a decision. And for that time he had to make to make

decisions malvent all the business and he didn't not he

had had had had had had all the color and

the world he was so was everything was

he They were two young energy, very vivus. Ephrain and was into the age

adult. So he, this situation the view very different to Iracema. He confronted to his

papa and he said, no, no, you know, you do you know, to do you,

he's personal. You're going to do all the things, papa? Vendel us but not

you're not a good papa. No, you have been a bad example as a man.

And Ephrain, perhaps for the age, for the lack of experience,

he transformed in a person, with the papa, and that's and so he started to distance to much.

The sir no had forces to affrontar this situation. Lamentably no busco a little bit of

professional. He wanted and at the same time he sent him the same the

long, he was about the family. All, the sir, the sir ensimed so that

he had no way to entablar a good conversation with him, it was the

most part of the time in a mecedor in a chair, in a single part of that house

that but he was He was not he was disutating any he was he was

he was he was used he was when he when they were when they got to

a doctor and a doctor and a infirmara that they were continually doing

times and the time and the sir abertament he yeah no

I don't want to hear and I think you think you think you perfectly at

the irasem not even not even to talk a conversation

with a not know, you know, because he's rot and that he's

really a lot of it's a thing to be to do you know, and they're in their own they're in much adventures.

Ephrain is a type strange. It's a type that, although the things he do you know,

when heiracema, that I'm a little and he's making a that's a little bit on the

feet, he's he's got very valent and very aggressive. So, the two

learned to castar bivorous, to to be going to be cased-a-cranes? The a-a-rains are their enemies, because Irasema had a favor, and that so,

he had to put a furicue, and Ephrain I would, and it was transformed in the principal and the best-cazor-de-a-a-a-a-a-a-a- the first-a-a-a-a-a-a-a-a-a-could. They were, they've been able to

experience things very the time, the mom, nor his luses, the papa, practically in a state catatonic, and Yerasema had

had detenied studios for more of one year because he was in a conflict personal very strong, as you know,

you know, he was decided that he not going to do you know, that's a life, that's that he

had to do his mom, and now for the attitude of his papa, there was he was going to be a

good, and he had to do the maximum effort to to make a time, if you know that they were

to come to him, now he was a lot, he was to talk to a him. He had

a conversation with Iracema very, very very difficult, and they've decided those two, or those do you know, that Ephrain

has to go to that house, and in the next three months, that's going to go to pass to the place. Iracema,

no has been that he's going to be there to be there the father. So, so it's the last two,

three months that will be there after to get to the city, retomary retomary's and continue

their life, they're two, they're going to be a very but I

don't know that that's in a ratch of malice but malice like whatever has got to it's like

we're going to do it's not because if no here it doesn't know it's it's overmojado

one after other and in things very profound and the people that you knew you you know you know it

not who you think you're that you're the person the person more the person more that's

it's more a pedasos as it's like if were a in the place is something

what they're being living these so the vinclusion that they're with all the energy, with

all the love and knowing that what is more more than it is more than is a single. No,

will be to happen the whole one day and all will be to be able to do you. It's not.

It's very very hard. It's are there's a endorno that you

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as the women, no, no, they were to that no important that how far there were the one of the other,

that how too, not they were to be able to not to get, not they were, that's the two,

in the second piece, in a room, that the father, that he didn't even that he was,

he had been, more of a year, because he, had transformed that abetation in the their

future in the future, and they, and they, seeing there, his plans, they heard how a loza,

a trosso a piece of a piece of a piece of the and make the house entire and it's

a sound and the vibrations. The osos are to see the one to look at the top

and it's where they're those those those things that start and come

on all the circumferences of the house and they go they're

they're they're they're they're they're they're they're they

they're they're not what is And in some moment, Ephraim not that Irasem ista and there's this fury, this fury of protector, this fury that intent to make the the home is the best that can't, and alza the voice and he says, no-seh-who-seas, but I exigua that

I'll ask you that larges of my house. And where does that, in the house, they're going to sonar risas into the habitations. Rises of women, not one, but one, but various. Iracema is trembling, and Ephraim, yeah, also has been

a question. They're not even an explanation. They're in the passillo principal, and the risa still soning, but are risas that are they are pursuing, or that they're trying

that they're trying, because they're in an abackation, they're after they're in other apartment, they're after and then after

in another room, and then they're third or fourth apartment, and intentando know what is what is there when the

pastos start to get like to a zapate in the part above of the or a march

rapid and it's to hear of a one one a one. Pam, pan,

pan, pam, pan, pam, the house is retumb and retumb and retumb and retumb and retumb and those two

areasan and then then, detrace of them a carcacada of a woman.

Voltean MORT of MOY, only to see a sombra that is scaboole for one of

the passios, but not was a person that's a person, it was a summer,

it could be that in the imagination of someone that's a woman or or a woman or

a woman, but that's a sombra, a sombra, movings in the piece, in the

middle of the pastil, they're all those are stottottis and

that same night, the two decided that they are done to

have done a modification in the room of Irasema. They've been a base of a room that is much more

more than the colchon is a little but is the only that they're going to move to get to get to be

the papa that but the sir was yeah in his room practically lost in his

pensions he's they're with her his wife heffrain is that with the

time when they're when they're at the time they're they're three times the door

Iracema and Yifrain not fanatic podcast in this time. So, so is that the menor idea that that a drop of a door was a trap. The two caminae

and open the door, and when they're they, sien't it two things. A wind a little biterito that enter in the room and, at the same time that all the body is to get chinear the and they're going to give lighters in the column

vertebral. A sensation horrible that makes that can coaxed the two of ombrose and they're there. There's a certain

in the room. Someone entered in the room. And it's there, even

they're looking to the room. And this seems an effect special

of a particular because even the light the the door

is and the room is that is a little

more more more than two seconds and the part of

the front is absolutely obscure it. It's like were

a night without a starys in a place in a place in a single light of any part of the world or the universe, an oscurity total. The vera in that room, those jenna to be afraid. Sin embargo, Ephraim,

no can't permit to smerunars. Toma the man of hermana, he pieta with forces, and he says, no, don't have seen anything. They're coming into the the camera of Irasema. He'll help to her mama

that's sit in his camera, the arropa well, and he says, doorme, no we'll we'll just to let's to get to get to

get a aogar a great, because he he's a question, you know, you know,

you said that the base was more than the colchon? The colchon that was

the part inferior and in the part superior and the header there was

a he was a carbe and kept barbilla on the

eye, and and the behind the table of the the

tableons one of other. He not had percated of that. He saw a woman observantle. A look at a-mobile, senissed with a piece, but at a bit, rare, with a form semi-human. And when he cruiser the

eye to the face entire, the rugged, as if stupperes, aplasting carton. The awog, a gritty, brinked of the the camera, he goes to hermina, and his her brother, he said, what happened, what is Afrein? And he, he only la braza and he says, Nada, no, no-is-a-saire. And

all the night of that day, they heard, like in the part of the back of the camera, something not parable the razzueneer. That's on the camera of Ephraim. Because in the camera of Iracema, something was just

was moving and arrastrances, the side to the side, repitial the pattern of the passos in the techo, giving and turns and and then Ephrain

was able. as like when he aseched the serpients, as when casasolars, as when he waschrane's, like when he waschised, they were

being casted. The next day the things were more tranquil, they were to be changing to be a room in the

room, and always a a sombre a reflex, a sensation horrible to be observed until

that came the moment in the they said, no more, no more with this. They were

with the personer, they told what was going to and they said, the decision

that they had, they had to go to that house. The infirmary said that no there was a manned to a person extra for that

they were at a minimum three persons and their father. Then they were to start to move now, you know,

they were to move to the house, and so they were in the time, practically, since notices new, without the case of the

morning, is to talk about the door of them, she was accompanied, accompanied of the Papa of Efraina

Ira Sema the the sir comes very and when he he inca

and he starts to give us and then the thing you a very

very one one one one they heard they

they remember the perimit is bardiado the place

is very very very there no there no the

the the two people there that they accompany to the entrance

and in the moment in the door they're in the way they're like a silhouette, of what was a person

a human, that's not, you're, in in in in front, aftor, you're, and it's, you're, and it's, And so it was impossible. And so he moved to a velocity vertiginous. They'd close the door. And at the day next, after having consulted with the Lord, that they'd have to talk to him for that he could enter in reason, he says,

I think there's a little bit of the house of the patio. And all that that afternoon, they're in the equipment complete, with the Lord, to be in the patio scarvading the earth. And they've found an arbor, an arbor, that had sembrated her husband. They found there in the raises of the arbor,

brujeries guarded with the photographs of the Lord, his children, and families that were born in circumstances strange. Nobody entient. Why did that the mom of these children? Nobody entient exactly

because that woman was wanted to damage, to some way. Nobody knew that she was to add to artes oscura or trying to damage people by the middle of brujeria. But when they saw those things,

they were that the place, the place in which they were territory of her, in some way, and while they were there, they were going to be sure. They were found for something very rare.

That arbor, although it was perfect, a strong, frondos, around them, all the earth was made, and it was that

in the last time had extended. Because these persons that were working there and since a few months, they were the people who were

they're also the work, to have the place perfect. And they had seen how the

earth more to the matter, that that was that was that the power of those

were growing with the time, no, diminuying. That was the day

that they decided to get to the day after the day the day was that was

that was that was when they were that the Brugheries that were that were also part of

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even kept in this story, I think we're going to understand more of the best way possible. There's a child. Juan, he lives only with her mom. His mom is a person that when it took

she kept alone, not exactly the circumstances of her family paternal materna, but she stayed alone, she had to do care of everything, and Juan said that, from very little, her mom, she put to lave ropagen in her house. Juan and her mom, commenced her own asses very strechos. The senior had a character very explosive, and at the same time, was a person very religious, Juan was going to know, that first, not was personal, the explosive, was her form of defenders, was her form of sacer those things ahead. The second, is that part of religious

was that part of religious was so accentuada because when she was in the poor moment a congregation Christiana that was over there

was like acocing people integrating people in their cult and she received much support of them

so is that she was that she was a decae the same she had very good intentions

Juance was doing that her mother said much contradictions between what she said

but I didn't where he was and to be able to him to be a person callied, atent, reflexive,

so a little bit nervous, and definitely someone who has the best communication with her mom. When he he was 11 years, that this

was a much time, he lived a situation that he has made a markado of life. And he

says, for me, all of what I said a mom about God, Christ,

the faith, and to have to give the testimony, and have to to give your life and with

your labos to get your salvation and I don't I'm remember that many,

it was a poor choro. It was pure perorata they're puras powereries. I was

I thought it was because they had been and I'm not to that of that I mean

not to me don't me me made lessons and I said in

that I had to think it had to think they're like they're

like some so I'm not I'm in all. We were to cult, the days of

the time. A few we were to a cult of a week, me met you in a group of the

young, but for me all are pure words, purrateria and pure like a organization

social, where you say, who is good, who is and I know,

and I understand, I think, that if you know, to do you said what you did you're

my circle more certain. I never I did I'm never took people,

I'm people like, so can't have dispercived and the days if they went for me, until that age, no existia the

supernatural. The word, God, Jesus, all that were words. No existia nothing. And I learned that

the supernatural if it's the worst manner. I'mpe's to have visits nocturnas. I had

a room very chiquita. In my room, I had my a mess chiquititita and a

sillet that just that had there. I had it I used to do I use my Tereas of the school.

My mom lavoured in the cell and in the commedore and it had to extend there. So, all the place not was usable. I mean,

me incerrable in my court, I used to do with some things to have seener when there. I met in my bedation and

the less noise and it was better. I learned from very little than simply to just to make the

door the middle in the night, maybe abirted too, to go to go to do not

no no way to do you. I'm going to be good at I'm going to see to be

a visit nocturlas one day I'm when I'm when I'm when I'm a sound

like a paper a piece of a paper that's a other and that

that that's that's it's repeat and in meditation and there's

there's a moment in the I'm I'm no I'm not I'm

because in some occasion I'm mom in the night and as much he'd be in a lot. So, so I prefer just to know about

to all the parts. And I see that there's a little little locese just to the house where I do my mecita where I do with my and it's a day that I don't know where provenia. But, thanks that light, I see a the silhouette of my mom that is sat sat down in my

and front of her and a book and is moving the o'clock, as well as I was going to be I'm I'm back and she my mom

commenced to learn but not not is saying and he says some words

that I never heard but I don't weird and I feel

my room like I'm I'm after after the

things like she used so it's so it's a where I ranca

the oja and then again again to say something Arranka another Oja,

and it's say something and it's a little bit and I'm to start because it like it's

like it's I'm I'm I'm in the paris and there's the I'm afraid you're

you're you're in complete obscurity. I don't look to nothing, I'm just

I'm just that someone is up here I'm I'm a idea and I grito Moma

Moma you're you're you're well when when I see the the

mom, Caminand, open the door to and say, what was it? I'm doing the time.

I'm not my way. I'm not more. I'm not my, all this is all right. You,

you're still being very enojada, very enojada. And he said, well, no, me despert

for a nothing, then just just for that you know? That's things not

being, those things are being, those things, and where me says, and when I mean,

and I know what, and when I'm a Bible abirted and there are the eyes rotas abentated

when I see that my mom she gets a quick a little grab a Bible see the

the eyes she can she's she can't go to and he boffete no she a boffetada

because she sent you to offend all his creencies and me says this this is very bad

we're going to talk to the pastoral the final and he's out of the

house my mom was a tomb and I'd be to be at the eyes

with and I didn't know how to I said to say that I was I, that was she? She was the day and the night, it was going to the night.

I don't know. The same. I have a fear that I'm not even expresser. When I'm get the morning and I'm

the sound of the paper, but it's so much that I'm insistent that I'm saying, you have to get to start. Yeah. No, I want to

more. I'm sitting in the camera. I'm, I'm going the silhouette there, there's a light in my and then I'm going to start how it's to runcar the

one in one. And I'm going to say, Moma, Mom! Yeah, no romp the Bible, Mom. Mamma, Mama! For you know,

I know that will get a Bible with a hoas arachas and I don't want to me culpe. So, so I'm

going to go to the room, I'm in the car to be to be the because she will be the

that's the after? Because I and where I I'm in the room, I'm going to be my mom is at costed in his camera with

the eyes aberted, being the but totally disconnected of the reality. I'm quite very impacted.

I'm still how the port of my invitation is going to start a little bit and there are some of the

way, come in coming to come in my mom, and sarandying to my mom, and then I when I'm

when I'm going to get to the door to the door Santa, despirtate and she palpadea

and say, What are you? What are you? And I'm doing so that thing now I'm in the

house. And I'm no, you know, Mama, is that I'm a little bit a pestyia.

And I'm my bed and I'm my room. And I'm my room. The third day,

narrateau. Mismas situation. I'm going to do do you do this is not right

to be the Bible, the I don't want to go back to the colchers. No, I want to go back to the madrugada. I'll ever be that light in the room, but now is clear of where it comes. There is a fire in the center of the mesa.

There's the center of the mess. And when I go to pager, I just see how in the umbrella of the door, there's the silhouettes that I've been the other days, but now is it to front. And when I know something of the rations of the rostro, was the thing that most

me had me had made in the life. No, it was my mom was a

other thing, I'm a my mom and when I'm that

thing that's a thing and it that's something that

that's a second to my mom and me and it

and when I'm and when I see the Bible chamus

and he go with you and you say this

you you you have you you you you

you say I'm a demon in the house. And narrator, a part of there, were in the

unas and and then I'm not could be that I had done to think that they were to say, and I was

that I was that I was not that was not they were and not me crean and not me and not me

and I'm that in one of those orations the pastor when I was he was he was

he was he was he was turned to and I did and I said, that is what

I've been been She has stusted and I no want to return to his mother. And I, for that day

of today of day of I think in these things, but I know that there people from

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but definitely are other things. With this, you're going to be able to be clear. Arlette and Michel are a pair of gemelas, some women, that don't have a good relation. No, they're doing well, They don't want much, but

are people. If they're in one for the other, but not they're not they're not time together. They're not those same

their same gus, are people are they're people, they're much, they're maybe in

some time. I'm like, we're very amicers, but my pap and mom were so in that

were we're that we're that we're not made that they both and we we're not separate

much. My one and I just just we're we're just we're

And in the prep, occurred a situation in in the house, of the while no I want to talk, was something very bochornos and difficult, and there and I decided that we were going to to go out of there. For this then, we had been 16 years, not we were,

too, little, chiquillas, chiquillas, we had been a little in the barrio, so we knew that we were difficult, and we were out of the house, and the

things started to work. We got a two amigas more that also had had seen, the house that we're a house very

small, but between the swerd to do the whole, it's going to be it.

Passed the first year in the second year, I'm a good place, me do you

know that I'm a good good a bender, my little, Michelle,

it was more complicated that I, so it was that was that I never was a person,

it was a person, that would be a lot of I'm just to hear that you, you're

saying, well, you're doing because, you're doing you're not you in your job, but

it was my tia. What what is that with the other two chicas we're not really

and we're we're going to get to be the amissat, that you know you, you know, you know,

and I get to my mother to a new house, and my mother, and from

that's that's, and it's, because he does know, we're not we're really

is the I'm really, I'm really I'm in there, so she's that's a hard,

it's more abir to with me. And it's in that time that she made a question that me really makes a question. Because she never, me asked questions like to entablar a conversation with me. They're

things very superficial in the last we're about us. And me he asks directly, Oye, Aara, you're you, you know, you're talking to be my novio, Ricardo, the prepa? And I'll say, that's rare that you

ask for the Michel. If, I see who is, if I'm kind of, you know, I'm kind of, you know, is that you're doing things bad. I think

they're doing grujorie. And when me about that's you're doing, because,

well, if in the barren we had people there was people, there was a cackita,

there people that were in lectures of cards, there were bruchas and the real

was a poor a show. It was for a person more

needed a person more needed that had the other they were not they

could be and they'd beading cards and they'd public. So, all we'd do you know, and the fact that it's like

the barrens. There's people like very afarra'd those creencers. For the same as whatever other

creencia, was to get the chivow to all this, because she me starts to those of the bruchery

to me so super extra and he'd say, and he says rare, but why you think

that's that is a brain? And me said, because, me, I'd be

looking again, and I'm he said directly, no I want to we'll be newbos

right, because it's a good moment, because I'm with an ex, I'm made a bad, she

was that I'm going to, but the I said, and I said, but not you did the way the

more more than the that she's in thekelarre, and that's she didn't know that I'm not sure,

I'm not I'm trying, and I'm saying, and he said, and I'm that I'm that I'm

a group of of brujas. When I know of this and I go, it's a panilla. You know,

they're going to go or something. And she me and I'm saying, I'm

I'm I'm he's he's a little a over in the

that there's a one that was a that's

the and that he's he he's he's he's he's

he's he's he's he's he's he's he's he's

he's a little a They send them a videot in the one of the muke with the photographia of him and in the videot he does some punsones in the panza and he terminus that same

in the hospital with an ulcer aghastric that no, they've had ever had had a detail but after the video to the day's the next I'll get some

some of the and they're very much more that they're doing because he's that I'm trying I'm really that I'm

there are many things that are my mother You're sure that you're sure that not you want to start something, that you want to pay money, or that's he want to ventajar. And me say, no, me say, dechew, because

he's put to investigate of those things, and when someone's in brujeries, to his entom-as-circano, he can go and he can't realize to a trancasso, forth. And then I said, and why you'd be, you'd have to affect

to you? And thence, yeah, me can't. Because he knows that there's a time to the Fecha, me I feel very and he said he said,

I'm going to open the doors to those things, that I'm going to be able to be able to

be able to be able to get a way, I know how you and we get him

and we talk about all the night of one and I know, I know,

I know, I don't know, to the day the next he's a sustadiss and me he's,

he's going to be a going to what? What? What? He said,

here I'm this chate, you, and I'm going to say that I'm doing, he he was doing, he just to cut out of a brazo, he said,

you know you know, he called the call-the- he's got a little bit, and narrator, a time,

he was, he was, he was, because he was a pressure, that I was that I'm

that I'm to get because, for there he said, he was that he were going

to be that they're going to that's that group of people, he'd

probably probably they'd be to get, like, Well, you know the auto bus, the bus has an accident, and I lost the arm of the bravo. My brother was very, very impactada,

very, very, dolita. This chico, Ricardo, comes to the house, because he also is that that can't with the situation. For this, I was looking with

people with the job, but I don't know and how to ask them, is that's a thing very complicated to talk, and there's a child that me

said, I know a someone, that he's going to send a someone, and he's, but they're to know that the

things are going to to put in to get to the and I'm going to you know, but he's heard of the

Bruja of Sal in the life I've seen of the soul, I'm just that just I'm in this situation

for the my mother, I don't think that I'm going to think you're you're going to you're going to

you're not to get to rare, the things we're trying to the house of the last affected and we're the most

we're going to for there, poor Ricardo is there very affected mentally, he's

a fear of all of your around, as I'm not, if I've had been a

time a while a time, has been many, it's he's

a chance, and it says that in the night and a time,

we had a that that said, that he said, he

said, he's he was, where we're we're we're when we

we're when we just just got my my We're at the time. We're doing the day.

My brother, also. Ricardo, yeah no had a time. We're in the house of

Ricardo. Sin have done the direction, we're talking at the timbre and when we're going to

be a work of theater, there's two people in capuched of the house of

Ricardo. I'm just just, good days, in what they can't serve? And,

and what they're like, Bruch of Sal. They're the people that They were handed But how did you They were there

And when they were I said, I know how are the other I don't know how are the things, how are you think that's things that affect

the head because in the place, but accelerated like if it was a first necessity, I gotry

some keys, I was and I'm the door, and they're in these two persons, one chaparita

another other more other more other more that person chaparita, he had the caboeroero

had the hairgissive he had a much He cubre the rostro, never see. And she, when when he gets to the

house, only begins to say, I'm going to get to do. All this is for me. All this is

for me. All this is for me. And they try in the hand, like a cream extra. That every

time, he'll be to the other person, the other person, the other person, he gets a

little the cream in the man. It's a little, a can't, like if it was a pecerer

chiquita, this, of this bowl. Well, all of this cream and that ice. He's done and he's

signos of and other symbols in the front of the house of this chau. When it's doing that, the house

is a really really really a little bit of a little little bit of a little, but something little

almost imperceptible but it was like a sensation that if you'd present attention, you'd doble the

little bit very strange supermente disagradable. Jaye is doing that is doing that narrator,

is doing like that cream and it's putting in one and other other side these things, and then

go and it he's a he's he's we're going to get a salt, it's the

salt that I'm going to get a and the he put a hand with the cram in the

arm of of Richard, it's the way the part of the head of the

the other side of the the other arm but it's a very strange because it

was a crime not the termina to to get to get it to the hand. But it

he's a marked and not and it's a lot of, it's a lot of so you're going to this is a little but after 10 minutes that no decared

and down in his feet, and there's a mountain of salt that he covers to the talon of Achilles I said, what is this? Then he says

to Ricardo, quitame your salt yeah because to get to get me the salt and he says, he says, what I go? Quitame the salt and he he's seen to the

head. Ricardo, no he could have the rossed the head and like grasoso so, and where he put the hand

in the head, he quita the hand to the instant and she he he got the hand in the

face of the force and he says, he said, I'll order to make you to move the head,

but he he saw he a car of a car of that I'm a car to explain. And,

after that, the other type, go to a little in a sack, and he says, me give- all what is mine. And they went. Then we told, Ricardo, that when he took to the head, it was like to

a sack. Between all the Cable, into all the mat of the pelt, it was a lot. Then he said, he said, then he said, well, this is a true. But where where he was the doctor was more was a

whoso, and where it the hand over the hand of the little it was a way,

he did a mind, and it was a lot of a time, but after they were going to

some his life back, his life and the ex-novia no knew

absolutely nothing, nothing, nothing, what is what is he got to

know, and was much years after, is that one person of the

family had had to the car, and he had all

the the rostro desfigurated. No, we know if he was to do with the woman. But,

well, minimum Ricardo, it's the good the night. And with this

story, my dear family nocturna, we've got to the final. This is a

perversa, a fogata of stories. If is that before you have to ask you,

you have a idea of the why? To the certain that they are the

humanites, they're them them, you're just, you know, you know,

subscribe, and do the And if you're in Spotify, SIGER-Sign us and give us the 5 stars. I know that on Spotify I'm going to

three platicas secretas, but prepare because me me I like to pay my debt with many interests and this is going to be good.

So, in what we've seen, in the Saturday and this Saturday, on the Saturday, I'm sorry,

if you're a family nocturn because we're the day of the morning or if you know,

because we're in your time, you'll be you guys, do you don't know, I'm

narrator, I have a message to give a family to know the dear family nocturna I'm going to know that I'm

in those comments and the family nocturra says, oh, uh, for a

moment I thought you going to say that but, but I'm, I,

I'm a story that's too have to give a context. We're

just in the context. Yes, and this is a context that's a

very dark and in the channel me I did Quenta of

something. This is yeah out of the person. I'm going something.

I think we do so. I think we're not we don't have any two months

when I'm something. There are stories that try in something, that's

that's something that's there are stories that are things that many.

Not you talk about about intellectual. Not you talking about ideas

that definitely there are super destructive and there ideas

not destructive. No. It's something more like, let me result

complicated to use the word, but let me it's spiritual. We're in the

channel to take much precautions of that's, but no I'm a point of a bit of

a serrat exorcist that that all being doing indagations profound

with persons posed result that he was he he

was he there stories that when they're part of the

essence of entities oscuras and it's still transmitting. So, you have to have to care in

what it's like consuming because not all necessarily is inocu. It's, I mean me, I

like the reference of like if it was a radioactive. No, you know,

you're just you're even in even it can't even be that you see that you're

you're contaminant, you're contaminant, and I I'm going to that because it

would be it's a question and here I'm going to take a little bit of words to

put a word of this is what I mean my is that is that

is that there is a kind of the kind of and that

is a prohibited because is linked directly with entities

and that if this you get to know to

understand or practice you don't you you're going to find but

it's retorced and you you're getting you're getting in a prision very

little bit of a time in the time in the you know you know you know

it's a way that's a that generate many things

it's like a radioactivity that after you're I'm

I'm because in this way has many it's that

they're not the This, this is a supergeneralization applied to but in that the way of the

thing that I'm talking it's what I'm a lot of the power's supernaturales, apparitions of don't, conciements

occulted of the things and visions of the world that are different to the other not you're saying that

you're a not, no, no, no, no, no, no, no, I'm referred to that because,

the idea the ideas that are these people of this people of It's a group of borregos, but upuntling to another part,

crevying that no are so. It's very complicated this what I'm talking, because the story that I'm going to is of a third generation of people after having

had taken into that that's a question. If you're in those arboles familiar, and in their families, you're going to

do that there are there a man, a man, a prim, a prima, a family, that no, they're not

practically any relation. And that, if in any moment want to have a

contact, no, it's any of any of your time. I'm not to put in

your bit of this part. Not it's to look at you know, you're in

your family political or they're to find these people. There's a family

of bruchos that the bruchery that was a burghiria, I'm

from this knowledge that you talk, of the other things, and when

they're when they're a second generation that I'm going to

to be called second generation. This theme of genealogy, I don't know a detail, but are the nietos of this pair of brujo. When he gets to a nieta, the nieta something,

he'll give to say, no I want that. And she alh. She begins to maintain, like, many barriers, much separation

of the rest of the family. Pace the time, she casser, has in their family. For some

reason, they're going, to this chica, we're going to Clara and the Doroteo. Clara and Doroteo make their

family, but the family of Clara those buss one and other and they're not even because she

separated her because she has made more of the jania, she has moved two times of the city

and they have been and they they're going to they're but she know and has there's

things overnatured in this world, things inexplicable and persons with people with more

well, could be called also, malditions. Some of I'll say, not the generalize them.

It's this story specifically the that I'm talking. Clara, a other way,

has been children. These children those do you much for that are people

and it and it about about the bad. So the Buela Clara,

because those children get a moment in the children, the

Buela is a great figure of authority in the family, a

woman with the pantalones well and a woman that not is

with my mindings. They have been a woman. No, it's a thing

religious. It's a situation, to make the way to have the mind very clear,

of not not going and to not to not ars in the life, not to

not be going to get the things to get the things but there's more than

that's that you're all the And then, she gets a nietta, Lucia, which is the nieta number

seven of her family, that's the second or third daughter of her second or third

daughter, Lucia, his four years, one day has a very rare. It's in

their house, are a family that, you know, a day,

a lot of her and does all the time, then so they're in a

house a little, it's the one the that is of the papas,

the of Lucia and her mother and the one of a brother. And it's all. The casita has a space in the middle, which is a small common, and a mini cocinita,

where they're in all over. There's a tarja, where tallying the and the rope. And it's a house of

a house. But is a house. Her mom is a time, they're going to visit,

on those families, yeah, of this family, of the Bula Clara, those who have nothing of

So, it's rompio totally that separation and they're so far away from that they're to get them and lucy is in their house when

he's going to go to the door, before that he gets to try to so, groups of three

goals, and then he says, Ale, Ale, A-A, come the Murto, Ale,

the car rojo will be chocker, and no can't do do not and be able to say that,

the next, like if what had been been the best of the chist

and he's to be going to go to the car with the house. When the

mom he's a lot that's a very strange because is what

you do you do it's that sometimes because there

this this woman because even what he is

Spanish and are phrases that said that he

said no doesn't any didn't his the person

he did much more He said directly to the Bula Clara, that for then she was a one of the 70 years

that had been certain things of health, he said, and he said, he ha, take much care,

look, observe much, observe much to and look at your nina, and fiftate if that's the what he said,

and the gentleman said, but how, how is it is a real, what he said, but what he said, no,

he said, do you, do you, do you, and while they're, and the the door sounds

from out of the way, alet. Nobody in the family about the voice was

he was the family's going to the mother's going to the mom of lucy

the door a arustadis she the mother of she is the

cell she's he's and he and when I know the first you're

and the he said I'm I'm so I'm when says that when it's

that the telephone and he said, Moma Clara, he said, I'm not you care. Take much care. And tell to the

person that came to get from the family political, tell to the person that me come to visit her

is in a big time. A year after a job of a car rojo was chock

with the bus in the car to do that to do that all the other world. That's

that's I think, between five or seven years to put a prox of the

age. It will be occurred at the 10, to the 13, and at the 16. Familiares, some politicians, and others of the family, she entered in a trance in in the case,

like a canto, a point, a port, three times, about the death of the death, and is it

and is the death of the person, but he can't come how to move, but it's

made in that way in the that you do it directly, but in the moment in

the moment in the what occurs, the family the detect. The problem is that at the 16, yeah, for that moment, the Abuela Clara, in

some occasions, he has said to the little bit more than that she has said perfectly that, that, in a way, it's a problem. And the she's ried and he says, but, abulita, is a don that I have. The word

don't is something that in that family no they use. Because there's a whole context, from the Abelah, in the which it's transformed it as in something in a little bited in the family. And when she said, a word adorn, the abuela,

the woman, with all the heart of my heart, you know, your little bit the child, you know, she'll be

in other other side, not you're going to you. When revela his 16 years, the

ultimate of the last the old time, the Bola Clara, pass a better life, and it

seems that the abel clarer of the family, because where where only finally

the day the next the next the next, the little they they're they're

And that car, to her no, to her no, he never to get any type of problem to the time. And he gets to put a post in the person to say to tell us to where

go in the future. He's explains that she has contact with Spritus, that the family knows that no aprende

that's herence maldita that are carrying from since some generations. What fear. After me

it was, so much to ask them for you. Stovo Firmina Nauturna Tenerg, Tenguio,

you've been another, another and very oscuraota. Much of the thank you, thank you for defending

the family nocturna and family nocturna another? Bye, bye. Ah, we've done

on the Saturday of SOMras. Cuen't much.