HABLEMOS DE LO QUE NO EXISTE - 5 Historias de Brujas , Embrujos y Ángeles | EP 290

Episode Date: May 12, 2025

Bienvenido a ésta Oscura Fogata de Historias de Brujas , Embrujos y Ángeles en ⁨ @HABLEMOSDELOQUENOEXISTE  El día de hoy les traigo historias que ustedes, querida Familia Nocturna me mandaron al wts de las pesadillas. Escucha de la casa del panteón, el árbol seco , la santa y por qué a veces ser "normal" es lo mejor que te pudo haber pasado; descubre junto a Polo su sueño de jugar futbol fantasmal y las razones por las que teme a brujas y espíritus ; tiembla de miedo con el aquelarre en llamas , la premonición macabra y el angel de la mu3rt3 en ésta oscura fogata que seguro será protagonista en tus dulces pesadillas . Así que prepárate porque llegó el momento de que ⁨ ⁨ @HABLEMOSDELOQUENOEXISTE  HABLEMOS DE LO QUE NO EXISTE es un canal de youtube con el formato podcast que comenzó en abril del 2022, su primer episodio fue "vivo en un casa embrujada" en el que una chica narró sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de éste canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de éste canal , la familia nocturna , creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de éste canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando ésto, tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora.El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo que genera. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado.

Welcome to Family Nocturna to this Oskura fogata of Histories. Today, we'lllare we about bruchas, in bruchos, and angels. Angels that are present in many ways, of course and in occasions, of forms very obscure,

because you know, there are angels that are in the alto, but also there are angels caithous. If you, it's the first time that you're here,

let me say that you're at a point to initiate an oscura fogat of stories, And you recommend that Prends the light. One of

this, we're going to we're recoupilating the stories for this episode. When I

Topee with the story of Polo and I did do you know this is

so Polo to day to he has three things the

and the and the and the and the seven years Polo never

heard that is something that is a other parts,

until a few months that he knew the podcast and he

did he and he and he still having pen with he's he was

a man he was he was a little a one of the colony a

one was a quite quite quite quite tranquilla

but not was a not a people people people

that people who was living the day a day and

the the repent, the papas of Tomas they pegged to the one of the situation very difficult. I don't know if father or mom are dead

and then they're they're doing a postito tachos. The posttico desfunciona. Of a sudden there's three posos of

the two, then they're a five, and they're in a moment to another, they are moving to a colony.

They're to a colony new, between is like a fractionation new into a colony that has

much time. This fractionation, a fractionation, a little of a little bit of a luso, that connects just in the part

of the house with the colony that has been many years. A colony also of a person a place

no-pelgros and has a particularity very near there and a rio and are practically the faldas

of a serro. When Tomase is the friend of Polo, heard communication complete almost for

eight months. And when they're going to find that this is because they're in the post of tacos of

the papas, or is for a call telephonic, there's a moment where they're going to to be

to be that these two people, that these two years. When they top, Tomas, he revela

the secret more great that Polo has heard, and is that he says, he has

that in his house there are phantasmas. And when Polo he's got to the narrator, he wetted the head and he says, me you have to

invite. There's to know the context of Polo. Polo no know of these things. And he,

the only that one ever has been related to with the caricatolling and the

other idea that he took to be playing football with the phantasm

and with his idea so it's so fascinating that that I wanted to

say to be to be friend of the phantasm, because that was what he thought he was going to pass. Tomas, Paulo talks with his papas, both fathers are known, and they give him

permission to Polo. He will go to get there a year, a year, a year, a year, there's a little situation, something, something. The top of Tomas, have to be able to be herein'clock to the 7th of the night, and they're going to go to go to there, after after

time, they're going to beets. As soon are kids, but not too, they're Deciden, to leave us in house and they're an advertency to

those two. No, they're going for the house, and they're with the time.

You know what when they're when they're they're to make a Thomas nervous, but a

polo fascinated. Why? They said that what is the night? And you know,

and you know, and you tell you tell us, he's, it's for no,

it's for the phantasas. For us, we're to play to give to us

and it he kept seeing. How to play football? If you have fantasmas here, we can't play between football.

Tomase he he kept looking to Polo and he said, and what you're you're going to

not we're going to play with them football. No, he says, if you I'm going to

see, but you don't want to you're going to go you're going to he's a

guy, he's a way we're going to play football. Polo, no you know

you know what you're And where it's terminated those words, they're talking the risa

of a little little bit of and he's aterr and says, I'm going to turn the lights,

I'm going to the passio, he's going to the wall, move the hand, and he's, and Polo

is going to get the light of him, Polo's he gets, he says, yeah, yeah,

no, is a yearosos, we're going to play, we're going to the team in the

Bats, and Tomas, no, That night, Polo no-vied nothing, but the house is full of sonnids. Sonos, that are not things that you can't confunding

in the life real. Like when they say the person, there come in the Yorona, and really is the sound of the wind. The sound of the wind that's

that's from a commisura of a ventana, and it's even to almost like an o'llid or a larido.

No. What is listening in that house are things clearas. Some conversations of persons. are risas of

women there's there's a house is spacious is a great all the all the

all the is there and it and they're in the second a

sometimes in the third that has a time a very all

the houses have the different the the pass

and the and the chas the there there is a there

every that every that you are that you as if you were, like if knew you were there,

and he wants to talk, but no care that you're going to get a attention and that you know, that's a lot of the

not the thing. When he's put to play there and you have passed, you see sombrows that's

moving from a quarter to another, and that's horrible. Polo is deceptioned. Why not

come? We're going to play football. And Tomas is an impacient. This is

an idiot not even what he's talking. With these things, not the that's

because to Tomas and he's they're that they're not good. That's the way to have to have been

good. And it's going to the night. In some moment, they got on the

those they were not too he was to be in disappointed, he was thinking in

things related to with the football and phantasmas because the day he said he said

Tomas clearly we we have our team phantom. And then

Thomas molest, he said he that it's a game, no is a game,

and forget of the people, and of this, no it's not a caricatura. And then

Polo's kind of refunfuying. And there there's a time in the they're he's done with

his papas to the people who's about the but the people get so disvelas and they're

so they're so much, and they're they're going to say they're they're they're they're asking

that they're a night, and Tomas says, a a little, but I prended all the lights and it's not a lot. Prenden the

lights to see the suns. That's all the time. When when he's

the second night, the father of Tomas were so much that's

going to do to be around to the seven. Polo was

he was all day for this he's a guy he

he's not a he can't get the got the so he's so it

so he's the house. When he's the papas of Tomas that's done he's like this is for me and you

don't know my mind. I'm going to get to talk to them and we're going to get a team of football.

Why do you have this idea? No, it's a idea. And he's a writer. I'm a

little. I fervre a idea. Sentia that I'm going to go back to happen.

I don't but with what I toped was something was a something sinister. Comence to continue the voices and

the passes and the ruses of the house. And I did that there were some voices different to the other. The voices of the women, the voices that were phantasmas. Those voices were from outside, but

no they had done out of my friend, nor his papas, because they were afraid of the things that were in the house. I go with Thomas and I say, Oh, the women that are ried, those are not phantasmas,

are your and he says, sure that no, accompany, we're going to to your patio. Prendes if you want the

lights, but we're to do you, we're going, because in the patio that my man,

the barda was a badita, he had the one escalera and there was a sador

and we could we put you put down the things that over we

we're not we're not we I was going to see various patios and I was sure that these women that were in and sonabhan,

medias extra-strained, they were very nearer the house. We put us all. We got up. And there's where me toped, a scene that

still the day of today, me still pursuing. The rices of the women, when we were not sound

like usurros. They were stridentes, but you had to be very because it was like if in a metro two, they'd have been all his force and it's transform in something that

you'd just hear you. But a one metro were almost grittos. It's something very strange, but it's something that I've been living. I've seen people gritty in all parts. That's no pass. The gritty, conformed more the more far away you can't listen. This no. It was like if the sound

was just in a space and a part of there was prohibited that had been my friend my friend and I were in the

barred, we were we're doing for one and other other other side and then

we're just the house that's there there there three

women, have a there and the one of the asser, they're

they're around of a oghera that's that's something that's

something that's that's that I'm that I'm that one of this women

is that is out of the o'gherer. Totally envuited in yamas. Salle the flames, the y'all get a-pagan, and

all slurts are in a carcashada and a risa. And then one of them enter, met the head and all does make a silence. And then it's all the other side of the woman, and all right, and all right, when the third has a

same, does it do something, and all's all right, and the three us turn to look at to see the two. His miras not miras normal. The

eyes, maybe it was because it was the night, it was because it was the

time. I don't have seen I'm not quite to be not the that you

were all they were like if not you were all you're being the night

and you a only a one one there, there was

not the light it. It was a no

absolute and when they started and the sonrisa

the but in a form exaggerated and horrible and they were the dents and the eyes were in

feos, very feos. The problem is that the boxes not were made and sonabed and carcachas

the three women. That scene until the day of me percied because we're getting

to the house as a life that and now so inside to the

house we we're to start us. We're started

to from the floor. Come, come, come, and come to come to and other say,

I want have heard our conversations and our narrators. That night, we could not

we're going to the lights, and the suns, and they were the

three of the three women we've seen the next all the other and they've been crean

well, but they were in the house, they were to come in the two hours they were in the

people, they were they were to get to my little bit to get to me back to my own,

I think to know, that they were we're not we're and what they're

to get to us. With what you think you topar in that in the

house the shone, the door to dojo, pre to Enjoy?

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Nocturna since more a year. But all those that are new in the family nocturna, this data

that I'm going to do not they're not quite they're not to be personal. The time

of the dreams me result fascinating. I result fascinating because has been a time

that has been a very little a level important of relevance. When it was very

little I did that in the world of the dreams that it could

be to be to make to make to do the morning, I'd record about what

I had been the caricatures that I'm there in the suns without the duration of

episodes or that the characters did a something that I felt that I was different or could make

things that I was to have new episodes that were like speciales. So, so that

I was my own characterist and when was a little, I was I,

I was caricatures, with episodes that never came out of air, with characters that no existian, and it was a question like very creative. But it was passing the time, and me did that in the dream, I could have conciencia and could manage

things. During the major part of my infancy and adolescence, my dreams were in relation, normally to caricatures, video-jeworks, things of that type. But in the age adult, I lived for first time what was a

a Pesadilla lucid. And that made it to change my perception of the dream. Start in a place in you can't be able to in the world, in the all of the Pesadilla. And even you know that you're

not to do anything, not to do anything. It was a horrible impelante, especially for the perception of the time. Durar seconds in that no is no problem. But to have the perception, the sensation, that has been passed hours, and no

can't go out of there, that is being persecuted for something that you can't see you the you're going to

be a death of a matter to be a horrible and it was something that's

all the point of I did know that I did count that we're a number,

Manuel, to the person that this life. Resulta that Manuel

during a period medium long, you're talking to eight months,

he was a sweet, a A dream that the first time that he was not had a major importance than simply is a little bit more importance than simply is a little bit more than a

year. The second time, so, that that's a year, it was indudable. The 20thiavabre, was he was aught of soniare that because he had a much fear. The dream is the same. He is in a vehicle that no he knows.

It's what it seems when it looks. When I looked at her his hands, some of the hands extrana, are quite more grand than

the other that he have been and they're very very feminine, but he know that

are the same situation is going to the ballant and see that the table

is on the car, so it then he the door and

and then the part of the vehicle, the coffre

is venting umo and is then when when some

people that are going are advancing, they're in the car, the conductor

is a person, a subject that's a car, and the other person is a person that is a

person who has a lot of a person with a look like a fulminant aggressive, barba

of candado, they're in the rostro like the but not recentes, are like

like a person that would have been in many combates maybe a

or maybe with some type of instruments. The point is that is a person that not is a

person who is a subject, even that is helping, it's a helping, it's not really a

idea. The person without the person is his vehicle, he's a

back to the caruela, the maletterer, saco a pair of something, he's

with this person or with Manuel in his suen, he put a

water in the radiator, has a movement of a pair of things, tap a mangues with a

kind of a little bit of a three kilometers is a little and you have to have a repairation

but with that's. And then Manuel is very incomod and nervous and

very much they're they're they're to do. And be that the subject

is going to go to the part of the maletero and is there's

there in getting things then he to to

with him, but it's a way in the way that's a movement, it's a movement like, like if were

some some those people on the pavement with his feet, so it's that's the piece,

and see a little bit of the and these people, they're in the lapos and he

is a little bit he's he's he. It's very, very rare, he's going, he's

the part of the maletero, and he says this person, let me, I'm the little,

and then I'm he'll the maletero, and in the maletero, there, of some 14 or 15 years

Gleptated, amissedged, amarrated, and has the box taped. Then, so, the door of the person that

is copilot, and the subject without a guy, he, no, no, no it's necessary. And,

just he just, he, the manuel, the Manuel of the Swo'on, and he says,

is, is, right, that's not that, we've seen nothing and he's put the dead in the

book as saying, Callate. The manual of the manuel of the sunno just be

where he move the head to be the head to your car. When then then you

see that a patruia and no he thinks two times and he starts and the

patruia and in that's the same in the other occasions that has

this son, not a something, and is that a Sometimes, detract of

this person that's in the right, there's a dark in the dark in the

light, a sombra that could have used, that's a shadow, and it's a sombra

that has a lot, it's a sometimes, no, this is a idea, they're

I'm, because I'm doing that I'm in the body, I'm don't know,

and they are to those eight months. For there, the family is distraged

for an issue very very delicate. And even he, de a once in a while

comes to his anecdote, preferre not to tell him. His brother is very very preoccupied, passed a

situation very difficult, the family also is very impacted for the situation, and well,

yeah, Manuel decided that to tell that's that's no serve to the

year. And in the last time, the day next, then you're on the new new

new in a certain in a country, a woman, for

For sufficiency, he was top with an auto of police and could have detain some sequestraders that had in the body of a man of 14-year. Dichael, he was the friend of his brother, a friend that he no knew, a friend that was in the malletero, of those two persons that when they saw in the news, they were the same of the Swayne, the subject that I went on the right and the quatte that he went on saying, You don't

do you what would you do you if you'd do you if you're let's let's talk to

the story of the Santa Lisa me say that she she's she's

she had a idea in the idea that's she did a idea

a very strange. After that he asked he asked in the house and

then he took with a story super aterr idea

was the thing being normal is a And her mom continually,

since a little, he said, that is better be normal to a person with dones or with powers. We're talking

that Lisa, when I was saying, Mom, how is it better? Not able to do not

extraordinary? To do do it is a normal. And her mom, she said,

and she knew the channel and he said, when he have lived things quite strange,

decided to ask her and say, my mom, why me say that's this? And she

toped with this story. Quenta her that she, she, she,

she was not in the city, she came to a little,

and that was a little little, and that's little little

there. There's a what the day of today would a

day of a little, it was something was something there. And she

about of the Santa. No, the Santa, the young black and these questions, no. The Santa

they said that the Santa was a a girl that had had been had been

born with the power of God, with the God. It was a little

that's a little bit when I had around six years could be the the suitor of the people.

The children, heeded to find things lost, let's say things that going to happen in

their future, a little, a sometimes bad, they'd get to the children, and at

putting in the little, the children were the people, if they were getting, people,

more, with the men, in the moment, in the this new this was

put in the back, they were again, and this chica, they were

to call her the Santa, the that that curing the disease, the that is the nearer of God. At the 14 years, there was an event

very strong. Even when it's the Santa and this chick is living things extraordinary, no, he's not to be a person and to have

about 14 years. The discuried- their parents, not were in house, and who know how many days they had

had left there with this contact with the public, of a manner abier. And a subject

that not of the people, he did things horrible. She still alive. And at

a month, little more, little more, less, they did count that the

Santa was embarrassed. The Santa, the next nine months, the

people, and the people he said, you're going to a little

a little, that's that the new new that the But the Santa

was every more more molesta, enojada. All the women who have more of a certain age,

they're not they're not so they're not, and they're very bad, it's a problem is

the problem was that the problem was that was that was that was the thing,

and I think this because there were there were there had some never had

a girl and had a baby, but not to be able to her because all what prognostica was fatality.

The other than the end uproarable. And they were temporadas. It was times. It wastes that were to beckxed to make a different. A vestire like a little asiada.

Her mirabye was a molest, it was like a cargada of an energy malabola. His child, her son, his name

apparently normal. But, but still not complete the year when you said much words much more

than the normales. The little was in a way and he was a

problem were the words and they were the movements not was a

little a person that was someone that was that was

the voice that was the voice was the voice of

an man of the old and he Ronco, like a boza vegentada. The people began to have been to have

a lot of Santa Oscura, the Santa Malabula, the santa endemoneada. And they started to leave her more. The child, when he was about two a year-it-old, about about the bids

pastas, he was that he was that he was to gov'nance, a man of two years, talking in a manner articulada the people

was horrible was overroarized and nobody wanted the services of the Santa the Santa was always

and said that the little was that the was simply the God's had done it's a time that's

and God's been and Father's of the Santa, all all diecied there. She, the mom

of the child who she's she's a reason of that or for something more.

She went with her family of that's where is exactly I don't have

any the minority idea, not it is something, but since that she

is a little has clear to a other, a

other more than than certain types of don'ts.

And you, what would you in his Zapato? Julio, I'd cre in Los Angeles, but not the way habitual. I'd

a way more crudely because he was contact with one, but the things that

they were very, very, very, when Julio had about

16 years, it was a moment very difficult of his life.

He was was out of the preparator he was supposed to

go to Julio was confused. No he was to dedicate to. All his friends were like and peas in the

water. I'm going to be a medical, I'm going to be a engineer, I going to be a footballist,

I'm going to say, and there put the category and the profession that you like,

designers, graphic, painters, there were people, people who were people that were

a lot of professions. Julio, no, I didn't see and I saw that all the

other were like peas in the water. They were there exactly. They were to talk about

to that. And he were to do the examin and he had been a

profession, no career, no had made any intent of any university.

But in his house, no he was saying that he was saying

that he was just to have a father just to the the next six months,

where it was supposed to course the first semester. Julio was

out of the morning, and he was to go in different points

of the city, all the morning and the time, after to get

to the house at the and he was about

the school, the problem that had to tell,

to the the father, he they were they

very lamentable, the mentira was discovered. Someone, some friend of the family, saw a

julio, and it was very very time. And it was the first that he when he

reported to his his papas, his papas he was he resulted of the

most strange, but we gotus that he he still saying

that he did you didn't and they were they were they were seen

in that and all and what place, that had been there's been in

these times, and that were days in the time he had had been about the

university. So, the confrontation was direct. You're not you're doing

the truth. You know, we're not we're a car to be

to the piece to the and it's when he really he he said, he's never

he never he's he never he's he not he's not he's not when he

they're what you're doing with the money that He goes to his quarter and he goes to

a car with the money, he says, I'm going to do you're doing, I'm not so

what I'm doing this. The Papa of Julio he pego to do this news,

but he pego so on the never had seen so much and the way to

show it because no other in that was with nood with courage,

with much noho he, he began to get a mess and he

just he vented on on him to get to get to

get to get to the question, what is the thing, and then the car

of the man, and then the time, trying to deten the little

to get the something, and it because the Lord was justed of what

was doing, he's he's in the house, and he's up a motoneta

that he has a runca a velocity. Julio never

had been so much so much there's many of voices that have been their their

his name saying to the prepa say and tell you to do you want to understand

to be and tell you voices of the people saying to yes you is that

you're not you're you're to do this is your moment this is your moment of

study and and yes Sands, contests, contests, and contests, and I'd say a repentiment horrible, the

face of his father, full of courage, of a discepance, of deception. The deception

was the bad thing. Never had had been a bad relation with his father,

and had deceptioned a person that for Jolor was important, was his head

and his mother is rota. There's there's another moment for

explanations, but in this moment is so How strong the pain is so

Deter's that's too much he has no has a way to not have to be able

to be there. And it's there in this situation that is in the cell

of your house never had been been so never

had been been so that never been getting to

some car or wagonetta of these old startal

that's that's a sas when go and passing, to come the

door of his house, he don't want to ask, they're

to come the timbre, they're they're to come, and then someone a voice

and a person major, with a voice a voice a little he says,

he's going to get a man, a man, a man's a man's a little

manchated, And the Rostro yeah of a person of more of 60 years.

And this person never had never seen. Julio is he kept and he

says, yes, he's I need to you know, your father took an accident.

And where says that Julio he's a gritty in instant Moma! Moma!

Papa he's accidento! And the the she was a year in that moment

in that he recompused in two seconds he came He goes to the

door and he says, what is the person? He's gotraring a garra a gorrita in his hands and he

says, excuse me sir, but I have to say, I'm going to you're in

this car so they're so they're to get a carmionate of this sir, no,

they're much conversation. Julio is temland the she's pretty

so, but what happened but what happened? He crossed a a lot

very fast very she she choked a car was a a

accident a those I'll get, and then he'll be, and then he's parra, the carmionetta, the mom, open the door of the carmobile,

and where Julio is a point to get to get to the man, and then Julio, I went to to see, and he's cruised

in the mirasas, and for a millise of second, yeah not was a person major,

he was an person more more young, and with a calidee, but a calide tremendous.

And, and just me said, despidate of him. despise you right and me I'm suelted

the man I'm going I'm going I'm going to my mom I'm I'm going to the

carmennett is father because we're we've we've allowed to

let's an ambulance a little time when when he got to get to

the ambulance and he's I'm I'm saying, despidete him. And I'm

to ask to give pardon me, I'm, I'm, I'm, I'm going to do here

in the good person, I'm a good father, pardon me, and then

the papa he got a the man and move the head to the man, probably

probably he had done that he had done much he, no, he went

to the hospital, falle in the way of the hospital and

from From there, Julio, commenced to do an indigation for years. Who was that sir?

Why? Why? He was my papa? Why? He came and us was called?

And during five years, that was what he dedicated much time, while I

studied a engineering, because a part of there resignificed all, and there

he had to be front now of his mom, of his brotherito, he had

to be a moment that that not the time of these things,

changed from a moment to another, it was a moment very strong for a moment very hard

in the time that's never never understood who was that person until

that's graduated. And yeah graduated in the graduation is

sure that there in the front in the pass this

person was on and he moved the head and

never more he had never in the passillo, he'd the same

roba, the same attuendo of the day of the accident. And you, you,

you'res in the angel of the person very dramatic and kind of a little a little and that

the people not time not that not too in account. It's it's a time,

but all it's his reason to do it. When it was a

little he was a very so hard so that's that's

so much that's it was he was blocked. No they didn't any idea of a success that occurred there was

she was not he doesn't remember of a house, no he remember

of his his man. And when I've intended know the story of

that his mom she opone not he doesn't want to

not because he occurred a something a year and

it was so so that they had We're going to Lupita, when six years,

lived a little and it was so so much it was a but Lupita the day of no, he's six

years, Lupita the day of today to three six years. At his 36 years,

just the year past he lived a lot very much we've been to start for there.

The year last Lumpit was was a little bit was a

newio. A novio a long time much time in consolidate

to do that one a relationship. But of a day for another, she was a little zealos, he did a

saffarancho, he was very molest and, as he was a family in other city, he took to to go to

some vacation sitas. A fine of the time, to be to be to go to be a

little in the relation, you know, he would be able when he was a farrancho of the pleit

and she saying that not was in the city, started, they started they started

to have like many the time he's got to have to have been many

things, will be able to be a other, me to have to make her and other and other

and other and other and the telephone sonable and sonable but nobody

contested and so so it just said that the insecurities are to

go back at the final of the Saturday she she was totally

desousied in this time Yeah, and for that I do it

He's he He's with a more than he's a more than I'm

going to I'm going to I'm to have to my confidence but he's a thought but it's

a thought that night that no time can't do do not it's

between attacks of courage of anger between ideas paranooids

of of who fregated and for who he he did and I'm he did

he did he did not to be always together and purrars things like this all the

all the all the all the thing but it's that the day that the day

he's got the time and they're the time and when she there there are

many there many there are not some of the no

they're they they're in common and and not

a message of text that says I'm for

the same she she she's she They can't and he I'll make

and no they contest and they're very desperate until finally they're in the telephone

and is this friend and she she's the thing what's what's happening? And he

said Lupita you know you've entered or not you've entered and then she

pega the great the she was he got he got with another me he gave

he I'm I'm I'm I'm and then the friend

he's Lupita you I'm to tell something very grave. Where you're, no, no, no,

what can be worse than this? And it's a Lupita with his things, his magdalena, his mil histories. And then she said, narrator, I mean,

I did count of the error that I'd to take me the things that was doing a drama. I didn't

hear a friend, so that he's that he's justperated he's got, and he said,

he said, he's he said, he said, and he's, No, I copped any one another

or any of that's I'm going to feel like me going to be fria, fria, free, frie, and I

came to popas to the piece. I was there and I was about who

was about that I had been my calls, for that we had had been

had been and not much I'm I'm I know I know I'm

in the belorio I'm my friend to an accident of

an accident and he, and other two persons, not survived. And me

are doing details that right, I'd say exactly where I'm like, but I

hear you have been in a burbuck. Of a repent, is my mom

with me consoling me, she me told that I was that I'm

going to that when we go to the city in where there was the

accident because there will be the endierro, I'm I'm

present with the family and I'm going to feel and ascalo-frills. The family is deseched. I'm going to

and I want to them. They're going to never me have been quite much. So, so I also

give a little the space. And it the moment in the thing that the person,

the family, not is the family not to make care, they're so that I,

I do, I do, I, I do, I want to give me, and I'm my know-and-a- He, of some way, had

been made very well because I don't know the signos of the accident, I'm going to vestirlo and I know something that me gave much fear. When I go and I go, his rostro, it was like a little

no molest, but if inexpressive, like if it was very serious. And when I'm putting the the roppa, I see with a little a little bit of fear. It was like

if I could feel like if could be able to be able to be able to be able to be able to be the hand and I'm just, I'm sorry me for the last thing. And I know like if something in energy, a little energetic

is a moveier and in some way, me respond with energy and he solte the hand of a little bit. Me gave me much fear. I never had lived something or no, that I could ever be

advancing the time of the belorio, I have like present moments and moments, no, because it was devastated, I was made a lot, I'm that it was a real, I feltia that in any moment I was to start, in moments me was enojada with and with all, and

it gets a moment in the way I feel that someone is a side of me and recarrague in my homero, how my nobio was made. And me kept there

as I'm Ida and I even I'm my man and I'm I'm in my

name I'm and then I'm in mind that who's doing that's doing that's doing that's doing

that I'm that I'm my novio and he is there in front in the atau

then then with the hand with the head and I'm there

and I'm see those the hair RADOR I'm I can't I can't describe

because I'm that I had been a lot. Yeah, I'm seeing

my hand, no, there's nothing here, no, there's there,

and I'm there's so I'm my man and I'm my arm and I go to

my armory, and me the pontium, when I was only in the house, in more

to a occasion, it was alexa in a song that I or we'd, we'd, or we'd have been

put to cantal to one to another, nobody's pedia and not appeared in my cellar that were reproducing. In more than one occasion, while I was going to beaunted that someone was able to observe inside of the bathroom. It was a moment in which I was

even when I was to go to get to come, someone was to be behind me and me abasable exactly like he. I had I felt invaded,

I felt that I'm going that I'm inventing these things and then then with much like a

fear of feeling me acosada I go and I'm going to my mom and I think I'm

doing this things I think I have to go to get to a and my

mom and my my mom that's a person that's like in things

I'm I'm we're we're we're we're we're no mom

is that This, this, this, this, this, this, this not are things. I mean, I'm, I'm going to be like. And he's like, is that, or is that, is that, if, if you did you live, something else and so, it's been something that's more for a father than for a

psychiatrist. And I'm what you're talking? And he says, of the story of your friend, imaginary. And narrator, the story that me told me mom, resulta, that's the success most scoffreant that has heard of any other person,

and resulta that it it was I, I said my mom, that is a time that I don't know that I'm

that when was a little about the four, five, six years, we'd be able in a

house. That house just was the clindaba with a panteon. And mom

I was there, because in that time I don't think I never in a

good point of the city, and the point is that we and we and we

were the only the only the house. Me He said that in that house, in the patio, she no

he used to pass much time because he'd try it like malas vibras. No, I'd

be in vibras, but she's refer to my arbolitos, matollas, including the cestep. There was a zone grand of the patio that the cesteped was always

sick. And my mom said that that was because the soil had some type of contamination and that was what

was the bad a bad like it was in a place. What she did say very rare to

is that me was that I just in the patio. And just in the patio, there was a

little bit a tree in the in sooen's I could be able to but that's

a little that's a little and it was to cost to get to and it was going to

go to get to she was she was going to get to and if he was

very rare that I me I would much to play in the house

and I'm when when passed a few when after

I'm he asked that he had that was that

he was that was with my amigito, that my meegito vivied above the arbor, and my mom said that he

gave me a question. He said that he put the skin chinita, but entered in a game with me want to ask her more information, so is that me had questions,

she was what has what has been very clear. And who is your friend, and how she's your name, and to they're playing?

And every response that was even better than the other. My my friend, my

of the tree, but a sometimes he's he's he's he's he's he's

not a man, a lot of a but many I've seen I'm

not a not always is good that so and I mean me

I'm I'm know because it when he he's very

really he's he's he he says that he has seen

to you he doesn't much espier that he he doesn't much to talk since in

that he says that you have two times that you you know, but that you know you're not

you're he's it and he and said my mom that when he said that

he was a boke abirta and he was that was that was

not a time in the house she she standing in

her room she she she she I went

and I came to her and the I

and the and when he put the man

on the no to do not, it was to go directly the and when the room was a bit of two occasions

specifically that you that was there but no it was about and he was that was that was

that was that was that was that probably was a kind of that was something that was

a mom of our suscriptor that this game escalar it was it was

a whiffa real and he said to he said to ask him he's a person and the day next

he'll he said he not he's a person and he's question he responded depends

and he he's he's he's he's he's he he said

he said he said he says he says he he's but that he doesn't know

that he does he don't know that's not Mom, says that if we're going to do not do. Preguntal if I can't continue to. And then, that when the

new her sister's registrower, he said, he had no, his voice. His eyes were completely blanks because they were bolted up and he said to

to talk with the voice of a woman. And he said to Tick, Toc, Tick, Toc. Talk. Your hours are conted.

Tick. Tick. Tick. Toc. And me desmilled. That's that's

so so-alucinant for my mom and so impactant that it that no during that

the day next we went to the house of a Tia, then we

took to one other other place. No in what Mom

was was But, me says that, that when I tried to talk to me for that they said to more people of the family about that friend of the Arbor, I don't

me record about the child, no me accordable, no me cord about those plaitics, and no me I thought of having lived in that house. My mom was impacted

because me said that after that moment, I started to change. And me began to be a person like different, as if

someone as someone as as if in moments were I and in moments were that

voice the personality that was that one one of the one of the he said tick

talk and that he said that's when my mom me came that

soces and me told this story and me he said I'm

I think two I'm I'm with a father the father not had

any the minority to me said to me put to

say of Javes-Marys. Then I finished with a group of deliberation charismatic. After that I started

at rest of my account. And the narrator, I don't see if was something what was the cumul of

all. No, if that thing was about me. No. I don't see it's not a day

he'd to get to but I know to do you that I'm there's that there

there's there there's there that I've I heard the story that my mom I think that

that was that was down of the thing that's I'm in the first I'm think it what you're

what they were the house? And with that story our family nocturna

we've got to we've got to this episode you got if you

could be to get after the final and some of these stories

it's it's it's so that's so every time we're

more And remember that this time, I'm going to reveling a surprise, a surprise for the episode 300,

and for those things that also I'm that I'm on the Saturday of SOMras. Now,

so, you want to see a time, we'll see the next Juebys, but

meantime a time, I want, I'm, I'm sure that you have some goodas

pesadillas. Bye bye