HABLEMOS DE LO QUE NO EXISTE - 5 Historias de Brujas Endemoniadas , Desapariciones Extrañas y Espejos Malditos | EP 274 | EL NARRADOR

Episode Date: March 17, 2025

Bienvenido a ésta oscura Fogata de Historias de Brujas Endemoniadas, Desapariciones Extrañas y Espejos malditos en  @HABLEMOSDELOQUENOEXISTE  .El día de hoy les traigo historias que ustedes , querida Familia Nocturna me compartieron alwhatsdelaspesadillas. ¿Qué se oculta en la CUEVA del ESPEJISMO? Descubre junto con Lázaro los peligros del MONTE DE LAS BRUJAS. Conoce la ESCALOFRIANTE CASA AZUL y la BRUJA que la habita. Tiembla de miedo con LAS MUÑECAS DE TIERRAS DE BRUJOS y escucha la historia de la BRUJERÍA MAS CRUEL y extraña que me han mandado. Así que prepárate porque llegó el momento de que  @HABLEMOSDELOQUENOEXISTE HABLEMOS DE LO QUE NO EXISTE es un canal de youtube con el formato podcast que comenzó en abril del 2022, su primer episodio fue "vivo en un casa embrujada" en el que una chica narró sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de éste canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de éste canal , la familia nocturna , creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de éste canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando ésto, tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora.El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo que genera. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado.

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evening in night, to this oscura fogata of stories. The day of today

to talk about about about about about men and dembrations and

disappearations extrana. Without, before to start, let me to say to all those

both, this is a advertisement. This episode not is for all the naturalness of the

stories that we're going to talk to the day of the day of we're going to talk about things and supermating

so much that if you are a person sensitive or if you know, I, I'm a

person I, I'm to be in company of a adult. Now,

so, for all you, both the new as the veterans, I want to

the end of the foggat if it's that they're going to this is that is a little this is a episode different.

All the stories that I've got the day of today are the stories are really

some really strange and these this this this this

I'm aterrador we we're we're a person that's

Brian Brian we can't What makes the last, that has cut out of the tranquillity? No, he can't do anything about about, because it's something that he, we can't

be involved. Of actually, it's something that occurred, has almost 30 or 40 years. But, but he has to think that his family has a connection

with a little a little bit of and it can't do anything, let me tell me to what is what what occurred. The context of Brian,

the year past was a question was a very very difficult Brian

had a his abuel his his abel and he was a really much muchissimo

Lazaro was being a person very very very very pretty

I think that the day of I I think in the correo that

Brian he had around around he 17 and 18 18 18

years a year so so the major part of his life, until the

day of the father was a fatherno, was a high level of importance. In

some point of the last two or three years, the abuel started to a form kind of

kind of that was a fact that I had to not the thing, and he was

he'd be you're you're Juanah, oh, no, you're pancha, you're pancha, yes it's

certain, yes, certain and he started and I'm saying, I'm talking to this

and I'm not sure he's not he when he went to a specialist because

not exactly with who they've got a diagnostic lamentable and contundent has

Alzheimer or Alzheimer and it has a very rapid advanced and it seems

that is very aggressive They're different types of treatments they're going to but the deteriorer of the abuel is very much

the abuel is to be doing a form continual, of a sudden things strange, banning's many

times a day and it's like something that's that I'm going to be going to and he's going to be

and he's and he's and he gets to talk anecdotas one and another once. It's

a moment in the family commenced to live a duel very very duro

in the day a day it's a very much a boy and he mentioned a bray he's

not he never he a friend a man he he had a he was and for more that he

he had he was I was a friend and he was affected so my

abelit no he no he doesn't he he was that he was

something something something and there and he have to be like

so to continue to continue to and all, but that was going to pass. But that was very rapid. It was a moment

in which Brian, Brian was to presentar as someone different, he presented as a, as a father, as if were his man, for that he was like he could have, like, recognize, and the abuel, he was going to be a lot more insecure.

Brian and his abuel, the senior Lazaro, had a linkulo very special. Because Brian was the unique of the family that could do that's

the whole of the he said, ah, you're Jaime and he said yeah, Abolito,

and the abolito in the that Brian, he's a actor and not a person,

so even he said that he said, he said, he was he said, the simple

that he was there was he was there, and he he was he never in that

with all the other and all the other than, who is you, I'm you, She was putting

more tense and nervous. What was what what was what was that

the part more difficult? The family he said that for favor

he's more more time. It's something not because not because

not he had a but it was that he he was that he

he was he was he was he he was he was he was capacity

a a little a little to talk to talk of people

a new A new that was a instruction of what do you do a and to be

a moment very very very hard after the year past the

year the deteriorer was much the old was

a was functional was functional but in the sentence strict

of the part strict I I'm that I'm could

get to the same and could open the lyeves, he'd get the food to

the mouth, but all the time had to be in his

because his memory simply and was very affected

and it's that when the abel to talk

and to talk things that that that he

was then when he he he was that

it is a a in this moment, not is a story that he

said, you know, so purrott's that in the long of the years,

Brian, was unying and he knew and he did know that they were part of

a person of a person, of the he never had heard. And it

was Benito. I'm about Benito one and other once.

The day that he was that Benito if it was a person

that existed in the past, Brian he put his side and you're going to get

a little. The abuel, he's going to tell. What I'm saying, I'll say,

no, he said, he said, but Brian, he said, and you were all the time with him.

This is very important, because I to do you go to do you know, if you know, no,

you know, the story. The abuelo he told, that when he was a little,

a he was to him was to him was to be a lot, much with Benito. Benito was a major than he for two

years, but also was an adventurer. Benito he wastable to get a place in those that no were people. Montes, serros, places in those that would have been in those that were

in the afueras of a city, they'd have perfected a pair of serritos for there. There was a mountain in which, especially the mom of the senior Lazzar he said that not

that was the mountain of the and it was a mountain a little bit but for a little reason

to Benito and he was a lot and it was a place. It was a place it was a mountain

but you're just standing there you you're down that you had like many

many spaces for where you had to come and much many as those like

those they used because he had Cuevas and they were Cuevas that were that were

even they were even you were up the mountain you know you'd a certain point that

about a great I used a and the way and the way

it was a certain form in the that if you you could

get and you you could be to get in this story,

as Bennito and Lazzarer years. They were they were children. So,

they were not medied the consequences of their acts and they were they were taking.

In these explorations, in the Mount of the Bruchas, this this.

Quenta the Sir Lazaro, that they started to find can't and

the caves in a coveh, that was a cove that was a

that was a Cueva that he said the Cueba of the Spejism, because it was a Cueba that from there, it was a covea enormous, aberta just to the front of the Cerro. But no it was from out. From there, it was a lotorrails like the rest of the serro. And standing there, it was literally like a quenka of an ojo gigante and a negra. When they entered, the first first time, they're a little bit of a little bit, they were with a

lampra, and the second time they went that there were more coves and more caminos. It was very strange because in the narrations of Don Lazaro, he began to tell that there were occasions where no occupant the lampara, because the cave had a lot proper. Luce electric, the light of the outside, no-se-s-s-saber, but it had the light, and that they started to

find out that in frontes, doors normal, ports of houses, but that not were like old,

deteriorated, of a place that there even that he knew it, because they were the

people of them, equales, an azulito, a celestito that had certain quadrits with videos that was

that were into, another a part, that was a Marko Rojo and that he recognized that

was of his colony, but not is a question of the house in that were the door in the

entrance, and that they decided for enter in a door that had a serratura very bright

of a dark. When opened the door, they were a lot something

that's really but marvellous. It was a passillo a piece of color black that

could be something something something something like a peter, a little bitra, lisa,

lisa, Ligeramente and they were in a house that had the bobe da the top,

the room, the passillo was ensanch much to the part of the

door, and the other there were in abutations. Recurts perfectly

that when they were they were a aroma that was cautiv- coffee and

and pan tostado but it was so delicious that They were to think

that they were in that they were in the other there was a little bit of a bit of a bit of

a woman that was lavando or secaught a lot of and this woman had a

woman had a vestiment that they never had seen. It was like a color

black and above of that a a ropeita like a type of a black and

a tail black that he could be the I'm the impression

like something something something related to servitude um of the has been much time also

they were on the other a subject that was kept being a that was a little a little

a little a bigote recortado and this type was like fumando

a pipa and they were and they was coming and they were being in a maneraera

and the type there was something that was that was behind of it And behind there was a

window and there was there was and there was just in the window that was a garden

precious no reparated in the there was there was a because they were in a

cave and within of the cave had found a door and in

that the door what I did that were that were that were

they were where they were the one of the window and he saw clearly a harding,

a garden, a garden beautiful. The type that was was from a piquing the pipe, I was with a certain touch of a desprecrow,

as not querying that they were there, and they just were to be able to the eyes, and they were

going to he said, he said, he said, he had to he had a much hunger,

and Benito insisted in that they had to that something that was that was that was

a mal spin. They were going to, there were a part of the doors

more, the doors were closed. And they were then to a commedor that

had a different type of the telfel because said that's that it was a

sound a sense very a tacto. It was a terseopel and it was of

a color rojo but like red, in the table there were different

platillos putos and there was a tass a big

and the tases Lazzo he he wanted to He said to come to him. He said that when Lazaro was forcegeing with Benito,

he said that a woman, of about 40, 50, 50 years, that in that moment was much major to her mom, took a Benito of the and he said, ah, you're to protect your brother? And then Benito,

not just he met him a no-mone-tas-a-lazzarro, what he did that dolier a much, and he'd say in a pair of the larkings, And the only that's the sir Lazzar is that

Benito he said he said, this little, Lazaro, when he was when he was

he he was he was forseying with the sir, he went the

door, and he said the house the problem is that Benito never

came. Lacerro had to go to go to his house

after after after after there after there and

he was that he was to be to to his house, he went to to look

to his mom, to his and they said, because he was a little bit of that he's

not a little bit in a covee, and that had had been got to

he's not the other and that he's the little, no he's

he never never couldn't find the the the

door, the the gigante, the that had a form like a

one he never they're never is that Lacero. Lassaro

yeah had had had been in repeated occasions with Benito. He saw the way perfectly.

The Cueva was occulted. And record to that very, very, very, very very well, very well, very

he said between soyoos, between a little of a lotto and a feeling, because he

was the culpably that he was the person, when he was quite he was

listening one of the things that was one of the Lansheimer, and, well, this had to do it, the problem is when he went to

he told her mom, the way, the boy, he's talking stories very interesting. And when he mentioned the name of Benito, his mom said, what he told him of Benito? And Brian, he said, because you put this, so, that's important, that name? And he said, you, no, know what's about your abuel?

No, you know who is Benito in serious? And Brian, he said, no, I never had ever heard heard. not someone related to my abuel. You said, your abuel

during all our life, he had moments very very really after a

few years. When they were his nieters, that when we were

because we have we we have we our times, your

your moments very in those he says, he's he's

so he's so his brother benito disappeared for

his that he is the culpable of his disappearance. The problem is that he has never has never been able to reveal what is the history of the disappearance of Benito. You atreverous to go to the mountain of the

Bruchas? Aluna Bres, you have done a limpia? With some demonio? No? Then you have to hear the story of the Casa Soul. Yilda knows that of her carino, always

he said to her mom, Mena. No has nothing to be with her his name. Her mom is called Christina. But she she said Mena and she's been Mama Mena,

Mama Mena She has she said that I'm a time to the time with her mom Mena

has been something that she has been put her and it does much

we're we're to go back back to after has

two months and Milda that she had to have a

perennial in the pastas she were some she were

there was in a house, that all was to color a color

blue. No, you're to make to interpretate. No, it's that you

have a picture blue and that's not. Imagine more that you

trys some lenses that you have a light that's

all was a color blue. I don't know was the color

real. No was exactly how was the house but

all all was a blue. In that Casa Azul,

she sentia an atmosphere very dense. She had a comedor very great that had like

and vases disordernated and tirados and did it any side. I was a passio

that was a door of a room, in the there was a catre and a

small and start tallada fea and that not to enttoj nothing. They were

with sabana suas vizas. The piece was was a full of what probably was probably

was a polvo and the the top and the tachio was the same to have a house abandoned

because she was there was there the atmosphere of the place was and apart of that

there were the noise that were that were that she was she was she had

a lot and I'm and at the first that was that was that's that's

that was the first first that was the first I'm fascinated because I'm

seeing all blue, what's this? Oh, the plato's that's loco, that's

it's all over, oh, yeah I'm that this part that's because there's there's not there's

because there's because simply not get a light, but why I'm the whole, and the right of

a second is when he did know that the other that's that you're a little

that's not sood. The third occasion that appeared that were three days consecutive

is when it when I'm the one time where you were in the two two

and he gave a bad a bad voyage, a sensation that's that's the thing that the house had a

atmosphere dense. It was like if there had been a lot, like if the place

had been abandoned, or as the people that were there, simply simply,

simply, something, something, something, that was that idea, it was then when

appeared the the ruses, and with the Ruidos, he this not

a new is a normal. This was a piece of a a lot of the

and it's floor, for some escalers that they're the sensation that's going to get to

get in in quite advances and she not parable to get to get to get to do you, intend to

prolonging the time in the time in the time in the time in the time and you put a room,

make aromas in the time. Every day the dreams were more. That man had a person of the

which was the way of her own of these dreams. It was a woman yeah major

that too she was totally in color but she found for his rasbos

that was that was a person who a part of Then she'll go to escaleras to go to this woman how comes in arco

caminandos the escalars as a track. One scene that you have seen in the movie of the exorcist and she was uproast

because she never had ever seen that movie. She no they don't like the thematic of terror. She is

living a penitia continua. You'll say, this occurred two months, two months and

the days are going advancing. And also this movie still advancing and every minute is better. She when gets the piece of the floor and this woman

is going to be back on the scarecarer as a as a rae, as were a contortionist expert and could generate a fear horrible in the

audience, what what it does her she does the back to the woman? And in the moment in the

time in the back the front of she, a lot of mosques form and almost a

human. thing that he makes the fear the fear of if you see a

woman an that's contorsioning and back the down the thing

is a horrible see a lot of moscas with forms of a person

is the better you can imagine because she is really

that she is that has been that has many many

matis real nothing of nothing that is something

just are things that not are things that they are

horrible. It's there when when I'm gonna the senior Mena. The mom of Hilda, the senior Mena, Mama Mena, no was ever of this. Hilda,

he's gonna say to her mom, mom, I'm, I'm, I'm, I'm having dreams horrible, no-se-to- what-ser. You're talking that you're a person yeah major of the age, is a person of more of 20 years. Never had been a type of these problems,

and not is a person a meodosal. When he goes and gets to go and she's close to the Anna and he starts all, her mom, it's a lot very in serious,

very in serious, and that's rarrow. Because the mama had said like in forms about the form of

some people, it's a case, and in the other to do you, we say, we need to

make a little a limpia. No, are people that they're in a little,

or that never in the life have been about about the things of this

type. Nothing of spiritualities, nothing of other not of other of religions,

the religions that she and some ever resed there to get to these

questions of the and they're things that they're not in the school or a

or a other but not in the family not they not when her

she said when her she said she said moma because you say you're

a little I'm I'm to see a lot I'm and I'm

and I'm going to make you she's mom but she's I'm you

don't you is that was going to a very bad moment and me they're

recommended. But who he's he said, I'm a good question I'm I'm

but I'm know I'm here. And here is where the things are very

really because when they go to this place not in the

market not it's in a little not it's in a kind of

it is a complex abetational in there many

people and there There are casitas inside of the casitas. No, you think on an Airbnb,

think more in a bestindad. No is a complex as if we're about the

form is more atypical. Like a house in that they were constructing that were

separating and they were and they were in little but I'm in the

patio, and the part there is a house of two pieces.

She when when we the facades, it a sensation very

disagradable. The problem is when open the door the door. And it's to see

there's like they're there's but not where he has seen socio. The soil

is full of the soil, like if were a place that not clean

much, and her and the mother you know, you know, you know, there's a

thing, but she's a little to a little to be a commoner in the

is full of vassos and plato and the instant. The house is the house that has

been a time. No, does it is a time, and he just he

got a and he a lot of the time and he says, and she don't know, he says,

we're in the second piece, is in the courtito of the right. And she

is a mind, they're to get to be to get to they're

in a point in that she Siente forced. She wants to go there.

I don't want to be able to be in the place. When they're a second,

and they're a little bit of the instant. And the side of the door,

and when he top a two comas that has seen in his pears

in the house there's no, there. The problem is that no

need to do need to the second when they were to the

escalers and this woman and he were falling on the piernas because he trembled. Anciana backed from there. And for the

first time, a color, saw the woman that cameinable by a rae for the stairs. No, he

thought two times, he recupered the force in two seconds, he took to her mom and he said, she

his calcules that his pesidels began, one of her mom was to visit that

woman. Now, Damme your theory of conspiration. What you think that's going in this situation with Ilda

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at rBC trainingground. com. You're going to tell the history of the three demonios. And this is a story

that Sarah has affected much not occurred a little time. It occurred

when she was a oldeastern, when her mother was a little, and a

day of he made clear that he there is there there is not they

in a sense positive but they're for her the and the

don't let's let's let's start a little more back

Sarah in this time we're about about of 14

between 14 and 16 years. She has a her mom, the Sr. Rossi, and has a guy who has a woman, that is the Tio Toio. The Tio Toonio is

a trailer, and is a type pretty rudo, but super, super-cournioso. He, when he's with his sobrients,

is another person. But when he's not with his sobriens, is a type fierro, fierro, fierro,

fero, fero. He, he, amadentar for nobody. It's a subject that if you you get to

see you get to see you see a bit like penetrante like if he's been very enogated apart he

has done much like physically impone then has he has a person very

very strong the man you to know is an love with Sarita and

with her her manita with her her mama Rosie she she's

she she's she she's the mother Rosi is the mother of

He's always with his brother, like this is a and a flojo that's very chistos because

Rosie is a person that's a minute one of five is a person full,

yeah, yeah, yeah, Toyo. is a one to know, and it's a type

grandotot so you see to goliad with the mirungita that they're

still and you know, and you never gana never gana never gana

no discussion because because the Sheena Rossi, look, chaparita, but very, well aggritty. So, let's say Sarah, have very good records

because, even in these discussions, to her he has served much to understand how is a dialogue, how is a discussion, how not you don't you need to get to give it for their apariences,

and he wants a much his mom. In this context of a family in which the senior Rosie is a mom-solterer, the Tio Toon, So, it's the part because he

entered very dula the and he all the time is all the time is the time to support to the subrines economically and with the

one of the other the other reports most aterrador that I've resulted. The Tio Tono

had a longito. We're talking that's that's about that's almost a month. No, it's

because it's because of a voyage, it's because of a other and to places and places and there were

in his city. When he regressa of this voyage, he has a little bit of Sarah. No we're going to put any name to the little bit of the little bit of this story. The regal is the thing. The the regal is the regal most

fey and horrible that have received these children, but not was intentional. The Titoe has, has been seen-one, and He wants to give us some details. For Sarita, he bought a pair of pulsars, a collard,

a diadem. Probably the man. He only saw that were things exotical and that he liked. No, he did that they

had many calaveritas these three things that you did. No, he he putt attention in

details. And for her her manita, he gave three moñecas that if you

those would be the day of day to put the the peels of the ponte. The head of the moneca was

like a little bit of porcelain. The body was like of a little transparentosa, but it was a person very disproportionate. It was a part of the torso was a large, a large, a large, the brazos were as long as

the pyrras and the pyrras are very large. The manitas had like if they had been cuted to a mukechekos of other place, because the colors no coincide, and they'd some zapatitos at the final.

Imagineate this thing that overrante. You're talking of a little bit of a little, with a little, that not correspond to the proportions of

the head, and then they're some broads that get to the feet, and have some little. It's horrible,

for where you want to be. But for him, when they they were called to do they're really chistosas, and I

I was that for the little bit of an girl would be going to get one and with the other and how they were very large, it was very

very different. When she was her manita and then it was a year old. They were horrible the mokees.

The munekees were on the car very beautiful, but the was a spantos. Apart, who knew

what was they had? Because the the tele was a media transparent, but soro it was like

a sack of color black, redondied as a balladito, but no, they didn't even much proportions, and no had much sense that was there. One muke

was of a color like between the Rosa and the fuchsia, another was of color red, and another was of color blue. It were the three mukees. Those three mokees not they'd never in

their dormitories, but also, as the Tio, he said that they cost a very good money, no they'd didn't, they'd to tell. This was one of those cases where the

Sr. Roza and Toño had a super-discusion. How do you try this mugretero for the muggler for the little bit. And Tonyo saying, oh, yeah, but it's a good caro and no

know what it costed. For that, but it's that fey-ishimas. And, well, Sarah was parted to the risa because he'd look to see, how it's the time

the man, how's it was a little, how it was something? The problem is that Sarah not he wanted to run per the caron to

his brotherita no conscience of that was more decision of her that the mouyeas she could have been in cargare, she was in cargare that her marina not

and that the muckees had been a little bit and she was thinking forms of how she was sitting there and she was

in the room she had in the hallied practically and oversalian the three things that's a carer than a something that would have There, in this context,

commenced in these situations. The repent, the hermanita of Sarah commenced to say that the muckees they are molesting

in the night. And he's to talk much that are that are that she's not want to but that

they're in their court. For Sarah not has not really because the munekees always are

in the So, so so one day attempting to make a her manita yeah no have a

mind that's she's go to the little and he's he's a and he he says,

we're going to do that I don't want to see you don't you get you know

and I know that and he he gets and he he's and he says,

we're to say let's we're let's they're in front of the munkees

and Sarah he's about let's You know, you said that you three are little little.

Yeah, I mean, they're saying that's not that's not we're going to let's be able to do you.

You're not invited to this house, but here we have our and here we try them, to my You let's say,

they're not going to make that we're going to get us about the time. Acquirtate of the Tio Toño. The Tio Tio Tio no he has made to any.

Menos to the little. And then the little the little the little. And then it's to say, Nias Malas.

Ni-Nias Malas. Yeah, no me molest, the one. And, well, and, well,

and then, and, and this is the ultimate time that's the last time that you get to the attention,

because the next, I'll go to go to the house. Sanita is a

profoundly repented because I don't understand what he was going to be the

little her and he was the way to be more more than the reality.

No, she did not she was in the cell, the oneke

is she's supposed that in the cell central and

she is watching the television when when she

to hear in the second piece that there are and that are going to get from the room and the hermina and the she's a start to get her

she's going to go to the stairs to the second piece, she's going to the little bit of the little bit of the little bit of

yore and yore and saying let me in peace, let me in pass, my womanita me said that my her manita

me said to go to be going to be not they're going to when they're they're going to there were the three mukees.

Who he was to get up up to be right? If Zalit was there in the

cell watching the television, no it's so when he was the little and he was

her mother and that her brother had that he said that he had that was

not even time to reason why he was he was to the and being in the

cell and she not she not I don't think that she was more her brother

she was more than she was more she was Because mom not has had been subied. And that's

no time there's a time in the house. So, so it's that you're and in the

muele, she has left to put them to the lavendaria, and they're to have been that's over there. And that's

not going to get a lavator. Sarita she gets dormied watching the television

thinking in how the day next will make that your little because she was going

much and she's She was very with those mokees and also it was too and it was too and she kept dorms

thinking in that when when he started and there was like a sensation that she was that was

I was trying that was I was like it was like it continually this when it's

when I the moeneca red is in the the techo and the legated to

the feet and with the She pega a gritty like you can't give a idea and the only that gets to hear you get

to hear of there's and where the other two mukees are the other two Now, now, is having pesadies

for being stories. And this chica is a lot of fear of the know that there is a

good, and there's a way that those things were put down. Apart, there's a particular, and

that's did you know the day the next in the time. The

mucka. The unnex that had a time that's changed.

If you're you're with a little different and the

a sonrisa also. Now, it's like they're being a lot of you. A

part of that the house not has to have movements of moenekas. No, the mokees

are in the sillion, but there two ruses that continually all, including the

mom of Salita are you are they're on the house, they're

on the house, like if there's some of some sort of a

serpent or something and in the piece of in the closet you're in the one of the

sensation horrible. The mom think that are the games of the new years and they're going

to make start a sustos yeah I think you're playing to that's

she's dead of the year the day that was in the day that I don't

want to pass time and that she was she said she said oh sirita are

so you're so you don't you can you can't have MED, she Krored in his

sillon, and he began to hear of a little to get to she was to move to make in circles,

and if she moved to the side of the thing, that was the thing to do you know,

he was doing more fear than you never, they were they were to be doing

with her and this is a spantosos because in three occasions she she said,

she took the door the closet and to make that the her manita, had a

little of the door, and he abri-a- door, and you know, the three mukees

clas. No, they had a good, not they were like if had a man in the

hand-a- because they were in the tube, the tube where they had the

room, and all the thing, and all the things that were in them, they were

and they did the thing to that the day of the day of the day of the

But, of a day to another, he's called in a discussion with his brother. And he's saying,

Tono, where you bought these mugres that's the house? What is? What's?

What's? What's? Where did? And he said, well, in one of the world,

yes, but not you do you do you have done? The earth of the the world of

the world? And then soio resulta that Toño, in that year ago, he had to be a time of a stanza of a little

time in the land of the brus making little encargos. And there, in a post, they're

there's a time, and Toio no repar in that. In that post, no, they'd

not, they'd they're in this post, they'd he'd something with that.

What? God, God, God, in the moment in that she's listening

Sarah, that's a time, she's a little because she know that she's a

little bit, but he's to have a much more a lot, because her mother's about the

people, and things that she had been that she had been that she and the

time, and the she's a person, a person of a person of a little,

he does, her to be a little bit little, it's a person more little, is

a person more beautiful, and when enter the house, he says, here is a very contaminated, here is

going to be a lot of very very hard. No, they're any to any little

data. The signora says, they're they're going to, and she

go can and it's the zone of the lavators and the lot of the lavator

is the three mukees. Nobody nobody. Nobody. That morning the

morning, the senior Rosi, she had assured that the three moeces

were in the cell of the Sal. When this woman entered and she went

directly to the lavendaria and she was a mother, the she was sure that that's

sure that just when called to the door she said she said that was in that they're

in the lavator and Sarah only was she said her not she was the lady

she was this she was she was she was she was she got her and they

did that why they had this in the that this was to to invocar that this was a work and she said

that's more, explanations, more, explanations, it was a regalal. And the problem is that you have been much time with them, and now siened that you're your pertenance.

I'm going to try to uncerralas, but no I can't desacer this. That's something that's overpasta for much.

The senior said that he took her three bols of three colors different, agarrow to each one of the

muneas made in a box a black, then in a box a black, and finally in

a bolsa in a little. He was a little bit to make to do you some of the

things, and here is where they're where they're going to see. If

if they were talking something, that no had for a no

didn't mean, and it was a good. When the the woman

termina to do the things, they're the box to them and

And they say, You're not I, you, you're to enter her. And not they're in very long. Because they're

to get her because they're very long. Very soon they're to do that I'm going to return.

Entire in the serkita. A two casas there, there was there there's going to be able to

endererererer. The problem is that when they got to the bolsa they did you

in the way there there's there's maybe they're in the little bit of there's

because it was a thing that's something that it's not that's you're in the box,

and if you are moving just around the right of the man and in any moment

you could they putier mordered and mother and mother and the mother's

the armanita and they're the little to that the terrano baldio

they went in the night and they They started to do a Poso of the form more discreet that

they were and there, in the middle of all the gerbajos enterer them the mucy those

they're not and then the she was she was the same the same the clothes

that had had to toio of her of the other but apart

enterro a crucifio and a because she she was she

he could be a very was a interrary Those things, he did account of

a little time, maybe to the days, maybe a the same, maybe a time.

Really, there was a malign, because he was a little, the emperer of something,

the herbs were the yearbos, and if you were that you were the land,

that you did you, and you did the plantas the places, all were

in form of the circle, and the center, and the things.

They were coming to the life around. She were the food. The problem

was this. Two two months after that they had been interrated these

mukees there, the mom of the Sarah, the she was a good

where they were they were listening and the little she was she was

having pesidels Sarah was very nervous and she

apartment, was almost a major city of distance, for the work that the

woman, the fact, he was a very much, and then decided he to go to go to

see her and the lady, and the lady, go to this place,

and when they're to get to the person and they're they're they're they're

to be the place and they they're just front to the television

three moene of colors rojo red, and blue, and

the that's that's supposed that were interradas there, a lot of Baldiow they're

they're and they're they're and they're and they're and the he's not he's not

to have to have been the day of the decoration because yesterday not they're

and from and from these things want to they're they're and they're they're

they're they're a little more more sure you think you there's

a way of desacerses of the vincol with these mucleas? As you know, this channel not is a question of

investigation. It's more to narrar the stories, of commentarles and give them the stories that you

themselves we're saying, or even stories that we've been on the internet. But there there are

moments in that we're that we're that's a servidor is emphatic in some things,

because it's to repeat many certain questions that me myself

me some interrogants, and is where I'm going to be the good in occasions

to present attention to know really to know what we're to be people,

we're not being people who want to they're not well, or

not put things good to our life, but in some occasions

only we're just a really dista much of this. This

story that I'm about to say to me the mando Sonia.

Sonia lived something super-a-terrador with his novio. Resulta that Sonia and Arturo

were super enomor- very, very very, very enamorated. So, enaborated that they

were to live together independently of the circumstances. And I think that independently,

because none of both had a good work, and a job and they

were in the house of the house of the father of Arturo. The

Papas of Arthur of some manner could over-givar the situation

and accept that they had made that decision. And they're received. And now in

the house, they were the father, the father, and Arthur,

Sonia, and the brother of Arturo Al-Ain. Al-Ain had a something.

A-in a air me-d- weird strange. No was a person

very very very very and she was always outside.

of the fact Sonia took contact with him only a little days to have gotten and at the few days after having seen it. But there's what happened.

Resulta that from that Sonia gets to the house of Arturo says that the house is that's a

that's a really. And Sonia no, he didn't, I had lived there never

before and when I had been there to visit, although a few she was

a day or two she not perceived no difference. And Arturo he said

that she she didn't she was like a kind of an ambient more free like a

and she said, no, I am I'm a more, I'm still doing,

but I'm don't know, I'm doing, it's a thing, you're doing, what you're doing,

no, no, but it's a case that's a case. A part of there, there started

things very rareas. Alain let's all this all this during a

time, that will be to be to live with some friends that

has a project and his his parents and their things, they're a

form of a point they're not objected, they're 23, 24 years, and they say they're

they're going, but Alain, he's going that if, for favor, he can be a

little bit a space. It's a special rare, because not is a spee

that's a thing that not a thing, of those that you get you in

whatever you're commercial, no. It's a spejo a small small. Mere the mirror in a meter 70, you're

talking about that's something that's something really, the inch, it's a meter and has a form like of an oval.

The mark is of a made a detail, very beautiful, and at the final, it has like

some connections that you get to a base a base and how he did a line

to buy to buy and not because that thing is a car to do it for the

escalers and why it's a thing? Are you things that not they don't

they're in the moment. Arturo he said that's that he said,

he said, he said, that he was, he said that no, that simply

for favor, no he had covered that's time, because as

it was a material an old, if it was he was the

same to do the same it was to damage and it was necessary for the type of spejo and the type of material that he would have discovered the major part of the time.

Lamentably, Arturo, he creed I. So, so, the repent of a day he gets Sonia after a little and there's

a little bit in her room. A speo that Sonia is a point that has some grabados in all the horizon that

are in other other idiom and that she not has to feel nothing tranquil. The spejo is that's

great that that's that's a place to be a place just in front of the camera.

And now Sonia has to go to get to with a front. Not is

a person that is a superstitions but no, it's nothing to

that that's a little. Now she is the she is the one that

she is the thing you that's the thing is a bit of that's a bit of that's

no, I'm me, made extrano, but, but I said to be able to

care. I'm going to do you. A part of it there, it's

things many things. They're not in a night that's coming with

with the father, that the kind of a aroma like a

dark, like some it's, but in a aroma very penetrante

not very much, it was that something that you get that you

feel that you do that you get to do that do that, and to gole to that. And,

and a part of there, they they're down that the aroma comes to the marco of the

picture. Like if were some some type of the matter that of the never had

seen or have been or have been so, then they they're they're very strange, but

they're doing the first person in the person in a person. The reason,

they're having been that they're having a three occasions in the time in the time in the time she's the topa in the kitchen

the senior has been able the key to lavar the lot of the lot of water and the she's parada

with the hands there down to ball buceing something like if it's like she would be

a dormilada and not it's just that Sonia after to get her that's doing that's doing

that she's that's she's like she's right when she when she says yeah why you know

what you're questions, and still lavando, like if no, it's not that's in

a time, to talk about to the second, to do you know, to do you do you know, you're a little,

you're a little, you know that you're going to you're going to you're at that discussion, be a sonia

and he has a sonrisa, Sonia, how good to be it well, you know, you're a

person, you know, like if you're a local of two personalities. Never had seen his soo and that's a very strange.

She's a little bit strange. She'll hear Arthur, where is, he's anojazzed-asim, but at the same time, nervios. And he said, no, no,

what's what, I'm, my space. If you have to go to do a little bit and when he says,

I don't know what moscow, but he's very aggressive and and yeah. That night they're going to be a dinner?

The sir is normal? The sir, in moments, is he's is taking the food to the

boca, no has no conversation, and of a little bit with the cupboards in the box, and

he's quite about a little about a bit Arthur, and he says, is that's what he's seen your mom,

he's going to be a lot, and the person, and he says, no me buseeating, this is your

house, let's the car, and he's, he'll have a, and he says, Chicks, Chicks,

you know, they're a person, like they're a person. They're impact-assimus. The

next days, the things are going and not for a good. The environment with the father

of Arturo continue to a form very scabroza. Arturo is sure that his father

he's his his he's his day. It's a house. Sonia,

she has a time, she has a certain peters and the people revendent.

No he's done nothing the time. In the last a

last month and maybe, and they're the things initiated there in the area

all of the area, all in the thing that's that you do you like the

tisid and they're shalachas are things that some mom

not so so so she and is that preoccupated and

they're that they're to do when they're when they when they

they're not something they not the light of the

house is for complete. No, it's like an explosion of a transformer of a or something rare. No any reaction in the house. They're open the

door of his recamara and they're in a limiterna comes up using the escalars because it's been illuminating every more. They're just standing outside of their house when they're something that they put

the pelons of punt. No is a lantern. It's a ball luminousa that not is sustained by nobody at first vista and it's going and it's

just to a middle passio and he's in the room of the brother of the door.

Just traversing the door, because that door has been more two a week,

because to the line, and they have been that the passio is a

turn to turn the second after the light and they are So,

so sure is that have seen a person that is a person that never before, a person who never before,

a subject of around of the 30 years, that is based of a color of a look a look a lot of

a lot of and with a and it's not, and it's a soma and it's like, and when they

they're in the house, no, there's there no there more than the people of

that the people, that they are more more they're they're decided that, even

they don't know what are in this circumstance, no can do you have to do this something, and they're

going to say, so yeah, he said, all the thing, we're going to go to the room to

start and we want to get a and we're doing the picture that they're they're in

the room, they're in a corner, they're they're they're doing, and is

where Arturo he does that perhaps his person is his person, or The

quarter of is modified in a way in the that he never had seen. All the part

near the the the top the end of the last centimeters, they have some tarrimas

made around of the quarter, and all all the bellas and little statues

with some monsters that probably if you would be you're what you're

the don't you don't you don't you think that's what thought that's

Vela's It's well as they're in the area where it's a place where there's

there's there's there no there's an altar with a murder and with other

kinds of creatures that Aalain they put very nervous so met the the

space in that the room so there's there's there's

probably probably try and there can't know that they're that's

that's they're that's the place, and in the instant that

put the space in your place, that not is front of the camera, because there

no is just in middle of the room, because no there's a place,

the light of the house of the case. Here you're there's to hear of some of

those passes, but the passes not those passes not some things, imagineate that's a

much more pesedicic than a person, imagineate more more bit,

some type of elephant or rhinocerone because every path makes

that the house retumbes and they're to hear these these

and they're in the piece to get in the second second and the second

and they're in the way in the direction to the room every

more more more more more. It's then when

you can that these are in the second piece

that are a simbral tremendous and a sensation horrible

that there there there there there a is

They're They're in the room when when they there

there's a one there's in the red that start in the room

they're seeing the light and they see in the space

when they when they they see that what is a light

that is a light is a and there is a manto

another hand over another sows and something and And, getting front of the

Spejo, bolted to the mirror, and it's the part where there should be a face,

only there's sombras. You think that the causant of these things is Alawi and his

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Book your seat at westjet.com or call your travel agent. WestJet, where your story

takes off. This ultimate story that I'm going to tell the day of the

day of this is a story that I'm a idea of that

is that is a fact to make some a

kind of he needs to desohars. We know a

person or we've seen someone that that doesn't

that he doesn't that the other not and

that the he or she want to is for over whatever other

person are people that many times in the life, at the moment to make

decisions, atropeller to the people, because they're their eyes for them.

They're the only ones important. This is a critic, it's a preamble,

and it has to be a story of Elazar and Nikki. Eliazor is a subject

amable, a person a type common that he's done in the life, had been

his two two times his two times and

when he when had a young that was a little more than he for four

years, and from many good friends. Nikki, it was a good people with

Aliasar, very little people. It was a man who I defended in many times.

There was chistes that he was telling and things but Elazard not was

bobo and he said that the Nick was the guy, the people

not had respect he had had a fear and he had said

by that for and he had his 15, 17, he had been two, three people there was a lot of, that had been

a lot of people much more than he said that always in the box a great he was a man, he was a

guy who was a guy, and was a quat-of-arm Tomar. Elazar has had very conscientia

that all the days that he'd ever to get a to be a mouleton or some maugulgulah

new. He was able that he hadrable, he never he he didn't get to the business,

nor the Nikki. The Niki not was a guy, he was a person without a person

in a place, not even where he was not even where he was living, so as he

was going going to the life, we're going that they're not all the time together. They were

in times when the circumstances had that would be that were to coincidate. There are

years complete in those one and other, no they're not they're going. And it's

then when Elazar, when he's when he's about his 20 years, enter to work in a

market and in that market is a little to pop to par the Niki. The Niki in the

market is like these types of cargators. And the Niki says that is your

exercise, that's a gymnasio then all the morning is to cargator cargando

sacos of different types, like from things cas, fruits, and vegetables, and

it's all all the clients to their cars. But the Nikki, you know, that's

not going to do you know, because he has got a word of three clients and he

got to a golfes with other, and it's a guy, and I say,

no, he doesn't anybody, no, he's the most important is he for

him, and he was a very aggressive. It's there in that market when

one day the Nikki he Pied that, for favor, he has to tell something.

And the Niki he's going to talk. And this that I'm about to say, it's not

to start. And it's the talk about the Rik took with Alasar in that he said,

he I've got I'm a little bit, that now she was to be a money and

he's, he said, what on, Lee, you met this or not you get, you know,

it's, we're going to be a very, it, and Telly, no Kisorke,

because he intuia because he intuia that's not a little bit. He said a new business of much land. No,

not was the profile. I was going to do it and he was all the time. So, that he had

had been a relation with the Niki, and never ever had done to be going to be no, Niki

no, I know, I'm doing here, I'm good with my chama, I'm good with my

job. And he's co-garde, you're going to get a you're going to he said, Nikki, no, I'm the person

who is my friend, you're my friend, you're my brother, you're my brother, you're my brother, but I'm not, I'm no, I'm going to do you know,

so, better, clear, and not to end up with midias tints. And the Nicky, he said, well, you say, the

end up, yeah, it's not bad, no, it's a few, and Nikki buske, he'sar, and he says,

he's, he's, he's kept in the time, after the after they, after they, after

because he some things that needs to say to when when it's a night Nikki

he gets with a bottle of a beer and he's myel let's

for a try for a little and the he says no Nikki you know you know

you know he's this time is the last he's a little he said no you put

something and he he's the bottle be he's said no

just for just just just bring with bring with your friend with

you do but not you promise a trigot. No, no, no, no, nada's not. Eliazar, agar the bottle, and then, and then, then, but, brinds, and then, brind for the friends. And, yeah,

he says, Elizard, well, for the friends. And he'd do a trangito, not more, where he does because he no, he doesn't, no he doesn't take anything of alcohol, and is just to give him to the niki. And the niki, and just agarra, the bottle.

The levant, and says, for those that valimus, mad, and we're going to get to the infirno. And he'll garr, it's the tienta of a trance-a-so. Oh, and the Azarly, you know, you, you, and you,

and you're saying, you know, you know, it's that you know, and it's me make that

these are of the last that we're so. Why? What's what? And he's,

I said, I mean, it was that's going to be a very, but no. See,

there's a we've got. We've got a man. And, so, we've been to get a

so-and- so, I'm, I'm a two compas, that we we know

where was the that was the route to the car car no and at what I was

to get a and at what I was we were to simply let's and then we were

to get the the land and so what we was we were we're and we

and you and it was it was I'm I'm what was

the she was a something was a more more than

more than that Someli. It was well and was she was in

we were a woman, and a woman of the man. He said look, when

she went, we were to her house, she went two over and I went to in the

seat in the seat in the seat in the other, the woman in the middle, and simply

we were to do some we'd let me be to do it to do to all the land. The

she didn't put her and from her because it's great but not so the woman is a good very well in see that the

she's exercise no put no put no no more of resistance he sent to in the carito and just

said you know that you know that's and then I was made and I went to

and I'm that the that was you then I'm to give my mywiltas and this woman

aghached the mirate and the other they were saying that the only that they were

they were that she never they was never to get to the woman, the woman began to bucear

and then so we got there and we're going to get her in the thing, because I'm going to get to be able to get to be able to

if someone would have had a tallyardro and me started and I'm going to say, I'm saying, I'm a lot of

a lot of people, I just said that's all right me were doing like a perforation. And if I don't,

I'll pay attention, then I'm going to be to be going to be going to get you, because the woman, we're

going to get to the house, the ladyes, and we know and we're people, and they're those who

were the who were who were they were metient. We met him the house. And the house,

it was a house normal, and the she was in a room. Because not I said where she'd

say, where she'd say that she had a money, that she had to do that and we

said, and we'd not we'd not really that we got a lot, we'd

in a lot, and then when it was to be to get to the bao, and he's to get to

like loco and when we're to look at us we'll top us and the the type had made done in the eyes with one of the windows of the specks that were

in the bayon of the sir. He, he said the he had left all full of the sand and was going

and he said we didn't we know what so that's total that I let me two three patas and two three

guamassos for that he's tranquil and then then I go with the he did you what he did

my compa well at the principle of the pass to you and I went over the

and then you know you know you're in a lot of you know and the she's the

that's the bad you're going to be a new I'm not here I'm not I'm not I'm

was I'm I'm I think that I was a and then he's he's not

he's not he but it's that I see in serious and when I'm

going to I'm to be the front I'm I'm just I'm a batas

I'm met a a room and the type and the manned to say,

I'mely, this passed a two days. The she was there's a manned

in the house. Never me did it and he piqued nothing.

In that house, I began to see somebs that were to be to hear

and in the case, and now all the days that me I was going to

do I'm I'm that I was in the woman, the

The sir was in front of me, and me I'd have to bever a tecito that was all of the color rojo and me it was in the

force, and if he put in resistance, me cated the one to one to one, and it was not a

beautiful, Miele. I started to see a fear, and you know, that the fear, no, is my woman, or I, when I met

the court to look at the court to be a daughter had two days amrridden. The The room was

a house, my compo, the of the eyes never never

never I'm from the I'm back and I'm make to my

mother. The Sir Elazar that has been over since

this situation nothing just just saying, the day the day

after they they found all Nicky in his desus and he's

a navague and the two hands who was that

this, I never knew I never saw anything in the periodical of the other house.

Only between the people were no, well, we know, we know we knew that was

a little bit another to another, he was going to know what really what really she was

the brook. And with that history, our family noctura, we've

got to this dark fogata of stories. So, is that for

favor, you're the foggista, if it's so, if it's new, put me in

the overvibed one. And if you are the veterans, for favor, to all those new, give them the good-in-beenied with a lunita. Because they've just happened the Prove No.1.

For them to form part of the family nocturn. And if they're form part of this family, only subscribe and give them the campanita. And if you're listening, from Spotify, Apple Podcast and all these platforms, for favor, see us and

give us the five stars. And one once said this, we'll see us. We'll We'll see the next Juebys. If you get you get you get a overvivir these

foggats, that you have a beautiful summer and sweets and dulces pesedias

by-bye.