HABLEMOS DE LO QUE NO EXISTE - 5 Historias de Brujas, Entes Imitadores y Fantasmas Rescatistas | Episodio 411 | Hablemos De Lo Que No Existe

Episode Date: July 27, 2026

El día de hoy te platicaré en esto oscura #FogataDeHistorias acerca de experiencias paranormales en hospitales; se resolverá una duda que tengo desde hace mucho tiempo, si lo #paranormal y la #tecnología pueden tener algún tipo de interacción y lamentablemente la respuesta la conocerás en una de esas espeluznantes historias. Has escuchado alguna vez de la #casa de los #diablos, todo esto y más en esta oscura fogata de historias en @HABLEMOSDELOQUENOEXISTE .Por cierto si llegaste hasta aquí ten muy presente que esta semana estaré en #Cancún y en #Mérida así es que por favor apóyame en los comentarios mandándome tus buenas vibras. Y también, ¿ya has echado un vistazo en nuestro canal aquí en YouTube de @HABLEMOSDELOQUENOEXISTECLIPS ?, porque en ese canal están muchas historias que es muy probablemente no has escuchado aún de las primeras temporadas. nos vemos por allá BYE BYE

Welcome to Family Nighterunna, to this Scura Fogata of Histories, and let's of what no exist. The day of today I'm going to talk about about brujas, doppelgangers, enticulators, and phantasmas rescatists. But, before you start, I have two notices. The first prepare, and so, dear family nocturna

of Merida and of Cancun, because this, this Wednesday, we're in Merida, and the dominole in Cancun, and more value that you're prepared, and us manden their stories, because we'll

to choose the two more stories to talk them to get to the fogata. You know, they can't make to get

for the WhatsApp of the Pesadies. M.52, 81.35, 67-67-5. M. 52. 81.355,

6-7-7-5. But one once said this, prepare, there where you're where you're going to

take or to come. You, Ponte, a gusto, but no you can't to occur to

do the light, because I'm a point to start to start, a fogata

of stories. Let's start. When I commenced this podcast has been four years, I remember that one of the

first things was to get a libretta and write a list of phenomena and I'm

think the fourth or fifth of the renglons was a phenomenon that was

a day of the day of the day of doing it is I know, I know

if we we're talking of a one one one one

of but is that known as doppelgangers. To put a context, doppelgangers is a phenomenon

in the which is a problem in a word in the word in the word in but it's not

there's a many of the cases where have been people who have been with a version of them

that not is a person more in the world that simply probably that would have to

share rosos physiologists, or rasges facial or physical. No, no, no. It's a lot. It's a entity that's a

quality of physical of the person and it's assimilal and it's to pass for that person but it has certain

particular malevolos. There are many legends in torno to this. There are who says

that if you don't know that's to get to many years. But I say something that no

that can't to generate impact and fascination. me gave one history and it's a story

super extra extra I think never never had never been a whole of

a there's there there there's a family that's part of

a year and years in circumstances very life part

the mother the mother the woman the wife

the day of she has a very 20 years so

his senior father so three 53 They were almost, as much,

because this chick is very responsible of his life since a year. And this sir has had been to

go to get relaxing much, much, because, for circumstances of the life, there are certain

situations in those depends much of her So they have made a relation in that

there's much respect, there much care, and much am much complicity. This

this sir, the papa of the child, and we're going to put to him,

Peter, and Elisa. Elisa is is the father. The Sir Peter, since years,

was very direct with her and he said, "'Ija, I have a secret that neither your mother said,

but now I have the necessity to telltel because I think in very little time, something we

will come to come to the other idea of what Peter he was talking his

papa me but because, but as the papa of a a repentate

I know, and his form to say, a bit of a bit of a bit of

her way, she was she was about her or she was a lot of a lot of a lot of

so it's the kind of it can't be that you and I mean, and he said, he got the

that we've got that we got to come that we're a family that's a a, brouca, you're talking,

you're talking, because in my rancho so we're we'd like those people who don't have

they don't have a good brucho, is a way brouh and it's a way that's a

way to that's a he's a little, he's no, no, bruja,

Brucha, Brucha, in serious, bruja, poria, barita, Brouca Harry Potter,

Bruchus, Bruha. And me kept vying, and I think, and I

think, we're, but we're we're just kind of to end of the things, no,

my ha, some some things that I mean, I I kissed apart to put it for that you're

in the stuff, but I'm in those things for that's a tia-tue. And I'm in the other things

very oscuro. I mean, I know. And I'm not. And, you know, and it's a long of the

last years that's he has been to get to and I know the I'm not the door

all the parts, but I'm I'm never to some sometimes that's

infermita, is in the and there can't be that can't Tia me, that we'll go to the

house of the Tia, and we'll give us to see that, in a few years I think they're going to come to the door bad the news, and we're going to have to get with her. And me says, Lisa, mirro, the truth is that me told me, I said, if she put the pill chinita, me a little bit of fear, because, well, it's normal, in my

life, no, the thematicas, like, of brujery and paranormal, is, if they're in a space, in the movies of terror. If they're a space, in the legends urban, in the creepypastas, but not in the world real. I was really

I thought that my papa my papa me was about but just saying me he's in a form

that's that this going to be going to be not even how prepare. Decid that I'm

going to make the moment and that when I was to know to be to do you

be to be more because the moment was a very very so much

when it when they're to come to come the person yeah

a major a one my papa interchamble with her. I don't I'm not I'm in

the house and I'm I'm a impression that's a woman with a person and I'm a certain age,

I'm a look at the window after after my father and I see a door to the house of

that's a person to get a person a major. But when I go to the car

and I'm going to my papa my papa my papa is rare. Apagado

as as an incomodod no he wants to be to be or less or

more than a day and a half until she me said, I'm going a year, a year,

a woman, we're going to say to do the one of the way, and I'm saying, I'm going to

that's a little bit of that you, and it and it just more moving to be a bit of

and I'm saying, I'm going to do you do you go and you to talk to get

this yu and she but no man no I'm not no more I'm not can't

to be she's just I'm not she can't she can't help. And the fact is that I'm trying to be

much time there. I'm going to get a little bit. You have to pay help or what you think you do you know a narrator.

No, me's going to my own. I have my own own company. And in this company that

I've had been my good ventas and all I do this the problem is that

I'm just I'm asking help and I'm not I'm not I'm a good money to

pay a super well. I'm a super well, I have to to be to I'm a little bit more than the future. So, no, well, I said to my papa, that we're to chasurer us that situation on the same. And as I repent, because I go to the house of the

Tia, you know, I'm trying to you, you know, something rare, you know, something rare, is there that something rare was there. No, aromas, or nothing. It was a feeling like fea. Like if you were putting a place a little, or a place in which there are people mal. And my respect is for all those that guys that are magic and those

things. No, no me, no, me interest. No, it's my world. Then I'll tell you what I sent me when I came here. She sentia. He said, feo. Abrio the door to me, Papa, because no they opened? No. I don't see if he

had a key or no way. I don't know. But when I opened the door, "'Irored, the impression that me "'because it's a passillo. "'It was a passillo of casa "'that there are quarters "'the paces of the passage "'alleryble, the sensation.

"'I'm imagined a passillo "'in' a psaler a little. "'But it was never "'and the house was chiquita, "'but it was a feo, "'feu, and a sensation "'combe like if "'Callquire anything,

"'and you'd say "'un a monster "'s, if you were to somers "'and if I was "'sa-to go to make a "'a-sacking a-a-haired "'orkeying to get her "'and we'd "'because we'd start to come in,

for the passiole, every maladyto I'd be trembled on the feet. And I don't know I'm aides, but it's that the house was sentia fea, fea, fea, full of things, with an ambient

pesable, I don't want to think in that. I got to my papa of the brazo and he just says, tranquill,

I always has said so here. No, we've even had we've crossed a paragraph,

narrator. No, we've even we've crossed a he no he had bolted to

see or I'm at I'm at I'm at he's a he was a thing I'm going to

he's up she's up this girl in the way he's my sister is my middle

her and he's she's so that you're not you don't know

you know you don't know I'm you're a list but but not

you're not you not you let's work I'm here I'm here but you're to

have to heart even even the necessities, even when the seorough is Peter Parker but I'm also

Spider-Man this Thursday we're faced with a threat that can be anyone the world may have forgotten Peter Parker I'm just a neighbor friendly neighbor

but he hasn't forgotten them sometimes Spider-Man has to do the hard thing that's my responsibility talk to banner I didn't know you could get that big Spider-Man

brand new day in theaters Thursday the last fourth in the last room, a

room that is illuminated only for some of some of the little very big that they

have a repaidos a lot light a marrienda but so bad that the

room is dark dark there a camera and like a little

saban red redone negros the cabas of the camera

never all all the all the the world of the material are

or sand matter or of Oskuro, all the negro, no, me did a bad

vibra like, and I'd see, I'm and I'm and I'm to say, he's

a movement in the camera and says, Manna, Elvira, yeah, we're going

to be here, we're going to be able and I just I'm the mind of a major,

and there I'm the thing, I'm, I'm, I'm, oh, like if

no, like, so, and there's me took the question, and I,

Lisa, that's hand you do you want to do your ideas in the head of the case of the

poor anceana that needs and you you're you're putting here with

with fantasies and not you see I'm changed the whole

and I go to the and I put to and I don't

with a curtain and things that they're not not you

do you do you go and I'm I'm to do I'm

I'm I'm I'm I'm I'm the I've heard the quixio of the and where she's

molest, ah, she'd be to akech. He's, that's the question, and I'm not just the

question. Pose, me about it's she's going to me to help her, and you're going to want to you,

so you're going to you, you'll help me. This house and that I'm going to get to all the windows,

and I'm to start to get to the abitation in the room, no, well,

I know, because it sentia very of the habitations. The video had but cochamble, over-chamble, over-chamber.

It had years, probably that no, they'd live therein'n't decades, and all the windows, socia, so-susias, teleranaes for all, well, I put to

clean in what my papa was there with the two abitations could terminate more or less, more, yeah were decent.

Otras three, no, I'm only the two, but allas the windows different, yeah, not it was sent to

be sure Oh, manitou, no, 11 meters, and at the end of the end of the walled, it's all overmanched. Then I said, oh, yeah, what, so, are there so poor, a man, I've been a house

horrible. So, it's a case of, the painting, a narrator where there. Because the rest of had been in part with the pad, and there were

a bed that was there was never, and even the poor house was. So, well, my papa he's despise.

I'm here with the Tia, a pair of more. I said, my papa, that I don't me pretend to get to be there. He says that he also, we're

we're talking about to turn. And there's a senior of the colony that comes in the aid. They're an anti-cliente of her. I know, me no me

important. As we don't we don't have interest really in the Tia, but we're just just to take the man,

well, yeah, that can't help who can't give to and we're not, nor us perttenances,

nor their money, nor the and they're going to be the same and I'm going to

the senior to be also to help. My Tia, definitively, or well, the half-a-a-a- is a woman

that's a very character horrible, that was a way of a form of a very explosive, of all,

he said, but no about, something. I don't think I was indigues because

I was a thing, and apart had a attitude fea, fair,

it was retante, was aggressive, it was where in the life had been a person who never

never was so much, and then for me what was was doing there was a labor social. I'm doing a man. I'm going to do it, and we're going to do. I'm going to do.

Pocco, the lady's going to be blanding. And my papa, one day me says, oh, hey, I have a surprise to your tia. Today in the afternoon, I'll try to a father, for that confies and he'd give the santosolios. My papa, not was a person practicant, Catholic. So, is that me me, me, I'm surprised. I said, hey, Papa, for

you, why you've got to take you, you're a fathercito? And me, he's a I mean, because there are many that you don't knowces, but I'm going to feel more to go up with that. Nothing more I tell you, because when the tia, you're going to be in a saffarancho, you, just to be that, Papa.

I'm just on the house, because he's going to to look at the father, and as well, I'm going to go to the passos in the passillo. I'm in the room more near the door principal. No, I'm in the room of my tia. My tia has a little bit of a campanita, that no to her,

it doesn't get to the house, but it's a lot of my time, because my my tia

not is very little I'm in the first time. When I'm when I'm when I'm when I'm

my titha, and I'm saying, this is this lady to see, she's the she's the

little, I said, I'm, all right. And the passos get to my house to my

house and where I go, she's my my tia of the she's very enoched, but

He said, "'Lievence that "'of this old "'because no I want to hear "'ah, I'm saying "'and you know, "'and then I'll say, "'Tranquilla, "'Ayes,

"'A, you, "'vall you, "'Ayes, "'a, you know, "'that, you know, "'in' a year "'in' a little "'in' a while.

"'And so you "'Mr. "'Oh, me "'impacted, "'the bocarrone "'in'er, "'in'n't, "'Mogre, sir, "'with that attitude

"'spantosa, "'any who can't "'to'a. "'Tobue "'to' "'to' we've been to help and it's so on the

20 minutes if you open the door at the entrance, I'm in the room at the house,

if I'm my my dad, and I'm say, what I'm saying, what I'm saying, and I'm

saying, well, we know, we're getting that we get to my father, and

me says, oh, my daughter, you know, you're doing this days there's a time,

the rote that I'm the rucked the time you're the time you're inbrough

embojada, Bija. No, I'm I'm trying to understand, Papa, why you're saying this? Because I go with the tranquillity that you're saying that you're separated from the camera and I've been, you know, he'll be? If you didn't, he can't even be and he no, and he's like if me had cruised those cables, well, is true? A-kien me?

And me, he said, that when I was trying to put it, and put it in all right? Who thinks that's the old that no care in the house? Well, if he's supposed to pass, my papa, the father, he, he'll make in the and that my tea, and he's to start puros

alaridies and grittonial, and he's got to and gritty and and gritty, and the father a door, but he's to

talk in voice and I'm going to do a rhod, because no me invite to the Spanish, and

me persigno. And I, neither your Catholic I'm, but I said, I'm a

exorcism. I'm, I'm going to say what I live to two quarters of there. I'm

I'm alexe because you don't want to be to be listening that son-o-ladied of my tia, sonnabing

little, like grittittitts, they were in the room, I'm going to the room and I'm going to the room,

and I said, here I keep you, I'm just, you don't mean, they're

and when I'm in the room, but not me has to think, it was like it

to start to come to the night, but were at the time, at the at the

seven and the night, and it was like if it was going that I was going

and I can't I feel like if someone would have entered in the room and as someone would have been in the entrance, my

mirab, I don't tell you, or I said, nobody me passed on a lot, no I heard of the

but so I'm going to say it was, it was like someone was running and someone me was over

and all the time my instinct me had to see to be at the end of the and I'm to turn

and another and other and other and other and again, when the father came, sono a

great, very, very, very My father is talking with my papa. My papa regressive after after the house.

Regressing and me and says, yeah is all right. To be there's being done to be done with her because I've heard of the

holy to hearse. And me said, at the beginning I didn't want but at the final the she was and he said

but how she did he simply just he to get her and he left to make of and he made to sell to

the father and he said a confession general And I say, my papa, well, and that's what? Well, me says the father that he saw, that probably not he'd quite a lot. Well, at the hour

fellacy to my Tia, Narrowd. And that we kept us being my Papa and I, because apparently fellacy the Tia. And this, you'll say, I mean, you know, no can't constatar, no is an but if it's something rare. My Papa and I, we're

we're in the room principal, when we know we're about to passer something, because for the rabidio of the eye, I'm seeing sombras that are passing

for the passio to the back to the back at the part is where the my time.

And my father me says, it's a make that we're and he did you,

see a and he put in the hand to me and I'm and you say,

no you know and I'm here, he's going to be to

go to and I go to he's but I'm back in the

house and he's going to start when I the door

and me and and narrator you I'm those focus that no

Pets, that they'd light, they're in a lot, and my Tia suspira, there's a my father, I just

just came to and my papa said, the father's it said, we're saying, we didn't know, we're going to

get a house, we didn't know, we're we're saying, we're all the papereries, we're doing the

papereries, we're not, we're a person, said, he was going to do the process legal,

and we just understand of that. And said, but a narrator, three days after that there's a

there in the house where we we've been you know but I'm my Tia pass out of my bedation

and my my papa said a day that's when he saw the he was there the window

the door of the and said my papa that he did you because was there

I'm here because I'm there's a father and we're not we're doing that you put into the

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Because, also, I'm here with this case. In this case, we'll call her, Andrea to the chicka of what? He occurred to something super, super, super, super extra for what she was not prepared. She lived with her mom and her mother major. But her mom and her her mother major went to a little bit out of the house.

Andrea has already a couple of months that I've been coqueteering with an idea. Oh, and if I'm going to play a one wija virtual? No, I'm going to buy the apparel, no, I don't have to have the matter of here in the house. If my mom me gets to see with that, or my hermana,

who's a delator me get to see a with a thing, I'm going to get to

a problem, me going to get in a problem, but I can borrow my storyal. So, I'm put it,

from any of the way of the way of the wayha and the day she's a time and the she put in a

way, she put in a way, and or are using your microphone or are using some camera, because they're asking that she verbalize or say, with her voice, what is what he wants?

And then, putting the hand in the mouse that simply the gyr, and they're going to start to be the responses. She says that when he starts questions, he starts,

but she put to give a little and the questions that were things that could be be in their computer. With who I'm your mom, your brother,

how's years I'm, and he does an approximate, you know, you know, and you're

making to ask you, say, are things that you do you know, when you

see, what, what's what's important is? Really, these things that are

doing, things that you can't do you know, this is a timo. So, is that

is that I think, to be you can't manifest, and simply the point-

the puntary and where's where's is it, and it's and it's a

question. I'm in the way to the other I'm in a torre of the

department but the escalers, I think is for how they're formed as

much echo. And I hear that they on the floor and

they're on the on the other is that I'm not to

hear but I know I'm perfectly the passos that

I'm I'm my person I'm and I'm making

a ragan. So is that I'm I'm going to rapidly the table, apag the computer, I'm going to the door because

they're to turn and after a six, seven times, in the moment in the moment in the mom,

that says, Andrea, Andrea, Abrem me. And I'm and I'm there's a voice.

Something in the voice is that's very rare. So is that I'm going to and where

I'm just in front the door, I'm my midia and is my my brother, no is my mom. Wulve to talk,

I'm going to do, and I'm saying, but with the voice of my mom, Andrea, I know you're there, and I am so I'm just so I'm not you

know, the voice of my mom and my brother no see in nothing. And there me was talking. My mom, in the

body of my mother, I really, I'm a lot, I'm a cellular, I'm a little,

I'm a car, I'm my brother, I'm going, I'm, the stairs with a man puttas over the door, do you those passes

to the back, I'm going to be you know, you know, and I'm saying my Armara,

Andrea, a bit, that's of them, I'm going to the cardlet, I'll say, I'm going to

go to the camera, and I'm going to get to get to get to get to get more. That's the thing that's

that was out of the house, that had the body of my mother, and that probably had to be a

computer, I decided not to play more to this. Geree, my brother to the time, and I'm

going to be the time, I'm going to never to talk that thing, even to be that kind of there where there's

a doubt is a double gangger, really is the double of the person or

is an entity imitator because there are certain phenomena in the

there people there are saying that you are people and

really to determine the thing just just impossible there

there to be what to be a woman to a

name emil that during many was a woman

I don't know about 10, 12 years, but it was something that he impacted much. Emilia, a job of Piso, in an hospital grand and important of his city, yeah he has been working in this post many years.

There, he began over 25, 30 years, was growing, little to a little, and now as a chefa of Piso is a person very perfectionist, and also has a character

that has idea. She has no. She has done, even, that's come in persons armed for situations of their city, and go and they's to face front, and say,

here in my place, no. This is my, mea. Here no me to do you do this man, and they're in their stature. It has a character as a idea, but is very good person,

very little, people, for the good, but it's pure meal that woman. One day, has two that they say, mandan,

to say, from saying, they're saying, they're going to be able to sitire, situations of this,

Emilia, no has she has got to to be that madruged in the hospital.

It's a double-tee or a kind of what he is a very much very much

can't so much precautions. Delegs a little more the time

with the time. He takes the things more more

more and the night he'd do you do they're only

one only a company more when they're to three

in the turn but look they can do all all

commenced to guard certain medicines and he's to order in one of these carritos

in those they have to put them and they're to get getting to give up the doses

to the time that they did and all the time and all the different patients that she's

she she's she's she's she goes just in front of one of

the other of those are two are two different

in front of the camilla of the one of the person that

is a certain a major the the she is

a With her costada, with the eyes closed, she'll be that profoundly dormied, and then Emily's a record that something like a little bit of a

or a little bit a little bit of a second of control and two minutes after, is to get back into in the room, but now there

is a little very little bit dormita, is sat sat down, has been his hand in his left, to the left

to the camera in direction to a chair that is very and she's moving the head to the head to

the head of back. Emilia is she she's good, she's good, he has a

certain attention special because that she was three or four hours before,

had been been in a chirofano in a way, and it was that they

had been very well the revision. Yeah had passed all the effects

of what they had submitted and he had provided in her

that had been such a disconnection of the reality

but to that position, he made to think, Emily, of that I'm to present

more attention because the woman, the lady, she's sat sat down, and it's sitting there,

it's like like it is like the thing, and he said, all right, and the

she said, all right, and he's, all very well, yeah, he said, what, she's,

and the other, and the she's, and the signaled to the sill, and when he said,

no, if it's the effects of what they put of the anesthesia, Guarusta, the sir, the sir, and the lady is, where is your company, here was a very comod of her, she was talking about her,

and she was talking about my very well, that was very nervous, I know, I was thinking not the medicine, because I'd get a dormido a rathito, and when I was, I went to,

I, I went to, and I was done my medicine, and I went to mind, and me tranquillized, and Amelia me says, that, standing there and listening that's

that's very connected to all the he said, he has a few of questions, questions,

like if you know that's doing it, number complete, Ed, his family, certain questions to know if

the sir was here in the here in the hour or his mind was in other world, and the

she said, Amelia, so he's really, so you're to be allocinating things,

the the she really really is really really and he and he

just just just just "'Digame how was the "'for a rata to me let me let me have the last "'dare the last rations.' "'He said, "'Mira, it was a little

"'chaparita than you, "'but the shoulders "'are more large. "'Eye, "'she has, "'you know, "'their, "'and, you try it,

"'as blue, "'and she was a little "'one of the "'one, "'one, "'the black, "'the girl, "'but,

"'but, "'he wapa. "'The cabriero "'to be very "'peinad. "'And so, "'and, "'and,

"'and, the last thanks. And he said, I, that no. That's not. That's not. That's not.

No, that's not. You're going to get to get Emilia and that my way to do the medicine. And if it was certain,

I said, I'm going to try to his medicine in that moment. So, I go to do the medicine. I'll

ask me a other company. Oh, you've got to a little with the she right? No,

for a lot. It's me said that a little bit of a, you know, if one of the doctor's, it was,

no, no, none more just we If they were not, right, they were not. A minute, they were not going to be in an hour more. Well, the next few days, Emily, for some strange reason, no could forget to the infirmary. And he's asking for here, for her,

oh,gan, after two days, yesterday, ago, after three days. In the night, no, they did a while, not, they were talking to the senior, tal. For this moment,

three days after that situation, the she had set out of the hospital, she had put very well, she recovered very, so perfect. until that to be to ask

to get a a woman a person who says there's there's a there and you

and you you'll ask you're and you're asking much certain because you

go and what you're about what you're talking about she about she about her

for this Amelia she had been much of something not

he not he was she she and I'm

talking that was talking that was when when

you did this well, just was like to continue in the investigation and in the game of the way of it. He goes to get with this woman, who is a person of the

cleanpies, that has been more of 30, 40 years in that institution, and the day of the day of the way is a senior major, and that senior is there, he, he says, that you've seen that you've seen a person, and he said, no,

I don't see a nobody. It's that I toped with a patient, that me talked to a woman, and that she said, ah, can-h, her, she's a

Leticia. That's a leticia. She's a let's come to do runny's and she.

And Emilia no I've seen of her. What Leticia? And he said, look,

Leticia was a companyara Mia. But no, and so two years before.

She was she was she was a rebel. For more that they were to be

a girl and then she said that she didn't because she'd because he

waspeinable and his hair, he was a little, liss,

blanco, blanco, he said, Blanco, Blanco, when he was in, no,

but when he fellesio, blank, black, black, like the new, little

beautiful, and that's a lot of a re-nana, because they said, the enana, because he was a

arm, and it was a manchus, like the , and the woman, like, that I'm

sure, that I'm that I'm describing exactly the the personer, and I

didn't, and I didn't that, and I said, that's one of

three the like the other men are in the hospital. A last three, I know them in life, but as well, like, to keep, to Word, where I'd describe there all the things that I'd find them

phantasmas and I'd ask, what is, the first history of phantasmas what is the first thing?

But what is a phantasm? What is? What is? What is? What are you? The soul of a person?

A projection and me I'd know that a lot of these different phenomena those were

one, like the name of phantasmas but A little moment in which you've heard of many stories

that surge in the head of the great question that's there's about a phantasmas

or these different phenomena that they like much nomarles with this title

something that not I have heard and this I'm going to talk to this story me

I'm in TikTok Phantasm Mastas Mets Mentioned I'm a chica

very very very very a this is super extra

this this this much we're going to call the name

Sarah. Sarah has a little inconvenient since three

years he and he doesn't a look a a

person having a person to share to give this part

intimate sentimental but no he encountered has been

got got to a lot of a lot of cites

has you you imagine, and no is that is that exaggeratedly desperated, but yeah, after three years, yes, a

second, arta, the sufficient, because you're in the idea that maybe not going to not get a

idea. For a major, does, let us, a acceptation, an adaptation. The amiga

he says, is that you are that you are a person very rigid, that is a for very

Alta the people and not you're not you are doing really

to be not the idea of not the idea of to get to whatever and he says

is that maybe is that the idea is that some without such that's

and that's that the magic is to be. I'm a or not, a future together together for ever.

It's the first seat, relaxate. Sarah, they're to have seen an hamburger

that's that's the thing you need to you need to you know, and you're you're going to

and preoccupate for you've got money, because they're going not they're not the obligation of the other,

but it is the thing, you, then you're like you have the thing's

your money for the money for the two malditos, that then they'll get to have

to tell the question to you, because you know, he's but we're going to focus on an hamburgerza.

And in that hamburgerza that then after they were rebanas of pizza, that then were ensaladas,

that then were peskado, that's that were the cartes of the car because it was

that were that they didn't even without that you even a occasion go to

a person to come sushi and the platic is very interesting and

she She's very relaxed and he's a sit with a sensation that's a day from

since I'm a lot of two years. I've got to find a person with the

really me the last I'm the she's illionated. This type

no do any sign of life. Mas or less the

third or day I'm a message and says I

call very very pesh the such after I

have to go to go two and and

Sarah he I would have been to come back to accompany. This subject, he responds to the instant, you know, I'm going to invite. And she says, I'm going to find out of the a tender it a little complicated. And she says, I like the retos. Me invite?

He, he says that's good, decide in a fecha, and he's very illusioned. Here I have to make a parenthesis enormous, because I know what

happened. No, I know in what moment, something, something something that he's going to say one and

other time that preste much attention because something there's not exactly what was. I don't know

if it after having accepted the invitation, that same night, standing in her house, he started to have a dream super strange.

She'll go to see his his hands. His hands not are those of her. They're not those of them

are the little, more small, more delgated, he'll look to a mat of a ross and

he's a eye, the cabell is of a color castano, but see a

castaio and suceo. And she he wants to move but no has control over

the This body, this Rostro, this Roste, this ROND, this ROND, and see two zapatos

little of a color phosphorescente, a color non-arang phosphorescente very brilliant, and

it's there is there that the house in that is a house, it's a place,

commercial, are rock and the road, and the way, and is a way in a

pendent to be in a subamente and that back, and that back,

it's also that pendent and has some the way the way and the person,

that person, that person, that he's going to be Sarah, bete, sarah, bet, and he's

and the day next, the same I'm but prosy and then after

say, Sarah, Sara Bette, Volteh back in the way, and at

the same the person with the rostro cubierto, the he will take

this person intent to forcegear and The only that is this person

to go and to run. The third night, the dream complete, after the

road, he just he says a little a little bit and the body

move two and the head and the pain and I'm a thing. I'm

that you understand that was the thing. Maybe it's the thing that this type I started to be very insistent

that, for favor, he was ever to comepour and to come back, because the place to he was to get a lot, there was a

little bit of the time. And this he said, in the way that he recorded that the sun,

and it started the time, the day of the end of she's she has been, she has been

the place, but he said, I've got, I'm all right, I'm ready to do you,

I'm going to be a question, I'm going to you're I'm we're we're getting very well. And she doesn't want to

deceptional it, but at the time, but at the same time has all the alarms and said, well, but where is a surprise? It's a surprise where you're going to

get to get. They're going to go to the way, and when you say, the carmines, and then the carnet of him,

and you have been more of the carnet, where? When she she has seen a necessity

tremendous to send a signal of a say, we're not evident, met his hand to

the bolstice a little and he's to blocker the screen, and when he's a blocker the

instant and this subject is trying to get the cellar the cellar saying, hey, no you

distracts, we're, we're saying, and she's she's that they're doing, and pression to call.

She's the she's the call. And then it's a conversation like if was a

question, oh, her man, that, what, what, what, what,

what, What happened? What occupies? I saw that you're doing messages. No, I'm going to get to see the cellular

that's going to move in my PIRN. And this type he says, yeah, cuel, yeah, we're talking.

We're talking. It's a day special. And it's there's a other side. And it's a other side.

And he says, yes, yeah, sure, we're saying, we're doing, the chico

with the child with the guy with the child, and we're to get a question, where it's,

and he he said, it's a I don't want to say. It's a place but we're going to go to senderism. We've got more

than 40 minutes in the carreterer. So, it's a little bit more a little other side. The other chica he's saying,

what you're saying, and he's going to make a emphasis on the voice, until the am I'm going,

he's in a little, it's going that's going something something very strange, and I

still still still talking, like, and all the times that he's been that what I'm

that's what I'm and she's she's in the conversation is in a little bit the child

the child because the subject is very insistent at the point to show to make more. She's not

she'll go and she says, oh, is that my mother is like you have

said, that she has been much in my life and he's I've got

very very molest but you know you're to say she's

she's she's she's not being there all that's

all recommendations that has seen in television, because in a school in that she was a

person of the FBI, an ex-agent, and he said, that in the case of a sequestro,

they'd much care, because one that one that's in the person and are in the

vehicle, to the place, the place of the place, there was the final of your

story. So, so they're to have to have much care, and

And getting to that place, that pelain with with the teeth and with all the are able to

because even they're they're playing for their life. So, is that in

the moment in the this type is when she is going from the carionette

and he's distrae this type, he's in his ear

a grito not in the ambient in his is a little that's

a night continuous that says Sarah she'll gore, Sarah,

Cora, and she doesn't she's to go to get to get a mountain.

And so there's a when she does the way, more than a little

100 meters this this type has another other on the

a other in the the subject has the face,

and it and and it is the group of the people

the she can come to get a if a vented for one part

of the sender, it's and it's and it's a lot of and he and he's

to get to get to another, he's to hear to hear of these two that they

are maldicing the two know the name and they are saying the name

and they are saying a lot of atrocities that they're going to be

escape that there there's and she's she is she's going

the more more that there no there no

do not be to do any a little three occasions very short of where she's occulting. More or less they're

about two hours and a minute when they're to hear the noise of the passes of them and it's

there's a where she has to have to play with her with her she

starts. She's getting a very can't and she know and get a point where

receive a signal where she has been a lot of a lot of the number of

her name she can't her she can't maybe for GPS or in a form,

he to say where they're and they they're a group of

patrols to run the zone she when I'm see the patruias and he

and he's a little back and he's a little

so that's so it when it does the people, the

people they're saying in this zone we're sure that's

that he's said she they're they're the description

of their vestiment, since we know that the last day in the she was a period in the case she had been used, and she gave a question that

that's a phantasm or that that's a record or that's a life. And with that story, my dear family nocturn, we've got at the final of this dark fogata of

stories. But, before to terminate the episode, let me say a pair of things. The first, if you got to here, subscribe. to give you the

and the phone to get the notifications and remember that if you are you're in your channels of your

is where you go to get to get to the same way to get your and the book to

you're in the fogata in your city. Because if this this end we're

in Merida and we we're in Cancun and I hope that you have your

book because the stories are to be to be the time

after this. After we're our afternoon, we're we're on

Cancun on But from here, until that you see in the fog at your city.

Or, well, the Wednesday, and the Sabbath of Sombras previously, I'm

I'm sorry. Bye, bye. Narrador, I've got a message that me made the

family nocturn. You know, a minute, a family nocturn? Yeah.

What's? That's not. Otra. A ha! A me me sonar a little

a little a little bit a no, no, no, if no they're

not, Oh, so you're saying. Oh, so you're saying. No, no, I'm saying, but I'm going to. Me, I'll preend. A-be. I don't know if I'll have two stories.

I don't know if I'll tell one. And if we'll answer, and I'll tell you the other, because this studio was super, super, super extra extra extra extra extra. Me, I toped in TikTok

and it's and it's a guy that, for favor, if you know who is, put on here below the arrava and mention it. Disculf, you know,

that the memory, who I think that I'm a memory very good. Ha, ha! No, it's a this chick

a story. This chick a little I'm not I'm in Guantuan. Mentioner that I

think your family is, you are not Mexican, and he wanted to give a very

folkloric so like, for you to be a feeling Mexican but in their

maximum expression. And they've a casita of the this of application

that had like many these matices like Mexicans and there one that

was a very beautiful good cost good good location and if she was like rusticona

locochona via lebriges and things so that for people know you know I know I'm

my intent of explanation the labrija is a combination like an animal

like a chimera but a little fantacios and it's of a certain

folklor Mexican that I don't know where there and there

there And you have a reason. But also I can say, Famine Nocturna, for please, please. And then I'll be in the comments. And the latter, I'll be able to start reading, where they're in the alibriges.

But, but, but, but. And she says, this is the house. This is the castle. This is the case. But it's not rare to the thing.

It's all right. But it was like a little sensation of that here there's a little rare. I don't see that has passed

that you get to places that are good, but at a base tenuous. No, is the volume in all the

makes it feel like me I feel like me it's a bit bit of that you're that's a pyridito, that feeling like that was remoliniable something like

that's kind of kind of but I don't know why. The place very beautiful, the location perfect and

even the second day that they're there, she done count. Much of the things that she thought

that she were alibriges not were a lebriches it was with the technique of the

piata of making these these models in paper painted

with probably skeletons of carrisos were little monitos of around of those 10, 15, 20 centimeters of altitude for 10 to 5, 10 centimeters of but they were demons.

Purus demonos. For the forms that they had, she said, ah, are they are some alibriges, because it's pretty much

what she was a librite, but when those be, no, they're diablitos, purplitos diablitos with quern,

diabletes with corns, diabletes with trinches, one rogos, others of colors, diablitos arrastansom on the

some of the one of the people, some of those who are like, and they're to do you,

it's a lot of it's a demoniac all it's there's there's a there

is a little bit of the lotteria they're the hands abjured and then there's

a first vistas like something like ha ha ha something you know you know

it's it's a real really is a really is a really really

of a pico, and behind of him there are two heads of the but they're painted to get to make

a little the house, in all the house, in all the other the figures, small and more and

bigas, and diables and diables and diables and yeah she uncomod. He said to your

person, he, is very Mexican, like the demons, the devils and all this and all

them, pardoning me mal-Engless, but the demons, the devos, is Mexican, that.

And she says, no, the piñata, yes, but the diables, this is much, is much. And you know, is what? He said, you know, even comodoo? Although not is our house, with a care of all these, we're going to put them

in the room that we're using, and we're going to be all the day in the house with these things. The chick, no idea to doignor nothing, so, with much care,

they're, they're doing some of the things that have to to dismantar, that said she was like a little bit of a little bit of the other, and yeah no was anything like it was to put in danger. And they're doing all with much care of. And it's all in a repisca,

and it's all right of a window, also, up of a camera that not are using, and in other repisade where there's a mess. They're going to the other room. All right. And more or less in the night of that day or the day the next for the

morning, they're in the room, in that they've put them in the ones, but various blows

very blows on the door, others in the sound in the sound the noise there,

and then they are the and then they get in the house, someone's they're in the house,

they're they're very much, the house is, the house they're putt on the into,

but in the the door of that in the door of the door, and when they

they're in the portita that's in the piece, one of the diablitos. No,

no way. All the form in the way in that's the child and they're in a little bit of a bit of a

bigot. They've been done the other extreme of the room in a window. The ventana

is not only only just the got the those gosnes, the sure, those are in the way,

they're in other way. And they're then to ask us to ask us what what's

what's what? What's? He said, he said, I'm to say, something with something with a lot, but I want to be sincere with you. No, no, no, me want to be

a hidden in nothing. We're going to, we're going to go ahead. And the do-in'a-law and says, you're going to make sure. And says, yeah, the fact, is that I was confused. I think that were an al-Ebriges. And he says, yes, it's a lot of them. They're going to be they're not, they're blightos. And he says, for what

are you? Because you have this? And said, ah, no, they're not. I'm bought the house, and it's just, so, if it's, something rather and you know, we know we

we're going to this abitation and the little bit of the little bit of the other don't you know, I'm

so I'm sorry, I'm going to that's a situation, but you like the stories of phantasmas? And then he says,

yeah, no, no me friggas that here are and he says, and it's, I've lived there, but you know

I've been that you want to be the story of that house? And he's I know, I know

the person to the I'm going to I'm I'm a family of him, but this house

only has a the house only the one of the person, the duke is a person, the duke, he told him

he took, more or almost to his 30 years, a wife, he was super enamored to the wife,

and he had a heart sote for the but he'd be a man who had destroyed.

He was a man who's a lot of all the business and he dedic to the 100% of his

to look that exists after the life and he begins to talk all the ports of the supernatural that

exists. Tarot, all the manseas, not the having contact also with the mouettes adivinatories,

the whiha and all what you occur, and it's to go to go to and then, and it

gets a moment in the people know why, but he started people, it was

saying that he was a lot of to be able to tryer. Much of years it was

the people said that had had been and fallio, but all said that

the house had been And even the families are the owners of the house

are the they were the not they're not going to see. And now that you're you're going to you're doing

the reason that in that that case that's a how it's a good at all. You know? You're

so? Thank you. Thank you. Thank you. Family night, remember me in the comments that I'm

a story and in the next episode to the question. You know, very. Family,

October, we'll be in Meri and Mary of Cancun but before of Merit of Cancun

the next next joseph, preparens because the episode will be to be

to be to be