HABLEMOS DE LO QUE NO EXISTE - 5 Historias de Brujas , Fantasmas Religiosos y la Casa Roja | EP 269 | EL NARRADOR

Episode Date: February 27, 2025

Bienvenido a ésta Oscura y siniestra Fogata de Historias de BRUJAS, FANTASMAS religiosos y la Casa ROJA EN  @HABLEMOSDELOQUENOEXISTE  Escucha historias de Hospitales embrujados, escalofriantes apariciones y sectas peligrosas. Descubre con Fabiola su aterrador Linaje Familiar mientras vive el peor miedo de una madre, su hija está en Peligro. Conoce la Leyenda Familiar del Charro Negro y el PACTO de Artemio. Y tiembla de miedo con el pasado OCULTO de Emmanuel. Así que prepárate porque llegó el momento de que  @HABLEMOSDELOQUENOEXISTE  .Hablemos de lo que no existe es un canal de youtube con el formato podcast que comenzó en abril del 2022, su primer episodio fue vivo en un casa embrujada en el que una chica narró sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de éste canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de éste canal , la familia nocturna , creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de éste canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando ésto, tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora.El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo que genera. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado.

Welcome to Family Nighter Nocturna, to this Oskurae of Historiae, The Today I have stories about bruchas, entities phantasmales, and presences diabolical and demoniacas. But, before to initiate, I want to give you the well-de-a-the-news, especially to those new, those that is the first time that are here in the fog, those, inclusive, that are accompanied by

someone who is a member of the Family Nocturna. Bien-venous. I'd wish a good suitor, and I hope that this or obscure and frio recorried, it can do complete, and they'll get to the final. And it's for that in this moment invoking the family nocturna

for that, for you know, for a favor, see-hungent in the comments. And putting there a yamita, it's the form in that that you, to you know, let's see us, much suorpe,

and I'll that over-vibing to this off-fogata of stories. And, and for all of you those new, those who are here for the first,

and for all of you who are you are you know, to the family, I'll see at the

final, to all those people that overhivable. One said this, no

we're doing more, and we're going to this iscura fogata. Good Sourte.

The Mieto. is that your son or his is that is in danger, and she

can't do not do not to do you that's he occurred to Favila and that

that thing that was that was that he's Although he had been conscious, no

had been not. This situation has been to something to be a

generation after. The mom of Faviola, the young Keta,

more known as Keta, she had decided that I had to have

to completely the herences family. The first herencia

that was a mal election to name. A she

never never never never never never he didn't

Keta, Kika. No, she would prefer I'd preferred any other name, but Enriketa

not was a little that he wanted. So, so he decided that when he was to put a name a man that's

a woman, a man beautiful, and he put his name Faviola. The second thing is that had decided

that no important to what would be a art magic. Of nothing, no, it was to

do any type of limpia, magia, contact with entities, pactos, no to do not do that

because her mom her mom she dedicated a time complete to that's a person

a temida when she took her decision the she was her her and she

emistar and she amistar and she she was a refuge in a religion

and he brinked a church a evangelica to an evangelica a

a lutherana a a lutherana a a lotto to an orthodox where to

encounter a a little a She was there was a time. More than to be looking to God, he was trying to to go out of the devil.

It was what she said. Directly, she said that in some moment of her life saw the devil at the eyes and no he wanted to see her mother, she not was there.

That she had to have a serencia. When she had Faviola the light of his eyes, all this was made he had said, he had taken

that decision a year's after. No, no importable the enemystat with her Mom, the life of her

life of her life would be better. And so? Because Fabiola started

to have a very normal. Bastante normal. No, had nothing to be with questions

of magic, with questions of invocations, with magic negro, limpias, nothing of that she

was a little the she said, the senior Keta, that she dedicated

to the time of the school, that he was a professional in a future,

that if was a man, he was a man, between the two were to form a

home, but if not he took to be a good man, no important, she would be to have to

a woman made to work a woman not a woman she was in the she was trying, that was her own you can't even

more instruments than she. Savieda that the life not was easy, and that outfuer there were many and there

many prejudices and if in some moment he had never of the past he was a

a character to make to make that they had been from a family of a

and that not practicara and that in some that they were they

were going to and Faviora no not of this never

never never he never he never he had

for her probably the Bola had She kept with that idea. As from her, as a little,

no was something that knew of the not a person very much, it was a person very entregated to the studio. But not

not so curious, not was a questionona. It was a person applied, very obedient. But yeah after he was

growing, he was going that he had the character of the mother, because when he had a

wife, and he took a child, in the first rank that he took the old and he

he took a patitas to the and to the second with two maletas he went to his mother

and he said, Mama Keta, no receive Sammy and your nita and she said that was

good. Bossay he took another to the mom keta, start

there's there putting up and she did make enchantada there in this situation

is where the thing is the thing the one Faviola

is he's chand much gana He wants that Asi, like the She was an example

for her, and he wants to be an example for her nina. And not because not not be the

father, not be a great example, and that she will have to a more.

Apart, no, cacky. The Abel, Kette is enchantated, and

all that character that had a year years that was that were over

in occasions of man very pesated, no, it was a fere a pann and

for her nita to the he couldier and many times the abuela, what tell you said,

look, the nets are the little bit of shefts. And then she didn't put in

a mirament to the babysita. A bebe a little. In these circumstances, Fabiola,

he passed something very strange a night. The night that will mark the rest of

his life, the night that does that day of day of today, is

looking ways and alternatives to romper a past, a past with

who didn't even he never took contact, but it has to be with a generation

he's he went to do you a dream he was a little something something

something something that something that that was a person

she tapable the topable the and he was and he

he was he and then he was he was she was she

she was she was using of all his forces force

forcegea but no could move nothing. Algo it had so

at a time to that you that was the last time, but not he was to be there.

I was to get to the mother to that the that's a that for favor to help not a

sound you apart to that was that I'm that's too that's difficult to be

to be that I'm that I didn't even even even to be the naris. Apart to and, and the gas

to brinkar more, to move, he'd have much a new so much a lot, so it was a

thing that's that he's to get dormita. And there I still heard the long as

she was and you and you and she and you're going to get to he said,

God me, for favor of God, if if exist liberame

and in that instant like if the venda they were had ran had had run

as the things that they're they had been cut out, he did a brink. The strange is that

not it was a dream, he did a brink in the camera, he was in front of the camera, and he noticed

that the hands were lost, his muckees, he was, he had a little bit of a sensation

rara that he had a scosor horrible, and the mouth was I was and I'm

a pastos and the eyes, sentia something, I was, like if had been

had been something on the same during a good rata, and he gave a little bit that the nana

not a little bit of a man was a and it was a little she was in movement.

The nena of two months, dormsien in a quarter a door,

with the cunita that had their little and the cuna

had barrotes altos, no there no way that has been made

the door, less that has been the door in the madrugated and and less that

he's going the escalaras. Intent to open the door, the door

not can't get to like that while he he's got to the little the nana help me

with the nina mammaqueta mamaeta and he is that grittable mama

mamaeta and then he says something something something like a little

a ballar escalar down and come to go in the

venting the ventana, it's a window that a crystal, and the nena still year down of the stairs, in the

first piece. After that son of that crystal that she broke, the door, the door said, and

she opened solita, without that occupied the pome. She kept impacted, she'd

the house, the heart has got agititism, has much fear, it's too

is too for the nina, he's going to but you know that is that's

that's the little of the little of the thing, it's He's to be to be topeller, he's going to go to the major care of possible, and at the middle of the passio, he top a mom that's out of the

room. And he says, the nina, where is that? Mom, Keta, why not you? You're saying, Calleta, tell you the boca. Where is the nina? And she says, I don't listen to, tell you, tell you, where is it? And thence, they're going to go, and she'll say, Mom, there is, I, hear, the next to hear. And where you get to

the first piece, he says, where does it? And what, what do you? No, see, no. See, no. If you're going to see to you, but the nana, no. Me segared. Me segared, for that no, I can't see it. You, me devised to guide. Where is the nana? The garra of the man, the mama, that's,

without understanding. Fabiola, va, caminand. And then, she says, that the nena is in a bit of an abitation, and when it's about to enter, he says, mamma, get to, you're trying to, too, there's a man.

Wait, wait. wait. Wait, I'll hear back the room. No, he's changed.

He changed in the other. Where is? I'm here, Mama, in the commoer. We're going to

get to the comedor just in the entry of the house, there's a nana, envue

in a lot of the colches, there, put to the door. No, there's a

way that had been that he had back out of because he's involved in the car. Someone was

who? Who? Who, who? But that night, for a night very long, not only for the susto and the alibio, but because, Mama Keta,

he had to explain to a lineage of which never had ever had ever been called to Fabiola, and that day of today Favola is it has been to do, because from that day there are things that are your nina, but that also want to have

contact with her, things oscura, things engaunousas, things that seems that someone has much time invoked and they've been now to

to be to be a time. What do you what is that that's that that's the that's the

house of Fabiola and the Mama Keta? Welcome aboard Via Rai. Embarked

and profited. Embarked and relax. Syrote. Bukinay. Oh, so also and profite.

Via Rai, the voice that we love that Memei and are and they're a friend

and are friends, and they're a good culposo in common. They they've gottons

of the stories of terror. And you know what? A those two has been passed things. So, is that they put into who had the history most atterrador. Something real. Something that really really had been passed. And Edgar Ganoe got. After that he

passed this, Noemey. And even though it's aterrada, he's going to win, Edgar. Noemey is a unverver. And he has a great friend who is Edgardo. He also has a farmer. And they're both

have like certain platics in those they're in they're in them work in a hospital

just a seven years and it's a hospital little bit more only has three pieces in the first

of the patients, it's practically the reception and is the place in the place in the

place where they're not the court's of the patients, it's the place

where they're the second and third Piso is as as as a

common and in the third piece are the emergencies are

those are very people people are with people in this

this distribution is very important because is very strange

that is in the first piece where in an hospital that

is a place they have a capilla. And it's a

capilla only only has a altars I need a little bit of some banquitas, and normally, they're going to be belies pendidens.

No, me malentient, they're not going to be lest, but it's a place in the hospital, but it's a place in the minimum you do your space to meditate, to think. A-becile, sometimes they live in situations tragicas

in this hospital. Noemey, that since I came there has been like various circumstances and situations medium raras. Thanks to that's

he talked with Ergardo. Quenta that in one when a occasion,

when when I was doing the first year, he took

to be in the turn nocturn, and in the turn nocturn

he took to be on the last on the person in the

person and he chistar and they put to some

of the patients have some some of No, they can't talk.

And it's normal that is the form in the way in the way they're in a way to make a

question, to do you do not make a thing, so, so it's something that is that when they

when they're to get, and it's the light of the room, and the room,

he does really, because it's sure, that in the ventana that was that he

was a little bit the silhouette of a person that's a bat. So,

then there, so, there, no, there, and so not is normal. He says that he's

he pored. And to come to the passio as if no have seen her she's

she's a new her and he's a new he's he's he's

that he is a oldter. And this chico has many more years

working in this hospital. He he said he could he could be able

to do you know on the time just to just to talkers

with this chica and to talk to He was just. He wanted to tell her experiences. And, it resulted that noemille he enchanted the stories of phantasmas.

Now that he passed that, I'd have the anecdote to tell her to all the family. No, man, with Edgar. He had been to venting. He had been passed things very macabras in this hospital. No, malas, but,

so, raras, tethricas, but not malas. He's said that he has to have in the elevator, that is an elevator little. If you you're subes with a person in a cell of

of the rudas, nothing, just, there's no, there's a place for a third. A elevator a little, a little, that he has to come to see a little, that when he's a back, she's back after him. The problem is

that when he entered, she not was there, and nobody entered after he. He has to be in the specks of the baoes, when you see from a certain angle to a

person to somers from the area of the excused. But the doors

are open and there no there's nobody more than that that person

is a man of hair and the roso is a bit a black

he's who is who has not have the question he

says his story more fantastic that in an occasion

he he made he he that justly, in the first years that he was there was this piece of the in the area of questions

like of isolation and persons of care of intensive, one of the first was pretty a person. And when I was coming down in the passio to do a rondin that in that time they'd have a combination

to go check signals vitales but at the way to do it like to work and security that no would be nobody in the hospital, he was comingando and, of the

middle of the passio he's soplored in the car. Sintio a air that

he pego so on the he said to be soplaining no me important that this is your

house, I'm not you're to be and they don't know and he he said,

ah, very machito very machito if you're much chris and the chair, and the

and the chair and you're now move a chair and you know you soplas in the crows in the

very brave-bon, very machito, Prends the lights, and when they're he said, and when they said, and he went. Quenta that

like three days after, he was in the reception, just in the madrugada, and being there in the

reception, in the madrugada, he passed something very curious. Since that he got,

he was a subject, sent out of the third file. There were three-filas where

usually usually people, and to ask, and in the third at

In the front, there was a man with a sombrero grand, and he was like aghachado, and he was aghachedito, as well as a lot of people who were in the city, and they'd beaing up to the things that were for the frio. After two hours of strad and he he's percato that the sir no

came to nobody, not was asking the attention of nobody, and he was to asker to see simply occupied something. Also, also did a very rarer of the sir. the horongo, a rope

a ropa a lot of that's in that day it was a cold, even at the clinic

for more air-conditioned that was it was to the horongo so is that said, that this

person is a person, or even can't be aft and he he gets he's like

he says he's a he's like he's he he's he he's just he's just he's

he said with the voice of Elte, Edgar, no, that's much much and he

did a little bit of a little he, he went to the little, and there

no there. Conform he went passing that night, he asked the

people, the person, who was that nobody he had seen,

and when he revised the camera the the person,

there there no had never that the only

that was that he was that stories, you can't imagine to knowemie?

I'd have stories to venting to go to get a scalofrills to start in the hospital, I think that

was the hospital of phantasmas. But you know, it's a moment after these impactos

in the fact you, the truth you you're not you're not you're stories. And even

they've been chistated for there and she saw it, oh, and you not compete

for another with the story of this man who saw a directly and he's

a little and he's a lot of so you know compete with so that the history of her

has been important and they're advancing the days the days the same the months

they were apagando the stories entered in a lot of routines in other cycles

and and the right the second year and in this second year

remember much that for circumstances that not we we're to

let's she have to work unique and exclusively in the tour nocturn. Nothing more. No, no,

it can't be in other turn. There's a circumstance that has been, very abretted in the day. Just can't

be working there in the madrugado. He's to get to that the time to the year,

she doesn't know how because he doesn't, because no he doesn't, there, there, there is

a time in the area of the area, and she suppose that is confessing people.

It's because see that there are people that are in the time and when

she's always is there's there the father sitting on the altar.

The father is the same is the same. A subject a car redonda, lentes

are very redondos and in the part of the head he has a

enough he has a little. The subject is a kind of this

most of the she's the I'll regrece the saludo and it's all. Avons in the first months of the year and it gets a moment in the time in the time in the

time, this, this is a thing of a discussion very strong in the hospital, a call, attention and even a sanction, and for some people has been a

motive of the discue. Especially, like there, that is full the area of the care of intensive and

intermedials. No, you can get a turn, you're You're doing that people that have been turned to 24, 36, 48,

72 hours, so that they've been days entire and don't know. You're doing that they're doing that's

extra? No, it's so it's all. Then she gets a time. When she gets to the

hospital, she's a very scared to go to get to get to get to the

cell of the bed is a case. A couple of people and a company of her

the saluda and says, look, the turn very tranquil. She's going to

rapidly for the passio, she put in the vestiment that needs she's going to

a lot of things, and there's some paper things that she has been to be the routine that

has been to when it when it's the time, it's top of a scene

that that the thing, that's the area, there's

a zone of there's a silo in that right, and he's the second, the

second, the and there's a filer of children just in front of him. And this fila of the ines, he's a bandiegita, met the man, let the one of

a cruceit-and-a- and the little came coming to and come a cross-a-enisa. It's a-er- and I've had done it.

The chick is Catholic, but not is practicant but if he can't perfectly the rito. Then see that the father

is saying that says, the cross. The father he's at the final of the passio, it's all right

about, he a back just the head. She makes a room and in the room is looking some medication

for some of the patient's to do you. And where it's not he top a front with the father.

Choca with him. The father no's move. She peg to be agached so and

she peg the face against the back. Be all the rope black and where he

is a little he's the power of the father that he's he's

he's he he's the polvo you can you're you're you're

the She's and she's and she and she she's quite extranated

what was that she never had had been interaction with the the voice

was very that that's she did it but what was that

he is he's he was too he's too

he commences to come to go to the

the other patients he and he has she

and he He was advancing the turn, he was advancing the turn. And it gets a moment in the guy a guy and he says,

oh, look, if you were you put to put them in the hospital. And the am I mean said, no, no,

before the tourno, I went to be a place to the father. What father? The father that was putting

senis there down? What father was putting a sinisa there down? When I came in the

turn in the night, the father that had a few of the family of where did a man? of a file of

of the Cudders Intermediors there at the end of the passio there's

a lot of a rattle there's a lot of many people and he said Noemmy

when you have seen children in the what you are the you're

talking and then she starts to recaire there not when it's and the

father when he's not you know he's going to the guards of

security no no, there's nothing. And in the cameras, also. And now, Noemi, has a story with a while can compete with him and win, Edgardo. Lazzangue sur-gely, puissance-molyne,

for 15 minutes. We're like to dojo? Pre-a-jou? Vive the pleasure with Leo Jo. The casino in line that proposes the more recent machine-assed and the game of casino in direct. Profite of 50 tours on Big Bas, Bonanza,

without exigance of mischief, and with the payment instantane. Hey, I've gained. Woo-hoo! Sonture the pleasure Play, Ojo 18 years,

1st, 1st, 10 tours on the machine to sub Bacbas Bonanza, deposit minimum of 10 dollars.

Veillard to be in a person's applicable. This story me made to Marlen, and me says that

she recall perfectly the day in the that he was to destroyer's his family. A

sometimes we think we're that the destruction is a question of seconds, but the bestores

of the destructions are the Lentas, in those that commenced something that is irreversible, and little to begin to dismantlear and destroy

all that you value, all of that you appreciate. And, lamentably, that is the history of Marlen and her family. At the day of today, practically

nothing more that she has her. Because, even there are members of the family as well, you have to understand that

what she lived more than a tragedy normal, is a tragedy absolutely paranormal. Marlen, vivied with her mom, her papa, and his

brother George. Mama and Papa if had been gone to other country to find better opportunities to live.

Not exactly the circumstances because it's the thing. What is important is to know that the job

that had the father and the mom because both were working not a job too

remunerated. So, is that they needed to to look at a house that was an new to be not so

in the question of spaces, but more in the question of economy, something that's something that's where this is

where this is going to have been contracted and by the way they were very car, it was very

car. The only that were for four persons in the city in a zone central,

it was a second, as you you listen, something they call much times love.

A space practically without without, but not for being a love, the dimensions

are great. The quarters that were in that were little little. For one

person, it would be a hard for fours was impossible. If were to

be able to be able to be something asphyxient and a infirno and

his papa and her people were people prudently. Sabian that if they

they did a sacrifice, it could make a good, and from the good at the business were

to be able to get to the area, let me go-a- little more less less even more even more

even in the first location, it was coming on coming on a way, it's in vehicle

and it's in a minute, it's the cost is high-stice, the spaces practically

are are equal. No options. The houses that are the cases that are the cases that are still five times above of the value of what they can pay. No, there are form, no way. Well, let's get us a little

more to the periferia. They're in the double. A little more. One hour and 20 minutes to go to the work every day, almost two hours to return. Two camions di-da, two camions of a-wilt. No. It's 1.5

above of the value of what they they can't have. You're talking that for 700 dollars a month not they're to get to get to that

probably will fall to eat in the mess. Lamentably, in the studios, whatever that's

whatever that will be be able to pay to not. And if you, yeah with the

style of that they're going to have a little some of debt, they're

going to have much money, and very little style of so of

so that, not a hour and a is option. Two hours, 20 minutes is where they're able to

continue houses, that there can be totally the reality. The place in the place in the place for you give us an idea are six abitations. The terrain is so great, but so great, that cabriamly

there, five, six houses of good time. It's a terrain enormous. A nobody's interested in those cases. They're houses abandoned since has a decade.

Not in the good conditions, but for questions of the law,

they're to be in certain conditions to be not in those. So,

they're not in what they've in the city. It's something

very campirano. It's something very very to the natural

because after that perim that they have like a grand

garden and patio, after there there, there a arboles, sembrids,

during almost a kilometer or two kilometers to the next house. It's very strange because no had the

technology in that time, but if had been had been a drone, maybe not they'd

have been rented that not that it was more than the other

and they were so much that they were the price promed

but if they had been had done to be done to have

done to something The house was the epicentro of the other, the epicentro of the murder. Because around

the house, for about about one 100 meters, 150 meters, no there had had been in arboles,

but were they were already petrified. All the area, didn't even crecice a cestepet,

and it was a circle perfect. When you were there, when you were so great that you

could you put down in this. Because the construction was a bigeja, because the

The place not also designed, but from the sky, the vision is another.

When they're to get a new house, Marlene, is a little

woman of a woman of 15 years, that's living your

adolescence and even is a time because it's a

new there, no, there's a more to two hours

of the city around the house no the possibility

of that is in numbers negative. They're not really rogues. He's going to be able to live with her,

and nothing more. Because the problem is her brother. His brother has been a last ten years. He is a type of

incredido with that never had never had been so good relationship. George, he likes to

that they're like they're the man that he's the man that he says, but he always demand that

he says, and he has been of Discuting and molestarse with

how not can give us a better life? Well, not it's supposed

that's not that you're not so much that's a lot of five

five years. But is a very demandant with his

parents. He he is he had done. How

demonious got on the pass the passport and

that cross was being a being a time

sometimes were those times. But this man over

for that and and that's a little to be a little bit a good, it's a not a

man, he's a man, he's a very much he's he's going to

enter in the adventure but but a little to we're going to get

to the time, I was a attitude very despota very engreid

maybe because he had another idea of what he was he was

he was he was his there in our country about the

well in the way in the house in in the way to be and the incredible and what

it was that's the first world and where he was a very a rancher

a rather than a more we're we're we think

that it impede to send us and that he was

that was that he and he we never we

never was a person maybe and marlens and she

was she she conscientious that if his papas were taking all the center, so she was

she was able to call to call it. That her part was to make that the things were more simple. Not was that

not that not that not was up that you not. It was that was a only that was

the only that was going to live in much soledad I'll say to that she said she sent yes

without many resources, and I thought that he was to have friends, then I had a sensation of soledity of intern, very very strong, and in the house, although it was a place, but it was a little, something, and it

was a marlenn. Marlena is chaparrieta, has the cabello castano roguised, the skin black, blank, and it seems like if they were men,

those are men, because George has the tess morena and the cabo'clock. While Marlen is a chaparra, George is a lot, he did almost

an 85, almost to go the 1-90. Marlen, for the general, no is curious. It's a person

that gets, I see a place, and what there but here there was a difference in order.

The house had something, the house had a personality, is what he said,

Marlen, Marlene me comment, that just he came to the house, sentio

that the house he had to be to be a lot that was very

extrana. The The terrain was circular, or it was the form that was the form that was the way. But she knew a barred made and it was very rare, because she said, I was I was a barred and I felt like a curbatura, but she saw a barreda quadrata. Why had the sensation that was a curbatura, no, I know, but for me it was clear that the

terrain was redond, although the barda was totally quadrada. inside of the house not you you'd know you're not

you're a quadrador complete each one of the but there a bitation that was

redondied no I don't I'm it was very rare it was four

passiers narrate you you you're you're in the area

principal for the door and you're the final of a

there you just you connected like you you're

a on a long, the two side right or the other passillo large. At the final of each one, it was like another L, and formable a quadrador. At the center,

were in the room, including the cell, including the commoer. Notte, for me, it was very rare, it was like to go to a passage of one side, puertas of the right, one were in abutations, others were in banos,

and others were like salas of star. And never had been in a place so great because the The habitations were great, the bathroom was

great, the but the distribution was very rare. The quarter circular was the most rare.

When it opened, me did a very bad, it was a sensation strange. And the

the worst narrator, was that was that had a one the center of the

house, it was the only quarter with windows. As

all the quarters were all the two were one, they were

all had in the light electric. But that quarter, apart of being redonded, had a ventana that was at the center of the house that no was to be for any other form. And in the center of the house, there was a

very large, that had a pair of hittas for there, but at the same time, it was like if it was a podried. Me dave just to see it, a sensation that disagradable, it was like if that thing was living, that when I went, almost and pego a gritty,

I got me I got I got the door and me I learned it not you metas

in the passillo in the door that's prohibited that's horrible

I'm that I'm that I'm going to find out to open it because who can

know I'm going to topar I'm not I'm not a person that's that house

but it's that's when you you're that you property. That quarter

had something. And the house, the house you'd invite to

explore. I don't have that that case, I'm that I were to

know their recove and the place, and the first the principal,

it was that that was a subcumby. It was a thing.

It was first you put here the room the door to let's

I'm a bad at my father, that for for a favor, no. That, even if

me left to be able to be in the area, I was more happy, but that I would be able to be able to be able to say, because I just said, that, like, the house is a little rarer, that not even to be able to be able to do that. I was a bit of put in a certain way. Puras tonteries, narrator. Me

meanted puras men'sad. What I would be able to put me up to that court. George? George, and he began, and no, for a well. Yeah, it was insupportable. Apeness even

mom and papa, from the morning, they were to get to get to get a time to work, and George

was, just at the first rio of the sun, to criticar the place, to look to make a

to make, but to talk to more of me, or of my, so I'm to do you,

I'm to be to be going to the years, George, was totally

insuppable, until that, that of a a point that was doing a purpose

I'm doing insupportable for that not me was able to think about that I'm thinking

and when I was saying, I said, I said, I'm saying, me's

more, so I'm to be espiar narrator. It's never too early to plan

your summer story in Europe with WestJet from rolling countryside

to cobblestone streets begin your next chapter book your

at westjet.com or call your travel agent. WestJet, where your story takes off. Comece to do it, no, he'd say it to be a placidicca, no, he'd make a reason. Me ponied in the corners, me sent over the piece, me put me to learn or

to write or scribed something, that I'll repeat, the quarters no had windows, the passages, so, it was the excuse perfect, it's like if there was a lot there, the light of day, and for that was in that he was in that zone. He no me

said anything when I was in that way. I really was prestoned attention, that was doing. Because in this time, I was not out of the house. And me began to know that when nobody had pressed attention,

he met in the room redone. And it was a much time, that was what I said, I don't know, never I never I'll ask. Because those are the last records that I have with my my brother who took

some interaction with him. The time commenced to advance rapidly. When I get to be to borrow

to be a time, I'm doing a group of people, me start in bebever in those

situations, and the less time pass in house, I'm more happy. And I

do you know, and I know, that's that I know that I'm

have been that's much, and apart of that has got to do work,

he's not a mirrored. The mirada of those people that have

done a terrible. I had the mind of an enemy, of an person who someone who

want to get to get to be your part in the car, because you could

do that my man. I was I was the eyes. When

Mel, me I was like it was like it even like you

don't think you to be a turn-a- around, I refer to a more more reason.

I started to startle the narrator. I spied to be a time. But I was always the

time. It was all the time never about that they were in that they're actually they

didn't even have been to adapt to get to get to and they're they're working.

I think for the month six there there were a pair of they're not

they're having they're they're not they're they're to be

to laver some things, that plancher some things, I was I was

they were involved in in work, to pay the things, to pay the things, and the little time

that was to pass some of the time to not the time or not the person, or who was

he said that he was and he was so, and he was only, we were on the

house, God, God, I said, it was another person, not is that I'm

that that was that mirate that was very strange, and no me I'm

I was not I was They were things very Rarer in the house

I'm I'm had a in the cell but you not in a

same there's a I'm made that were in my court and it

was the other side the house on the room

I was I'm was all all all in little

areas all everything everything everything everything everything all

the top there no time it there you know, you know, you know, a quarter, but very honed,

a narrator, and very a very work, although they were in their place, there in that

in the other night, in the nights, they were to pass me things, me, I would

go to I was always even, even, even if it was a sabbanita, a little, to be a

getting a little, to feel that something my body. And I started how they began to hauled my covejita and me

they were to start out of the camera. I was a not even not it was not that was that was

that I'm that I'm put up with my feet. I was was taking with the hands and

something I had a tironcitos and he started to get to get to and it was

like saying me hey let's let's get it I'm the moment

in that afloj the a tyroons, is he was moving until that just that

just that just going to go to get a back in the camera and what I'm really

was a matter of the was that I'm that's the same that's the first that was

me did much, much fear I'm think in some another

animal something that's that even remained a un'

sure had been had been in some little in some kind we're

in a fourth the fifth first, was when I tried to a train a

lantern of a man, and in the instant that they're to get to the sabbat to the

car is, the room, not are there's no there no way, you're you're

you're in a bobbet absolutely dark in the night. I'm

there, I'm my lantern and just in front of the camera,

there's there's the sbana. I felt that I infartable. Pegged the

gritty than I've pegged in my life. I cance the cordes of so gritter. No, what I did with the lantern. I think I was, I think, I was at the moment in the room, in the room, down, and I was there, and I was there, and the

carrieing, for the, for the passage, took her in the room, because the door was closed. I'm not do with a door to serrada in a rhodo. of some way I've got to get to the door and at every

instant I sent like if someone me were to get to get around the two, 30 seconds more than I've

lived in the life that I've been the light in the instant and the room is the room

is there no there no there no there no there no you're that that's the

adult who I'm there was a anciana the rost was a demacrado

the eyes see in undied and the roba and they're

like they're like they're a lot of a wrap of a lot of a lot of that's not

that's that's that person in a occasion when I took a time to

a car and I said that that's going to get to get to the next

we're to go to the next he's he'd do the

when in the night he went to start to get

to get like like a loca and and he's a marred in a tawya without a and he's

saying that there was a man in the bayon he he was a man who he was he was

he was she was when this subject when this subject move the cartina she wants

to talk the armro she she was and he he be

that the point to talk and it's when he's when he he's when he

is when the other side the and it was but I'll say

no there no way there's only there only a door and this she got

when she got to she got to be to open because they had the second

the and when we went to after we there there no

there no there after there they're they're there

they're on there there a house in the house

the the problem and this is what me started is that not were

of adult or are in the kids, in all the

kitchen, in the other that was a room in the house in the

apartment in the house, I'm in the baby and my dad, and

my mom simply not had time to do that and George

it was that he did he he he

said, how they could think that things She saw that

I'd enjoy I don't I'd end up why and me too in understanding it.

Papa and mom started to get to get to have much roces between

things stupid, things that not have said, and it's ronkando much in

the night and I was around to the room, and I'm one of the two

roncabab is that in the night you'd you get to a time of

the television. In your apartment no there's no any of the discussions.

If one of them to see a television, in the quarter where we had to

we have a and we didn't even even there. They were discussions

idiotas that it were like if you would be any to be that you

have done. You know, you get more in this place, we're not months without

this type of discussion and I did you I said, I'm like, they're

playing a drama. And when I'm trying to intervene in that

narrator, it was like you know, you know, you are not you

are the you and I don't understand that it was what they

was what and he I'm so I know in what exactly

was I'm I'm I'm I think it after the first

year or the second year on the madrugated. I had I bit of all that spantable in this house.

In two occasions me had been tired of the cabell. There were voices in my abatation

around. But I think you when you do you do you do that? I don't

say that me dejo to do fear. In no moment me to do

but it a day to be a day. No, I was not to get to

I'm I'm had to I'm 15, 16 years in that one

one of I was I was tired I was fastidated I didn't I'm not I'm

he's just they're getting horrible and I saw you see that they're going to

do you're going to have been a year to not have a job never

never was there in the house the room that circular

permanency and she was he put a he put a

letter out and and he's and it's a

sensation spantosa, spantosa. What I said of the quarter that had her personality, her presence, like you invite, well, multiply it for God, but imagineate that directly you're going to be a demon, with cairns, with eyesoreb, and it was a bit of a sensation espantosa, horrenda, that abrumable the place. I was in the night,

I was in my abitory, that was an maldito cajone, obscure totally. And, standing there, sent me that someone's He asked behind me in the camera. No,

it was a new, but I fastidied. And I just just said, oh, yeah, another way with his

things, I'm pared to the camera with the eyes, because it was the way

that was that I had to go to that control, control my fears,

I'm I'm going, and I'm going to get to I'm going to get to the house.

I don't see the day of today, if it was the worst error that I

committed, or if was the great accierto that commenced. Because when I opened the

house, I did count that there was something. I did that George, that I had said

that had reasons for that were. When I opened the door and I do my first

passes to the house, I know how outside is illuminated but not

for the light of light of yams, light of the antorches. It's not.

There's Alargated in different Pondon of the patio. There's a color anarajad that's like moving as a manner

as a danceante in different points. Me a attention. Noto that there's

mormuyos. I'm going to make a little noise in the and a little bit

in the corner of the car, I do know that there there

there are some there are some there are some

there are a group of people who come capuchas are all with a

tautchas and they're talking about some of murmulls and George is a front of

a tunica that has some kind of some no see terminations of color dorado

and is a hand on a man in a other try other thing I'm a

question I know what I think it's a lot and it was a little bit of and he lived

something, and she was to the other. I'm what I'm sure of the

impressionate. No, I didn't idea of what was doing, I was not the I'm

and I saw that if I were going to be a day next to be a day and the house.

I went to my house. When I'm made, I'm respirator, and I took to

want to to get to because I'm I'm going to give us a out of the way.

So, so I just just that just that I'm in voice and I'm a little

and I'm going to be coming to the house, I'm taped the eyes and I'm

and I'm down the demonious was metida what demonios was doing my

brother? After that day mom he's unloke very very feo

very very fast he began to say that I said that in the the arbor of the

front that there a serpent that he about, we'd be we we'd be we're he said,

and he said, my, Papa, and me did he not more, in the way, to put you a little bit

with your things. Narrator, six months after he had left Moma, us had

had left with her, and no us didn't give to not. The family

of my parents, that were totally disposed to sacrifice all for us

all no existia. Papa was another person. He'd rather have said his life. He said, peor than his own, he's having been his own, he's been having a lot. He's not eveningue. That's something that was about ever being. That's the mom. Mom, all the time, about of the arbor. The arbor of the brus.

The arbor where is God. The arbor of the sacrifice. And he started to to lose the reason. We had to start to continue to the doctor. Me, I

accompanied to George. The worst is that George was that was not the consult. And,

standing afuerra he was just to repas discursus. No durable

much with that, we said that needed to a mom a person that

was a four hours, that that was a non- didn't,

not they had had had to have had to but that

had back. Mom, we had had we've been lost and, in some way

we've got to learn to live with that and do you're not interested. George, he said that he interested in the

house, and me said, directly, I'm going to give a permission that you've always when you're going to

me molestes. Narrator, I had 17 years. No could do anything. No, could get a

job in that country. You know, the options that I had to do, in that time,

was horrible. So, is that what I I was that if in the house, it was a dispercived

George no me molestable. I'm I'm going to give to give to do the time. The house

began to get her to get to get to things that most most the patio

had a house, that patio that was the man that said that was the the

tree, the the tree of the sacrifice, it was the place where there was the

And Josh, he had prohibited that, I mean, I don't have been a tonica that never

me would be in that they're, that if a person to get a man on over the

little than I. Narrative, I lived under the manasse of that Maldito. I'm

I'm trying to see that I'm not all the excuses that could be to get

jobs of work in any work that were a turn nocturn, all what

all the all the house that was of my parents that was ran't and He continued rending my

brother and the presence of that maldito maniacic for me I'm the first of the

year to be I'm just I'm there to know it's a little bit a little bit he's a

little he's a he'd he'd to have a little but he was a narrator

little things that I've went to the time and these things not me

I'm I'm not I'm I'm I'm never to know to cover me

to top never to to know to his family and no me interest to

know of him and if he came to do you. I'm the

little the world and the door's and then there's nothing to be

that you have seen. Because my father my papa my he was he was

he was on the alcohol, he got to get in the beer in the couple of

that they were that were that was that was totally confused His life,

little, little, was funding. And in those little visits that I've because not was a

little, he was a little, he was also me said, that the he was inbrujada, that the

daughter saw, and then he said, and then he said, that all the problem was the

case. What I was in a great raskos, is that George, if he

was at front of some type of cults satanical, demoniac, no-se with details.

But he no he no he he he he he he

he he he he he he he he

was he sent he he he and when he went to

and he he saw that he he he

he no he was there was that he

was he he started of the days and

in the place in the room in the apartment they'd like images to his head,

images of a book black, images of people around of an arbor, images like

of many people in different places of power, persons that had much money, that had

properties, people who had been and he started those ideas. I didn't see it was

his imagination, no was there some type of inspiration, but at being it was like

a idea a idea great, something, like your future and he He was about.

He was ambitious, was ingreid. And, of a day when opened the door, he did

that the he had put a but now, but now the room, was completely black.

The light that was that was painted that the red and in the parades,

painted of some of the color dorado, stars, symbols, things that were like if were

formulas mathematics, orations and they were different lineaments that he when was doing one day

he said that he said that he was a little with alas that he signaled

the the wall and he discovered that the window that was

that was that was he could be because he he didn't

he no see but when he came the front of the window

he he went where was the The tree, she accorded to where

that was that was to start to start at the piece, and in the

box that was that was that he was a little a little and

a craneo. From he, he began to learn and he started

that he had a certain power to influence to do you

and he started to do you the after after after made different

things and started to do this when he was her little something he said

to say to say he he said he was a little the little the

she was he was his his only father he was that he was

he was perfectly that when decided he was he was he was

he was my time for what he was looking against sea mar and

that that that pacto no so that she has a good life, that he's a

that's a that's a only for what he luched is that the only of the thing is that they

don't so they're the life and the life of his even. Although

he has a time Marlen no can't to you recommendarys

something that that I'm going to talk you go to you're

going to be a another and she's a legend

that they're in the family a legend that the day of today

they're practically to all. If someone has in the family when

comes six or seven years, it's the first story of

that's there's there and she said, and she is a not I

know, I'm sure, but what I can make I'm that the

first I'm made aterr because my abel not my

was a not a story. Me it's like the situation

that had had been to do front, because his brother, without what he was doing,

result, that pacted the life of the family. This is remonted many

when my abuel was a young. My abuel, the day of today

to have four years for you and this that you going to tell,

it was when she had around to 16, 17 years.

My abuela is Rita. And she had a brother of name

Artemio. The tio-awuel Arteamio in that time was a little bit major than

you, you know, two, 22, years because she had not the age of

her dad of her mother. They were in a ranchito. And in this ranchito

had like a certain sense of the humor in the that Artemio we were

the most haven't, the that's eventable, the the other than the comments that said that all said,

oh, Artemio, what occurred in Tehras? No, man, how's it happened to say that? But is that Artemio

he was to be an appropriate, to say what nobody was he had and they had to be to make a

way, I said, that all to do you say, but Artemio always had been

to look like the granito the green, the the worst, what nobody is at

say, what all they'd say, and all they they'd that happened there in the

rancho appeared a pair of galleaners and they're saying that they were they're doing

and they did a point the Artemio that all they had had a fear of the

bruchery and he he said a lot of brumas that of bruchas that of

bruchos that de and be yeah that every that said oh yeah and not

he not he chuped the and soltable a carcajada but well the the people

put like very arisca to the defensive, and where he'd hear of the carcacheable, he'd still in the risa. Pocco, little, he was relaxing. He began to make the taboo, that during

a time of a time of all the time of conversation of all lads, that, you've seen that they did they're doing brujeria, and that since then, you've got to the maize, and that is it's going to mal, and the artemio so it was to be a while, so it was to be able to

make a while a while like, fast to pass. But he did know that

in those things he was the things, it's that's so he's

going to go more to the profound. And he he said to

about about the and he said things that not it and

it's and he said when were when they were

and so he and not there's not saying

that they would they're with they're not they're life of

their children and that's my if I'm going to tryer money, me will

bring a money, and I'm going to do you want to make a and I

do it what I'm that I'm that of my wife, the of my my kids,

is more to the and I and I said, but I'm going to

give a car and then then you don't know all they all the carcach and

be a weird is a braoo and it's But it was just transformed in something

in a recurrent. Of a repent, since it's it's not not quite

not were a fiesta I was and he was a person oh yeah, oh yeah you know

you don't end up the badi because I yeah she and I

and the people and the people he said that's the only the only

the time was saying that he was going to say he was that he was

the contract when he he'd he'd he'd he'd and he

he'd he's more to his his own his own his own he'd a car

and he'd a very good entradita or a good a good post

or he was changing the point to have power to have money

the people the people not not so he'd not but

but none so carcagea not he'd not he'd

not he'd not And, And, tell my abuela, that was the

first time the first time, the fecha, it was to sound as if it was a carobey

gallopando to the people. The theme was that never never was,

and the little were a town. No, there were not any in

any it's not in a caro and they were going to they're there.

There were there. There were from and they were a way to

and they were and they they were in a little that they're that they had seen a little

a little a little that they've been more than that he was a genet a charro

and that he's he was and that he was to say and they're to say

and they're a drama that that was that I'm that artemio

he started to in the house because he he was to hear of the genet he said

and he saw him and he saw he he was he said he said that he

said that he said to be a lot of he said to get a fear the artemio

the problem when passing the months he he's

he he's he he's but we don't he

put he he nine months after after after then the

moment in the that he had a nana he started to the

door to the night in the house and I'm to hear to say that

he had out of Arteamio Artemio what you're what you said

and say the people that not they were to not that all

they had some to come and there was a

there was a house of that there that

only was a one on a Fiesta of the Pueblo, that Artemio, standing there to relax

the things, yeah with her daughter and with her spouse, he'll say, what I'm going to be asking, the devil, no me go offer to offer what I'd give to get, now see, a genet,

with a cabooo-negrovee, he was over-de-frey, and he brought a bocito a sack-a-he, he said, and he said, he's-hore. If you want,

or no. And that Artemio just for her husband for her and he said, God'sito santo,

pardon me, Godot and I know what I'm doing and they're all right. He's made in the

house and yeah. Dicen that the Artemio almost not said he was

a bit of because the genet he was looking. This me said Elena.

Narrador my my abuela Rita us told that but if you

see you the car when us my abuela not my

was to tell stories but But us He told that story and

he was saying that his brother Arteamio was a young and in

company of his family and all that all that all of doing

to be to because with the devil not he and you

you do you would you I'm about to

tell the secret the most so that he

was a time he was he to he

was to revela. This story that I'm going to tell, no last Favian. No, I can't tell with a much of details because

he's not, you know, you know, right? You're going to see why. Resulta that Fabian, he had an friend from the preparatory, that this has been

more of 15 years, the which, we're going to put him to call him to name, Emmanuel, to put him whatever.

Emmanuel, had a grand taboo. No permitting that there would be plattices when he

would be with something that would have to be able to that's chisery that demonios that's tarot

that wheeha what he has whatever that would be in torno to that that if you're a

person religious look to my respects emmanuel you said that's that's

he's he's about caro no he was he me me a reason

because it was very extreme. I mean, so you know you know all of the group of people in the group of

the group of people and then you know, if you know, some know, some story of the

talk about, and said, and said, and then it said, and it's, and it got to

busones we're that we don't know, and we know, but what's things?

And we know, we're a list like she the never to say, to me not me

me, to me talk, to me about me of religion, of phantasmas, of spirits,

of diablos, no, be able to wih, and the tarrs, and it was like the

part, the boy, the boy, the nina, get it, hebele, yeah, he'd be,

a list, and it's a rist, and I'm and that that's, maybe in your house,

or Beto, to know, they're going to the months, and yeah, not it not was a

thing that's a because we were a group that we were more, we're

more, more than a group like of bromists and of persons medias intellectuals. We're in serious,

like of questions of the materials, of the work in equipment, to get back the school, and we're we're doing

so. We're just some nerds, some geeks of our times. Emmanuel was very very formal.

He was he wastesy different to the other he was like he had been a person

of more 10 years. So, of a repent he'd got a little school, have me the frigate,

a favor. If all were in the preparatory felices, because no there were a code of vestiment,

if they had had been done to the uniformes. And this type had to do some kind of

a little a particular in a little a little, rare, rar, rar, rar. He

had a little, the cabo relamied pegated, it was that you'd have done

risa, because if had been really because if were there, it was more

more, like an actor doing a a role that's like a person

real. But no he was actually. We're not we're not we're intelligent,

very intelligent the Emmanuel. And passed those years and we're being very

good friends. No, he was the more the more the more current

but it was a good person. When someone he was he was

there, he was he was he was he was he had a one

he was a good on with all. We're

very good good on the never he's never he never called about a

man of that he's a lot of the same thing. Not you know it's that you know it's

that they them do them do but the group of we've done we've done we're doing

contact with the Emanuel well when they when they're going to do you what happened

that I'm going to do you we're we're we're we're preparatory, 10 years

after, the what had passed, the hour in what you're you, to do, you're doing,

you know, and well, the stories, and stories and stories tragic, the,

of a way, and why not is that the way, and that a accident, and that

a accident, and that's you're not you're not you're not, you're

just years we're, we're, we're going, we're we're doing, but well, economically

mal, one in the carcille, situations duras. Chikas in the preparatory

were in baras they were not they were in their and they were with his four,

five and the family, and all the much a baby, some of the majority

solteros, persons that had have vegentated tremendously and not were they were not

were the people, the parents to be you could imagine the scene, so

persons that were They were encanecided all the cabo or persons that had nothing to have been in

a state physical, that was it was a way that the way to be able to be able to

be doing, it was to make me that the time not had passed in balde. I had

had made marks and markers and marks and there people that were

more more than the time of the frugated but much not, much is

so. I mean me I took for the disorder the the truth.

So, so the thing. And I standing there and being that's

a little little because they were that they didn't in the carcel,

for bad decisions that was taking to the long of the time, that was

a man, he was a man, and they were like the popular. Well,

well, in that moment, it was like if had been a

little there was not to talk, and I'm

here, I I'm, I I'll I'll I'll say I'm

a little yeah, I'm going to get a minute, and I'm two years, and now see,

we're going to get to be to get back. Someone here has stories of phantasmas and Emmanuel

pegged in the table and he's and I'm going to he's right and I'm no,

sir, I'm I'm very in the preparatory that you did you did you're

but but here you're an adult papa here here you you're

you of that you are these things, is more explain us why.

And so Emmanuel says, let me go and he's doing it's and I'm doing and I'm saying,

you know, so if you just don't so I'm no, no, no, no, I'm going, I don't

to present to that and I'm going to be to be to be able to and I'm just that he's noja

but he noja so he put rojo, rogo, and preeta the puns and peaking

the mess and say with a caro no I'm going to be here if they put in the bar of that, I'm going.

And then then I said, oh, wait a-est, I'm playing, I'm going to, no, in serious? If you know, you want to be able to that? No, no, don't you put it like. So, I'm saying, but no, no, no, no, no, tranquill, I. I think that you've been

passed a year, and you don't you've got to take a, like, how, no, me go to take it? Well, Emmanuel, and he, and he doesn't make the world to the story?

Because you don't the stories of terror. And, and just me said a little, that I'm a word of that I'm according to the car and me I mean

those words, and I retumman the timpanos because me kept well, because they're

really, because are so they're for what they're so they're doing, like what

I'm going to you're doing, and I'm saying, but that are what? The stories that are you

don't say, no, don't know, manuel, no, no, don't say stupisets,

so, so, are, so, are so, are things that are things that

are have lived not they've done they're in they're not in

I'm not a me not I'm not much I'm think that so

so I'm know to be that you know that that that

was that that my mission I I'm I'm

not I'm not not this can he I'm

all I'm put to persuade to do what I have

learned I said I said to to say argument and argumentus

the because if the group of confidence that if so if so we're really confiable in usher that

not it was that not to beckes that apart the that he had acquired of those things,

we could prevent to us because we were to we're taking to make it that we're that we're doing that I'm

that I'm he pegged in his fiber sensitive. Sentire the that was a bad person with us not so it

was where he was the he was the he said no, no, no, he had

I've seen. He said, well, we're just you're just a manuel.

I was a I'm a carol. I wanted to me wanted to be the story. So is that's

he's not so I'm like that David. Fabian me says, I'm not I'm not

that I'm that I'm that I'm that I'm the world that's the story more that's like to

him to be a manuel. Emmanuel comes to saying something that was very very, very

very, very very, how to digerer. If you know you don't have papas,

and we don't know to be. Nobody was had a narrator. No, we had

put to never to give us never to his house, that never nobody would

get to any other part, that never mentioned to any type of family.

Emmanuel is that person like pass that percivite and nobody

is involved that so there there present. Nobody knew of that

story, and he knew of his life. And then he's saying, I'm

an orphan and I adopted. I just lived with a woman, the

woman, but that was my mom. And that she was things.

That she used for that's that those not are not a

question. Because in the house of It was the house of the Pesadillas. There were

narrator, while we went about this, the environment in the house was a different, but different

in serious. And Emmanuel was like if there were a regression. Yeah, not an adult of 20-tantos

years, not was a man, he was a little, he was to say, I lived in

an orphanato until the seven years. and a day a couple a one day

a woman and a man and a guy he was he was he was not he

was not his his wife the she was to see a little and he

started to and he he he he he he is

his he is his he is he's he he remember he

was he was he was I'm sure that was

another of the I know what papillia did you know if they're if they're some way

for me it was a for me I was to be to be able to some people that they were to try it

and as well and as they were bestied not that I'm that I'm that I'm

that I there there's a lot of a lot that sometimes when I

when I came to the She was a woman, that this was like a month after that visit, a penas the door,

this man did the middle of a little bit of aft of a billetess, and he went. The

she said, let there your things and desmudate. I'm kept impacted. How? Quitate the

the rope? I'm saying. I'm quit the rope there because I didn't

what I did. Then she She had a veil of color rolloo and he was in the head with sara

while I was saying something and I marked about something that had like a circle with some polvo

blanks, me markable in different points. Terminando me said, Vete to your

room and wait a to be in your room. I got to my room,

no, there was there not over and I got to be my with other three persons, and he said,

What's it? And they said, "'It's all right? How long time you'll have?' The time that he's permit to be here. From that day, narrator, the signora, me dave a dinner, me davelyvertat to do what he'd ever, but all the sabbado's, I had to pass there the rest of the time with his group of

my friends, I sometimes me subbed in a mess, and

being up at the table, they were to put me different

symbols in the world, and they were to know I

know. Since that they did that, I started things,

I'm seeing things rare. I'm to see a in the

speys a other that you can you look you

in an other room. For the window of the spejo is

reflect on things that not to be there. Narrate, he said to say that

in his dreams, there were things that they were and they were to tell them

and they were to tell the story of the old she and she

and the people that were there they were their name

and they're they they they're they they're they're

to be they're using like the senior Alma of

form extrana a after that he had that he he had to

a little I'm in a way of a she was a she was there in the case, but she didn't even if they were they tried to

trypacarce, to him they used a for rituals, like some type of sacrifice, without

a damage physical or that were notary. No, there was no relation and I

had nothing of that that was, for her was an object, and during years,

he managed a life apparent to she, she not he didn't those studies,

his qualifications, he he, he, he, I, said,

that prison, that prison of that haula that they did

in the which if they were not had to be a little going to be a

little to have to be a little other cities were only the

Saturdays only the only the only a time or a second but the rest of

the time even even if were in appearance was that after

the marcus they started to appear sombers in the room

somras that were they were they were and they the body and when it

they'd they'd have marks like if they were quombing. When in his room he went to

hear a night, and he was a little in a little in a little he was a whole of all over and he saw

a three people who were to see it with a malevola, that's he gave the same.

And he's there was going to be a little bit of him, he said that he had been the first

and a the only way that Alma he boffeteed he said, no you have a right to quehart, accept your reality. Alma

gave a middle and he went. Emmanuel had prohibited for himself to hear of

these things because he did a point that that while that he would all over

his things, he was he had that were more distant but when

when they were these things around of him He was like if were a pair of

of parts enormous that were at 100% and then all his reality was a

piece of the house of the house of the pasadillas each one of the one of the

pieces that had in that the house had had a malolient sombras

that were putrefactas things that were in the pieces and the

problem is that nobody more he only the problem the group

of alma he he put a a soga at the coo'oehl and they said that those guillar in the room in that appeared that was never

could have. It was like if were a perro, like if it was some type of slave. No abusable more of that

because no they were to use it but in Manuel. Emmanuel, he know how he was all

the poor that could be in the person human, know the soled

being and he learned that many of those stories of phantasmas and demonios, not are

a question. For him, lamentably, it was an obscure truth that had to confronter a

day. And you, what you had you had done the So far as the

Nocturna we've got to this dark fogata of the stories. Now,

if, to all those who who survived to one to this foggat make them

in comments and those that's their first that

They so be over-viven, it's my first that's my first that's my first time. One of this, Family Nocturna, make some present.

Because all those who are you put on that's first time, then the welcome to this family, putting them a

lunita as a question. And once said this, for favor, subscribe and give the campanita

for that the family nocturna be more great. And if you are listening us

on Spotify, Apple Podcast, for favor, subscribe and give us the five stars, because this year we

want to get to get the first of the first of the five stars, every day we're to be a little more

more close. Now, see. We'll see in the Saturday of Somras. This Saturday

at the time of Mexico, we're going to have the Saturday of Somras, you know,

you know, you know, the directo, here from the platforms of Apple Podcast Spotify,

we're going to be approximately two hours after. Now, So, so. Bonitue, a day of the week of the time and that you have

Dullses Pesadillas. Bye-bye.