HABLEMOS DE LO QUE NO EXISTE - 5 Historias de Brujería Diabólica , Duendes Malévolos y Sombras Siniestras | EP 310
Episode Date: July 21, 2025Bienvenida Familia Nocturan a ésta Oscura Fogata de Historias de Duendes Malévolos, Brujería Diabólica y Sombras Siniestras en @HABLEMOSDELOQUENOEXISTE El día de hoy les traigo historias que ...ustedes, querida Familia Nocturna me mandaron y me dejaron helado del miedo. Escucha de la aterradora e injusta bienvenida al mundo paranormal que vivió Amelia y cómo descubrió en esa casa que el infierno sí existe. Conoce con Damaris los siniestros peligros en sus Viajes Astrales. Tiembla de miedo con el duende rojo, pactos de Magia Negra y la Secta de las Sombras... asi que prepárate porque llegó el momento de que @HABLEMOSDELOQUENOEXISTE HABLEMOS DE LO QUE NO EXISTE es un canal de youtube con el formato podcast que comenzó en abril del 2022, su primer episodio fue "vivo en un casa embrujada" en el que una chica narró sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de éste canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de éste canal , la familia nocturna , creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de éste canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando ésto, tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora.El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo que genera. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado.
Transcript
Discussion (0)
Lazang surgellied,
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Welcome to Faverea
Nighterer to
this oscura
fogata of stories in the
way we'll talk about
of the brujeria malabola,
sombras diabolical,
and invitators no-desied.
Before to initiate
with this fogata,
permit me to
say two things.
If you were
you know,
you know, you
have liked this
format and
every one of
the episodes,
has been a
little bit of
the next?
Necessesites
to have two
things.
The first,
revisa if
you're in
YouTube or in
Spotify or
these platforms,
the button
to see or
subscription because many people who
are still in foggats, when they're
to see, they're, I don't I'm subscribed.
And for that you're part of the family
nocturna, the family most
obscure and chida of internet,
you need to be subscribed
in these two channels.
And the second point is that
if you have liked
the foggats oscuras,
prepare it.
Because we're preparing
the foggats
that are probably
in your city.
We're looking to
the major quantity of
cities that we can't
to here, the year, this will
be going to be in Mexico, so,
so, you're going to be
to beattratern't be.
But, they're going to retracer tanttent
just because we're trying to
to barcar more places.
So, maintain you atent
in the next two months.
Let's have to be
because, maybe your city
will be there in the list,
and if not is your city,
is one very circana.
Dich, one of this,
comece us with this
scura fogata of stories
in that all the relato
were made by members
of the family nocturna,
and you'd say,
the worst, are people normal, common, like you, like you,
and what they've, maybe, maybe it could
pass to you.
Comeens us.
A-becered, a
very encounter paranormal that
people are absolutely
unjust. Occurred in the poor moment,
occur in an age in that that you'd be
to be going to be a circumstance in that
that, in the case, that's not easy.
Amelia, that me mando'a, that story,
me has made one of the relato
most crueles that I have made
and, before to initiate, you recommend
that you have as your precaution and your
criteria, because you're going to
hear things duras. Amel, the day of
today has 30 years. His life
is good, for you stay tranquil with that part.
But me says, narrator,
when I took between 9 and 11 years,
occurred many things
very rapid in my life.
No, I don't know.
No.
I don't see all of my
house took a infestation of ormigas,
or if you the abetation of my mom
was saturated of arrains,
or no see the day that
I found my
my camera,
all the
one of
a year in
this, had
been the
initial of
this.
I don't know
it's not,
some moments
diffus,
because there were
many things
that were
in those
years, and
here you
know,
when I
had to be
I'm
an day I
made to
that you
did it,
that they were,
they were
they were
going to
be able to
never
never more.
I don't
have time
to masticer
that situation,
no me
did the
things of
the
way,
no,
they did
the time,
and
they were
One night, me
they're going to dover in
a lot of gritty
and things that sound
quite aggressive and
violent.
I don't put to
do not get in the
night, and of the
morning,
Moma, is helping me
for making a
maletta,
that I'd say
a maletta,
but it were two
mochillas that
used for the
school, one
that was rotted
to be a
back and other
that we had
been brought
to a little,
the room,
of the books,
of the things
that had,
and in some
the caritas
that she got
her with
the business,
we went
there's there
the
house.
The
house not
the house
rentable
a papa.
But the
two
together
not they
didn't even
not
I'm going
to be
a lot of
now I'm
clear
when
when I
said
my mom
was a
mother
and I
had
nothing
to
have
I'm
to get a
time
so
we're
we're
we're
going to
a
colony
in other
colony
of
cars
that
were
that
cars that
every
always
were
in
better
and
that
That that was because my mom,
first, with sonrises and,
in form beautiful, they'd have the
money in sovres, and I was
getting down that, they'd
go ahead-a-dressers, because they said
the money not was down to
and my mom, with much
a vergence, and they said, that no, that
had been a error, but I was
a little bit more. My mom
was about it. No, I had to
pay, but needed a
a techo, needed to some place. And
that was going to get a house
Mala to a
a
house
a
better,
until
we
we're in
a
narrator,
that's
not the
desire
to the
person
that you
know,
it's
a
house
that
was
a
humed
a
time,
it
had
a
kind of
that
was
a
very
was
a
very
there
been
there
there
been
there
there
mue
there
a
sion
in the
cell
in the
cell
in the
commo,
there
a
second-piso, but those
things were bigicissimas
and summently sussias.
What, at the day
of today, and no I want to ask her
because it was a moment also very
very difficult, what the day of
today does that I see that
we make a house, no pagomor
we're a house, we're
a house abandoned.
So, narrator, no
I know, I'm going to
ask, but I don't remember
that in the months
that we've been there
had yet yet yet
had arrived the rentero.
Stavable.
We were in a
violent and
so pesed,
that in occasions
were in times
they'd
hear of the
day.
My mom
me agarrava
to where
was and
I'd be
with forces,
me
and he'd
running to
the
wall,
it was
the
little bit of
the
and we'd
be able to
be
on the
the
place to
until that's
the
end of the
run to
and me
my mom
me said
that, for
favor,
that when
when it
would be,
that would have to do that
so on,
and that had
to do that
even than I'm
not a lot of
I'm saying
but I'm just
a little bit of
a moment
that was going to
and I was
my mom
very preoccupied
the game
I'm still
I'm still
I'm
I'm trying
that I'm
that's probably
we're getting
we're getting
we're stochable
in the
nights
they were
there were
you're doing
and you
You heard that people that were trying to
but they were in the box tapada.
The place not was beautiful,
it was very dangerous, and there in the
little time that we had to be
no could have contact with anybody.
The house, no time.
We had no power at all right.
No prended any apparel or nothing,
because no there was to pay the light.
And I don't know how he did a mom,
but all those days
he'd have to come.
She was from time and
back in the time, at times with some
of money, a
a little bit, a
sometimes with a
bit like a
little bit of
a little bit of
a little bit
and had a
lot of time.
My mom
was always
the time
the decisions
that he took
not were the
best ones in
the moment,
but it
was like the
bestions.
There in
that house,
I discovered
that the
infirm
if it
was actually
when I
was in
some moment
and I
think I
don't record
exactly
what was,
the house
entire
he,
I'm going to
have
many
or mishas.
But when
I'm not
about you know,
you know,
not you know,
about you
think it
you're in
your
almoa,
you know,
you know,
and then
in the
night,
only with
a little
of a
light
that's of
the
little
a little
light
or maybe
if you
have a
good
sufficiency,
of
you know,
you know,
you, agarras the colcha
of your almoada, that is a bigissima,
sucia and fea,
and sacudes, and
balls and balls of insect,
that when they're in the
camera, they're
to start to move
solos for there,
and only see
these balls
negras
with patita,
that's
that start to
start and not
they're going,
when I was
that was infestated
of ormigas,
is that
you're a
little you're
and when you
had a plasas
and when it
was a mosaic,
just for that
it was a quantity
that's all
that if you
were a lot of
you could cover
the body
and they'd
have any a
pedacito
without.
They were
some of the
house.
When that was
on the
night,
I didn't even
I'd
even I'd
to get to
because I'm
that we're
so I'm
made the
language,
me backed
to the
camera and
I'm
to get to
back
in the
room and in the
passio
I'm
to
mom and the
room
and the
room
was
a room
the room
I'm in the
first thing I'm
going to
the first
there's a
person who's
the man who's
and it's
very rare
because
they're a
type of
a
garra or
a sombrero
that you
see
in those
in a
earges
large
large
grand
I don't
see
a
I don't
see a
person
I don't
I'm
a
fear
but I'm
a
man I'm
a lot of
my
back to
my
I'm sitting in the
floor,
agarraining with
my
arms, and
I'm going to
my nuka
at the
door to my
mother to
see she
she's
that I'm
talking.
In
some moment
I'm
kept in the
jantos
that I'm
there, or
soyos,
because
not it
no-s
no-suel
and
no-Tendid
because
there,
that was
that thing, that
he was
that I was
that I
wanted to
try to
try being
to be
but,
but,
I was
I'm
very close. I saw some
my feet, some of the
feet that no trie in
any of the
concied.
No, I've
no
the details
exact, no
I remember that
the night.
The only that I
remember is that I
had no
no other
no there
no there
I had that
I had to pass
desercivida.
The next days are
a little more
rather that
in the house.
In the house,
it's a
It's,
it's a repent,
like if the
air
were not so
translucent,
and as when
you see it,
you're in your
room,
you can't
sometimes
see if you
gethals
an
air in
the head in
the
hands or in the
car,
no.
It was
when
came
a
right,
it would
be
a
little
little
little
that you
know,
you know,
you
know,
you're
a
sensation
of a
tension
ligerer,
like if
if you
hadararas
a
little
you
let styras
a
A little. It was a little bit. It was a
moment of caminor, you senties like if
impugas something to breathe, you felties
like if you haller's with a little of force
to something. If you were static,
senties that that thing was accumulable
around you and pressuried a little. It was
a sensation fea. It was like
if there were something
around and they were contaminating all.
Like if the air and it wasied
viciated,
as if
to be
a bit of
a little.
I was to
go to the
other.
In the
other time,
there was
a room
that I'm
had
had put
a chair in
the
area of the
chapter,
in the
of the
carada,
because
there was
there was
a
back the
and there
was a
little
and I'm
saying
that I'm
always
that I'm
that
always,
I'm
that I'm
put a
person,
and my
mom
me was
doing
to be
that I
needed to
to breathe. And that
room with the
window
rota,
was my
first of my
salient.
So I was
to have you
the door.
And when
I opened the
door,
I only
saw that
I'm
behind the
window,
I got to
the door
to get the
and I
did the
rare is what I
heard of
I'm not
a lot of
palomas
had
had been
letear
the
and then
he didn't
hear
not
not.
Narrator
that case
was a
car was a
a pesadilla. It was like if me
I'd eat like to eat, like if me quixirer.
I don't want to say, mom.
Mama, yeah, sufficient
preoccupations had. And one day,
I said, nothing more, that if, for
we could not. My mom
me said that no, that needed to
get to work work.
And that if we'd be able to
do not go to dream, for that I'd
be able to be able to. Me
abasso, me piti-o'n, me
accompanied my
apartment to my
apartment
and when
we're in
the room,
and when we
get a
sub-sabana
that's
all over
over over
in the
car in the
colchon
that all
that's
all right
and she
was in the
she was
aterrada
I never
had to
have to be
that I'm
that
back back
and he's
back
to come
to come
to get in
the
little
the door
to get the
door to
me abrasser and
all over
very very soon. And now the
that was crying was she was. I had
a new narrator. No, I'm afraid
to know.
Not only,
ormigas and, if in pi's, no
are things that I want to
go out. Apart, they're
horrible in the
obscurity, and when you
see that are so
something that's something
that's a little,
like,
I don't know,
no, I don't know
how to say,
that night,
I'm still, I
came to doormide
in some moment,
I just I
remember that in
moments I
had been
and I was
a little bit
to the
side of the
camera,
and it was
like if
me
was a
very,
I'm
a good
of the
one of the
feet,
I'm
I'm
think that he
the
and I'm
thinking
in the
night,
get to
you know,
get to
mugrero,
don't
we want to
let us
in a
muggero.
To
do you
get a
minute,
I'm
in the
room,
I'm in the
car,
and I'm
that I'm
that I'm
even a
that's
even something,
I'm
I go to
my mom
no
is I
I'm going
I'm going to
the
head I'm
I'm
like I'm
I'm
let's get to
the car
and I'm
like all the
abations
all the
partes
and I
do a
fear
terrible
I'm
going to
the
door
the
door
is
the
I'm
I'm
I'm
I'm
I'm
I'm
I'm
I'm
I'm
I'm
let's
let's
the
palomas
I'm
a
I'm
there and, of a
a sudden,
like if these
things are
to be at me,
the door
a little,
it's a
little to be,
and I'm
no there's a
little bit of
that house.
Like if
these things
were,
I'm pertenes.
I do
with you
do you want to
you want to
whatever
two months,
I'm doing
continually
insectos
in different
parts,
I'm doing
a sombra
that
was up
from the
piece and
it had the
form, imagine
that you're
seeing a
chivo and the
chivo is
put in the
feet and the
paths
down there's
down.
It was a
little
more high
than a chival
than a
little more
than the
eyes
rogous,
in occasions
had the
eyes
black and
and I
would say
that's a
edor,
but it
was not
the aroma.
It was
the sensation
was like
his
time,
like if
were his
presence
or his
intentions,
as if
If it were something 10-beces more
grand and that in
the other
patas, they'd
be able to
venters on
and desacerted.
It were the
worst months of
my life.
One day,
I said to my
mom, mom,
this house is
a little, and
me said,
my hita,
no deges
that's in
mind that you're
going to
do you know,
you're going
to change the
things.
My mom
got a newio
and the
first that did
was to make
that the
novi novi no one
not
back her.
In the
next
years,
I'm
sure I'm
never
ever to live
something.
When
I was in
the
school,
I'm
doing the
school.
Me
they'd
little
little
little
they're
in the
necessity
that
when
I'm
when I
was the
most
applied,
I'm
there's
in
places in
those
that
they're
not
they're
to
not
not
different
like
lav't
like
and
to
and I
those pedia,
and I'd
supplicable
that for
moned
and especially
to start
a little more
ruda
because I
didn't
that if
in some
moment of
the life
me to
be to be
to be
a
thing,
that was
to put in
me.
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In the Watts of the Pesadillas,
that for sure,
there's the same I go
in the Saturday of Sombras,
in the last five minutes
we passed,
there I'm toped
this week,
a story that
was really
really sure.
I felt identified.
Damaris me
says that
she, she
finally
understand to what
I'm referring
with that
there are
that sometimes
we know
we know we
we're having
much careful
with the
thing of the
paranormal.
And me
says,
Narrowor,
Every
that you
said
I responded
the same
like you
as you
know,
it's a
person who's
putting a
precaution
when
not are
necessary.
Never had
ever ever
ever been
just was
talking about me
I was
not I
didn't
I was a
not to
you know
I'm
but I
passed
three
nights
that's
something
that I
never
ever had
given and
I'm
really a
person
and not I'm a person
too,
like to think
to the situations.
More well,
I'm abient,
and you know,
then I'm a vintu,
so,
fitherto,
that in three
occasions
a few times,
me passed to
this, that's
very rare.
I'm
I'm just
in the
night,
me don't
get to
get to
the
car,
not to do
do a
house,
just to
get to the
car,
and in the
moment in
the time
I go to
the
the
and I
go,
I'm
my
person
there,
I
I go to my
spouse a
side and I
I'm going
I'm having a
extraal
and other part of me
says,
Damaris,
you're doing,
what you're
doing is a
sweet.
And I said,
well,
one or other is
for me.
I'm going to
go to be
going to
this.
And I'm
going to
know,
I'm not
a narrator,
I'm a little
I'm doing
to the
passile
principal,
I'm going to
the apartment
of my
I mean, when
I go to the
room
to my
daughter,
but I
do I'm
a moment
in the moment
in the
way I'm
my
head, I'm
I'm in
this is
this is
other
level.
I'm at
my
my
I'm
I'm
I'm
I'm
say, but I
know
that I
don't know
that you
don't know
I'm different.
It's different
as if
were just
my
conscience and
I'm just
there.
I'm even
I'm
even I'm
even before
that the
moment
to move me
no
need
to be
moving my
shoulders as
normally
at
the way I'm
because I'm
simply
just going to
a little bit
like you
say that's
what you say
what you
think you're
like you
I'm in front
my little
I'm trying
I'm doing
that no
I'm
know I'm
going to
get to
my son
and I'm
in my
house and I'm
my house
I'm a
child of
my mother
because
me do you
know the
greatissimo
hiko
of the
frugate
He has a colcha on the collar and has been on the cellular and is there being
something. And I, me viste the car. You put the colcha for that no
see a light, debauch, and so I don't go in the rain, because of
the repent I do rondines in the night to be that they're
well. And result, that this, I figure a manner, and me
kept thinking, and how he does it for being?
So, that's that, I'm a somo, and I see that I'm
And I'm a word.
Narrator,
try my
audiophone.
The audiphonos
that I take
three days
perished,
I'm doing
a encabritated
and me
I'm out of
there, but
it's very
rarro what
what happened
when I
go to be in
the room
and I'm
very enojated
but I'm
very different
and he
he gets
his colch
and he
and he
kept up
exactly
to where
I'm
and in
that I
do you
get to
my
body
and I
am the
my
My husband, all
exactly
like in the
dream, but the
is that we're
very good
not really to
do you know,
that's not really
we're not.
We're not.
The two
two have two
pajamas, and
it's one or
another, and
we're in
that night.
So, I think
that I'm
that I'm a
dream very
low, and
the day
next I'm
going to
see this
was a premonition
because my
my son
my son's
my ear
and so no
I'll let
let's be
so I'm
all this
night.
At the day
the day
the next. I'm here.
I'm overvied the
thing of my
son.
I'm preparing
a little
about the time
of this
the time of this
the year of
how it's the
night.
I'm going to
go to be a
little bit more
the time of
the caricular
and the
enoching that
he's got
a lot of
that's
no,
no,
he didn't have
nothing
of the
important
because he
came and
he came to
something
and he
went to
the day
I'm going to
doorming
the sabana
and in the
other to start
doing orations
I'm saying,
ohla,
ohla, hohala,
ohla, hohala,
and what I'm thinking
is that I'm
thinking like if
me empooker
from the
body, like
if I'm
going to be
back to do
and I
again again
and I'm
going to be,
and I'll
be able to be
to do you
and all right
and I'm
know how much,
I'm not,
oh, no,
yeah,
me just-
he's got to
When when he went to see, I'm going to
go to go.
And I go.
So, he's
he's got.
And, well,
now I'm going to
the new abilities.
I'm deslissed to the
part of the
escalars.
I want to
go to the first
floor.
When I go to
the first
piece,
something,
something, it
has been
a problem with
a pesadia and
no me
good.
It's a
first piece
very
dark, and
in the first
piece,
it's much
light of
the exterior,
but it
It's very
very oscuro.
The
worst is that
I'm going to
see
some of the
suns that
it's more.
The house is
my.
These sombra
are invited
and they're
to be able
and if
not they're
so I
start
to get to
get to
feel free
and it's
very rare
because
I'm not
I'm
I'm a
little bit
and I
think that
rare, that
that's
very rare, that
that's so it
is that someone
that's
there's
there's
I'm there
I'm in my
my camera, you
And I'm
a narrator.
Where I'm
I'm a
I'm a
question,
I'm going to
do you know,
I'm sure
that's a
but at the same
time,
it's my
little bit of
my side
and I'm
going to
go and I'm
going to be
the door to
they're
totally
dorms,
I'm
there I'm
the
sound of
my
and now
I'm
a note
mental
I'm
I'm going to
make a
he's
I'm
where I'm
I'm
sure that
was a
premonition
that was
a premonition
that no
I'm going
to be
a bad
sensations
is
tranquil
there's
the
light
like
always.
There's
there's
no
sunbrough
but it's
very frio.
In the
part of
the
house,
it's
a lot
down.
So,
it's
really,
and then
I'm
doing this
there's
going to
the
lights, I
prepare a
coffeecite
I
I'm
I'm
I'm
so I
do you
do you
to say
here
here is
my
house
I'm
to
go to
to sleep. When I'm
when I'm up
the morning. I'm going to prepare the
day-to-the-dicevino to my
my old. I'm doing
there the things. My
old is despise, and
he goes to give to the
little to my son-you-oh, I'm
to talk to you, and
just I see where pere the
eyes and he's going to
go to your papa, and
yeah, I'm here
I'm here I'm trying
my audio-phinoes.
No, I did
nothing, I'm going to
do my things to
do my case, it's
all the day.
The day
the day next in the night my
my little bit of a situation
while I was playing football
so I decide
that's the best
moment to say the
the audio of the
sound, I'm going
to be to be able to
and now
I'm going to
he, no
I don't see
if it's ever
to happen to
that, no
I don't know
I'm sure
and I'm
sure and I'm
getting back
and I'm
getting well
and after to
get me very,
I'm sorry
when I'm
when I'm
looking but
I'm going
like if two
hands were
covered me
and now
I can't
see I'm
the body and the
body that's
there's
and they're
saddying.
I'm a
a susto
that no
I can't
say that
but at
my time my
little time my
old is
my old
I'm to
do you know
I'm not
I'm not
back to me
but the
hands me
but the
hands are
going to
go and
I'm going
to be dead
and I
go to
my room
my
body
still in the
camera. This is a
a dream, but it's a
badgerger. I'm going to the
room of my
and I'm thinking,
oh-lal that
is still a
little to help
to get to get
to the
little bit of
and a narrator,
something I'm
going to make the
door and where I
know, this
dream is a brutal.
So, I'm
going to talk to
the day of
morning.
So my
my son,
I'm going to
see, and
when I'm
he, he's,
he's a
little in the
cell and in
that I'm
doing and
I'm listening
my
my son,
I'm going to
go to the
camera, I
see what
when I'm in
the room
to get to be
my
my son,
when I'm in the
car, I'm
done a
really a
and he said,
Moma,
it's a
my time
and after
to you have
a demonio
all negative,
all feo,
I don't
want to
hear,
he's,
narrator,
then I'm
I'm not
I'm going,
to do you
the day
when I'm
the
audio-of-
me said,
if I
did you
do you
I thought
I thought
I thought it
you knowhast
because
I'm
taped for
that you
never to be
you know
you're in
you know
a sudden
you're in a
person who
my first of
the same
and when I
kept the
sabana
to see what
you're
you
went and then
you've
you got
you got
a sombra
very
fea
like a
a
little
with uj
reds
he's
me kept
being
and I
don't know
I'm
not I'm
not going to
use
the
audio
the
sound
He said, narrator, I think I'd
I think I've got to tryge
a lot of the
house and you
know that you're
because you're
going to get
to be dangerous as
like it
and I'm going to
be in my
body, and now
the problem is
that I'm
what I'm
what I'm
a time
historic.
You could get
the bien for
the final of
the Cup
of the
FIFA
2016 with
Visa.
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Incribe
you at BMO
Concour.
The Reglement
the Concour's
There are
There are jobs serious and there are
relaxed.
There are jobs
that are you
are to be
too
atent to all
the details
because the
decisions that
they can be
due to
death or
for you or
others.
There is a
child who
does not
much her
work.
Her
name, we
let's
put her
name
Louisa.
Luisa
in a
let's
a stanza
geriatric
is a
type of
asylum
of
an
but at
the same
time
is like
if
were a
a little hospital,
you'll
give data
for you
understand,
because it's
a new
new new
a new
new thing,
and she
was a
little bit of
the year,
just after
after just
about two
years,
that's
just a
time.
You're in
a place,
you're in
a third
age,
with the
whole
you
see a
connection
tremendous.
These
people,
the
part are
very
very
very
little, and the
other part,
not are
very lucid, and
they're
in
people
active. Resulta
that you're in
middle of the
busk. You're at
more of 20 kilometers
of the city. But
you're not just
with them and you're not
in a place tetrico. It's a
super-luxo,
a beautiful, beautiful,
and with a
group of people
with a equipment
of pures
experts in their area.
Some more
to 15 persons
technical of
different areas
that are you that
include,
with two cociners,
you have the
best food,
is an
and you're with people
very delicate,
but that are
of families
very rich,
that are paying
that's
that's with
their fortune,
but at the day
of today,
are they're
more,
and they're
in a place
in the
where they're
in the
they're in
a style
of a life
as a
very,
very complete
in a vision
360
and with
much luxus.
Luisa
comes
of hospitals
like of
security
and of
places in
where no
there's
instrumental
to work
they're
to be
to play
for things
with his
companyers
because it's
part of
the media
and bring
a place
in the
little
he's
a lot of
a bit
a
own
a room
in a
one of
some
those
some
those
are
some
that
tines
shampoo
and
that
you
have
to
get
that
in
nothing
practically
the
time
that
is
to say if you want to
you can't
get there and you
don't get
you're going to
your cociners
and you're going
to go out of
her own
she has
she's
three
emperors,
the doctors
have been
also
and so it's
a place
that's a
very, very,
very, very
very well,
the view.
The vista is
the thing
most
impressionant
that you
imagine.
The
place is
a beautiful.
But apart
there's a
corridor that
is full of
ventanals
in the
you can
see
all the
because you're in a part
high. And in that zone of
ventanals, for that the
person's in the night,
not they're going to the
area of the room because,
the people are the
people who are
they're going to be
a lot of crystal
that they're putting
like a type of
calcamonia for
that not they're
going to goopiard
and it's a
place in
that simply the
view is like
in a
quote of a
that's something
that's something that
you know
that you can't
the other side, you'd have the garden,
a alberka, amacas,
comas, sombrillas,
grandes, and some arboles precious.
The place is tremendously
great, is a delicacy, is a
a good, to work.
To work, to be
a lot of
important, because
the subjects that are
delicate are of
families rich,
and you commit an error,
the problem
will be a normal.
No, it's
whatever thing.
The pay is
incredible.
Then, then it's
the reason.
The risk.
So,
it's for
her. And it's
yeah. And he was
working
a year.
And I can
say,
according his
words,
I've changed
the life.
Me
changed the
life.
What I've
had
ever had
ever had
ever been
to be able to
buy them
things.
I've got
to get
to get to
because
different to
what they're
people,
they're not
when they're
in family
rich,
or are
people,
are very
really little
people,
are people
are very
people,
so we
sometimes.
We've
done,
more,
like a type of house, a
home, a community, and we're all
all right.
There have people of the personal,
people of the
people who have intonated,
that not has
tried like this
same vibra,
and then,
then,
they're just,
they're
and they're
because they're
having an
a ambient
so you can't
imagine,
narrator.
I'm going
to be a
time,
that's my form of
I'm going to be
I'm happy.
The place
is so
so beautiful.
Never
could have
been able to
pay a
place.
Never in the
life and
here I'm
so I'm
going to
be to be
the future
until that
me corran
and I
do the
things
I mean,
I mean,
I'm, so
if I
have to do,
I'm going,
I'm going
perfectly
well,
I'm very
minuciusia
meticulosa,
very cariniosa
with all
the world.
All
me want to
all,
I want to
perfectly
well.
I'll
tell you
all this
for
that you
don't have
any
bad
no time
no have any
a situation
rara,
no there's
nothing
of that you
have been
some
some of
some
that it
has been
that it's
that I'm
doing
that I
there's
where I'm
where I'm
where I'm
where I'm
there's
there's
what I'm
there
that's
not normal
and it's
just a
second
the other way that it's the
people and chikas, that is the form in that I
refer to my bigotos, are
going to go back to the city and they're going to
to go to a work of theater.
No, it's too normal.
As are people that one is
too much as they're in this
house of a desk.
Get them to the city, that are you
with all the barue, apart the
way, that's almost a hour
to get a good velocity,
subils,
back those, the changes,
the ruses is much stress.
So, no is that normal.
But every time that's
do you say that. You'll
say it's the second
time.
Resulta
that we
can't
to us.
If we're
going to
go, we're
going to be,
it's like
if we
have been paid
an hotel
of a day.
And I
said, I
keep, I'm
going to do
two times.
Meter me
to the
alberka,
get me
to do you
do with
medicine, but
you're like
five
hours to
do you,
and I'm
I'm going
to get to
get to
get to
that's
not of
time.
So,
then I
give to
the two
Cuciners that we have
Cometing,
the food at
the good,
according the
things that
are in
no, no,
no, I don't
know, I'm
thinking.
I'm a
friend with my
best friend
that's been
of the
job, she
me said,
she's,
we're going to
give us,
we're doing,
we're doing,
we'll say,
we've been
in a place
in a place,
we're
a little bit
a barred
a stance,
my
am I used
to trapeando,
we did the
houseo of
the
quarters,
we've got
the
we've got
the
platicas,
we're
of the
Mourcer, delicious. And,
and of a
repent,
we're
a struendo.
It's
very rare.
Me,
I did a
little bit of
MED,
we're going
to enter in
the part of
stances.
The struendos
or no,
in the area
of the
kitcheners,
we said it
came from
outside,
and we're
that's
we're going to
get to
us over
our
door of
crystal,
and we
we're going to
go to the
area
to
do the
place to
let us
that,
that,
for favor
they're
they're
vigilant. And the
cociners
were nervous.
And then
then we're
like,
what's the
what's
it's going to
get the
door of crystal,
they're in the
door of crystal,
that's the
thing we're
not going to be
sure you,
never to get
people to be
a minute as to
say it's not
something to be
not a lot of
here. No, no,
in serious.
It's that no
no,
no,
in serious.
Mejor as, and we call it,
narrator,
well,
I'm entro the disconfianza.
I don't
me feel a good.
And I said,
I mean,
of a family,
but this is too
very rare.
So,
is that I'm with my
friend,
with much silence,
we're trying
the door of
crystal that
divide the
two areas.
We're going
to our
quarters.
Decid we
we're going to
go to the
same quarter,
in the
same apartment,
to be
so,
so I'm
so I'm
so,
I'm going
in the
I'm going to doye, but I'm
vestida, and this chick
enter, then, to dovesire me outside, when it's
all right, when it's all right, and then
she's all the habitation,
is coming, she's
a struendo, me
asome, and is she,
at 15 or 20 meters
rumbo to this zone of the crystal,
the door of crystal that divide, and
is a parada, and no's
move, but she be a sustada. I'm not, but
is, it's, you know, it's, it's, it's
trembling. One
one man has
a little
and the other
has been in
a little bit
like I'm
I'm not a
car, but
me imagine you
have the eyes
abertos and the
book abjured
because the
woman is
there's a
congelated.
I'm
I'm
back to her
and then
I'm going
I'm still
a struendo
but now
now I'm
know it's
the door
of crystal
and she
agit-
like if
someone
had been
like someone
had
had pateateateate
and me
entered
much fear
I'm
I'm
to see the
the
and then I see that
from the door of crystal
there's a sombre
oscura gigante
and is the
way of the
door and is what
is what is
generating the
real.
I'm a
manrador that
I can't say
I'll say
my amica
my amy
open open
is a
colded
and it
tingblan
the labios
I'll
again with the
sombra
and the
sombra
and the sombra
I have
in front
of my
camera
and I
directly
the
eyes
two eyes
two
two inches
and
a aura, so like a black, totally
negative, and
of a moment, that thing, in a
parpadeo, yeah no is to,
me da, me do you know, I'm going
to go to the kitchen, I'm, I'm going to
my friend, I go, and I'll
that's like, I'm going to, I'm going,
she's all buceying, and I said, cackety,
come, cack, come, we're going,
we're going to say, there, some, manse,
and me, I'm striding, and we're
with the process, and we're going,
and we're going, is that we're
us
past
this?
And just
I just
I said,
I said,
I said,
I'm sure
that you're
to have to
the door.
In the
night,
no,
there's a
problem, but in the
day
not the
day, but
it's a
little,
but it's
greatote,
but it's
the dwee
that's the
dwee'n't
that they
end up here.
Me.
Me.
No,
they're in the
person.
He's,
narrator,
when me
said that,
I don't see
that,
no, I'm
not so,
I'm
saying that
that
that I'm ria,
for that
yore,
to go,
for that I
my
am I'm in chock
complete,
me the same
to the room,
we're sent us
we're going to
we're going to
why we're
going to be
the thing that
we're doing this
we've done.
We've got
we've got
even of the
busky,
we don't have
a vehicle
to get to
that zone.
So,
then there's
many many
there's many
there.
But no
we're not
we're not
we're not
we're
when we're
when this
night
when these
And,
chishos and
muchas.
I'm
going to
say to
the
people who
do you know,
and to the
doctors,
with the
we have
given us,
to get
what we've
lived.
And all
they're
and they're
to get to
the dweend.
Well,
where the
demonious
I'm living,
Narrador?
Dice,
I don't know
if I'm
know if I'm
saying
with a
familiarity.
The doctors,
the doctors,
that no creen
in nothing.
It's
oh,
the duende,
the dwend,
says
narrator,
me
they've
They've just destroyed my hotel of
and now
it's an hotel
enrujated.
Biennue at
board of
Via Rai.
Embarque
and profite.
Embarque and
relaxed.
Syrotay.
Bookine.
Oh,
that also.
And profite.
Via Rai,
the voice that we
love.
Something else you know.
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When Ephrain was in the preparatory,
vivied a situation summante extrana.
A situation that was prolonged almost five months of his life
and it was marked until the day of today.
This passed
for almost
20 years
but it
still
recording
fresh
because it's
something
that's a
life
for ever
Heffrain
in that
is a
man normal
normal
under
commies
normal
as normal
as
normal as
we can
be
a type
that's
with a
time
of
that
has been
back
to
he back
he back
he's
that has
been very
attractive
for
a certain
circle
of
chikas that were around him, and it's
something that he could
be able to be able to be able to be able to.
With that I don't want to be able to do.
With that, no, I don't you want to say,
so I'm going to say, who, I'm trying to
say it, the thing is that he was living
that. And when he lives this situation
as much of someone arrogant,
he's become an arrogant, he's become
someone insecure.
Dice the narrator, me
I was a person
very uidiza.
When the
people
were to look
to get
conversation in the
preparatory,
I put very
nervous.
And I
liked them.
And there
were chas
that I
loved much,
but I
didn't know what
I'm not a person
that's not
a person who
to be able to
a conversation.
I was accustomed
to be alone.
I was
accustomed to
I'm used
to you get
to get
conversations
with
people who
are the
they're the
they're
and a
I guess I respond. But here,
here it was like if you were
like if they were to do.
That's what I started to make
like a little gris. No,
had much conversation, yeah no me
he'd huntable with friends, of course, yeah
had little. And apart, in my
house, to my papa,
he's going to go very bad. And
that's why, it's a house very bonita where
we'd have to have to be a house, and we'd have to
go to a house that was the middle than
than the earlier. And it was a house in the
which, well, there was no
no problem, but if you sentia the
difference. In the other,
all the habitations had been in Pintura.
Here, the habitations, many
were in an obra-gris.
There was the mural, practically
so pelon, be you guys the block.
Beid you were where
was the cement of union
between the blocks. And, well,
no, no pasa nothing.
I'm adapt, I'm not up,
I'm not so-in-law in that
then I'm a situation
of my father. No, he's
But in this
house,
after three
months of
to be living
and I'm
insecure,
they're going to
go to
things very
strange.
I don't
know why.
In my
school,
because here
I'm talking
that you're
in the
last time
or in the
penultim
semester,
but I'm
going to
start the
prepa.
In my
school,
there's a
child that
I'm
really.
It's super
bonita,
but it
from a
family
adinerada.
She
me
really the
attention.
It's
like a
chica
darketona,
that's
vised
a dark,
he's
a bit of
a little
dark,
it's
where he
really
to start
this
contrasts
like this
old
sadams
that's
style.
And she
me
really
and it
but it's
like
anti-social
to all
to do
all this
do you
do this
do you
don't
have a
special
or
that I
think
I'm
to make
to
start
conversation
narrator
and
if I
was
I'm
not
now
I
know
I
know
the
I was in the
while I could
say my
name
without me
tembrough
a boss
tartamode
in the
life had tartamode
about
he tartamodea
had a
goth
in me
I sentia
a frio
in my
nucca
tremendous
and a
other
and apart
in the
house
to turn
to turn
that
I was
when I
could put me
to think
in the
thing
the other
and I'm
a lot of
another way
to make
a
the next to
disculpar me,
they started
things.
Papa and
mom were in
a time,
like to
open a changarrito,
they were
doing things,
I mean
I'm
because
they're
they're
but they're
having a
new new
a business.
I was
just over
the
house and
I'm
and I'm
and I'm
just
talking
in the
room,
I'm
going to
my
house,
I'm
I'm
I'm
I'm
I'm
when I
when I'm
the
door and
there no
there's
nobody
and it
Sienta rara. Rara, no
I don't know how
to say it, but it was like if
Tupierreation. Imagineate
as if you were in a
little cism, and
that makes that
all the body
tiemble a
little.
I'm going to
get to see
so.
I'm going to
put the foot
into and it
and it's
like something
that's like
it's like
a time.
I'm a
real real
I'm
I'm
and I'm
and I
see just at
final of that
passiel
backh
from the
stairs
of the
first
the
A sombre identical to my papa that is
the silhouette of him when the
lights are paced in the house.
I see a few, narrators.
It's like if someone
was living me and was
putting me in a situation in the
which he has the control and I know.
It was a sensation very, very
fea.
No, I didn't even say,
Papa, because I'm so tonto.
That thing not was my papa.
There was a light there, and that thing was
So I'm going to
Comeynear in the other
There's a room
I'm going to
The door
The door is
So I'm trying to
I'm trying to force
A little the door
And I'm
I'm going to
My Papa in my
Spaldas
And I'm saying
Hey Ephrain
What's?
And when
I'm going to
The Sombrus is
The Brutational
It's horrible
It was
It was like
To be a
Malsererer
Why not
Reactione
Corriending
grittando and that, I think
because I was very nervous, and
I was very Uid-is, so
is that just that happened, and without
that's just, no, man, that I go
rapidly, coming down to the door to the
door of the court of my papas,
I'm going to the door of the
house, I'll carry the keys in the man,
I'll see the house, and I'm sitting and
waiting to my papas. When they
came, Ephraim, what happened?
Nothing, nothing, nothing,
how are, how they were?
Everything, all right, all right.
And in the case, I'm afraid
of enter.
That night,
Papa and Mama
don't know
because I'm
going to be
the conversation
to not go to
go to work
because I
want to be
only to be.
And,
and they're
a little bit.
And I'm
put it in my
court and
I pegged to
the door.
But,
look,
me respect.
They're
on the
other people.
Well,
narrator,
the next
days,
no further
there were
somebers in
the house,
the sombre
of my
father,
the sombre of
my
Then, after the sombra of a
child, and then I started to
see my own small.
You know, what is,
to see your own
outside, moving to
it's something invasive,
is something
disagradable.
I think that because
it was a rare,
not me
always always
from that house,
and because
it was a
little solitary and
I had where
the school.
Let's say,
Elvira,
was it,
I was more
interest in me.
And I
was fascinated
because I
liked,
but it was
not had a
said,
narrator.
That's
me
confundia
more.
A new
one day,
he gets
with me
decided and
me say,
I'm
going to be
you know,
I'm
like this,
but of
a form
like a
little
on the
night,
no, no,
no, no.
If you
have
heard of
a idiot
doing that
that's
my story
and I
did that
so I'm
very nervous.
But this
chica,
he was
he was
he went
and the
day,
and the
black,
all the
woman,
and then
in the
school,
I'm saying,
well,
where we're
going to be?
I don't
have been
about it.
I'm
asked it
for a
time before
the
last time.
And then
I'm
this situation
of a
nerve where
I didn't
even even
even I
thought,
because I
didn't
think my
head was
not even though
we're
going to a
place over
the preparatory
she
she'd
she'd
fastinated
I'm
never, I
had to
talk about
and he
she was to be
a bocava
me sentia
with much
a very
and she
was super
interested
a day
I'm saying
I'm going
to get to
do you
want to
do you
and I
did you
that's
for this
anything
that I
would be
that
I'm
happy
in the
nights
when I
was
trying to
do
those
sombra
are
to
the
camera
yeah
not
they
not
the
door
when
when
because yeah not was a somber,
they're various.
My closet,
day that I'manecy,
the day that was
in my camera,
day, no important
which you assomares
about,
that was all the
that's all right,
and that nobody
of my family
left there.
Those things
now were
getting
like very
very close.
And this
woman was
like very
interested in me.
I think
for that
I'd
give importance
to the other.
Gave a
moment in
that something
that something
that was
that day
special
to me
was
inviting this chick.
Faltable,
two
minutes for
to be able to
we're going to
know what,
I'm going to
do you
do a lot of
because I'm
very, very
special.
And of this
they're not at
my house,
I'm going to
get to
my mom
and me
and he's
he's
I need to
talk
to talk to
talk.
And I
start to
me has
been having
been
being in
the
house
in the
madrogate
to come
to the
corner to
the corner
to
sitar me
in
go to the abitation of them and
keep up front of the camera,
vying during a very good
rata.
And then,
without move me,
without talk,
they're trying to reaction.
I don't reaction.
And me says,
my mom,
yeah, this is too
that's very strange,
we need to do
something.
My mom
me gets with
a psychologist,
the psychologist
he says directly
my mom at
final,
and I hear
because not
took the
door to
the door.
That stress,
can be the
hormones,
don't be
preoccupy. My mom
of there me
a little
a little bit
I was a little
and I was
nothing.
But I'm
a little
a little
to give a
God to do you.
And when
I go getting
to the
church, I'm
a blackout.
I don't know
what's what
happened.
And of
my mom
me is
trying to
reactionar.
We're
outside of
the
church.
And when
reaction I
don't, I'm
I'm
turned out of
the
church in
adored
over,
and my
mom
is a
one side
is
bad,
it's
like palida and me
is a move
a little and I said
you're saying
you're
you're like
and there's
about four or five people
around
that they're
asking about
that if they
want to call
an ambulance
that's
that's okay
the man
and mom
and they say
no no
they're
a condition
that's a
I'm
and he says
no digas
nothing
and then
and the day
next
he's
looking
and me
he's
they're
inbruched
he's
I'm
I'm
I'm
when you
when you
when you
when you
you're
you're
you're
you're
like if it was a march a military,
you parasted,
you put you rigid,
and you started
like to rechinar
the dents
very hard,
and make a sound
like a grunyed,
I'd say,
that reactionar's,
that reactionars,
that reactionars,
the eyes,
the eyes,
they were back,
and then you
did it,
and then you're
to talk in
mormullos,
but in an
idiom that
not our
word,
me did much
fear,
me did also
too much
badger,
I didn't
that nobody
to get to
acercara,
they said that you
were having
like a
attack,
but you
you're going to
get to get
with a
Brugha.
Narrate,
why my
my mom
me drove to
do you?
Why I'm
doing it?
They're
to tell you
to tell you
don't know
I don't
do you.
And then
then to
day
next, we
don't,
we,
and a man,
and a
one of
us,
we've got
a bottle
of
liquor.
Why we
we've got
a
bottle of
liquor?
No,
I mean
me
me said
that we were we've been with a
Brouca, me
he said
that's,
I'm going to
get a lot of
this time, we're
going to be in a
place of people
in a house
super-vuegit
and start-tallated
the people
are going
and when
they're going to
us and they're
the other
and say,
wait-en-sper-
because I
know what I'm
and he
says,
you're going,
you're going,
you're going
to my mom,
pass-le,
leave-se-the-
buser,
pass to me
you're going to
you, and you've
to be here,
and you've
your bottle.
She's me
getting
and me says,
damn what
you're doing,
and I'm a
I'm a
I'm a
and when I'm
a drag of the
bottle, and I
say, I'm
and he said,
it's a
and he said,
and I'm
and I'm trying to
and I'm
and I'm
and I'm
and I'm
and I'm
and what I'm
saying,
Nador,
it's a
person,
the same
the water,
the
and as it
was the
thing were the
food of
the fruit
more delicious
and real
and like
were a
basitto
and not a
little,
So,
the pick
the
pico of the
bottle in
your book,
the turn to
and he
it's all
all the
one one
one and the
two and
the bottle
was a lot of
a lot of
a reuct
tremendous
and when
he was
the eructo
the eyes
those
had been
black
and I
was the
voice of
a man
he said
he'll
tell Elvira
that you
show the
the book
tell Elvira
that you
show the
book
tell Elvira that you
show the book
Tell the Elvira that
the book
After the report
After that's
Many, many,
many, many
times,
he pettar me
lastimas,
me repit me lastimas,
me lastimas,
me lastimas,
me lastimas,
me lastimas,
me lastimas,
he started
to tremble and
after me
and me
scupio part of
the liquid
that had
had tragated
and has
five minutes
but
you're talking
of a chorro
in the car
but a quantity
and it was
a pure
alcohol
for horrible
and
And then,
after that,
the woman
was aubri
not had
vented all the
liquid that
he was definitely,
but it was
much.
I'm very
confused and me
said,
you know,
you're doing
very strong,
you're doing
things,
you've been
into the
and said,
that's a
little,
go and
and I,
and I,
and I'm,
you know,
and until
that's
being,
I'm
thinking,
and why I
took them
to you,
then,
I'm,
I'm
I go. My
my papas
are with
her.
I'm
waiting.
When I'm
my papas
are very
preoccupied and
me are
so you
know,
you know,
you know,
you know,
to be a
next next,
narrator.
I can't
talk to
Elvira.
Elvira
me had
enchantado,
me
had fascinated,
but then
I'm
I'm just
I'm
I'm
so,
how far
for the
day special?
And me
says,
yeah,
it's like
three
days.
I'm
preparing
all.
And I said,
and you
can't
you can't
tell you
know,
and when
I'm
saying,
they can be
the
eyes,
but
never
never had
seen
any
a minute,
I'm
a
hand,
and I
say,
how
you know,
how you
know,
you know,
I'm,
they're
saying,
and if
no,
I'm,
they're
that,
me said,
me said,
he's,
you're all
all right,
you're
all
suelt,
it,
is
go. At the day
the next
he's a
book that
has been
that's
not the
letters of the
little bit of
and now
there's a
real real deal
was really,
I was
being
in me the
effects of
that magic,
only I
not the
only I'm
not the
I'm not.
I'm
what I'm
just that you
know that I'm
made a
book, I'm
that I'm
even in my
house
never ever
never got
to be
better.
The
situations
of the
house
changed,
and I
recovered
all my
security.
What
demonios
I'm doing
I'm
know,
but I
know
that the
magic
that's
that the
magic
and the
and Louis,
they're
10 years
together.
They're a
very
young.
And Betty
me says,
narrator,
you want to
tell the
success,
the situation
that we've
we've been
we're not
a parisement.
He has
had been
his vivences,
I've
had taken
that me
have been
at the
o'clock,
I've
seen a
man that
he's
a man who
may
have been
many occasions
me have
seen
to get
to the
time and
then
there's
I'm
there's
costada and then we have our
vivances but there's a success
that we've lived together that we're
going to tell because it's been the
poor, the most terrible and
we're not even prepared for that even when
we're going to come. We're going to be
a good rato, we've lived together, but I'm
my noviour and we're just very well. My
noviour, Luis, Luisito,
trai yeah like an
an emendiment.
He had
been
had
been
car
of
chockes
and he
he was
to be
to get
because he
he was
much
the
thing of
the
mechanism
and
they
was
a second
man
car
cars
that
not
you
don't
a
cost
he
he
was
a
good
and
not
it
was
so
he
he
he
he
he
he
he
he
called
I
know
when
me
when
I
say
the
project
because
when
when I
to signify, no
I'm going to have time
for you,
I'm going to
get a 100%
in that, and
very probably
I'm going to
get a
money.
So,
so the project
was a
caronet.
A camioneta,
I know what
I'm going to
let's see to
the cars,
but it's
these these
these are
these
these are
like to
put to
the part
of the
back, that
just the
only, and
it's all,
and it's
all of the
that's the
panka
to move
very great
and this
caronet
and this
carmionetta,
because
no,
and he started to repair it
from
CERROND CERROND CLE,
CLE,
CLE,
All the
Ahorros
that we have
done in two
years and a
minute,
this is he
got the
moment in
that he said
I don't
I don't
I can
to repair more
to be
and see.
And it's
about four
months
looking the
company.
The camlete
could be and
but we
was the
to be.
I had the part
of the table
for that
you imagine
a lot of the
part of the
part of the
table and
kept the cables
expuest.
In various
occasions
that anduvimus
there,
because he
he was to
celebrate the
day that
he was to
let us
to do it
to do it
some of the
cables because
of a
little of
the movement
it was
he was
he said
aghate,
agate,
aggerra,
he came
the rogo and
amarral
and there
me be
a mens
aghacked
and all
torsida
moving
the cable
and me
say
there, there's
and there's
I'm here,
and there
I'm at
some time,
so you're in
those things
in your project
is something
that I'd
know,
it's horrible,
the camionette
incomoda,
a wayha
and socia,
no,
she's
to repairer.
Well,
that carmeltita
that's a
mugroo
project,
us
just got
to the
story that
I'm
to say,
I'm
a point of
the
person,
the
the comprower,
the
car 45 minutes
but
out of the
city,
not 45
minutes
to the
center,
but
you
you're
going to
the periferia,
and a
45 minutes
in a
little bit of
a city,
or it's a
little bit of
he's not
he's
because for the
use
rudimentary
he'd
and it
was a
time, he
was a
little bit
and do,
I'm going to
get to
work and that
in a
little bit
time.
Well,
we're
going to
you know
that you know
we're
going to
go to
get to
more of
to do you
to be
you're
doing, that the
a little
a
way,
you
get us
with the
ballante,
that's
you're in
the way
and the
way,
you know,
you know,
you're
and you
stampes,
then we're
both
very,
very,
very,
very,
very,
very,
very,
very,
very,
so,
how we
going,
Louis,
and then,
and Louis,
and then,
he,
he,
I,
Chivas,
no,
I'm,
I'm,
I'm going to
get a
narrator,
he was
going to
get a
lot,
tot, to,
in the
I'd regress, because 45 minutes in a
place that no-hirties,
the vultas to be able to
cover in cars.
Apart, not if we
were going to have to
get to be in the
carmnet.
It was at the
time when we
out of the
city.
To what hours
you want to
go?
Oh, I'm
yeah,
but very
malumorated.
Decid I
not direct
to the
word.
I'm going to
play the
stereo.
No,
it's like
a shorto
rarro,
me reganing.
I just
just apreted
my puns,
me kind of
molesta,
I seero the
eyes, and I
start to
get a way
in a form
in a
way he's
a lot of
you know,
not you
don't me
talk,
we're doing
you know,
we're doing
and we're
going to
the way, and
the
thing, and
the tableau,
it's
the light
the
and I
don't know
the motor.
When
it's going
to be
with you,
because that
also I'm
also I
know
very
so I'm
look to
see to
see,
I'm just
what's
what's
I'm just
to help with the cables, no, no, are the cables, is
another thing. And then
in the place to throw to the
key, it's going to turn to the left to
see something, if it's just a little, and
the carmettet that starts, like, vibra.
And me, it's, it's going to be apse, it's going to
get a pager, if it's apaguer, right, we're
a friend-a-one, and where I'm saying that,
I just know, I'm just, I'm just,
I'm a little, 30-metro, that's
a point of those of retort, but
But it's very rare because no
see any way that
that's up to get
that point.
But there's the
point there
and cross over
of the cartererita.
We're going to
you know,
you know, you,
is going to be
going to the
point, but
there's a lot of
and me says,
yes, if,
I'm saying,
yes, if,
do you're going,
the light's
out of the
right,
oh, yeah
we're sent me
and when
they're
when they
can't,
I'm sure,
I'm doing
a somber,
that is soming
to the
into where
we're in
the
he's up you.
He's subbed
someone in the
and he said
he's there
and he's there
the carousal
where I'm
so the
heart we're
going to
we're going to
we're going to
we're going to
say to
let's see that
that person
and we're
we're going to
and we
get to think
but where
where did
where we
did you know
we're
not that we
we've got
we don't
we've got
to the
camp
narrator
are like a group of
people of people
like coming
like if they're
doing a type of
dance.
They're like
some 20
meters of
a little more
more than
us.
But it's a
group of
people and is
doing a
type of dance
rarro.
How do you
do I
know?
Because
they're
different in the
sombers
of these
people and
he said
there are
and he says
I'm trying
those
see,
I'm just
he just
he chock
with the
point
and me
He says, look at the point and
the road, and above the point, narrator,
is like a person,
like a point of the point of
to venters, and when
he gets a guy, it's like if that person
not were like you, you know,
or so it were, more than,
like, something like a lot of
made to tell a negative,
because it's to extend,
get in the part
of the point,
and then when he took the
piece, it's a
little time normal
of a person, and
just we've got to
see, like the part
of the rostro,
that's a
steele-marillo. Tiro the
grito to the
sky. Luis
is a garraved to
ballant and
just me says
so, no-se-
what-s-ser, no-se-
what-ser, no-se-
what-ser.
And I just
do, I mean,
reaction, Louis,
reactiona, and
he, at 20
kilometers
per hour,
it's in front
of that person
and when
we're just the
carmennette
is a brand,
and it's
normal, we'll
we'll be
for the
space of the
door-the-
no-the-
there, and
there no
some
and I'm,
and I'm,
and,
and even when
we're going to
risked the
life,
we've got to
get to
get to the
public,
vendio the
carmett,
he gave
less the
money of the
I didn't,
I just said,
and just I'm
just let's
go back
another carreter.
Narrator,
no I don't
any the
minor idea
of what we
we've been
with the
camleta or
with my
attitude,
but from
that day
I've been
a person
much more
more brilliant
and not
to be
carrying with
those
humors
because
I think
they're
to be
And with that story,
we've got a
final of this
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So,
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