HABLEMOS DE LO QUE NO EXISTE - 5 Historias de Duendes, Brujas y Entidades Siniestras | Episodio 391 | Hablemos de lo Que No Existe

Episode Date: May 18, 2026

Bienvenida a Familia Nocturna a esta OSCURA FOGATA DE HISTORIAS en @HABLEMOSDELOQUENOEXISTEHoy César González, El Narrador nos trae historias en las que nos advierte los peligros que nadie quiere hablar y nadie se atreve a decir con la práctica de la Mediumnidad; tres casos en los que ocurrieron cosas extrañas, al encontrarse con espíritus que ya hacían en lugares con pasados extraños y turbulentos. En más de una ocasión hemos platicado acerca del peligro de los duendes o de esas cosas que hacen llamar duendes que pueden ser algo peor y Mirthala contra su experiencia en la que tuvo en contacto con algo que creía que era solo decoración y terminó haciendo un mal al que le abrió las puertas de su casa. Finalmente me gustaría preguntarte, ¿crees en fantasmas? Porque el buen Mau nos responderá a esa pregunta de la peor manera todo esto y más en esta #OscuraFogataDeHistorias en #HablemosDeLoQueNoExiste Por cierto #Familia Nocturna , estamos muy felices porque ya comenzamos oficialmente el próximo viernes 22 de mayo en León la #gira #HablemosDeLoQueNoExistEnTuCiudad2026 ; el 24 de mayo nos vemos en San Luis Potosí; y el día 6 de junio nos vemos en Hermosillo; si quieres separar tu lugar y acompañarnos en la #fogata entra en los canales de difusión y busca el link en Bio; también aquí en YouTube, en la página principal del canal de @ puedes encontrar el link que te lleva directamente a toda la ciudades y fechas. Sólo tenemos pendiente la Ciudad de México y esta semana debe de aparecer disponible los boletos para que separes tu lugar en la fogata. Ahora si te dejo con el episodio que disfrutes esta fogata y después que tengas #DulcesPesadillas #ByeBye

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free of charge. BetMGEMGEMGELF. BETM operates pursuant to an operating agreement with Eye Gaming, Ontario. Welcome to Family Nocturna to these Cura Fogata of Histories, in Let Me Let's do what no exists. The day of today, I'm going to talk about with duendous bruchas and seres sinestros. But, before you start, let me say to a pair of things.

The first, the dear Family Nocturna of Leone and San Luis Potusie, goyance preparating, because the next Friday we're going to be in Leone, and the dominoleu, we'll be there in San Luis. And for those those that are part of the Family Nocturna, have a story to tell,

manden it, for favor to the WhatsApp of the Ratsup

1. 656-6- 6-7-7- 75-4, go to more more 52-81- 35-6-6-

7-7-4 because we'll we'll be the fososos in the fogatas in

your city. So, let us listen to get the best of the first,

if you even don't have you you know what you need to blotet, you, I recommend that separa your place, for you're trying to in the foggatas in the city, as the time you're going to

to be able to do you, but no appare the light, because we're going to start an obscure foggat of stories. Comeensable. Paulina had a secret, something that was had been guarded only for her and for the people more cercanus, and a day it was reveled. It was revealed, because there

a few forces or energies that they were having to have to have to be able to find out of special. What I know is that I was to find out of this time.

And this is your story. You said that this story is of Paulina, and are things that are the things that are

that I'm a third to talk to Paulina, I have to talk to someone more. Gustavo.

Gustavo is a subject that by the decade of the 90 was starting the career of psychology.

Yeah was in the last semester when he He didn't know Paulina. For you dee you a idea, Gustavo,

he was a old manned a one-o-90, he was a little regortete, he was always always to use the

gorras, because he had some some some little pelonsita that was growing with

the years, and with the gorsas he was more more more more than a company

that he of the faculty of psychology that he he, he just he came

the attention, not in a sense romantic, but more more than an aspect in a

aspect of professional. Pauline was a woman that was a much,

he was many abilities in a social and I had to connect

with the people, but in seconds empathis in two just

just and he was to be to to say to get to

you and you get the time she she

was a little about about a little a

little little, and it was very, very blank and had some eyes red, bright, very beautiful. She, more than seductora, was a person

vendidora, had a much labia, I'd say to at the moment exact, if he was to the people,

I'd make a good, because for that moment of her life, she was, she was of the students

of psychology that more money generated, no, she was to start the career

to start to generate and ingressos. He had different negotiations in that time. A little little thing

at the center of the faculty, that was a place placecett. Where I was a little person who had done it.

Originally, years ago, she was passing a salon by salon and then then it was working.

It was working on the faculty. And then you a posteceit two mesites where

were used but he was going to there was there those pesites. Apart,

she had had much a more to the catchorros and he began to a

a croero of a perrits. And he'd a negotiation because they had those perrits so and hermothers, and I'd have the edad and the conditions corrects to vendel us, and always wascoughed that they'd have a

good dwean. The people empathized very rapid with her. When I was in the last semester of the career, you were the remolino, he was talking with one, and was talking with others. The ultimate that he was interested in the classifications, not were the bestoddial of the students.

But the masters would have taken, and they'd say, this in a rathititon more us going to be going to be able to all, because he had a

mind and a facility to get to get to get to and he was going to new things.

He was doing practices. And Gustavo, for his side, was more of a person,

he was very enfocated in the studios. He not generated a single

centav no he didn't be very well in the faculty.

Cas since he entered was the first place of a first place

and it a type very matado for the studies, and he went to be quite a

master of the subject a subject of intellectual, not so good with the abilities social,

but in all the related in his profile as a person, excellent, no there

a single reproach to give, and they had an future incredible. Coincidier

in the last semester, they were in the last salon and

they were practices in the same place, that that they started

a relationship. The relation not for Gustavo. He started. He said for Paulina.

A day he says, Hey, I know you know you're going to you know you're not. I'm not

sure you're not the first generation, like in repeated occasions, just to just to give. To be

if then you do you give us to see how I'm going to learn because in this and this

matter I don't know. And he he said, ah, clearly, Paolina,

when when you when you do you can do you can do you can say, because Gustavo

was a little bit nervous when they were then to get them to be in confidence. He gave certain airs of importance that he liked. And me said, Gustavo.

He said, narrator, she no me gusts never in a romantic. Jamas me called the attention. It was something she had that she had to be admired and that she had to be a much attention, but at the same time, it was a cabo decoucado.

He was in all parts, she moved a lot. He was very well as a companyer, but never was like a little more. he started to advance the semester in the practice and I

made a question that this woman in an apafuegos like nobody knew to all the

situations conflictivas that were even when when I had a experience in the camp

and I was a packafew I was I'm I'm and I'm and I

said, it's that I'm much intuition Gustav that's a don that I'm

I'm I'm the don't of the intuition and I was I'm right and he said,

yes, yeah, yeah, we're we're in the faculty to learn of don't

and miracles. And she reed because I'm a sarcasm. It's good that you know that you

know that you and in the faculty that you were practically, they formed like ateo. And they were the

part of the formation of psycholog. That you had to a person to be a different to

because if not you don't you do you do you're too. So when me

about this of the intuition, I thought that I was that braomying, and

for this that's a and when she said, I was going to do. I mean, and then she came a-o-chorn, no, because she's a side of my and he said, Gustavo, he said, I'll have to reveling something. He says, I want to generating Ingresses. But where

me said I was a rojo, rojo, and I just I just did that my time because even when the chick,

I don't, I've seen it in a sense romantic, never nobody me had said that.

And, well, not passed things in my head, but passed all the feelings in

my body, and she didn't do, and she she's me kept being,

and I'm saying, the the sabbado you? No, no, no.

It was a My week at the Saturday, my life was a pasadilla, I didn't where I'm was a

turbidly. I was too never, I'm not thought in nothing, I'm put a

thing, I'm all right, I'm, I'm, I'm, I'm, I'm,

I'm, I'm, I'm, I'm, to make a a little a lot of a

little that you want to you know, you're not you're to get to get to

get to get to and, hey, what I'm what I want to never

had been never ever of the rarop was the other other stuff more that's the old as you could be in the time we used to

use a vata there in the practice of psychology then I don't put a camis to vesty even that's all planched at

the bat and who had to get a counter but now she was to be to go to the

house? No, no it was it was tremendous never had never ever ever ever ever ever

I've been the first conjunos that you imagine the the worst but

I was I was what he could I was in the faculty, and not we had friends in common and I,

I don't see any who question to be in my mom, my mom my mom made about my bad at

my mom, and one of the I did security, and others me went to my account. Look,

narrator. I, now you know, I've been many years. No, never was a good

reference to give a way, how to be a galan and how conquistar. What I

was a day, was spantos. I put a corbata, no, I was saco. The corbata

had some rays of color Amarillo, blue, and an orange. No combined with anything. But, I combined

very well with my cabisa black. He was a black. And then

then I put a tirantes because I think that they were they were

elegant. When I I present to Paulina, because we

we, he, he, he's he's a and he says, no I'm

he's talking classes to the time. And in this

I did narrator, me encuged, and I said, yeah, so, are classes that I took a little, it's, it's of a personage that I'm doing and she said, oh, that's a little bit of a personage, very chistos. No, no, no, I wanted to

me to drag her the earth, never had been feeling so humiliated, but no, I would have accepted in front of her, that, according to me was being very waping for this, to her, to her, to see, like, all the days of the faculty, a camus of a mangar, short,

he'd a pantalone of a mackl, and the zapos some of the time to be

not a time to get to do you, I'm doing, this is too very great, and for you do it's

more casual. No, we're doing to get a conversation, and in the middle of the way

and I want to the time, she's a little bit, she's a little bit of a little

and me said, Gustav, you're that's been, that's a short circuit that

you know to know, I'm to do to do that and just just, I don't say, yes, yes, I'm, sorry, I'm, I'm confused. And so, no, you

preoccupies, but, after that, he left his hands of me, for the most that could, and he was, and he was going to, like, see, the door, like if he said, and I never had lived a little bit of a horrible. The worst, to do you know, is that she no me gustav. But I never had lived in this. I was all confused. We're getting to my house, we we're going to open the

door and she gets out of and she says you know, pass to the house and me say, how can't

for the house? And I'm, we've to come to the house, me said that

she's a very strange, she gets a being and and I say, here you're saying, and I

do you're I'm referring to this house and me says, wait a back back back to

look to a little bit thinking, and he's going to move the head to go to the

head and he he's, he'll have, Gustav, we have got to be really seriously in this

moment. I think you don't you you're not interpreting the things. I'm a narrator,

I want to that's a cataclyism that that's that chock in an bus,

no I want to have that conversation, me I want to be to be

going to be the going to be the more bachornos that's the most bochornosos

that I'm No, with all the value, and the situations that I've lived, I've been the first

enough to and I'm going to do a point out in front of her. I know I'm in front of

my because she has got to get to the hands, me he he's got to the car,

and me he says, tranquill, no, going to be going to not a narrator.

I never had been so much that's been so much. I'm I'm still, I'm

know, and I'm what's what's what's what's going, I'm

I'm I'm explain you. You know, you think you said that I've got a good intuition, and I just move the head of the above, but for inertia, I'm not I'm not presteering, but it was of the things that me said what I kept.

And me said, you meant. Where me said, you meant, like me made to say, I'm going to, and I said, how, you meant this? I'm not going to intuition. That's a and I'm a lot. And I said, yes, I, too, I don't know in that.

And me again to be with an eyes, narrator, like if it were inside of me, and me and I say, no, what I have is a better than that is, I'm the people,

and the mortals are those who are the decision is to make, for that I'm doing the good. And you

give a excuse, because as a day that I did you know, I said, I'm just, I'm sure

I'm not I'm going to the rest. But right, starting here, I think me malinterpreted when you

I said that you were to the house, I thought that it was very evident for you that I

want to to be to to the house of the narrator. I know that for you this no has been a

but for me if I said. When me it was like if I metiered a little a great to

the head and I went to pay attention to her and I just to be conscious

in where I'm remonted to a moment very very so much

I'm because I'm not the city I'm I'm from

I'm from a I'm a two hours of the city. And there in that peoplito, vivian in rancheries, people rich. And there was a rancheria in that nobody

was atrevee, like to put a foot in the place. The place was on a incendium, before I was a year, because it was very big. And that place, it was known as the house of the Lamentos, because they were a lot of times, glitos, and at the beginning, the

people were in, but they were in assuptuous of what they'd. I never I'd telled of stories. Because when I was parable out of the reja, I sentia that many people were being from the house, but many and it was a sensation horrible. And in my mind, for me,

I was I called that place, the house of the dead. Never said to my mom. Never said to my mom. Never ever said to a friend and a friend. And when I came to the city, never he had said that to nobody. When she said,

They want to me you get to the house of the people, I can't not tell you know what

I'm doing it. It was like automatic. It was like if me get all the

emotions of the I know and connect with the person at the moment

of a intervention therapeutic but but yesterday there other thing.

There me disarm for complete I do a little

up the the door the door of the car me I go to the auto and

I'm going to manage. All the way I go in silence. What she says she

is there no way that has information. Nobody says if that case. Nobody

has asked, nobody me has asked that that legend because it is a local.

This chick of the city, that I know in the last

year, that I know not is not because the people know

my past. I'm so I'm Famoso, because I'm a good student. She said the name, to which I did in my mind that's the place.

And all the way, I'm just going to be thinking how diantras could have this information. Where is the trick? Where is the trick? And so, two hours,

two hours, 15 minutes. In one second, and we're in front of the house of the mortals. I'm pared. When I'm

parro in the vehicle, she opens, the door, and they're to say nothing. It's far out of the barda, that you have

have been cuted a rea metalica that had many years without her, and now it was a barred of madera, the tablelons can't remove easily, and she cruised at the other side. I don't know any conscientious of what is happening, but never will forget what happened. I'm going

behind her. She says that no is necessary that he can't be able to be able to go ahead. I'm even if I give it to the word. When he's a-dentro to the house principal, that was a casona a very very

I've never made to see the times of the time you know that it's a

very a lot about a amount of and the house was a middle

of the place enormous if you put you a car on the other

easily they're there can't be in a place when we're we're

when we came to a case a lot in the world like if you

were little chokes electric in all parts and

much, much, like angustia, ganas to start going to goreying and she started to actuar. Enter, and he's to tronar

his moñecas and the parts of the back of his feet like, no see the the tailon or the tovill

but they move and truanan and it and it's a new different to do you know,

she was a actress, she not was to do that but he's saying, you know the things

for the rito and then he's move other part and he says, I said that not were persons like that were the

people, and he's going to be not going to make us back, the pacto is made another

part and it and it's kind of a rata in a trance and then then say, and then

if the things not come, how we're to escape? And then that's he's

in silence and he he starts to move his body, and I'm

I'm the crux in the wessos, no me atrebo nor get to me, I'm at

the head to the head to the head to see a look at and I'm to say

something, that I can't in the life or as a person,

express it to but she not her and it was her the body.

The person is, but no the way, it's par the side me and

without me, and without me, is the of her me he said,

Gustavo Bavamonus yeah. He's going to go to the car, we're doing the

way, and after the day this she never never was the same. She was a different,

act about a way different. The don't of the people that had to do that

was a lot of that's always was a always he's he's

the way of completely. I'm entered many years after

that had a local of the city. How it's the whole? And in my

mind I always respondia, is that not she's she brought a house of the house of

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more extrains, crudas, and disalmadas that have come to get to the channel. But, I'd like to know you, what you think about this? Ada, the day of today, has 45 years. It's a person common, has his family, has two little girls precious. But he occurred to something

ago, after 20 years that I'd have made marked. Aya he likes the stories of terror and she's identified, but has something really clear,

he never never to live a little like what what was in 20 years. As 20 years, Ada

lived with his two brothers, his brother and his mom, and they had been the moment

more of his life. The father, in an accident in motor,

he was a life, and passed another world. This was like

all accident, something unexpected, something that's a way of a situation

economic complicated. After the father after the other people were much more complicated

very much. A Ada, to the brother and other of his brothers and they

took to matter much. Not they were to do that they had to

get the changarro ahead. Mama had had been a mother

all the time in the when he's without without without a

herencia quantiosa, what does that in all the gasos that they were to do with the defunion, he per die of the capital that had the family,

and they've been not only in zero, but with the brothers, the person that's a person that the house

only and only for the situation that they've been, it has to give us six months, but no

there's form in that they can pay the renta that they're paying, what the company of the

father is going to give as money to be money, just I've been

with a So they're in a situation critical. During six months two two two men,

they've had been done with and they're getting but there's where they discover that

maybe a time the life not you do do that the life it's

and you and then you and then you'll see you you're you're

how you're you're the one the one she's the

the she was she's she's she had affected much

the part the Papa, in that time, I had only 12 years the little bit and the day to

not a lot of little bit of this things, and he was going to be able to get up the situation. And in moments

you would have you to cry, and in other moments, animating the family. It was a mother

very entire. And well, Adah, me says, narrator, were moments very complicated. We're

uniered much as family, we know more, we've done, we've done some chockes tremendous,

but, but, the plazos of the in a situation very complicated. My papa not had accustomed to

live in certain places. We're not not. But we're in the luched at a lot of

a certain level economic. Class media, class media a jobada. But, you know,

we're not we're not working four, my mom, and I, and my two brothers.

We're not we're not we're doing the soul of papa and we're we've got

to accept the reality how it, and we we're to of the zones to

we're accustomed to start. And that's another blow. When you're so much you're not you've got to

know, and he's to get a point out of that's, you know, you're going to do you're

not during a time if you're very hard. We're a car in a fractionation that I'm that I'm going

say that's that's a private because not it. Maybe was the idea in

some moment but it was a very very barato because a few years

had been had been had been had been had been a group of delinquency and the fractionment

entire had been made out of the stroses there, they were in a one of the area. After two years, they've started to reconstructural the

place because yeah had had gone to the delinquency in the city and that was repoblating but the people

not were there because it had been a place where they were their things. I think you know you can't

to another. We've got to one of the casitas of that fractionation. It was what we was across, and with that we'd have been so abhorcados. It was very lexed of the

work. My brother had to work more close to the zone because it was impossible to get to the other. In fin, all's doing a effort. But that house had something, because since we came to us, like at two or three months, they've started to be

things rare. The light was always intermittent. They were to parpadear the focus. It was quebeam constantly focos of certain zones. The food was super rapid. And my brother

and I started to be able to not with someone, solo. She was made and he started like to

say things a voice a voice and when we we said we said that we said she she was

like she had a dormit or like she was a car very and said I'm

I'm I'm getting a dormita and she I'm talking that we're

not we're that we're not we didn't the the head, and the

heart to present a attention to my brother, pass her to two months, and in those

two months we've got when I'm a little bit of my my brother's my wife and we're not,

she's when we're to go to the school and not we've noted, because we're not there, we

went to the morning to get to the work and we back to we're really,

Meli was there when we went to when we we were there always had a rop

different. So, So, no, we don't, we know with the conclusion, Obia, until that one day I'm going to run the time.

Because me pego the cancance tremendously, and I saw that my brother had been up. When I'm going to get to

go to the school, and I'm going to go to be the school? And it's where we're going to be

going to be the school. We're more to do this and all the thing. Meli yeah,

he's not about, and is where I do do that all the family put the focus in

her because is very rarer. My mom was a person that before the accident of the accident of the father,

after the accident of that was not that was said that God was he was a question. But there

another other way we need we need we need we need we need we're all

we're all all the and when we're to restable Meli so returce in the braosos

and no let's say repeat but so super repeated. Rosa Belasquez us says a

name that was a very rare so Alcatraz number 222 Colonia

the Prado and we don't we know the voice he's back but it

was Rosas Alcatraz 222 Colonia El Prado and the voice

as a boss about Rosa Velasquez Alcatraz 2212 Colony the Prado

and it repeat and when we want we want to we're to take to

point in the point in the point in the point in the wall and it's a lot of nokiated. We're a lot of fear.

We have to talk to talk to talk to the doctor. We don't have to pay an ambulance, no we have to pay the

services. So, so a person is that a little a hospital in the we're saying

we're not we're going to give us a but that's a doctor like to sorty and say, let me realize to make me

and says, she's a man, me say, she has seen us she has be able to be very, they're going to

to be the front. Buskine in the security, busken all right, we're going to get to get to the house and just go to

get in the house and then he starts to talk with a voice very different. And it's saying, why not

they're my mom? Rosa Velasquez is my mom. I'm saying that they're to bring a

mom. Why I'm doing? I don't want to be here. Why they're here?

And in that he's he me like, Meli, tranquilla. And me me said I'm no

me me I'm I'm Matias. Why not train me Moma? My mom is Rosabelaus. That's traggan to my mom. And so it's a put like a narrator, but her voice is like grave. No, no, the voice of a little of two years.

It's more like of a man, but it's like grave, rara. When I want to bring her to say to her that's tranquilize, me says, no, me aghast do you know who is you. I'm making things in this house, and we start to

explain to some things that us demer I'm a fourth. He's a four.

And me made him and we're doing it and we're doing it and we're doing a

little bit more you're saying, well you're saying, and then I'm back and I say, no I'm

so my Mattias, I'm not able to enter to that court, I, hey,

and he and he and he and he's and it's so it's so it's so it's

so it's he gets in the piece and it's just just to say, there's

me desoscribier of this world, he said he said to do you and he said he's

about how it's not done you intentionally saying it that repitia one and another other

the name of her mom, the she was and he asked for the

direction and he he was he said he was in voice but he

said that he was that was to justraer while they

they're doing until they were we were we

were very No, we know what we're doing? And my mom says, well, looken, yeah, where's that direction that's the really,

and she's the not I'mel and say, me L'I, we're doing the direction that same night in a rathor.

We're going on the domicili, two of the morning, with the time, we're talking to be

a car when we're a woman, not very very great, but it's very tired, and well,

are the two of the morning, and I'm I'm, you're Rosa Velazquez and me be like a kind of a car of anoho

what are you know these to come to I'm going to you know what I'm you know this you're gonna you know

Mattias and the she's like the girl and says if you will you say you

say you I'm going to run per the narisa a gulpes largates you're not you're

not you don't have I'm doing I'm saying I said she said she's gonna something

we've We know we know. But is that we need to come with us because it's going to our house and it's he, that's like his spirit. And the signora, says, you're not going to be, and it's going to becky-perated, because they say, no it's not going to be the people that have suffered so far as far as far as far as it. And I will say,

I say, sir, no is a drama. Necessimus to go back, because something to be something. No, par to repeat your name, no stop to repeat the name of Matias and

says that there's the way we're doing, is where they're doing the thing we're not the way, we're

for our insistence, we're in your car, he gets in the house, Meli, that's been

that's there's a and he's and he says Mama, Mama, Mama, and he

says, Mama, because I have to hear, yeah, listen me, listen me,

I'm, I'm, what you did you I'm, I'm here. Please, you know, I'm really

my little my little my little. And you know me stares. And you're not you're doing, because that's doing that can't go to

go to get, no I'm going to get to be to be able to and she's and never said nothing of Matias,

and nothing of that. What she did he's going to get a sombers, and was very sensible with

people and and was there and said, and I'm that person no, that'ser that's going to do you

place we don't never never could corroborate if

if I'm not what you know what I'm that you that's that night

was a night was a thing for a life and for me

still still without any question. Are you one of those

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So, are you ready to talk to fans? Spotify advertising. You're among fans. The people not are not yet yet. They're playing a WIHA that can contact with something and they don't know their intentions. And in this story, we're going to blocker a new fear. Daniela has an hermina minor than when Daniela

had 17 and the her mother had a 12, they were a relation very tortuous not they were

a lot of the mother He was even the form in the way in the girl's always was like to call the attention, but in an act like of rebellion. This, that I'm going to say,

occurred yet for the 80. And these hermas, to that, are at that, they're going to be a facet of age, but much more has to be with these

questions that I'd think the one of the first thing, that the first was a rebel. Daniela me said, that there was a

moment in which for her man was a rannera was a fastidio. But she not is the type of person that if you're a guy's

mal, you know, she'll be a lot of and he doesn't know she's, she said,

oh, yeah, I know that I'm not you know I'm not some form to try to try to

and what did you do do you know we're doing, we're we're doing a little a child

and the woman, the chaparita this, he'd and he'll looktia imitantly

and she she'd and she he'd he'd do you you imagine, and it was a rebelia, but a reviledia patrocinaed by his parents,

because all, all, all of the things that terminated that were the kids, those were things that the papas paid. To where I go with this? That the, the one of her mother, but the

brother of her mother of hernia. She, we said, yeah, no, me's saying things, to me, not me want to be doing reflection, and think, to me no me interest,

nothing of this, you are the good of this house, to me, no me important, that that's the good, I'm in peace. That's what I'm in

a lot of that's quite. Daniela he's respect to the space of her mother

and was in that one month just, a month in the that something in the

life of Daniela because this muchach began to to practice things that not should

not do you. The problem is how came to this to she, because

is very little a little a college, maybe a

one of the one of never got to never the mother of the woman never was what they

did you know that the little she not the house and when when they

opened a door she was on the middle of the wall and

and there a table of there didn't do you

do it not they're not not even that parpade not

they were they could be they had to to make to siter and it's

a bit of her room, and she'd be with the hand and she'd move it. Three days

was so the mom was desperate and they were they were doing the time, they were to

do you to get to do to do this they're a family, they're a question,

they're not having any reaction, the medical he said, I know, I know to know the

child, and it's a chiflada but there is doing a berinch.

Della. For what you're saying, no, it's in a little bit of a lot of the other thing.

This was after some a year, this protocol not, that would be the correct. But what

what was that they did you to the little to the little time. All the

family, Daniela, her mom and her father, they were a same time.

After the third day, in the first day, when the woman even no reactionable

and still standing in this postura rigid and the the things

they were to be in serious to have to even if you a institution psychiatric yeah,

because this little bit more that she's that you're to make it there's not there's never that they're

getting to present attention, yeah it was a normal and after that they were to be in

the state, but it were in not three days without a while, you're, in the Yes, Mom, apart, me has been something very rare with a I've been trying

something really rare. And the mom, I was to see a bit, and the papa is very nervous. And they said, the two at the same time, what you know? And she says,

What I? That we went with my abuelita. He said to and the abelita to try to a woman, that is a woman that

is a very, very young, of a cabo and she began to venting umo for the box, and then

the house was good, and my man was a man's he went and they're

I'm in three nights I'm so I'm and the woman I'm going like this

she's like a around she's a woman like a very very very

but she be my little she's he's and they and the

and the man's I'm the same and the mom says I'm I'm

a woman black but you see it's a little like the can't

in the part of the maskas that he describes the colors. Negr, with a rojo, and he's like a paoomero. Is it like a little, it's the same, it's the

same. The sir, says, and it abienta-humo, but no abienta, like, abriending the box. It's like, so on, he's the same. And she kept, and the three,

and they say, well, we're going to look a institution psychiatric. Because this is a problem very grave, but about your mom, tell the

son, for see what you know, while the sir out of the house to see a person, that's been able to auxiliar with the situation, that's a situation major that's been

had attended before. But in fin, this woman, the mom of Daniela, he mark a mom, he's not going to the dream. And where he's

doing the dream, Daniel is a certain of and he says, how you know that I've said, I've said,

I've said, I'm saying, I'm saying, me, you're to do you, I'm trying to tell you, so,

and you just, mom, I don't know who is the that sheena, but also shew-da and also-soned my husband. For favor, for favor, if you know-s, that woman, trail her. Now, this is to be

very strange. And more to the next one. Just you want to hear you? And who's got to be said to Gris? And is the lady and she said, Mom, yeah, just, nah,

more, call it, and say, yeah, call on the telephone. 15 minutes after, is there getting the Papa very

preoccupied because he said they're a santa regnana where he put a

time you have been that they're not in the hospital that's that they're in that

discussion, when you when it's when it the little the little

she's going to this and when they're going to make sure the

she's not the mind of none the one of the the

thing is a thing is a real a lot of she's a little bit

use. Sal it and he's to make a house without the word.

Recoger things tirated. It's been three days of angusty, then it's

the better at the house. Apenas it's a barriending, is that trapeying,

go and clean to your court. And then after that he's a one side

on the table. She's sit in his sill, put his hands up the

the table and the put it like the The fact, she kept looking to the

door and then he starts the eyes, and then I'm going to get a little. All, both,

both, both, they were so they're that they didn't know, while he did all that

he went to a time, and when she went to that's that's why, why not we're not

we're doing the word, why not we let's make the house, and we know, what we're

doing the thing that's we're doing a and just they are going to talk. It's a

car to be a little bit continually. That's distracts to talk with the young to

the little bit of the house and they're the and the car of the little

the woman that's this woman that has a woman medium

and is a woman that's a man who's about maybe picking the

tautit the world the the tegid of the negro, he has like an

infulas, like a form to try them a little expot and and greied. And he's this is the

house, where is the little? Where is the little the new year? But the form of

about is like greied, like doing those poca things, enter the house, be a

little she, I can do you do you do something I'm I'm

do you I'm I'm contigues with the I have to talk to do. And in that the

brother of Daniela open the eyes, he gets to see the and he gets to the

head to the case. I say, ah, try a something something has got

let me revisar I'm going to go to and he and he and the

well, you know you know I'm you know and the girl's yeah,

yeah, you know you're not you don't you the new of the little of the

me they've never they've been they're is very offended because not they involved from

from the situation. No, no, no, because all are all in these

colds, but I said Danny, narrator, not they were the circumstances. It was like if our

head was all the time being intervened like for signals electric or so

not, no, no we're not we're we're we're we're

we're we're very and we so we're so we not we

don't seem this this senior, Gris, go and she and she and she and he's

right. My her man, she has a second, he's he gets a little bit of

the time and it's a point to get to get that, my her man, I'm sorry, but with

a sonrisa super malepola, like no, I can't describe, in the other to have the

palm to the right back to the right he'll be the braus to get us to

but he clava the like those like they're and gris and of the dolor and you say,

oh, Sultame, Sultame. And he said a voice to my woman, that no

is of her and not is of this world. And he's, the pacto, I said that you

you know, Pugh, Paga, the pacto. And nothing more, we've made that

the woman move the head to above, after that after that woman, ala the

hand the hands to the way, they put in his regas, and open the

and he says, what they're doing there, and yeah is she. The lady, the senior Gris, put in the foot, we're

going to be that you're in the car very very, very very, really really, he's up to my old and

just he gets looking with a car of a way, you know what my wife, she does,

she's up, and she's up, she's up, she goes, to the chism, because I said that Gris,

no, I didn't want to be nothing, not, I'm that there was a

my brother, no, she doesn't nothing of those days and nothing to the next and my abo'u'll not know she's interred.

Muriel Gris. She desivio. How, what, what did you say? They said that was in middle of the

and that was made a carpegap, but I just I'm asking and what what they said really is that

when I'm here a car, something is like if had been been put and it and it

he bented the and it and no there no, nothing my abuela,

after the accident, and it was a old, it was a question, a lot, and it was a

gray, and we asked, why? That's why. She was the that he was the that I

had been the first day that I knew it, I never had seen that I never had

been a single a little bit, even it's a little bit that's the past all the house. Well, narrator,

it's me has to me that's the wih the spirit of the gris did he

did it and he he was he was he's if you know, and elfo,

think that's it will be to occur what he was what you

know, and think me, don't you want you must she

is very clear with that she she she be as a

designer she was she would have used to

study that career, but he studied dentist. The things, the life, the family,

there was a decision. Thanks to have taken that decision and have studied, or the odontology, or be a

dentist, that that's the he was a person, and after you're to get to and then when they

were to do, he said, he was going to work, because he had been, he's very

well, he's very feeling, she she has been in the house, and since that's is a designer

of interiors frustada. Because the house always he had things that could change. And commenced to read the

revist, and to start to be the other and then he was going and they were to put a

a mirror in that page to be a more more profound the place. If were the

other piece, it would be a lot of this place. U.

this is the place very little, because the colors not do not.

The position of the positionation of the ventana no is good. Oh, and this style is very old.

This is very kind of a lot of this is very not a lot of course. not a person like molest for the but in the other, but in the entire, is more than you,

because Miltala, it will say abertaminted. Look, narrator. The fact is that if you have been the cartel

and I said you use it, you'll use it, well, that's clear that I'm a raspas that target.

In one, I've got to have to change two times, because yeah, the plan, no functionable

the chip of the times that I'm modified the house three in two

years. No, has been not been changes. Structurales have been more

more than the style, the the commodod, the things, the colors, the colors, the

and where are the diverties of the life are in my projects

personal my house has been in a place that has

kind of kind that is like for the kind of rustic

a house a little industrial and now of

a time I really that it was that

it all all the self and the alasas

and I'm to come to and the person

to all the the chulea. She be a bit. One adita for

a car, a librito that has a dween in the portada for there, but it's

very, very, very, and the only that was that I was a little

that was a little a or an statue. But in my city,

but I'm that I didn't, I'm some in tiendas in the

line, but not me convinced they were like very falseos and not is

that they they're that they're that they're like they're and I wanted something that

I wanted to for more that's the question, nobody me oriented, and a day kind of

kind of, that I was used to hear your channel, because I love your channel and me and I

love your and the stories of all the things of the house, but when I went to go

going to go past and I'm not, that I'm going to get into and there's, there's,

all the duend, and things I first to explain the lady would say, Oh, these are the

very powerful am I, you know, I'll say how active those. And at after it, I'm

blocked the o'iddle. I didn't hear about that I'm interested. I was looking and all the time thinking,

oh, my parit has this color. And I go to a new that's of this time.

It's is a proportionate, it's a good, and it's put those who are the

people who are the same time, that's the time, and I'm I'm eligient one, a narrator, that trailed a sombrilito rojo, some chapitre, and trai-a-on-a-one-a-a-cadroth. The elph, if you'd be you, de-searchita,

had a feo-circa, and a bonito-lejole-le-for-de-le-le-le-se, because, of lejo, it was, like, interesting and, it was bad, but you'd be able to, you'd beck, and the chick, the chick, the chick, she was, I was going to, because I know, I know what I was trying, and no, he was to explain.

And, de I was to say, he said, and I'm saying, and me he said, take care because it's

very dangerous. Yeah, no, they're going and I'm going to be so, and in my mind

I think, because not they're too much like you. This is perfectly with my

house and it's a great, it's a risked but it can be incredible, and when

they're to get a lot, you're going to make a more more,

well, I said, that no he said, no, he did to with a discount and me

he started to how activate it, how to do you, how to do go to do and I'm interested. For me,

it's an adorn so on an adorn. And I'm go in my car and I'm put in the Mueble. And well,

I want to continue with the story, that I understand because you that's

that of the dweens is that maybe rare, that's me too that's a

molliecelsit and it was a no, coquetto, perfect. Is exactly what

was exactly what was I wascable. I have a catito. Well, narrator, the catito yeah no wants to go to the plant-bara, that was where it was where it was the mesita of the Elfo. In the nights, go and it's a put on the side of the camera and begins, like, to yore, to retortense, me pite the back, the carg, and I'm going to do that more. My gatito

not so, and when I go back down the escalers, nothing narrator is going to go to go to do you know, my spouse to the

few days I'm preparing to eat and where I'm doing the food I'm

a malagery and me say, why don't you know you're to learn you're

a and me said a majadry horrible but I will be clear never

I've never had ever never never never never any any

being and for my car, I think, or for my reaction, or no he just, he just-you-lawful, pardon, it's that I an an anise very bad, pardon, I, pardon, I didn't let me give me the attention because it was something far out of what common, but then-fewed,

I knew, yeah, and I was clear, but, too, it was very rare, so, and I'm perell, and I began to feel much a lot of me, and me have been to offend, and me they're afraid, and me back to offend, and me they're afraid, but I'm more, and more

and more, Tristence and more, Tricet, and more Tritza. Oh, the next is I'm depressed and I'm never in my

life. Deprimed, I'm done in the mar of the life, I'm going to

get to get to the part of the house. Just the only sillion there is that the

side of that's that's the elfo. And I go over those and I'm

some of those things that's in the house, things that are not from

the things that different, but it was a sensation of much MED,

much fear, much Miod, and I'm going to do you know, I'm going to seepessing

in my head to separate me. Because I really I'm going to make a time.

I'm not that I'm not going to make a moment, but never I never do. My

husband no, I'm not really, I'm don't know about, I don't know

of him. My mother me said, we're in this day, we're a great front of

frustrated, but as you can't be, I'm the manos to the work. No, I'm

a person to be an person to be doing a kind of a lot of a person to be doing like

some people and I'm going to be my mom, for a situation in a situation sentient to a grittes

to the phone, to the point that's me to get the and then I think,

and then what I'm doing? What are you do you talk? My mom my mom

was made a much a lot of my mom was made a woman to be a little and

a end up a lot of and I don't know that so that I'm ennoge I'm so much

I'm not so I'm going to be my most of things vintage and I'm I'm still the phone's

that I'm doing the carl and I'm just so I'm with the time I'm that I'm that's large

that he he's long and he's he's quay and from the house all the house to come

my cat back I I'm sorry my mom and accept the excuse to my husband and me

to say that he he's a I'll say, I'll give you, that's clear that, and no will be to pass nothing. All the

whole of the duende, I put in a bolsa, and I put in a side of the patio, the boat.

As it had been a time too times in the house emotionally, it's a moment, and when I'm

to go to a week after the box, the sackate is a mott' and I'm

that mouger had a car, narrator, and no no it's have been going to

pass nothing. So the only that I want to a good those do

undes are very rare and definitely not are not adornos. This episode is

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It's been as fast as they could. It's been too long, cowboy. From Disney and Pixar. So that's Lily Pat. Where are you? Some sort of old man toy? What? She thinks you're old because you're bald, Woody. Toys are for play. Tech is for everything. Toy Story is back. I want to talk to you, device. The long toys. Turn around. I responded. I have plastic fingers. Taylor Swift's all-new-new-s-all-new-you, available now. No way. Oh, yeah.

Disney and Pixar's Toy Story 5. Now playing only in theaters. Tickets available now. Before that rents a place to get you, revisit the resellers because not you goys to top with something like this. The good Mau is a seguor of the channel since two years.

Ace about a few years, he had a bit of his city, and it was a city that, for him is new, but he was in a situation of negotiations. The place was a company. This is

very important because they're in a place very luso. It's a hotel, it's one of

this application, that's up what I refer to what I'm refer. And to him they're

they're not to do you but this place to do you do you the work, the form and

the style was rar is a little usual. Talves you you've seen concept as if you

me me You get to the place and all is automaticized. All right. All of the QRs, claves, things in the where you not interact with people for nothing. Passes for a port, that is the first filter

in the which you make a check-o of the rost of your credentials and apart of a QR, one that corroborra the computer or a person that's at the other side, that if you're you're the WESPET that's been to be an edificia, they're access. Apenas enters, you're going to

see a patio quadrador that has a pair of arbores and a bankitist, and at one of the postes of the building, in the structures central, there is an elevator.

That elevator, when you doves, has marked those departments. Pressionas the button of your department, you need for

there, that you put a code, you put it from your cellular, the elevator and when

opens the door, it's the entry to the apartment. No, you have to bring

another door, you're you've put on the other side and you'd have the cour, abria the door of the other side,

and would be you ask you in the other department. I'm sorry, I'm going to tell you. No, are doors normal. The doors of the department are the door. He enters, and he's a count now so, of the form. He is, understanding that is a quadrant, that is

a patio central, he's a, one, let's the area, and is the middle of the quadrant, all the department. It has been a lot of a cell of the commedor, a quarter principal, and

then a baio, all the room, very beautiful. All is full of windows, because all the windows are all the patio central.

And in the quarters, those that were just were going to be the elevator, they're going to the

area and they're not some little bit, it's a place, he never had been

in a little so much because he's, it's very so much, and it's

very to get to to accommodate those things. The windows, as a person private and is a plan of business more

than a lot of the person, and he's, and make all the place to be a chas in this department without that

there are mirones or that someone's going to be interested in what he's doing, and he's a first day

and practically was putting the things in the cajones, revisar in the place, understand

how it's the questions of security and put to be able to start the day the next. To the day next,

go to the two, three-sittas that you're nearer to go to the apartment, and he'll get a lot of

the place excellent and no he's a beautiful place, but I'm make a sense like if I don't know

why. The place is very beautiful and has much light, it's just there's just there's

many of the people, the people who went to the zone of the area of the elevator, Central. Some many people that are

that are very good gusto, that are of a certain level socioeconomic, and are people amables. Nobody has been as much as an ungradable with him in any sense. But there is a little real thing. Really is it that is welcome there? Well, maybe this can't do

because he no is a part of this class socioeconomic. He, even if he's not even though he's working much in the job, no could be paying with his own resources a stancy in this space. It's the night of the second day

And in the night of the second day It was very very rare Yeah, I had the chica that had rented the

place directly in their contacts of the cellar and they were in the day for if there had a

necessity, a particular or if had a question and it a situation of a

business, you have to have the name in the company in alt and it

he's it to be to be not to run the and then

they're to do a report that he could get a lot

to his superiors. He is in the room, he's in the cellular revisating

things that the day next to do you do you and that when the door of

your when it's in the room, there's a house, and the door

to be to be that's he does he's very strange until

that's the light in the when it was back to

turn to the to the there's a little bit of a child, and she's a little bit of airt on the baron, and the chick has been, and she's a bitpinting the labial, and she's supermante attractive, but has something she has been a lot of it, that's should be it to be happening. And apart, this could be a problem, a trap, or an error in this

place of rent. And his head reaction to much more rapid than your clarity mental. Because no, you know what? He parr at the door, and says, "'Signorita, I have rented the department, or I have rented by the company. Disculpe you, no, no

I'd want to be a lotpire. Deve to be a little bit of the chick that we're rented, because we're both at the way. Kedese, that's free to get to

get to be in the way to get and I'm in the commisive, nothing more to be able to do you know, while we're

going to let's say, Catalina, I'm going to be talking with the two, for that's

that's the situation, and the new, of my part, I'm I'm a question,

I'm not going to make a not, I want to do you, and I'm saying, he said,

he, he was being excessive. I was it was being like very exaggerated because I needed that the other woman understood but re-entendiera, that I was a pervertido

infirm that went to and I met him to get. All that was thinking in this, me going to get in a problem a great-sim. I'm going to

go to the mother's but the fact that's that never me responded, never me said nothing,

I'm sending a message to Catalina and Catalina me says, no you don't you don't you

don't be the elevator, you go to give the clave and it's going to open the other

door and you go to the apartment and you go to how? How? How do you you're doing?

I'm just to make it in a problem enormous. Rented the place to another person and I

was going to I'm saying no, no, it's very complicated to explain. No, it's a

disulpa of the time. For favor, pass to the other department and

list, take your things and get to let us. Well, discurpombe, but is

that part of my things are in the I don't enter to the house because there's a

other woman to have the rest of the department and Catalina I'm a message and get a

care of your time to make your things and see what you're saying

to be to the key to the door to and get to the part of

that the department for please make a before

before the two two two two twenty six

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You should have ordered from Wayfair. With Wayfair, there's no what-if. Just style you love and quality you can trust. Visit Wayfair.com. Wayfair, every style, every home. I'm going to go and I'm going to get to be able to hear. me going to hear,

really me to hear and I'm out of the door of the and now I'm in

the I'm in a little bit of a second I'm talking an attitude to get me a problem with you.

I'm not quite. I'm sorry. I'm in the light's apagued, and I'll talk very hard. Disculpe me, sir, no me is doing, for favor, any of the story. I'm talking very clear. And it's then where I'm, hey, and

this is Sord. And that's the problem. And I'm trying that I'm doing like, I'm doing it, you know, the thing is that. What importance have, you? Yeah, largates to the other department, before that this is complicate much. I'm going out of the abitation. My maletta

yeah, I had to be around, where I was talking about Catalina and when I'm I'm going to start of the room I'm going to the middle of this quadro, I'm

one of the one of the one of the area of the one of the windows that are just where we're going to

the elevator all the door to be the window to the same apartment and I see that the

elevator is a little I'm doing no, no, yeah, it's like renta

a one of a family and I'm to have a my mom, no this will be a problem

how me to safar of this and I'm going to send a message of both to Catalina and I'm going to say the offended, and until I'm saying those things in Catalina, saying to Peter, for that I'm

heard of him, and I'm going to sender a message, but encabronado. And he started to say, Catalina, I'm extremely offended. How can it be that he has rented this, a family? No, you see the problem in the that you're making a man, I'm going to be able to be, and he's going to do this? When

I'm being, by-re-weigh-the-re-res-pas-pas for all the crystals, that the little is that the young, me is going to be able to get to get to the place where I'm going to to pop up to front of the and I'm going,

I'm going to be in my plan, as if he never I'm cruised with him and no cruiser and no cross the and it's no problem

not escalar. And I'm going while I'm making this message of voice, I'm going to give to

and you you're going to say to me this, this what you did you get a very bad to get a

little, and this this is too horrible and blah, blah, I'm going to the passage, I go to the passage, I'll go,

and the passillo and the passage of the room. And then I'm going to get in some of the habitations. What I'm

going to? I'm going to the elevator. Catalina, I'm respond, only me

a code. When I met the elevator, I'm going the code. It's just, so, no

the elevator, so, it's not the other side, enter the other door, I'm going to get to the

department, I'm going to the department, you, I'm a message to Catalina, and I enter to the apartment, and I want an explanation. And, and now more, me put a phrase, but not in that telephone, me la manded for another,

a telephone not registered, that no had his photo, that no had his name, and nothing more, say, look, stay tranquil. But, crease in phantasm?

And where did he say, who are you? Why are you? Why are you sending this message? And me mandator a audio, that is the voice of Catalina with with that I'll and say,

the things are going to be like so you don't you should be able to go to get a

but if you see you that the woman or the need to you get to

you're saying for your being-estar not are not some people, are other things that

I'm I've done I've I've done I've done because what kind of stupidest

you want to far of a problem that you you have to generate

with that when I'm doing a narrator, for one of the videos of the new DEPA, that the

woman is in one of the video, the other, and they're coming down directly to

the elevator and just just being how they are going in that direction. I'm

a need to I'm to tell you I'm to tell to the elevator and I'm

to the other there's a door, the door to get the door to the

door to get to the things are put it very grave. I'm

going to the discaliering the narrate, I'm going to get a little

and there a lot of and it's a lot of you're in the second and you do you

do you and I'm saying you're you're not man, it's my

got the person and I'm made another I'm here to

this the hotel tell be there I'm there I'm I'm

I'm you're no I said to learn by the things that I had left in the bathroom, Beto to know if it was a real or not, but,

according, for what I did it, two phantasmas me were looking and me they were to be able to be a sad.

And with that story, our family nocturna, we've got to the other scura, fogata of

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Pess Thank you.