HABLEMOS DE LO QUE NO EXISTE - 5 Historias de Encuentros Paranormales , Demonios , y las tres sombras de la muerte | EP 246 | EL NARRADOR
Episode Date: December 9, 2024Bienvenidos a ésta Oscura Fogata de Historias ESPELUZNANTES de Cazadores, Demonios y las Tres Sombras que presagian el Fin en @hablemosdeloquenoexiste El día de hoy les preparé historias de ENCUENT...ROS PARANORMALES que seguro serán protagonistas en tus dulces pesadillas. Escucha el caso de Melissa y la aterradora ENTIDAD que la persigue desde que era niña. Tiembla de miedo en la casa EMBRUJADA en donde casi termina EL ÚLTIMO RECORRIDO. Conoce junto con Elvira LAS TRES SOMBRAS DE LA MUERTE y sé testigo del regreso de dos de las entidades mas escalofriantes de las que se han hablado en el canal EL TITIRITERO DEL DIABLO y EL CAZADOR , así que prepárate porque llego el momento de que @HABLEMOSDELOQUENOEXISTE Hablemos de lo que no existe es un canal de youtube con el formato podcast que comenzó en abril del 2022 su primer episodio fue vivo en un casa embrujada en el que una chica narro sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de este canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de este canal , la familia nocturna creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de este canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando esto tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora. El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado
Transcript
Discussion (0)
Welcome to Family Nocturna,
to this
Obscura Fogata of Histories
in Ablemus
of what no
exists.
The day of
I have a
dark fogata
in the
we'll be
about about
entities
that we
like,
they like
to castar.
Also,
we'll talk
about those
encounters
with this
world or
this reality
paranormal
that at
the
principle
are
quite
simple
that
is simple as to digerir.
But,
but then
are total
and absolutely
indigestas.
And we'll
with one of
the relato
that more
of you have
cuted out of
long of
your life,
that has
to be
a little
with these
figures of
people of
people who
are the
person,
with the
intention
to make you
and in
many
occasions
to do
they're
they
they're
so they
get
so
so you
welcome
to this
oscura
fogate
and
if it's
the
first
the first time you're here, the
regla simply is one.
I'm sure you
overvvvvies to the foggata
complete.
And if you
do you know
to say me to
make me to say this
this,
your name
this is moment
to start the
oscura fogata
of stories
here in
let me know
if you
do you
do you know
that's
you're always
to know
what is a
victim
of the podcast
but
you've
heard of
the
podcast?
If not
you know,
listen this
story.
In
let me see
we've been
about in
some occasions
about the
victims of the
podcast,
these people
that simply
for
just to be in
some moment or other,
and as we
have been
a lot of
many of you
know,
one thing is
the relato
paranormal is
you're
other
other
other thing
different is
to live
those.
Well,
today
I'll
talk about
the
concept
different.
The
survivors
of the
podcast.
Personas
that
for
to hear the podcast
has given
some type
of information
that's
that's
able to understand
something
and can't
tell us to
plan to a
way different
people
people who
has given
something,
has done a
value of
that it
that's
that
that's
that they've
lived
much
before
the podcast.
The
new,
as
how
what we
we're living
here
is incredible
with
my vivencia
is
profoundly
traumatic
and
this is
the
case of Melisa. Melisa
has a
very strong and not
she has been a very
very strong. Resulta
that she has been
an access to
another reality,
to another,
say we're
a perception of the
life very distinct to
those that we have
you. Melisa has
has developed a type of
sensibility since
that is a
little.
Quenta she
that when was
a little and
I lived in
a apartment
very, very
little.
She was the
her mother
and she was
a little
that was a
little bit of
four years
and then
they were
a good
relationship but
at the
same time
they were
a little
this
her mother
to molestar
Melisa
number one
obliged to
the papas
to get
the part
of the
part of
their
litera
the literas
are these
camas
in the
part
superior and
another
camera in the
part
inferior
normally
the children
they like
in the
altrues
and they
like to
be in the
part of
the upper
but it's
because
not they
in this
type of
litters
in the
little
to live
to live
to be
to
her
that's
a letter
that's
a lot of
a
weird
and you
I said
that's
the
no
I'm
not
a
way
you
you're
to
try
and
so
that
all the
camera
and
that
all
that
she
was
a
little
she
was
a
nine
of
so
I'm
I'm talking of a
little
that's about 25
and 30
kilos.
And with
that person
not standing,
total the
camera
was going to
be to be
a back.
The person
that was
to be up,
and it was
a pesidia.
But also
one
that you
were the
one of the
one
because
there was
there
there
in a
that you
could be
there
there
nobody's
able to
get to
get to
get
to
get to
some
of
a shust, because all the
camera was to tambalienable,
because I saw a rubey
and because
you'd have a
fear of a sudden.
Melisa
he was used to
do not in the
part superior,
inclusive to
get a woman,
she was up,
she was up,
and the
brother was
that she'd
really,
that's the
that's a
get to be your
camera on
to me,
and that's
good, that no
that's said
Meli,
narrator,
is that
that I've
had that
things that my
brother no
lived,
my
brother who
was not
he was
not even
many years
and my
not even
even
that this
could be
a reality
one
when we
we were
in this
little
and we
we were
even in
that litter
I'm
I'm
up to the
upper
I'm
to
get
I'm
to
I'm
I
know
I'm
I'm
got
I'm
because I feel
that someone
is up
the camera
the camera
and then
I'm going to
my
woman
Joanna,
you know me
you're not
you're
I'm going to
you're going to
and she
me says
about her
yeah Melissa
let me
do you
and me ask
you
because the
camera
was sentia
where she
was moving
where
someone
somebody's
up
and nobody
is up
the camera
is
the camera
I was
I'm
was seeing
that
movement. And then
where I'm
kind of
kind of sitting at
thinking the
things,
maybe dormita,
I'm trying
where someone
pisa the
camera,
as being
totally
parable,
camina two or
three steps and
was someone
and he had
a little
and when
I felt that
my
was horrible
because one
part of me
I was
I was thinking
and then
Joanna me
said,
you know
I'm
to move
you,
I was
a tesea
narrator
and
someone's
sitting
to
side me
and then
he
was in the
time
I'm going to
I'm back
to the
night and I
think that
was the
error
because
after you
I'm
you're going to
you know
and it's
that's
the first
first
the first
encounter
that I'm
that I'm
my
my grandma
and my
my
my brother
and I
didn't
know
and I
and apart
of that
all
the night
I'm
paste
the
last
when
me
something that
made
that's
really
that's
that way
to make
to make a
way to
explain to
me the
what I'm
about the
good,
narrator.
They were
passing the
years.
I don't
know how
years and
I
didn't even
I
did that
department
or in the
next
house
that we
live we
my
most,
I'm
maybe
in five
six
cases
I
didn't
I'm
because
there
was
one
one
was
a
because we'd
because we'd
a situation
economic
different,
difficult,
but different.
There was a
question of
a herension
that was
a part of
my papa
had a
job in the
way to
do it
but it
was a
time to pay
he was
a lot of
and they
were
many different
in what
they were
they're
so we're
more
that were more
more
more than
that came
that came
a moment
in the
that
there was
a
and there
we've
just
for much
years
but
well I
I've
in many
cases
and
In the second, in the second
place, more well, in the
case, I remember that we
had a door in which
that door had a little bitrio
extrano.
Are these vireos
that you can't pass the
light, that's in that
the quarter or the
habitations where they're,
that in this case,
it was a door that
was a lot,
it was a
little bit of
a lot, but
at the same
time, you can't
be to see
outside and
they can't
be to
it's a
type of
video that if you
you're
a
look at
there's
a lot of
there's
some kind of
you're
but you
know you
know you
colors
you don't
you know
you're
like that
that's
that's
that I'm
a bit more
and my
my parents
don't understand
because
but is that
when I
don't even
when I
was my
brother
my brother
was a manor
my mom
minor in that
my
my brother and I,
I were
two or three
years
than the
other year,
I've been told
that I'm in the
and she kept
there,
like intending
see the
entire of the
house.
I think what is
what I'm
a manned
because
that was
a little
in the
exterior.
That that
that was
if you
came about
the
and you
sawmabas
for the
video,
logabas
to be
who was
and I
me
was
to be
to be
to be
to be
there.
That's
the
sunbable
there
no
there
was
my
imagination
because
me
I was
really
that I
went to
the door
and the
sombra
and the
that's the
sunn't a
not a
little more
and that's
because I
was a
little bit more
I'm a
little
when then
when then
my papas
opened the
and they
were in
the
sunbara
because the
the
shadow
the
the same
they were
they were
they were
the door and the
the
sunbra of the
same
and my
papas
was sure that
I'm
I'm sure that
I'm
looking
something.
I know
I'm going to
or that I'm
to let him
any kind of
communication
or interaction
with me
create a
I'm not you
do this
that's talking
I'm a
congetura
like a
little
that's very
that's a
way to know.
That's
I'm not I'm
that I'm
that's
many years
passed many
many,
many years
and just
Just to
20, 23,
we went to
live to the
house that
was of my
vis-a-a-a-eweil.
It was a
house that was
a lot,
much, much
time,
and had
more than
had movels
and even
we'd
have them
a camera
king-size
that he
perternacy-
to be
a vis-a-o-
not is
that someone
that was
that was
there's
there, and
simply not
those are
these
can't,
these
antiquisimes
that you
see in
in the
era of the
era
that's
that's
about
that's
because
it was a
common
a
under
and if
you
you can
you
you
and you
go to
and
and I
and it
and
the
barrotes
in the
middle
was
like
a
armazone
metal
me
feasim
that
was
that was
a
thing
well
this
this
abitation
where
was
a
room
is
a
bed
was a
made
for
Darmes
but
a
room.
The
room
was a
big
a lot
was a
big for you
imagine
the time
that you
have been
three comas
one at
other of the
other of
these king
size
enormous
and three
three
three
and still
you
still
was a
room
was a
great
I don't
know
because
but to
my
papas
not
I was
not
not
if it
was
because
it was
more
the other
the
rest
of the
other
the rest of
the
and they'd
know, and they'd
have
someone there.
No,
I don't know
if it's
it's in
the
light.
The
light,
simply
to put it
was a
horrible.
For you
you'd be
a new
a buttoncito
that
said,
but it's
a new
was a
switch
normal.
No,
you can't
you know,
you're
and then
you're
and then you
get the
light and
you
go back,
and it's
there.
There was a
little
in the
power in
you could
put
so
two
two
puns
and you
to
get
the
hand
Siaxiegas
because you
get the
way to get the
way to
the way,
more or
less,
until
before the
little,
you know,
and at
final,
you know,
you're
to do you
and you
move it to
back back
and you
never a
,
you know,
there was
an
animal
that you
picker,
because
not it
was a
into
more than
the
then.
So,
it was
yeah the
custom
to get
the
and like
the
eyes
because you,
because no
Metter the hands to seegas
when you're going to
to pass up to
move that button
and you're in
click and you
see that's
where you
put up the
light in the
door and you
yeah,
bolted you
the abitation
was incendied
but it was
rare because
like the
bobead of the
techo
was very
although there
various
photos and
you
you're not
not so
it's not
so much
the
not even
I think
that it
was a
other
other thing
but
in that
I think
it was
because
they were
because they're
like an illusion
optica
for the
time of
the
place.
I know
I'm sure
that's
something more.
Well,
that
house had
various
evitations.
The rest
of the
other
of the
other things.
My papa
not wanted
that we
had to
our
place.
For this
then I
am saying
that my
brother
is a
little
of 12
years,
my
brother and
we
have been
more
to be
two
years
and
we are
even
with
my
papas
because
I'm
still
my
career, my
brother
is a
point to
enter to
a career
and my
brother is
a point to
start to
do you
know the
thing.
So,
more or
less,
for you
give you
a idea,
my
papa,
I had
invested
much in the
construction
of a
house,
but he
was
he decided,
to be
to be
a
business,
and he
got to
the
colony
where
was the
house
of
the
house,
that
nobody
was
we
went
to
live
there
and
he
encarine with the
house and how
you're going to
to be in a
place?
We're not
in not
in not carinear
no,
we're not
it's not
me too.
We've been
in a quartit
that were
very feos.
The quartit
were like
humid,
desagradables.
I lived with
my
one and in
a camera
individual
we had to
do with
two,
because it's
a little
little,
fere,
umed,
it's a
man,
my papa and my
mom,
don't have been in
a camera
there no
there no
came to
a
I don't want to accept.
No, they'd
do not do.
I'm sure that
they were in the
my
brother.
My brother,
he was
to do not even
to get a
little to
put it in the
cell like
a sofa,
of these
that's that
can't
be able to
and he
prefer to
make it
a sofa
because it
was more
more
more than the
day.
So,
we're just
we're
just about a
year in
this
little
I'll say
this
passed in
20-23.
We're
we're living
in that
house.
And
a day
they're
some bros
and these
sobrino
are some
little chivos
of those
and they're
in the
chavuelos
and they're
much more
a lot of
a house
abrujado
because
so they said
they're
that they
want to
they're
they're
going to
have
shone
power
forgely
power
for 15
minutes
we're
in the
door
ready to
live the
pleasure
with the
hosos
the casino
in line
the
present
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We'll say,
in the phone,
all the world
can be a guy of the finance.
Not a big
world in art,
to play to golf
or to be an pro
to the crypto.
Not a business.
Not a good.
You have always
made
these affairs,
and the apply
Negoti-Titre
T-D
you add to
renewing
with your
instinct of negotiation.
With the
support 24-hour
per
year,
no amount of
minimum,
nor fray-Mensue.
You're made
for negotiate,
and the app
the appellee
to get
to you
help you
need to
now.
As far,
as we
know,
I decided
that me
to put to
the same
with them
my brothers,
obviously,
neither were
they were,
and they're
not
they're not
other
things.
And I
said,
well,
we're going
to
go to
and I'm going to
my papa.
that was the
never ever before you
never to be able to
he's going to
to get a business, and
I'm going to
get a shirk a
and then you're
going to get
content.
And then you
just get content.
activities. So,
so they're going to
tell.
He's a
sonnito
contando, my
sobrinita
he's go and
I'm going and
I'm metto
the room,
the light
of the
door is
the end up
and I
know that
will go to
get back
in five,
10
minutes,
I'm
I'm
a little
a little
and just
narrator there
is a
light of
the room.
I'm
I'm
hear the
switch
the switch
I
back,
I
I'm
the grito,
for that
not me
discover my
sobriety
and apart
I'm
never to be
sob
I'm
taped the
book,
me trygo
the grito
and then
me I'm
you need
you need
need to
meli
and then
you know
the light
you know
you're
you know
you're
you're
you can't
you
you're
about your
mind that
your
mind you
know
now you're
that you
don't know
you're
not you
don't
you're
sobart
so
so b
so much
tapada because net, me
I'd have a lot more
a lot more
I'm much
a lot of
I'm in
a lot of
that way to
see a
little in the
camera of
my vis-a-souel
as a
sombre,
like if
someone
had been
a post-a
and then
he's put
the
the sensation
was horrible
a
horrible narrator
me
I want to
go to
but the
feet
those people
I'm
congelated
those
have
put down
the
I'm
no I'm
no
a fear, but no, no, no, no, no, no, no, it's a
no, no, no, no, it's a fear
horrible, me congel. I'm
thinking so, Meli, salte,
you know, see, that thing, no see, that
cause, no, so you're going to
get, set, let's get, sell, sell,
salty, and, for much
that me grittable, my
body, no, reactionable,
de-recented, and
when I was trying, you
had a car, so stout, and
was so, and it was, and I'm
a person, and said, me, he said,
you're going, and I'm,
no, no, no, no,
I could say nothing,
no, no, it was the
thing more
spantosa
or I
thought
that
I'm
going to
do you
do to
the
thing
that's
the
thing
was a
thing
that's
like
I'm
that
I'm
like
that
he
had
a
time
it's
it's
a
spelus
spantos
spantos
there
was
there
so
my
chobos
no
I
don't
I'm
don't
put
to
not
to
not you
I mean me
It's
that
they're
something
or
they're
something,
but
yeah
I'm
not quite
because in
serious
I'm
really,
I'm
not of
that I'm
and I
need to
because
one or
two
two
days after
that
were
in the
last
we're
in the
time
and I
think
we're
we're
because
my
papas
see
they're
not
not just
they're
not
I'm
I'm
I'm
I'm
on the
second
This had a particularity tremendous.
The residents had made a sotea
also, but not we'd have been
like in the same level.
To get you a idea.
If I'd be parable in the sotia
of this area, for those that
not know the sotay is like a part
in which no hay teech,
is totally abjured to the air
and she says that, all
puter to be a house of the
of the
and they
can be
a
part of
made made of
a
little
little little
columns of
the
door of
the
back you're
the
and then
here
here they're
and then
she
see the
area
the
area of the
I don't
see
me
I'm
I'm
put on
and
I'm
in different
altos
I'm
the
only
I'm
the
one of the
the
other
the
I'm
I'm
more
to
see
I see the rest of the
the
body and the
but then
I'm going to
this image
Melisa
me says
I'm going
there,
I'm going to
go there,
I'm in the patio,
we've got
a tarja,
a lavator and
a secadour
and we
used we're
our work
to do that
and tender
or secar
and etc.
And in
many occasions
me
had to
that in
the nights
when I
went to
when I
goctar
my
but it's
sometimes
had a reunion
and a
feast and, there's
my
my rope
colded,
as you
can't be
you know,
but it's
it's a
we're in
we're in
we're in
some of the
times.
I'm used to
people who
there's
there.
For that
what was
the initial,
no me
was so.
It was
about the
five, six
of the
time,
it was
a point to
get the
sun and
start the
night.
I went to
to get
my rope,
before to be
a lot
because I'm
had passed in
guard my
things
and when
I'm going
like in the
last
final
the other
the
right at the
lot of the
back to the
lot of
the
feet,
they're
some
they're
some
they're
put down
justs
and they
and I
say,
and I'm
goodnches
I'm
good
good and then
so I'm
not to
the
not you
move and when
those
I'm
look like the
little bit
not yet is a
little
not it's not
not so
but it's
rather than
that's
time there, that no
me regress them
a little bit.
He said,
and he said,
and he said,
me a decina,
all right. It's, and when I'm going,
And when I go the
altitude of the
Rostro,
there's a
lot of
hair
there's a
a man,
I'm a woman,
I'm trying to
see that I'm
a nose,
but when
I'm up the
height of the
eye and it
be in the
hair and
there's a
there a
way.
Like if
no,
I'm not
there.
Dice,
grite
I,
like never in
the life
had been
I'm
I'm gonna
but like
a local
she was
just
It was what I was going
there,
a little
to the
house,
and I'm
and no,
no,
no,
it was horrible.
I'm going to
get to get
to get to
get the
back.
And then
I was that
there's a
other,
it was a
woman,
oh,
how you
think you
thatarra?
When
we were
nobody,
but I
not could
be in
that case
after the
back
in the
ex-a-a-
-sabuel
and that
had
passed
very little
time.
And there
a narrator
is when
I started to listen to your podcast.
Your podcast
it was to hearse
because
it's a family
nocturnal of closet.
She's
a condidast
she had
with the cellar
she put in
the cellar,
nobody said,
we're saying
or something
or something
and was doing
marathons of
your podcast.
When I
I was
I said,
a woman
with eyes
and said,
oh, I
heard a podcast
that had
been about
she and she
had been
a
little bit
your stories and, to certain
a me served me
served as
like to not
feel like.
I put to
hear a lot.
And there was
something that
you know,
that you said,
you said that
one person
said,
that a person,
he was
trying to
with the
same things,
because
although they
were different,
they were
even,
and I
put to
think,
narrator.
The sensation
when was
a newna,
that
thing that
that's
a
side of
my
camera
was the
same
of the
same
sensation
that in the
quarter
of the
vice-a-
and it was
the same
that was
outside
in that
house
in the
house
in the
house
something
that I
wanted to
me
that I
that I
wanted
to have
a type
to
contact
with
horrible
but
was the
same
that
that was
that
was the
that was
a
secure and then I
I've finished
to come
to find out
but it's
it's a
something that I'm
looking
and there
I'm going to
like to
doubt of my
capacity
that I'm
maybe I'm
doing the
because this
never is
that's
that's
so I'm
but for
something that
but for
another part it's
also I'm
not I'm
not I'm
not I'm
I'm
I'm
this situation
with this
debate mental
about me
I'm going
if I'm going
I'm going
I'm going
going or
or not
and I'm
and I'm
a head
a little
when my
father
we're going
we're going
to the
house
we're not
we're
we're going to
get to
here.
The night
and the
night of
the morning
he was
going to
be very
well.
I'm
I'm
I'm not
I'm
not we're
not want to
not we
didn't want to
but he
was
felis
that we
could be
not they
don't want
but I'm
sure they
have seen
they're doing
they're
not going to
know that
they're not
that's just
they're
and they're
so that
when we
go to
I'm going to
you know
you're
this
this year.
This is
this
year.
I don't
remember
if it
between
end
in
March
because
they're
because
we're
we're
we're
we're
we
because
the
house
really
not
was
done
quarters, there are
adequate with
table rock.
The
my year
my quarter
individual was
spantos.
The
walls all
allied,
like a cement
all the time.
It was a
piquot
for the
polvo's
that they
had to
the construction
because the
piece
didn't even
the
terminated
no, no,
no,
horrible,
it was
you're
you're trying
in a
house like
not terminated
for any
other
and that
you were
to get
to come
to
another,
the fourth of my
one of my
one of the
and a few of the
other people were
and then I'm
a lot of the
and then I'm
like a lot of
a bit of
the point is that
they were
like a
pressurately
I was intuiting
that was for
something that
not they were
and when
I was this
case
even it was
horrible
I said the
I'm
the initial
bendito
God
of the
I'm
because in that
house
something
I'm
was doing
something
I'm
something
I'm
I did
I've got to
that,
I've
really
I've seen
and I'm
going to be
going to
go to be
because when we
know we're
in this
house,
in my
room,
no, I'm,
we know,
we know,
we're,
we're,
but the
walls,
they're not
made,
that's,
that's,
that's,
I'm going
on the
mubrero.
So,
no,
I had a
umbral
like if
there cup
a port and
a media
grandotta,
so,
for you
you,
I mean
I'm
I'm
I'm
I'm
I'm
actually
actually
actually
the
well
in various
occasions
for the
night
I'm sure
and you
I'm
sure that
there was
a man
with gabbardin
and
somberer
that
from
my
room
and I
gave
a sensation
horrible
you know
because
because
it was
the same
sylbeta
that
he went
to
the
little
the
last
I
I mean I
I wanted.
I knew that
that thing
is alimented
because
I've seen
in the podcast
and I'm
I'm going to
give a
food.
But it was
a sensation
that horrible,
so invasive
that,
that without
to be
to be
to get to
get to
the
faculty.
I'm going to
start a
month to
I'm
I'm
I'm
I'm
put to
the
things
about.
I'm
sent me
chiquitititita
and
I
not
I don't get any
Puerre, no, no
privacy, and me
be you all the day
and I'd be tired.
I was still
a lot, me
sent me involved,
and a day
me invite a
her house.
My amiga
not me
had said
for what.
This amiga
is of the
faculty, we
know we're
we're doing
the two
of the
and the
two in your
house.
Me says
my
friend,
oh,
Mely,
the net is
that you
want to
you
I have a tia that is
very
sensible and I
have notated
very rare
of a time
for a
when you
suspended
I said to
this is a
this is
going to be
and not
I know
I'm not
I'm
that you
intuio
that is
a question
that has
something that
I'm a
little bit
to get a
and a
little bit
to get
so it's
not you
not is for
so I'm
I need to
I need to
I
need to
the tea
of my
my friend, no
does services
of that
just with
the family,
she says,
she gives
it's
facilita or
does his
perspectives
of the
things.
So,
then my
amy
a
favor
personal.
Like,
at the
two hours
gets a
the
Tia.
No
needs
nothing.
He
did a
little,
he said,
and my
he's,
you're in
a man
malvado,
a
man that
you've
seen
various
times,
in
that
a
door
that
no has a
point
that's
that's
he's
you're
you're the
you're the
one of your
family
that's
that's
that's
that's
castes,
yeah the
other
they're
they're
really
to talk
to ask
ask you
you're going
to do
tell
you're
saying
the
the
person
the
the
person
because
even I
don't
I'm
saying
nothing
I'm
I'm
describing
my
house
I
even
even
even
never
had
been
I've told
because
me
d'avis
because the
house is
going to
because the
construction
just a
person who's
not a
little bit of
and my
time when I'm
going to be in
that way.
When
I'm going to
the house,
the first
what I
do is
to say me
my
my mind,
no
I can't
get the
mind.
I go
with my
brother,
I'm
I'm
like,
what you
say,
oh,
why do you
don't know,
because you
don't
so,
and he
did you,
I'm
also?
and where he
did he
is or so,
there's
to be
the
excapated
and the
he said
in the
kitchen in
the night
no
I'm
like to
go to
go
and he
and he
he's
when I
said to
my mom
narrator
no
you know
I'm
said me
said
my
jita
no
you're
not you
don't
we're
not
we're
all
all
he
he's
he's
he
and
and
already
the
day
of
today
I don't know what we're going to do.
Because this, what
happened with my
friend,
passed over just
about three
three months.
What I can
say is that
that's the
little bit of
that's
going to get
you know,
you think
that are the
people,
or are the
people,
those that
are the
people,
that are
people,
this type
of reality
I'm
on board
via Rai,
embarked
and profite,
embarked
and relax
and
siroted,
booquined,
Oh, that also
And profite
Via Raille,
La Voa Kone Em
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If you're
If you're just on the stories of Casas Embrujada,
you're going to have
Duleses Pesadillas with this story that I'm
about to tell you.
You'll go to tell one of the stories
that when I started to learn,
me caused much a risa
for how he started the person
that me sentio.
Christian
me says,
Narra-Dor,
If the
word insensato
had a photo
I'd be
to be the
I'm going to
say that's
what I'm
and it
just me
passed for
tonto and
insensato
as I
do you
I'm
fanatic
of all the
things
of the
never
never
never
I'm
honest
for me
were
not
not
not
not
not
these
things
those
those
those
those
those
pass
people
that
so
for
situation
of
a
a city
much
of here
in Mexico
that I
don't know
I'm going to
mentioner
but for the
things that
I'm
going to be
to be
for the
people
who are
this
this city
in the
that I
have
been to
have
a
has a
little
a
long
longed
because
not you
can't
say
that's
a
that's
many
many
that
they're
many
the
name the
the
old
this
is
because the
people
is
so
is the
last
recorried
before
to get
to get to
the panteon.
Here in this
pueblo,
in this
mini
city
that is
more
a
little bit,
that's
the
place is
that if
you want,
if you
want to
live in
any of
the
house
of the
last
of the
other
but that
you
really
you're
that's
a
little
that
is something
that
is a
thing
that
the
one of
the
quadra, are
small
that not
see in
that are in
quite quite
not a
little bit of
but it's
there's a
person
people who are
people
and people
that you
don't have
to be
to the
constructions
are
beautifulions
are
small
that they
are not
but
never
they're
in renta
and
you
see
at the
people
those
those
sometimes
the
three
always
are
in renta
and
you
see
I'm focused on questions of
work.
I like the
thing paranormal.
I'm looking
places that
are so
in a city
small
and it's a
little bit of
I'm a
time I'm
going to do
my recorried
for to
do this
to do this
because I
like the
thing.
When I
enter of that
calljejone
of that
that
the last
time
first I'm
first I
went to
go to
go
I'm
I'm
I'm
I'm
the
little
the last
little
pedacito
of
the
It's a
Crayed that's a
How can I
This is a
A subida
It's a subid
With a subid
With a subcline
That if you
You're going to
The carous
You're going to
You're going
Because it's
horrible
In the car
You need to
Make a
Traction
To make a
So if you
No, no
You can't
And if you
Traes
A vehicle
That has
A motor
Potent
No, there
No, there
Manera in
that can
To get
Subd's
Subidate.
after that
are like 500
meters
and in
serious,
as a
movie of
the house
and then the
door in the
pantheon
and there
you see
the camposanto
as a
little bit
maybe this
was a
outside but
right
but not
I can
say that's
the center
of the
city
but not
not
not even
of the
house
it's
so per
aterrador
when
when I
went
I'm
I'm
I'm
to the
cemetery
and the
cemetery
the
well the
the
but the day,
but only
a cemetery
little to
a city in
that's
in a little
in a bit of
they're not,
you know,
so,
they're all,
so they're all
things
written to do
the day of
today to do.
But it's
good for photo,
like for a
film, the
point is that
when I,
I'm going to
live here,
I'm going to
live here.
So,
if in
serious,
they're
saying that
they're going,
and I'm
why you're
that's very
different in
the stories,
to live it.
I got that
I rented
the ultimate
house in
that nobody
support to
start
not even
a manned
I'm nother.
Honestly, I
think I was
going to
go to
the
big problem was the
problem with
the stationation
and the
time when you
go to
go and
you're
all the
march of
the procession and
that is
obviously not
something
that's
the situation
that you
can be
still
continually the
I'm doing
the murder. I said,
I'm
the head
no,
narrator
if it's
I'm quite
so I'm
so I'm
don't know
I'm
I want there
the month
and I
think that
nobody
should be
living in
that
another
or try
to be
more
to be
a lot
I never me
never had
never had
never lived
nothing
and
I'm
I'm
I'm
you know
if I
know the
things
that
The first
I was
And with
that I
did for
I'm
but not
I said
because in
serious I
think I
felt
there are
there
I'm
I'm
I'm in
that
I was
I'm
paid
in the
time
I'm
really
very good
I'm
very
and I
didn't
I'm
to get
so
I'm
I'm
a good
money
and
I'm
I'm
I'm
I
I'm
I'm
I'm
and for what I want to renewing? I said, no, I don't
I want to suggestionar me. The house is
very great. For you take it's an idea
it was of these casonsantigues
that the part of the above
have been like-a-bentral.
That patio central
no has entered
more than,
at the house,
there's a lot of
the commedore, there's a part, and
the other door, and another door.
Nothing more. That patio
central is a place tetricks, is a
place
discuited,
has
jervas,
things
up at
little bit
a bit of
a lot of
a lot of
but now
it's a
kind of
covered to
have a
second
piece
in the
seven
house
seven
seven
abatations
that
the day
of today
in the
constructions
those
you can
you can't
be a
car
or no no
no no
no no
no no
no no
no the
price
is a
ridiculous
is what
they're
being
something
was a
for that
you know
I acceptes
any 10
times
like you
know,
I said,
I mean
there's a
question to
not because
you know
I don't
want to
that's
what you
what's
this type
and that
the people
I said
the people
I think
I'm the
people who
I had
I'm doing
two nights
no
no
I'm
I'm
my votes
I'm
my
broches
I'm
my
I'm
going to
put
to put
to
put
to
the
things
I
make
a
sound
from the patio.
Ah, yes.
No, I'm
I'm going to
not.
It was like
a shistero
rarito, no.
Like
someone
trying to
call you
call your
attention.
When
I'm going to
the center
of the patio
there's
three subjects.
There's a
man with
a
sombrerito,
a
young,
a little
of him,
and at
the side of her,
and at
a side
to be
the
three vestiges
like
to
let's
you know,
not you
have
it's
good for actors
of the
movies that
me are
putting into
some of the
years
but not
for a little
about the 20
and I
know that
you know
not they're
not even
in that
house.
I'm
I'm still
to do
idiot
ohy-y
you're
going to
go back
to the
kitchen
I'm going
in the
video
where not
they're
I'm
going to
get the
door
I'm
going to
go and
I'm
going to
come to
get to
get to
some
I'm
the
eyes,
narrator.
Mew the
crystal,
no there
there.
I'm
kind of
so I'm
so I'm
the door
and they're in
the crystal.
Trasate that.
No, no,
no, no,
no, no, no,
no, no, no,
no, no, no,
that night
I was in
a hotel.
Dormine in
a hotel.
And all
the night
was thinking,
what
carhows
did you,
what carhows
did,
Christian,
where you
went to
get to
and other
part of me
me said,
you're
you said,
that's
that's
pass in the
film,
but not in the
real.
You did the
idea.
It's more
it's
not the
night.
It's the
light on the
lights.
It's
you're
doing the
car of
the person
like you
have been
you're
there's
some
and the
ptoe
all the
thing you
try.
All the
night
the
night.
I'm
not pegged the
pesterner.
I'm
getting
I'm
and I'm
the day
I'm
I'm going
to do
three maistros
no
me important
I'm
co-cob. I'm going to
I'll try three maistros.
And we're going to
that patio. That the
duke of the house
is noge with me
and that I want to
cover what he wants.
But I'm going to
get all the muggero
there.
Narrator,
no
I don't get a
person in the
city that
could enter
in the
maldita
house.
Ivented
all the
number of
50
callers,
gardeneros,
maistros,
persons that
are going to
get to
move
from the
muros and
all,
I'm
talking to
a ex-police
And me
I know
where you
met you
and he
called on
narrator
is in
serious
I'm at
so you're
not you're
a guy
not you're
a idiot
was a
idiot
I know
I'm
got to
I'm
put into
I'm
back
back you
because I
got
a
money
in the
pictures
then
my
and then
he said
I'm
and you
did you
did you
did you
you
did you
you
did you
you de menso
you
you're
that
out of
but
they're
behind you.
I'm
ideas
bad things
about you
know,
I'm
convinced I'm
back to get
to get a
house.
The
things
were
that I'm
had to
nobody
had
robbed
nothing.
I've
had
a cartel
money
and nobody
had
talked
not
had
talked
not
and I
didn't
know
I'm
not
not
some people
I'm
got
to
some
I'm
made
a
not
I'm
made
second
Piso,
the
camera that
they were
new,
well,
I'm in
tendedita,
all the
sabana,
and I'm
all I'm
going to
do this time.
And I'm
know what
it was,
but it
part of
the
night when
I'm
when I
say,
no is your
place.
Where me
says that
I'm
the eyes,
I'm
a woman,
but this
woman,
narrator,
has the
rostro
has the
moving me, because the zone of the
Rostro, if I did he to my car. And then
I'm going to back back, and where me
I'm back, I'm gonna be
a Brasen. Narrator,
you know, I'm sure.
No, sent me a
Bras, sentie wessos,
and a frio, that
I don't you can't say, me
I'm getting, congeled, perturved.
The woman, like if
had all planned,
sir, she'd go,
and, so forthed it, and,
and, without moving the
feet,
So, it was like
deslisandos to
go to the
passio to say,
to say,
the brasos
me sold out of,
no there's
no there
ever made
to make sure
to be able to
be able to.
I was coming
like if it
was any day
of the
day of the
stairs
like the
door,
me temlable
in the
hands and
I was out of
that house
after after
after the
six,
seven of the
morning
that came
and there was
a son.
Salie,
me
He said,
Chavo,
no vivas
there,
Chau,
bette,
if you
you're
you're
not there.
I'm
I'm
put it
because
me was
a verguen
and because
I was in
calzone
not I
had done
that.
He said
in
serious,
I
think you
I'm
that the
relato
are
and that
when
those
you're
things that
you
can
you're
all
I'm
not
I'm not
I'm
not
the job,
a narrator,
me
they could
despedy
and they
are,
they're,
they're,
they're,
they're,
I don't
get,
I'm not,
I'm
really,
what he
was,
and I
said,
I'm,
I'm,
I'm,
I'm,
had fallen
to,
the
time,
I've
had,
had
done,
I've
had to
know,
I,
when I,
not the
person,
that I,
that was
trying,
was,
I'm,
I'm,
I'm,
I was just
I was
I'm
I'm
I'm still
three days
more
it's like
it's like
a car
but at the
time
as I'm
like you
be it
back you
say let's
let you
know you
but I
don't
I think
the trewa
was the
house
saying
me
keepate
I
I'm
I'm
I'm
I'm
not a
normal
but
all the
people
me
I'm
rather
I'm
have
capted
that the
things
not
going
but
no
I'm in
I'm in
a good
I'm in
I'm in
the
head of the
space
and I'm
know
and I'm
very
very demacrata
and I
know it
had
had
got out of
my
back
me
was
all
disaliened
and
it was
that
was
rather
for me
my
aspect
and
I know
I'm
I'm
know
this
so that the
people
that's
that
you're
that
you
don't
you
don't
to have control.
Well,
the third day,
the house,
and listen to
you know,
the house,
he made
clear in the
head to be
that I was
to be there
or me
to be there.
The two
days that me
did I
took to
the house,
I don't
have come
nothing.
When
me
I was to
the second
piece and
me
and I
put down
the
car
and I
I
had the
back to
the
back to
make
to be
sure
and
tranquil.
Dethrase
of me,
but
up more than
a meter,
there was like
a little
to get to
get to be in
the camera,
or I was going to
be to be
to be a
but of the
way,
but in a
way, I'm
when you
get that
third night,
that is when
I went
in the
middle of the
madrogada,
I'm
I'm up,
no,
I'm
nothing while
I was
in the
house,
I'm just
the time
and I'm
just around
that's
strange
but
me
Exhaust, like if the
Casa chuped
me the best
my energy,
but no
I was not
but I
felt exaust
of one moment
or other.
I'm going
to my
abetation.
I'm going
my
my rope
a long
of the
way.
I'm not
going
so.
I'm
I'm
my
my
and when I
go
Icusts
I'm
I'm
I'm
I'm
I'm
I'm
the
eyes
because
I'm
I'm
I'm
I've been pegged to the
Preet and I'm
really a
really great
and then I
know a voice
in my mind
that I'm
like you
don't you
don't you're
you're sure
I'm not
thinking normal
so in the
way to move
me rapidly
back back
as come
it's
I'm moving
the
little bit
in a
little
intentating
not so
no
does it
there's
there in the
house
that not
me
there
and after
that I
would be
put down
I'm
curruco,
I'm
going to move
to get
and I'm
a little,
a little,
little,
a little,
little,
and so
and so,
and so,
and so,
and so,
and of a
minute,
I,
see, I,
see,
the
extreme in the
kind of
that's
the end of
me,
me, I
do I'm
a little
back,
and I
hear in
my voice
that
me says
in secco,
this
not is your
place,
this place
not is
where you,
and it
doesn't,
me
He will be to
brazen
that I
feel like a
skeleton and
me styr a
matter of
narrator,
not you
can't
expressar but I
am doing
from the
wall.
From the
door I'm
seeing the
room and
see how
it's a
door
that woman
that has
seen with
the
rostro
and it
and it
when I
see a
when I'm
a woman in front of me,
I
am a
fear
that in
that second
I
did to
be to
I, yeah no, Christian
of 30 years, no.
He was Christian
of five years, and he
said, so, narrator, and me
a man, me da'
a very rube
of the world.
Let me,
let me,
let me get here,
ma'am.
And I began to
babbocear that
as if were a
little, and
that's, and
that was,
my mom.
Nothing more
me said,
Christian,
bette now or
never,
and I'm
sold to.
Narrator,
me
had to
start to
move, until
that I
got to
the
door,
sent where
I went to
talk the
camera,
I'm
to come to
come in
the voice
me said
the voice and
the voice
me
I'm in
paos
menors
and I
went
to the
hotel.
I'm
in paions
menors
with the
carter in
the
hand,
down
money
without
not more
not
a
meditation,
I've got to
coer with a
man to
talk to
a man to
talk to
the
psychiatric
one day.
I'll
tell you
this, because
the day
of the
paranormal
and I
would be
my
life?
If
one
one one
one
one of
ever
to have
to have
to
that
I'm
never
more.
Duda
you
too
you're
like
more
to know
more of
this
reality
paranormal?
Fan of soccer, you could
assist at a moment historic.
You could get any of the final
of the Cup of the World of the FIFA
with Visa.
It's just to have a card of credit
Visa BMO for participate.
Inscribe you at BMO.com
bar obliq concour.
The reglements of the concourse
can't.
Imagine that couldieras
have some power
to have contact with the
world paranormal.
But with the time,
you know,
that is a maldition and a
prison, because if you
about that's
about that you
are to
do you're going to
do this.
That is the
story of Elvira,
and here we
to tell her.
If you
would be
you know,
contactos
in a manner
continual
with entes
that not
all people
can perceive
in this
reality,
it's
very probable
that in
your fantasy
you can't
that's very
simple and you
can't
be able to
be a day-a-
day,
but with
super-poders.
In the
reality,
Who are people who live in that,
many
do they live
as something
because
not they're
not they're
not even
how to say
to the
people who
they're not
they're doing a
two people
but who
were who
saw them
they're
they're
they're
they're
not that
in the
cemetery
there are
there
more
more
more
people
are
people
in the
most
In this case, Elvira
has been a situation
very difficult.
Elvira in her
work,
has done
that she has
seen
what he has
been called
as the
heralds of
the murder.
Elvira
has already
working in
an hospital
in the
area of
a area of
very
great and
that with
time
has transformed
practically
in the
year
in the
year
that area
with the
last
years,
it was
more
well
in
a
type of
asylum, where a patients
of a certain
profile,
they're
an assistence
very complete.
She,
for the type of
a person,
for being
much patience,
to be a
person very
very dull.
They're
to be a
perfilarer
for that
is one of
the
other of the
health
people who are
people of
geriatric,
especially
those who
are to
have to
have been to
have
times.
It was
when
she did
that she
perceived
this.
First,
I,
problem visual, because
I saw some
manches
that were in
the walls of
the people who
were in the
person who were
even in
many times,
not they were,
they were,
even they were
some of
those of
them,
they were
some type of
the
kind of a
sign of that
they were
to be a
way precipitated,
but
he was to
not that
in the
habitations
where the
manchas had a certain
altitude specific and that were
especially three manches.
One at the other, like if
were three deados, but of the
time of one person.
More or less a meter 50, a
meter 70, and these three,
the middle is more great and the
two sides are a little more
small, but are three
manches verticales,
wigeramently grosses, like
of those 20 or 30 centimeters
of grosser.
When those three
are clear-simous
in a pad, all
The second, the person,
no,
to manseer.
At the
first I'm
going to be
a problem
visual.
Not it's like
it's not
the light
a little
little bit
back,
we need to
change the
focus,
maybe it's
parpadeing
or you know
you know,
you know,
maybe I've
I've got
cataratas or
some
type of
problem
ocular.
Cangia
of lends.
Empeas
using
gotas
for the
eyes,
and
it's
tallyar
continually
and
And then, she's
to change, she's
to give permission
the bombillas
for something
that's the
thing that's
when she
did a point,
that's
manches
persisten,
crees with the
days, and
one of the
time that you
did you say,
and the
day the next
the person
will be
an day of
no matter,
no matter
the signos
vitales
that they
she had been
that they're
being the
seralds of
the
murder,
like if
the sombra
of the
morning
is an
answer
that's
about a
point to
occur
and it's
something
to do you
know,
because because
like a
presentation of
the company
they're
that they're
that's
they're not
and they're
three days
seeing how
those manchas
come to
appear in the
quarter of
her mother
and even
he wants
to give
a tattoo
preferential
and that
they're
more revisions
no
know how
express
this.
The problem is
that every
day the
manchas
have been
growing
more and
to be
little
manchones
and they're
almost
50
centimeters
and a grosser that for her
has that the destiny of her mom
be very clear.
If you'd have a power
to have contact with the world paranormal,
what would be? You'd love in the comments.
If you're done
meadow, the payasos,
for favor,
listen this story.
One of the stories
most espelunate
that me have made out of
the channel is what I'm
about to tell you.
And in serious,
ohla,
that's a minuteita
in your family
and get to
get to pass
something.
Benito
is a,
type very normal
that,
we'd
that during
his adolescence
and the
adult had certain
problems with
the ira.
He had
a brother
gemela
with the
that he had
a very good
relation.
Like when
they were
little,
those
were the
things
for that
were to
have been
a chance
they were
they had,
and he
had a
time.
But it's
a reason
of the
program
that
that was
that
He's entered
of something
that would
have preferred
not to
know to
never.
I'm going
to tell
what he
was the
what he
was going to
get a
abel.
And this
abuel
and he
went to
a depression
very
when
Benito
had
about
two
years
and he
and a
part of
the
he the
abel
and he
starts
to
develop
as
a
kind of
obsession
for the
time
of the
people
his
The other parents
say that
he
intended to
resolve this
thing of the
problem of the
death of the
death of the
year,
he had
entered in
years and he
started to
his life
he had been
his life,
he had been
the same
he'd
quadros in
the
house,
he had
pictures,
and he
said Benito,
you know,
you know,
you know,
the
fear that
he was
a
one way
my wife
that my
father and he
was,
but the
photos in
those
that were
they were
not
They were
and
there was a
photo of
a pallas
Trist.
It was horrible.
My
my
old was there,
because it was the
purses of
porcelana,
of the
the years that
they were
doing the
long of
the
life, in
one in
that it
washerita
that had
in a
city,
no see
where it
was,
another
that was
another that
was like
a pointseal and
it was like
some type of arcyo,
and it was
I had written the name of where
it was, but no
I'm
I remember
exactly
what I'm
exactly what I'm
there's a
and they're
figures of
madera of
pallasos
that were
like they
like they
were like
with cars
of tontos
other with
cars of
enoched
narrator
for my
aboo
was a
sanctuary
for me
was an
really
not really
not very
they were
all parts
there were
mantels
of palasos
had
almoad
painted
of
pylazzo, but there
something that one
I saw in the
quarter of my
abel and I
knew much
a minute
of a
little bit of
a little
I think
me it's
a day
that I'm
my old and
my
old and he
went to
buy
some cigars
to the
time,
I'm
I'm
I'm
going to
and I
imagineate
like a
maniky
of a
pylasasas
but
he's
like the
person
of the
Pallasso that
termin in
some
hands,
is the
head that
it's a
kind of a
kind of a
mask or
something, but
it's been
like a
time of
a way,
and I
see it's
like all
all the
kind of
and the
head
and I
see to
see a
narrator.
I was
I was
I'm
I'm
I'm
I'm
I'm
I'm
I'm
I'm
never
that
that case
I'm
too
I'm
I was too
MEDO
The form
in the
way in the
how she
me kept
being,
no,
no, no,
no,
no,
horrible.
No,
they're going
to say,
and I'm
to say, and
my
mother,
that was a
yoron,
that was a
bados,
that was
that you
had a
story, and
I don't
be these
things,
but I
don't
think they
just
I'm just
that I'm
just that
only I
put a
really
when I
went to
when I
went to
my
house of
my
and I
much
Mementably, I
know if my
abuel
passed a
more or
really was
a kind of
of a
situation
mental
maltratated,
but when
I was 18
he took a
malay
decision and
we say we
go to the
door
fast,
I don't
give details
but he
decided
of subscribe
to subscribe
to this
life.
So,
we
we got
two days
after
that he
had taken
that
he had
that day
that my
mom,
because it was
a
father,
it was
something that
was a
day of the
day of it
has been
a lot of
a lot of
years,
and it's
a decade of
since
then.
The situation
is that
he affected
to my
mom,
that my
mom
was devastated.
I was
I was
really to
all, I
had a
time,
I had a
personal
with my
brother,
and not
we're
never
never,
and we
always
always
always
with
my
mom
to make that
any pleit
or more
more intense
for the
of my
parents.
That's
those
led to
in a
combination
of factors
during
the
when I
was about
I was going
to enter
at a
university
because
I'm
after
I
was
I'm
I'm
a
I'm
a
my
mother
my mom
is
in this
duels
and
my mom
so
that
he's
to be
two days
to the
house
to
my
my abel.
For
that
help us
under that
excuse to
do all the
cases we
need to do
because we need
going to
disalojando the
house because
they're
putting it
in rent.
Narrator
me
had been
have been
to the
cause
they're not
they're not
doing,
and I
had a form
to put it
in
the words
what I
had seen
when it
was
that was
my
imagination.
A maniky
a
maniky,
a
And my
abelowl connection
things of
but that
that's a
way to be
my imagination
I'm sure.
Or that's
I'm sure.
Or that's
those two
days that
I've lived
there,
no you know
of the
aterrador
that was
to be
that house.
When I
had 18
and I
manned
to you
get very
violent and
I'm going
to the
house and
I'm
made the
all the
maletas
they're
to put in
out of
your
old or
you go's
to be
to be
you
go to
you
do you
you
you do you, or you're
not to
stop.
No,
you're not
not.
I'm trying
a bad
bad.
I'm going to
make a
bad.
They were
saying that they're
talking about
very in
serious.
I said that
he was going to
help
to the
house of
the
family, me
did a
money to
that could
pay you
to come to
a pair of
days or
for that
me did a
dispenser
what I
could be
but that
not those
were
molestando
they're
also
they're
to
resolve.
And well
I
go to
to
go to
the
house
and
No, narrator, as a movie of terror.
I mean,
all of the payasos
for all parts.
But if I,
when I did to go
to be,
they were many,
no, no,
no, no.
That was a
piece of all
parts,
there were figures
tiradas down
of the messas.
The quadros
had telerrains,
narrators,
they were all
all of
all of the
figures that were
there were
there,
and then they'd
those figurates,
my bologues,
that was faturred
that were all
the time.
It was horrible,
horrible.
The first
I did say to my
Papa,
where are the
caras
that are the
and when
I got to
see the
and I was in
a lot of the
and they were
and they were
and it's
and it's
not me
it's offending,
but no.
For a
moment I
didn't,
I'm
not to be
that mowress
and
if me
I topo
that is
the day
I'm
I'm
I'm
I'm
I'm
I'm
don't
want to
I'm
I'm
I'm
I'm
I'm
I'm
I'm
the daynament
grand
salvo the
quadros,
one's
were puttra
in the
other,
my
abelel
those
was a
was a
it's a
it's not
a lot
and they're
all the
all the
other
I'm
put into
in the
I'm
put into
I'm
I'm
that I'm
even even
they're
never
I'm
run to be
one,
well I'm
to start the
things and
let's
make sure
a
thing
but the
matter of
the
last time
that
that it's going to go to the night
because now
see how you're going to do.
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Narrator,
when they're more or less at the 8th of the night,
I have cajas apiladas,
like six or seven of pure things,
and I felt that just had been a bit of the object
related to palaces.
Sin the quadros,
the fours,
not was he had talked,
had been a room of wespesteads,
and my aboelow it wasformed in a tower
in the where heparable or so faria
marionettes of
payasas, no, horrible,
horrible.
So,
well, the
quantity of
things that
were there
is that I'm
that I'm
that I'm
toped that
I'm
a lot of
all the
house,
and it was,
and it's
not going
to come
and they
they're
robin,
my
not.
My papas
not were
they're
they're
they're
and I
was that
I'm in a
plan,
like,
my form
of rebeldi
to my
way,
but,
but,
I'm,
I'm
I felt that also
I was trying
and that was
taking the
MEDA
when they're
about the
8 of the
night,
the caras
are there
out of
I'm in
a pizza
to service
to domissil
when
they're
I'm
I'm
I'm a
go to
eat a
pizza of a
pisa
Hawaiian
that's the
that I
me
I'm
I'm
going to
give to
make a
Mordida
when I
when I
listen
in the
room
in the
that they
start
to move
things
because
there
there are hils and
pallasos
colgando
and I
start
that's
I'm in the
head of
I'm sure
that I'm sure
that's
I'm sure that
I'm doing
so much that
I'm moving so
that's
I'm going to
do you know
I'm a
little bit of
the mess
I'm
coming down
and when
I'm in
the room
all the
little the
monos
so they're
moving
with all
the marionettes
I'm
even I
never me
I'm
the
door
I was atranke,
I went to the commender,
I gotre a chair,
and I pegged out of
out of the
way.
If something
was, I
would have
to get all the
night,
I don't
know.
When I
go to the
commedor,
I sit,
I'm sitting,
I'm rightro the
rebanada,
and in front
of my
mesa,
is stidado
is the
maniky.
Asy
how I
had been
found out of
the day,
was there,
he was tired.
The head
to be
back to
but the
body
was recognized
and the
Manos
Arrida.
I was
I'm in this
moment
gritted.
Who is here?
Who is
my dad or my
mom?
So, because that
thing
was a
thing was about
what I
had been
when I was
that I
had a
fear.
And I
heard you
I'm a
second
piece of the
house of
the
house of
and I
don't
I'm not
no,
no it's
a problem
to
this is a
bad news.
I'm going
to go
to go
out of
the
house.
After
that
you'll
get
here,
no's
going to be
those
I'm going to
do the
I'm in the
stuff
I'm going to
eat the
other than I'm
the way to
the mind
I'm playing the
mind I
think it's a
a problem
for a
favor of a
problem,
for a
favor of
a problem
I'm
I'm waiting
there.
If you
listen
you're
on the
passos
that come
on the
time.
And in
this I'm
I'm
not I'm
going to
make
to make
a
play in
a
going to
go
the comed
no
no
there
the maldito
pallas
in front of
the mess
and it
is called
where the
room
of my
abel
the same
I'm
I'm
I'm
I'm
said that
I've
said that
I'm
said she
she was
she
was a
time
I'm
I'm
not a
car
not
no
there
no
no
there
in the
I'm
there
there
a
night
when I
came
a
my
father
I'm
got
done
I was
I was
out in the
entrance of my
house.
When
they're
in the
morning and
they're in
what you
say,
no,
is that I
think I'm
invented a
million and
a
excuse.
And they
they were
and they
got to
get to
get to
there.
But
at the
time of the
time,
I've
thought
I'm
I'm
too,
and I'm
and I'm
asked,
I'm
how you
go's
the examin?
I'm,
I'm a
so they're
so much
that
me
They were
to
the
house of
the
abuel.
Because
they said
they were
a flojo
and I
really
was doing
was to
ask
excuse
to not
to work.
It was
bad
badger
when I
went to
he was
he was
what you
know what
is that
and now
you're
going to
you're
going to
you're
not
no no
no
we're
you're
you're
you're
you're
you're
you're
you're
a
you're
a
last
we're
occasion in
my life I've
been in my
life,
between the
spada and
the
door,
I think it's
to get to
get to the
car,
I mean
a fear
when I
did I
ask you,
I'm
that as I
had made
the
door
that I
had done,
that
if I
were
to be
to be
to be
to be
to get to
someone.
And then
my
father me
said,
is in
serious
and he
he said,
I'm
he said,
I
he was
so
he came
he
We started to
go to the
house
and I
what really
was looking
you know,
the maldito
maniquey
that was
me down the
we said,
I said my
Papa,
look at
I,
I'm here
to go to
the
house of
the
little bit of
help us
help me
down to the
house me
in the closet
so really
we're really
we're really
we're
so really
but why
so never
nobody
has metid
this
house?
Is it
in serious
that you
is that
there's
that in the
night, well, I don't know if I left it's
arraud, and, well, me da'clock. Total, that my
Papa, me consider a coward. And me
has a good idea, and I prefer that one
many times, but that me help me. Tardomous
one hour and 20 minutes. One
hour and 20, because my Papa, in the
last room, me says, yeah, me have you,
even, you have, to have a
total of the time, one hour and 20,
if it's out of there, we're going.
And when, me deca, he's
the door, and in the
commedor,
this is a
thing
said a
writer,
I had to
go to get to
get to
the taxi and
the pizza.
I had to
get to
get to
that house.
No,
I don't
to talk
because no
not
there was
no
no
no
no no
sonnidos.
I went
and I
went to
the ture.
I'm
I'm
put you
put me
in the
fourth of
my
abuel,
put a
cell
to the
all volume and
I said,
no
there's
a way
in the
that you
get to
but you
could have
I'm not
that I'm
that you
didn't know
I'm
so,
I'm not
I'm
was in a
psychosis
mental.
When
they're
when you
get to
my
house of
my
little
I'm
going to
get
there
I'm
all
the
caras
I
don't
not
I'm
not
in
the
part.
The
story
me
I
would
that
I
but not
that's
this
what I'm
this I'm
this I'm
20
I'm gonna
I'm gonna
I'm gonna
because
they're gonna
make a burl
what I'm
that I'm
my baddito
podcast
I'm
I'm just
I'm gonna
make a question
that I've
never
I'm
and I'm
I'm
and I
I'm
I'm
I want to
talk of
a thing
that is
a
but I
I want,
for favor,
that you
do you
know,
my mom
is a person
at the day
of the
year,
and I'm
and he says,
I think
you want to
talk to
your abel
and he
did she
of the
obsession
for the
payasos.
Well,
narrator,
he's
a santo
and I'm
my
mom,
I know
I know
but she
practically
had
a detail
of all
the figures
of
the
people
Because for her, in a form in the way he
He said, he was aogabot, and she
He was nothered, and he was when he said,
Mom, the maniky of Payasol, the
that was he was there the third person
that me about that one, you know, never
that thing that you say, and there are three
persons that me say, to have been three people
and tell stories of terror.
I never did, and your boyle never
that's
I'm trying
that
thing.
He said,
I think
that's
what you
got to
my
abelel
whatever
whatever
was
that was
that
was the
manipular
not
was
and Iterrava
and
that was
the
causeante
that my
abel
took
that
my
mother
that
is a
story in the
that
the titirited
of
the
diablo
if
me
let me
let's
I
want
to
a
encounter
man
the Cascador. And we'll
let's of what no
exists in this
channel in which your servicor
has been
about three years,
telling stories
aterradoras.
We've made
stories in
that they're
that there
certain entities
that,
because of
those characteristics
or forms in
those that
interactuant or
aterran
to the
people,
they're
being being
as being
as
the channel
or that we
are justing
there are
one in
special.
that is absolutely
aterrador.
And it's one of the
entities that
we've done
that when it
it's not
you can't
move.
And in the
case of Anna,
it's decided
very well.
I'm talking
about the
castor.
And it
seems that
Anna,
he has a
time,
of the
actually,
it was
after that
he said,
he put
his
podcast,
that he
put a
name of
that he
had two
encounters
with this
entity
in the
past
of his
life. The day of today is a woman,
mother of two children, and her
life is totally normal.
But this was when
lived alone with her mom,
and the first encounter,
a year very time.
Anna,
he was about 14 years.
Vivia solo with her mom,
and in the house
had two great friends,
two perrits. Lucy and
Reina. Lucy and Reina
were two French Poodles,
of these perrits, that are
very ladrones in the
sense
more agudo of the
word and
we're very
very nervousitas
she she was
she was over
her own
a reina
in some
moment he made
a coroner of
paper and she
had been
bad painted
but she
she had much
got her
she was a
her own
herina not
she was to portar
she'd like
she'd be like
lucy was the
was the
carona
and she
put in the
two
Predits to
there
to
get to
when Anna
when she
was a
a
place to be
a
place,
Lucia
she put
a
celona
and then
she
going to
get
to
the
reen to
the
little,
that was the
little
she
was
she was
she
was
a
one
one
when
I was
you
I'm
you
imagine
those
these
smartphones
no
those
antips
that
they
had a
tap and
there
buttons
there
buttons and a
buttones
redes and
and that had
their signitutes
in color
black,
that we
had to
playgitus
in those
micropantayas
I think you
know the
she's about
she's
she was
she's
she has
to go to
get to
get to
cargall
because
as
only live
mom and
they
have
to be
communicate
continually
continually
if
she
she
make
in the
work
he
he
mark
directly
the
cell
because
not
that
Anna
has
had
had
out
on
the
or has
gone to
pass to
a little
because
Anna is a
really responsible
is a
child and she's
not a
little bit of
the eyes of
a woman
and a lot of
a lot of
a lot of
there's a
there not a
problem of
problems of security
and less
with the
business
in this
building
of department
they're
much
and the
mom
and the mom
they're
very
very
very much
they're
they're
doing
she's
she's
cellar.
He's in
house.
He's
a cargarde
because mom
after a
time to get
to get a
car out of the
cargated.
Because that's
the only
condition that
mom has to
make your
cellular,
be the
the pile
complete,
all you
all you
know,
you know,
and he
will be
to make a
moment
to know
how it
in this
routine.
Anna
enter in
your
room,
connect the
cellular
and it's
there
when
Sient
something
strange.
The
room
is a
little
is a
more
more
there.
The
sensation
of the
room
is free
very
and it
doesn't
because
she's
so
the
house
has
a
hot
hot
is
humid
and
it's
with
a
need
to
bring
a
air
ventilator
but
in
the
room
it
has
so
it's
Tantto frio
that's
that's
that's
that's
it's
just when
it's
when it's
a
when he's
that's
a single
because the
room
is a
time
and it
and it
and it
is
he's
that it's
that
it's
that you
that's
a
grandotot
that
they're
in the
front
and
that
the
front of
the
where
that
there
there
there
there
there
there
see in the
Reflejaveous
It's a
Sombra
Alta
like a
and that
when she
looks a
and be the
sombra
the sombra
to see to
her
she'll
she
She'll
she's
not in the
room
and now
where I
turn to
the
television
that
that's
something
is a
little to
make a
Anna
like
a lot
muchissimo
more
more
more
more than
than
he's
and he
and she
and she's
and
she's
and start
and
He says, mom, mamma, there's
something. How, there are
something? Who's got?
Mom, it's something. It's all right. It's all right.
And where the mom
is met, no, we know
if he saw some, if
o'clock, if he looked.
But when he went,
he's aroused on the
back on the back. Because
also, it was a
frio, that was obvious. If you
said, no, enter's
here.
It was for a rosario
and he
He started to
do lethanies
of who
know what
type of
orations
and to
get to
the things
that I'm
this is
the house
of God
this is the
house
where I
live with my
my
I'm
bette
here
demonio
Bete
here
demonio
words
that
are
to get
a
rest of
your
life
get
so
bette
of
her
so
her
she
and reflected in the television.
The mom
had to go to
work.
The work is
inclementes.
The work
not have been
a pietat.
He spoke with
a becina
and that
that time,
Anita,
with Reina and
with Lucia
and went to
the house
of the
and the
house of
and the
back to be
doing a
and making
a lot of
the questions.
And it
passed time.
Dias,
Semana
Meses
Chambus
of Departement
Change
of Casa
years.
And now, Anna
now, Anna,
she's a
18 years.
Anna?
It's a
child of
17
years.
He's
got to
enter in
the
university.
Not is
a chick
a
woman,
is a
woman,
and from
his
15
years,
she's
a
reina.
The reina,
well,
she's a
little
a lot of
a
little new
no is
some
those
those comportments
nervous and
those shiggied
and that
kind of
that's
a little bit more
a little
that when she
get to the
work,
I refer to
my mom,
all the day
is a
time, but
Anna has a
time and has
a time to
get a
and the
people,
they're
they're all
and they're
and they're
just putting
the hand
and sobating
and sovating
and they
serve to
give to
comeer,
and they
they're
they're
they're
just in
the salita
in a
television that
they bought
and I'm
a TV
a television
very good
and it's
a lot of
the television
is of the
first
panas
that are
so it's
a luchas
that you
have been
one up
the other
on the
other in the
piece and
they're
they're
on the
little
and she
put in the
little
she gets
done
a little
of energy
and
you know
you
have to
continue
the day
a
a
sometimes with
sometimes
thinking
on things
that will
be
going to
work
a little of
money.
It's a
woman
is a
really
a woman
and she
a woman.
Well,
Anna,
in his
almost
18 years,
will have
his second
encounter
with this
maldito
or this
being
that I
say,
I hope
to never
you get
to topar.
Because that
is a
person
if that
is the
mind
of your
fears
and
you,
you have
decided
that you
have decided to
you're
going to
do you
A victim, Cremme, has a patience, the patience of a loco, the patience of a psychopata,
the patience of someone that can be there, in the closet in the sombras,
expectant of decades, until that you discuides and do you doximate and do your apparition.
Only for what?
To destroy your mind, your hope, your heart.
And Anna, although is a chick a very responsible,
not is prepared
for what is
a point to
to occur.
She gets
like all these
days,
as I've
told him.
It's
exaust.
The job
you have
a time you
have been in
special
three clients
that did
Sando
ameceser
and they
were there
to get
all right
and she is
good in
her
work.
Apart,
not it
can't
do you
do you
get the
opportunity to
the
women,
and
the
the
trotts
and the
form condescending
in that
the
the third
does it.
He's
always the
good
car and he
has a
passion
that makes
forjada
in the
and when
he gets
exauster.
Abre the
the door
and see
that the
eyes
they're
they're
there
there's
her
little
company
and
Lucia
and
he soba
the
refrigerator
back
the
back a
back
now so
she
not
he's
not
much
the
he's
he's
a
half
one
one
a
But the two, look,
they're just
they're
they're all
they're
they're celebrating
something.
And she's
just a
time that's
going to
get to get
dormant before
to get to
the cellon of the
television.
But,
however,
if it gets
the
the TVer,
and the
moment to
other,
more
more dormida
that
just,
she's
she's a
reina or lucy
to the
regas,
and that's
like you're
to be
the button to
the
button to
the instant
the instant of the
He goes over
his
and he's
profoundly
dormed.
Totally
dormsied.
Bavea
ronka
and he
know,
because when
when it
the
eyes and
the box
it's totally
seca
and she
here where
I've been
babbeating.
She's
exaustra
the poor
muchach
she has
decided to
to go
to be
to be
to be
to be
to be
not.
No,
it's
he's just
to be
or maybe just a
a glass of
water,
what is
a need to
get to
and then
in the
moment of
a major
constanceion,
in their
moment of
a vulnerability
is where
it's where
unimaginable.
The two
two perrits
start
to chilear
as
but they're
saying
to say you
that
this little
that she
reaction
and that
sheca
and at
the same
time
it's like
they're
they're
they're
they're
they're
like
they're like
they're
authority,
not
turetas
not
so
she's
a little
of the
first of the
time,
she has
that you
have a
little
shock of
adrenaline
and where
the
both perrita
are the
two perrits
are the
two,
because
they're
changing
on the
same
point of
the
cell
and she
doesn't
get a
and she
she's
saying,
Reina
Lucia
is too
reign of
she,
when
not you
know
there
in front
of the
two
perras
in the
skin
in the
the room just where
the sillon
where she's
sat there.
There's a
person
there and is
parada and is
going to be
the television
like if
also she
also you
see that
that's
a little
that
the window
when she
see,
they're
some of
some type
of jeans
in color
coffee
has a
a camis
a
dark
has a
gabardina
and
and he
starts
to move
his
mind
and
when
when
When it gets the altitude of the
Cuello, be a
Cuello, but
palid, like if
were a person
that they're
the
blooded, and then
the head
has a
sombrero,
be that is
someone that
has a
barba, and
is a
smile,
the
skin is a
whole the
body,
someone's
in the
house,
someone's
at the
side of
the
time has
there,
and the
perrita
it's like
they've
been
they've
seen
lader
every
more
but now
they ladran
to her
like saying
reaction
you're
and then
when
his head
and then
the head
and then
see completely
the rostro
that
starts
to look
to look
and it
and it's
where
there
where they
they'd
to be
the
eyes
it's
like
an
an
obscurity
an
obscurity
absolute
and
and it's
like
if
the
final of
the
crani
stood
the
eyes because of
the
way
there's
something
like a
part of
and two
spheres
of course
are there
and they
are there
and the
sunrises
enshach
more.
No
has no
even the
force
nor the
power
to
get
petrified
totally
congelated
there
being
that it
was like
if
those
eyes
it
had
been
a
part of
she
because she
is
and
she's
a
fear,
like
never
more
has been
to have
ever seen to
feel like that
a lot of
a real real
a lot of
something to
do you know
much to do
because that
thing
slowly
and then it
is a
time.
The
smile
is enshach
and it
does a
sense and it's
because the
commisurals of the
little limit.
This thing is
a lot of
a plastic
something that
assimil a
a
car
human
but not
it.
And then
it's
little
more and the
book
has come
comillies
and the
not correspond
to get
to the
people.
So,
one of
the
peritas
he mured
the
hand and
that's
what he
does
react
and then
and then
instinctively
abras
the
two
peritas
and
he
and he
and the
and the
eyes
and the
whole
all the
emotions
made
all the
emotions
and to live to save to his
her own to their
house to sit in the
door,
peg in a pair of
of mowis,
like if they were
to serve
to something,
she's in the
other way,
and then it's
about the door,
and trailing the
hand on the
cellar.
The adrenaline,
the need,
the sensation
of terror is
that even
that even
he's piquing
to the
cellar not
do it
doesn't,
and the
a
a
repent, in
the
to start to talk
10 or 10 or 12 digits,
she's talking about
she's talking about
she doesn't
and it's a second
and it's a
point, because
he was a sombered
a longed and then
two little sombreas
the feet
there,
and in
some moment
he'spire
ondo
and he
he's
the number
even she
doesn't
not even
is the
and he's
because of the
other side
the oricular
he's
the voice
and she
she's
you're
you're
what's
you're
you're
not you're
not gonna
and say
she's
she's
she's
my
ma
ma
ma
ma
favor,
help me.
My
daughter's
having a
attack,
for
help them.
And I'm
a lot of
people,
the other
side of the
line,
that they
call to
someone
to get a
person,
and then
then she
and then
the door,
like the
disbenece.
And then,
as much
know,
the influx
of that
thing,
it's not
because he
can't
talk.
And he
starts to
and you
Oh, Moma,
was here,
was here,
the sombra
was here,
is a mal.
Blackout.
Anita,
the day of
today,
has two
nie-Nus,
never more
to top
with the
casador.
Resulta
that her
that's a
day of
today,
he has
had
the stories
of terror
and she
didn't
know
that we
don't
not is
for
the
so I
was that
I'm
a podcast
in
his
cellular
until
a day
the mom
and said
let me
hear me
hear me
hear me
hear me
a
Anna
also
he
he used
when
when
he
heard
he
was
he
was
petrified
and
reviv
what
in 15
or 20
years
no
had
ever
never
ever
ever
but
also
he
but
also
to put
to
name
that
thing
with
that
she
took
two
two
in
his
life and
never
to never
to see.
Anna
she had
toped with
the
casador.
And you,
what would
have you
had done the
unas
if you've
toped with
the
car's not
and then
we're
we're
we're going to
this
dark fogata
of stories.
So,
if you
get you
here to
one,
or simply
if
you got
here,
even you
just
four,
four
intents,
for
let me
what you
do you
see
this
dark
fogata
of
what was
your
story
favorite or
what
was
that
that
the little
of the
Sueytoe
or the
that you
have to
get to
get to
get to be
you know,
I'm a
night of the
night
two things
before
the first of
the first
if you
have you
to talk about
let me
to get to
the
WhatsApp
of the
pastes
on
final and
at the
initial
and the
first we
let's
the number
because me
the
maybe I's
because much of
you're
you know
to get to
you
to get to
you're
on the
page
principal,
the
of what we'll hear of what no
, it's the links to other reds. You pick up in that link, you send a link tree, a page in the way that you appear in the links of our networks. And in the diameter of the first button, it's,
correctly the
Correo,
take the
time,
revisa that
that's
so you
get a
instantaneously
you're going to
you're
those things
because there
will be
every
new new
baby eyes.
And the
second is
that every
we have
the
company of
YouTube,
you will
get the
notification
for
the
for a
caro
for you
know
that you
know
that
so
that's
that
now
this
once
this
we
we're
stories.
It's been a
good
week.
We'll
see a
week.
We'll
see a
night and
that's
nice past
and that's
funs
and you
Bye bye.