HABLEMOS DE LO QUE NO EXISTE - 5 Historias de Funeraria , Muñecas Malditas y Engaños Demoniacos | EP 243 | EL NARRADOR
Episode Date: November 28, 2024Bienvenidos a ésta nueva y Oscura Fogata de Historias PARANORMALES de Funeraria, Muñecas Malditas y Engaños Demoniacos en @HABLEMOSDELOQUENOEXISTE El día de hoy les preparé historias... espeluznantes que ustedes, querida Familia Nocturna me compartieron y que seguro dejará a más de uno con dulces pesadillas. Escucha la historia del EMBALSAMADOR DE ULTRATUMBA, conoce El CASO DE EXORCISMO mas extraño que he escuchado y los sucesos aterradores que vivieron Julia y Sandra en LA CASA DE LAS MUÑECAS MALDITAS, descubre con Felipe los secretos de la CARRETERA DE LOS ESPECTROS además de una historia tan oscura y enferma que NO ES PARA PERSONAS SENSIBLES, así que prepárate, porque llegó el momento de que @HABLEMOSDELOQUENOEXISTE Hablemos de lo que no existe es un canal de youtube con el formato podcast que comenzó en abril del 2022 su primer episodio fue vivo en un casa embrujada en el que una chica narro sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de este canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de este canal , la familia nocturna creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de este canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando esto tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora. El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado
Transcript
Discussion (0)
Welcome to Family Nocturna to this foggata of histories in
Let's do what no exist.
The day of today, we have a series of stories
that we're talking about that,
that life more than this.
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We'll say,
in the phone,
all the world
can be a guy of the
finance.
Not a big
world in art,
to play to golf
or to be
a pro of the
crypto.
Not a business.
In any way,
you have always
did some stuff
and the appellee
Negoti-Titre T-D
you add to
renewing
with your
instinct of
of negotiation.
With the
support 24-hour
per
day,
no amount of
minimum,
and free
mensue.
You're
made for
negotiate,
and the
appellee-
T-D
is made to
you help.
Telecharge it
right now.
Of those
people,
who are
that are
that are
the same
of the
humans,
others,
that are
that are
people
are certain
more
malevolos.
But there
others
that we
we don't have any
the
minor idea of
what they are
that they're
addressed
with a
good quantity
of stories
about
macabras
and one
once said
this,
I'm
the good
a
big-of-
this oscura
fogata
of
stories.
You've
heard
about
the
house
of the
muck
and
you
have
to
hear
this
story.
Julia
just
got
to
get
to
not
not
not
not
not
time of a time of a
time of the time of the
classes, and that so
he made that his character in
house, we're not
the better. It was a supermement
explosive. This provoked
much roces with her mom and with
her brother-minor.
At the final of
the semester, just when
she was going to
graduate, Julia,
she promised to
same to do something.
No, they were
to pass two months
before that she
had not lived there.
She needed her
her space.
It was a professional.
Yeah,
an adult.
It was to
be able to
see a
same.
And not
could be
paying for
those
creditors
that much
that were
that's
not that
had a
little little
problems.
The
first, the
time.
The
time, it
was just
to pay
transportations.
The
practices
professionals
not they
paid a
house.
And the
second
problem,
apart
of not
to not
not able
to be
the
it was that simply and
simply and simply
simply simply
never had
never had
a house,
not knew
any idea of
how cost it.
So,
that made
to enter in
a dilemma
very rapid.
Sober-pensed
much the
things.
And of
a moment
to other
he was
to be
to be
thinking
that even
when he
had
promised
that
maybe not
able to
not
that was
not a
very good
way
to
start
a
good
but
But,
we know
a opportunity.
But,
however,
as we know
in the
channel,
not all
what is
a rower.
In this
last
year of the
faculty,
apart of
this character
explosive
and to
have
all the
time
full of
a person
Karen,
a
a chica
a
fact,
that are
of these
people
line
a person
that
that
always
get
with
anecdot
with convivences, with different types of adventures that have been
this chick, Karen,
always see to read to all.
And for some strange reason,
she and Julia,
although Julia is a chick a pretty serious,
they did a connection very interesting.
They did very good friends.
And just when you're just a point to say,
Julia,
no I'm going to be able to be able to be able to get
still in
house of
my
and my
brother and
replantearned
all.
Receive
a
time
about
at the
night
of the
night.
It was
Karen.
And he
said,
Julia,
I have
a
proposal
that you
can't
have
you
want
to
your
house?
And
then
Julia
no
could
believe
what
is
she
yeah,
so
yeah,
so
so
why.
And
he's
I
mean,
me
I would like to you.
My Tia, the
that's the
like you said,
and Julia,
she rio,
because I said,
no, I'm
more like you.
But he
said, I'm
agree.
That's what
external, and
Karen, he
said,
well,
my tia,
the
that's a
really
little bit
has a
house
and he
he's
and he's
a
house,
I know
I know
I'm
if it
says,
if it's
a pesadita,
but
it's
there
six
months
without
that we
not more I'm
not much
I'm going to
live
only to
because if
they're
saying that
what's
what you
say
and I'm
you know
I'm
I'm
know that the
offer is an
person than you
to live there
you
me
you're
I'm good
and you
are very
serious
and that
you're
going to
you're
you're
you're
it's a
normal
or
phantasmagoric
then we dovet.
I goreir to the
phantasmas and with you're gonna be
and you're just.
Julia's solded the carcashada
and he says,
and say,
and I'm gonna see,
see, boy.
And there
he commenced
a horrible
pesadilla.
She had
any the
minor idea
of what
she was
to confront.
For other
other side,
Karen,
Karen,
Cian,
I had idea
of what
to be
to front
but
let us
we're
that
there
people
of the situations. The
house, for you
you give an idea, not
it was a house
very big, it was
a house
little.
Apeness
had two
abitations and
the
habitations were
small.
You metes
in the
room,
a room,
a more or
less
individual,
and you
even a
matrimonial
and you
are two
steps to
the
door.
The other
other side
of the
camera,
maybe
you know
you're
a
opportunity to
do you
if in
in some moment
you
want to
put
tubes and
to make
things
because
no there
are the
there's
the
there's
there's
not
air
air
air-condionate
they're
in a
city
and
that's
part of the
peripes
that
are
to
start.
But
in
the
things
that
I'm
there
there
there
is
that's
the
one
that
through
the
door
to
julia
no
did
a
idea.
The
house
not
not
not
and that he has
done
good
maintenance.
Very
probably
probably
it's
going to
talk
with
those
amygates
that
are
in the
madugated
in the
house
that's
very
little
and
that
the
great
majority
and
it
has
not
good
the
place
not
not
so
in
the
area
in the
area
in the
the
lot of
there
is
there
is
there
is
there
is
the
area
of
Sal,
Cascina,
Comedor,
but you're
talking about
about almost
four meters
of long
for two and
a half.
It's a
pedacito.
Three-fourth
parts of
that piece
to be
occupied by
some
some
discaparates
of
the muckees
of porcelana.
The
muckees
of porcelana
apart that
are
supermently
macabras
are
completely.
The
escapade
is absolutely
limpio.
That
thing is relucient, and the
mokees for the end of
see a bit of polvo.
What carajos!
The piece,
it seems that has capes
of mugre.
The quarters of the
walled is
all the paintura.
When he gets a
lavice the lavabo and
it's all right
with the water,
but the mokees
are impeccable.
At final
of the first day,
where is
starting to
to have to be
a
pastile
in the
way he
got to
get.
More
than the
other than
that's
that's a
spantos
apart in the
colony
in the
colony,
in the
community,
we have
to have
to have
been a
little
two chikas
living
so
solas.
So,
so
that makes
that you
do
do you
do
he's
he's
he went
with a
good
much
a good
to have
to
get to
get
to
and that
Because in that
first
night,
he said,
Hey,
Karen,
I don't
I'm not
why
all this
all the
and that's
all the
little
and that's
not you're
going to say,
that's the
and I'm
no, no,
no,
for nothing.
My
Tia,
this collection
that she
has got
this collection
that she
has in
their house,
no,
I know
because,
but if
if you want,
we'll
we'll be
We're asked us, and also to know, not it's
that she'll be able to pay us to
clean us, because I mean those things
don't like. They're feas, they're fles.
They're all righties,
malditas.
Passes, no one,
but two or three days
when they're trying to
talk to the tia of this
chica, Karen.
For this,
you've got to
kind of a commodars.
Not they were
for a colchon.
They were to
do some tendidos with
sabanas,
colchas,
and almoadas,
and when in the
night there was
the sound of
those patitas in the
piece,
we know that
we did
that the
two do not
and that's
and that's
all the
day they're
to tap
the part of
the door
and the
people are
sure of those
of those
inquiliners
that previously
that probably
that
has been
that has
a lot of
three
days
after these
of these
intents
to adaptate
to
try to
try
to get
the
money that
had
to get
to get
to get
to
get into
questions of
doing
and do
those years
in those years
in those
when she
were in the
time.
She's
she's getting
a bunch of
photos,
and there's
a bunch of
photos in
those that
is put in
the time.
And they're
doing it's
that's
that's
the third
day,
that they're
going to
the
time,
because the
fact,
is that if
not I'm
better them
in case,
if you're in
These things
No is
nothing
to get
to open
the door
and the
first are you
are you
are they're
in those
they're
in the
rostro
that has
certain
light
when there
no,
when there's
when they
talk about the
Tia of
Cairn,
the
Tia is
tajante
and he
says,
Ay,
Carencita
my
jita,
no.
I'm
I'm
you're
I'm
put down
all
those
conditions.
Those
things
there
are
going to
to get. When he said
to say,
a Karen,
she put on
the nerves a
point, even when
all the time,
I don't know,
he said,
I'm going to
tell you know,
why he's
all the time?
I'm, my
little I'm
don't you
recommend that
you're
not my
collection of
mukees,
it's my
collection of
mollickas
all
those I've
taken
of different
cases in
that
that have
said that
have been
and the
families very
The person that
is that will
not is that
will get to
the polvo
and then,
it's a
going to be a
cleaner to
continue what
they're in
then.
Then just,
no less,
no less
no less
respond, and if
they want to
you know,
I don't you
do it,
I'm going to
get to
a person
a personage.
Karen,
for the first
time in
all his
life,
is tamlanda
and I
turn to
see,
in who we
we're making
we're
in who
we're
well,
I know
I know the
Chucky and
I'm a much
fear,
there's very
and we're
seeing a
new thing.
Julia,
no,
she was
not so
it's not
that night
when they
came to
really a
very serious,
molesta,
is thinking
in if
should be
to be
there's
to be
really
really
really
really
really
really
and it's
that
when they
when they
they're
in the
room at
all
their
things
are
they're
regated
for
all
parts.
But it's
very
rare.
No,
no
any
any
any of
the
door.
Not
of the
entrance
of the
room.
You
do you
think you
did you
put in
the
way
that
were
that
they
were
they
they
didn't
the
room
all
is
in
any
other
not.
They
don't
want
to
do
want to
want to
do
they
don't
think
they
are
they
don't
have
people
simply
they
they
are
to
never
has
occurred
if one of
those
muneekes
were in
the
He said, yeah, intent we're
to be sure
are of batteries.
Not they're
not able to
go to see
the day of
or not,
to be the
ender the
not really.
You know what?
You know,
because two of
the moukies
were in
the two of
one, that
none was able to
one, that
was never a
one.
They're going
going to
the days and
then you
see to be
all the
house.
Look,
Air Canada
did a
Solds'bondial? Super, an offer
for the Assort. Station thermal,
volcano. You've seen
the price for the Japan? Hmm,
Epargne and sushi.
Wow, the solds are
good for Mayork, also.
We could go to the plage and
do you have a roundone? Or, it's a
long march on the border of the
sea-sill. Hmm, I adore
the canolies. Attain, there's another...
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Via Rai, the
voice that we love that
The first,
the rope,
is reagued
one and there
every time that
they're in 15 or 20
minutes,
they're going to
get in an absolute
disorder,
at the point in
that Jian
prefer to not
to not just not to
talk about the
routine,
I'm going to
get to get to
get to get to
my things
like if
nothing I'm
going to be
when you know,
I'm sure that
the car is
because I'm
not it's
two seconds,
I'm going to
do it's
like that's
not going to
come down
from the
frugatedo
to the
quarter,
I'm going to
do you
do you're
not a
if you're
in the
room you're
also I'm in the
thing you
do you're not
a question
of the
doses
When something
is too
like to
do you
to make sure
to make sure
or as
you're going to
you're going
to be able
you're going to
you're going
more than
a month
and as
as I'm
so you know
they're
the things
with the
things
disordernated
and
now that's
part of
a
sequence
a
quite
atroo
not
not
not
they're
not
I'm
I anticipate.
They've
had it
also
but not
they're
doing it.
Julia,
after
a month,
no
has been
a
time.
For some
other reason, they're
adapting to
things very
they're not
they're
not in the
day,
are raras,
they're
talking about
what type
of maldition
tendran
the moneka.
Yeah,
there has been
more of
a occasion
in the
Julia
see that
Karen, Pai,
he took one of the
munae
and she puts
to talk
to talk to
her.
They're
various
days of not
to get
to get
to be
and you
know,
they're
not they're
not
a lot.
The
place has
had been
a
strong
in them
and they
were
accustomed
to
that
level
that
now
are
that
now
are
but
occur
something
this
this
she
is the
daughter
of the place.
Tampo is a
malevolo.
It's a person
peculiar.
It's a person
with his
good.
Really, when
he prests
the place to
his sobrina,
no was with
no way.
He said,
because,
she didn't
think so.
She doesn't
think it
that's a
collection that
has a
house.
This
she has a
property, and
he put a
house in the
house in
that he's
thinking that
in a
future
has to
give to
make a
a postilga.
But you
the
know,
you know,
the sobriena
no
no money,
he said,
he said,
he's do you
a little
a lot,
and apart,
he's
probably probably,
he's going to
get to
work
because he
will be
going to
live there.
He went
to visit them
because
after the
years,
and he
was going to
say,
no, I'm
going to be
going to
when I'm
to go to
the place,
and he's
top to do
a two chikas
practically
malvivientes,
they're
dispeinated
with an aroma
that they're
not perciven
but if you
get to
see you
see you
you'll
be a instant
a little
a little
and the
and the
the
the other
the place
the place
the way
there's
there's
that's
that's a
insults
is an
disagradable and
has to
contain
the courage
when
then
we can't
that
so
that's
if it's in
a play
because
he'll be
to see,
this is this
not normal.
Nota
and they
see the
hands and
the uny
in the
darks.
No,
they've been
in days.
They've been
desutried
and it
and it
doesn't
know.
Because when
it was
a call her
I'm a
little,
like,
oh,
dear,
how you
see,
and her
look,
and her
was a
look
Julia,
for other
other
had the
mirrored.
This is
a situation
very
very
strange,
and the tia
that's
a person
that's
that's
not a
time,
and not
have much
time
for the
other
people.
We're
pretty
and they
said,
oh,
I,
I,
I,
no,
I,
know,
I,
didn't know,
I was
that I'm
in these
conditions,
I'm
not I
don't
give
a chance,
so. Derm me an opportunity
and this end of
a week to send a person
for that I'm going to
get a lot of the house. I've seen
the newfound that I've seen
that you're using. And the Tia's
is excusing. You know, because after
after all the enojo, comes the culp.
How could I allow them to live in a
place? No, I saw that
was that wasqueous. And
to be them to this manner?
No. knows why they're just
are so. But
it's a certain point, and it's
culpable. She was
the adult, andre
those are just
just only
just ones,
just ones
just a man,
but she
just a
she has
she's not
she's excused.
And if
really the
mokees
have been
something,
she's
that she
got to
something
rare,
the two
two chicks
are,
they're
not,
we need
we need
we're
we're
we're
there, and
they're
allarmes
I need to actuar
so.
So, is that
not you
expect
the end of
the time.
It's
to look
people.
Literally.
I'm going
to send
someone
that's
a lot of
people
that's
people who
did you
do
cleanies.
And he
he started
people who
were
the
work
that
were
for
some
kind of
kind of
kind of
whatever
thing
but
could
could be
to
put you
He also to talk to different parts,
he started to different
knowns, and finally
he gave to someone.
He goes to,
the house and he says,
the day of the morning,
the morning,
will come here,
the senior of the
limpea.
So, for favor,
attendanla.
She wants to
talk with you.
She will say
indications,
also,
of the limpeas,
and not
I'm going to
go back.
I'm going to
do my
but they're
going to
do the
things that
she will
say. If no,
they're going to
and then
those two are
like,
you know,
we're trying,
we're going to
we're going to
we're going to
keep here much
time.
If we're
going to do
what you
do you know,
and the
she was
really bad.
There was
going to
and they're
going to
know.
So,
it's a
very well,
tomorrow
he's going
to be a
first hour
between
seven and
eight of
the
morning and
do they're
all the
these chikas
who
know how
they're
all this
time
Julia and
Karen,
no
they're
not
they're
not
they're
not
they're
because
they're
in the
time
and they
have
a little
about
a
little
that
were
mottas
and
and
after
there
there
there
there
after
that
I'm
to
that
that
morning
there
a
woman
a
person
a
person
was
a
a
black
a
of buttons, not a blusa,
a camisa,
is a woman
a lot of
the hair
has a lot of
a lot of
a level in
that is a
pretty bright
like a
color black
and it
has all right
and it's
perfectly peined
and with
a trance
longissima.
Heva
a sombrero
that is
like a
cup a
redonda
relatively
gross and
then a
little
a lot
and it's
all of
color
rojo
and it
he's
a
backer.
No is
something
a vaker,
is something
more
kind of
a bit more
kind of,
it's
very,
not it's
very much,
the
the roppa,
the
of the
back,
is a
jeans
of a
messlilla,
and
a
sandalias,
and it
and it
is a
part of
a
lot,
the
the
backpack
is a
backpack,
this
a place
in
the
people
that the
people who
put
their
books. Then
he
two
mochillas
to the
door.
His voice
is a
good
and a
voice aguda and
and
says,
I'm going
to clean
the house.
Ah,
if,
si,
pass, it. When, we, this two
muchuchess,
they're chas, a stature. And she's, and it's not, and it's, and, and, and, and, and,
commenced to
advance by the
house,
they'll
then they
then they'll
ask you to
all the
material,
they're going
on the
piece,
but
before,
to enter in
contact in the
area where
the onekees.
Now the
all are
all are sent
as if
were an
spectators
being to the
door.
They're
they're
they're
they're
not over
they're
so,
that nobody
will
know
because these
chikas
not
still
don't even
to
that. The situation is that
they're going to
start the things.
Dentro of the
things,
it's a
that the
woman
had a
packete with
salt,
salt in
gran, a
very,
a grano
a grus,
hevys,
I know
what type of
herbs,
and I
had different
types
like of
the
pieces of
the
pieces that
were in the
hand
that were
a
very
very powerful,
a part of
some
part of
some part of
some
a pair of telas, and a pair of
things more, that's so we
suppose, but no we're not
two data.
I'll say, to this part,
no, they're going.
The woman,
with this tisa or
that pietra
that could be made
to make sure
to ryan
things in the
walls,
he started
symbol.
With the
water,
he was to
rocear,
making symbols
in the
piece.
One of the
bottles that
was that
was probably
probably had
something
inflamable
because the
the
piece
was
made
with
certain
sign of
and sign
and the
woman
began to
do the
rito.
What
durow
did,
who
said.
The
situation was
that
was that
the
time,
she
took
the
door
and she
top
these two
chicas
in the
end of
a
little
chas
don't
do you
don't
is totally
without
and she
and he's
he's got
what's
she's
where are
my
my new
my
and they're
not they
know they
they're
they're
they're
there's
there's
there's
there's
and said
I'm
I'm going to
talk to
because the
person
of the
limpe
will
come to
the day
of
the
when she
when she
when she
does
that the
place
has
an aroma
very
similar
as
the
places
in
where
See that there are symbols that
view in some of these
places. Nota that
there's a lot of water that's
the middle and many parts of
the place are mojed.
Symbols in the
piece of something that
seems to be
a lot of time
because it's something
that's also
not putiering
and aromas
mixed to tobacco
and other
things.
There are
pieces,
trosos of
plantas
abentados
for here,
or here,
or there,
a
trosses
of
the
over here,
that no
correspond to
that's
a lot of
the
house.
And what
she
is that
someone,
in the
morning,
was to
do the
little
the
people,
the only
person
that the
woman
chaparita
with a
trance
very
long
of the
hair
that he
was a
little
and
very
strange,
I
had a
sombero
like
a
titano
or
the
black
that
nobody
never
they had
seen
and
never
they've
seen
and they
were the
day to
do you
to get to
get to
know,
I'm
but definitely
I'm
I'm sure
that I'm
sure that
I'm
that's
those
two?
You know
a
person who
have
a
moh
a
man
of soccer
you
could
assist
at a
moment
historic
you
could
get
for the
final
of the
Cup
of
the
World of
FIF
with
Visa
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it
Just suffice to have a card of credit visa to BMO for participate.
Inscribe you at BMO.com bar-oblique concour.
The reglements of the concourse is applicable.
If you permittes, I'm going to tell you the history of the embalzamador of Ultratumba.
Since before, I know one of those of the relatoes that most of the
family nocturnas are those that have been with funeraries.
This relato that I'm for contart, when me was sent out,
He said that he had to be in this episode.
Eloy
he worked many years in a funerary,
many, many years.
In that time,
he was encargave
to vesty and to
make him maquillated to the
mortals.
It was very well in his
work.
He was a type
quite
very tranquil, but
it was a
life very normal,
he was a person
like any person
like any other
and almost
nobody
knew of his
work.
In one
occasion,
he was a
situation
very
very
very difficult.
Let's
it's a
very
difficult.
First,
he
commenced
to have
problems
in the
vesicula.
That's
that he
was a
compadient
and
all sent
so bad
and
to bring
many
the
lot of
they had
programmed
an
operation
because
he was
necessary
to
get
it, it
took
two or
three
days
that
he
faulted the
I
know of
those days
that's
that's
that's
a lot of
a
time of
a companyer
that's
that he
was the
he was
he was
a child
a
a boy
Cecilio
that
had
around
he
was
a
he
was a
time
that
was
a
that
if
he
he
he
he
you
don't
you
never
never
a
some
eyes
and
black and
he was
a lot of
a type
very
very happy.
He
servicial
charismatic
contrasted
much with
the type
of the
job
that's
so
he
was all
and nobody
he
was
and if
you have
you have
so
you have
you
don't you
do you
do
you
do
a lot
so
he's
a
you're
you
you're
you
you're
a
person
hypersocial
we're going to
that nobody
he'd be that
because it was
that I'm
very good
it was very
lamentable
that in those
moments
in that day
that he'll
and Cecilio
is suplier
going to
be in
a zone
in the
that there
no
there's
no there's
time
prolonged
we're
we're
a very
good time
in silence
when they
went
to
they've
had been
had been
an infart
and
the
Lamentably Lowe is
Entered of this
And no
can't do
do not go to
do you to
go to
do it's
still with the
situation
of the
Vecula
no has
no time
to
not even to
because
there's
there's
where there is
where there is
where it
another pietra
of this
costal
not only is
the
the dolor
that has
not only
is the
dolor
anymic
for
having
a
a member
a
companion and
a certain
culp that
has also,
because he
was supleading
and fell
in their
work of
not just that
is that
they're
saying they
are saying,
that for
favor
go,
even if
a couple
of
hours,
lamentable
maybe,
there's
a new
client and
is a
new.
And the
the roba
and how
it's,
I need
urgently
for
favor,
that they
need them
because the
family
is
desconsolated
and
they need
that
they're
The parents no
They need the cycle that
Cicle that's
Cicle that's
He pega, he pegas
The Pega,
even though
He's totally
Adolored,
he's,
He's a looct,
he's,
Abre the
place,
Be the
body, be the
Rope and
when they
the Ropa
of the
the Ropa
is,
well,
very,
very,
and the
little,
and the
child,
Lamentableable
Loy,
So,
and two hours
after
to start
working,
it's a
terrible
that's a
need to
get to be in
that's
saying,
he's
asking you,
he's
in the hospital
more
and even
that's
to get to
a lot,
and when it's
to work,
but is
that's
a sudden
free,
it's a
that's
that's
the funerary
do you
do,
the voyage
the way
that you
can't
imagine to
a little
a
carosos
funeber,
and then
they're
in a
carrosse
and, well,
is surprised the
people who are there
and are not
accustomed to
that they're in
a lot of,
but when
it's a
good, and then
they're all right,
and they're
going to be a
badorid,
they're,
no, no,
I'll know
that's a
car in the
car in the
car in the
emergencies, and
well,
after the
question of
the doctor,
that you say,
you know,
you can't
talk,
you're saying,
you're,
you're,
there's,
I'm,
I'm,
and I'm,
I'm,
I'm,
I'm
I'm,
I'm going to
go,
and past
and I
I'm
a
but I need
to do this
so I don't
no,
no way
and the family
is strosed
and I'm
a pair of
injections,
some of the
thing is
a lot of
this car
funnettita
to this car
funnebr
get in
the more
rapid
that you
get you
get to
a
situation
that
it's
that's
that's
that
just
in the
salon in
he
he's
a
outside
there
a
a man
a
a man
and
a
man and a
man
They're disconsoled.
And the
door is the
family of the
family of the
no,
he's the
he's not,
he's not
he had
had been done
and he
was going to
the more
rapid that
he starts to
start to be
and be
waiting for
waiting for
a while
not be
not because the
little
he's trying
and two
metritos
to the
right and then
then they're
they say
family
Lara
Family Lara, and
Volte
And with the
Carre Rote,
with the
Corrason
Roto,
who is
you're you?
And you're
I'm,
I'm,
I'm the
person who's
going to
get to
get a
little,
pardon me,
for favor
say me that
not
have entered.
No,
yeah,
we're
just
we're going,
very,
very,
very lamented
for the
situation,
says,
disculpem me,
no,
no,
I'd be
having to
have done
so I'm
had to
do it
much,
me dole
much,
the vesicic
me,
I was a
fault
total of my
part.
Who did
who's
did you?
No,
no,
no,
I don't
know, I don't
know
I don't know
to see
a lot.
Still,
there was a
little
of the
but
see that
and say,
what they
had
topado
to the
no,
no,
it was
something that
was a
person,
the
father of
the
man,
even with
the
heart,
he said,
I'm
thank
so much
that
so that
so
But,
we know
that is
when
when he says
that he
he says,
no,
no,
no,
in serious,
we're
going to
make a
good,
I'm a
good,
and the
Lord
he says,
no,
in serious
felicit
is a
great
work,
I,
I know,
I'm
my
he,
I'm
thank you,
he was
he was
he was
to say,
and
he said,
pardonem
me,
in serious,
give me
one
hour,
and with
a
the most
that could say,
no,
for favor,
yeah,
we need to
we need to
we need to
continue to get
with this.
We're going to
get to be
and he'lli
and thence
and when
he goes,
I'll turn to
the right
and see
the little
and he
presentable
vestido in
a trage
a trage
that when
he's
he was
he was
he and
then he
then he
then it
comes
a second
goal
maybe
maybe
just not
more
they're going to
know.
The people
of here
know.
Because,
because they
did you know
and they're
to have
been in this
and then they're
saying,
please,
please,
give me
five minutes
with your
need to
do you.
And then
you say,
no,
Eloy,
tranquil,
yeah,
your
companion
Cecilio,
he
he was
he was
he was
he said
what was
he said,
but
for the
just he
said five
minutes
he went,
and we
said,
we were
we're going
to be
to give her.
Where I
heard of
the
only,
he said
let me
let me,
I'll
talk to the
people
to get them
he'll
ask you
to get to
all the
people
nobody
had
entered
there to
his
room
to the
area
to the
he was a
impactable
that
that
he went
that
with the
family
he
he was
he
went
in chock
he
he's
he
he's
saved
of that
he was
to be the
he was in the
way to
he was in
the car
rapid,
he was able to
turn to
turn to
turn to
see a
he.
He went to
his house,
he said,
and the
day the
next
he was
he
he
he
and in
a
moment,
for the
operation,
he
he he
he he,
that all
that all
that was
in some
something,
the
the medicine
that
was
taking
for the
the
when
when he
he waspired
and
he was there
a pair
of days
in recuperation
one of
the
other of the
other
day in the
last time
before
he said
oh yeah
I'm
I want
say
to say
another
two things
first
that's
you're
that's
all the
time
with you
he's
he says
he's
no is my
spouse
is my
my
brother
but
he says
if he
has come
me has
a
but
you know
what
your
Cecilio is another
other
other thing.
Here
us
was coming
and even
he was there
and he
was there
in those moments,
that not
were more
family, he was
he was
a guy,
a little,
a typo.
There,
Elio
he was
he was
he was
he was
he was going.
And
after that
he said,
Narra-
he said,
narrator, I
not am
a person
religious
but I
did form
if they
had
celebrations
with
him,
and result
of
They said that was called
Novena.
He was a Catholic
and his family
also.
And I'm
dedicating to
nine in
every church
that I've
said,
never never
ever ever
ever ever
ever been
going to
and after
after 20
years with
people,
never me
had to
that one
me would
really
really,
you think the
the
soul of
the people
that
pass
to the
other
world
can
come
to come
to
see
that you
you're doing the
way
the way
that's going to
do you're
going to do
your life
and then
you're not
you're not
those who
make you know,
you know,
you have to
have to
have been a
year,
that's the
story of
Edgar, and
here we're
to tell
that.
Edgar
is a
point to
take one
of the
one of the
many
the years
that has
been
in his
life
in the
car
this
so you
but
there is
a point
to
take
it
and
he
not has much time
managing in
carretera.
Not is a person
so expert
in that
the time.
The voyage
that is
to visit a
family,
that's practically
the other
side of the
country,
and the
voyage he
can't
take to
get to
get to
even to
say,
he said,
oh,
for favor,
you,
I'm practically
the
the time,
you pay,
I'm
to pay you
pay for
pay for
favor,
Accompan.
I'll
One.
That no
I'm going to
do you
do get a
bad to make a
bad
and as well
I'm not
I'm
not really
and the
second,
I'm going
we're
going to
go back
we're
like we're
like we
know a
amount of
a
amount of
and so
not so
so much
it's
very much
it's
pretty
very good
it's
very
very
these sted
the car
that's
they'd
move into
a circle
and you
have to
put a
cassette
of a
magnetica
for you
know,
to give you
know of
that year
and then
they're
to the
outside of
the city
and get
a moment
in the
that you
got to
the
carterer
they're
they're
in an
hotel
of
because
the
two
are
so they
are
there
after
the
hotel
they're
they're
they
So,
I'm gonna
beferences
very
very
or
goy and so
goy
the most
time,
not they're
to go to
go to
like,
like,
like,
like,
and so,
and they
say,
why?
It's that
are things
raras.
No,
they're
not so
there's
in the
really,
I think,
I'm
to have
been to
have been
to
what you
do?
No,
no,
I want
that's
there,
no,
here,
here,
in this
carreter,
there's
there's
there's
there's
a lot of
because it's
a person
practically
those program
mentally.
Me
said,
Edgar,
Narrador,
we could
do not
nothing,
we had
those
eyes,
we're
not,
for more that
we're
not we
don't know,
we're
we're in
some
moment,
we're
we're
we're doing,
we're
we're
we're
going to
cause,
we're going
to be
bad.
So,
all
the
No, no one night, we're
not more
revoloteing
each
one in the
camera,
no functioned,
and just
like at the
night,
the day
next to
after having
out of
a time,
a little
few,
we're going,
we're,
we know,
and the
sun came, and us
got on
the time.
We're in the
time,
at the
time,
more,
more,
a 45 minutes
one hour
of the
when we're
a point of
to get
when we're
getting the
child that the
last year we
didn't get to
we're not
we're not
in the night
and when we're
like expressing
an what they're
saying and I
say we're going
we go,
he back the
window and
I'm just
I'm saying
in serious
that no
it's
but look
nothing
now more
right
that you
don't make
case to
do anything
to what
they're
in the
way, especially if
it will
start
to the
and,
and, for
favor,
when you're
more in the
more than
the cemetery,
nor
they'll
to be in,
go and you
go ands for the
carreterer,
no,
there's
no,
there's
more than
for the
cemetery,
no,
you know,
so,
but,
because,
occur in
things
like,
things like,
and
it's,
and it
says,
yes,
but are
things that
not,
it's
they're,
okay,
you're
talking like illegals.
No, well,
it's not
they're not
in the cemetery
or less when it's
too too.
And right,
agarrens
and not present
attention.
Yeah,
no I'll say
more,
buy it's in
the night and
they'll end
the time.
Dissenarad,
you'll
go ahead
to do this.
We'll
go back in
the hotel.
Because we
we're going
to get us,
we're going
and we're
going to
know,
well,
the people who
live in the
city,
the city,
the city,
the
people,
the city,
the
people,
this
type that,
or,
that we
don't
they're
to get in
the cemetery,
but not
that's
going to be
going to
there,
and we're
going to
know that
we're really,
the hotel,
the
tiendita
that we're
no,
there's,
no,
there's,
no,
there's,
they're
very
like,
you're
just,
they're
going to
get to
the
house,
and there's
that's
the metado
cemetery,
that we're
the other
did,
we,
we're the
we're,
We're going to
go to
start
to
start to
when
I'm
going to
see a
one of
a lot of
a lot of
but it's
very strange
because he
is a
little and it
has been a
capucha
a color
coffee
so
a
big
like a
I'm a
man who's
a
movie
and we
we're
going
and it's
rare but it's
like if
we're not
we're
car and, of a
repent,
we're
to give us
because
not it's a
group of
of a few
people of
people who
were in
this type of
people, and I'm
a little bit of
a capuch in form of
the piqued, and
they're going to
come to turn to
look to our
times, and I'm
me, I said,
I'll,
I,
let,
let,
let,
let,
you know,
you're in
you
wait,
no you
don't you
and the
,
we're
not the
because we're
much,
he was,
he was,
like,
more orchestated,
and I
said,
my
man,
we're,
we're,
we're,
but it's,
a real
a rudazzo, but
we're doing,
and then we
just the
we're just,
and it's,
oh,
you know,
you know,
you know,
you know,
I'm going
to go
to go,
And I'm going to go, no, for what?
He said,
look,
are you guys?
Are you guys?
No, no.
How are they're
to be cats?
You're the
cat?
They were in a taugue.
It was a procession
religious of here.
These are the
local.
You've seen the
type of the hotel
was not an
type very quirdo?
No,
we're going to
go to
and we're
and then
he says,
and it's
more,
where is the
panteon
to go and
I didn't
do you
well distraughts,
well,
we're going to
do you know,
we're going to
to come to
to find out,
to give us
and get us
and to
go and to
all the
way,
because if not
all the
way,
we're going to
be able to
be spirits,
and some
those ideas
and that
and the narrator,
I said my
friend,
no,
no,
no me
he said,
I'm going
to be
manhating
me,
you're
you're
he did the
volantazzo,
did the
Wolten'
Literally, narrative, because when we
We're going to, we're going
100 meters, no there were nothing.
We're going to, no
there was nothing.
We're going to, no
had nothing,
until we get us to the hotel.
20 persons in the middle of the
nada carganded,
no way in the way that
that had disappeared.
No, there were nothing.
When we came to the hotel,
we'll be the type
and he'sole,
let's pass to
do something?
No, no, we're going to
talk?
Yeah, yeah.
He said,
Mayn't
before you
go on me
but now
if you're
going to get
together.
Narrate
not we're
not really.
Sentient we
weren't as
if we're
looking out
and we're
being
affected us
for what
we've got
to pass.
Desveled
we're
we're going to
get us
in the
morning we
went up
we're
we're going to
get the
the
door to
when we
when we
came to
the
time
there's
he said
we're
we're going
and we're
we're going
They were.
No, no, we
We've been
We've been
very
very can't
and say,
no,
beances the
faces, no,
it's
certain.
What are you?
They're
to have the
other, or
they're
to see,
to the
other, they're,
to the abut?
Look,
no,
they're not,
they're,
to be there,
oh,
then so
so,
why,
just,
v,
just,
just,
don't know,
just,
not they're,
but when
they're,
in the
altitude in
the altitude in
the
those
vented,
no
bolted.
No,
I'm
not the
recommend.
I'm
a
narrator.
When one
is a
manned
to be
done,
it's
a lot of
decisions.
Passed
by the
time and more
or
my
friend
the
when
we're
when we
was
after
after
the
light
the
light of
the
the
light of
the
car
was
just in
the
pedacito
where
we've
seen
those
people with the attaud.
All the
way that we
literally,
we were going
spiritos and
spectes for
all the
yeah,
I know,
I know,
because I saw,
it was somebred
that were
at the
height of the
vehicle,
when the
vehicle
went to
the vehicle
on the
road, and
from the
way, I
did you know,
a fanatical.
If you're
you're
that you're
not
you're going to
hear this
story.
Noelia me
made a story
that you
you're going to
hear of
me
say,
narrator,
a me
percied
those phantasmas
but I
don't have
a good
and I know
that's
that you
have been for
something
that's said
there in
the podcast
I've
I've been
a little
but
I said
I don't
know
I didn't
idea that
was in
never
I'm
found much
time
before.
Noeli
was
studying the
career
of medicine
and
actually
I was
going
to
professional
and for
certain situations
economic and
of facilities
of transport
decided to
move to
a company
to a
house
a quite
strange.
It was a
house very
great of three
pieces
in the
the plant
a back
was with
corridors
many
very extensive
in the
that the
road of
the
corridors
had
had
the
and in
the other
pieces
it
it
It was like if they had
pegged a
edificio of
departments.
A construction
atypical,
fea,
definitively
but for what
she needed,
I'd,
complied with
two things
very important.
It was a
more barat
than what
was the
hospital in
the
that was
then I
needed to
cuter
times,
because at
sometimes
not had
time
to come
or to
doorme
and there
reduced
almost
40
minutes
of
I was to do that. Definitely
it would be convenient.
What what he
is that,
Lamentably,
since the first
time that's
going to be
going to be
things that
but as
she did
know she did
know that
had to be
with something
to be
normal,
until much
after much
after.
His abitation
was
a aroma
very
unerable,
an aroma
like a
podried.
And then
when I
saw,
the tech
and see
that certain
parts
of the
the techo of his
abitation.
He said, no,
it's like
probably
the rest of
the rest of
the world.
He bought
articles of
the impiesta,
he was
to clean,
and the mo
was going to
grow.
Very
two, three
days, and
it was a
other way
that was
not a
he would
do you
do something
for situations
of
the
rent, etc.
what she
was she
was to
be able to
get the
little bit
to be
the
RETTERA, he
about the
situations
of the
aroma,
and he
said,
he said,
he
had been
reported
to have
some of the
report,
but that
report they
they were
one and
another,
and other
and other
and the
other way,
and the
other
had a
student
as
were
other
times,
and then
those
I was
there,
and yeah,
a
past
of the
conditions.
Noelia
and his
Rumi
are there,
and you
have been
various
occasions
that
are very
insecure. They're in
their apartment. They're talking situations
100% of university. When
they're like the door
of the entrance of the department, so
open, someone can't even in the
department, and then it's
a walk in their apartment, and
when they're going to walk
to outside, and when they're
the door is abjured and no there.
And they're just saying, is
that this place not is to be able to, part, part, not
we know who's who, can't be
locus, or not necessarily
are students. And no, no, they
are still
very
incomodas
with the
place,
but I'll
say,
no
there's
much
way to
make a
way to do
a lot of
you get in
a climata
or you
make you
get a
so
you're
there's
other
more than
other
more than
they're
not to
be able
to be
always
always
they're
there
and they
never
to come
to
not
they're
not
they're
thinking
in situations
that's
a
a place
incommod
in the
in the
way he had
had been
a lot of
a lot of
a little
a little bit
a good
and that's
not they're
not a
good inspection
before
after
after
things more
things more
extra than
to get the
hand
the
little to
get that
something to
get a
way,
you're
to be
looking for
the
house
because you
know
there's
there's
there's
never
never
of a pair of persons
very
very
and it's
a good
that's a
very that
they're
in the
room,
to make you
say they're
saying,
and you
can't
and they're
just
to get to
start with
the dialogue.
But it's
horrible
because the
trees have
to be
so
that's
what is
what is
what is
that's
a
that's
a rebut
of
a
sound.
They're
going to
pass
six
months
and
almost
if
not
that semester
and
a
a little more, because it was a good
quantity of time the time, the way he said no idea that
was there. Until that he went to
talk to go to the renterer, and he said, with a
caro. I know, no
has beenpied the place. No.
I know what class of
I mean, apart
of that. There are
many conversations, they're
in the room. He says,
I'm not so, he says,
I'm not over-sive. If
not were, for the necessity of economic,
me would have gone to be much. No, it's all
a place in a normal state
and that's a lot of state and that no
a lot. And the
signora and say,
look,
Iha,
we're going to
put the
things clear.
Dises that
there's people
there.
Where do you
think you
are the
people?
Yeah.
Well,
those
the other
those of the
front,
Ben.
And the
met the
departments
vacuos,
absolutely
vacuos.
What more,
what,
what is,
what is what
is what you
what is what
is what you
do you
in the part of the
part of the room.
They're in the
room.
The room
is there.
It's all
limped
you're not
you know
Ida.
It's that
there's not
you said
your Rumi.
I was
you know,
I was there
before that
came here
there was
he talked
with her
Rumi and he
said,
me's saying
the Rentera
that he
said,
yeah,
yeah,
yeah,
yeah,
that said,
that here was
that there
said,
we're
we're
we're not,
that,
that's all
the insecurity.
He says,
no we have
we're in the
people,
how we're
not we're doing
in the apartments?
They've seen
those in the
house.
They're not
I'm doing.
Her company
of the
court, no,
he's the
day's the
day's the
day.
They're going to
make my
company of
court,
because she
me's saying
that I'm
inventing
other things.
Mester me.
When
when they
when they're
to make,
the
the lady
is a
little bit
more less
more
more
little culpable. And they
say, while they say,
while they're the Department 1
for that you're going to be, and notice that no,
there's been, look,
look, you've been the people who
have been the person who's done
here. Nobody rents this
zone, especially this
piece, because they're
things. No.
I don't know, but the plant
back, during
almost 12 years, was a
hospital psychiatric, and
were people. During
much time, no, it was able to
do nothing, then we'll
We've seen our permissions and then we've done this.
But,
but never we've done
that's a lot of
because they're in the
room, in the day
a lot, in the front
there,
and say,
I'm saying, I'm sorry,
for that's there.
So, look,
if you're going to
continue to other time
here,
and I'll do you
a discount,
when he said
the Mo,
the friend
of the
partner of the
court and she,
they,
they were to
get to the
house, and
one of the
thing that
he said,
the mo
of here
here came
and not
was there
It doesn't
have
something
that's
explain.
For not
say,
Paranormals.
A
amiga,
he said,
you're all
you're doing,
he's doing what
he said,
and you
did it,
he said,
Belmo,
let him.
Let's go,
let's go.
When the
woman,
with her
with her
the
wall, the
walled
was a
limpe,
the auror
the auror of
theodumbe
no-
is,
and he said,
I'm,
I'm,
I'm doing
the tour
and for
his car
is I
seeing
that I
it was
going to
go
I'm going to
when I
do you
know that's
things
not should be
so at
the first I
don't let
give to
my clinton
to do you
know the
that they
know the
that's
that's the
same
so that
if they
they're
they're
a
discount
if they
go
I'm
I'm
I'm
I'm
I'm
but I
can
do
I'm
not
not
not
situations
in
that
I
know
what
I
know
no
Elea.
After that
we went.
We're
like a month
more.
The
woman was very
comprehensive.
We got a
place that
was a
minute of
the place
but it was
better than
that we
were the
but at the
there, me
percied
the
phantasmas.
A
part of
there,
I've
seen things
out of
the hospital.
A
part of
there,
in where
I've
been
seen,
I've
done,
but there
are a
case,
in the
what was
what
me
did it
he made
disooperate
the
experience
in the
other
the
things that
are in
the
other
not
not all
are
not
not
the
part of
a
only
on a
occasion.
I'm
I'm
taking
some
practices
in the
area
of
the
care
intensive
and
then
in
a
night
I
go
and
strangely
with
a
man
I
top
that
was
a
woman
I
said a
And I say,
I said,
"'Quant of
"'Quantor
"'when's
"'the time
"'you're
"'as
"'in the
"'sala
"'in the
"'sala
"'in the
"'in' "'in the
"'in' "'if I
"'You yeah
"'you've got
"'in' "'a-pac "'and
"'you've got
"'a-a-a-a-a-
"'you-could "'a-oh,
"'I want to
"'I'm here.
"'I want to
"'It's not "'that's
"'it not,
"'Sea, no,
"'seal "'sa' up
"'the operation.'
"'You said, "'I said,
"'You know,
"'I said, "'I "'I'm
I'm not getting into, but
we'll have some
money to get a billet of 20 dollars and me those
and me said,
and me said, buy, come you,
something to come up.
Tome 20 minutes.
And then,
and then you get, we'll
get us to agree. And if you
need something more, I'll
do it for that you'll buy you
buy to buy something. And he
says, no, sir, no, sir, no,
I don't know, I'm sorry. I, yeah,
I would have eaten.
I would have eaten.
And said, the, sir, it was like
if me leger
for
complete.
No,
I'd
know that
day,
no
had
I'm
had a
night,
I'm
that I'm
that I'm
could say,
I'm
could be
desmaling,
but I'm
getting
intensive,
is very
accelerated
a
so that
then.
So,
cacket,
duplicated,
the
talk,
I'm
the
talker,
I'm the
time,
I'm not
that I
had to
start in
a pair of
hours,
yeah
was the
personal
complete,
I'm
with them,
I
I'm going to
take my coffee.
No,
I'm going to
do the
woman
for that
they're
to be in
there.
When
I'm going to
the quarter
we're
a rossas
but
something
not there
is the
she's
and I
let's
say to
my
my
little
the
chaparita
of the
lente
the
hair
wherito
yeah
very
very
that
was
that was
there
no
no no
no no
no no
he's
the
the
lady
the
the girl
that
is
viude
He is a biudo
We know us
We know it because it was
Much time
Before we've got to
We've got to regular
Certains things
We know we're
He's biot
And she's
He's a photo
The Sposa
How she describes
Exactly
And he said
And narrator
Me did
I think
That the
Hege
Hege
And you
You think
You can
Amar
Or that
Maybe
Heame
That even
Morte
Could be
Can't
Se
Separd
How
Did you
Blah
No
The devil
The Devil wears Prada 2.
He's the movie event 20 years in the making.
Honestly, can't with the secrets anymore, so I think we just should tell her.
Will you two please spit it out already?
This Friday, be the first to experience it only in theaters.
In light of the recent scandal, I'm here to restore your credibility.
Oh, because we're a team now.
That's a nice story.
The Devil Where's Prada 2 in Theaters Friday.
What I'm going to tell you is something very strong.
It has to be with possessions, exorcisms, and
things even more sensible.
If you love the thematic paranormal and
you want to have a data that probably never has
heard, you recommend to hear this story.
This story that I'm going to tell me, is it strong.
I'm going to discretion.
And, of fact, if you have any more
listening to, I think that from here the rest of the episode,
no recommend that they'll listen.
I've been a
time I've
a play with
a bad
Javier Luzon
and me
etiquette
in the video
of a
little bit of
a little
he said about a
interview that
I'm
I've seen
the interview
but I
want to
what this
she said
about what
she said.
For those
who know
the father
Javier
Luson
is an ex
exorcist
he was
he was
exorcist
during a
very good
quantity of
years and
received a
very good
quantity of
situations
related to
the possessions.
The
father
wrote a
name
the six
Puartas
in the
which in
this
book
he has
what he
has done
to know
that
he has
done to
his
years
in this
let me
the
mal
done
profession
the
exorcism
and
he's
in the
book
what is
what is
what is
what is
that
open the
doors
to the
possessions,
what is what
it's what
it's the
what you
have been in
it's a
very rare
where he's
topado
in front
with demons
that
they have
directly.
And he
has to
have to
get to
his
actions,
also
also,
also,
he's
got to
some of the
experiences,
that is
very,
very
extra-
this is the
first
I was the first time I'm going to say to you.
Resulta that in a case in the
he is taking to happen a car
an exorcism,
it gets a moment,
as many of you know,
that the exorcist
has to ask the
name of the demonio that is
the end. When he asks this,
the person enters in a trance.
And, after that trance,
no respond to any
name.
after
after
after
using the
formulas
canonical
that's
to have
to make
to do
this type
of
questions
and
also
under the
perice
and
experience
of
the
father
he
he
he
he
the
entity
that
the
person
he
respond
no
I
don't
no
no
and
the
father
he
he
kind
he
maybe
not
the
first
he
he
he gave an intuition.
This here is different.
This here is distinct.
Yeah, the father, Amort,
has been
that in various cases,
the persons that are
they're posseous,
a lot of them.
A few people,
a lot of people.
And,
he has been about
of spirits of
persons that
simply had
been dead.
And they were
Descanzaing in peace,
until a
a brujo
took.
A little
piece of the
Wesus of
this person
was the tomb
the scarbos
with a
piece and
making a
embrucho
he made
that someone
he generated,
and a
part of it
generated a
spirit that
was a
person
living and the
spirit,
and that
has the
possession.
Also,
there have
been
stories where
a certain
subject
present in
some exorcisms.
The
I'm saying
this. If you're
esceptic,
you can't
or not
believe,
no matter.
The grand
doubt is
what
spirits are
a lot of
those
the most
the grand
majority are
demons,
but there
occasions
in those
that no.
When the
father
he heard
that this
person
he responded
with
a voice,
no
I'm
no
I'm
something,
something,
because he
asked
why not
you know
and the
voice
in the person
he said
why not
they put
they didn't
me don't
me
they're not
and I
said he was
I'm
not with a
man who
not a
kid that
he had
he was
he was
talking
with the
spirit
of a
person
that
he decided
the
father
to abort
the
the
father Luzon
is
he's
looking
in his
perisia,
in the
time that
has been
to have a
question
and the
he says
and he
he's
he's
there's
there
you're
there
and you
respond to
this
voice
if
is here
he's
to me
question
to him
he
he's
he's
he's
he's
he's
he
he and
some
moments
after
with
a voice
different
he
said
that
Saul.
He says,
your name
Saul.
You know
what
means?
Saul?
The
father
said,
in that
moment,
not is
that I
know,
every
kind of
the
name,
but it's
an
inspiration.
Because
there,
in
that
when we're
doing
the exorcism,
God
is the
power and
us
it's the
spirit
and the
Spirit
Santo,
and the
father
says,
there
and me
came to the
mind
what he
had to
say,
and I said,
you know,
you know,
you know,
you know,
your
name means
a word
and the
voice and
he said,
but a me
not me
wanted,
a me
me not
me,
and the
he said,
he had an
response,
he said,
God,
he did you,
God,
he did see,
and God
and he
desire.
And finally
he could
terminate
the exorcism
and
liberate
the
person
and
also
could orientate
that
alma
for that
it was
you have
you have you
have you
have been
that you
have been
in an
exorcism
if you
have seen
more rarro
let me
in comments
dear
family
nocturna
with the
story
that I'm
going to
start
this episode
but
I want
to
this
story
remember
here
in the
channel
I'm
I'm
I'm
I'm
my family. This story that
I'm going to
tell is the history more
more infirm and
perturbator and
destructive in
many senses that
have been
made out of the
channel.
It's a
story definitive
for people
menores of
and if you
you're a person
sensible and
you have some
a problem
and you're
there's
not you're
in serious
brinkate
at the
final and
me you
you're
you
remember
many in the
special
of Halloween
I
said
that
not
they
and me put in there
a little
to hear of
it's a
not in psychology
inversa
in serious
this story
only I'm
I'm going to
because one of
I'm going to
talk.
It's a
very very
destructive
but of the
new,
if you have
things of
sensibilities
or
you're in
a minor
of that
breakate
this story
no they're
not
not going to
be going to
be able
to be
going to
maybe we're
going to
do this
we're
going to
keep this
In fact, once
said this,
I'll
go with the
story.
Magali
has a
situation
personal.
Resulted
that Magali,
she
gave a
life,
very
rebel.
Why?
Because
not
had
a
good
relation
with
her
one of
all
and
between
her
and
she
there are
almost
14
years
of
the
difference
what
did
that
was
the
extra
the
pyloncit
the Benjaminna,
but his
fathers were
very great.
His brothers
were in
the tapas
very different.
And she,
let us
we know,
we didn't
much time
for her.
And that
made that
was a
self-sufficient,
for not
to say
that more
very,
very,
very,
very, very
very,
very,
very,
very,
I was,
not,
it was a
critic,
is a
description,
because
this type
of
things
in
is of a
terned
a lot-managed
a
sometimes
can generate
problems
like those
I'm
going to
say you.
When
she was
growing
she took
some
pessimism
decisions.
Malas
amistades
not for
criticar
one
more but
there
are
there
are
to do you
know
you know
you know
people
around
that
that
maybe
have
maybe have
been
that
maybe
she
she
she
of them
for you
know.
Consumos
of all what
you imagine.
Vida
Pirded,
absolutely.
He Knocio
what many
people just
do you want
to hear in
stories
and the
terror
and he
and he
was
a day-a-day.
It
disappeared
months of
house
when I
had
about 14
and 15
years.
In
more
a
occasion
he was
about
to
be
being
To his manner,
there was
paedcing
because
not were in the
good
conditions
how he
took that
decision and
finally
still
Magalie is
here with
us.
But the
point is
that he
was that
all that
that was
that was
that
made
that
the mur of
the
world,
and to
the
world
he did
know
she did
know
she
not need
of
nobody
not
not
not
not
it
like
I
know
I'm in
those
stupidities
but
to be
all the
that's
also,
I've
got
that
was
a
profoundly
and profoundly
infelis
and
he
top
with the
part
more
of the
life
when
you
you
know
you
that you
know
that
all
that
you
are
just
just
just
just
that
you
tell
that you
just
in a
great
And no way
that is that.
And all
for her
was in-cared
and a
deep-dression,
nothing
had a significated,
yeah,
not be aggressive
and violent
and consume
nothing
servia.
And he
was totally
lost.
Reyes-
to,
let's
his family,
to the
family,
no,
is these
stories of
conversion,
where he gets
and he
has done,
no, no,
no,
no,
her family
repudio.
How you
you're
you,
after the
things
you've done
you're going to
do you
but you're
but your
her mother major,
her mother major,
he had been
to something
similar
to Magali.
Her mother
had lived
in those
steps
very durs
in his
life and
had seen
the
rechazes
of much
manners
she
had to
and the
family
not was
she was
she
she not
she was
she was
she was
for the
she was
that Magali
went to the
house of
his parents
and practically
she was
she went to
get her
her mother
her mother
put him
the name
of Ruth
Ruth two
years
after
after this
divorce
she
she had to
have to
have to
a reconstruction
complete
of her
and for
her
she was
she took
with a
group of
people
Christianas
and
these
people
Christianas
in
some
made
that they
recobber
the
sense in the
things
that
the day
a day,
when
she was a
little,
when the
relationship
had been in the
life,
and that
this
woman
is a
woman,
is a
woman,
then,
then,
so,
she,
she,
he's
a
person,
they can
help,
and he
is a
person,
and he's
a second
to a
time in
a house
in a
house in
four
women
and Magali,
and
not
are in
very
good
And she's
transformed
in the
amigita
of all
when he
says,
I know,
I know
you and I
know I
don't know
but if you
do you
do you
think we
we can't
do something
and you
can't
help.
When Magalal
she has
has got
he has
no
but
her
but her
she has
a certain
sensitivity
because
she
he's
and not
that
that there
there's
there
there
there
he says
I'm
I'm
I'm
I'm
I'm
I'm
more
you
let me help me
you never
never to
you've been
I've got to
let me help
you know
and make sure
and say to
you know
to say to me
no, I'm
no, no
is that
me important
but is
that I
think I
think I
know there
a lot
there's a
way
the
and it's
going to
the life
and it
has a
man Gahel
is a person
absolutely
different
he's
met you
but it
so it
was
it
for
it's
practically
in
the
bandera
in
his form of
living,
that
past
of the
kind of
that
was a
reconciled
with him,
he
was able
of that
the
relationship
was the
family never
was the
family also
was a
little a
fichita
but
he
started
to get
the
good
that's
and
it's
when I
get
a
life
a
very
a
question
when
he
Emmanuel.
A.
Manuel.
A
subject
that
has
been in the
church in the
church in
the church in
the
place in the
place.
The point is that
the point
is that
the point is
that he
a manuel,
a manned,
a little
more than
she has a
personality
but captivator
of form
tremendous.
He's
much more
more than
she and
her and
she and
know,
he's
the Bible
and well
for the
interests
of her
has
been
this
the church
and they
put in
practically
to
predicate
every
every
every
that's
that the
thing
that the
thing
that's
I'm
recommend that
this
is a
very
very
this
this
young
we
understand
we
know
we
then
he is
a
sensation
has a
thing
has
everything
they
do
all
they're
in the
most
people
you
talking that in two or three
months do it
does it's
people are
doing it's
all over
and come and
come and come
us or
your own and
we'll get us
a group
of the
church,
is a group of
interests.
And of
the day
that Magali
and he
see
they're in
because he
is talking
about the
groups
great,
but when
they're
there's
there
there that
Magali
detecta.
But it
it's a
much
fear.
It's
something
has a
with a
way
that she
he has
left
with the
life that
she's a
life that
was in the
life that's
something
a lot of
a
chemical
but it's
a chemical
tremendous
and it
not that
the
that's
that
that has
that has
that
has to
what
that's
with the
something
that
not a
good
but
on
so
that
so
that
that
not
that
there
there
no
he
does
he
does
after
a
predication
that he
does in
what moment
or at
what group
Magali
he
gets at
final
he
has
he
has
a need
to
dialogue
with him
when
are the
last
he
he's
he
put
to put
to
and
this
he's
going
and
he's
about
to
say
he
he
he's
a
time
he
he
he
do a
ten
tremendously
ap
passion
without
a
apice of
a
peregruance.
Something
that no,
no,
no, it
doesn't
make the
things of
the other
the person
more puritan
of the
world,
and that
form of
to beza
never
had
never had
seen
that
that's
that
that's
that
he's
got to
feel
he's
he
also,
the
the
mind that
is a
look
that
she
has
that
she has
been
that's that
it's a bochorn and
it's of
a very
kind of
things that are
difficult to
external there
after two or
three years
to start
working for
other types
of things.
She has
much bochorn
and he
he regrece
the rost
and they say
no you
don't think
you know
what you
see you
is it's
not you
are doing
is to do
is to
give a
way and when
she gets
like
free and he
regrece the
Besso and
a part of
there,
it's a
relation in
the polvora
is very
little.
It's a
fire and a
chemical,
a passion,
something that
you can't
imagine.
No,
have passed
any the
days,
not are
not a
other,
when in
the middle
of an
officein's
they're
to have
relations,
even when
the
officeina
on the
other
there
this
man,
this
that actua
in the
church.
No,
they've been
mirons
for there,
or there
would be
like it
all the
kind of
that's a
same time,
it's a
same time,
and that's
that's going
and that
and she's
the first
she'd
be a bochorned
after she
was the
she's the
she's the
situation,
and not
it's for
this is a
bad or
this is too
not it's
not about that
the
story.
It's
in that these two
people
are in that
a chemical
and less
a year
after the
year after
the eyes
they're in
a way that
they're going to
get a
good,
that's a
man,
that's a
life in
that there's
a combination
very
interesting
between
something
and at the
time,
something,
something that's
something of
what never
nobody
No is that
not that's
but you know,
I see
has heard of
that I'm
the enamoramination
it's
that you
see that you
see that's
there are
things that
are very
very important.
The first
is that Magalli
neither
knows who
is the
family
of this
person,
the
where is
his
past,
don't
he has
put to
think
because he
never
he has
never
he has
practically
nothing
of her.
Every
that
they
see
are
are few words and many actions, and I think
that I'll understand very well with this.
When they're casted,
he put to think in how were
the preparatives of the bode. It was a boragene.
A boragene. One thing
another, this man, was like if he were manhanging
all, like if he didn't even if it were
the things.
Magali, no knows what he's
he doesn't know how to make a money?
No, he had put to repair that.
That's occurred, until
that you're once castes,
they're in the hotel in the
they're going to pass
your luna of
my meal,
because it's
in the
city.
No,
there's a
going to be a
little
not a
night of the
lot of the
hotel.
In a hotel, no
to do you.
And then you're
going to be
a place that
might be
a little
that's
a little bit.
And she
never said
that's a
place.
Where does it
to do you
to the
house?
Why not you go to
the church?
That's
very tard
those
questions.
Sin
however,
it's a
thing,
the passion
or the
matrimonial?
The passion
augmented
with the
matrimonial.
These two,
and I'm
saying,
but they were
like they're
all the
house,
and it
and it
had a
battery
that was
a
and other
every
every
they were
in a
time
they're
so.
Omit
many
many words
because
is the
story
more
censable
that
you
have
understand because it's the final of this episode and not
has to be with this tematica
of form so direct. One day
Magali is
in his house and
has done that the two days anteriores
Emmanuel is strange. With
extrano, I'm saying that no
is passionate, practically
is a very parlanchin,
he's saying things like,
yes, I knew, I knew that it was
to value the
I know
I know that
the things
that we're
going to
are going to
get to
get to
you're going to
get to
get to
say things
that for
she was
being very
involved
in certain
different
in that
that
not that
not that
not
I was
in this
type of
words
in the
time
as
I was
doing
that
and
I was
all the
morning
almost
maybe
maybe
a
So, his mind
he started to say
that's about this
man, how
he's going to
get to get
the place
to get to
how he's
the way of the
way he's
not there's
a question.
I don't
know the
past of him,
I know
his family,
to know the
family, but
not was the
of him,
not were
not even
he was only
the people,
the people,
he was
in the
place,
and still
I'm still
getting
into the
family,
and nobody
asked,
always to
disve a attention
of this
time.
And I
try
these
doubts in the
head
when
then
Emmanuel,
I'm
like
like he
had
like the
mind
one of
it's
a little
to the
way,
not you know,
no it's
not in
this zone
of the
department.
So,
there's
a
little
when he
in the
department
and he
a
car
of a
and he
says,
it's
for us
for you
use
for me.
She
she thinks
that he
will
try to
a
give a
one of
the
that
they're
a
part
to
have
a
moment
like
a
very
No, when
when I open the
caja
there are
four
telas.
Two are
reds,
two are
redas.
Tels
large,
like mascadas,
something
about about
a little
of a
one meter,
and he
says,
Magali,
confias
in me.
And she
says,
yes,
very
well,
you're going,
you're going,
you're going,
and she
will be
doing,
I'm going to
do you
me permit you.
You're going to
let you
want to
you?
And she
says,
she.
Toma
the first
maskada,
he
a marra
the
hands,
one
with the
other,
like if
were
a
type of
and
she's
a
look,
let's
a
big,
and
she said
Magalie,
you
you're
going to
be
my
for
always,
and
of what
that you
want
that
you're
and
he's,
he's
she,
Yes.
Tama the second
Panyuelo
and he tap
the eyes.
And it's
there when
the things
go to
the traste.
His
mind is
revolutioned,
but
he's much
fear.
With the
eyes
vendados,
no
can't
see that
that
they've
that's
that's
that's
that's
that's
working.
What's
what's
going?
What's
is the
thing?
What's
he's
about?
Because it
this man?
Why?
Who,
this man, why I'm so
so I'm obsessedionated
with him?
No,
he's quite
he's not
the physical
that me
me
I'm not really
about.
What's the
thing?
He's not
he's not
he's
so much.
So,
there's
so many
ideas
that they
can't
express
with the
book.
And it's
when
he's
a voice
of a
woman
that you
not
had
heard.
And he
he's
he said,
you ask
that she
inco.
And then
then he
he's
the
voice of
saying, inkate and
then you confiers in me,
you're going to
you're going to
you want to go you,
and listen to the other
chick to her
only respond to
all the other
then they're
they're going to
and they're
and they're
to say,
instructions
that I'm not
going to be
to do that
kind of
the scene is
that these
people are
looking.
Magali
me
went with
for what
she
I'll say,
each
every
every
every person
has been
a lot of
practice,
but Magali
in that's
a moment,
was,
was in shock,
and was
acting in shock.
So,
he said,
with much
a very
very
and with
much
fear,
because
you know,
you know,
that's
about the
time.
At the
all the
situations,
when all
all the
point to
do this,
practically
something something
something
something
digno
of the
record
of a person
very
retorsida
and he
he's
he's
no
I'm
this
and he
quitted
the
band
with the
hand
they
see in the
room
in the
there
there's
there
there's
there
there's
the
that's the
house
that
normally
Emmanuel
no
he was
he
had
a
camera
and
is a
camera that
has
a lot of
the same
the same
the same
those statured,
the statues that
are there
are things that
she's not
that's
this,
and then say,
and he says
she,
he's a
call it,
and to the
camera,
you said,
you were
to be
saying,
you were
to do you
say,
no, no,
no,
no,
no,
I'm not,
no,
no,
I'm not,
I'm
to do you,
he's,
he's,
and when
it's
the plant
a
Bucca a
tawya
to cover us.
And then
he's done
an orchestra
of different
types of
sonnities of
passion.
And almost
a hour
after,
he's a
subject that
not was in
that was a
little,
he said
and he
says a
and he
says,
no,
you know,
you know,
you know,
you know,
you know,
the woman
is a
time after
he's a
child
that she
never had
seen,
he never
he said,
he says that
he's
light
in the eyes
and he
he's
he
he's a
door,
and he says,
very well
Magdal
did you
what you
did you
did you
now
now for
favor
if you
not want
if you
not
we're
around
and we
we're
we're
we're
going to
get to
that
that
bitas
not
you know
what we
don't
go
we're
we
we're
we're
we're
we can't
do
daio. We're going to do. It's very. And when
it's much. He says,
what you're talking?
Dice, of the God that I
adore, Magali.
But what God that you adores?
The church, no, Magali, it's all
a fachia, it's all in a fachia
not you've done a count, caraj.
Magali, I adore
another God. I adore other
God. I adore other thing.
And that thing is
that's a little
what you and I have
he
really
that's
me has
permitted
to live
as
many years
and he
I'm sure
I'm
that when
was a
very
she would be
for
always
to come
toromper
to
me
so I'm
so
that's
we're
going to
go
and I'm
not
going to
I'm
going to
do
say
he's
I'm
that when
is
when you're
saying
that's
in
in front of a
loco,
you'll
see,
where you can
get a
opportunity,
make a good
and where
he's double,
gore.
You know,
you're in
a loco,
you're
with a
exquisiet,
maybe
this is a
type,
is a
psychopate,
and not
you've
done to be
doing it
and you
do you,
trying to do you,
it's going,
to be a
baby that's
a lot of
a plant of
a baby.
She's not
didn't even
a new
and in the
plant of
that
the apartment of
the
apartment,
only
is the
quarter of
her
and that
that's a
quarter
the
that's
the
part of the
he said,
he said,
he said,
or we're
we're
doing it,
or we're
to do you,
it's
to gettee
to the
door to
and you
know,
but with
a gritty
that you
make a
a
thing, it's
something, it's
a little,
it was
something to
make a
more than,
and it
said,
if we're
we're
going to
I don't know, Magali.
He says, is more.
It's more.
Entientem.
I'm, I'm
now a minute.
We're going
to get a
three questions.
I'll answer what
you want to
do you want to
you know,
you know,
you know what
you're doing.
And so
a narrator,
with much
that I'm
saying,
we're in
the room,
and we're the
eyes, and
we're the
room, the
baby's
said,
no, there
nothing in
the
escalers,
no
there
is
nothing
in
that
place.
It's
the
building
that I
knew
that he
had a
person,
of what he
thought,
the
story of
Manuel,
nobody
he
was
and it
was a
accident.
He
was
he was
disviable
the
attention
of
his
story.
He
formed
and
he
had
much
part
in
a
group
of
adorators
of
an
entity
of the world of
that's
that's
the relations
and makes
that the
people are
more.
And Emmanuel
said that when
he was a
young,
until his
first years
of his
early
he was very
unseuro.
So,
a person
of his
colony,
that was
like a
a grou
or an
adorator
of that
he said
he said
he'd
he'd
he would
go to
conceder the
he would
give the
that,
a
part of
that
he
a woman
to be a
woman to
she was a
woman with
that could
be a
time.
Before he
the time,
he'd
know what
was to do
the time.
So,
he promised you
he said,
and if
he had
a person
with the
light
that
that would
be
much time,
I'd
always be
always,
I'd
always,
and then
he said,
and then
he said,
and then
he was
the
he was the
said,
said,
I'm
the
next
the day
the next
of the
house,
in the
moment in
when he
had
had to be
my
things,
I'm
not the
thing.
No, I'm
what I'm
in the
house of
my
her name,
I'm
not the
I'm
talking about
what I
was
to tell
to the
one
I'm
that I'm
sure,
but at
the
same
for
me
I
gave
and I
was
I'm
I'm
I'm
not I
did it.
I'm
did it
My
My
her mother
took to
bring to
group of
a group of
because
there
was
there
and the
other
in the
house.
There's
no way.
I'm
that
thing.
Tard
a year
going
to a
other
and I
went to
the
groups
of
the
I don't
know
I'm
I'm
with a
person
that
they're
saying
that
had
the
don't
the
and
when
we
gave me
all,
I
know
if what
happened is
something of what
you say is
an exorcism
but I
enter in
some type
of trance
and I
know
and I
said that
I'm
was very
contaminated
but that
was
but it
not is
so.
Because
Emmanuel
he did
so much
and
he offered
so
I'm sure
that
I'm
still
I'm
I'm
and
I
think
because
because
since
every
every
every
the other than I've known
in
places
different
I'm
and it's
a dorator
of the
same deities.
And with this
perturbator
and a
bad
we're going
to the
dark,
and retorsida
fogata
of stories.
Before
to terminate
to say
this,
dear people
that we
know
people who
know
on
on Spotify,
Amazon
Music,
Apple Podcast,
Disser.
Two
things.
The first,
we've
a situation that has a situation that has
a lot of the platforms of audio exclusively
a situation technical
we'll go into into detail, but
we have two things. The first
is that the grand majority of you guys,
very probably many
probably had difficulties
the semans pasted with the episodes,
and very probably
if you revises, you,
you're going to appear as if
not stood up because
they've subscribed almost the 80% of
the followers. So,
then, I'm going to
revises the subscription, and
also, if you
you're part of the
family nocturna,
subscribe and
give us the
five stars.
Also, if
you got to the
final of the
video and you
like those
stories and
want to be more
of the stories,
subscribe,
for favor and
give us the
five stars.
The second
point.
The first
videos,
until
almost the
180,
are saturated
of anuncius.
We know.
It's a
question in
that we're
not a question in
the time
technical that
we're talking,
we're
doing that.
We're
to have a
few
of the
few times
but we're
doing
in video,
in video,
of audio,
and audio
changing
all that
your experience
at the
moment
that you
hear you
know,
be very
pleasanter.
For
that I
recommend
that if
you're
to start
the maraton,
if you
do you
do you
do this
and
you're
and you
say you
is that
is that
is really
really
is very
fastidious
especially
you
a
month
before
of Naviad,
you'll be
all about
100%
in order.
Now,
said this,
family
that's
listen to
the platform
to the
video,
let's
a good
time,
we'll
see a
Saturday
of Sombras
and that
have
sweet
and that
have
sweet
bad
bye
bye.