HABLEMOS DE LO QUE NO EXISTE - 6 Historias de Funeraria , Posesión Y Casas Embrujadas | EP 237| EL NARRADOR

Episode Date: November 8, 2024

Bienvenidos a ésta nueva FOGATA DE HISTORIAS de Funeraria, Posesión y Casas Embrujadas.El día de hoy les preparé historias que ustedes, querida Familia nocturna, me ha enviado , historias oscuras de sucesos PARANORMALES que parecen no tener una explicación, un dejavú de muerte, un demonio de ojos negros y una experiencia que alteró la vida de Sara. Conoce de la Posesión por adivinación y descubre los secretos detrás del Fantasma, el Policía y Salvador... así que prepárate porque llegó el momento de que @hablemosdeloquenoexisteHablemos de lo que no existe es un canal de youtube con el formato podcast que comenzó en abril del 2022 su primer episodio fue vivo en un casa embrujada en el que una chica narro sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de este canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de este canal , la familia nocturna creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de este canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando esto tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora.El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado

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love that we're a nocturna to this new foggata of stories in ablements of what no exists.

The day of we have an episode very very very special. It's a

time that me have been asked about about that's not that's that's

difficult. So, is that before the stories that we have to

you I'm the I'm the trot of stories that's

you know to get to get to your button to subscribe to the channel.

If it's the first time you're the first time the The rule is simple. When you

get you a story that you like much or that you atterre, then subscribe to the channel. It's an interchamble. And if there's a story that especially you know the story in the commentaries, one of the story, let's said this, comeensable. With this obscure fogata of stories.

Has you heard the phrase, that the infirm is full of good intentions? Well, with this story, you're going to get more clear. This story that's I'm going to tell me to the and they were to the WhatsApp of the

pesadillas. And of all the people have been made the time the time to tell

the time in this fogata of the story. Resulted that Victor has a

experience very difficult to digererer. No has many experiences at the long of

your life, because we're that it seems that it's

good so much this this experience that Victor lived

for many of you would be a traumatic. And maybe would be an before

and a after the success. Resulted that Victor when had 20 years,

I'm in house with her mom and his father. His father,

for a situation of a house, and he was to

take to another and he and a little

he still not was a adult he was being the

could in the family. He sentia the man of the house. And in that idiosyncrasia, in that ideology, wascabab much

to protect a mom, he wascould to be a little, but the abuel was a man that was

always, he was much. Buscabba to have little things and to bring a little to

do that a car, not he was a manning and that that was a part of

the essence of Victor. For that, the day that he did a work in a tinder

of barrotes that was just just a two quadras of his house, was something because he would allow

to put a money in the house, start at the family for if there any need to any need

with their studies. In a very time, in this time, occurred this that I'm about to

say to you. Resulta he has a few months on the time,

he has been with the duke, as the different turnes, the

I'll say, Victor busca to get Apportations to the house. When all

is all the time, he's in many he's a afteate or tripletier, turn.

A little more than he, maybe three, four, five years, someone that was pised under the 20, or that was in his appearance, he made a solicitude of ingress. And this subject was very very formative. He had the cabello large,

had certain colors painted in the hair like dorado, some eyes that Victor simply took a doubt if really was a color real or had some type of

populient. The skin was incredibly blank, but black to let's say like it's just

like a more than so it's so it's a form of not a particular. It was a

type of people who really want to do you want to make the people who look at see that

not you imagine you something like this colors light light colors that in the day a day

that's even this is too this is this is extrano but this iste something he

that he had that's a bit the rope that they'd but they were they're

not a part of the part of the part of the when he he was he called the question

he's a a subject very he's a he said he he said he said

he he said he he did he he did he need to a part of

that he needed and he he needed men when Victor doubleete and

tripletia the work. Faulted people in that supermarket and coincidia

that this kid was just a time just it was when they did get the solicitado

of the duke, and he said, and they just put the and if

it's competent, you know, it's that this subject was like

took a stuch of money, he he'd really the attention to

the people to get but he was very very attent with

the people that was without intention really, to gain money for

his job. In the first time, he was able to cover the sullable. Never asked how he

going to pay. Never gave a of any of those things. It was

he was that he was a time. He kept doubleeteing the turnes and he

in no he didn't ask if that's he was he was he was he was

also. Also, also he had to be someone somebody was, I'm,

you know, despisted. No, I was focused in certain things, things that they're

saying, like, yeah, the first things that you're to do you do

do you do it, but it was a good element, and it was a

way, and it's, the point, he was, he was a person, he was,

he was, he did, make a , with Victor, Victor, for question of of his character,

of his form of the same, not is the type more talker. It's a type atent, but is very

concrete. You know, the things that are the thing is what it's not the not it's a

not a person, you do that's a person, is a perico, super eloquent. He can talk about

to all, of all the time, always has a thing, always has a

question, has a million and an anecdote, then is something, and

in all the sense. And Victor not that is looking excuses to get to get to get

to get a little strange because he says, oh, maybe all all the extrafalary

and that he's that there can be something and I don't have that

preference. So, no, know how if this other subject he leger

to the mind, he put the hand in the homero and he says,

Victor, no, I'm don't I'm don't I'm not just I'm trying to do not

I'm trying to get a good to get me with the people who are you so I'm so that you're

really the great talk about the opportunity to start more back. No, it was a time

in that I had all the confidence of Victor. That that Victor

could be could tell little things of his life like I'm a little

to the but he was going to do you to dedicate more a

other I was that career I would go to that's he's very much

because his mom he's not a money and they were very very

in the day a day and for so he was he's

doing and you don't think that the other was

the he he was he always I always

I'm and he he was he had to

another that he he and he didn't that

But you know what? That's what? That's why? In not being insomismed, in not thinking only in the problems.

So, so in a way a time, he did know that he was considered a great

friend. And, and other again, as this subject, he could learn the

he said, you, you know, you, you're just you're just you, you're

because it's the same day that was the thing, he said, I'd would be,

me invite you to come to your house and to know your family, the family of the family of

the time you're not you know, and a very time, it's like, why not? Never had

to go to get to the house in years. It's a lot. Why not have a

friend of a job? That day or the day next, was when

he was when he was he was a little he was some and that

and that she was to her mom, and that he was to come to be

and her mom was a little pened because the house was a little

a little and the whole during the last two a month and a minute

she had been doing a little strange. He'd in the night

he was he met direct in his court and that was a

normal but also the mom he said Victor don't

you don't be a person great he he's

he he can he can do but but in the room, who

knows how many hours had been, and she was where he was being the television, but not was atent. And she

was it was like babbuceing. And when they had much in reactionar. Victor

was very worried. The mom also, and that had provoked that the house

to a way, it was a place, the the the room

of the body of the old, not were a little bit menudito.

So that that's a little bit of a very a man. And while I was going a couple of

coulachers to cover the ascent and that minimum not was with that form that marked.

And there a manita to get a little. And total that when he went to

his friend with a couple of things super very strange. When

Victor Victor to the door, the mom and where he makes,

and where the friend and give her permission. Then it's he

starts to see a all the sirs. And she's a little a second to the

car and the wayle. Something totally offensive and extrano. What is that the

person put in a position like defensive. And Victor also also.

But no, he's in words. Victor not is a

type that's a person who this is he's getting so

because it's going to get so the the companyer of the staffer,

the strasalario, and he's here apesta, here there's a bad, and then the mom is offended, that's about

about it, and the little, then he's to come in the passio and make the way the

two. No, he doesn't know, the mama, and he seems to kind of he's like,

he's a part, and then he then he's a direct to the cell, but his form of

movings, is strange, it's like if it's like if knew the place, like,

like if knew where is exactly every thing. And then it's just in the

area in the area in the front of the zone in the that's sitting at the

little, and he's the ascent, he's here is where apesta, here is where it

and the she's very offended. Cray that's about your father.

Dice, who of you who who who who has been to have

been contact with bad the he says, I'm not, mom, no I know. And then then he'll be

to the two of the chico and says, and says, I'm doing who's got to contact with bad those spirits? She's

another way and I'm not so no, no are you not are you not you're there,

there's, there's, there's before they're in front of them, like, without these

two persons, and he starts to start profoundly, and he starts to end up

and then he doesn't go to the and then as guided by his olfato it's like

a stela that only he perceives and he gets just outside of the court of the abel.

When he's out of the house of the abuel says, of who is this court?

And they they're saying, because they're doing in my house and what are

those things that's doing they're not trying and it's

something is something and it's and he's said but with a voice

but with this court I've asked to ask you question. And the two

and the woman, trembling, he says, my papa, it's he, he he,

he, he, he's the type of the nose, and he starts to have to

have done arcas, he's, he has contact with malos spirits, he goes,

he'll get in the cell, and just move to the head. He's, he's,

he's, he's, he's, he's, he's got being his mom, his mom

he he's looking a Victor. And the woman is in a

combination of emotions supermating offended, molesta, and it's a lot of this other

person, but the a bit more and the enoched the rest of emotions, so is

that I'm that I'm that's a other that's a little to the house if you

don't you know, because he you're you're you're trying you, you're just

you're you're so you Victor, very apennado, he said, Mama, I don't know what

going to be going to be this RATO, you know even got a little bit more there, and he was

not a question. Of some some way, we know, we got to the emotion of the

noho that I had to the part of a image, or so

he put in his sentiment but a flower of the and very offended

and he was to be work. He was decided to talk to talk to

him and he was to confront him to do a way to get to he's not. What he did be in

his house is something that not the thing is a surprise very strange. This child,

he's not he never to go to the job. Never. Never. In the night of

that day, because it was a day very strange this type of success is something that all that

they can diggery rapidly. In the night of that day, Victor regoed to his house, he didn't want to be in the tour in the night, she was a rare,

or she sentia and when he gets to see to see the he's coming but now is very notory that the

abuel is that's strange. The abuel gets, with a rostro and a a vicar,

that's in middle of the passillo, talking with his mom and so that's the time,

and the she's like very metida in his is very revuelta with with tantas emotions and he's

disculpando's the abuel and he'll he'll play with his armory and he'll goate and he's

he's a boy he's the man he he doesn't he preste attention he's and he's

and he and he and he starts but as a time he's the problem is

that for more that they're not they're not they're not you imagineate

that even the the because you're talking of a department like a very basic to put it to put it in a

extrafalary or not even extrafalary or things of material very caros is a really small very

it's a absolutely when the when the abelor roncabas when the abel

was up and had a conversation for some to them they were to be a

because they're part of the conversation but here that's talking with the way. you're in, and guarding secrets.

He's he's perfectly at the other side. Here's like if it would have

been more more than the voice, like if the sounder different. And then he says,

Mama, you know, and the mom, and the mother's they're they're

and just when they're there, the abelel is like if it intujera because

he's a silence sepulcral. No there's sonyos. They're They alehan

some passes and regress to the voice of the abel and they don't know

they're in a second. They're in the point. Papa! Papa! Papa! You're

you're doing? Silence Sepulcral. They're they're they're going to talk. And he

says, tomorrow we'll see, we're I'm today, I'm

really, I'm you can't ask you do you come to get to get to

to rest. It's a double shock in a day for a day to a year. Then, Victor is all

pendent. He's all the endient. The abuel is a very strange. After what was the

time, it's not any kind of those bad spirits and ideas that try in the head for

the things that said that he said, he said no, no, no, that has been

a chaos. Of those days that you say, you know, that, for favor, that it's

a favor, that's about the 10, 11 of the night, the mom

profoundly dorms of Victor, in your room with the door

and just to the expectation to be the thing, he's

a kind of there's a little he's that's he's

he's not a time to be to get to the door

and to talk the respiration because the abuel has a certain way to respond very

particular that they're and where he's there's no there no no

sound but he a sound the strange he's strange to be

the the man where there not there that's

that's that the man in the man sitting is he's

the problem is that is a very rare is a position very

strange it is like if the Cuello the body's

totally rigid and only the head is expressive only the right, but no there's

movement of the cooel just looking around the television is the thing is the

person is saying that that's not the no a car of that they're

not they're saying that's good to thank you thank you I'm no, I

did you do you're not the that's not the that's not another again

again again again And see that this conversation is continua and continua and continue and there's a

other thing very rare while Victor is in this situation without how how do you do you know,

if he says to her and he has been so he's that he even doing these

things and less that's he's a old, he's well, you're

that's the problem is like the father the problem is that Victor is going

that the eyes they're going to and he's a moment in the he's a

little but he's the eyes totally in black like like he was like he's

up up and he's and in this moment so on the telephone of

his back of the right a a phone a phone that has

a he's a phone and it's a telephone that has a question when he's Contesta, is the voice of this subject,

the who's the time. And he says, do what I'm, it's important that we'll give us to your boy. And then when

Victor is to talk to say, he says, just do you do. And then Victor is a quieted.

The abuel begins to be like a kind of a kind of that's like that there's

that person. And he says, the voice at the telephone, Victor, at your feet,

just the side of the table I'm a a little bit of the little bit of a lot of and then

Victor is trying to make a he's in no one he's he's not going to

make you he's like that he has again again and then he's getting to get a

feeling and he says he's important that you give us to do you give us

you're you're five or you're to be so you're to be so after

this words and he says what I'm What I do? Toma the mochilla Negras.

Dentro of the mochilla, you're a frasco that's a serrated and it has made

and it's little more small of grain. He's take the water and take it's

always the water. The other open it. Saka a single

and ponsel in the language of your when you get with the salt,

he will be the back the he's listening. No, it's

saying this voice. But, but it's very rare what is the old is the old is a when it's

not the eye and they're not those eyes. But his car is like of someone is really really bad.

It's not a lot of the other door of the telephone. He says, no interact with him,

just do you do it. Recurrect that you have just minutes or no we can't

do it. Toma the gran and poncel in the language. Victor is a

with a little, with a frasco in one and trying to grab the other, and where he is circling the gran of salt, the abelel the boca and

back and a leg of the little instruction. He put the grain and the abelho and the

abelho with the little bit of water. He says, now I'm a ground and putsel

up in the case. Do it put the ground of salt on the head.

He said now, all the frasco of water, without think to I need to

rosyes from the point of the head but that he's the major part of

the body. And then then you say, but what is this liquid?

You do do you do you do? And then so Victor, without think it

can't be the more rapidly that can be and and he and he

now, take various granos of sal and ponsel in the

the shoulders and the piernas. And when back the hands and dege the palms down the palm. Ponselos above of the palms. And then it begins to put those granos, as well as,

because all this is, as well as, the subject, is it, and all the movements does his the abuel, like if they were put to do a quarter in some moment. Victor, you know, know, said, aleat just to your abelowelow and his o'clock, and Icena his ear. Necessito, I need to

to rest for him. He he gets the bocina and he comes to see how

the father. But not they're not so they're doing the little.

The feet of the abelel and then and then after the five,

10 or 15 minutes because Victor has totally the notion of

the time, and the guy and he got like noke

as back. He he's he he's got affected

for what is of a few seconds that he's a talking to the other person

continually and he's saying Victor, Victor, me you're saying Victor,

Victor, he's back on the and then he says, what's and then

he says Victor, Victor, your abel we've had to the

position, but needs to help. I need the things. The

first, in the first opportunity and with urgency, he's a exorcist

will need to need many sessions with your little to be able to do you tell you to

never to never to never to never no important that is that pendient has been

that he's that he will be to ask what is Alana of what is that's what was

what was and just the other other other side he said and you you

keep protecting to your family you you're doing you're

Colvo the call. Never never to know of the friend. Passed

a time. Because this story not termina. Passed in the next

weeks, no they were not even they were not even a family, that was

a very much to people, and then they had to talk

to turn to people, and people, they were to be to be a

place in a place, and a place where there had

a power, there that was like, to gore to, like,

until they were to get with the exorcist in that time, Victor passed to

to be a terrible, to have many questions in the head. Who is the person?

Why? Why? Why did that? Why did my telephone? Never

he had never had done. That's the telephone didn't in the time.

No, I did it in the telephone. And because she never appeared. And he said to indigar. He started to ask him, what

things had of him. To start, no, he had done to know that never he had referred for him for

his name. In the the sojas that he called him Gabriel, but never he had nobody

for his name. Nobody, never. She never was with the, hey, hello,

and there partied the thing. Nobody he was never did he was not

the number. But there a the sojas not been well there were

many the data were found false. The premure for the person covering the

post and was a person that's and more and it was a certain loquency was sufficient

for that they were a work relatively quite quite and the years in

the years in the years of there was there there's there so, we

he used that. At the final the direction was false. No

they had a the people of the person, the telephones that they'd have, not were the telephones that existian, even in that city. And when they'd, nobody contested, then never could ever be able to

do it. Nobody, was out of that circle of the people that existed in the commerce. Had had, had, again, ever, seen this type, nor knew where it was, nor any other. On the other side, with the exorcist, commensar on

the sessions, after a month or a month and a minute, to be to be looking and to be able to access to one. When the

exorcist was getting these sessions of exorcism, in a moment of liberation,

the abuel, it seems that's in these moments where he's

appearance in the demonio and he starts, he starts, a session

of a shus that was with a woman called Salana. That

session of whi the abo was I was using for something. They're

saying for there that the infirno is full of

good intentions. Because the abel as a little and he

sentient disprovist of the , let us abilities to

to put to some there. There were a

certain to be a kind of spirit to get the

number of a lotteria. And he Bajo that idea, the workitos that had been doing for about a month

had jumped out of the money to go to the way to get the guilla the number the winners of the lottery. The problem is that the

aboel had had already all that. No, he had in the memory. It was like if in

a moment if it was blocked, but in that session with the exorcista, he started

said all. He started that since the second session, the The Bruchel did say certain things

where they gave permission to get in the body of him. And he was so obsessedionated

to get the money to his family that no he was what he was doing

what he was going to what he was the what did with the witch

until the day of today no no no something else you

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From Binge All episodes exclusively on Paramount Plus. I'm going to tell you three little stories, that I know, if simply were failures in the reality, simple coincidences or a very or a very this is the first.

Rosario lived something very during a time a time a couple of years.

Four nights a year same the same the same exactly equal.

One that was he was going to take a concincy that was in a

place in the that was that was a very black. There had an

alfombris a color gris, the paredes were blank, the ascentos were of a color beige, but the

place was very, very black, like with a luminosity distinct. At the front of a patio, there was a

taud of a color gris. There was, there was like a syrio that was on a

base of dorada that was very ornamented very formative. Just to the center of the

taud by the above, they were in the flowers more that you

never had seen. Conform she was I was just Afto, he'd He'd like a man

of a person and a he was a man, but when he was the

dream was the dream again. The dream still the same, a

last night will be to pass the same, a quarter night again,

but there another last there, there's a gritty, the grito,

the grito, no, for Why you you do you know? And then it it's

a really when she doesn't she gets and she she's really

a bit of her mom was really really and it was like five or six hours

after that received a time her her had to fall

he took a infart during the night and

that day for the time was the so he was when

went to He was impacted. I don't know what I could create. Because even he had had been

four times that's a single of the no he was not the

right but when when he went the form of a gray he was exactly the

the cell that were in the sun at the front of

the door and above there were in these

flowers more and he he never and the

His rodillas Tocaron the and he He said he said he's a bit

No, Papa, why, why, you did you and he he

recognized in the dream not the girl, it was the his own

voice that was I'm I going to tell three

stories that I know if simply were in

the reality a simple coincidence or something that

this is the second Javier is Padre Solter

Martin is his and he's his and he's his own he's a full of totally to work and

that's that he's that's a little living in a house a little a little

a bit of a and the rest of the house is the area where has the

one muele that's a philosophy of Javier. Javier gets very can't get got outed, he gets, he gets, he's able the

door and practically they're in the camera. As there's only a little an room, both Javier, as Martin,

his son, they parted in the camera. Every one has your area and know how do you know

every one and they're respect their space. It's what there. And with that is with what he

he's the job, both the car. In that in the room in that's a place in a little

and a roperito median that's a minute a minute 50, a meter 60

in the in the things, but really they're more well the the

different parts of the house. In this reality a day

Javier never even got to get to get to Martin, he

went directly of the time, he he took

in the camera and he kept profoundly dormied. And they were about the 12 of the

night, maybe one, when he started to hear, like a movement, like something, like something raguying in the room. Of his side, left, peggatito almost between the colchon and the

wall. He has a lanternita, because in occasions, in the place in the place, in the room, it's all a problem. Tinezzi, only for emergencies, but it's just a lot that has much that not revisits the batteries. So, so is that if it was

to be to function or not, the buska, the time, the time, and then it's just and then it's

yeah, there's the light, it's a tenue, not it's all 100% and the batteryadas

had been have changed since a certain but it but it illuminate a little.

The problem is that now the rugs are a more more seen and are

more more marked as it's that can't be in the thinking a raton or some type of animal.

So, alumbra's to the door to see the door to be open to see something. And then

then without think it, and as a reactive, it's a left and that's the side of

the left where is this burrosito, this place where they don't they use they're they're

very well or very very segued. Peck in the part of the right right sat down,

he's a martin and is moving the feet. And just the feet start on they're going

and they're putting on the hands on the side, is that razzuying the muebler.

It's he makes very strange the attitude and he says well? The

the new that was going to the front the papa was of this

side. Of a repente he congela and he's

to The movement is so Lento and is like done made of a form that's

that Javier he's, he's, he's got a fear. That's that's never ever

never seen in an alerta that there's a person and he says, Martin,

you're being, and the little the little bit when he's when he's

with the rostro totally turned to like the pupilas of Martin start to be ensanches

the poppillar until the eye complete that the color in that he's a

year, he's seeing his his eye and he says Martin, what you

say the little the he's doble as if it was to

get to some kind of a piece against the the

and he's over he's when he's when he's

In that moment, in the moment in the in the moment in the in the way of Martin, "'Pap, what's the "'Dest? "'Stas, "'just where "'simper you

"'derm, "'as your "'of the room. "'Bulte' with "'the lantern "'totally, "'and there's "'their-in-law.

"'Asustadish, "'empsis, "'move the lantern "'in' all parts "'the abatation "'that's totally "'bacia. "'What was

"'What was the night? "'After the day of "'to prefer to "'he preferreire "'that, I don't know how I've had had been a hallucination. But you,

what you think that was there night accompanied? I'm going to tell you are three stories that I'm

in the reality, mere coincidences or something or something paranormal. This is the third story.

Resulted that Verenice is a she's a little amigera but

has a defect. With the past of the time, she not tending to

have to have It's continually those groups of amistades, is always

in a change social, and never conserved friends for much time.

It's that I'm a problem with the people, is that is that is that

and bebe with the people. For that what what was very strange.

And she me says, Narraor, I have a certain situation. When I

am I am a person, I'm very amigas, I'm the a better amy but one

that we don't get to frequent we'll forgets but I'm I'm not I'm

not the bad not it's that I'm that you're a lot of the circle with the

I'm I'm my friends and my mind is like if me it's like

if I don't the I'm I'm I'm I'm I'm

so this that's that it for me it's for me it's

I don't know if a miracle or God or I don't know how to call it. One day I'manice and I came a

present the name of a friend of Sandra for putting a name because no I don't

want to tell you and you want to you're so I'm Sandra but

why I'm thinking in Sandra and there's there was a feeling

to call and call you contactala I I'm so I'm

very very proactive and I'm so I'm with the people

I I'm worried. I'm just, I'm sorry, so, if I'm like this, so, I'm sorry, but no one of Sandra, actually, then Sandra? And I feel the necessity of, call me a Sandra, and me put to think, like, what Sandra, what Santa? If the only Sandra that I've known, was like in the

preparatory, and I've seen her, more of 10 years. And then, something, something in me is like if you've got ridated, to that Sandra, markle yeah. And then, then I put to look at between my contacts, and I say, I know that any person would have been like a,

Oh, who knows what I'm because I'm thinking on her. If you're not to be able with my style of life, know,

but I'm very apprehensive. As I've that sensation, that sentiment, no could have to let me get to localize

her, I'm looking my contacts, and in that I've changed yeah 10 times of cellular. No,

no, no, no, no, I'm a caseuality I'm in there,

and no, no, no, no, no, no, no, contact. Well,

I'm put to to look to look to with people who have much time without my yeah, I'm going to

get to get to and that's we're doing more or and we're in those things, I'm going to messages for all the other many people,

I'm not having the conversation of that I'm so, yeah, yeah, but I'm interested the name of

Sandra and that they were in the contact because I didn't me me I said a something, mark, mark,

and I, and no, I'm to go to the sensation of urgency. So, so the final, a friend

that we have in common, that I'm the same time in talking about with her than I'm

when I'm said, I've said, I've said, I've been, I'm going to pass the

last number that I did of she, but no I think I'm using. And

if a writer, something I was a little to me, I'm that urge

this call, so I put the number, mark and nobody contested,

and I know that the normal would be there the thing there's a thing you're going like you're things too

but I'm still insisting so I'm saying I'm back and nobody contested the third time I

made me a voice familiar I recognize the instant the voice of Sandra and where

he said Sandra you are you you know at the instant me he said

because me is saying I'm saying no see Sandra I have the sensation of

urgency that I needed to talk about you know, you're where he he asked he's

he's not to get never in the life I've heard of someone he's

he said I'm not I'm a person not I'm a person was a thing that

I'm doing you know I'm sure that I'm sure that the audience me entient and that in the

moment in the moment in the moment in the voice, it was like if something in her and said, it was just only, I'm not sure,

I can't do this things, but intu-i that I could help her. It's that me permitted to go to

her and get her and get her and get her and she was, she was, I put in contact with

her family and I know that she was to be to her, I hope to say,

But why, after those, after the years, me levanted thinking in she, and reallyarily

she needed to this? Until the day of today, no me can't explain.

If you has heard of this program iconic of the manopeluda,

you have to hear this story. Resulta that Jessica was

she was she was a fanatica of that radio that was the

radio that was the time during the two million. Chambiars

but the day of the day to do you still have you can get to be the point

is that you are very fanatica and there a time in her house not she

mom and his mom and his mom and her that's that stories

of terror and things that macabras those all very

all so she she she of what how alerted

to the people, that there was a there's a very that's that's

that's that's the day in the that's a or maybe a restreno

that she was to get a she she put a

a room and put the cassette that he put

to put in a down and he he's to

do to get to to get to that they're doing that all

that's what was to Because, I'm going to the time of the 90.

I'd have the case to be able to listen to when she could have the same. The cinta

during two hours. In some moment, she goes to the house, she goes

and it was a moment in the that you can't the piece because no more

cassettes. So, where she's where she did get the people,

she did know that he was doing that was doing that the grabations, and I'd ever get

when I'd get to get a time of the school and not never any mom and papa in house, there was going to put to

listen to all the volume. And it was a surprise very aterrador because when he went to the first of

the cintas, she started the case Josue, but with a little detail very strange.

It was like if the voices had been in reversea. All the cinta was like

if they were talking all the way. For her that's I've got done

many times and I've used to use the cassettes, never he had happened

that you do it and he did a point that he did a problem a

a perfect of the apparate so he's he he's

he changed on the other not never not

the one of the set. So, so it put you play and

put a play and the No, it has sense. Disarmes the cassette. She has a certain ability. He doesn't.

When she appassion, she appassion. So, is that rebobina, and it will be to put it, to be able to see the end. To be

with that does it. And then he'll be to hearse in reverse. Like if no, he

had done to do the Cinta 2 and occur the same. It's a reverse. But there

a third voice there. Not just the locutor. no, not more the of Josue.

There's a voice guttural that also that's talking about that

that's that's that's that's there's there's a lot of she

he said, she said, and he said, who was the third person that's

about after the first hour and two hours, and the she said, no,

no, no, no, no, no, no, she's, a voice

gruesa. No, the the locutor nothing more and the other. What was what was what was in that cinta? Never knew. Because when

he went to his house, he took those cassettes and those kem because I don't want to know to know anything of that. To day of today, me he has been abstinied and no I've wanted to hear that case.

If you're the stories of phantasas, you have to hear this story. Salvador was coming on the

carretera with a mochila and yeah to go to some He was a little bit of seven of the afternoon, it was a supermement and he had to be

to be taken to set those passes for that not were victim of an accident. Sin, however, every time that a vehicle was to start a stop, piddling that they'd be able to give an adventum. The city more circana

yeah was at the vista, but if it was about about about seven or eight kilometers. How had had arrived there? why it's about in that part

why no there's a vehicle it's something it's a not even exactly but it's

an vehicle, a Cadillac a model 50, 70, and a car

classic rogo beautiful so that's that's that I did it

that's so that's so it's a vehicle that definitely is of

collection it is a detain and and up the vehicle, just in the ballant,

a girl a little a little and she's he's quite looking and then he's the seat the

button and he does the signal like the suvete. So, Salvador is a little

impacted by the vehicle and when he's all seems new, it's

a vehicle precious super super-conservable and this she has the man with much

security and he says hello and he He says, I'm Salvatore.

Ah, much good. No, he does a name. And he's to get a

question. No, he doesn't why he's there. Why he's asking to have to be

precautions, he doesn't do the things obvious. Simply they're doing.

And conforms they're going to he says, what you do you

do you do you do you're a carnet He has a in a tanner. He

got much the coaches. And when he's talking to those

little details, Salvador intu instantly that he is a coquetting

a certain a certain feeling of the situation Salvador he

put in the back the she not does like

he not that that so not she not

was going and she he revives for the

rest of the that no , he'll be the vehicle, he'll

he'll and he he's a little, he'll he'll he'll be and he

said, my father, I think this is this night in house, and you want to

come to me and he doesn't move the head saying to he, he's he not

of this. Nothing of this. Of a different, he gets a a cochera ample in

that there there's there there's there may a vehicle to start to

the and then they're and she she's she says I'm here out of this

I'm here and I'm the door and he and then seconds after just a little more

and says we're saying we're we're we're we're we're simply

simply from the moment in the time he's the door

we're we're we're we're talking of a torbegino of the

two had much chemistry, the things were very rapid, and one thing was doing other, and, well, a night passionate. Of actually, this chick seems that neither was looking

that was going to get or not the papa, but at the final of those moments romantic, she he was invited to his abitation, and yeah when he entered in the room, closed the door, and he said, a part of who, no agamor if he gets a papa, that

no see that we'll see that we have to be here. Salvador pierde the notion totally of the time. He is focused in his passions and of a

repent the dream he got no. When open the eyes, probably probably were not the first hours of

the morning, but it's a very advanced to the morning. And he is he

is atosted in the camera, no in the room, but there things

and strange. He he's he's in his hands like textures desagradables

fias rasposas and then when be well if it's in the room

but not it's like it was all the teche is all full

of the telerana the colchon in the is askeros

but askerosis if had resorts it was it was

a other another about and there probably there are things that have quite quite

oxydo and are very much he's really he's just he has got to get the place, the place

the place is that's going to a pedasos the the little the room is

not for a ventana because the windows the the they have they're

covered with they're covered with they're so askeros

and profound of the that so that there

not there not there not the light the

light is the techo. That place is teached pedasos. Salvador, open the door that the day earlier

was a door to any way, with a carer, and a car and now this thing

is a piece of made up put up putto, rot, in the there is a

middle, make the man, and when to get the to the passage, that is

a coveve of malviventes. Cases Pintarajas in the the walled, an aroma AES, that comes from different parts of the house,

there's a lot of food that's done to put to get to put there, it's been that people have been living in that is a sustadissimo.

And it's so altered because no entiented what happened, that's about if they did take some something,

if all the thing was something that was a, or what was what they did he said, he said,

where you're where you got this, where me and nobody he contested a silence

absolute. It's so altering that you know that when it's the door the door

is a complete that's a time that's the door the door is quite the capes and the paper of the polvo.

It's an vehicle that is obvious that no function, no decades without moving.

The windows are rothed. He has to make the man into the

windows to get a little to make the door, a point that probably

probably has been more than over it. Because it's a much much because it

when it has been a lot of a lot of a lot of things

askeros. If has been to get because he left his

his mochila for his very important. And then when it's getting to detainting the terarains and with the sensation of patita in the hands and all this,

I'm still, moirto-de-mere-miss, he's is getting in the ascent to the back to grab the mochila. When it's taken in the hands, and one of the hands, it's got them for the shoulders and they're not at it. When they're allstate-sim-it-it-all- he's in a story of phantasmas or of terror, or he,

maybe, consumed a something and still standing out of the reality and not has done a question.

And he's super-assostated when he's a face of him a rostro a man with

a lot of a little, a sombrero, that maybe you can imagine that is,

and I have a uniform and he says, what you are doing here? And then

the Salvador commenced to say, at night he brought here a child,

but in the house not was so, and the car not was a

so, me did something. And then the police that was in front of him, that we

put we're we're going to give him Ruben. Ruben he said, Tomaste or you

consumed you something? He said, no, no, I don't consume I was the chica,

was the chica, and where he's in the mochila? Ruben, the police he,

acer the hand, the man to take the hand, Salvador is defiant and

a second one of his hand one of the hand the

man, Ruben respira, not because it's a time in the moment in the moment in the he's

a realtor, a aroma dulcone, an aroma that he knows perfectly. An aroma that's a

reason for that he is part of the body of policeia. And in that instant

I was with what class of person was trying so, so is that without

two times, he was he took to the man and he he put the

spouses, no revisor more, and no he interested to hear about the history. All the thing I'm going

saying, Salvador, there in the vehicle, and then he repeated in an interrogator. That's

so. Ruben, not about to hear that this. He was was a car I was

that I'm in the part of the vehicle. When he went to the commandancy, the first

he did to try to try to this, and it was a piece of a stropago,

a trotero, and detela deseched the worst of the world. He had

to say a person to make a person to him to say, wait, what you're

doing, and they're the things to do you say, this bastard will terminate

in the carcel. He, he, he, he, he, he did

something, and Ruben is out of so. And here there's something. All

are, all are, not understanding the situation because no report of nothing,

Ruben, no report that someone he, he said to to say

to do it. No report that he knew a nobody. The last thing was that

was that he was he was a little that he, for a reason, he was in the

city, he said, he's the area relatively a little back, that in

an an time, it was a very good, but well, the times

the point, the point, is that all are all of the attitude Ruben, is

out of his casillas, He's enogadish. He's almost He's going to everybody. And nobody

understands why. Ruben is very correct in what he does. He's always the

protocols. All the things are at the letter. Here, no. Here

they're seeing their more visceral. It's they're with all the fury. He's

he's in the rejas and that he's all he's he's he's

he's he's he's they're to separate them finally so

so that one's Tompher to make a this man, and they're going to get a one of the

and they're and they're not you're that you're that's a little you're a little. But you

have you have you do you know I'm I know I need I need to see it

and nobody understand there where they they're just just to

see Ruben not under the effect of a substance he's going to

the type that was doing the where he Rueen he said the

the the mochila, he's going and he says, wait, wait, wait, let me see the

partencies of the young. He done the mochile and when it's they're

a bottle with a chemical that's a time, some traps,

that it's that's used many not recently, but there's

that's aroma dulson. There cuerdas of different times

that's that's that's that there and it's there. And there

instrument that you any Tienda that you can't

the other but in the context and in the other elements it's obvious

that Salvador it's that's that when when they're

clear to all to all this type Salvador it

that sometimes that that kind of the confidence to

get the one that put in the thing that's you

do you you do you do you do Now the

things have sent him in a way. Because no they know

how Ruben knew that he's up and they're why not he's out of his casillas

but then now so the the chief that was in that he's a friend

he's he's all of him he'd all over when he's he just

he makes a a movement of a little saying he's

he has a and he does a And Robin Capta and he's back.

They're they're to say, what's the person to say, he's you know he's

he's he? No, because he's when he's one like this

man he did this his his prime he he he's he

he he got a he gotro a he he's he's

he was detectar the profile when he's criminology and all that's

the only that he interested was to get the type of people that's not a

person. No, he had talked. No, he had talked. They said,

but there is a thing that me is really really really. If you

said, he said, he said, he said, but he not know he, he no

know the story of that zone. You're all right, I need to talk to talk to

because this is very strange. PAS a and a midday. Yeah, Ruben

is more tranquil. The subject is more than the things that there's there's

used to be in a lot of people, and they're going to make the and to where I see. For what

he told, Ruben, the type was after the Rejas. Because this was when one was

a policeia, this history is that very good time. The point, the point, is that

at a media He knew the story of the place in the way that's his rondines, and it was something that he was not known. Resulta when he was incorporated to this body of police, after two years, for some

strange sensation, andando in his vehicle, because he was a type very practical. Not was to be a map, it was to go and see the places. When he passed for that house, something he was he decided that he was to take that. Nobody was going to take, because it was a barrow relatively bravo.

not as bravo but if so sufficient as for that there people of the people of that preferrowered

the policeis as far in the more more than the more movement for their reasons. The point is

that Ruben for some that's he said that never there never there is so that thing

is that barrio? Yes, I know for what but I want to I'm here.

That time when I was with his companyers after this situation,

he explained. Ruben did not the story of that house? No, no, I don't know

what I'm doing. So, why you did the barrio? No, I said,

since I got to get to the in the 70s that was a

house was a car and there was a a boy, and a child, a child,

and the person that was exaggerately wapa. A chick A Mentee Mentioned

A bit of these people that they were of the time, and the father, let me have

passed a good time, he'd he'd the car of the carterer with the vehicle.

Nobody knew, because this was about the 70s, maybe the

early of the 80s, nobody knew who did the child. The problem was that

the The Lord, a day, a sabbado, a one dominole, when he gets, looking his in the

house, no, he doesn't go to the cochera, thenro of the vehicle, he's got the little sign of

the abuser, they're there. There have people that say, that every certain time

they've been in there have some, for us, who have been people,

that they say, that this chick and still in the vehicle. Never

us had happened something like what we was the thing that was the thing that

that's the spirit and that the day to be and being to be of people

of the kind of you think you that is you think you're

that we're getting to the final of this fogata if if

you get to the final to let me let me know

to if you have to you know you

know And one once said this, you desire a time, and that you

have a good about you have a Saturday on the I'm to know

some some things that probably they're going to