HABLEMOS DE LO QUE NO EXISTE - 6 Historias de Lugares EMBRUJADOS , Fantasmas y Entidades Oscuras | EP 228 | EL NARRADOR

Episode Date: October 8, 2024

Bienvenidos a ésta nueva FOGATA de HISTORIAS de Lugares Embrujados, Fantasmas y Entidades Oscuras... El día de hoy les comparto algunas de las historias mas Fascinantes y escalofriantes que me han compartido ustedes querida Familia Nocturna.Escucha la aterradora historia de la casa de la Llorona en donde vivieron Alma y su mamá; conoce las 3 reglas de Juan si vas a vivir en una Casa Embrujada y Descubre la vivencia paranormal de Sonia y su prima en ese Hospital destruido por un devastador terremoto .. estas y más historias macabras te esperan, así que prepárate para que @hablemosdeloquenoexiste Hablemos de lo que no existe es un canal de youtube con el formato podcast que comenzó en abril del 2022 su primer episodio fue vivo en un casa embrujada en el que una chica narro sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de este canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de este canal , la familia nocturna creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de este canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando esto tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora.El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado .

Welcome to Famine Nocturna to this new episode to Let Me Also The New Episode of The The Good Even Today, I'm a episode very special for you.

In the fogata of Histories, this new season that we're trying for you, I gave the task to recopilar a series of

stories that I result fascinating. As much of you know, I'm a themeatic

of the places enbruched, but also the theme of phantasmas is something that

me fascina. And there are some senses, extraions and those which I've heard

not had heard of and it seems that in the days of today, they're

so you find out of this video some of those entities, let me

know in comments. And once said this, come we're with this

foggata of stories. If you you're fanatic of the

stories of the terror. And you like in all those things related with the paranormal?

I have a story that you're going to love to be to be a story of the hospital of the phantasmas.

Resulta that has many years occurred a catastrophe in the city of Mexico and

the state of Mexico there was a big amount that debasted a grand

part of the city affected to many families and

there many people there affected. There's a person that in that time lived in the state of Mexico and was already

very close. Vivided the terremoto, standing there. Tupo was a great. Because, minimum, in the zone of the area area, in that she was never, no came to the superfectus to major. Sin, however,

the clinic more near to her house, and we're about, that was almost 30 minutes, that clinic part of her is a derumbo for the

terremote no obstant there were necessities that they needed and even

when the edificio not were in the conditions they were doing service

we see this she imelda and we see to

sonia sonia the prima of she was for her

the day in that she in the day probably was that

that we're not we're has occurred, no form part of the accident, but this day when

occurred on these soces, no was there. So Imelda was with Sonny. Imelda is

this chick in barrasada that's about to give to do the she's a she's

she's that's she's that's they're going to have never have been

that's the place, know, they're they're in they're because there's

because the room to the part of the clinic is when you The entry that they see a little extrana.

More than the rascals obvious that has a little derrumbed, has a little bit of a piece of pretty great in the entry

and the place obviously is a bit got a bit of that has a air extrano. It's a

very to be there. Sin embargo you in the endra, sheenty yeah some

don't know some don't and it has the need the that for someone

the and revise how is your baby. So, is that without it's a

different, and they're because they're getting to before, before they're to get to

get to get to and they're and they said, and they're saying, they're

going to the entry, when they're when they don't with a

reality quite strange. The place is all of all

too, exaggerated, something, and and no one one one

person in the place. But there a situation, you have heard,

you have said, that they're there's they're attending. So, where is the

person? Sonia, the prima, is the one that is the thing,

and he starts, someone, for favor, atynd us, help. My prima is the

labor of part, for favor, help us. And they they're in one of

the passios like some kind of a they're in the service, as well, they're in this

urgency. So is that they're to come in a way to get to the passage where they're in a moment, where it's a form of

with a little more pasil a little more more than a little bit more a little bit of not, they've been

nothing, not even even at this situation in the in that many zones no had electricity.

So this although it's a little that's, for them in that moment, no I had

a normal. When they're in this place, and they're saying, for favor,

attendens us. My, my prima is about to have a baby. For favor,

help us. And just they listen a voice at the front. The

says, we're many Pockes. For favor, see them. It's and can't and come in this

passio in form of L. They're they're going to start the

pass. They're coming and when When they're at the final of the passio, they're on the right and see

that this woman is a way to come in a little bit a little say, by you know,

my prima is not so my prima is a lot, this is a lot of and they're going to

hear the voice clarita but in backito. We're we're very many. For

favor, see them. No, they're in the passiel. To you that phrase

if they're a sensation extrana, you're like a meadito, meadio,

rare, but priorities in that instant. So, is that start to advance the more rapid

that you can, and before to get to the final of the room, then they have to be a

problem, and then it's a good to be a time, my prima try much a lot,

wait, we're not a lot of you, and when they're not the personer,

just there's a only a person, there's a person, it's

like parts that have, and other parts that have in sombra, and

it's like at the final connect a two passages, like if terminate and you could you see a

wall in the two entrances. Commienes to advance in that passio, one of the two is very

illuminated, the other very dark, but it one kind of that one, it's a that top is the

most illuminated, but no they're not they're not doing they're not

they're not much they're they're they're that's in the passillo,

and in the moment in when they start they're a little very, very,

very, very, rare, the sensation of the place changed.

You know, you're about the same sensation of the light,

no, no, no, no, no, no. There's almost there, the atmosphere is a

rara. It's like if you're an place, you're an

way, so, and it's with their priorities still are going to

and they're going to and notice something that's the right. The side right is a ventanal

enormous, but even that's the passio in that's more more than the other than that's the

venturial that's they're going to think that maybe there's some type of polarizado

special that no know they because no there's not of the light.

It's a lot of light, it's very rare that. they're going to and they're

very in common and every pass they're every way the sensation of the

kind of a sense like if there's something like if they're to be in that's

something to do do you but there's a very a

different and she they're going to the other the side

the right before the there there there there

when they're to they they prefer to put on the

side of the passillo where is the the vent observe you're in the and they're in a man who is a man

that's down to the a badgered or gabbardina because it's absolutely oscuro, is a place, very obscure, so it's a lot of a sensation calida, a sensation a good

is like that's that they needed pass, if they were transmitting that manita of the

little, each one at their one at the one in the child that's a girl has been

an angel to eight or 10 years, the the cabo dark the tesa

perlada the the eyes very both and when they all

she's and they're no she does another The prima has a chick

of a 14 years with the cabal no ruby, a castaio, but a castaio clear little perrida, maybe these two

are men, because if they have certain rascals, and it's and it's very mona, very beautiful,

very arreglada, and the and the little he does. And the little also, they make

the signo like, no don't they're they're they're to come

to the passio and they're going to talk in voice and the

little and the little and the not they don't have them. And if they

they're there's there's there's the power the peace that the

question they're not saying that's they're we're we're

we're we're we're to don't they're to get in

those come with us then the first once he says you're

you very beautiful and they're still coming and they're and they're and they're they're

and they're they're we're because we're not really very eried for the terremoto

but various people have been having been the hospital and we're we're

doing and they're doing they're they're they're like something

something that's that impede that they can't they can't express

all but I'll say not something is something aterrador,

it's like if they're in a burbucked and a burbucked and sure. So,

although not are the words, although there ideas in the case, she's

in this recorri it's rare. Because both both are the

same same same that's the time of the trajectory

are that they're not they're like they're all

all like it was so so The contractions had been pared, the

painer that could have was quite normal and the people were they're getting, they're saying, they're coming

to that that's a point. There's a guardia. Cueado because it a susta

and not they're going to go to do because they're to go to get to people and

they're they're they're they're not they're they're when they're when they're

a point to a wordi they're a wordi they're for here.

And then before to see that conversation, the primal he says, my prima is in the

labor of part to for favor and the contractions regressan at the instant.

This man starts to get to get to a emergency, and the person

and the person's in two, three, five minutes mobilizing to two three people and they

have a camille and they're a woman to the labor to part and all

perfectly. The prima is the that's the little prima, when

he said, I said, O'ye, why do you do you do this and you're so you

know, the doors were to be able to this place, it's obvious that the

people, it's that you're that's that's they're how they did you do you

and say, how we did we for the other door? The other door

is the door in the morning. I'm put in the no, no,

you're you're you're when we came a door there there's

a new there a of a and if you also you also you also

when they're a uniform a uniform black and then you see to the other

what you see the one not you never was that the and they

had in a chalek in a black and a black and a color celestito

very very characteristic no it was not with what they

did what they're in the final of the so something something

something in the this woman and he he the question the guardia, the children, because there are

only only in an hospital and why are you doing to people to get this side? He says, sir, that the other that's the side

for the you are the way that is where they're the hospital. No, there's a connection of that this side with

this. And she says, no, it's that we're to start, to the front, to the right,

top we, says, yes, and then where is the there's the right, there,

there was a there, there was a It's the connection between the two hospitals. No, it's how they

they did to enter here? This chica is a elated? Preferred to have

the conversation. And from that day is the grand legend of the family. They

believe, that the hospitals, they're they're they're connected with this

other universe, with this universal parallel in that

maybe live the lives of the people, but there

had said. There was something, a curiosity, that started to start.

The two two children were about about some people who had been had been in the hospital

and they were to help them. So, is that this chica came to ask you

to have been there's a accident, a cause of the terrible, and they

said they're that they're just they're a person, this parche,

she was with the familyaries and were the unique two survivors. It's a

because he not the two children were children who were victims of the time.

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I'll tell the history of Oralia. Oralia is a chick that me says, narrator,

I've had a great a good thing, something, something in my life, that were my abelos,

two persons of those those of the questions of many, two people of the person of

an person, they're those people, you know, those that's other than other than a little

a little a man, he's a family of campesinos, and then he was very, very well,

he said, but it was a type sumamely a human, it was a person, was an

an angel, that person of those that there no there's way in the

way to you could get to work service and that's that you

know, and I'm my abel was, my mother was always

had a surprise to all the time and the way the

way the fortune that they had given with them with people

that were in circumstances different and that we

don't sort or situations more my my abuela always

always always people people people around and they would be able or favors

or money or things never they never in the way of the way there there was

something there was something they were something they never didn't

who they was I'm I'm a time my

old my my while had given some they're

they're they're a car between commies of camp. It was a

house that was a part of a community a house a lot of because it was a

place in where they were things of the business the house and a part of a one of

a zone of a landerneros. They're many many gilleners many gillinas

they were talking we're talking in a history and so we're so much

time then they're they're there there were a time in that they're

of that time. The point is that in this house, in that place, I'm during a year. Resulta that is in that time when they started to doggia. The first days that I'm kept there, is a beautiful, not-lugosos,

is a bastante rustic, but very good, very spacious. My abuela, very linda, me had to be all parts. I knew that was a little bit of all, I knew that I'd to go to to go to the room,

to get in the room and I'm going to and she and she I'm

that you all the I'm that we're in a place that in the community

never had had been a crime, no there people, and

I'm I'll say, I'll say, for that never knew who

was in this place I'm I'm out of the house and

I'm that I the first time that I kept in the morning to be

the same the way of the caris to be in the carina they were the part superior

that was around the carina black. Not they were those of my abuela, the

all of my bora all of all right. The problem is that the guys

are they sometimes are you guys, it's, I'm there was nothing, and always in the same place. I know

what I'm my abuel, because there was a moment in that he said, you know, before you

get you know, and I'm you're going to get back, you know, because little to be prohibiting

me certain things of the house, me said, I'm going to get the windows and let's

put to put down, you're just ashm if someone gets as a time, and it

doesn't, and I'm that's that's a kind of much. I, when a little, I didn't know any of that word. What you

knew is that was that was gonna make them do whatever I wanted, and in this place, I did what I wanted. But then, a night I understood, because I was doing those restrictions. One night, we went to doorme like any day. But, well,

that day, see, had been pasted Val. That day, in the transcursed of the day, my abuela me made so I've got many restrictions, that now I understand that was for my well-estar, but in that time, no

I was thinking, that me noge, and me noge much. And then I started to say to say maldicions, I started to say majaderies to my abo, and then

my abo, and then the night, just when I was to dinner, I don't know what they said, because no, no, no, no, it's

a list of all the majaderies that I knew. The face of my abuela, first was a question, and then it was

a trestice and deception, never I'll forget that rostro. And if I went enoched my room, I went

to get to my room and I'm in the door to get a door to get a little bit. My

abuel, neither is an entire, so I went to a little waiting out of the

door to not to not even respect to my space and she go to do that

I'm I'm sure to hear out of the house that come from the

first I'm I'm a one of the perros ladrand me

I'm up for curious, I'm going with my abuelos, and when I go with my abelos, they're in the suns very light, but they're very very oftenly

dormid. I'm going to my abuela and I'm going to my abelua, my abu-saint. Sige dormita, it's me

makes very strange. Commenced to laddra of another perro, despite the other. My abuel

had a two or two perros. All the same time were lading. It was a scandal

tremendous and I'm going to to hear as I'm a crudied on the madera of the second

my dear so I'm so I'm aubbue abuela, abel abel and

there's there's there's there's there's my abel and my

abel and my abel no so what I did that after that did it

has been it's actually it's because it was a little maybe for a

trance, with much security, me did the world, I began to come in a little, I went to

the door and I opened, and what I saw that was that was that was the

all the guys, all the one to the other. But there was a moment,

that in this moment, I had been made, the eyes of the guys were me les

I'm not in that moment that I'm that's all the world with the collar in the path's

trembling, being too and so and I'm that I think was in a trance because

something something I got to to turn to the head and when I saw the

figure of something of something a man but much more more

more more than some there is there when when I saw

that I was that a frio enormous in me and a fear of and when

I was going to get to get to get to the arms and where I felt it and I preto

with a force that I'm going to I'm in my camera and I'm was just a cry and to

cry and to cry and and I get my aboela what what is that's

what I'm that he said all the I said it's a but my my abuela

she kept callied and I also when we did know of two

things. Arriva of the colcha or more between the couch and the saba

when I moved there was a black when the was

they was all all and when me cut the

sabana my my feet and the chair and

the the other I had said that had

during many years I'd I'd to talk. Because at the day the next she was

a car and I'm with her and I'm and I'm never to go to that house

until I'm my old to be not I never to be there. I was

to be to be to be a while my over over to give the

word, never me could do a call for telephone when

he was never never never and I lived with a resentment very very very very strong. Then I was

adult, I gave my 20 years, he took a time of reflection and then I said, well, you know,

they were people who didn't, not they'd their space. But no was that. When I

21 years, my abuela fellieceo. That year, one a time before she had been

a conversation, and me revealed she what I know that was in her house when I was a

my niece. Me said, I'm saying, I'm going to I'm many things in the

house. I found sapos that were cocid in the boca, me

I found little like countas in some boxes that were

some little little things that for me I did I did

do you did make dogeria and it was was enterrando in the house. The day that happened

when they were the plums and your the earth in the camera, you know, never I'm

never I'll forget. That day in the morning, in the door principal, there was a

photo too clavada. I understood that they were to attack at

you. For so, no, I said that I'm the

I'm direct to you my mom. I didn't that you didn't

that they to us. Who, no I don't have idea? Your abuel and I, never we've meted with anybody, we've tried all right to

all. I don't then I'm then I'm and I asked to do my time and I said,

rompe your relation with her, because if they're doing that's going to

be able to the thing you can runpe the thing, as that I'm

a little a other part. All the days, I, during those

those years, he was all the days to your mother to be able to see, but he said, but he said,

he said, always in our own and so you know know, but if us were

they were attacking with and the year after you visit, your abel contrajone that you

never discovered that was and it was for what he he said, after that they're

they're not to be the gillinas they're toterer things in the house

and I think that that the that they were some reason that the day of today

of today I know what was it was your boy. Bevenue at board

via Rai embarked and profite and relaxed, syroted bookin and

so see and profite Via Rai the voice that we am you're going to tell

the three rules that he have to be to be to live a house

in brucated Juan the first situation that was a house of his abuelos,

that is a house that the day of the day of all the day of all the

he was in the way, he was in the bathroom, he was sepillating the

and he was doing to get to do that when they the moment, in the

moment, he said, wait a time, and I'm a point to do end up

to turn, and you they're doing the door. When opened the door,

he saw how a sombre was at the pass-ill and he

moved rapidly. He came to then a idea to Juan, he was

he was a but his prims had had been and that he

was only in the house the house. The rule

one of the one of the first, is that when you get a

house in a house a one, no, Some of these things are

of these things are the door or the window during the three. But is that he was that many people

in the house of his abuelos, for so they have this series of regals. The second

thing that he took to live in forms repeated and that was something was aterrador

is that he was he was to be to be in the camera, and he always had

the door a person a custom that has been very little. So, even

it was the house of of his abuels, the door the door and he was a day when he was

a little bit, he was on the house of the house of the room, and he said, when in some of the

passos, someone is just in the feet of the camera, and then the voice of his mom

he said, you're still you don't, and he says very molest to why you

come you to get to start? Of course, that I'm Dormying. What is it? What is there? And then there's

another idea that's a idea that's a question. He's got in the house. It's that you know

to be there. The idea of his head is, me came to get here because my fathers are in the

city. When it's the door, and the room is a backer, but the

door is abirta. When he has talked to the other the only that I've been

living these situations. For that the rule the number two. If the door

of the room, if you are in you're not in you're not in

a place, if you know, you know, you know, one, no, you know,

you know, not you're more fear. These things, these things

are a Sometimes, sometimes, you know, and three, under

no circumstance, you know, you know, it's that you get you get a great, but

the regla, the regla important, the regla that for it is the rule, is the

number three. The rule number three is very simple. Nunn never

you never you've a food and all the and all he's going to

he's not he's a real, nobody's he had had to discoverer. She was

he was every every every because every that's that he

got to get to in that place he was a a great

the first novi when was in the cell there there

there but Juan had to go to go to go to

to go to go to to the cell. The cell was the cell was

a and then I'm in the cell various messages that I'm not you

know that in this house there's so that the day I'm going to

she was she was waiting she were on the light

and there and the car he was the

little the woman that's she went to the second

no the second the surprise more the surprise more the standing in the

cell he's a man that comes to say he and say there's

a conversation and it's she didn't know the the the because

when he there no there there was in the second

on the second minutes after she was she was never never never

never She helped, let's to develop well these regals for what what he passed. She, the

first time was, Ja Juan, was a adult, were the two with plans of

to have a relationship formal, and she went to with her to get to to

his abelels, and they were going to do that her family. In the moment in

that she was going to be to be a family, he, he,

that in the that in the bathroom, even when the door is totally closed, it's a

start a woman, of the nothing, like if trespassar a a party,

and this is a circle to get to the door of the room, and is

like, and it's a tone not very, she can be, grita,

and the sombra and the suns and the sunnese from the From there, Juan

intended that it seems that the people new people get to get in

these people are they're not in their need to plan

your summer story in Europe with WestJet from rolling countryside

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story takes off I want to talk of protection. Ingrid is a child that her tierna infancy

no, he records with gusto. Lamentably, her first years of life, she has those are very focused on that he lived things very disastrous. No, have records of her infancy, preferring not to talk to, but, at the podcast and to know the stories that we're told us, decided to share us things

that she lived in that time. She had, let's a certain sensibility of the one of the family.

His family is a family Christian very apegated to their religion, at the point in which

are a little bit rigid with certain creencers. That's what she was living

in the house not they were in the house. Ingris has

very, very rare since that has six years. Recurred that at the six years, a day she was to do not dream,

and at the time a dream very real, where her mom, standing doing some activity, she lastima a very much,

a lottimore, he gets a mother, but it's a real, so real, that's a real, that's

when she's a baby, and he says, mom, you're not, you're a mom, and the mom

and the mom, it's a one, it's a one is a mother, you're not a lotstimates

and she she, she, she, that her mom not had that's a roppa not

in her wardrobe but more or less like two months after the mom

she said look at and say look at me and I bring just the

blue the shirt the ingrit was what was

the day the mom. The mom, it's a So, for her is horrible to have this type of dreams,

because in two or three days after the situation of his mom, he has a dream that a dream

that makes a lot of a very chaotic. It's a great she's a little that

is a real, something that can be but the sensation of reality is absolute.

In her dream, she she is in a salon of classes that no

knows with a lot of a never seen and

they're all in stampied by a point, and some they're they're they're

and they're they're like a point made made and when they're going to

a companyero that is a more that's a one of the table

the foot and the and it has really lastima much

that the person the the the the the

the that for her going to be a piece of a day after she's she's made

a lot of a lot of she's not that you're a lot of the he's not that's not that's

he's not he's a man and the mom and the she's a not a one is a

mom and he's well who is the I know he's a thing you see it's your

imagination something something something something something that was the

mom is that's that's his papa had to needed was to

move to the house and that's that when it

when he a new school and see the the

school is the salon of the son and

he the time the day the there there

a kind of simulac for situations of incend

or or the term something they were they

they were and it's there when with some

puentes, echisos of the things that not were done too they're going to

like in this ampida, she's to get to because when this man he's what he

is going to get the tableon and effectively even like in the she's she's

to fall of and when she she's she's she's she's

she's she's she'd have explained what I'm having

to she she's talking that situation. That's day, she was

completely vulnerable was made a mar of the light of the feeling

she was a person, I felt a she was that she was doing the people,

probably are all these factors that they have been that's

that that has had had taken a a great that

what provoked the the pesadilla that really really

there was when she was when she did that it was really

the father not they had to do you for more they were to talk

to make a little to a little she was a little, she was when they

when they she'd get her her and she had a good relationship

and every that she'd be in her in she was a very

there a real to be a little he went to to the house when

they're when Ingrid she's she's well she's She's still

tranquil but she's a rare in the place. There's something in the

environment. No, doesn't say exactly what is a only is

a little but decided that's going to get to get to get to

the little is like a old is a quiet and

that that night is where start the real

pastadels of the indus that not are the

world of the world real. something She no, she'd

her, something she had her, because that night, just in the room, he was to hear of a

grunydo, a little, so it was being more real and more great. First, it was a dream,

then it was the room, and see how the closet in the that's in the closet in the door

closed, the door over the is a person, a man, he's a person,

a man, it's a a little, is a little more grand, but with the form

like a little bit more. When it's a little, because she feels that that thing is that thing is

she's going to the court of her old, enter the to the house and the wife and the is that

there's a there's a little and the don't know they're not even grunied and

she says, no it doesn't she's and when they're when they're when they

when they they're going they're they're seeing And from there she understood. So, she was

she was she had something that she didn't know they're not going to understand. She was having things

that the other people not even seesophrenia you're going to think the papas what they're

the first what they're in this situation was you're directly with a

psychologist the psychologist he said we're we're we're going to do you have to

revisit that he's if only was that episode with that perr, he begins to revisit as the story, what is what

has been in the last of the last time, and she done that she had a group of people, that she was

in a school since a year, and without that they had been made a change,

he had been a couple, and they've done, and yet this school, there's a accident,

so, is that is that is that, so, that's a certain way, so, some way,

we're going to be a lot, we're going to that he was having, but we're tranquillers, because no have been more episodes. We're going to, let's give you that's what, I mean, she's not,

she's a very stressed by the changes. Probably it's something like traumatic. And he says, Doctor, I don't I'm not going to imagineing those things. He says, no, you're going to be all to be here. And he'll be with the papas and let's these instructions. That night, in

the end up front of to continue. The parents are not other years. No, there's education in terms of these

things. Then they're, you're chifled, you're doing ideas, you're going to give to get to be

and she's start, and she has to try to get to their fears. But there one day

that he's that's a much amaguergur. Because that day is the day in the day in the they're

the way more atroo. And is that that that perro that was going seeing the the house of his

abuelos. There's a little is that she's not a house of his

abelels was in a cemetery. It's that that was that was

something that was that was that I'm that I'm that

had brought more because she had got there that

of the person I've seen some some some that

some that's some that some there sometimes So,

the patio and no any entry and there's a lot of the house. I know that's the

family. And well, a sinfine of little things that were passing in the

house that for her was horrible. But one day, in this abitation of this

new house, more and more beautiful, her one, a little

in the part large, she had her her she had a little

on the little, and at the end of the little, a repisa

that was a form of L, because where where was in the part shortita of the L, there was a

computer where she had his computers and some things for the school, and up there

were the repisas. In that repisa, she had not had a and I

needed a a little things that his papa had put there

a little little a tamborci that had tried a record

of a a big a few some part of some some part things. In the part

large, there was a series of of books, there were two, three things that were like, like, of oh, and generate some noise. It was something that was very beautiful and esthetic, or arreggled more by the papa than for her. That night, she's in her

bed, she's in her bed, and she's like, as far as two or three of the morning, the door of her the room, so on the door of the time that he was

living in that new house, that door never see serrado because no embona with the marco

the matter is tinchated for more that they have been put in it's not you're

now it's a car and it and it's that she after the

she and she and then she's put her and that thing is

that she's still and I'm saying it's listen voice

she bring to the same the same the tap a pegate on a

favor, Papa, ma, my, you know, my, help me. The camera

starts a bit of she's not a way to do it. She's out of

their control and it and it cause in the thing that they have to get to

get to get to the the little the thing or the thing

that's to be you to know but you to be to be to the little

and when it when you get to the door that's he's got to that. And he says,

Abremme, how you're the door? And she just says, Auxilio, for favor, helperm, and while he's got grittance, help me, sound those glows of those things. The papa, at listen that scandal, I think that

the nia is in some type of attack psychotic? Of some, it's a lot of the door, and patial the door, and he is a molest, but at a way, is very anxious

for ver what happens? And it's there when he cregown. Because he be that her daughter is taped in a colcha in the and standing in that situation he's able to be

as something he'll look at a colch, he'll make to the end up to the corner of the room and the things of the repisans they're going and they're going

when you see the carga, she'll have and then just he's the o'hid you know I'm sorry me, I don't

understand what you didn't know what you're a man who simply not not said of these things and all not

to know of these things, I've brought to the best way he's a lot of

a good because I'll say, it's a little bit of a lot of to do you get to

get to do to do you because he has no has a way to help the

the psychologist not he's not have to be that he and they're

doing they're so they're things that so it is that he's a

where he's the situation he's a his circle is open we have to

we're going to we're we're and he says that's that's that's I'm

to get you know she's he's the only that he's a thing

was an exercise the exercise of a circle to do

the circle says that he he did a ram she

went on a one in a one there a little

little that you could you put you you

put the He gave the ram the he said, put it a foot counter

the piece, and he and he's a hand to the right to the way to

the way to go to go to do you form and the circle a

little and do do it no important you cost it and

when you see you see that you feel you you need to start to

say in voice out and think I'm going to start

my circle I go to I'm going to have to my circle. This circle is a circle

is a circle. And conclude it. After that of that's another and it's another and then

you'll be to do you until you say she that's the first exercise that was exaustate

he's like 20 or 30 circles chikos, medianos grand, contornos enormous,

medios deforms normales at final of that day was the last was the situations of that time.

Of when, when, from when, since she has that exercise for if a case, it's with with them,

and do you do with with pales in the arena. To day of today, you have

many years. This was about 20 years, it was a much, much time,

but I know, no see, if what really reallyarily me was something

was a psychological that me did ideas, or really with an

exercise so simple, I could have my doors to what it's

other world and that in what I lived, a world a lot of a lot new. From

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I'm going to tell you one of the stories more aterradorous and strange that I've heard on this channel. I'll talk about the terrorator house of Sebastian. But first, I need to talk about Joel. Joel has a family that is conformed by Papa, Moma, and a

brother. This family is living in a circumstance very difficult, where they were living, entered in a situation media difficult rentable in this house but the

those who are the deweans entered in a conflict of interests with some family and for a situation

of a litigue of some questions legal they had to abandoning practically of one day for

other if not they didn't enter yeah with problems with the

law. They're not made nothing they simply they just

they just in a place of a family that

that those they're to not they don't have much time to choose cars.

Practically they were a day. While they were to look at that day from the first hour of

the morning, they were from the pre-supus it was the location, and if not the location, it's not the

area that not the was working. The Papa and was getting a

time, when it was a lot that not a very comfortable

but not not is that much, it's a house duplex, a a house that

did a division between the first and second plant. He gave a entry independent, the second piece. In the plant of the above, he lived a pastor with his family, and this pastor, a

leader of some type of church and religion that never superiors exactly of what was, it seems a type very, very good a honda, very calido, circano, all good. The

dwean is he. He also is the property. The owner of the property, the one wants the place and when they must the place they

they're and he said he said there's there there there's

I'm I'm a I'm a real very desagradable and a sensation

of that here we we're going to get to live that

that my papa said that the day the other

the other house simply they're not they're not

a We went we went to help to friends and families and we're going to our own our cars abentated on costal as

how we're and we're installed in this new place. The things in this place not they

didn't expect to much. We're we're just days in this house

when we we're we're a little in the plattics of we're we're just

that just that's in a And so, for you is an idea in the city

in the temperature so normal are the 30 degrees and practically this is

this is a real a free a free that we were with a sweater

that we're we're some things afelpated with cubbh

grues that we we use we use we only a time a

very very very rare very rare so in a certain we

we not we something for us we're more

we we're and all of that is a house very fresh not we don't know that were the first

the first there were there were something we're there was something when

was a new a little the few months to be when

occurred the the initial of the that we got

to go to we're just to the house

when I know I know that there movement in the

of my brother. But my my mother is with my mom, doing things for the

dinner of the new. It's very very strange. Nobody reaction to that's no,

and when I hear of a movement, I said, I'm going to say, that's not a man

that we're a man before, a little when I'm going to go to the

little bit to the little not a not a man, but the ropasasas, it's

a that I had seen in movies of the time. It was a not a

thing that we're in so it's my way to make you know I'm going to my pap and I'm

invited to a little a little to do you do you trygist a friend you're

and said no if it's that's that there's there's we're in we're

in April because it's there's there no nobody in the house and then I'm

I'm I'm quite being I'm kind of a image clear,

but the way, I'm going to do you do it. There's a new. Passed

a year new. It's like the five of the when standing in my room,

that my room, I had had a door, had a had a had been

made to get a door, I'm in my court and I

hear like the court of my one, they're in my house,

I'm was a little I'm was very all that. And when I'm going to

go to see that my woman is a area where I have a place where I'm there's a

there's a but there's there's there's a she's there and I'm going to let me do you know what

I'm going to and I'm getting to and I'm you're going you're doing I'm going when I'm

I'm sorry I'm sure I'm going to my brother and my brother's totally dormity and I said okay

there's and something very strange. From that day, things after the other

we're going to know to do you that's things electric in that didn't

do you do you I'm a radio and it's, I'm know, I'm not

that's I'm doing you, and in this I'm a little bit more a crackkeo like a tronon

and I he he had to functioned. Pompro my Papa a ventilator because although we've used to there were occasions that if it had a color in the

house, the ventilator it would do three days. We'll give the guarantee we'll go to pass the

same. The micro-ondas ensient only, the television is on the time. In many

occasions, the lights that are on switch, they're so on, and the switch is there

when my papa says there's a pessimist installation electric. That is all the

problem. So, we don't have money right to put it but we're going to do make a

future, let me talk to get a little bit more and they're saying the rentero, wait a nobody that has

been here in any moment I've had said that had been there's so it's things that you're

you're you're and in this moment, it's not no, no, no,

you're not you're not saying, you know, you're doing that's going to say, there's

there's there's my family, no. But in that house, when I saw, always was in the water. But there were something that you know not they'd. The windows, I'd put to doves

the water and were in the floor, like if someone was cuter. The water was into and I never had seen in any other part more than that in that place. In the room, for the way I saw that I'd normally, normally,

totally the water, was the abitation of the television. Entrava the path, and as if someone

did get to the water, it was and if was over the perimeter.

He'd to the other space to the house, but no

it's not that line. Inclusive a a sometimes

get to get chorros of not not they were a perimeto, as

if there was a piece invisible no mojable the rest of the

room. They'd to the door and they'd start a like a kind of a

river, that would be a lot of that would be able to go to be there. The day's

the day's there were more things. My papas started to have

many situations rare as in the house. They're saying that when they were

being back on they're sure that they were that they that's

there there's where I was the I'm the that I'm the new in a

year new and then then then I that's I've appeared in the

quarter several times. Nobody me creed. They were a pastor to the

church of the church to be in the house, he's to ask, and he's to

make a house, because the little not came to be to be there

in the other they were they're they're so it's

a person or someone or someone too someone because

it's there was the thing that it was never never

didn't a sensation incommoda. My papa there was a moment in the even when she said,

I'm going to I'm sure I'm sure that she's always but he so I'm so I'm not what it

but one day I'll talk to us and we said, see you want to get to get to

my my her my first I'm I'm going and then I'm

and then I think the that the she's she was like she's she was

behind of the camera the the camera, junto with her when I had the

morning, and then I didn't say to the other because she was going to me, because she

was about that time. My brother was a little so, then he managed,

so much. Well, the point is that when he said, we were we said, we're,

and he said to my abel, that she he said, to do not

to work that night for the next, to get to get all of the

house. That night that my abuel, I think that there is where

Sebastian is a present. So, we did we call the phantasm that I'm

in this place. Because I'm trying my mom was in the kitchen and

my abuel was in his court, I'm I'm I'm

a light of so I think I want to get to because he's

he's he's done, then he's going to get to get to

get the cable, the television still and premedida, it's the most

strange I'm a little and there's a subject encorbado totally white and he's

coming down to the extreme to like if not the thing that there's that they

and at the instant I hear that my mom grita. I'm going to get rid of

she and I have been that I'm said that he said to be a back to my

father. My abuel he's out of the five minutes see something that was going from the front and

it was going in a bit of a bitation in the little bit of that's that we're we're going

and it's transformed on the chiste and he said we're we're going to be your house

let us let us this is your house this is your house not we're not to

not you're we're we're we're we're there's but there we're

the day that we're we're the pastor came to a little story that had been a good detail

that we had said a minute that we're that's a first place the first place that was the first

the first of the first he was he started the way he said he knew because he

was a little she was a woman that was taking the form of a little a girl

or an exorcism or something so I know how much so much so that's not good I'm

religion is this person. But no he did so, because he said that the things have evened around that he said, he said that he was going to rentable. When he saw that we're going to rentier, he no he wanted to enter in problems with the rentero, and we just

now that we go ahead. And then now we go ahead, we're going to tell us that story, and he said, it would have been good, that us would have been a minimum a disculp. RBC Training Ground has discovered potential in over 20,000 Canadian

athletes and county. Your If you've got the drive, they'll help you find your path to the Olympics. Let's see what you've got. Sign up for free at rBC training ground.ca. I'm going to tell you the story of the house in the that Yorona. Alma and Ale, resulta, result that are three things. Primero, are complices.

Second, are two grandes amig. And, third, are mother and a daughter. Ale is the moma, Alma is the her. Resulta that Ale has received

a promotion in the job. She's has has done the effort of

the house, she has had been to have to be a

life and and and in this time in this relation

that having had received this in the work not

not he's not a thing that not not

given her not the circumstances not not not

the to have the future, they want, for one that two have a life that they're

in a little that's so it's that he got a house very great, the which

with this amount that's the amount, he's a enough

to have a sufficient money to be, I'll say, I'm saying, not it's

not going to when they're in this place, Alma is a little bit

said, how can you cost you're it's got to it's a very good price. So,

it's a place that from the word, it's a narrator, I get a idea,

my house had a car, I'm my mom and I no, there was

there's there's three three three times. Each one one of the

one of the one of the was the time of my quarter and the the same the same

and the house that was more than than that I was in the house in the was

was enormous the was an something was a place a place a

place and you not you know I didn't use a super mansion

something something something a great tot tot tot tot tot I was

I was feeling the the and then he goes a

and he said you're a my mom he's he's a he says he says oh yeah

how's he's like she and well the the bestine and he said I

want to say I'm my I'm the that's any of any other anything

that's considerer me like a my but you're I'm

to have I'm I'm much this place this place

in the this in this in you know I know

one person that I have done over more of two times, what is

you're in serious, here I'm going to be able to and they're much care.

And then he says, if you don't you know, you know, Alma's she's

kind of about what she's about the she's and they say, a little

to do the house and he says, I'm there's there no,

there's there not they don't even because you're this result,

that's that's they got them got her. Alma, not to a little no cartel

out of that said that's not a little bit more the same he was a time and it

but no. So, he's that same day that this house really

not of rent to the public let's get in a book to get the

the news that the house is there can be to be

rentar but under but the due the do

not not not not not the people here no dura, if you want to get there, okay, I'm going to pay the deposit

a month of the alant, and not you're going to devolver nothing. I'm saying that this house is enrujured and pass on things. And no, for more that we've

done to do, we can't do do that happen so it's just that's circumstances, the mom of Alie said,

I'm going to go to be because it was a person Alba said, well, no, not going to

not, these things, not exist, they're all, they're all different The other things, the only that the people of the mudansas they put them installed.

Furned their cams in their habitations. It was the 20-unico. Refligerator, yeah had the house. So, let us have the sufficiently, like,

installed, for yeah to start to live there. So, so, yeah, in these circumstances, they're going to be the house. She's very

very happy, he said, I'm going to give a tour for our new house. He's going on the escalars,

and we're going to start for the an room in the room you.

And I enter in the room of a room three times more

than the other and then when I'm the room says, look,

here no there's there there's there and where says that

that's that you know, that in the back, in the place, in the

little that separate to the the area of the

area, there there, there there agarrared of a tube, and then they said, well,

some defector to have to have to have a bad-gust. And where they say that's, like if the house is over enojured,

he gets to the techo that thing, she gets suspended there like for five seconds and it and then it

and then the other. They're going to go to the door and they start in the door and he says,

you want to do you want to do you? It's like, it's a the wind, it was an air, and she

said, I know it was a air. There's there's there. There's

our own. We're not. We're not. It's our first day. We're not not. We're

going to my abitation. My mom is going to do to his room.

And in the madrugate that that that's not used to be to be

on the zone in the zone in the area of the cell and

the commenced to sound of a woman, but a jant to

desgarrador, desgarrador. When I when I am I'm like if that thing is like that

I'm going, and I feel in my abitation from the one that someone is that I'm

not I'm want to make idea, I'm going to put paranoia, I've just I'm

I'm so I'm so I'm just that I'm I'm just I'm trying and I

want to make the eyes abirtos and see the the corner to show that

it's not a fear of the I'm in that's not a little, but I'm

doing that's doing a lot. No, no, no, but I'm no, but

I'm a moment in the that I'm a moment I'm not I'm going to not to

be to be to be to be able to be going to be that there, and then

it's there when I'm when I'm a that's that's I'm

I'm I'm in I'm in my mind I'm feel like to get friar

but it's to put in the point of the end of the end of the and where I can't

and I here is a there is a I'm I'm going with my mom and I

say mom I just that I'm this and I'm you know I'm you're

put this paranoia you get in the back we're we're we're not going to

we're not To the day The day I didn't my apartment. I went to my apartment.

And when I went to the room, we started to do that and then someone outside, no,

parr to talk. My mom is very a lot of a lot of what he was a house is that

is a barrio super secure. So, you know perfectly that is what I'm

that I'm listening that's what is what is what is what is what No,

he not he abel. Day the day the morning, afora

of the room, the yank't of the door not they're not even they're

they're they're getting, and we're that's my mom had been that way,

just generate statica, statica, statica, I wanted to talk to the police and he could talk to not a little to do you

know, he said, no entro, no, he's said anything, no, you don't

you care, you know, you know, when I'm back. When I went to a day,

I think, there was a subcote of a something, I went to umo, he was

doing orations, uh, he had a rams, and he did an or a relation with me,

he did a relation with a conversation to me, to know-a-noge to the thing that was in the house.

Because that same night, the yantos those we're not and the jantos

were to those grits to do you the furs. The door was to see-simbrar

like some time that the video was used to like they were just

that they're too. My mom he said, let's the devil I know

I know that's but you we're going, we're we're to be to be

Yeah, we're going. And as if that thing he liked her, they were to hear the ruse of the house. I'm going to

my abuelito, he said to my oldie, and my t'o and my t'oom especially because not we were to be able to

move, then just that just were there because really were going to be because they're saying,

I know, I know, I know you know, I'm not in the house and we're together.

This house is something. And my father, they're they're not, say, a part, at the 3 of the morning, they were going

to come up car, they're the door, and they were talking that they're first, the yantos of a woman in the plant of the

back. They were my playing a badom, then they were a man and they were a woman of the black and when,

they said it, this thing, they went to to get a lot for the tone of the pale, that was absolutely black, palidissimo.

Suben the skaters is when you're when you're in the house. And in that's

they're in the story and the you know in the room. There's there

nothing to talk. My mom at the first of the morning he said and then

let's with the renta but for a money to do you get to

a modanza I don't get a day more I'm I'm

I'm not the idea is to make a lot because I'm that's I'm

that I'm some carin some some sub-subing the things, you know

more than about about this house, all of this and I'm saying Alma.

But I said, I'm gonna be a narrator. I'm still that's I'm still that's

bad at the bad that's the carer and the car and the car. I'm just that

I'm when all everyone all right you're gonna you're arta, you that this house

you pertainees this house now is my and you you're going to get to freg and you're the door

the story that's the house, with who's the woman that's the woman that my old and my

I don't see but for me that's the house of the yorona and

and with that the story we've got to the fogata

of stories tell let's tell you tell you think that these

things were a little those were I don't know how they have

those for me were fascinating. Tell them if you like it. If you're

going to make them in platforms of audio, for favor to do you and then you get to this idea but

us would us a lot of people. And if you know you're doing

YouTube, if you don't you're on your like, revisa your

subscription and give you the little and if you want to you want to

let me on comments. Now remember for the Sabodes

of SOMbras there we the dynamic of respond questions. So,

so you can you can be you can be the question. Or,

also in the group of diffusion of Instagram, we we can't make a thing that you

can be and that you know, and that's beautiful times. We'll be a new

time. It's a