HABLEMOS DE LO QUE NO EXISTE - 7 Historias de Brujería , Amarres y Apariciones Siniestras | EP 293

Episode Date: May 22, 2025

Bienvenido a ésta Oscura Fogata de Historias de Brujería , Amarres y Apariciones Siniestras en  @HABLEMOSDELOQUENOEXISTE  El día de hoy les traigo historias que ustedes, querida Familia Nocturna nos compartieron y que me dejaron helado del miedo.¿Alguna vez te has levantado en medio de la noche sintiendo que hay algo malévolo en tu habitación? Tita se topo de cara al diablo y no se hizo chiquita. Descubre los secretos que se esconden en la colina de la bruja y la casa del diablo. Escucha historias de amarres, posesiones , tarot, nahuales y casas embrujadas que seguro serán protagonistas en tus dulces pesadillas así que prepárate porque llegó el momento de que  @HABLEMOSDELOQUENOEXISTE HABLEMOS DE LO QUE NO EXISTE es un canal de youtube con el formato podcast que comenzó en abril del 2022, su primer episodio fue "vivo en un casa embrujada" en el que una chica narró sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de éste canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de éste canal , la familia nocturna , creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de éste canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando ésto, tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora.El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo que genera. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado.

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Spotify, Apple Podcast and all the platforms of audio to this obscure fogata of stories.

The day of today we'll about the bruchery and marres and encounters

very sinistros, apparitions extra I'm going to leave the pale of galley. But, before you And you and you know to you,

that you can be a member of the family nocturned since a long, or to you, that you,

you're new and you you're new, you're because I'm that many people, they're on the

podcast, but on us see it, and we're not doing, and we're going to that the

family nocturna every day we're more and more. Now, so, we'll come

with the Scura fogata. Tita me mando a story. A story very peculiar,

like it is Tita. Tita, it's called Elsa. But they say Tita, for chiquitita. Resulta that mids

about 52. Mast or about the 14 years, the body said, I still here I got to chaparita, chaparita, chaparita. But

not you confundas, because if a day you topas with a person of a rostro very very dull. Of a

form of being very peculiar, very amative. His voice has a Something has a little bitcetito of very interesting, but has a character.

Tita is a general and he is a general and he and he says, according what I mean, that this occurred to a raise of living with a mom a solterra. She not is her

only, she was the first of two kids. He had yet about 10 years when he came his brotherito and his brother when

he's two years, we're talking that Tita has 12, So, in that moment, she's going to be like the curator of her brother, because mom has to be working

to be a manner ardua to get it around to the two. In that time, they're not to occur to things in the house to Tita, and I want to tell you, these things that I'm going to

say, not is the history, is the context. In the house in the house in that I Tita, when I had two-year-old, her brother,

she'd they'd in occasions like murmur, a little a little she's she's sure

that she'd to protect her mano of the things that were he'd really a little bit

because when he'd a woman and then she'd go to know that they'd

in the time. In more of an occasion saw the door was going

and she was going and she was rapidly and then the door, and had to

get to get to his brother. He was to give to do report to the mom. And he went and said,

he said, he said, some mom, man, something to do you want to do you to do this

man, and the mom imagineate, she will to work from the time. When

he gets at the house, it's really a really, I'm sure, I'm not

she had one or more work, but she's the she's the point

in the point in the point in the more attention, and too

the and just a tact. And just said, I mean, yeah, I'd just take your other side. Nothing more. And you're just a favor what I'm

doing. Tita? Those were those first chockes with her mom. Before of that things were

quite well. The problem is that Tita, his 12 years, desperto the instinct maternal. All ver that

his mom no respond, after the situations that were living in the time, and a day that

saw, he'd be a little, and he was to getch to getchard to getched to

she was to put to put to put into the brother and the sonbra, he took her brother and he was in the brother and he said to me and he was out of the baby. When he gave the report, then-mama just he said, and she said, and Tita

he started to peg her in the mess. Me going to do? No, I'm going to inventinging-cunted. If you want to my brother-it-tort as you, look it. No, no, you're just doing here solitos.

And the lady, and the she kept with the eyes abirted as like platos, impactada. Jamas he had been about so the little

the little she's not asking a little bit more he's not asking to get us on the house

the she's a she asked and a part of the day was to give us

to the house of the abel the house of the world the things and it's to come

after the Tita you have to with a brother-a-year-old, more or less, in that moment, she begins to live things very strange. He begins to live

that in the house, in the house, in the mother, a sometimes is the house of her mom, there is the sensation that someone that someone is a window.

There is a problem. The window always is closed. No, there are a ruse of that perthurture, but is the sensation that

of a sudden that someone's that went to walk into the house. This is very chistoso. So,

so he's going to talk Tita. Because when a little one a house

to the mother, he said he was a summer, just in the place

in the place that that person when she go to the house. It's like if

she's they're looking she's her and the little they're they're

they're they're there and she's she she's his mom

and his mom and Tita other other with your Quintos, and Tita, for this moment, and is another person.

Yeah, no she'd be paboolear for nobody. No, some, Quentos. Faulted more, Mama, that me is reaganinginginging, for say the truth. A me not going to be going to be saying the truth. To me, me said, that to say,

the truth is good. So, you know, you're saying, the truth, and no me is teardinging. And the mama would be reaganada, Tita, and appears, then, any who parrara. And the life began to advance. The theme of the paranormal,

he was a time, that's her manito he started to grow more, more,

more, and yeah his seven years and was at the time, and his

14 years was a mastodont. Tita was a little bit she was the mandone.

This provoked that when Tita came over there between the 20

and the three years, you was she was she was he

had all a character in a person ambicicic a job-a-traff, that was

a little, escalating, as in the level of the number of the things were good.

So, she is that she was to start. It was a moment to make a mom and

his brother-in- his man-o-o- -o-o- but Tita he said, my

little, my-Rong-a that, as I'd mean, me did a one-o- 50.

A-T-A, a grand seniorita, but she was to be only? His mom he said,

Tita, but how you're you're going to do post-com-mole-cheo, always since I'm a-ni-ma, valiant me for me myself, no me stas-molestating.

If you're going to, you're going to, but no me starray-gained. And, look, the mom, again, she's, I'm gonna,

so, and she's so-n-one- so-n-a- and she's- life, and live and it's in her house, and all-

it's-o- -you-n-you- got-you-n- she's-you-n- she's-old- and they're they're-plet- they're-n-

they're-n- this company, because is that has that has a character, but no it

is, you know, it's a person that's an person demandantant, clear with the ideas, is a person

that's a person that's a person, and that he's, and that's some values important,

apart is very honest. Tita never minding, no, I'm inventing things.

That's other thing, but not seem inventing nothing. Then, result,

that that is where not say to Dano. Daniel Olvera, but she since he saw him, he said, Daniel, you're going to call Dano, and never they changed the name. Dano he said, Dano, he said, Dano,

and Dan, he said, and Dan, being a subject of 1.90, you can't imagine with the Mirungita this of 1.50? Tita was fascinated. Because he had a man at the measure. She said that, I have my own, my own, my

and all were all right. This Tita was all a personage. But he said, because Dano, even when it was very old, in occasions it was a person insecure, and Tita was the he was the agrava, no, me and desudando, to be, don't me end up

doingsdued, don't you may be going to goys to the job, you've got to get you to get you until you can't go to one or other. Tita had the pantslons well, they were to have a relation

beautiful. There was such a chemical between the two that in less of a year Tita, she was embarrassed. What, to get to

she doesn't. She's not, she's not. She's not in a family. So, simply the two were all the

two are all depend on. Tita is independent. Never will depend on anyone. And when was a little she was a

mother. She had to protect her his brother. Now, that's a man, that's a

that's a little, because you know, that's a little, that's a man. That's not, that's

that. That's not. That's not. No, look, Dan, is encargarer of that. Tita's going to and he's clear. Then,

once that's the new, Tita is the tariffed to the time. And it's about about eight months when when he's not

to get a very extra new in Dano. He's has distraided. Yeah, no, he platic to many things.

When she he's got to go to do, we're going to go to do the cell, we're not not much

occupied in the cellular, it's and you're just you know, not in a little bit of a day,

to go to see, and if not it's clear with me, the things not are going to be able to so it's

that you're waiting for the moment to talk to him and of he's a day for another,

Dano can be and he's again again to have attentiones with her and she

and Tita says, you know I'm I'm let's I'm no more

no past nothing, me go to moment to talk. And about a

month after he's a lot of this success. Tita is at

costed. Dano also. Had been a day normal, beautiful, tranquill.

They had passed time with his child, the little was perfectly

dormied, and the two were in the room. A Kama

a small in that Tita was there was there was a

little and Dan D' disparamado of the other but

Tita was still was sitting in a She was a little bit of a place.

She was a bigggy-that-the-couldered. She was, she was up on two almodones grandotets in what he cabed almost a half-curepo, and is accosted there when, of a repent, I'd open the eyes and he begins to bolted to all the parts. Sient to something that was in the house. Algo. A sensation that she knows.

A sensation that he passed when was a little, a sensation that no one likes. And she doesn't know what he thinks about. What is, what is going to figure, that if is to start to someone, that is going to molest to someone? Something is, that's perfectly that not a person. So, is that he's up and,

and as 46 passes, he gets there at 3 meters, but Tita, they're the feet very small, so is that he has to comein'nare much, and when he gets there, of a hand out of a man, met a santo trancasso, so prended the light of the

the room, without that is a point to live the situation more aterrador

and traumatic that's toped in all his life. When I got

the the I was a a sensation invasive by the

man by the light and the he has the light the he has

gone down he's on those arms like those

scenes of Dracula that you have seen in

a a movie and he's like in those films, like if no, it would have effect the gravity over

it, doble his body the eyes, he has the whole and the

right, the feet back, the feet, back, the the

arms, they're on the right, but it's a movement so

robotic that was a more a more than he was moving,

he's she, she, she, does, do, do, do you

don't you're well and Dano and starts to breathe agitado and he starts to

turn to be down to the top the arms elevates and the head up with the

arms and it's like a type of respiration that you see to people

very enojated to people that people that have had been to be a point to let me

a tracos but tita not is not to put put that not

in the time and there so that just that just to the A me don't

do you end up that's doing that? What do you pass? You're doing? And Danna starts

to breathe more, more inflated, more enojured like with a grunned and then in his

head he says, oh, God, God, God, and where he thinks

that Tita, Dano grunne and says Rezos no. And Tita so put elada. She put the Ada.

But when was a little that she no, it's she's the

she's with a lot, and that's he does more forces, apriety the puns and he does

two passes and he's that's that they're at the same distance that was with those

two passes with the hands with the two and I don't you want to be so I'm

to be to read. And so we're going to do you go to he's

he's he's got to the peter the and Tita he said, I'm to do you

we're to rest and he he aggerra the hand and he put around the

he's he's a little help you need to help me to do you don't

me struny don't and then then don't he and then he'll look to be

like of the eyes normal the pupils the poppils

start to all and now the eyes and

the eyes try salive he he he's minutes after

after to have done a scandal in the house, he gets a little bit of two chorros

of the water endita in the car Dano and he said, you're going to get to to put to

me and you get a little to get a rosario and he put in the coat of and he

and he's I'm saying I'm saying I'm saying I'm saying I'm sorry I'm I'm sorry

to say that Dano Rez's with me and then Dano he'd be he bentable the hand over the

hand over the water that no you're doing and he chas gruny' and so I'm

I'm at the I'm at the boat and I'm in he had passed time that yeah no grunia

and I said even you know you're you're so you know what time

so know after he's after that he's he got he's he's

I'm I'm I'm I'm you're you're you're all right

those eyes and the little before so he's gonna go ahead to come and he's kept as extended and not where the respiration

change. And I say, well, that descanses. Tomorrow we'll talk about. I'm going caminando, apaguer the light, and I go and I'm kept a bowlita above of my almoadas, and no me can't doorme. This old hico,

because he quissue soothed so I don't let's do nothing, or is it happened something? And me let's get all the night, narrator. Piance and think if it was a drama if it was a joke or if it had passed to do something in the house.

Because the fact that even I've lived this was very very worried I don't know how to board it but in the

morning when Dano he gotro the rosario that I had put it in the coo

and why I why I put this because me got the courage narrator and I'm

I'm just I'm I'm right and I'm met two santa guacololoteras in the car

and I did you I'm going and I'm I'm going. And she me says, what you What you pass? What you pass, Tita? And

I'll explain to all the night. That day, Dano was her saying, Disculp, me, Tita, I don't me

I'm not, I'm with an intention, no see what I did it and I know what. And,

and I'm that I did in count that I acted that I'm really had happened

something in the house. Not was a couple of Dano. He was to give

disculpals to the day the next, but Dano changed. At the day next, he was a

very funfun, enoged, no me wanted to I'm going to I'm going to I'm going to give your time to be a

passywee, and then I will go to ask you to give because I don't me comported

as the but I am I and that was my error. One a second after,

a day no volv over the time, I'm a message of the cellular,

I don't I'm going to go to I want to I'm going to and I'm going to do and I'm

going to be my boy time. I'm my my new. For I'm know for the

people, and I'm know the and I'm did it's for the tippa. And if

not had passed on two two months when you had that she didn't know

that she was any that you know my good you go to my boy my

my name my name no you my no no me made a

message that he said, Tita, me comported very mal. Dame, for favor the opportunity to disculparned

in person. I have to tell something. I don't want to go back, but I need to give you and give you

a front and talk to a coffee. The first that I did to say to Dano, was that I

did you for the Guajoloters that that did that because I said that after

I said that he said he was to be a he said, he said, then then not you will surprise

what I'm going to say, Tick. And me he said, that my suspicions are correct. When we

took him a new he feltio that he did he knew me and a little bit of

a coquetier. Then a day that they'd go to and he was with an intentions

very clear to the house when he went to he took an altar that had

various statues and were statues with what he described that they were monsters.

She impacted so that said, no, I don't want to nothing of this, no, I want to know nothing to

you, and he was. It's that he left her because he started to get to

this woman and he he was not that, but I could think of her,

and when he was my or our his son he was all that he

and a day saw a some a and that he

came he was he he did he he got her the arms, he did

do that. He said he was just so he gave a lot of that he to get to get to the

house and run per he was in all he was not he was he was going to get a job, his head

not was never was a way, and he was a mountain rusa of emotions

but of a repent after after many things that had that was he was

he was to make of that sombrae he was disappeared of his life. And me he says, Tita,

it's like that they're a marrott. If you know someone that has passed to some history

with enbruchos or marries, mandam me your story at WhatsApp The Pesadillas. It's never too early

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where your story takes off. A Victora He does fear All the things of the

future All of the things that have to with artes occultas with chamanism with

esoterism all that for her is a for she is a centurron or that

her family he inculco certain creencers no it's because

he had some traumatical that that no want to never to

know to This is this. It was a little bit a lot of many people like a lot of

people who she went with some friends to live in a house like as a house

while they were in their studies university. The house of a building is

an edific that is a very close to the university and even a part of

it practically is full of students. I don't see in your

city that but there are there edifices of departments that are made sure that are actually made

for that live there people of the university. So, she had in one of these complexos. And resulta that with the

two Rumiis that's put to live, that I'm not sure, and this is important to recall it, not I'm

not sure that live in the same department. But we're that we've in the same

the same the same the two Rumiis or his companions there

of the departments are two friends that just are friends because they're

goodstos very very good they're they're they're they're the thing

of the whiffa they'd would be to be the mortals that

the for victory is a important is a thing of respect

is a problem in the the For the friends is, imagine that he can't have power and if I can't call him a murder,

imagineate that with this can be assustar to my family, and things trivial, ridiculous. What could learn the number

of the lottery and get me there the money, the premium, that then I can be able to be

to say to the secretes and those assuces. Purs just stupidesses, things that not have been

effect real, more than generate some type of a little particular of the where the center of the attention,

you'll take you. Lamentably, the friends of Victoria, think that she don't know it. Because then,

after some mehicitos to be living in this building in this building, they're going to be

their first sessions of adivination. One of them has decided that the tarot is the way, the manner

to contact with the other side. By the middle the cards they can know the

past, the future, the what they is the problem is that

all, the rito, all the process it's in a form that caricaturesque that Victoria is a

offended. It's ridiculous what he's doing. From the way in the barragea the cartes

it seems a croupier of a casino. A person that's doing the things

doing like a bit of fanfron in moments it's just a illusionist

making that the cards are that they're not to separate in the

mess recuperating all in a manoe of cards that makes that are that are going and floating

and flotting. Trucos of illusionist. Trucos that have with the hands. Respecto null.

Those things, that he's doing, what is that's a other companyor

is this wow, how you could you learn me that's so that's

so fendididid so. Well, you've been to do you're to do do this

is with respect if we're to be to be to be other side, we have to

do some way, but in a manner a respectuously and correct. Imagineate this what you're doing. You're doing? You're doing.

They're going to go ahead. It's going to you. And then those companions are you? With who?

With the what? With the the way? And then she just just I just just got to

the car to and yeah. That night after after after the night, absolutely nothing.

The next companyero is the next the next what we're we'll be to contact the other side, how we're going to have these powers,

how we're going to know the future? And his instrument, you know, the whiffa. Trae the whiffa, try a waiiha, but all the

night, the only that he was doing was to be to start to those others. Preparable some things. A bottle of

plastic made uplasted a plastated, he had put close of them behind of a new

and he and the air conditioneded the air conditioneded the air said that in the moment in that would

be heard a tronid in the place, he was going to get to put up the

little bit of a little little bit of that he to come in making the time, for that

were going things, trucos baratos, but they were so faratos that when they'd

they'd they'd after a carcajada when they're after four or five things they'd they'd

that all were don't know that night. And no pass that night. Vittoria was a molest, enojada.

He started to look at that she wanted that she wanted to let's say pardon to any other

other side that she not wanted to offend them that for favor he said they'd do you know

to do this but you need to three, for some reason, it has been in your

mind, you know, that's they need to contact us, that for favor let's say, and that night

for some a strange reason, I'm a bellas. Three bells blackas. At the

day next, he goes, and says, we're going to connectar, let me please,

please. The three go to one of these other of these places, apagent

all the lights, revisan that no there any window that can enter

being, put the bells in the place and then Victoria and says for favor respect

absolute let us let us let us and then one of you say the bells not

and Victoria he flumina with the mind and he says in serious I'm asking respect

if not here we know we we're you're they're all both so can

they're all can't sitatitos no know know what going to pass. And then Victoria says, there's

there's a little bit, and the three vellas at instant, after to start tintiniinging for more than a minute, they're detaining, and the flamom so little. The three stay, they're still in 10 seconds, and then they're just to intinia.

So, one of the other people, burladying, says, ah, now result, to see, if you're Superman, will be to detain the and the vella still tintinian, and says, You see, no there's no

nothing. And Victoria is the kept being very molest and if there

is a person, please, please, advise us. And the bells, the three

are at time and the same and it gets a two seconds, back, and then

then we're the chikos are surprised. Victoria says, how are one of the bells

is detient, it, He's up. After that, the second, it's detain, and then then the third

is detain, they're They're They're They're If they're Let's Let's

detain, they're at the same altitude, they're back, they're and then

they're No, they're and they're the is contacting, they're asking, they're asking,

that they're never, those men, the two men are the head of the head of the above,

as far as the last that they're going to do respect. Because they they're at their initial

their intentions are others. And Victoria, Victoria has clear that you contact with the other

other side, he wants, to do the day next they can't they're the next,

and here I'm to make a parenthesis, if you are you are you are practicing these things,

they're much careful because you can pass what you know victory. Victoria no can expect the

Gannas. He has many many desire to contact with that other other side, that that

day that is not even back classes. He's got to think,

who's on the other other side, what can do you, what can

do you can't do you and the muchachos that night are ridiculous and absurd as far, because

they're in things mundanas. I'll say to the number of the lottery, secretos occultes of the persons, things to surprise in fiestas. They're in that day. After that Victoria no were classes, commenced to contact to those

beings. And these chikos, after that the vellas do you, various times, commences the questions ridiculous. Victoria was fulmina with the mirada.

The belles They're parpadea every They say they're saying And one and other The questions are Each other way, The question is more Ridiculous

And at point that I'm When they're They're going to Beignarce, they're going to go back to go to class,

they're going to Dorms to Boca above and back And you are pure stupidesses After the

moment in that Victoria Wohue to ask And the and the Cells and the

other side, and they're they're going to do this, no we're to come to come

to come to come to to call them because this is an offence. But that no will be necessary. Because that same night, something will start to molest to those chos, and Victoria no's going to

get a count until one a month after a month. During a month was so molesta, that no I'd have to think in the velas, las trailed, and if she had been fixed or if you had had done a little, that I'm going to say right, but

they'd try yeah and I never thought in these the kids, because it was molestitism. Until that it was a month after she went a month after, she, she said

that if she was contact a other with those sets, but this time if they want, that they're doing, and the children are

all stusted, the chikos the people are them demacred, they're and they're and say, that's

that for favor, that they need to give them and she don't know that they're that they're

saying they they're they're for favor, need we need to talk to them that's we're doing,

that we're not the time, we're doing, and when those contact them, they're coming to reveling to call them,

please, they're in the court, yeah no we're doing the night, for the time,

and you're not me put them, no, so they're and they're and they're and they're

and they're just, and the time they're there, and then they're there's there's never when Victoria

Perns, they're gonna they, Those you can't Pernar? The llamas no responden. For these

chaschus just went the pesadilla because every day was inkrechend Peor. Every thing

that was the rues were so those obsessions in the head was something

that was they were a lot all around of them was a chaotic the university

was a chister that was they had had been much time after

not they were absolutely nothing. They were people that were used to hospitalize in some

psychiatric, because they had no control, and in any time they could have done. And in

that moment, Victoria see, does that that's passing there something there's a

really bad. She also she she's really a decryate, and has more of

a month to not use the but no can't think of them all the day is all the

day is thinking in their his examines, his classifications, all the reflect.

She has not present. She has been in the hour. But no can't think of that's

a day standing in your abetation he's the ballas the physically

she's sat down in the camera and when be the and he does

something that makes that's that's she's a one

one one one one one that was obvious

and and she not she not the noted.

The bells are intact although it's turned two times in sessions of hours,

no have no has been the size, that's things not not the pavilo,

nor the veal. When think in that, he came a thing,

what carh's is going, with what I'm trying, and there, like if

these things that were on the other side, the

other side, they've heard to be able to the reality. Stando in the camera with

the belles in the when he's the little, as it's a little

can't move, only can move the eyes, and when he can move the

eyes up to up and see up the part, be how

of the can see that's in the other in the penis

and start three the other, that they're a pair of two of the one,

the first one, the first person to have two to the same, and in the rabid of

the eyes, the view perifery and they're to look to see, they are like, people who are

a lot of the skin is absolutely dark, and they're an aroma putrefacto

and a spantos. One once that they're being, she's thinking

God me, God, God, God, God, and as it was

all So, she's a desacer all of that senisa. An aroma has comeed

to get to his nose, but of a way that impregna a and they

start to talk at the door. She really really fear.

She makes something that is something that's obvious what is

when they're when they don't the door and are

people that are in the building that something that's

there's that the No, it's incendiated, not is a chemo, they're why there's a lot of humo?

Victoria, so can move then, rompe the bells, and it's out of that department,

nor ever use any of that time. To Ramon he used the thing of the paranormal, he doesn't

this thing, because he was a only one one single and just when it had around

16 years, but with that thing he has been that has been and he's

this phrase. I like the stories, but I hate the viviences. Ramon was a man a little very, very

normal. Of each, he could say that of those people who are very very

very from the from the years, he was the he was the he was the child.

I never discussed with him, he said what he said all the

things that they were there was the there was the little

what they But as those 15, 16 years, he went to he. And he wanted to have your proper, let him,

like, like, let's do, do you know, and he wanted, apart, sentia that

he were a lot of different, and they were and they had a time, that time,

that they're going to discussion, after discussion, and discussion, things trivial, of any

family. Because, really, Ramon, not was doing a that was going to affect

to a family to a way negative or to him. They're things that we all we're doing, the buskedom of the liberty, the buskart, to have

your own personality, to show who you're of your essence or to find you yourself. The theme is that, for

there of the 16 years, a rise of a thing that the time that's not a time of that was a

man, that they got to the bad words, offensas and the papa of Ramon and the part of golds the one or the other.

Never ever ever had imagined that they were able to do that's to do that one to do and then they did not they did not with

them or nobody. But that day that house was a lot of violence that Ramon that is the cause of what

he was his father he had meted a blow to the panza not too too much enough

so much for that he was enough to get the the air, Ramon had had been the labo of a trancas on

the car, and after that the two were in the two and they were surprised. They were the two horrible,

like a bestia, at the point that the father's the little and the light of the

and they were the two enochasimus so, so is that to give us disculate, they did

a half one to every one to the door, the corner of the the corner of

the car, the the corner of the car, that was I'm going to ask some excuse to be a garden or patio, no-seh,

but the sir was doing there's going to be a little. Ramon in his room, he closed the door, he never was

he closed in a screen in a front of a ventana and he is he's going to think much things. He's that

he's not me he's a frugate apart me he put him and he he's got

and then he tried to pay to pay to him he's he's been good person all the places that

I've given all the things that I've made to do the carino that's I've done when I've

asked you I've got to know, and he's I'm trying and he's cargand and they're in

parks of diversions and miller of records cacki poor Ramon never

never seen he's he's he's a man he's a and I'm and I'm

and say narrate and I'm said so I'm I'm sorry I'm sorry I'm

excited I was Triste I'd I'd get to I'm I'm

really to get to get to get to a grittal I'm a brother but I'm

never never never was no, I'm was revueled in my

emotions and I think that that is what provoked what what I

happened being in my court I'm I'm sitting in my

story at the point in the point in a moment

I'm I'm but viento, that's that that comes in a tromba, at the point that sounds like some type of lament or yant, but at the long. And then there is something that's a little bit more a look at least. I felt like a look, but a mirabye very pesada. When I open the eyes and I'm down,

I see that just in front of my abitation, in the plant of the above, and in the cera of the street, there is a woman. This woman is looking, like, this woman is seen as a person major, cabello black,

Tess Blanca, has a batte black, and it's very strange like a person that's a person that

some of a hospital. Then I'm I'm going to hear the sound of the and in some

parpadeo that I do I at the moment to open the eyes that woman is

a person and I see my hand my back Rassus but my ventana

is a serrata but I sent me his hands agarrandom me, and then I'm going to be able to back

and I'm going to look at the piso. Me do in a santo tranceo that son-so that son-oferenced in the house that the first that was Papa, and me he got Raman, Ramon, Ramon, you're all right, you know, you're going to, what

happened? That narrator, the image in the life, I'm going to forget. That woman in a parpadeo to be at a 10, 15

meters of where I was, it was the time, and he gotro the What demonious was what I saw what I did? During many years, I said the Yorona. But after being your podcast, the Yorona no has nothing. That thing no-sekera, but I think that we're with so much courage that we've lived that day in the house. What you think is that entity to that man? In 1985, it occurred a tragedy in the city of

Mexico, a temblor, a temblor that many know them. Much of Many people were affected. No, I mean I'm referring to any more more than the amount of people, but was something

exaggerated. The city was not prepared for a time of that magnitude. The city's not were

prepared for that's a place, a place, and I know where I'm a location, there was a

place of a lot of people, and so that's a lot of people, and so that's the next 10 years,

a some type of company, he bought terrains of these or were those who are they're all limpediaries and they put some

to build and others to and there's a little fragment, a little lot of terrains that they were transformed as

a type of fractionation in the one of the one of the land one of the building and

he's where the father of our dear Pablo. Pablo is a subscriber of

the channel is a person that's a person that's a person he's not a he's he's a

real he was in the carne property just in the house that his father she obstinue in a

place all they all they had that there were corpses of the time of the house was

a house a house of a three piso the papa of pablo was a person

that he was incredibly well some some a good a good that

all all the things functioned padrissom. The fourth of the

and that's the election of the was the lastico. It was in a third

piece, a room specific that they had put the thing that

he was a particular, he was a moment, he did the

little the little, and he had a little. And Pablo,

as you know, he's a person who did a very specific for

his room. He'd to have a libriero median, not

a lot, yet to books, stories, stories, things fantastic, things too

of the school, but I wanted that the room to be the

library. A. So, a library, an room, and

he was a little and he was a lot of the house.

That camera was down a front of a front of

a front of And he has present that that house in that he vivied, in his apartment, and in all, that was the place in somebruged. Seveillance, he'd shone, he'd musmulls, in occasions there were fettos, in occasions, there were olores fetid,

in occasions, they'd hear of lankes that came from the plant-baha. When he was very little, he was a suspastable. After two years, and, knowing that his papa, no's going to change to there, because he costed a fortune the place, and not he was going to

rent, because in that time, not used that type of customries, he said, here we we're going to have to

another. Pablo's he costumbrough. The primos no care they're not going. The

mother of Pablo was all the excuses that could be to not not be the

house. The brothers of this people, he had many people and they're

so much social and and lamentable he passed much time

there. And he took to be to all. Reflegos in the spejos in the people, in

occasions people that were like to be in the family, but he knew that they were in more of the

same. He said that he was had been in the other room. They were in a zone

secure. There no had a problem of security. Pablo, he used to live in

a house enruh until a day. One day was the cabose. One day,

a success when he had like about I don't more with this and I need

I need to do this and I'm the other what was what he he was he was

he's going to be and he's he's he's he's when it a tormenting

a torment little a storming a torment truenos but truenos of those that are

retumbar your house that's that they're that still are still

that sound like it's it's it's it's it's it's

the is that you that's all that you can't hear and the window. And the crystal of the ventana, no part of projecter after relampaghther, trillampag, other relampagher, or so, you know what I'm going to be. I'm a lot of the water, and it will be a little bit of the Lodd.

And it'll look to see, because there's a lot. And it's a lot. Because there's a quantity of relampagons that the that's a way in camera lenta

because he can't see how it's not the part of the dorso and then he's going

to be and then he's back and then it back the door the and it let's

all inloaded and it the way directly of the palm she has a susta because

he's in a third piece no there no any

the bombers They've got to go up and with a facility. No, there's form that someone's up to have been to go to the window. Menos, with that tormentor he can't get a ray.

He, be that so, he starts as a loco, his mom and his pap'n to be in the room, and what they've been, the gelad. Pablo's he hacked,

or more been, he hacked, that he did that his family were out of that house, for insistence. But now

that he's a story, he's to another conclusion. And me said narrator. I think what he did my family was out of the house was what they

saw my mom and papa and not he had recapacitated. When they play the light of my court, in that ventana, if there is a wold, it's sacred. The problem is that the way is not out of the ventana

is that for the window. And never had put to think that if I were my papa or my mom and in the the room of my house there was a way of

of the hand of a adult in the window, my is in the little, I think

to care to do you do you know, and for us move us we're going to tell us the history of

Israel. This history not is a story. Some various stories and it's

something that he's all he lived in the penitia, because you're being Israel is a chavo, that when he lived this, had been 20 years, had been in some occasions of missions.

What he was about of the missions, as if you were, that went to kids guappas. Punt. And these chikas were to have been able to have been good conversations, and of the missions

had taken a pair of novias. That idea that many have been, that for form part of some group of some of an church, the people, you are people

very religious, very knowcedores, and that, that's based more in fantasy than in reality there's a lot and Israel was the whole

because Israel I'll say no had nothing to be with with them religious, things spiritual or nothing

that's when it's a mission that was a new location and he was to a city in a

city in the that he never had had been the people of the group of missions

commenced to talk about that this place to go that we

we're going to let's that's I'm a little more. So,

are various groups cellulas that are around seven people and each

one of they're to go to a city a city, a

different. Because you're talking of places in the city

in that they're their different. Those are not

very not much not too. Not so not they're

not different because not they're so they but a cosmopoly of a place that not

yet yet in a cent of it, and the other is like four kilometers and not get and a cent of inhabitants, and so. Peculiar, little places, Peoples. Very well. Israel, commenced to hear of those

that are in front of these little cells, that they're asking that, at regressar, they're trying the stories of terror more good because to the places that are,

they know that are inbrujado. Israel, he's got that, and says, "'Beejo, ridiculous. They're all and his

I've I've I've I've been two, three and never

a thing. And it is a mission thinking in the other

in the group, no he took on a little opportunity of the league,

and it's going to put on the things. At final,

are a vacation, that's being there in the person, he

a thing that's that that's that's that's that has a

story, and that's circle in that fogata that they're going to tell us to story of terror, he wants to participate because he has something to say to them. Reyesan in the mission, pass a one time,

commencing to send them to the person that are front of the fraternity. Israel had called into them because, although he no went to front of any group, he had said that he had said that he had a story

and it'll invite. And result, that in that fogata of stories post-mission, we're going to four stories, between her, the of Israel.

But this is the you're just as a point to hear the one of the one of the way to get the one of the first

story is of a little bit of a little we're going to ross ross is a a chica

that's a front of his group and from the way it's like with the case in two

things that the people do the do you do you and let me investigate

and what is the place the little the person and when he

when he a place in a new The people He said very serious, the Colina of the Bruja, but

no, he appears things. And then Ross, they tell the history that

they're they're they're a chavito that's called Tomas, that that that was

that man Tomas was just in the part of the top of the the colina of the

broha and that he one day standing in his mom he said to come

to come something too to The people not be to and be to go in the Colina

of the Brouja of the night. So, he he was he was

going to back and he when he at the middle of the hill to the

house was his mom to be but the mom was like

that he he he said oh my mom for

preoccupart the he and when the abrasa and when the

entrance of the house he to be a some am to be a Tomas, if he comes to come to come to me here.

And when he sees there, she's put all the skin, and they're many scalofrills. Suelt to that's what's abrassing, and he's just as in the center of the in front of what he's abrassing, yeah no is that. And so,

the mom, that was looking, to where he was just in some instances, like if, if, if it had been to the eyes

when you got to come to come here, you? You know, that you don't end up there's because it's because it's

there's a lot of the house the house the other this child this child this story

and he used to get to the colds when he said the year's but what he passed

before to get much a lot she did a sure that was going

that was going to the corner when he was a woman parted just

two twenty three 30 meters of the last house that is in that colina and that woman was all dressed

of a black but what really really is that's sure that the silhouette was of her mom and then when she

he gave much fear and said no yeah I don't go to ask you not going to but I'm a

story to talk to that fojata postmissions the the time is that when she is that

she's talking this story that I just about to say that the colina of the

there's a there's one of the person that I have a story that's

a feel but it's so it put a palid so they get to

they're to start to put in and when they're a story and when they're

they're they're they're they're yeah to be to be to be a

other side and he's you're you're you're you're you're you're

you're you're you're you're you're no no no is right

I'm me, I'm a sussed much, me I'm a sussed much. He's done a space like of 20 minutes. And, and the story that I'm

in the place in the place in the place in the world, is that they're saying that they call in the

house that nobody they're abit. They said they were in the past that were bruchos

and that in the house of the devil guard them a devil and they they were

that the house they had with a crucifififio and that they had exorcised

or something and they had been a little in the door of the entry, but that

has it like some two years, some people were to play

a game of the hidden they're they're that the most place

to be the house of the people because they're they're

they're a little they they're they they're they're

to start grits the people So, it's to start because they're grits of the

people, who know what they're going to do you, the people go ascerned and the people are

those two people, but they're disparated like the crucifio, and he starts and he's

a faras that it is aft the door and it was a door a year, it was a

little and all right a summer of the house, but a velocity, but endemone

and it is gone and it the people what they are, the

they were just going the scondidas when when the one he said he said he

was a carhont and a mess that was there was a there was he was a

mom then he went to get to the kitchen and he said mom mom

after that the person that was there was the rostro of the mom the

the person was pretty was but it was He told that the bruchos of there

they went and they were to they were and they're that the devil imitaba your their seres

so. When they're listening this the people that have been on the ad because they're

they're to start the hos. Then the sombra that's went to the

colina of the and they were all that's this is too is too never

had passed that. I mean some other sometimes we have told stories of

terror but this me had occurred and is where one says I have

a story to tell us for this Israel me says narrator after those stories

I said I'm I'm what I don't know I'm something I think

that I had that I'm a great story but after

that after that's horrible and what you what me

told after he made that the car was that I'm

prevent because I felt much MED and I did know that what I did not be

maybe it was a better than what you did you the third person the story

told the story of someone that he did he he was something that was something

for this is a person yeah major and that person yeah major don emilio

don't emilio said that he gotro a machetazos to diablo he

he says that his brother, always they'd be a spirit, that his

brother, he was a man, he was a man, he was a man, he had many

people who had been to be and he had been done, and he had been

so he said, he said his he said, he said, he's to me,

you know, but if you're bad, but if you get to a one way, not me deus

in the carerererererer and the one day, he's who are yawy-hands-pearl, but much-simus. And then, so on those passes in the entry of the house, and as it has an entry of the madera, sonarone, like some

pizos, some pizadeghur, they did cruging much the madera, so, it's open the door to and it's called to-courtier. And then, he is he's a bolted, and he's a bulte like envuited in a type of mantah grandota there just in the center of the cell. And he says, man, man, man, if you're you? If you're you, man,

let me of one way, because if not, I'm going to solaceous. You know, you be that the side of the mantah, of the other men, they're going to turn to the mantah, and they're sitting, and so they're looking to him. And then, he's a car and, for custom,

he has a machete. You go to get the machete, and he says, Man, hollah, that no se is you. And if is someone else, do you know me, understanding, you're going to let me understand. This, not is you not you, this not you're going to be here. But what you saw, Don't

Emilio, was something that he did he was so he was a man to start and he gets to get to get and get and and he's and behind the

mantas he was a cut out of a person but that the arms are starting to ensancher to put very

musculosos and he comes to be that all the spalda is very there's there's

but it's that it's not is the people that are being supermently musculosas

but he's sure that not terminan in a foot normal, they're in a pat on a pat a cabra.

And when he's seeing that, he's a little bit a lot, suelt a machetazzo

and he he pega just in the side of the legone and the two two fingers

the mingike and the annular salem falling falling down to and that's

that thing that's that's just that day, I'm saying Don Emile that he he did

his good to the man, the man the devil he not to get to

that he, that he was going to to be able to be able to be a man, and he said to the other one,

no, the day that you want you want to be those things, you know, with my

machete those adjusticamos. When he he told this story, the people didn't

say, ah, well, those are so those are so that people.

But Israel not was living that. Israel was totally the lad and now so,

as he said, he, he sentio that the thought that's he's

for the book. He said he cost to get those to get the words and you're saying

no, no, no, no, it's all what you're saying. And you're they're

they're doing. You know, is that is true. Dime that you inventes. It's the

story that's there in the place. I don't know about. No, I'm really nothing. He said,

you, you're, you're in the people in the people in the I'm saying that

there was something but that they were that they did insistent. until that I

that was that was that was in and after a colinita me went because I sawmando because I

did know that there went to get a and they were and then after that there was a

colinita there was a house and a house and I'm I'm sorry I'm going with

I'm going to say you don't know that's like I'm going to be able to but I'm but I'm

found that there was a little the house the The sir, he had put it, like, some

the manned as arival that he had a manned, the sir, he was a well, the room was done

because it was there was a and there was, and there were, with what I suppose that were those necessities,

and there was a bankita, and the man was there and when me bowing and he said, what was

what was there, what's the person, how is to talk to me, and it's with me, and he's here, to what's in charge,

to do that? And as a half hour, someone from from a little bit of to get to, salte dey, don't you

do you do you get you, not you get back. So, I'm so, I'm just and I'm

going to a person, and me and I'm saying, take care, he's a question,

he's just he said, and the bigito and he's, he's, he's right, and he's, why you

do you know, so you're that's a person, let me, make much that I had a little bit of a lot of people and he said,

and I had a pair of locos talking. But I was, I've got a story. So, I've been a man injauled in the people. And then I

asked what was what was what was. And me they're going to that this type is a war.

And that he wasustating a person in various people, until a little he moched

two- dead, he went to come and he went to and when he was

he went and the morning the next was haularan. He said, for me was the story

more that was a little but it's that you know that you know and you know

and that and then the story and the platform of audio, we've got to

get to this dark fogata of you know, you've got to three or more stories because if it's a

soooct see us and give us and give us and you know if there's someone that

you create at your around, that can be part of the family nocturna, no doubt is in mandarin this story. And every this family nocturn, the more and more chide of all internet,

we're going to do more and more. Now, yes. We'll see. We'll see the next Saturday, but from here, to the Saturday, I wish that you have sweetest pesardillas.