HABLEMOS DE LO QUE NO EXISTE - 7 Historias de Brujería , Demonios y Casas Embrujadas | EP 287 | César El Narrador

Episode Date: May 1, 2025

Bienvenida Familia Nocturna a ésta oscura Fogata de Historias de Brujería, Demonios y Casas Embrujadas en  ⁨@HABLEMOSDELOQUENOEXISTE⁩  El día de hoy les traigo historias que ustedes, querida Familia Nocturna me compartieron en el wts de las pesadillas.Escucha historias de Brujos Vengativos , nahuales y niños fantasma que seguro serán protagonistas en tus dulces pesadillas y tiembla de miedo con vivencias escalofriantes, premoniciones mortales y Laberintos macabros en este oscuro recorrido , así que prepárate porque llegó el momento de que  ⁨@HABLEMOSDELOQUENOEXISTE⁩  HABLEMOS DE LO QUE NO EXISTE es un canal de youtube con el formato podcast que comenzó en abril del 2022, su primer episodio fue "vivo en un casa embrujada" en el que una chica narró sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de éste canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de éste canal , la familia nocturna , creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de éste canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando ésto, tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora.El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo que genera. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado.

Welcome to Family Nocturna to this Oskura Fogata of Histories. The day of today I'm here I'm about brujeria, demonios, and casas enbrujada. But not you

explain much. We're going to direct to the stories. Only before to start, I invoke the Nocturna for that you

make a little and put there a little of the light in this obscurity, for those incoctos that you recommender to the can't to live to this scura fogat of stories.

Comeens us. For the first story, you have to give a context. Much of you know, and those who are not, today are you have a lot of

years, I've been a many good number of years, I'm in the seminary. In the seminary, I'd

a lot of many incautos there. I've said that I had to go about bromas pesasas.

The drama was a but a contundent. There some camas that the

camas were a caj literally four paredes of made and in the part of

there were some tableons when some of those of the people

with the and we're a very good good and we had some some

gromas they they were to the room. I'd go to the table the

table's me I'm and I'm back to put in their

and I was there and I'm there time three hour

40 minutes one until hour and half and

over of the table and the colonel was a little of the light of the room and I I'd ever

that was on the situation, which would mean they'd be able to be so that they'd put in the noise that were just above of me

because it was the person that was sitting and after that she had to be he was he'd one, two,

three or four minutes that if you would be the person yeah is still relaxing and he was a little

my empoo-on. With that was more than sufficient. With the empojong, he'd up the table, and normally the person grittable, and then this person frenetic, looking what was what

was going to bring the light, and in that I'd up and then I had to be able to the camera and he was in the same to

go to the other person, because they were the type of bromas that we'd doggamos there. Today, me made

a story that has to be with, of preference, never do these do these things.

Why do you do you do this? There's a other other and a time,

and a day they they're they're they're to be a person to be

a person more than his people, and they live in a pension with

people in a time, they're there's all things, and

sometimes the roba of a quarter to a other, the

pertencies of a all those pustas in the quarter in the in the two chrikes and the

things like as far tussed in the case, in the little little promasasas that all

have accepted that they have been done to do that they're that's when a day he's

he's going to go to the light in the room and standing in the

part of the letter he he's he he, as he, he,

he does mean he's the problem occurs when he aghach and be deba

and be it's a very well elaborated, so it's that's the she's he's always

a little a little and just before you get to get to get to

get the he he's and he then he then then at the instant

that he he's he practically he's to be to get to be to be

back you get to the time bring in the instant that he the end of the

person and just sent out of the middle of the camera, there's a cat a cato negro. A cato that no live in that house. A cato little, a cat

that, not styrandos, would get to the part alt of the camera, and not with all his forces would be to push it like he it, he'll get

a sosted, open the door, and see that the cat, he gets looking directly to the

eyes, he's, and simply he no it he doesn't, how it's, how it's What was out and what was

No-save. That's developed in the certain good for the stories of terror.

And when he was about the gawals, he got elated. And for that I

think you don't you don't you do much because you can pass this. The

senior NINFA is a subscriber of channel and she now that has

had been opportunity to tell her the first in the

first in the can be many years, a great a big and this we remonted a few

years to when his his son Alejandro only had five years. When he had five

years, they'd her, her husband and the his son, in a house, in

the center of his city. Since that came to live, Alejandro,

he started to get to get to get to get to less time with

his parents, he was the most part of the time as distraided, as trying to be alone, and was always

being in his abitation. Serrava the door, and in some occasions her mom, he was talking about a type of conversation. Nothing strange of the type

or aterrador, because simply was his son like, saying things, and asking things, and she was

thinking that was playing. Passed various years of this comportment, when she he asks,

Oh, you've been I've been listening many times that's in your car's with your

and he's he's he's he's my friend, and he's he's a man he's

a man who is a kid that he's a and he's he says well he's

she's she said but you're you're you're you're you're playing

with your and you put this the name Miguel no mom it's Miguel

is a no not are my is a little. And he says, well, I want to say to Miguel that I want to know it. And the day that you can't me

present you. And then, Alexander, he put like a little incommod, siara, like, apretando the labos, he moves the head to the side and says, no, he said that he said,

that he's here. Talve it's can nojure, Mama. No, I think that I want to know that. And the mom

is he gets a rare. And, a from there, it's the first part of this the first of this a new the first of

Alexander. Because who would be the instruction? Only an adult? An adult that wants to

want to want to make a child, an idea of that they're a good,

and then something she's, then she begins to look at the windows,

that no there's in the house, she, she'll her to his husband's

about those fears about what you're that's about that's about you're not a city that

this city never doesn't know that's that's that's there's a there's a

pome the father the father was a time of him to take and he

had a arm of fire and even even that's he he also

he quis to his he he was he always he was the time

that was he put around of certain places for that Alejandro never he'd ever but he'd ever

to be able to beaude out of the house, ruts in the abutations, things strange. And they're

many several times and it's very strange. It's like if Miguel was there this.

Because Alejandro he's just to talk to him in no time. He's not he's

in the room. And one his mom he's he's what's what's

he says he's that he's he's just that he's And her mom is alterer. She alterer much.

He'll be able to talk to his husband. Is that I'm not sure that's someone. No, he's been

inventing. I'm sure that's a person. A person to be able to be able to be talking

for the window or something. And the husband. And the we're going to talk to

talk to talk to find. They're they're doing a type of intervention for putting

a man, they're going to their and they start a conversation very

out of the common, a lot of a little, they're both in the camera of him, and they're

to ask them. A-be, we need. We need to we're present to the Miguel, because that's

that he's saying things that we don't know that's and as you've passed with

the college, that are things that not are being and we're to talk

with the we're we're we're to be the people

because are doing things that's doing things that Alexander, not just

he moves the head to other and he says, is that I think I think Miguel if he's

noja much Mama, not they're to try to talk to him and Miguel not have papas

because Miguel is a boy but he has a much in this place.

And the Mama he says that you're about how how you live

as much in this place but it's a little so no he's

so no he's maybe he's much. history of various families that have been here. And then, the mom may have a sussed because it does something very elaborated.

He says, look, Alejandro, you know, you're not you're playing with that. Or me present to Miguel, or I prohibit that you'll talk with him. The mom's all the abetation because is it's molesta, but he's fear. The truth is that he's a man infamy, he said, I'm

dead of fear because never my child me had been allowed. And me about, but with a security that you could believe that was going to be minty. So, no could be a good

racosinio, and me out of there, like he was trying for him to make him to make him to make,

I mean, I don't know because I'm doing, I'm doing to the patio, and in the patio we

had a patio, and in the banderia. When I go and the passio, it's a

piece of the techo, me, I'm I'm, I'm, I'm, I'm

I'm saying, I'm saying, I'm saying, this things that this

this is the new, that's there's a lot of the case of the other people, I know the

I'm in the whole of all the part of the get a little, he's a little bit of the camera of alexandro,

I'm I'm going to come on me, we go, we're going to the come to get to the

question, and then I know, and so I'm back, and I'm he's, look,

there's there's a man, but if he's he's no, I'm

don't know that you don't know that's only a one of my life that

that's that I'm that I'm don't the talk about because all the back the

back I'm put chinita chinita chinita chinita and I know I

know I'm I'm I'm I'm I'm I'm I'm

I'm I'm like I'm I'm I'm I'm I'm going to

my little and I know my wife's she said not we're we're these things

to detail. My husband no me quissue more but we moved to

that same same time. No you know how it was costed to buy the house.

He valo my husband, the put a rent and we went to be

if it. If he was or not he didn't know, I'm

after. After of that were some months, semans to be

time. You know, you're the house to the house to we said,

Mr. Mom, Miguel is there in the Ventana also also want to

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Veil to show in a point of talking to me to tell you, me it's a last, because me about a place in the thing that

and I know that place because he had been there there was there, but I know nothing of

this context. Here you go to the story. Resulte that when she just she castes

and, some years, he went to a building of departments. It's a building of departments that is very

difficult that you can't have a lot of a department or that's because it's in a point

of the city, in the that has access to many ways, a much

avenues and then when any department that's in renta, in

less a month a so that's that the cost of the

living there are in car. She is a question with pure netamente of the

fact of that has been in that that's department, or well, any,

any, any, she had been had been been after a year,

I'm looking always in that in the time, in the internet,

and he was physically to look to see there was there

some there. Some the telephone of her and the that's his husband,

to the person, and they were in information if some department, they were a place in the way's in

their way's for them, for the time for the time. It was a very strange, that they

would get one, a very, very good price, but that the only condition were,

we're, we're just a year, and if you go, me going to keep, you're going,

It was also the cost, not was too a bad of the price, but I'll say, for the

area, it's made that they're the matter, they're not, they're in the

place, and a start of a series of socesos for the course during

more of 10 years, I don't know, I'm not in this department, where they've been

those two, she has to pass many moments only, because the work,

because the of the house and in many occasions, out of the city, and in some other out of the country, and for the times, a lot of times are a lot,

a few cents, a few months. Those temporations in those that she live solo in the department, is when it begins to occur to

happen to occur with things. Dice that the first is that she has a presence in the kitchen, and this presence

of the kitchen has sent from a ventana. The problem of that the ventan is that a balladero. No, there's no way in the way

person is observing from there. But in a way repeated, when it's in the kitchen, has to govite to the window because sheenty that someone is observing. Yeah, there's a moment in the way that decided to put a curtain and still put a person. For that if something he's

being, from a bird, a be, what it's she's not, she's not being the mirro. You know what's the bad? No, it's not. And it's in various the other points of the house, is there, in that point. There's a second point in the department that is just at the side of the mesa of the commedor. A small space that connect the commedor with the

cell in the that she has seemed like a malabre. It's a space that when barred and trapea, strangely, without being down, he's the brinked. And always get those most two quadros of the azulejos of the piece without barred,

without trapeer, always they're in many times. So, his husband he's a question,

that's not, he's done, he's quite, that's more, a question, she says, pardon,

no me did and I'm a little, and he to be a dishe, but when it's

only in the department, you know, it's inconsient, she's he's a that there, he,

there, there's a little bit of a lot of there. There's there, there's

when those departments, when they are, and they are mudando there, they're

there are some people that are just in front their department. These persons that

are still in front of their department are a pair of the people who live in that

and are strange because all the day have the door that's door

that does to be to the front to what she has

all she has a a stout a big the virgin of

Guadaloup that all the days that she It's always the be of reoho

because he doesn't go to look to work to if they they're not a

door because for it's a good to live like that's the problem of her

but but they're to be a little like the mal-education when sub it's

more difficult because the escalers are direct the department of these

people and they are direct to that the place the place

that's the she she prefer to look she she's

she does the maleducation, I'll do you. There's something

there's because they're in the years, and one of them is a new of the other

is that you're a little right of the house, and is there. And there is the marital of

her, pass the two years, and is when she is waiting a baby that comes

to occur to this. When she is she's embarrassed of three months,

she six days completeitos there. And he says that was something very strange in the department of the apartment of these department, do you do you know,

of the subjects with the statue of the Virgin, and I'm going to hear something that's a that's to rasked just above

of her. That's always when she's in her and that has a time there and no can get up to

the same the same the molesties of the endbarass. And come to hear that person, and

she put the foot, because the the the room, she's

out of the house, and he to do the kitchen, and he does a point in

what time but it's a point, that the person, that the

person, that's a little a little molestia. It's many molesties

for the embarazes a little rudd, so, not it's something that he preste

all the attention, until when you get a moment that's my

is, me Sending to all parts. It's just very strange. For that not

it's always they're a perritte. That perrito is a very bad every every time

that the little every time. Like if they were attacking. Cours, he,

he goes, he gets a to lader, and he's to get a little in the department.

There's a presence. There's a sensation strange. When that that thing starts

and I I don't I'm much time there. The quadrits that no he's like to

be there's a way, there's a thing that something is a kind of to be able to make a

kind of that's a matter of she says, no, me I'm putting paranoica. It's the

end barasso. It's what we is what we are going. Until that one day occurred

something that no has no any no no explanation and to the day

to he doesn't a only one single that could say

what was what was that in the The center of lavado is the place in the place in the

place a little bit of that's a perr. That perro, practically, before to do you, go and she

acuesta there in a lot of tels that they're in the piece, she a curruka and she

gets to get to get to get to there, she starts to lader like a

loco. She has she gets to make the cello and she's

how the seecator is going one and another again a car in the secadour

because he's going to the wall. And the perrito is a little bit of

a little little. No, there's form in the he's in the way he's

and then open the door, the the perro is a little and then

she is so much she's going to get on forces

one and another again against the other you

because after that's the next to get to the the techo, and the

sensation of the presence is more more than never. The worst was the sensation to be observed.

Because even there's there's a thing, there, and there's that there something that's going to

practically of the and is it is putting on the place, and it, and then,

observant from the window, that ventana that is the balladero, in the window in

the window that you'd be going to have to be able to, the door, Mwerta

Mewartre She's A bit of Aftation He's Her mother To pay The other

Because he says It's It's really Raro The department They're Pastert She's

She said Can't get orita, no I'm a way, but I'm Contigued together But I'm in the morning. And see, you're Courses in the room. they're going to be

and she's going to do not and the morning next without the door to be

the center of the lavado, there's a mulele there's a muley on the house

the how it's she goes to know he? He will start to investigate

he's to ask to the people who this and will be a person and there

is a that's that's brujeria, the mules of Prujury, buska there's a something,

there's a little to do you a little to get to get to help, and if you do you

do you let me ask them to the people, if they know, if they're

something, because there's there's a that I know, and me convien.

And it's then when when you come to come in these people, the

people, the door that they have the virgin and something, a little intuition,

he says that not's a lot of and you're and you know the other other side.

Between the the young, this person major, she starts with her

and then a little bit of a platic and things without a time, she's

I'm trying to say a little I'm saying, what's they're going things in

my department. No You know, you know, if something did some and the

she said, things like what, like, like, like the brujeria, and the woman just back to the

side, says, are your people, the other and the side, how?

No, but they know, we don't, not they've been to the department. So,

they're not going to the department, are the people, they're those incalines, they're

they're doing, because they're doing, What are they doing brujeria? Well, if these people they're going to to say to the Virgin of Guadalupe, it's a santa

my jita. No, you've seen. It's the murder. These types are bruchos. This chick is a lad.

Salle of the house and that's the person who did the pavor of her life, he's coming for the

passillo, and now if for the first a first I'm to front of that department and just

front of her with the Virgin of Guadalupe, a cranny in the carno in the other in the Santa

Morty. Regress to his house, he says to the he says about the

he's going to what he's going to do you want to get to get to and then

he and start to get to get to get to certain of Christianos

and me tell at time they're they're to

get the but you know what was what me more more

in the department of There was no animal. That thing that was rascaing there, not was a being a a person a live. And you what would you

do you what I'm going to to tell you have already many episodes, but keep it because I'm a great

that this is totally new. So, many episodes, I told the story of a person, that was a

retiro. In this retire, did a dynamica of the oration. The dynamics of were a situation were that were made in form

groupal with those that were a type of sensibilization, a type of moment of encounter with

God. The theme or the situations that these dynamics are very elaborated and we

were not that were that they were the dynamic that this person was the next.

A group group of people were in the patio. A patio very

great. We're talking that the place in the place in the one of the fifth. Adelante of them, a two, or 30 meters, there was a

room mediumament there. Inro that room, there music. They were not they were not because

they were the eyes and they were trying to the place. They were only were in the place, and

they were to be a person. In that moment, they had to be reflection some

questions that they they're some text or something or something that's

that I'm that person that's a person that in occasions is a person that

is a person that is a person in the people in to be

to be thinking with the question that he said he he was

he not just he was the music as a melomano

then I was going to hear the the details of the music and I started to distinguish

the instruments that were in the melody. Then the voices and the voices and the person

that's the person who is the person have been to get to the people, and I

remember that we're 20 and they're 15 then I'm going to be of the other

but you don't turn in getting to get to and then to

healer those when he says when he they're I hear a little to his spada. And he said

for putting a man. Javier, Ponte of the foot. And Javier he's he's up.

And then he's got that this voice of this chick that he says, come to come to come in.

And then he does a voice he says more rapid. And he does the pathos

saying so mentally, so like okay I understand the dynamic that is like I'm

so even even you have you have to confi in the voice that you and he's, and he's

thinking like, yeah, I know, I'm going to risk, so it's that also I'm going to put to go ahead. And so he's a little the way to do the little bit, and

the voice with a tone severe, he says, more rapid. And he starts like a little more rapid, and then the

voice, so he move a little of direction, and he says with a tone very very fast, more rapid,

more rapid, and then he's at is at point to sort to get to cross when one of the

hands are to come in the arms and he he's a little he's a little

he's a little and he and he a little one of the people who are in

that's a thing and he's he's he's he's he's he's

what you get that he's he's he's he's he's he's

he was Leslie, Leslie me me was he was talking and the chico, he says, Leslie is

in the salon, the other side, in where is the music? Because you're going to there. And he said, Javier, narrator, I saw, when he when he said, to know where he was going, it was a space totally

obscure, that was like between matorrales, but it was like if a sombrae it was over the zone, it was the area. And from there, I heard the voice that me about. Since then, he said, I know, I see, I know that there are things that are there,

because that's not me that's going to tell in the day. That story I had told in some occasion in let me be what we're going to

say to you, not we've been told them. Passed many years of this anecdote, and then I know I'm a person

to day of today, that's just was at the same place to the and he occurred this that I'm

about to say this this person is in a medium of an dynamic that's

the labyrinint of the Spirit Santo. a place prepared for that you met you in a labyrinth real

and then by means messages reflections you're going as a way you're a single

a encounter beautiful a encounter profound he comment that before to start

the dynamic he said he said the voice the voice of God bus to you

listen the he said the he commenced his dynamic and he started in the labyrinth. And he said, really it wasiered

because I this labyrinth I think that maybe in 15 minutes you'll terminate almost a half hour 45 minutes. When do I

doverino the labyrinth of the Spirito Santo? I'm out of all the group had terminated. I was the last.

So, so they're being away from the place and we're a point of encounter.

That point of encounter was out of that zone more or more of more than more more of

500 meters. So I hear the barue to the people talking, I'm out of the barrenno. When I hear

that the voice of my husband me says and he says Jose Luis, see, narrator,

he put the little bit because when the I hear me I'm I'm at back,

I'm saying, I'm saying, no you know, the level of fear

that's in you, and a voice in me me, me I said,

the voice of God, and he and go to the voice of God.

And I don't, my mother. And I'm direct with my wife.

He said, the day of I'm I'm really what I really,

but in serious, me a fear and it a fear

and that don't much you're never you can't

you play with this. Joanna and Pamela were

two two great friends and yeah for the

time of The university. The two had like this type of chemistry, that independently that his

forms of were so different because Joanna was a person super extrovertida and Pamela was a person very introvertida

when they were like the great friends, like the her mother that never had. So, is that

was that was much time in the house, that's families they were as they were

like that were even even if you were not the one with the other, they'd maintain their distance.

But these chicas had that relation and the families they'd like. If they'd be both as well as and that were

so much, what the family not were, is that when the two were out of the house, they were of

very pox pugs, something that not were in the house, but like they were like they had been

a bad-a-cara had the custom of instantaneously to put aggressive and to be able to not is that

this has to a lot, but we're going to they're they're they're

they're they're in one in one occasion in the house of Joanna

the chica extrovertida they were with a be this

recina was he was I'm a type of a tinajos

out of the house and the the there had

had also also there vegetables and things so that not they were in

very good so if you you can imagine that that's that you was a whole of

the way and they were and they when they they were feeling and the she saw

and the she saw with a mind that you're what you want and then

and then the chikas they're they're they're they're they're they're

making some muggero no he will be going to do you do you

What's what? And he He said the barrio The two, but with all, because they started to cause her And the lady, she said, and the lady, she said, oh, myrits, no, they're going to find out.

And she gave the world to the her, the other two were vociferating, million-and-one things, she met her in her house, closed the door, and at the two minutes, Sal, the senior,

because the two chuchas still are out of the with a crossifio, he'll and they're

that the crucifix has been a diabilito put there, and now just says, you'll give us

encargo, and then he'll be to get to the the other to the crucifix

with the diableto the movements that but when they're they're not,

no, man, it's the same the thing, the they're not they're

they're They were going to goreying to come to the house and being there in they're in

they're in they're and they're and they're a soste with a little bit of and that

they're going to do that two both they're to be to be

in the apartment and they're and they're and they're and they're a little susurro

that it's like it's like it was the television that's that's

that's listening to his mom or her and is getting with a volume in a bigot.

It's a a susurro some person talking. The problem is that the door that's the door

to the cell where is the right. And this susrrow comes to the left

just of the end of the corner. So, one and says, and the other, and

the other with the eyes still abiot because they were on and they

said, you too too too you can't you see it's here in the

meditation and they're to hear how that that's mormue and then that's

a mormulio after that's a even a voice. like if it's a sound like if it's the same. It's all the synchronia perfect. They're the two

of that they're they're not they're in much fear. Because now is clear. The sound is there

is there there's there. There's there no there. And it's then when they're going to feel that

the temperature a down, back, back, back, to the point that the window

that's and they're to make to mark manitas. When they're to make

the there's there's there's there's there they're to get

to but the door not can't to open. And the worst is that

the room, they're to sound to moscas. Imagineate the sound of the

enhambre of the but they're moscas and they know perfectly because when they're

they're only a second oncendida and they be revolote and down the little

little those muskitts all down to the the camera and where the light

so it turned you the light the house the the ten seconds

after of a silence absolute in that they're is that's in the lad,

sienten much free, they're a really, they're in a car, and in the apparel, and in the apparatus, it's

a little a little bit of a woman, so super desgarrador, and it's all directions, it's from the room,

and the room of the room, and the room, where they're also, there's a

little, and the house has the same the same time, the problem is that no,

there's only are those apathes, they're apagin those appas

they're they're in a minute she's you know, the door they're able to

the door they're they're in the passio and say, let them to get

the house, and when they're they're they're they top afura, a

pentagrama made with cal and just at the crossifico with the diablet.

The mom see that that's a mangues, he's to let's take water, and when the water terminate

that circle and that pentagram, regress to the loose to the house, and you know back to pass anything. And it's for so that I think you, that never you metas with a broucavenativa. Crece in the premonitions?

That question me did Mauriceo, and me says that, thanks to a success very strange that his wife, Eliana, he's alive the day of today today.

Mauricio and Eliana were ever years. They're good friends, not the good friends, but they were good friends, and passing like five, six years, they were given

into their own that they were the possibility of having a relation. They started to do something like a migobios, but they were

going to be together the two if they're great, grand, grand company. Seven years after, we're they're

talking that not were some commensitos, and they're people of 30, a little more. When

they're they're casser, they're that the boda be the event,

because it was a event very important for them for their families. But the Luna

of Miel, the Luna of Miel, there they were to venting the

house there. There's they were to do it's a thing, and they were

to do it and they're going to the right, in all the sense, in the life, in

fortune, in good suctor, in doing things things beautiful,

in making that life, have activities that different different that

had been different, definitely, it was a body and a moon of me, and me

said, Maurice, now, now, I think, two times if really really,

it really, it really, it really, it really, it was there, in one of those

places strange, I don't remember exactly if it was in Bali or

in other place, because we did a tour, that my

My husband lived something horrible. She and I we're in the play. And then there's a

moment in that she put in the sun. In the place in we're in the

place in a man was a little bit sohbecita and rich that you would be put the

feet there's the water was with a suns that calm

and it was so so much so transparent and so transparent and so blue that no

no no it was the the sky is the place. She's taking the sun,

is the costadita, is a good, and I'm to know a lot. We're

in a zone of zero danger. I'm going to the play, I'm

to go, I'm not much to do that much to do that's a

little bit I'm sure I'm a person that's I'm I'm going to buy a snack and give you the surprise to my spouse.

When I hear you gritty to my spiel, I'm a sussed. I'm trying the two cocos in the hands, I'll gov, and she's grittling, piqued at the end of the place where they're in the solas, is there, and say, "'For favor,

"'so, "'se haog, he'll go, "'and I'm, and I'm "'attridden, "'and I, "'and, what happened? "'And where I'm, "'cas, she desmay,

"'and, it's allie, "'and, blank and he'd do it, and I'll go, what is the end up, what's the thing, what's going, and I'm and I'm, and I'm, and I'm, and I'm over, and I'm to see, I'll say, the water, it was transparent, it was a beautiful, and there was a

beautiful, and there was a place that she was, and where it was a profound, and where I was, no, it was, the profound, it was, a few meters more than a little, and she was sat sat there, and no, he was to believe, and I was to see, and I'll look at me, and I

I was going to arm and me I looked at me. He said, narrator, me tardy a rattote in that she could make

to make what I've lived. And then there, with the cocos of the

sand, we were and me and I said, is that you you're you're

saying, no, I'm, I'm going to go, I'm not,

you know, I'm I'm I'm I'm I'm you're talking,

I'm pared, me I came and I was you're going to the way of your head and you see you're

you're in so I'm not going to do you know you don't know you and you're but it's that no has

any sense and I'm taking the hand and I'm I'm going to go to where me viste and me

signaled there and I say it's that see the deep you and they them blouse and the

I'm not I'm I'm not you're saying I'm not pizar, you, mostranding that we're

in a zone profound and where it's a place that's there, not is profound. We're talking that the

water me was down to the roadie. No, it's so, I'm going to go, no, my

amor, who knows what that's the thing that's it was in other altitude to where

we've been the area that's different, the food, has been many, you know, you're doing,

you're you're doing, and you're And she she gets with the idea of the but no.

And a part of that my narrator, one, she has a fobby absolute at the plains.

Nunn't never go to me to any other but but I strangely

I'm to develop a gust of a fission and a necessity for the busseo

I like no I'm not because but after

after the after the fact that me that may me he was

Oh, Gondo, like, I guess I'd have more abilities, I know exactly, but I'm going to explore the

theme of the busseo. And I just to startificed me. And so I stood like for six

years. And one day I was with a group of that we to go to

a place very near to the island of that I did,

I'm sure that I'm sure that I'm going to go to my work, I'm

going to go to a busseo. But something the day in the day in the day in the day in the day in the air. I feel very somnolient. And

before to get me dormied, me come to me sounds that I never heard. And it were the sounds of a person awagandos. And then

I'm just I'm like if if it's like if I'm in the vidro of the airport, I see to me

myself, morado and blue and blue asul, I saw my my husband, no I can't explain the level of

fear that I felt that all the whole of the whole of the whole, and at the time,

is like, what's the what's going, what's the thing? And in two three, parpadeos,

all is, all this, all the normality. No, I'm not, I'm going, I'm going,

I'm going, something, I'm, he said, like, you know, you're the susto

for ver me there, but because that's that, that I'm that I salve.

Of my companions, that we were six, felliered two. Resulte that when

they were to know to the zone, that's got to be in a one of the time when you're in the cremissions?

And you, do you? that during his infancy, he was a success summarily data of a certain affidion of his papa.

There was a time that his father developed the a fission to start to collectioning things

antithes. Everything started with a cackita musical, a caha musical that he

he recorded a little story complete, but one once that that caca that case

came to the house, commenced more articles. Of a second

a little, a little a little but that's not a accord to

nothing more about the commo an comoda an old, that was a

little in the cell even disenton for complete of the

rest of things but that a comoda had a a

cajonc and that you took you a little

go a and you the cajoncito started to raspar with other trusses

and it when it was there a lot a lot just of maderas but a

old also also also also was a part of the

part of the part of the time that had accumuland

at the father he began the house of

pure articles antichos and it was of these people

that can say because he thought that his

gust was a other and a day he gets with Armando when Armando is a

little an kid an little and he a bureau and he has a

a door and around and above of that two cajoneras

the form of the burrow was quite quite strange

but but in a certain he made he and at

final the paper that was that was going to be

one of the thing to So, so, well, the things

that's that way, one thing was going to the other and the other,

and the carhone that's gruosito started the center of your attention

because he started in the nights how when he was getting

dormied there a recinid a a recinid constant

contine contine with a rhythm that was a

and a Like if There's a Pendul that's moving to the

side to the endro to the door. Abre these Pueras that are some

those are not the two caconcoyt is like that was like

it's a no, has a thing is something is a different, but

well at final an adolescent, the time the time is a

different to a adult, and the days start to get to get to get to

hear of the morning, it's to hear something that's like if someone

would be to be but his respiration was a cut

and a like if not could just not

the air like like if necessarily to get

to not however he When heard that Armando he put

like a he went to the car, he goes and he'll go and he's

the other he's not the other and he's, the other and then, he's sure that he was able to the hand,

that were just out of the door, and when he saw, he saw, he saw, he saw how he was

he was that there was a that was there. That was that was a matter, was a

impactant, that he he no could support it, he started. That's what he

did that that all the family was enterer that Armando he had a man

to be a roperito. Pobrecito Armando he's just a Sustra with whatever and her

his mom and his he's about and he's not you know you're

you put you a new a you're going to you're going to you're

a person are things. We're we're we're we're more

and we say that you that's that they're all the things that

all the things they're they're that never I'm never and

I'm going to the hospital I got to my apartment and even when that thing,

I'm going to be out of the roperer, I know about it I'm inojadissom. Abri the ropero,

me subed and then I had to be the carhom to because no it was up to be up at some

cella or trepado in the ropero, and of the marranito of color rosa

that was where I was going to my gorororoes. I'm I'm put in the mess

of the commo, I'm put in my papa, and I'm they're in front of they're

they're so stusted. They said, Armando, what what's going to? If you're going to beuralando, expectens. I'm going to

start the monoeuvre and the billets and I'm here they're five hundred pesos. So, let's get to

be to be there. One time. One a time to be there and then burlese what they're

but let's to be there a year a so. Then those two me say, well,

but if no, but if you not more like being so but me

they were so they they're so you're they're not the I'm in my

time. And then then I'm the money. It's obvious that they didn't

but me were so that they didn't make more more than

these questions. At the day the night my my mom and my

father had had done in my car I'm I'm

I'm went to the and he I'm I'm

going to want to and they It passed a day. And the day next in the morning

they were they were they were in they were in they said, oh yeah, you come you're doing,

and my mom started, oh, I'm very well, I'm very well, I'm so I'm so that I'm

never to get up in this room, and I'm so I'm enojom narrator.

Much, so they're being being really, they're they're doing a day, aguant

in a one month, the post is a one and they have to to be there

all the night. No, it's not that's a little and my papa and it's a

my to hear a scandal in the madrugated in the house? It's a lot of portas, and things

that are and I'm saying the voice of my papa, I don't understand what he's

I'm very dormido, and I'm getting, I'm afraid, I'm going the escalers when I

going to my papa that's saying in voice up a but he's saying,

God, God, God, God, the God, the face of

my father, the car the like if they were almost salient of the eyes,

like if they were going to do you and he he was going to the whole his forces

to the maldito roperito that was bad because it was a matter

not I had not my my and I and then I said

I'm and he say put to rest my son put to

and he and he's God he he's he's

he's he's he's he he's he he's I don't

so I'm I'm getting without a rower. In the morning, yeah not was the ropero. I don't know if he was he made, or he gave,

or I don't know but there start things in the house. In the house, my papas start to try

to those who I think were the sacerdotes that are orations in the plant of the

plant of the above, but people that they're to get to the people

that's people who my father no my papa no he wants to nothing of what I and my

mom is a mud nervousisimed it's like if it had been the sugar to the

up and the poorsita after that she no did it not again

I don't see that I don't see anything my my not my don't me

doorme in that bitation not they want they want to

go and and then and the during the the next months

is a are going to be limpies and well a lot of things. I have to

doormire in the cell in the apartment of my father we've got we've done if we're doing

they were they were having to be there's a so-so at the final they're

a person that said that he was to make a clean in the house

but when get in that the house that they bring put RENT

is like if they're to absorb the humo and they

Narrator, no could clean the quarter. No could. And we know, the most secure and the most tranquil is

that they're in a house, but they're to get a thing that they're going to get to

live there and not they're going to get that they live there. What was that

that's that I didn't? No, I know, but at the fact, I think my

papa he brought a woman and you? And you, that you think that was the story,

we've got this story, we've got to this obscure fogata of stories. So, so please, all those those people

get to get to the final of one, put me in the comments, a calaverita, and say, what was the

story that most they was the most of the last you that's that's interesting. And once

said this, let me say to let me to tell you to all the new ones, to all

those who came here for the first of the family night. The

audience of this channel, the family most obscure and more chida of internet. And for doing it, only needs two things. One, sobrevivir complete to a fagata. And two, subscribe to and give you the campanita. Or if you're in reds, like Spotify, Apple Podcast, and all these platforms of audio, see us and give us the five stars.

And one of the last you guys that you'll give you the welcome to the family nocturn. For sure, to all those new ones that they've subscribed from the episode past, welcome

and welcome to this family nocturna that you know this time this time

in the stories secretes in a only one episode, but are going to start three stories

and this Saturday we'll see this because I've got some these stances

that's exquisitely oscouras and they're going to get to one

one