HABLEMOS DE LO QUE NO EXISTE - 7 Historias de Brujería Envenenada , Traiciones Desalmadas y Entidades Blancas | EP 278 | EL NARRADOR
Episode Date: March 31, 2025Bienvenido a ésta Oscura Fogata de Historias de Brujería Envenenada , Traiciones Desalmadas y Entidades Blancas en @HABLEMOSDELOQUENOEXISTE El día de hoy les traigo historias escalofriantes que... a mas de uno dejará con dulces pesadillas, Conoce lo que acecha en el Barrio de los grises , tiembla de miedo en el pozo de las condenas y descubre a los títeres de la muerte. David no sabe si le abrió las puertas a un amigo , un brujo o un demonio y Dora entendió a la mala por que su abuelo le repetía tanto "NUNCA saludes a nadie de madrugada" así que prepárate, porque llegó el momento de que @HABLEMOSDELOQUENOEXISTE HABLEMOS DE LO QUE NO EXISTE es un canal de youtube con el formato podcast que comenzó en abril del 2022, su primer episodio fue "vivo en un casa embrujada" en el que una chica narró sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de éste canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de éste canal , la familia nocturna , creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de éste canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando ésto, tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora.El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo que genera. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado.
Transcript
Discussion (0)
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We'll say,
To this
Oscura Fogata of Histories
The day of
Today we're going to
about about
Brugerie Envenenada
Traitions Desalmadas
and Entidases
Blankas
Today, the stories
are summently
terradoas
but I want
that is the
first time that
I'm going
to get to
one at final
You can't
pass this
long hour of
fogatas
a past
of the
MEDo
and maintain
you,
Sustenart
until we
get us to
get us to
we have a surprise that you
will be
to be in a
time you know that's.
And to all the
new ones that
are you
make you know
a story,
for favor.
If you've
a little
a flamita
there in the
comments just
just to know
who are
those who
were to get
to the final.
And
standing there
in the final,
we'll
see to
the surprise.
You
want to
see a
story and
when this
It would be good that you know the history.
Tal-bezzarine an immediate.
But if you have a opportunity, a little of the past.
Because if you don't do you,
you can top with surprises
as much as what they've lived in Louis and Elisa.
Luis and Lisa are a pair of very young.
Luis has 20 years.
Elisa has 19.
And decided to enter an adventure together.
If they were to live a department
as nobios and to have these moments and spaces
especially for them.
The two are students?
Ambos,
they pay a little of the family of each one,
but both have to have jobs
because if not not they're not being.
With all and all,
in the other to live in departments
with more people,
decided that they were to
do this,
that they were going to
be a lot of it.
But that's
to be to be certain novatadas,
it'll be to certain sacrifices,
yet to be certain adequations.
They've looked,
a department that were
a little more baratow.
Something that was in
a little bit more
above.
For what?
For that not
so sentiering
so much,
the problem is that
not they
important was the
area,
no they important
the story.
And the day
that with your
group of
people,
they were
to go and
they were
the department
in the
where they were
their
people,
those people
they're
their
there's
because they're
in the
department
and not with
their
family's,
because they're
fouranios.
The
people
with
All are
there.
They're
they were
they were the
they were in the
place.
There are many
stories.
And they're
stories of what?
They say there.
They say there.
That's a place in
things, that's a
place.
And not that
department, the
colony
complete.
There are much
stories.
They're not
of bruchos,
they're
they're not
they're not.
It's a
good place.
Luis and Lisa
and they're
to look them,
they're
to hearse,
and then
it's in
serious
that for
that's not
they're
not
that's
offer?
It's the
place
that's the
way it's
it's the
thing it's the
right of the
place of the
place.
And then
Luis and
not quisian
not quite
to talk to
their friends
because they
were to
take a
personal, but
they're
going to
the same
they're all
and they're
talking about
how
it's not
that are
people who
are people
that are
there's
all the
liendas of
all the
people, to
we're
to come to
to come
to come
to the
other
to be
that
So, so is that, for fear, we're going to
to get. And a lot of
the case of Luis and Elisa, no.
For that's what we're talking about here in this channel.
Resulta, that when they were
to see, it's a little more
small. Lamentably, not was a second
or a third-pice, in a
building of departments. So,
so, well, a little more of a can't,
to try things of the dispense, or
to be tired of classes,
could be a little bit more
but they were
They were a lot
young
and they were
very good agility
They had
a good
muscleatural
because they were
exercise
and it's
that it's
that it's
not a
pain the
cost.
Caste
a 30%
more
better than
other
other
other
were
going to
go to
the
people
and
they're
not
just
they're
just
thought
about the
people
not
they're
people
people
people
strange
people
people
people
are metied in his routine, that
has that brillio, that
brillo, that brillo, to
be there, to be sent, to
be conscious.
You know, because when
they were in front of a department,
that had a reafer, and
then they saw, they were,
sent out of a mezzer, and they
saluted, and the woman
no responded to the
saluted.
Simply, she still
mecied.
But, after, they
passed by other house, the
door was open, and
the becino was
without a camis,
recarrated in a
corner, a
subject of
about
50
years,
tomating
a
service,
they were
and this
he was
just a
little bit of
a little
way to
the way,
and he
did the
not a
bad at the
thing,
it's
simply
it's
like,
uh,
bette
of here,
you know,
and they
did it
and they're
all the
people,
they were
they were
very,
people,
people who
people with
much energy,
the people
of those
people,
they were
people
just of
many more
than
many years than
,
but abatatisimus.
It's better, no?
There are many
eyes
many people
that probably
are people who are
24, 7,
so simple and
so simple and
so simple and
so
that even
we can't
to make sure
to make sure
our house when
not stremus
and when
we're
we know we're
we're just
they're
they're doing
and the error
still augmenting
pass to
pass to
visit the zone
prohibitive
to sign
a contract
a year
and then
to get all the things there.
No, they did
count of things
simple that
if they'd have
done a
if they were more
observators or
if they'd
have a little
more of experience.
But if
the house
was so
because
all their
caras in the
part of
the back
were moshed.
It was
not sure.
But no
it was
they were,
it's
where they
were in the
carion
of mudanza,
that
maybe there
was the
problem.
Because not
they were
they were
they were
they were
they were
the
my own,
that
the
reason that
they're
not the
department,
they're in
something,
something a
little
extra-
something that
has to
be an
very
observable,
that you
have to
be someone
that's
someone
that's someone
that's
someone that
they're
a good
idea,
every
that they
had a
time,
they were,
it was,
if it
was
they're
the
last of the
last
was,
the
thing,
it was
simply
not
to do it.
We're going to
come in the
moment in the
moment in the
they're in the
words, the
words, it's
something that
not sootive,
simply the other
responded,
ah,
better at a
rata, and
then she said,
it's true,
yeah,
better a rattito
is it,
but is
that really the
two have
had been
without a
energy.
The
department
was absorbing
something,
and not
they'd
know they
did you
later,
yeah,
when they were
they were
more
gris,
when they were
more
more
more
than
when I'm
going to
those
escalers
it was
it
cost of
when
I'm
a lot
and it's
a lot
when the
group
of
people
that
they were
to
have
to be
to
and
they
have
three
years
and
when
every
that
people
that
they're
they
they're
you
see different
you
you
see
more
you
more
you
all
you
know
I'm
I'm
preoccupated when those comments
were to be so frequent
that they're just to have
important.
It's when they were
in a lot of
a trap.
In the department
occurred some day
and is that
Louis was preparing
the scene, a pair
of webitos,
probably with
some type of
curtidom,
salchita or
something,
and while
he was trying
he was
thinking something
something something
about his
classes,
and that's
then, when
when he
moves to
back
with the
sartene and
he noticed
for the
rabbi
of the
eye,
that Elisa
is there
behind
of him
not the
not the
light,
the silhouette,
is she
and then
he when
the
silhouette
so he
disrae
that he
does it
like a
little
the carer
and it's
a bit
a bit of
a verguyen
and he
says,
pardon me
Melissa.
While he recoge
the things
is going to
this.
I know
we're not
we're going
much
food.
But no
no
no matter.
I'm going
to prepare
and yeah,
yeah,
no pass
nothing.
And not
that Lisa
not is doing
nothing.
Because you
that's
that you
see that we
don't have
nothing.
And he
is a ral
and he
still reocating
the things
and no,
no, no,
I'm going
to be
so distraid
Elisa,
uh,
uh,
I'm gonna
prepare
a scene
more rica
you,
you know,
and then
Lisa entered
by the other
door and he
he says,
what is the
what's going,
what happened?
And when he
he's
kept in the
piece,
he'll be the
right,
that was the
right,
he had seen the
he said,
no,
you know,
you're not,
you're saying,
you're doing,
you're doing
to say that
that's a
thing,
that's the
thing,
he's a
question,
and then
he's,
he's he
he'll
he'll be
a little
but he's
but he
got very
that,
something,
I'm sure
that I'm
there,
they're going to
a pair of
days.
He was
rying the
area.
And when
was rying
the zone of the
corner of the
kitchen,
something he
peg in the
side of
the other
and it's
about it.
And the
only that
he'll
see that
is that
there is
that in the
piece
black
that are
covered
for a
mantle
and that
and that
does
that do
a
frosphro
tremendous
because
those
feet are
so
that the
people
that the
person that
So, if
a sussed,
does a brink,
bolted to the
door to
go to the
way, he's
a little bit
he's a
bad at the
he's going to
mention that,
no he's going to
not going to
the money
not gets
that's
strangelyly
even the
that the
life real
is a
life real
that's funny,
now it's
more pleitope.
Now,
it's more
nothing,
they're
not
they're
in
the
department.
The
relation
is a
time
while
the
last of
he's
put a
mind
to the
case
so
is that
he's
that
so
they're
going
but
a day
in the
he
he
does
know
that
what
is
that
what's
that
is
that
he
he
was
to
go
to
go
to
a
super
never
a
little
a
part
of
that was
that's
They were they were,
"...were up on the
escalars, and he
not had a
Cuea
he had a
color of the
little
and he had a
long,
un-animed,
he's uping
the escalers,
he's,
when he
top the
door of the
department
and Elisa is
is a pegged
to the department.
And then
then he's
he asked,
what is it,
he said,
I think I've
I've got
that I was
you're
well,
and she
is a
palida,
very,
very palid
if I'm
going to
enter,
you know,
there's,
there's,
there's,
there's,
and she
kind of
in someismata
that it
costs,
that's a
time,
that's
a
time,
that's
to make,
that's
to make
a
way,
he'd
costable,
he'd
never a
something,
and then,
when the
second,
there's,
And then, Louis
he says, what's going?
And he said,
I was going to be in the
kitchen and
I started
a tick,
a click,
a movement
that went and
was a little
that was,
something that
was I was,
I thought I was
I was that
I'd say
some type of
gotter when
I do the
and I'm
the light
is playing
and the
putting,
upgating,
to the rhythm
of that
the sound
and me
I remember that our
house has these switch
of the switch
that's a
buttoncet you
need to move
and it's a tick
and to rezone
but that
thing is dula
that thing is
that needs to
make forces
because it's
very old and
when I
go there
a woman
vestida of
black
that me
is a
looking
and he
is a
man
and he's
I'm
I'm
I'm
I'm
you know
you
but
there
a little
in the
other
to get
to
get to
to go to gore,
something
I said in my
head to
the eyes to
the eyes to
the head
and I'm sure
and I'm
the moment
the light
was kept
apagated
and it
seems that
that thing
was going to
know what I
know what I'm
much fear.
Luis said
that really
the
raises of
that were
good.
A
part of
that day
because
not it
could be
to
change
he was
more
attention
and
not it
was the
the
building
was
the
barrio
all
the people
apagas,
all the
persons
grises, and
it's a
question to
ask to do
the
type of the
service,
the
woman,
the
woman,
and a
person, and
a
house at the
house
he was the
time free,
that's
he's
he's
no,
he's
no,
he's
he's
he's
he's
he's
he's
a little,
you're
looking,
you've been
a woman of
they were put them in the
door in the car.
He understood that what was
going to be
a problem of
levels of
the levels of
those that he
not could be
able to do
and they
were to
do you can't
know that
your department
or your
house is enbruched
be able to
via rail
embarked and
profite
and
and relaxes
cirrote
booquin
bookinet
oh so see
and
Profite.
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bar-oblic concour.
The reglements of concourse
can apply.
There are so
antivos, that
no
there's no
any of
life that
know the
story of the
place.
And there are
in some
moment
carecied
of the
level of
importance,
or not
took them
the
people
there,
as they
were to
they
take a
history.
Of these
those
places,
there are
many
very
dangerous
because
in
his
entrae
there
have been
have
seen
things
that
they
don't
they
never
to
be
there.
is a
person
that
was a
person
So,
his abuela
in a city
in a
little bit of
a little bit
in a
little bit
remote,
in the while
she said
narrator,
I think the
story of
that the
place of the
time that my
old was
a little
was a
little bit
a
but then
the mine
was over,
and there
just got
some
some
people,
my
abuela and
my
abuel
so decided
to get
in this
place
because
my
tios
just
were
in the
the
city,
they'd
they'd
and they'd
and they're
like a
house-to-
a car,
a car-of-a-
part of
the poblit
was like
renovating and
we're going
and we're
some people
but we're
talking that
not get
to two-200
people.
It's a
little
little bit.
My
abuela
in what
it's
like a
little
the more
popular,
but yeah
just there
just
there are
there's
a place, it's
a
pblito phantasm. And my
abo'u'll have a
casita that's a very great,
very bonita, but for
to get a little, you know,
you have to cross a bado,
a racholito,
then there's a poe
of water, and
then you have to
a road of
terracery,
close to a
200, 300,
meters, and you
you're going to
get to the
area of this
area, that
practically is
one of the
other, but
I'll say,
as a place,
as a place
a place,
there's a
There are terrains baldios,
of a sudden
something is like
that's like
like in a colonel
in the front.
It's more
like if it's
a bockita
of a chimuel
in which there
pedacitos,
and the
city or the
main point?
There's just
there's 20
houses,
nothing more.
No,
there's a city.
So,
that's the
place,
when they're
they're all
they're all.
Cases
any young
I live here.
Some of
who decided
to have
family
and they're
they're
I know, and to
they're
not I don't
idea.
But the
grand
majority
we're in
we're in
when they're
we know
and it's a
good for
because they're
like fiestas
very of
people,
very tranquillas
they're
they're
they're
they're
and they're
and all
those of
we know
we're present
and we
do you know
not some
my
thing favorite
but when
I go to
my family
I'm
always I'm
my tios
to go
my prim
I'm at
my prim
we're
a very
a very beautiful relation, and when
they're doing fiestas
there, we'll go
to see who we're
going to be here.
There's a
situation in
this place, and
is that nobody
knows really,
neither the
origines of the
people,
nor the
history of the
people, but
all know
all the
pozo of
water is
prohibited, and
you know
you're
to get to
there.
Menos,
less you
you're
a woman,
and less in
my
And we're, as we're of
a city,
well,
never they
did we
never the
we're in
they're in
the poe.
But the
poeerer
is sealed.
The poeso
in the
part of
the upper
has a
tap of
the
paper.
The tap of
a paper,
he had some
kind of a
piece of the
water has
has been
that's
a little bit
a bad,
because if you
you've
of,
it's
that we've
had been
to go to
that we're
we're in
we're in
we're
we're
we're not
that we're
sure,
we're
going to
we're going to
go to
we're
we're
we're
now.
Now they're
they're
the new
that.
In the
Pueblito
there
internet,
then you
you can't
imagine,
we're
we're all
we're just
we're all
there, and
there's
internet
like satelitals or
something,
but the
point was
that
was that
not
yet
our
house.
Bajo
the excuse
of the
internet,
we're going to
make a
year,
yeah,
that if
they were
a year,
not a
year,
no,
there was a
real,
but all the
days were
that they were
that they
were all.
My
Prim and I
did the
we're the
organization
of that
place,
it's a
place,
it's a
two two cars,
and then
you know,
and then you
do you're
to come
to get
the music,
what's
what's
repitans, who
gets to the
people get to
clean, who's,
who are going to
clean,
if they're in
a house,
if they're in
the same
because we're
those we're going
to be living
we're going to
get to get back
things, yeah,
then the point is
just having a
list and that
not they're
they're not,
and that's
my mom
did during
many years,
I'm the
so I'm
so I'm
so I'm just that
the problem is
is that
was that
was that
the people
and the
people, the
people,
the people,
they're,
I'm,
my,
my prima,
no,
but you
you know you can't
come in the
moon a yena
you can't
cross by the
post of the
water and my
prima and I
know we're
we're in
we're in
we've been
we've been
permission
to get us
to get us
from the
house of
the house of
the town of
the
and that
we're going
to get
all the
day and
to be
all right
then then
it's
all right
but not
we're
not sure
we're
we're going to
go over
and then
some purstitions
there of
the people
the people
the people
the land
of my
my abuela,
it's
so the
water,
that no,
no,
it's a
point to be
a point out of
the
whole,
there's a
way,
we're not,
we're not,
but the
women,
nobody,
nobody,
no,
we don't
do you
get to
get to
a yena.
What is
what they
had been
about,
or something,
nobody
never
me
never,
me
and just
they're
that they're
not just
they're
not they're
not they're
not they're
all.
Well,
narlors,
they're going to
get
music,
they're
to get
I had
I had been
a projector
just to
that's a
and as well
a new year
a buser
a laptop
everything
he was going to
be a
three of three
because he'd
get a
manned as
a pantyota
and it was
going to be
the first
projector in
the
you imagine
it was
it was like
you know
it was
so we're
so we're
we're
very marvellous
we're
being contentas
my prim
was even
excited
we're going
to go
to the
the festival, as
the 5 of the
afternoon,
but as we've
various
things,
we've got to
the 5,
we're going to
the 6,
we're going to
and the
last time,
we're at the
time.
Date an
idea of
the place.
In this
place,
no,
there's one
in the
entry of the
place of
the world and
maybe at the
other, and
sometimes it's
all, and it's
all the
other of the
other is
the internet or
the flash of the
And we're so in the a
afwheres of the city,
that the skylo's always
straddled.
And when there's
a lunar
you know,
you know,
because the people
never intended
because the
people don't want
to get out of
there.
It's a good
a lot of
a lot of
and even the
rachuelo,
a few,
and sometimes is
more than a
little bit of
the panorama
of the
whole,
the world.
No,
there's
there's
the casas
are like
very rustic
very of
Antigo. It's like to be
an illustration in a book in time real, in the
real, in the life real. It's very
beautiful. I was super
emotional. I saw that in the 7.
Something in my, I'm going to
like a alarm. In serious, you're going to
go to gozo of the water. And I thought to be, I don't know,
that's ridiculous. For favor.
Volteo with my prima, and my prima me said,
oh, is that are the 7, if it's not us is it
is so it's not. We're going.
And I said, how we're going to
let's the person there, the last
was the projector? It was what we
we're trying we
so
is that I
go I'm
my prime
my friend
my friend my
is a
very easy
not we're
we're doing
we're not
we're doing
we're
that's not
we're doing the
way to
let's make
we're
we're going
to come in
we're
we're
we're
we're
we're
we're a
little more
little more
a caran
and
apart of that
that's
it's too
about
so much
so I'm
so much
it's not
it's not
it's not
more convenient
because
me
could
I'm coming
just by the center
I'll go to my
Prima
that's
my prism
I'm going to
the other
and then
when we're
about a
10 or 20
meters of
we're
we're saying
that one
a person
is trying
but no
a grittos
more
more than
soyos
and then
I'm
so I'm
don't say
I'm
don't know
to be
to start
with the
yorone
or something
I'm
I don't know
in those
stupipipipes
and
we're
my
primas, so mugroso, Rio, and
water, it's, he wants, and I'm
to get herring, let me start,
because my prima's, it's going to
start, no, no, I'm going to,
we're going, come, no, we're going, we're going,
we're going, we're going, and then-
I'm going to, so much, so-and-allant, but
no, I'm going to hold-at, still
haling, still haling, still-hallando,
when I hear that that lament
is coming as circling, and I said,
I'm a sussed, because
it sounded very strong, it, sounded very
scabroo, and he was in the
morse, and said,
Narrador, no
I'd have
been able to
have been
on the
post.
I'm there
someone
sitting at
the
pietra,
down the
back,
like a
woman, and
it was like
she she
did it,
because I
did not.
I said
nothing,
I just
I'm going,
and that
person that
me is a
back to
back,
first,
I'm going,
the head
to the
head to
the cello,
and then
then they're
retorciending
like
it was
a
contorsionist
and
I see just how
he met the
pozo.
No,
can't
get in the
pozo,
the pozo
is tap
taped?
I've
gone to
get a
time,
it's a
tap
of the
little.
I'm
really
because
then it
starts
to sound
another
lament
and the
lamenting
in the
right
to the
point.
Voltee
that's
that's
that same
person
sent out of
the
camp and
and it
starts
to be
when I
just to
go to
the
time
no
I'm
not to
in you. Because when I do
the world, it's in the middle of the
way, just to regress to the house of my
abuela. So, I guess that I'm
the person, and I say, we're going to,
we're going to go, we're going to
and where we're going to,
we're going to, we're going to
the amending, now
comes to the
look at the river, and in the
river, there were three of these
things, down to the
back, like, you're
and now the laments
were all the same
more and they're always
more and just said, and
just said, my
prima,
you know,
and my
prima me said,
what?
I said, no
volt-s to
see, let's
go to look at the
house of the
house of the
mother.
And say,
why?
No,
abras the
eyes.
No,
you're not
those eyes.
It's
no, I'm
tap the eye, and
I'm just to
come to
go to the
way to
and I'm
know what I
know that I
said with this.
And no
those I
want to be
repeated,
not you
don't know
those that
I'm
all that
all right
one after
another,
one after
and with the
one to
the other
that I was that I tapable the eyes.
Then I was to start my handotazos and
I'm saying,
oh, you're saying,
oh, you're saying,
oh, you're,
and then my prima
sold to carcashaders
and then said,
me are playing a brom,
what?
And I said,
and I'm going to
your life.
No, you'll start.
No, you know what
is there, but
the pozo of water
was really.
And,
just I'm,
where the man of
my prima,
so I'm trying,
and I'm
that's, that you're
going to do a
attack and I
bring, and I
I'm trying,
and my
prima,
I'm going to
to be able to
a man, I can't
with a burrow,
not with two.
Then my prim,
swel to the
carcachada.
I'm going to
that's all the
good humor,
like us
help us do not
but the reality
is that I'm
was that I'm
to do you
because I'm
because I'm
to hear
after us
the other
and the
pathos.
Passes that
were more
more rapid than
we were
more than
I went to
I've been
back on
the
Prima's
was
more
that's
that's
the
reason
and it's
a lot of
a lot of
my rice
this is that I'm
I'm chloe, I'm
We said the problem are the women in the
Luna Yenna, no abran the eyes.
And we have, we get in the house,
we just to talk about two or three
days, narrator. And for the third
day, they said, no
we want them to be able to be here,
and regrecese to your house.
This was so ago.
My brothers me came to visit.
No me odia, but no me
they're going to go back to the house.
I'm almost sure
that is because they're
protecting.
After that we're expulsed to
that, it's made that
those things
just things
can
attack.
You know,
you're
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where your
story takes off.
Take
off.
Take care
because some
of them
are looking
people,
those who
are
just to
to be aboderance of his
body.
This is the
story of
Dora, and
Cremme,
you're going
to be a
terror.
The abuel
of Dora
is a person
of traditions
very
antivus.
He's
even at
day of
today of
white and
he uses
a sombrero
a lot of
a
great.
That's a
tradition
that he
he has
been charged
of
questions
of agriculture
from
times
that's
a sumamente
after.
The
the man, the day of today
today of
he has 93
years and
still here
being here
standing
under the
daughter
me
she was
she was a
little bit of
a
little bit
a
person
very
silenciosa
that
was a
that was
that was
her
and it was
a
and when
all
those
other
evuson
in
their
in his
vestiment
in his
vocabulary
and in
his
form
the
the
abuel
no
he
said
that
there
had
there
had
there
had
there
In all of those traditions that had the
Abuelo, there was one that he
repeated that for Dora
always he did something chistoso,
but at a bit strange.
Never salutes to nobody
at madrugada.
No, it was a much sense.
It's a thing media rara,
and Dora asked,
but the aboelor was very silencio
or not was a person
that if you were asked
to be a person.
It's of this type of
people that, more than
some grunied,
you'd turn around the car
and then torrowns the eyes,
He put in the car as bruska.
Not was a subjecto violent in his actions motorists,
but, we'd show that in all the facial,
he demonstrated that he no he wastable
and not he liked to ask us.
A subject of other generation.
A person that,
that in his canons,
was a quite amable and a bastante certain.
You can't imagine how were the stilts
to those stings to his entrended.
The point is that Dora and the abuel,
passing the years,
they're a
good amistat.
Dora
live a series
of situations
conformed
was growing
in the
which,
let's
not very
in the
life.
She was
she was
she divorced
of that
did so
well,
and they
they're
to give
some attacks
nervousos,
attacks of
panic,
desvels
continuous,
and it
starts
refugia
in the
alcohol,
and it
a moment
in the
life is
a
discontrol,
but
a
is a problem
enormous.
Sient that
he has a
problem, she
has been deprimed
and she
does that
that's done
that the
only part of
her life that
has been
subsequent of
those situations
is the
relation with
the
abel.
The
abuel
live so
far
in an
environment
that
rural
that the
contamination
of those
situations
never
affected
their
zone.
If it's
he's that
he's
he's the
permission to
the
if he's
he can't
live with
him a
he says,
you,
you barrast
you trapeas.
It's all
what he
said,
so si.
Well, Dora
he was to
barred and he
took to
grabia.
Oh,
and the
time was
a year,
or two
months,
it transformed
in four,
five,
six months.
Dora,
of a repent,
he had
a lot of
a situation
of the
naturalness
that he
was a
he was not
to be
all the
time
to be
apegated
to
the instruments,
not
he was,
like,
to have,
the
other
the world,
person
and on
from the
person and there
the
way of the
thing,
all of the
thing.
The light
that were
in the
house,
they were
bells
when they
they were
the other.
The
other,
the house,
when no
there was
the sun
apado,
no
had any
electricity
so,
so
that's
that,
it was
a posse
dark,
and she
did you
learn,
he learned
to do
do that
and
did you
had ariosism
and
he brought
much
tranquility
and
He went to love
of that
zone.
How was
about six
months?
The abuelo
was a blandandand
not about.
No,
not is a person
that
but he
said,
and it was the
way that
she was
he was
asking me
to get to
that you
have a
thing,
it was
that the
father
that was
he never
to tell
he had
his 90-tant
years
he had
all,
he had
all,
no depend
of
nobody,
no
that you'd like you'd like you're
more than the order,
it was to pay a favor.
It was something that he
was a little
and he's got
that he's just
very a good with
his company.
When in the mornings
when he's
when he's
when he's
he's always
a baston
on one side
and a bolsa
that's a bolshe
that's a lot.
The abelow
he was used
like in the
years that
he'd be
to get to his
lonch,
and he'd be
to work
to work
to work and he had to come
first his lunche, and then started to work, and at
the other lunche. Well,
I still being that custom of that even though
and he never had a baston,
but at the principle he was to come in a
little argyed, and even if it was
a little, but then I needed a baston.
So, is that Dora, or
it was transformed in, well, in
that person of company that the
old would like, no with
somerises, not with words, but
she had the car every less
enoched, less molest,
more relaxed,
yeah,
he said,
questions,
that no
he's not
he's a
not quite
no,
he's a
person who
he's going to
understand the
magnitudes
in him
this
stello
is much,
is muchissimo
that is
a person
very
sensible.
That time
that was
she was
she
there,
the
abuel
he
he repeated
one
and
another
no
salo from
no
not salutes of madrugada. Acquerdese, my
haemn't. The madrugada, to nobody's
saluda. The saludas,
the saludas, no son. And she
no entente, and the place in the
place in which are practically
any people there. The madrugada,
the abelior, no
to desvelart. To meddle,
to get to the same of the morning
before the sun salgat. And so on
those can't, it's the only person
that's the one person that's
in six months. Dora no
has topado to a
woman in that.
until
that one day
he's
going to
the abel
and the
right he
that just
ahead in a
maisal
is a
man who
more or
almost
of the age
of the
old
and he
and the
head
and the
head
a
round
and then
it
does it
so
that he
he
and he
he
he
and he
he
he's
he's
he's
he's
he and
he's
he
the man
and the
sir that's
and move the
and then
the abel
and thence the
old is
he said,
he says
what are doing
chamaica
Dora has
40 years
but he said
he said,
he said,
his becene
he,
he, I'm sorry,
I'm sorry
he, no, my
he's called to
and you know
no, there's
no more
platica.
But Dora
says,
narrator,
I think
I said that
I said to
my
old, but
I'd
I'd say
day with him and I feel a little
extrana. Me I feel
like pesada.
All what I had lived in the
camp had made made
that many times, many things
that I'd carry a cargating in my mind and my
heart a little, poco were sanando,
so far as long as well, the
life of campo me brought a
new. I'm going to
feel pesada, it was very rare
the cancance of the day.
Also, I'm not so you're a
youngsita.
It's is that
I'm going to
get to be done.
and me dole the
body
I feel like
my father
my abel
me says that
he's a
company,
I'm
I'm just
I'm
doing with the
pass on the
time that I'm
a minute
tonalade
to get the
foot,
me is
it's not
a lot
and me
start
my
not going to
do it's
no way to
do you
my abelel
my abel
my ball
and here
no telephone
we can't
when they
when they're
to visit
family
is one
a month
that's the
little bit of
the boy
he's
he's
and he's
he's
he's
and he
will be
he'll
do you know
he's
he's
he's
accustomed to
live so
so I'm
so
I'm
not,
what I
want to
me and
the
the day
the day
next
the
next
I'm
I'm
more
I'm
horrible
I'm
my shoulders
caradisim
I
feel
like
all the
muscles
and I
am I
start
like
I'm
chupada
chupada
chupada
and there
there
if it's a
one
or two
in the
that I'm
able to
get to be
I'm getting
a little bit more
but it's because
the light
me is doing the
and it's not
a gargues
and I'm
a badgerwens,
my dad
said, my
bad I've said
that I've said
this one
has been doing this
everything, it's
I'm going to
all the
part, I'm
trying to do this
but it's
a great thing
that's other
thing,
it's a lot
I'm sure, me
I feel drained
my head
is saturated
and I'm
feeling like
a lot,
very overcargated
like of
an energy
mal and then
so it's
the door
of the
house of the
abel,
he's
he's
with another
person and me
and me
says there
he's
he's
and then
I'm going
to go
to go to
goel
and say
that's
chameacacac
to
for
to go
to end
madrogada
let's
and this
this type
he's
a
one
he's
a
It puts in a sartain,
and he's to do
an adorned
a few of girv
and me those
and then
it makes that
me get me
I'm set out,
and I'm
to say,
but not to me
but at me,
but at the
side of the
end up
and you
know you
don't you
don't get to
chasas
you're
you're just
you're not
you're gonna
get here
and you
and start
with these
like some
ramita
like some
some little
some
those
they were
they were
they were
was trying to do it
was like
if he
pegged in the
car to
someone
and then
I felt
a narrator
like if
a pair
of hands
and a
pair of
my
abdomen
they were
and then
the energy
regresso
and I
started
and I
feel more
and then
just
my son
you know
you're
you're
you're
carrying on
a
morning
and I'm
said
not you
know
exactly
what you
but
you
day,
never
saluted
to the
madrugated.
And it's
to what
some of
when they're
saying
that's
the
dead of
day of
today,
no
know if
he
opened
the
a person
to the
a man,
a
a man,
you
want to
hear this
story.
David
has
a
few
he
made
on the
time
of
the
act of
he
not he
didn't
for the
play
where it was even if it was a secondary,
he would be happy.
He wanted to do that.
Then,
he decided to do a post.
He put a lot of money
and he was a city grand.
In that city grand,
he supposed to
maybe he had certain possibilities
to have an opportunity
to enter because he was
old,
he was of the cabo
ruby,
he had the eyes
but the theme is
that that image that
you have changed
a little,
not so high,
not at attractive,
no was too
ruby,
and
he was
too
he
had to
a point
to the
time of
the
time of the
other
but it's
super-disting
for
that's
in this
field
of casting,
he was
he was
he was
putting up
and
saying,
and then
I'm
another for
the
other's
in other's
to be the
other's
to even
be the
image
of some
a
jobon
or
some
something
put to
the
place
to be
back
and
to come
and
In nothing
that
he'd
in a moment
after three
months
that's
he's
he's
he's
he's
he's
going to do
two years
but it was
very disperate
because he
he was
that minimum
in three
months
that were
a
little
that were the
that
that was
that was
not that
so that
he was
he proposed
something
I'm
I'm
I'm
want to
to know
I'm
I'm
so you
know
I'm
he's a
person
there was
Alian Chaparrito, Moreno,
the name Vicente.
This person,
when he was and he
called,
Vicente's
like very
very content,
he started to
talk to talk.
And the two
started to talk
his adventures.
The como,
also had
very good
time,
talking doors,
and it wasn't
that the
things not
that were the
thing, and David,
he was
to be able to
all the
conversations,
that all
were doing
the same.
And he
said,
if I occurred
something
to start
to do the
things to
make a lot of
because all of us
we're doing this
we're doing it
I don't know
who's kept
with the paper
I don't
I can't
be in the
casting,
I can't
see, but
what I
know is that
we're doing
here the
same,
and none
we're doing
the time.
I'm thinking
forms
different,
I'm
I'm doing
things to
things
rare,
I'm
different,
I'm changing
the color
of the
color of
the
I mean, even
I'd even
I'm in the
action, was that
when I was in a
person, I needed to
see a person,
and the first
that was the
form of the
way to come in.
So,
so I was
coming down to
different people,
it was the
type of the
bus,
the kind of
down to me,
and the
type of the
bank, in
occasions,
it was the
person that
was the person
that had to
make a
time,
that would be
a time,
that would be
different,
the M,
I was
coming
in occasions
was to mimicizar
and disdraiser me
of the people
that I
to see that
and I'm
going to
I'm going to
I'm going
and I'm
never of that
never got
for those
papers but
I'm going to
get to
get to
the verweiser
me
I'm feeling
more
more sure
in
some
I'm
I'm
I'm
I'm
not he
I'm
so I'm
so I'm
so I'm
so much
to make
I'm sure
to be sure
of my
myself
me
I'm prepared
better
for
the
papers
I'd have almost eight
months in this,
I'd have gotten
one only,
but I just
was a person
different,
renovated.
Now,
when I'd
get up the
paper,
I'd look
many data
about what
they were
looking
these people,
and I
had a
million things,
and then
I'd be a
performance
and not
me kept
with the paper.
But,
but strangely
I'm
began to
get a
point of
something.
Vicente
reappe
and reappear
and reappear
of a form
a
extrana.
When
I was,
I was,
that if
we'd
we'd be
the day
one,
in a
place,
in the
day two,
he'd
a vestidora
like I
was in
the
day earlier,
a
a
couple of
a
same,
after a
after I
was just
I'm just
being
pananoical,
I
I'm
I'm
a carmise
super
extravagante
just
just to
know
if it
and the
day next
he'd
with my
camis.
And this
was
very
extraion.
So, I said,
to see if there was
some type of communication.
I said,
I said,
uh-huh,
and you're going to
or what?
I said,
no,
Vicente,
so I'm going to
No,
no,
me's talking in
indirectas?
You're going to
do you?
You know,
and you
don't know,
Vicente,
me was down
like a
car that
I didn't
keep in
the castings,
and of
the repentent
the papers
that were
doing,
and I'm
good
actions.
And I
started to
do a
point of
something.
Vicente
started
to get
all the
people of the
and you
know.
And that's
a combination
of emotions.
A little
of envy, a
little of
so much.
But I don't
so much.
I'm exigy
more.
I'm going
to do the
things better.
And then
I did
know that
there was
something that
had a
thing that
I've done
to talk
lessons
of theater
of cinema
of television
but now
so,
the best
the best
to every casting
that I
Vicente
was dressed
like I
just like the
last earlier
that we were
and I was
acting as I
and now
I noticed
that I'm
like I'm
and I'm
in my
few circles
of my
many people
he
he started
and when
I was
when I
had a
place in those
I was
I was
I'm starting
to do
my circles
to start
the
and it
was never
I'm
I'm just
I'm
I'm just
working, me roba.
So,
so I decided
to give
to give me
a little
that's all the
thing that
was the
and I'm
kept up to be
he'd be able.
He acted
like I.
He was
imitando to
me.
And then
I'm trying
that in
one of the
castings
he was
he made to
see what
I did
and then
he'd
and then
he'd
with the
paper
but nobody
around
he'd
know
all right
all this
It's a
chism
of a
rome of
a
little
to be a
little more
the
things.
Vicente,
the day
that I
came to
a new
he was
he came
with a
new appellate
that I'm
that he
had never
had
previously,
and I
started to
time that
in time
real
he was doing
exactly
the same
that I
started
and I
did this
this is
not going
going to
pannoic
what I'm
doing,
to someone
to be
reveling the
things, the
libretta
where I'm
my
my post
my time,
who can
have to have
access to
my point,
my classes,
I'm going to
change the
master,
I'm going to
change the
place,
I'm going to
do it
different.
I'm a
second.
I'm a
time after
when the
casting.
In the castes,
he's
there,
acting as
like I,
acting as
you,
start being,
when I'm
doing the
when I'm
doing the
question,
but I'm
doing all
to do it,
and it's
doing
all exactly
exactly
like you.
I
I'm going to
I'm going to
know what
is going to
do you.
All my
friends are
to talk about
all 100%.
Now is
Vicente.
I'm a
moment in the
I got this
one of the
you know that
you're doing
that you're
that's doing
all that's doing
all?
Then so it
he's not
you're not you
that's
you're doing
Vincent?
No,
you've
put to
think that
you're the
copy?
For that
we're
we're just
we're just
we're just
because Vicente
that's got to
I had tended a trap
but how
how is that
how is that
how is that
how is
that you're
doing all over
it's something
it's something
so I'm
talking to
the director
of casting
and he said
that probably
the earlier
that were
going to be
there were
because I
was to
do a
way
I'm making
that I
was to
I was
trying to
the classes
and
me
and I
changed
the history
he
he was
me
that one day
he's
a
second he's
he said, he
I'm going to
if you're going to
you're going to change the career. I said, because
still right I've ported to be good with you. I don't know
if you're going to say, but the pill
he's so that I'm pussiered to get a guyon.
Passed six months in those
that I don't go to
any
casting.
I'm thinking
how
reconstrued my
life.
I don't
want to
get in
any one of
those circles.
I don't
want to
know about
in the
internet,
the repent
me to
get to be
on the
thing.
I'm going to
him.
I'm
going to
the
head.
I'm
being
to me
about
and that
all
parts
and that
I'm
that
I'm
I'm
I'm
a conversation
and
a
restaurant
and
there
a person
saying
no,
well
not,
well,
not,
well,
it
is popular
that type
if he
is a
meted
with bruchos
and then
I'm
going to be
these people
and I'm
this is very
good,
this is
this is a
time
that's
he's
but
probably
he's
his own
his
his
that
he
he was
not
so
not so
but
he
he
he's
some
he's
he's
so
he has
all
he has
but
what we
know
people
people
is
that's
is to robing the identity and the
life of persons, but we don't
understand how.
And I made
that I was the only
victim of Vicente
and that this type
was much more
more dangerous than what I
thought.
So, I decided
that me
was going to
be to get
totally of that
because
I was in front of
a enemy
very dangerous to
that he had
had opened
the doors of
my life
and now
I know if it
was a
human,
a man,
a man,
an man.
Augustine
me made
a story
of the
most
inquietant
and
me
I said,
Narrator,
you
crees in the
time?
What which
for me is a
thing
form form
but very difficult
to be able to
but your
story,
I'll say,
is of the
most
inquietante
that me
have been
maddard.
Me
said,
look,
I'm not
a person,
I don't
a person
that has
a point of
view of
being
developed.
No,
has been
the
thing that
more
me interested
in the
life,
but
did a
time
to the
I
do you
100
family
nocturn,
no
I see
like
the
I got the
good
the flavor
to the form
in the
way in the
way
you're
in the
time you
and then you
see
and I'm
know to
you know
to talk to
that's the
thing that's
that I've
been to be
with an
time
more difficult
and the
time.
But I
don't
understand
exactly
what was
what
what I'm
to tell
that
that I'm
six years
and during
a time
a time
a little
time
I've had
the same
all the time. Or more
well, the same
success posterior to the
dream. I was to
the camera, me
and at the moment
to get the moment of
when I was
I was a light
very black
that not was
because in my
room, because in my
room
was very
a little
light and only
on the
side and
I was a
but I
saw a
light
and I
and I
heard
and I
heard of my
ear
to a
voice of
a
woman
that
one
11
03
But the form in that
I was like
it was
1-11-03
With that
Rhythm
and it
And I was
I was
I was
I know-and-you-
And then
I was
One-11-0-3
And other
again that
Mose of a
woman
Not was
Like me
not like
I was like a
Not like a
It was
Like if
it was
Like
that someone
That is
saying
something
for himself.
11.0.3.
One and other
once. One and other
way. What significable
that number? No, they had any the
minority idea. No, they had any
the minority idea. But
I had it so grabed
that if they'd like
one-11-03,
it was my contra-seigne. If me
they'd signer to some way,
something like in a little
one-on-one, or I want to say the number
0-3. They're my numbers
of the suites, they're my numbers for
all. When you've in my list,
the number 11, me sent me super
happy. I mean, they're like my
numbers for all the things, and
I stillsue. 10 years.
I have to say to,
that I was the aguador
of the team of football of my
Papa. A my 10 years,
I was so content, playing football
with his friends of the semester,
and I said that I wanted to help, that I
wanted to participate, that I wanted to be
start to the cancha, and then
he put me like the water. My
My job was to serve
water
of a gelera
grandotta
that they
had been in
so I
served the basits
with water
and so
it was
all of
the
people
in the 2003
there was
a
game
and it
and
strangely
because
it should
be a
time
of
so
much
cold
much
cold
my
my
my
papa
he
did
he was
he
he
was
he
was
a
off
was
he was
a
final, they
had passed to the
I feel the time
cold that he
went to the
yellow to
he was a
little bit of
a year,
he was going
to take
directly.
When he was
he was
desplomed.
Coyed
to the
all the
people started
to move
to make
that you know
that's
a way
because Ipenes
I was
I'm just
I'm going to
the ambulance
I don't know
what I'm
not so I'm
saying
Papa
Papa,
me get
my mom
came
after a
RAPE,
we're going
in the ambulance,
the paramedics
are doing
things,
my dad
no reaction,
they're in
the hospital,
and I'm
sitting in the
cell of
the
emergency,
and I'm
saying,
my mom
is like
talking,
and she's like
talking to
another and
another
and I
hear a
person
that says,
1,
11,
03.
It was
the 1,
November of
2003,
the day
in the
day in the
day in
my
father.
And it
was the
last
the years
that
had
had
had been
in my
I'm the only
that I've
lived and is the
moment
my
head and I don't
know the
question.
Of who
has been
that voice
that's called
Augustine?
When we
talk about the
thing of
the
paranormal,
we've been
to take
certain
precautions.
Necessito
that you
you and you
we're
we're not
we're getting
and we
we're in the
same
termed,
in the same
synonionion.
Necessito
that you
imagine for
a second,
that there
where you
you're
you're
to be
a good. There are a lot of entities, simply not
you see, not you can't. But they're
see them to perceive to you and they're in to. No,
they interest interact with you.
Some are espioning. Some are you observe.
For others, it's just to be something
amiss but not you have sufficient interest,
nor you, or your existence, as for that they
want to interfere. No is that they are
not that entities superior or inferior, simply
are in a plan in the which they result are invisible, but
you're not
invisible
for them.
So,
what
what are you
do you
do you
know,
or you're
doing this
something,
and you
get to
get to
be so
that's
they're
that they
don't,
and they
are
and they
to all
those of
your
and it's
a good
that
that's
but
if it's
something
you
you
have you
just
you
that's
the
that's the
story
that
Natalia
and
and here
Ike
take me
take
your apunters.
Some things
that you
want you
occur.
So,
take your
precautions
after that
you're going.
Natalia
has a
context.
She had
a manit
a day
to say
to you
is a
manote
but
this
little
he said
that was
that
was a
yorona
and
she
and she
and her
and her
and her
hugged
some
some
bromasas
some
a
braestia
with
bat
black
she left the
Cabeo in the
car and he started
to pursue
it in the
house
the poor
Warquito
he was a
four
years
then I'm
going
and you're
not
around
and they're
two
one
one's
one's
and with the
and with
the time
they're
and they
they're
they're
they're
they're
when they're
that
they're
they're
they're
they're
not they
no
surprise
that the
one of
Natalia
who you
get a
Natalia
but they
when they're
you're
you're
good person you
You know, you know, when we're
children,
he has some
very good reserves
of Natal and of
his mother
major.
But there's
he odia
all the
things of terror.
And no
soporta
that someone
mention to
a Yorona,
and nobody
that's
get to get
to be
back to
his eyes
to getable,
to the
time.
The theme
of terror,
in your
life is
absolutely
vetated.
You
I'm going to
do this,
passing the
time, the
hermanite
is the
brother,
is the
doctor of
the
with all. With allie? With you
the way, hey, I'm still
being, not you're saying, you're going to,
because when the little, she has been, and she's
all right, and she's all right, and she's, and she's
traumatized. The her mother
major, did it do so much, but he
no's not sure. He, he cargues
and he, look, Natalia, well, he took
more than to carry the yugo that she herself
is that the world, as well,
does tell you, da Wiltas,
Natalia, for these
extranings' success of the life,
live in the
house of
in the
house
in the
house in that the
little
he had
a lot of
the
house in
the house in
that he
he gave
a few
times
and the
poor-sitt
and the
poor-and-
and the
little
in this
little
natalia
she
has a
not exactly
in the
house but
they're
they're living
there
they're
having a
their
little
he's
two
four years
those
the same
the
little
the
is that the naturalness of the
human,
that always
has been
a little,
good,
and hermose,
it's
a very,
disalmated,
and not
so empathic,
because Natalia,
a day
that's a
day that's,
he said,
hey,
and if we
do you know,
and they
can't
make a
big, they're
doing the
lot of
the poor
man,
she's
but they're
using the
using the
technology
a new
new drama.
One,
she
was used
of the
yorona
and it
was out
the
fourth, and the other
simply met you
a camera that you
have been to
before, and they're
like to review,
but that can
transmit the audio,
met the camera in
your abitation
and put the
panallit
in the room of
the screen.
The pantallita
has a sonido,
and she
in her
and begins to
say,
and the
little bit to
hear from
a busina that
he doesn't
know that
is in
The lament of the Yorona.
Then,
then she begins to
get to
get in the
door.
Mama,
Abremme,
Abremme,
the Yorona.
And you know
why?
The Yorona?
Because Natalia and
her mother are
canichas.
In the
Sena,
they told
a pair of
stories of
the Yorona
and it
and they
were very
very astusated.
After
of that he
put in the
Osina,
Povercito.
So,
this was,
this was,
this,
he was,
when he
the door
that's
yorandot, that Natalia
out of her quarter and he said his
brother, Mettete, Mettite, Mettite. And it's
much. So, it's
for him and he'll want to take from him.
But there's a little rar.
The cerrador is
helled, elada, elada, like if he'd
put it in a refrigerator, in a
fric. Because it's alad, at
the point that it's a time that's
extrano, he'll get a man, but for free. It's
like to grab an yellow and press it with
all the forces. So, then
she'd go to the serratura for
to see what happens, he
starts to bring to his
little, you, you
stop to cry,
it's a little,
it's a joke,
it was a joke,
it was a joke,
and I'm saying,
Moma,
the yorra
is here in the
court.
No,
I'm,
I'm,
she's here,
she's here,
get me,
back me.
Natalia,
now is
the redress
the brain
and the
thing,
he's going to
get to the
she's getting
the car,
and the car
and the
mind for her,
she's going to
something to
my child,
and for
other side,
has the
culp of
a person
that's
a
but much
much more
more than
more than
than the
I'm at
the door
and he's
getting to
like the
woman
come with
a caro
the
door
the door
and the
door
and the
little she's
mom mom ma'am
mom the
yearona
when she gets
the armara
the cerrador
the door
and he says
what's
what's
what's
you're gonna
you decontrol
you're
you're
you're superphous
But fur,
Fura,
what you
braza,
the boy,
the boy,
he's a
stupid, he
says, he's
going, and the
brother,
no, he's
he's not,
he's not,
and the
time, they're
not going to
the
and the
woman,
he's
okay,
don't,
you know,
you did
all,
you know,
I mean,
me,
me,
all of me,
all of you,
and then I'm,
he said,
yeah,
no, but no,
no,
no, but no,
no,
he's,
poor-cett
how it
was,
I'm never
I'm never
that was
something
I thought
that it was
like our
brother
our man
just our man
just a
little bit
and then
the armara
he said
I'm going to
you know
to be able
to be able to
because it's
your
but it's
the same
I'm not
me it
was not
not you
I'm
you're gonna
let's
let's be
there's
let's be
there's
much
a question
because
you're
because
you know
you're
saying you
he's a
excuse to
her
little
he's
trying
regalitos,
he wants
mimar
when he
has to
but the
the little
he can
get to
get in
the room
to the
day or
the
time
in the moment
in the
moment in the
minute
and I
get to
say you
get the
she's the
yorona
let me
get me
and the
mom
is
the mom
is a
poor natalia
no
you know
he's
he's
he's
he
traumat
he's
the
maldita
camera
the
carer
to
There's a moment in that this is happening
so recurrent, and Natalia no
can't get to the psychologist, because they're going to
to culp. And that's not how to manage it.
And, we're talking to a week.
This occurs in one time. In a
time in the time in the way is a broma that's
the way that's out of the man. The boy, it seems like,
that's having many fears nocturns with this.
She'll do you. Put the camera
there, is, apparently, is it's
apparently it's like something like in the court of it?
Some purrs. Immigations of it, what happens?
when,
when,
when I'm
the camera
after the
after the
room,
he makes a
little bit of
the image
and is where
the child
he's not.
No,
he was a
little bit,
but she
got a little,
he gets,
he's at
the child,
and he
and he's
to say,
I know who
you're
doing here,
but
I'm a
little
my new
my
time.
And then,
it's like
he'd be
to be
a woman
that's a
I've been seen since
several days
and that
maybe
he's a
brother,
there's a
right.
It's a
woman of
black,
cabo negris
the
face.
What we've
heard,
many of
the
yearone.
The sound
that has
no is a
sadioso,
it's like
a lament
but is a
lament
an
person that
suffer.
It's
a person
that if
you'll
talk you
to you're
to be
to be
a
sound you
that's
saying,
he perfor
the
ear's
a
little he's
he
he's
he's
he's
he says
for
favor
nico
for
favor
tell
of when
we're
we're
that the
that
you're
we're
we're
and we
don't
that you
do you
do you
think you
you're
you're
you're
you
not you
don't you
don't you
don't you
I'm
I'm
put to
year with
you're
because
when
you're
when you
made
those
after the
after the
woman
was
then the
night
it was
like if nobody
me
heard in
the
house,
and Natalia
she had
the
blood
to be in
the
woman of
black
like you
but she
was
she had
the
and she
the
she's
they're
like if
you're
so
you're
so that
you're
there's
something
that's a
thing that's
one of
the first
phenomena that
are the first
the
moment I
know the
story and
of a
lot of people
start to
say,
I'm going to
happen to
something.
I've occurred
with various
things,
with the
man of
the sombrero
in the
first times
with
certain types
of
some types of
different types of
but
but today
occur with
a time
that
that has
a good
time
me had
given
the
time
and the
fact
that me
have
have been
yet
many
stories of
this
time,
is something
that's a
very much
and a way
nervous.
Nervios, literally
a little
little incommod
or a
little of
a little of
insecurity.
The
I'm going to
say,
the
thing has
to be
with people
that
have been
in different
these
creencers.
And,
they're
being
part of
these
families.
With
this,
also
I'm
also
many types of bruchos,
crevents and persons of the occultism,
and respects for all those.
But these histories are of the victims
that not believe in that,
but are in misquidious in this world
for the people of their own.
There is a child.
There's a child.
Steffi and me says,
Narrator,
my family,
from my abuelo to the
time, are bruchos.
Not all.
Not all.
Of course, my family,
my papa,
and my mom are
sincere
theme of
brujeria
no
they're
a lot
and it's
a lot of
respect.
My
abuel is
a bruch,
bruch,
bruch,
curandero
that you
do all
type of
jobs,
but
that for
the general
he has
dedicated
to do
things like
things,
limpire
to the
people,
and try
to make
that they
and he
he's
little to
he has
dedicated
his life
of that
but in
his
past
was more
ambitious
more
arris
and, we'd say,
that his
heart
is that's
he's a
has a little,
and he's
he's not
he's not
to use
these things
to do
because it
doesn't
the stories.
I never me
was told.
My
Abuela,
Diri,
her husband,
is Catholic,
but Catholic
as a
idea,
is fanatica
Catholic.
She and
the abuelo
she's
they're
and they
when she
when she
was a
little bit,
she
had to
with me
and I said,
no you
do you know
your boyl
and never the
other way to
the world.
The things
he does
are very
dangerous just
not just that
you know
you do you
do you need to
you know that
and rece a
you know that's
a little bit
a little bit of
an aliasm and
then my aboelian
and then my abelah
when the abel over was
always her
and I'd have always
his cantaletta
For my
account,
I'll
say,
that's what
I'm in the
I'm in
many things,
that the
really were
their own
their own
and that's
that were
and when I
did a
thing a
nothing,
and when
invocable
something,
no
was about
and that
and that
and that
was a
woman,
and I did
exactly the
same.
That's the
she had the
thing,
and no
was about
nothing,
and that
he had
a
God,
and then
then it
was for me
they were
they're
the same
the same
got to
the
other
So, who was I,
to my 16 years?
Atea for
complete.
Or so,
no,
he'diae
those creencers,
I'd be there,
but no creed
nothing of that
because I
saw it was the
same, they'd
put another
name,
other car,
but no
passable.
To day
to-day-
to-
day-to-
see-
that's-te-
16-year-
was a
super-ignor-
and simply
he felt about
the tacto,
the feeling,
and the
experience
to understand what was happening. And no, not, not are the same things. And
if, if, were things, only not was perceiving. Lamentably, me
I did count of the poor form. When I Cumpro 16, my
abuelo came to talk with me very serious and me says,
Steffi, I'm saying that you have a don and is more
more than the mine. I want to help you to do you
You know, my
abuela
us
and is the
way that's
the more
he's got
he's got
to be able
to be
he said,
he was
that he was
that he
was going to
more
people,
if he
had
had passed,
and what he
had
costed,
because
he was
getting
people,
and then
the
abelel
not
he said,
he
he said,
but he
said,
yeah,
you know,
you know,
you know
you know
you're
you know
I'm
because he said
that.
If he
came and he
invited
to the
before
after this
he was a
good that
he was going to
that he
was going to
the way.
So,
I'm going to
start the
old old
in his
house and he
started to
ask that I
could be
instruct and
say,
because
it was a
very
wonderful,
it was
me to
make sure
me to be
a major.
Although I
think
that nothing
of that
was really,
well,
that there was
nothing
in the
times.
I would
be more
abion
than
than you
than
that she
was
My abuel
commenced for
explain to
me about
about the tarot
and he
made a car
a barraja
the barraja
was new
was sealed and
me said
that was special
for me
where she
did it
where she
did it
because
never in
no
a
tinder
there was
a barraja
they were
super
aterradora
it was
so very
gothic
like
very much
made
that you
were
that it
was
a horked
The arcared,
it was a person
orcated and with
details in the
cooeyer, and
it was a part
that was
satra-anded
and a horde
of people
around,
the situation.
The person
that was there
was a person
that was a
person that's a
person that's
a look at
the same
time,
as if you
were being,
and at the
carpacarra
a car
horrible, a demonio
that was
like in the
light,
that no
a color
rogo,
it was
like a
color grisaceo, but his
mirada was so real and so
vivor, that it made
that entraned totally and you
sent you were a person
live there. The pejor
cart was the death.
No, it was a
death normal, not was a skeleton.
It was a woman.
A woman who
had a hair,
had a sonrisa
very ample and
cargabaed the guadana.
His sejas
were very populated
of a color
ruby, but
very brilliant.
No, there
more
Pell-as
over the
Cava
I'm
a guadana
and I
was made
a
a type
of a
kind of
a
kind of
a new
but of
the color
like
between a
blue
and the
morado
was a
rarer
it was
every
every
every
every
that
that
I
had been
I
fascinated
I'm
I'm
I'm
and one in
one and
I was
very and
was a
really that
those cards
when I
were
like if were
part of me
and he
I asked
my
abuel to
what are
the rules
and he
he said
for what I'm
doing
I'm not
I'm
to talk about
let's
let's see
to say
let you
talk to
talk about
he'll
ask you
say and
he's
and narrator
first
I'm put
to practice
like
barragear
the cards
to harrall
with much
respect
to do
make them
in a
space
that
was
like
was
very
very rare
but
from
the moment
in the
the environment
that
I was
I'm a
I'm a
so I'm
a little
and at a
bese,
so I'm
the
but in the
so we're
a mason,
not a cause,
they were
many, and
they were
there to me
and then
I was
and then I
didn't
me said
nothing, but
when I was
a person
in front,
all of this
came about.
If I
put it the
cards,
it was like
the cards
me said,
let us
talk,
put us in
those
hands. And then I
started to do things
different with each
person. A
sometimes they'd
to them do you.
A few they'd
them'd be
they'd be able to
you're just
to get them to
your roste,
tocats with your
nose and with
your caches.
Cossess
that's so that
people even
really were
really, but
I don't know
because it was
it was like
it was like
and they'd
start to
start the cards
and see things
things very
incredible.
The first
person that
I read
very,
that only
me did
to be fluid, because to understand that, me
he left time,
was a friend that was
a friend of the preparatory.
A my friend of the preparatory,
he was about much
like the theme of the occultism
and of the magic,
but I said that
all those are sans-deces.
We've had been
many places
where he and I
and we were,
we said,
but I said
that he had a
masso that was
living things raras,
that if I
had to be
my co-in-ah-jillo
of Indias,
me said,
then I put
the cards in
front,
after to do
some rites
that were,
with him and narrator what I'm saying,
every thing that I do,
he's still getting like boke-abirt.
No, I narrate the future.
He narrate his past and the relation
that he had with her mom
without, and things that
never had ever had told,
things very intimate,
and were things that when I
I was saying, for me,
no, it had a sense
for him, and he said,
and he said,
how you know,
what you said that?
Who says that?
And he says,
and I don't know what I'm
saying, but
is that you're saying,
that you're talking
like of moments
very special
with my mom.
Some questions
that I've
had this
time this time
about my
relationship with
to get to
get to get
to get to
and me
and it's
going to be
my past
with her.
How you know
you know
I'm saying
a problem?
And said
and it's
he's chocked
to the
time me
he's a
last time
he was
put to
reflection
much and
that now
he had more
a more
relation
with her
my mom
and that
he's
he's
He brought very good records
to raise of that
correa of cards
and he said
if she's
I'm going to
no, no,
I'm not,
so it's that
it was very
rare, it was
like if you
had been
in me.
No,
I don't want
to get to
live this
but much
thanks.
Of the
preparatory,
every person
that was
that was
a different.
There were
people who
was saying
the present,
there were
people who
was saying
the future.
And me
they said
they were
they were
more
for that you
understand
it was like
it was
like a
person
that's a
person who
I'm doing
the word of
the word,
but as I don't
understand what
I'm doing what
I'm saying
then the barrages
allian and
it was like
it was like
it was
but not he
he'd
not he'd
try to do you
and the
other person
only be yeah
I was
I'm
was amazed
I'm sure
I'm
to feel that
it was
like coming
my way,
Custra-Riva
during a
hour,
tomorrow,
it may be
it's like
that's a
time, but
pasted a
minute,
so I'm
so I'm
so I'm
so I'm
just like a
muscle, and I
know, I'm
to see to
let them
the cards.
Amistades,
persons of
the preparatoria,
amigos
of the
friend, and
so I'm
after that
took to go to
my family.
I said
to my
friend,
I said to
the
when I
the
when I
the
the cards, the first
that was out of the
murder.
And it was very
a narrator because
it was a
no, no,
we're going to
go to say that
card and I know
that's a car, and I
know what I'm
going to say,
but no.
Because when
it was said,
I was the moment
in the
letter the
after the
back,
like if I
had to be the
hand, the
body,
and I said,
no, I
don't want that.
For that
I said that
we'd like that
let me happen
to do.
We'll
let's goard
the cartes,
I reparto,
and I'll
go.
It's rare.
It's
I'll, with conscience,
I put apart of the maso,
move the cards,
I'm going to
put down,
I'm going to
and I'll put it,
and it's all
another way.
Narrator,
I know if he
let's, but that
was the time that
was the murder,
I said, no,
better we'll
let me go back.
I'm going
with a prima,
sale at the
murder.
I'm going
with a man,
I'm a man.
I'm going
with a tia,
salem the
death.
Gave a moment in
that in all
the cards of
my family,
all the
lecture,
not the
never had
that's
that's always
a
murder,
like the
first,
like the
second,
like the
third
card, but
I was
I'm a
murder.
I don't
want to
do that
barah
of the
maso,
but one
I did
the caro.
The
I got
I left
in my
house,
I go
with
my
prima and
there
was
there
there
something there was a very rare here, that something, I don't know,
who was going to get that card there? When I regrece to the
house, the card not was in the room. It was in the mason. It was the card that
that's the card that I can't take the lecture. I don't terminus the
never. Always that's the card that I do know that is there,
to the devil, no I'm going to learn. So, my mom, my mom
me says that how can't be able to be doing those things? That I don't
I'll be doing that
but I'm
going to start
puras
about the razz
and to give to
God and
not that's
what I'm
looking to
see that
that's coming
that's a
car and who
did it in my
batho?
My abuel
was going to
make the
response.
So,
I'm going to
him.
And he
said,
I'm a
old,
Abelel,
I'm a
problem
very grave.
He says,
me
I feel
very nervous
because
all the
times that
I've been
reading the
cards
me is
my life.
And then
then says
no
what
what's
he said,
no you're
so you're
going to be here.
I know what you're
not going to
not going to pass
the murder
or so,
he's only
saying the
card because
yes,
no,
yes,
is going to pass
the death.
The
death is I.
What?
What?
What are you?
He's just
there,
there are many
things that
know you know
to know
to them
don't tell.
But you
not only
only only in
this house.
I don't
do you just
to be
to her
school.
For here, she's her to look at your
cards.
For here you are
passing.
It's for me.
I've
I intended to
talk with her,
but she's not
she's going to
gobara.
So,
so,
I know,
you know,
you know,
they're not,
yeah,
she, she
me let's do.
Then,
when I said
that,
I don't know
how to
talk it,
he's going to
get to
he's going
loco,
me is
quenteing,
me
He's playing a
Brom.
But if you
had you
had seen
the car
of him
when he
he was
you've got
like you
a
sensation
of a
big
a
great,
as if
someone
during
much
time,
you
had
had
to get
to
the
and he
and he
he was
like
I'm
like
years
and
they
don't
know
and
they're
thinking
that
they
were
you
were you
were
I'm
that was
I'm
Now, I was made
Usada,
me sent me
I was made
and I
felt like I'm
the same thing
my old old
but at the
best I'm
confused
I'm going to
my abuela
I told what
was going to
my
my abuela
she put to
and just
me said
you know
you know
you know
you know
if you
go back you
I'm here
I'm gonna
and then
during the
next
several
narrate
the second
I'm
my
my abo that me
that is what
is what
is the
he's
going to
many times
in the
he's
in a
little
see where
he gets
a form
discharate,
a woman
in a
mantle
that has
colors
that can be
no
has a
part of
the
head
her hair
are
redos,
and has
a
one of
she has
she
she has
she
carrying
like
a
but not
she
she can
look
just be
I asked that if he had
various cards of
because I never
had seen the
death represented
that's like
he said
no,
are things that
you know,
but is that
that's
that's not
a mason is of her.
Yeah,
no use you.
It was
it was going to
the time
that year.
And during
all the
year I
was the
end of
that no
to be
a little,
the
people,
the tios
not go
to the
kids are not
to their
house, the
the subrino
not are
to their
kids are
to the
house. The house of the
abuel, practically only
only had my
abuel and my abuel. And my
abuela, if not was
my abel, no could be
there. There were
stories that said
that they were
a mancapuched,
that they were in a
sombre that
was over.
I when
when I was
I was in the
room of my
abel of my
like if
someone would be
with the
arms
aberts,
expecting that
was to give me
a brother and
never to
never to
get me
to get to
me to
manner of different, but it was horrible, horrible.
Sigue advancing the year. My abuelo is in perfect
state of health, but perfect. And, of repent,
still advancing, advancing, advancing, advancing,
advancing,
and, and, there are the last few months of the year,
and I go to the house of my abuel and I said,
"'Awale, it seems that we'll be able to, and my
abelow, me says, no, she'll be able to me say, no,
"'se let's govra. And he'll say, abuel,
"'you're not you're thinking in that. You're not
You're thinking,
I've goth
I've goted
these
much the
cards,
I'm going
and I'm
doing this
I'm doing
doing this one
and I'm
about two
times that I'm
so I'm not
so I'm
going to
try that
we're going to
change the
time,
change the
and
the abel
and the
he's going to
go back
to cover
something
change
of the
time
and accept
the
things
like
come
never
and
no matter
and
For the finales of November, I'm so desperated that I propose to,
the 25th of December,
we're going to celebrate in the house of the
and that's gonna be a frigate of that
that thing that's there. With all the family,
I'm sure that I'm going to be able to.
And, standing there,
I'm going to declare publicly how we'll get us.
And then I came an idea,
the 25, no, the 29.
If the 29, your abuel,
is it all over the year.
Then I go,
if the 29,
I'm going to
talk with the family
and the more
the things
narrate.
No, it's
the 25,
not the 29.
It's a
one of the
celebration.
The family
not was to
put to make
the
time, and
they were the
year,
that the
one was the
moment.
The 31
was when
everyone
was all of
the
situation of
the
abel
exactly.
Only have
just they
just have
a bit of
the
years, but
are the
things between
dimies and
dire,
and they
don't know
so they're
so we
get us
we
We got there, the 31 of December,
only with a surprise in the morning,
that my abhorred,
of the nothing.
No, he goes, no passed the year.
The 31 of December,
circa the 5th of the madrugada,
crean in the doctors,
and he simply didn't just to respite.
The moment's, I'll get it.
And you,
have you ever seen
about this tarot?
And with this story,
dear family nocturn,
we've got to the final
of this obscure belated of stories.
for favor,
degen me in the
comments what
was the story
that was the
that was the
first of the
if you know
if you're
to get
at the final
of one
for a
time,
please,
what was that
you know,
that you
have to
see that
all the
those
those who
were doing
these
flamitas
all
of the
whole
of the
good,
and if
you're
good
and if you're
very good
just,
put them
and then
let's
the campan
and then
the
campan't
the
notifications
and then Family Nocturna,
then the welcome to all the new
but now,
all of you guys who are
all you guys who are
new members,
new integrates of the
family nocturna
and all those
veterans,
let me say the surprise.
A part of this moment
that we are 336,000
followers in Spotify
for every 10,000
new new that we
have to give us
a plattica secret.
And what is a
partica secret?
You can't
ask you?
It's a story
that no has
been in any
episode,
a story
in an
new story in
a new
other red,
only will be
not be able to
get in
only to be
every time
that's up
10,000
so when
we get us
to get us
a lot of
a
public
and the
156,
another
other
other
placica
secret
and
knowciendor
that
I'm
going to
make
in problems
and
maybe in
a couple
of
some
I'm
going to
start
doing
to be doing three, four, or
to five placas secretes.
So, dear family
nocturna, I hope
this interchamble equivalent
for every 10,000
followers, a plastic
that, not going to
do any other
history,
will be stories
profoundly terror-dor-darder.
Now, if,
once said this,
I recommend,
that be an episode
of the Sabbath
of SOMras,
because it was
very strong and
aterrador,
and to the
family nocturn
that they
encanted,
and now,
we'll
see the
next week,
the episode
of the
Jueves. If this
this does
fear, the
the daybeth
will be to
errar.
I'll
desire.
And that's
that you have a
bonoitya
and that's
bestadias.
Bye-bye.