HABLEMOS DE LO QUE NO EXISTE - 7 Historias de Brujería , Nahuales y Brujas | EP 232 | EL NARRADOR

Episode Date: October 22, 2024

Bienvenidos  a ésta nueva FOGATA DE HISTORIAS de Brujería, Nahuales y Brujas... El día de hoy les preparé historias aterradoras, que ustedes, querida Familia Nocturna me han hecho llegar. Escucha los secretos de la DAMA DE LAS SOMBRAS, desconfía de todos cuando se trata de BRUJERÍA POR ENVIDIA, conoce  la BRUJERÍA QUE TE ROBA TIEMPO DE VIDA y ¿Por que no debes hacer ENOJAR A UNA BRUJA? Escucha éstas y muchas mas historias aquí en @hablemosdeloquenoexisteHablemos de lo que no existe es un canal de youtube con el formato podcast que comenzó en abril del 2022 su primer episodio fue vivo en un casa embrujada en el que una chica narro sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de este canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de este canal , la familia nocturna creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de este canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando esto tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora.El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado .

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bar obliq concour. The reglements of the concourse apply. Welcome to Family Nocturna, to this new episode to let us of what no exists. The day of today, we have another day

of fogata of histories. And today we're going to about about a thing that I'm asked

with a inko brugry bruchies, bruchos gnawales and things about

and things that are in a small the amount that

so is that if you get a final of this fogat let me

know in comments with with a story and I this

foggata of stories and if you get to

get a fear or you you get too

and your like your subscribe and one once

said this let let's let hear these words, never

you'll you know, when you're in presence of a woman. Martin and Checo are men

men's. Martin has 14 years, Checo has 10. The father of

both is a point to do a situation that will provoke many traumas in those two

children during many years. There's a house, the house of the abuela, that is

a house that is a because the abuela, transcended a many

decades. But there a situation. And is that that house, if you get a

day, would you see a little a garden enormous, a road of

a beautiful, that seems that is that's made a directly, because this

even the house, it's more a second, it's a place, it's a

place, until the Pursa of the entrance, that the road of the road to

it is even when you have certain the little the

door a big great great, that even you could

you could be and it is a place because it's

a place that but it's elegant and a

beautiful a one a a part a piece

a long in the which, the right, you'd three

abetations, the doors in form of an arm, and the side of a

side of a wall, a wall, a that's different,

and in that's where you are to be to be that but this

you're you if you were the day. Because that

that not was that not was the experience of the night.

And in that that's is abitado for the abuela. Since has

almost 10 years has a daughter that's a woman, and it's a woman

that all the family is a perfectly. No, is a rumor, it's a

fact. Not they're they're not a house of the abel

because the family they call the house of the

ombers and unfortunately Martin and Cheko are in the

moment in the when they they're that are to pass there

is a second of a second of a situation of a lot of

the mother of the father he's not a little but these these

these people are seeing things that they're number

one there there there no there there's there's

seeing some that the house but it's something

because although there there there little lus there

lightes that In that alumbra of the garden, certain ashes of the light pegs in those sombers, and it seems it's like

if they were in some somebs coming. They're in a little of a little bit of the valiant. The papa

is a presurated, is that is a preoccupated because his husband is in the hospital. So, so it's

simply they're, he says, and he got, to come to the door, and comes

a tian-Nora, a t'a a tue a tundo a stoveraro- a very extravagant, but that is a

good person. With the family is a person atent, a good in occasions just a little bit grunion

but nothing bad. She had the children, he has a mueka in form of a sonrisa.

For her this would a chister for them was a spantosos to the property and

the the brother and say like thank for good to give to give to

I'll terminate the words and say, yes, I know what you're going to say. Vety with your spouse. You're going to be with the kids. How long time you need you? One time. Okay. One time I'm going to

keep with them. In the moment in the door, both children want to go ahead with his papa because I'll say, the day, in the moment in that

the door is open, he'll be a passelel enormous and some other abitations precious. And in that

moment in the when they entered is a place absolutely oscuro. No, there's that are into the

not in that part of the house. It's a totally dark. It's a moment.

And it's a whole, and it's a voice to talk to different points. Venance,

you know, come, after the final of the pass. I'm have to

the house, and they are going to know that the world. It's

something all right. It's something they're all too, they're not

can't can't come to because not they're at the good. They're

not in the other after the last the time. They're going with much care.

After that's the light and thence the light and thence the other in the

middle of the end of the time and the time. And the Tia's also, I know the

night that I'm never preend the lights. But you are new here and I've the

detail of the light. You can be very the kids, the the

people the people's the These are just the second that's just is just the one of the

family, because the family not want to have been with a but these circumstances are speciales.

So, is that in this moment in the he was he was the two were the

two are the real error. They were to go to the passage and to get to

their room and they're in the room. This room is a place

a kind of the house of almost the person. We're

talking a space of almost 20 meters for

20 meters, a place enormous. There are two comas grand, a space totally open

and various windows. Those windows are in a curtain, but the curtain

has a little bit that it has been put on the wall like

if no that not that not the people.

The people see they're sometimes so the space

is a almost the never been been a

an apartment as that's an enormous like that there there's many

many people there no more not a place but not they're not so

not they get in a time I'm I'm I'm but before

to say the the rules the rule one one

one one one one one and listen that

the light the without no the No do you do

If they're in In the Two, if they're to be They're to be able to

do you don't enter in any door that not should not do you

do you don't have MED to them the people the kids

they're getting to them who's you know but

if not they're not they're not they're not not going to

use the rest of So, so remember, no not get from the

door and the doors, not enter in in the doors that they're there are there, and not they

don't they're they're a little. The tia the door, up the lights, and they're a voice

that retumva for all parts that says in a moment I'll let me getens

there. Before that you you're thinking that if the kids have

to need to to do conduce a a that's a that's a

big really, really not in a relation these rules to do they're

to do them to do they're real, are the people, but are new new

and there other detail. Not they're not used to try to

situations inexplicable. When the Tia was to do the Cena,

who knows how time did, at the time.

At the camera, no they'd move to the maletas and

practically they're like oh-of-as on the little bit of the room,

I'll say in this house, it's that all is a little.

The door is waiting, and they're waiting, the door is still

having after the door and it but let's you know, you think you

that's that something, you're When the door peg in the the first the first

the first the first is the and the door is the and it's something because they're

the sensation at the final are not they're not being so right the sentiments is what

it's the government and they they're a in the time and they're

and commit the first error because with the the light apagas,

no they've been out of the room, and, however, they're

when they're when they're in the first focus, that's a third part of

the basil, it's the light, and it is the light,

and they're they're and where they're just to the center of that light, it's

the light, and it's the end of the focus along. Juno on that,

they're they're And conform they're asercando the focal more near the

door to the door of the door of the court is to start and they're

in not they're not even they're getting in the moment

in the they they're on the foot that's right in the

entrance that the door the door is the

door of the door of the door of are book-abirds, but at the

same time, they're in an adventure. But, no know what type of adventure. Because when they're there, and it's termina to open the door, the light that's uprored of them is up. And, of course,

and, of them, all the lights that are in the garden, see apaghan at the same time. And that way is a place, is a place, is a way pretty? it appears

more the way the way the main because at the

night there in the little little that they're that they're there and there

there's something that's that parted to the road on the

right of the mountain there there there somebrus there

somebs that not they're there they're some somebs

like those that were They'd have the light and they'd

not illuminate. And it's something that's a lot of going to do you

do you and they're to be that you know that they're seeing that they're seeing that

all the time, they're on the time, and they're at the time, and then

the people, they're going to get to their room, and

they're to get in the basing in the dark, but there's all the

time, but no they're the tone of the tone of the tone of

a a little roguised and the side where they're sure that there's a right, now

is full of doors and in that space of doors abirtas, there are people who

are people that are palidas in one of the habitations is a single and

they make and they're the sensation to when they give them these people when they're more or

more or less or less of their complexion they're going to to come in and you and it's

when the Tia Nora for the good sort of the good so I'm

just said let's let's to molest to be my my and you

and you did are the nothing when when they didn't the

light on the people that were that the other there are

they not another again is another Tora T'O'A

Nora try you a and this side of the door of of them. It's the door and it's

to say to the room and when there's not there a part of that's that stances in that

that was a one per a son-as in the passissions they

understand perfectly because they're clavated those cartes in the

quarters because they were there were there and there There were persons

assomandos people who when they were more the window they were a little a little

a bit of the little the children lived one and other other

scenes of things they they're that they in the mind something

something something but the time it was a she

was a great she was not able with her because they were

she And if those things had a lot, maybe she was she was a

better. So, is that they were not to get to the house of the

house to do you. The little and the Tia and the Tia,

not intubes to put it to be the time, and when he got

the he got the they were so, well, yeah, well,

yeah, well, yeah, so, well, and the both with the

two with the two And he said, and he said, No, you know, you know, no,

you know, it's a house, but your children are well, I'm in car of all. There's a

relato. The problem is that one a year after the two, he was a playto

very strong with his brother to his 15 years he had made made of a

group of people that we were that they were they were they were making

that were making that decisions. The Papa is a second that's a

time that's the time. And how they've made you're a sedita. And this type is an

educator. This type is a man who is a man is a man who's he's done. He has

seen to have seen certain vices and that's he's a time. He's he's that

he's he's a little to get to a year to get a year when he

said this the muchachio, he he regressed, he said,

he said, he said, he said, for favor, no, no, for what you're

going to do you, do you going to get a a mess there. And if

you're going this type of attitudes and things, you're going to live there. He was

in the force. He's to go to the Tianora. And here is when

he's when he knows that he was he never been Martin, he's not

accompanied of his brother, and even the last few his brother has been a

fact of him, at the difference of the different things that are doing,

they've in moments to be very incompatible, Martin, is that is that is that

is that he was a time, he was, to be a quarter, to be not a

other, but he has been 15 years and he doesn't But you know what?

No, it's not with the fear. The sensations of the sombras, of the doors that were of the

little to get to the other people in those other people, and they're in a place in a place

in a good thing. The most that's the day, to be able and to have the door

of the court, that's during three, four days, and after of that,

in the day, to come on the passio, only the maximum the same

the final of the second of the main time and the first time and set up to the end of the end of the end of the

way it was the he was the way to go to walk by the road of the road of where they were there's

on the part of the person to those quarters people who were that they had been part of the

court no no no no no it was a house and now that had returned in this

summer it seems like if the Abitants Occultes of the House They're

Because Lazange surgely, Pucance Moines for 15 minutes We're like It's a lot

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women, voices of voices of women, voices of the situations that they were in the

penes of the most that he was was sent to the escalers. And he

could do you to do you to do that's sat down, but at the same

time alivated the night earlier not he could do

that you took in the door three and then after

three and then after you know the time you can you can

not you don't you can to be to be very well, more in a house in the you know that you know what you're going to

be able to be able to happen. He's sitting down the sun, he's still, he

still is there is a little the time when he that's station a vehicle

and for the road on the road there's a man vestido

of a very elegant and and he moving a sill of a wheel of a chair of

came in a chica that's a little it's a kind of a little because it's

totally either a and the man is a and the she's not not even move her, it's

too flat, it's in the other part, and another part it's like colding in this

zone of the rostro. A scene espantosa it that would be

that with certain details in some moment of that she could have

been been been it seems to a more than a

more a lot of someone very affected like if something he had had

a other he has he's a man he's to be to

help and he and he says no you get to he

he he has he has he he has he and the some

some some things and he he got with a

Saluda, and Nora, the first that says, is in what we're going to get us. One once that

we're going to pay complete. And after of the effect, me you going to

be the double. We're so, then you can't pass. Entran in a

abitation. The room, for a situation that Martino had had done

a count, generate an echo that he had in that zone in that he was practically heard of all the conversation, like if he was going to be in the house.

And he said, that the Tia he said, Trails the pertinences that I paid of the familyaries, serkanos,

friends, everyone, all, that are of their age or and he said, the cabo you

do you, saliv, you, saliv, you, do, you, do, you, you're,

you're, you, Yes. You know, you have been cataloged? Yes. So, I'm going to encargar to

find out of what you to do you. Acquirtate that one that one that's, that we

don't have back. And I'm not I'm doing to your daughter. He's

I'm going to the person three times what he did. You're going to do you

know who was? Because that person in less of a year,

you're to get to you're you're you're you no

there's no I'm no there something something something that you

yeah not had to have much movement much that he

perceived martin all the whole the she was not

when they were to see and they didn't get going to he was

he he's after that after that there those

Ruidos, he said very now pay me, you your

daughter will to make and they're when when say

notoriously that more and I'm you know who

was the person the person saluted a martin

she get a little a man and she

and still and he he's like he he

And the Tia He says, No, you should be able to start listening conversations

agenas. And he's Mette. Martin is too of the conversation

how carhos he knew that he he was he said with the idea of that

did he went going to the days and a one a

time before that he he would he back

he came content I was happy and I was with the Silla of Ruevas The Silla of Ruevas The Ruevas,

I was in the Chica and when he went to the woman, I'm going to give to

give to a service or needs to do that's my part I'm very very and he

says, we're going to brings the double if I try the double

of what we've had been Martin, Lamentable was on the stairs

and not so I was to move for fear and for morbo so

is that standing there in the escalers he's he at the way he's

not, he was to be a lot. At the final, it was a question who

was the the best her how is how we

know in the hospital very not not will do

do not I don't I don't I don't I

what he is. But no I think that's the end of the end. So, your daughter will

be able to be able to this? No, never reveled what he is what happened.

It's a movement in the room, transaction rapid is a sir,

and he said a Martin, you I'm, I'm to hear you to

hear you and you know, I want to come to the room,

and I I'll talk to what you know when you're going to tell what you know when you get this abitation is one of the habitations that are the right

just the room central no has any sense that they're going to the sound to get back there but that's

going to be to be a adult many years after that's going to be asking for what demonies he could

hear all this and it's that's something it was it was it was

when When I went through a place full of frasks, of menjurges, of the books, of vellas, things that if

you passable and the room is there was even that you're even in the it was like if there was a

little bit more a room. The tia the tia he said, sitate, he was very,

he was very, he said, I'm very, he said, you're saying, you're saying, you're sent to Marti,

and the tia le said, you, you've got all, you heard you know,

you know, you know, you know that the little and the woman is a man, and the amy going to

do you, he's, this, no me you know, they're not the menirosos,

to the meniruses those castigue. So, Tia, I see, all.

Very well. Well, it's a minute, Martin. The amiga did not

a woman to do a man, and one that is very can-y- He attacked for the But I don't

I'm going to put in risk my peyeho The amigua The am I the The same The same The man is the

most easy to affect her. So, we get him the And so we'll let him

three times to the other. I have money, the other well, then the other,

but, I'm saying, so, I'm not, I'm not, you know, you're not you're not

you're not to come. And Martin he He says, Tia, I'm to ask

something because if not I'm going to not quite. The sombras want to know what are right?

What? People who me mean, Martin. People that are in different parts of this

house, people that I'm that I'm that I'm that's I'm not I'm

going to think in liberals. Now, bette the abitation and not stus me

in this house. A situation that all the life

until the day of today of the has made that this he's

a problem to be a back by barque and

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recantima and Alondra were the best friends. She knew from the preparatory

and since were the complices. When one had some kind of a time of

the other was there was there to scudarla to protect her and the

life was and they were different but never they

never they're never there there there there was

not there one well of one one two

two two things the one is that she, when entered

the university, he was to practice the brugheria. Hamas he was never said. It was

so ordered with his things, and I saw this to get to get a

form that that Fatima never never saw but

Alondra was being metida in questions very dark

but no he didn't to just I just

felt a a thing he had a a Not to

any any of any of things of the things other things related

with emotions and things about the second thing that Fatima

was very lamentable is that Alondra was very zealosa

of Fatima very very very very economically her

family was a family was a family that was they

had found to after after after after after

years of not to be in the same circles if they were in

a time to they're in the same area. And you know what you know,

Fatima was the head of Alondra. Alondra was very molesta, but he

was able to be dissimular very when when he came to after you

came to when he gave the place of the wife for the she was she was

she was never said. Alondra he was he was he was and he was

he went and he was he went and he he was the rest of the rest of the pastel

the got to the bottle the water that was the thing is that the company when when had the

political that no had to have had there a man a man a man

that was a man who was a chefature that was a type very intelligent

and he had a project a project a lot summently attractive. Not for all the

people. Extranames. Yes, for Alondra. And, yes, for Fatima. And you

know, Alondra, said Malaya is the maldita suorpe of this woman.

Because even she had time looking the attention of this man, not he

he was the day that came Fatima. The eyes he was

he he took and he he he was In very little

time, all of the Couchicheo where there there was there was a lot.

Allondra, all of was never in an odio accumulated and that he was

the day that Fathima came and he said his pechoria the situation

that had ever had had given and he had when he said

I'm amar I amarousous of Saul no Alondra

not she wanted to Londra she was she was

he said he he's he's she she and he was

and he did he he went to his house and

he he said she she was fatima he

he went to in his embaras when he

he got a very something something something something

he had had a many times, I mean, like much sercania,

he had many many times, coffee, in the morning, certain food,

during days in those that nobody had had been strangely the food

that was a Londra, Fatima not was not

good, but I didn't to a friend, so

so was that I had, but there was something

there was a day that was a rar she

was a final. So, so it's that's the question

hormonal, to something to be normal of the process of a but

to get to the house, there's two things that get to

get nausea and that when has had been no

never had been no no the and it and it

also and it can be sometimes that he's not, he

really practically to get all around but the

same time a that's a piece that she can't with her. It's recuester one

seconds in the camera and he really completely the conscience. When open the

eyes, is in a position very and it he's his hands are in

form of cross and she's right she's right to the

room where she was when he was she went

on a one he just recosted on the

right on the hand on the the feet just hit puttit totally

extended as she the plantas to the front. And at the end of she was

a man a man a woman with a bell. And he put her

his man over the book when she he he said with a voice

tachate call the the man that Fatima sent him in the

back not the woman sent you wasn't wows felt frio,

sent you a I'm doing I'm going to feel like that's an unciano began to

speak to say you know a new year like having a person to say you a rossary but a

something, I'm about it was a rapid accelerated and the woman

had an one of the and he was and he said, I'm

saying you say you say you can't hear the fatima fatima was

was He said, You're still, because no, I'm for you. Vennel. He went to

this woman. And in some moment, Fatima perdi her the conscience. When opened the

eyes, she was very a sustata for two things, the anciana, and because there's a

same thing, the camera. She starts to move rapidly, he's getting, and,

and, he's he was a point of an abort and the good,

no, he was not so he's got and he was able to somehow to save to the creature

that was in his vintre. What is that's that he's that you know, the problem is that when

was in the hospital and they're doing the revisions, see that that woman pass

for the and a pastil of that day that's anciana she's the problem

is that it's that it doesn't if there there are the door, if

there there are in a place restringed because when she saw a bit a spejoed

she's a bit of when she's a point of dormer, be that this woman comes coming and she paris

and the bad is that nobody more shebe that's that one

with the when she when it not is so but when it's talking

the hair she's horrible that's that thing is making

that she has that you know that you is becoming a local. When

he's the doctor, he's a doctor, it's normal that is the time of the situation? Of the

normal, no. The normal, no, he's having a need to get a because I'm

going to recetartes for your, for your state. So, tell me if you're seeing being

doing this type. This chick has a little fear. Because every this

woman appears, there's a unacted of aborto. She put in

a end of the Termine, she in the hospital. The doctors don't because it's very well

and the right of a moment, a new moment, another conato, another possibility every way more and they're

going to be going to be the second month, has to give a little so-as- because if

no, I'm going to be to be a alternative. It was with people that were

with her mother that did the mother that did live, and it was a

daughter that he wasorcist. It was something very strange what he occurred. Because Fatima is a person religious.

But the day that they gave him with the exorcist, she only entered to the

church in the church in the man and this man deto what was doing and he said,

get to for favor after that I'm you need we need to talk you and

you and you and you It seems that this exorcist had some type of don that he permitted that was more than the evident.

So, the exorcist he explained in that reunion that they had been linked to the Santa Mewartre and that was the Santa Mewartre

was the was the child. He asked he said that she thought in someone that could do you say

that no. Fatima has been a person that's always in a certain way has has been good

relations, with family, with friends, and then he's a way of the way direct. Envidias

or celos? No? Who are your friends? And he says, I don't

conviv with anyone from since the time. I've had to

have to be my best in the job. Okay. We

to do this. We're going to do a part of liberations

and I I'm going to I'm a group of people that are dedicated to this

24, 7 for that from the house you have present. For favor,

tell me how reaction to your friend. She said, she, she,

she, even you know, she says, she, revisa nothing more,

and he about me about a time. She, she, that I'm

that will be that's her her her, she's, her he has done this type of

things. Of the other idea of who can try to get the idea. But that

night, she's a type of rugid into the room. Like, something with

courage. At the day the next he gets to the job, and he says, you know,

you know, you know, you're having much people that is a person for you,

right? Just, just that I also I'm going to read for them. When

he said that was more than evident, no he's a

second, he's a minute, he's he's a he said, he's he's

he's he's he's he's having to have a person very very

very because if you are affecting much we're going

to do the liberations and I think he guard

distance of this person if you can change to

change because this person you know you you're not

you not a person that will want to care to

do you do it. And maybe not to be going to never never. It's

that night and even when there's money and that this man he had had

had been this baby, Saul, well, is a kid who is a career in

development. So, he's not thinking to depend of him, he about his

father. That's his papas, so they're doing economically, and they're all for the good,

all for the good of the if is that they're going to to play for a good time. No,

he has to do the next to the renunciate, and strangelyly, Alondra not she present to work.

She didn't ask her. She didn't know more. Only she did it and the job,

and in the time you get a minimum, you'd be to give us for a rematcho.

Disculpt no I'm can't, so situations of health. And they don't

the same they're they're they're they're relation and go. Two

years after is when when she top a child to get a little bit

that's in a situation fortuita. Nothing planned. When she la

topa, he ganned a little morbo, he gano a little the curiosity

and he said, oh yeah, what he did you know, she never

never disappeared. That's that day that you did you did that was

the last the day earlier the last the their house,

those things still intact. We're to be if he had problems

with a person, no, a other no, no, nobody

had seen that had been going to something, the way of the day is

like if after after had been back that's

that nobody know. RBC Training Ground has discovered potential

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If you've got the drive, they'll help you find your path to the

Olympics. Let's see what you've got. Sign up for free at RBC Trainingground.ca. Creece in the brugery? If no, listen this story. Marisol

has a story that he occurred when she had been about the 18, 19 years. Marisol has a family that is a little rarer. The abuela practices the

santaia in a manner abjointed, but none of the children is adept to this religion. Some have have been atheos, others have been Christian,

others have gone to here and different creencers. The family of Marisol not is

like especially they're in something. They've had been some some things and Marisol

not. In some moment, he's felt like attracted by the Buddhism but

there was a coquete to two three to go to a one of reunions

and no passed to us. She not in questions spiritual and

really in the psychology, cre much in the balance of the day-a-day. And it's for that when

there was a reunion family extrana, there was a lot of the conversation. In this

reunion family, as it had passed in years, they were all,

from the nietos, some bids-nietos, all the primos, the two, the

two-as- the little family, relatively rapid, no had

a food for dinner to dinner. I don't have nothing like

prepared to receive people. It was like if were a salon of a

war. They were all and the bula said, we're we're

we're that we know, but protect for favor because

no I want to carry them to protect I'm

I can't I'm I can't but I know

a much you do what I do what I do

you So, they started the discussions of one or other and you, for what are you to have been said, we've said

that you've been, we're doing, that's all right, and those things, and they're doing, and they're talking about the abelas'n't

the moment, called the table, and said, no is a game, protectance. The, that want to

protectors to come and and look me, and the other, and no, even, even,

don't think, protectans and he there's a there's a there's a very little in the life

of Marisol and in that reunion it was when I know that when I had a

her vuela to she she was she was she was she was she was that she

was it was and it was something and it's not they not even sense

but it's like a more than more you know that's very

But Marisol had that sensation me, he was saying to me. I don't he was able to ask him, because it was

a time very incoomod. But every every time that I'm that he was she was she was

she was always had been kind of with her and she had been having certain

certain details. and never about questions related with her and it.

It was a thing that she was that they did a way, in this

occasion Marisol sentia that her her brother the question of protection.

She didn't think in nothing. So, for her your protection was very

simple. I'm going to mentalize in the conversation and I'm going to see it.

That's was the protection. It was very rare because a time

there's a overmesa in a house in that

very very very very very very and you don't

we're saying, oh, we're we're you know we're that you

know of what you have to your prima that's

a time to talk not, I'm going to it. Well, it's they're

in the psychiatric. Why? It's that he was to talk that

there a little that had a side of his camera,

that had the he a person abated and

in the morning she said that was there abitation,

they said, no, if there was the papas creed in that in a way, they're a little sort of somalibulism

or was developing a kind of a situation of schizophrenia, and then they have to get to get a

psychiatric, to have a time to see the control. He said, but it was after

the practice with your mother, then we we're just we're so we think you

think you're and she well, my my also. You know, you know, too. You know, and that's always always had with her rations, and that's

and that she was going to be things and blah, blah, blah. At final, the he's the only that I don't creed much with that question. And, well, that's, well, that's why good that they're getting me, I think my prima always was like, a medium pass, of that she'dronar a tacha, and, perhaps with a platica of the abuela, was what he feltable.

Put herself a media-loca. Repet, in the life of Marisol, as well, what I'm saying, so was so it was his so it so it

so it he was she was she was it because they were going to

some and a day Marisol yeah I felt like the ambient me

too there there there was a that had

had had intended to attack that that other

other of she had had had had had

had so they were all all were were those

who were being affected those not the children of the old. So, we're just this area of

the nietos all they were very nervous. She didn't she was with the question of

this is a question of psychology is a question to have a mind clear, to get a

balance of the thing you that was very toxic to be so on his papas

in house. So is he's she invited a a

friend and a and a man he could pass a a week with

her in house simply to see for the time, and the

family of both accepta I'm say 18, 19, years, are

almost adults or adult for many places. So, they're

to have a time, but a different different adventures,

certain adventures, run per much the routine, very good

environment, until that occur something that never can

never can never. No, any one of the family's, nor the of the chica

that was there, nor the family of Marisol. It was the penultimony day that this chick

was to be in the house. At the day the day they had planned

how they they were to do do you to get a time, to give us a good

and a good and they're doing those people. They were to get to

a marketito or a place to a car.

Marisol open the door and strangelyly and it's a chispeer she was a sky

but he was a chispegated the catas like little a certain brisita but that you

mojave the piece and then see that a one of 10, 15

just in front of the house to her to those meters there is a vener

is divided by a camelon a part central that divide the carriles

that are in a sense and the carrilles that are in the contrary. I'm to explain to

the image. B. In the center of Camelon, there's a sombre that's

signaling to his house. It's despegated. There's but not it's like the

day is that's a dark, a dark and it's signerating the house. Marisol

when he does it and it is and strangely in the moment

in the moment in the he was to her amy to

say, like, you also you can't you? It's a

phone the cell phone of the house, the telephone, or something,

something, that in the that to start the door, to get to

get to the telephone that's in the house to the side,

go and he, he, he's, it's a little he's the old

he's he's the door, he's not you to your amy when

this this is this this she's a little this this how carh

know the about the woman does that this person and then he'll

and then the miga and the middle of the car coming

to the day that they never can never can get

just the vanida a car a carion of a

car a car the family of the family of

the mother was back attack, but they're trying. And, lamentablely, a yearn't

a problem, and it was going to be in all. What we're going to be but of bruchas, we know. San Juanah lived in a time that was very cruda. Vivio

in the third decade of 1900, 1, 1930, maybe a mediados or at the finales. She

was born in a family that had many necessities economic. And in that time, the life in the family that was a city in the city in the city was a city. It was a city

that no was the heart for with the children. The children a few years, they were like storking. And the trot to be able to the man were worse than the one of the mula. The poor little bit of this type of tratos, and although it was a chick of good

heart, she was fulling to yel. And that's all is justrago. You go you're going to in the rostro, in the walk, in

the postures, in the attitude, in the form to comportart you. I'll say that

was the good and at final, and the he took, never was sufficient

as a time for that you never had some with the time. With

the time, he he was with a time that he

never he didn't be and they were a little that was a

little that was a very a manned because San Juanah was a type of

that was not had that was that and he only was only

was doing that with the time was a person that was

a person was a person was that was the man, in San Juan, to the mother,

when her his his scarce 15 years is a and he's to get with a man

in pesimous and he he's got with him and he he'll let's say to

San Juan even for this moment you can give the idea to be a person

that maybe is terrible he lived in other era cruda and

and that that she had had a a profile

promed for that you a many many people

were like, maybe in the strato, maybe in the colony, but she not was

not. Inclusive there were many people that were and they had to say,

much into she was under her and the under these capes that were a bados

and the always had a little with the people she at the same

time had a attitude and the the that is a that's a

that that's a time between the legal and the illegal and I had had

a binatery and I'm and I'm put it to put it one way from putting it

from other other countries that not it's tobacco tobacco that

the whole and then the I'm I'll say I'm saying they're they're

they're in they're what I'm a public very varied.

He had public from a person elegant that he was a good

and he had a certain types of people to people that not

is good not not being not after you and then so

San Juan is a type ruda that is a his 50

and many years is another is another way almost

The the to the she put to the name Jasmine because

he was a aroma she was with a certain level of a dulcura

certain no you can you she was she not much

because never it but it was it was

it no not it not to make markas you

not you you're you you're you're you're you

not that the little, you know. No, I saw how to try her, not had

much time with her. But at end, the other things were going to get to

get to his wife to get to his wife, and she has been this story. That's the

mother had some particularities very strange. Not in her act in her

actuar, in her doing that she was intuiento that lived a very

very in some family, in a little moment he knew a his mom and he saw that his mom

definitely not was a good option to be living with her, he was in very bad those pastos.

And then he was his mom that's a woman, for that you'd give an idea.

You tell you this, because what me says that what was that was

what was what was was what was the was the thing was when the vania

and this chick, Jasmine, was a summently responsible with questions of the school. Because,

I know the story of her mom, and she was the mother and in a woman, let me,

we could understand the thing that when it was not the time the time. The

way, she was the way, she was the house, and the night's, when the

buellas to go to the times, he was, he was, he was,

he was the the abuela, rondaba, a little type of animal with collar large. First, he was a cat. And here you a situation.

No, they had gats in that house. It's just to 13, 14, or 15 years living there. Never seen

a cat. Salvo in the nights under the feet of the boy. What strange is,

pelud. No, he can see the pelage, is too he's not sure.

No. He doesn't the world. The wuela has a that always

is in a big and he's a busmear and he a chequeer he gets

a curiosity at the final the adolescent and it's then when

he's a little a little that not is a cat

has a a little very to a man

and men and he he can that is the

first that is the one but not with a

rost normal with a rost with a too

human like if were of a woman major. Something very rare.

A she should give her but also it does the circumstances in the

that's in the life has been a little the office

in the old she doesn't that she is that she

see meand be details be the pelage know

he know many of the things of this

animal and simply simply simply simply simply simply

in TV, that ronden the feet of the ball in the night. So, is that one day, with all the curiosity and with all this

information, has the great question, the question of the million, where he goes,

how he gets here, and how it go? So, so, it's the dormita,

he's not that her go to go to go to be that the door of the

little is ever and now understand why. without that's

and without that there's a single place for the this could

happen in the cell it's to make that form a

room around the the the room just to

the center and that and it's down a little

the when the problem this thing this thing comes

it's another other other other another you want to

you that's a materialized. And is this type like a mono, but he has the rostro like of a woman

and she and he's on the little bit of the woman, and it's going to

be able to but all the time is atent. And it's like he not he not really

to get a because he's he's got and he to know to be and he

he's not even to talk or to do do it and they're

there the boy that there was a woman who isnton has been almost a 20 years has a parent and they're

expecting a baby the the bula is a inferm inferra in form

grave but she has a has a so could go to visit her and

when when they're some months for having to not the doctor

to get to his partner is that atent. And nothing

more they said that the mother he made say that for a favor

no keep me nothing. No in that said that's that's

day that's the day that the woman, the she

no he was he was and more a

feeling to not not not not that time

not I know that was that was that

two times a baby's, even when the woman really really,

then I needed to more their space. So, he was eternally

but not was a relationship that was she was just

she was she was she was to prepare the

funeral so from the hospital calling and and

and and all finally finally was he did

in question of a bit a little no no

there no velorio and were many many many

people when they're there's a a racedote of the community, he's doing there

phrases and something in the cemetery and he not a movement like a some of some of

they're and see that they see that a rata that's that she was a

way of the they're they're they're they're they're they're she's

she's going to say it's a relation so sentimental. When

he's a person is seeing that the situation that's the situation that's

kind of getting the those those little those little sangratitos those signos

that they do that the way to the hospital. But not that she is in

bebbed with a time, making making people, and she

another and again about that if someone knows that is a

one man who a person major. He says, Hey, why you're

asking that's you're going to and say, and say, no, you're going to because no, they're going to

and they're to get a question to do you, to get to the same thing to get to the cemetery, and he'll end up

tomb of the abuela around there are many signos like of feetcitos

and the little they're scabing like they're perforating little little

about the tomb that she she's she's the thing that that's that's

the little he said the wife and he's not you don't me

you're the person who you know that that you tell more that they're that they

are the because they're the person is the that he said to the one or two

days of this situation after having gone to the cemetery he said, he said, he said,

I don't know what I'm doing this, but it's something about this, but it's a lot of that's

what is. What is? Me said that are them, that are to be the they're not,

is the body, and say, how the person, to come to the person that he's invoked.

And he's, what's what's what was what was what was the I said that I said

all all the language for information. For what you want to be that you're so?

And what that's like a kind of person? And you're that's very

strange. And why my my mother me said that I don't

get to going to go to a year in this year that year he was

to visit the tomb the tomb the tomb has kind of scarvados for

here and there but never they're never to be there never to

get a moment in the time in the house of the old is it has

to be something to be a property if you have to do a thing

and there's there no any that's any that

he and a police and to get to

the because you obviously that not you not

she assuming that when was to get to there

was there there was but no nobody didn't

in the house maybe, the way, the sir, the gentleman,

the gentleman and even when he was, they were repetating the place. Because maybe not

that's, he was not that no idea. He was novedad. Saccoe all the

questions of papelery and he started to get the the woman, I'll

say, this no, not of questions sentimental when when I

came in the house, it's to runper papers, things that not are not

that are that are that are are accumuland and of a

sort of a some of a little bit of some of some hazmines and they're written things and

have written symbols and in one of those is the face of the one of

she has no I think two so the paper that's all

he's he's he had been he had been

a a phrase, no is a relation sentimental. When it's like if something

in her and he said, it's a great error. And remember the words, even you know,

the voice, she doesn't hear of the voice. For favor, no,

you know, you know, you know, no, you know, you know, you know, to the day

next, very anxiosia, go to the panteon and he's top with

a scene that that's the last the last the day of your

life. When he gets to the time, it's like if the part

of the room, if you had made a post a no

because there a lapida no there was nothing

more than a other was he and never

never had been top with a situation as

they said this is like a so it's

so it is just the taud. The attaud it was

almost 14 meters above. The body no had

a rastro of him nothing. Lamentably Jasmine, he's he said where

he's the body probably probably in the stomach of that

that's heard about the burglary that he he

robber the Felix me he says that he

has some abelos of the chapados to the old

the old they're two people that were in a little

that the abel a man who a time he

never he always he was the I would

do he he was he was a person

was a always always always he saw the door of the

vehicle. When he'd a house after the time, he'd

the back to his and he had many he's he's

a way to show and not you know

that was a was a man and a

man ever he he found her his first

love he he felt he he had there

had there had there a four Perfectly. Eva, chaparita, diminuta, or de bolzillo, as they said. And in this case, Felix, a type

alto, delgado, but, although it was a parke contrastant in the physical, in the romantic, emboned perfectly. They were four children. The four children, they're referring to his papas, in the same way, some types profoundly enamoredos, the one of the other. No, he had eyes for anyone more

no. The day that Eva infirmed, the abelio of Felix, no was there.

No, he was a way a little a very aggressive. In three months,

she had been vegecised much, she had vegentated, the body was very

very can't and the doctors did a prognostico fatal. No, they'd

never three years of the abel was to die. He

had a ago, Eva, too, Eva, too. It was that

they were to live to get to the eternity. And it was that now the

eternity was much to be the time of the father.

He was a religious, that had his creencies, but when when he found he

in the God, he had the things, not you say, they're

not we're not some to tell the story of the story of what he

he parts, all the alternatives that there was, there's, there was a person that he said, that there was

a way a way in the that could make a that she was that she would be

because she, lamentable she in her destiny was destined after that that was

her moment. Men's three months. The The fact, the Brujo

he said that probably in two months he was to be to be

a minute he said, I don't know what to do you

know, and he says, no to you're to not

to do not. It's going to the only way

in that this woman you can give the

time is there. that time you have of life, they'll divide

between the two. Or let the two years that you want to

a decision very difficult. First, because not sounds a realist. It's a false

experience, but what I had to to have to get to

the old, the father, the he says, he said, the give the

the time of the person, the he is so much strange the bruj?

Why exactly the middle? He said, because I know and if I go before

she will be going to a pain tremendous in the heart. And also is the

idea. I don't want to do you. There's a way that we go to

do this too, this also. But if is what you want, we do do it,

what is exactly what he did the what is the he did this he's

there no, there there. What is the Is that the day the

other the other the doctor not the doctors, that's not the

disease that's not a not and the mother, although not was

not the was a person that was no had no had signus

in no they they were they're they're they're

to revis during various times no there they're

not they were they they're they was there

no no no miracle there. There was a perjury.

There's a good there. There's a little bit of he said to the other passed on

the years? Because the abuelo he said how many and I'm a number

also too too long. They were to be seven and seven approximately between 14 and 15

years of a day when when when they they got it, he was pasted

seven and fraction. He, when the view, he was put very very time, but at the same time that they were together, and it was when he was when he was he said. Piedan for me, because I condemned my but I don't know

could be able to be my senior. Two days after, when they're at the house, after the belorio of the mom, the sir simply no had been a desperado. And they encountered the card just in the hands, on his head. And, you're You would you everes to do that for your

Preece? Deja In Pazas because no you know that they're able to if they're

not going to tell you. This story that I'm envied Arturo. Arturo lived this when he was

little but he was marked for all the life. He lived in a area of

houses habitations in that the many of the houses were a group of

people of those who were in these houses, that were people very very

people who people who are people who are people who are doing to make that the family had

their needs covered. But there's a question. Also are people who people who people of

little people of people who people who not necessarily they're those most

modals. Not are notos. But if you're topas in a mal day

maybe you're to get with a mal experience I mean this, because

Arturo, what he narrate, was a right of that situation. At the house of Arthur,

he'd a man who always he was a man, he was a man, for Arturo

especially, he was a cabellocano, delgado, chaparito, and this person had like a

certain way to talk, that for him, he was like the icon

or the avatar of an abel. Well, really that person had

a couple and many-tenth years, but we're going get rid carretied.

This person lived a person was I was saying to

some a little so so it the house not have that they're all the

when they're they're they're they're not they're not because this

A woman, I was a common and a current, I'd have a certain tattoos in the

back of the tattoos. So, those tattoos were not real and they were in

nearer and it's something, but they had many details. If it were part

of those or only if is the aesthetic, I know, but so, it was

that the indumentary was a woman very imponent. The woman, and he And it's a

kind of like a kind of a chemado of yearbos and then it's going to do you

know what's a lot of what's what it's the whole and his can't is that the

dog and ladr and ladr and ladr and ladr and ladr and ladr and lader and

and this woman exasperer in some moment and said maldito perro that's

he's that's he's doesn't She's, apag the things that he's,

like he interrupted in the reso, in the rito, try it and he'll start.

And now the can't more strydent grittal, it's like if it put you put it

to putt to the and it's a lotter much and it starts ladry, laddry,

lad, to say, well, yeah, call it, you know, it's horrible, what is

this? And they start to hear all into the house, then the brain,

there's a moment, and say, well, he says, paran to be doing

me they're to be they're and then you're doing doing this

you're doing this way to and who she's the moment in the moment in the she said

the woman she was when she he said

you you're you you're to let's I'm to

the back and say I don't I'm I'm I'm

I'm another day that that that That night, all

took the same situation in the barrow. All they're the same history. Viering

like a ball of light, the ball of the light that some of a ball of

fire between marigente and roger, and there were some people, and a person that

was like was a unnuda but brilliant, with his extremities

more large and very agile, corrio for the techos, he subio

to the house of the of the other and he stiro the back he he's got

the little kind of a car to make the trunk of the armory he was leaving it with the

old he was the dune of the poor he he was he was he was he had

that he had that he had so fear but that he

got he not he passed over three days and the

bruce he back the he didn't even prior I

didn't he he was he in the moment in the time in the the person, the dog of the little,

the bird of and he's going to get to get to get to get to the patio, and say, what he says,

and he says, oh, and again again a new old old a rebuha. He's, you know,

to the person, and the instant, he got in the house, he said,

he's never, he will forget. A this man is the only way that I

think it and to tremble. And my Papa, too, when he said that the Brouca, all we know that we're talking. I'm going to

tell you the story of the brusel disalmed and manipulator that I've ever heard in my life.

Caro, strangely, being a little, being a woman, and she did a

little, he said, he did, because Miguel was a type relatively insipid.

Nobody was he chave the eye, and he was he was a interested in being

coqueting, they're a type that he was a little different about he's not a

ability and he was he castes caro he embaras very

and he's Angela she has a only a

year and a one day that's in the house because

I've said that's important my respects for the people

that in these conditions, but it's a condition very hard, very Dura. The Piso is of the house is of adobe, no they're electricity

no, they're in the part of the floor there is a lottrina and for the water, they're to recollectar of the jubia and to pay to the residents. A situation difficult and Dura. For some

situation, she has no inconvenient in living there. It's very rare. The house and it's It's even It's In fact, if

has been used The She has been living And one No, inimaginable

Inimigna Inimigna Income, Caro comes from the house Permanese

a time to be going, and when regress to the she's

going to her and they start desperated that they do you

the has a a little a mark in the and a part of

there he's a type of pneumonia and a other that's

that in the little the little a other plan.

It's strange because car should be in a good

way in a first day so was very very

very but after that he was so he so

his husband no her her husband is very affected.

But here there's a situation. And is the great problem not the attitude of

caro, not the attitude of the husband. Are the the father. The

father, no, to say he's his and that she's what she did, and

that's that she should, and that should be to say, he should say,

Papa, you've you've not know you know you know to know to say,

to be these things. The doctors don't know idea, how you're going to

care what is. Preguntal the things that you're occulting. Preguntal that maldita woman,

that you say, that's saying, he became a lot. He's, he's looking a

person, he's he said, but he didn't know, the doctors, not know,

that's not the idea that he's that's a form- a mark that was

like a kind of that's, like, you're a guy, you you're

the mark of Harry Potter as but not so, so, something. The

abuel of the childably of the father of this child is so full

of the that's that's he rompe a whole that's a thing that's that's

that's a lot of her own work. And he's did a badion nobody. It were some that,

like, I'm not they're not in the fact that they're not the conclusions of

the medical, and the mark that is, but no it's not the what you

did the thing. So, it's also a level of

relevance, and also the not not that's that and

to say that someone did do something. And so they're

going to do a moment. Caro is separated of

this type and he begins to do do your life apart and he starts get incredibly

well it's a little time is a lot of money the family not

the family and the father of the money is going to be doing

and it's a fact the father of the man

yeah yeah probably probably probably could have been

that maybe something that did that was that

certain ulceras gastricas, in certain certain and there's a moment in the he was a delicate of

health that they were a very a new a new a time. Maybe a

year, but no more than that's his body not was resisting he'd be all

the things, he's he'll take to the very way,

but he can't, no he can do you have to have to have

to have to have courage. The mom of Miguel, the ex-sueger of Caro, it's like no has been

in the entierro, but at the same time it's that is a certain paper, but no, no, it's a thing that's a matter.

It's a thing that was a little of the woman when this man was when this stupidesses, then he got a moment in

that he was he was a little bit of a relation to his wife, and he's a little to make, and he's

a lot of the family that, for favor have been with him, that he needs to talk to something

he doesn't. Miguel is regga-dientes with an idea just, no he wants after repent to be,

that he had no opportunity to talk to give that that that's a little

aground and also some certain superstitions not he doesn't make the he's

and he he's he's kind of even he's a mind

when he's when he when he he goes the father he says I'll say

why I I'd like I'd like I'd and Miguel he's par to the cell and

I'm not I'm going to support this this attitude and the he said for a

question me because it's the last the last that's this time for

I'm you know I'm I'm he's me he's he's

he's he's he's he's he said he's he says he says

I'm he said for please listen what I'm to say

because are things that I have been in many of many of my

and I'm I'm want to get to get you when your husband

was she was she and you remember you got

you had to get to get to and

being there and he happened that you you

you were out the the situation of the

From that day I had been I had been about I'm so I'm to say it I'm

to say what really happened in the hospital one a

very very very very very very because I was I was

to but in that day we did a day we're in the

caro it's it's like some those little the

little that's that's that you don't not there there's there in

things that is going and it is with and is going

to all parts and I think I'm I I'm

I'm I'm I'm not the time no very

very very preoccupated your mom she I'm you don't

wait we still we're in time with the little you know, not you

don't you get that's okay, it's a good, and he he was

to be with a much odio to do you he said that's that he's bad he's

stupid I'm not I'm talking to and he started and he did

get a very surprised by the attitude he thought he

had had had done some and he was

he didn't so he did he did not and he

chica, she le the eyes and she kept like being the entry,

but his hands were to move like if someone was to get to her head

the and her and his hands were to move and the same

the same the same the same the same the same they were and then they were

those bultos that were in the bultos a piece of a black

of a old of the ojas that's were fas and some tigeras.

The chica took the tigeras and he came to get to get

to get to your mom, she was on her and he started to start with her

strugando, and he said to get her and the five they were, they did a

way, she was got to and they had been a four days to the time.

Tuckuckus' we didn't that day that's he brought the book. It's

a little he's a book that he was the what he was a

grimori a grimorio a grimori that was full of chisos of words in

things that he he doesn't and he he doesn't he doesn't that he

doesn't what see what he's where is the separator and

he was how it appeared something that It was like a man, but with cures. And it was where a woman,

that's with a panse of enbarasada, entrega to a baby. What we think we're going to was that she did this in a time that no corresponded. And then that thing that you see there was there, was to the hospital

and was doing that she was taking her because no he could give what he was your child. you go to tell what does that

the day of today me I'm know I'm I'm don't know

because I see what I saw that I did the night that your

name that who did the and what he did you we're

we're we're in the house and there there was a

a question you you know you can't you can't the grits of caro you

you've got to get to you to get to get to get to get to I'm but I'm

I'm I'm in I'm impeded to get to get to see that's a colch pesitism

I'm a colcha pesitism of much many many many kilos me to cover

all the body me to be able to be to be and me directly

to do but something to me not me no me I'm

because from the hospital, I was alerted with your woman. I was

a good woman. And I didn't have a little to you and the little to and the

that's so that that's that's a new a voice extrana. And I

did I did you because it was your voice. And it was your voice

talking out of the house and he said caro try me

the robita of the little and car he I'm

he I'm I'm you you? He had that voice something

Malicia. Sonnable something. I went hurtadillas after that I heard that

my woman came for the passio I and I was made

and she was absorbed because she had been going to the tree

that we have been that the house the the

above there was there was the type of the

image something Something that was a a body human painted totally of the

red, with two astas that were out of the head. The part of the

body of the body, I don't think that that was more

a little a little she she depos the

clothes the and the clothes and this thing simply

disappeared and it I don't if disappeared when

parpade or after that after that your voice

son into the house and he said, this is my my little, this is for me. Corrilla the room and from that was a woman was doing a little to

do you know, I mean, I could enter but it was like if there was something that me impidia to move me. And Carrow passed to the other me and he went and went to. When

entered, the little was marked. And for that we could save. Caro, I don't You know your You're going to have that future that has the day of day of day. You're going to be a brawrable,

and without a heart and no-you-know-savis. And with this story of Famine Nocturna, we've got to the final of this foggata of stories. Quintam me, for favor, if you get you the final of one

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What has been the episode that you have tempted to to not terminarro and one once

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