HABLEMOS DE LO QUE NO EXISTE - 7 Historias de Duendes , Brujas y Chaneques | EP 234 | EL NARRADOR

Episode Date: October 29, 2024

Bienvenidos a ésta nueva FOGATA DE HISTORIAS en @hablemosdeloquenoexisteEl día de hoy, les comparto historias , que ustedes querida familia nocturna me han mandado para que les de voz. Escucha de la escalofriante historia del INVOCADOR DE ESPÍRITUS. Descubre por que a veces cuando los demás llaman BRUJA  a tu suegra, tal vez no sea sólo un insulto. Historias aterradoras de chaneques , entidades oscuras, confrontaciones, engaños macabros y muchas historias más, que seguro serán protagonistas en tus dulces pesadillas... asi que prepárate para que @hablemosdeloquenoexisteHablemos de lo que no existe es un canal de youtube con el formato podcast que comenzó en abril del 2022 su primer episodio fue vivo en un casa embrujada en el que una chica narro sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de este canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de este canal , la familia nocturna creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de este canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando esto tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora.El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado

Welcome to Family Nocturna to this fogata of stories. The day of today, in this foggat, before you need to be able, first that you ambientes. Because the stories that I probably may have

to get it, to get in some point of the video, decide you make sure pause it. And if that occurs,

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subscribe to the channel and let me the commentio what was the video in the he's

that you did you do you know, if you're of the contrary, you're

of the family nocturna that you get to the final in the

video, I'm narrate I'm and I said that once said

we let's we let's we we're about the

bruchas demonios and chenekees let me tell the story

of the invocator of Spitus this this he

passed to Jesus just when when he was 18 years. Yeah, passed many

years since but it's very present this fact, because not only he's not only he and a his family.

Resulta, that when he studied, sciences chemics, just when he was a group of

family, he was with an idea of a great, and they were to be making to

pay permission legally, they were they were their decisions, they had put the

idea of that a group only exclusively of men would go to a fine to the rancho to one of

the companyers of the salon. They were to invite a maximum to a person and there

a certain cup limited. Chui, Jesus, not he thought two times.

When he said he didn't even know well the people, he was

a little retrayed not the type of people that were sovertida

but the fact to be 18 and to be able to be a new rancho,

never had lived. And he said, bah, I'm a point. He was of the first ones in movers

and to put and as the final, I had many, I'd end up a friend, a prim who also had

between 18 and 19 years, that no studied in his faculty, and the fact, was a

more, like, socialable than he. When he was this voyage, they were

prepared with certain things that had had been because the The place to that

I've been, I'm in a certain area a place

in a place was a place very very very was

a part totally basically was a place a

a a kind of a lot you can

imagine you and you know and after two

two two two about a car a lot

of the rancho, it was a hermose. Because in the nights, if they'd be taken to the lunar and then it was directly the light. No occupies any one lampa. No, there was nothing that obstructed to obstructed to the but it was incredible

because still about it was about it. Everything it was partied by the naturalness. They were pure pinos. Sin embargo, that beawee that you'll forgetas

that you'd forgettas that you'd forgettta's that in the middle of the nada. The house more after that ranches

was a around the place. The family to get that was a carretter and then

after a area and then a certain bardas of the madera and that had a

certain level of security that was more that they were a

way to be a carouser that not there were about

about 18 kilometers so there was a a place

precious, but in middle of the nada. And there's to where the young to be the men,

those chos not have ideas in those that they were to do a lot of a

thing that was a kind of a kind of kind of and pass a time practically without

parents, start all there, and to be able to know, and make a stupidces,

to take a little, but not had a mind that was like

that was so that was that is a He does that his prim was

getting much better with with the family of the salon than he's a little bit of a little bit of

a bit of so far. Really, not have many many many times social and it's not

an observer of all the event of all the eventos that I'm when they're they're they're doing

to make two teams of eight people, the cancha is a big, and so

that the game doesn't do much because they're much, because they're much,

Chui, they're they're invited to play but he's he don't many

many and also he interested. Then he was so he saw

he was a little and he and he was a little he was

that he was in the other side of the car and he was a

little he was a he was he was he was a

was a was that he he got and he

he didn't think he's a a phantas he

was the person he's there and various do know he

went going to the time. He wanted to get to this

subject because he was a person more more than he than

he was not football but because he had all the

time a kind of a rare a kind of someone

very person someone that was someone that was

he a point that this type practically not he was very similar

to him in this aspect. He's he's many things in this time.

The first, a L they said the Al the even he

was that the guy was very black the and the

hair and the hair was a little, you know, I'm, you, and the but he said almost the words

indispensable and he was a little in a silence sepulcral, something very different to Jesus,

very different to Chui, because Chui he was a very different things. A he was he was

a verguyen to be the words, and when he was a tartamood and he was insecure.

This type was not. This type was an person someone were a look at

a mirate, and it was a subject that had a personality that that brought the attention and,

of the time the people were around the but I don't understand why there was not anything

in the plattics as it for that he would that he didn't, why he

had been invited and really under the idea that he had to go to get to

get to get out of the house of his parents, there were others

that had a idea a very different for this Fiesta and reunion. All right when came to the

night. When he was like orchested, he had had done that the two, three

friends that were the people were the people were the batuta in a turn to a time

for that was like something something something something something something

and not something orquestated and they started to hear and here

and there about if they had stories about of

phantasmas, if they're in the spirits, if a little one of the other than had been a question.

And if there were one or other that were not that were about things that were made about the witch,

and they were in the rusek, and they'd descriptions of the place that they were that didn't coincide.

And all of them are those are you you're just you're you're just you're

being made because they're they're doing because they they're saying that those things

didn't where they started to this symphony that they've prepared from, who knows from the same from the

man, the he was able to the reunion, of a sudden attract the attention of all when they're saying, but those

who are the people are not exist, are ignorant, or what? The phantasmas if existen, he can

invoke them. And all all came to see the German. And the The German, I just

I looked at the way to look at back. Another way, not for this is a type

extra-to- he's a time, he's a time he's the man who he's he's

one or he was clear. It was he was he did other other

things. He had a old, he was apparentable, but he was a

child, and a family of nobody. When he was to talk, all,

he was emmodecidos. Because the first that he said no is a

game and there can be things in risk who who want to

see all all all there after there there

was a little the and then one is carcagea and

the old he he he a look the

a person and he had a a thing

a something a personality. It was something was something. He was a certain severity and he said, no is a game, and there are things that are in risk. Who can't even?

It was then when they started the kuchicheos from here, he had to, he had to use these things. And the Alamam, like if he leagia was the head, he went to, he said, he said, you want to be? Or you do? Jesus

he kept palid? and just moved the head to be a bit of he was he was a man, he was he was made

one of the one of the every time he was all the he was the most covarde of all he was he was the

he was he was not they were not and they're and they're all right what we're

what we're we're doing you know you're not you're not going to do the people getensi here not

not come you're not And, also, trygarn me to the kitchen, some eggs, take me salt, I need a little of water, a seat, and

he was asked, the type, when they took to all, he said, he said that they said, do you know,

they're doing the circle, and he's a menchurge. The mencourge he was in a boat, more or less

great, he took a certain color redoso, and as he had made as many things, not it was

like liquid, it was, like, like, like, like, like, like,

it's like a that's querement pastos. It was no despondy an aromasqueathos, but if it was a feo

that thing. And all there, like, between Corum, they've been talked about, hey,

you know, you're not you're going to put that and he said, no, no, no, no,

no, no, they're not they're not they're up they're, they're and says, a part of

here, there's a point, there's into, and they're to get to the

house, until you the indicate. In all the cantos that he saw,

like these zones where divide the interior and the exterior of the house, the can't

the the door, the per periferia of the perifery of any rendy a way,

he'd and he had a certain part of this liquid, apart of that said

things in a other that nobody didn't and then then that's

that's that he said in a but what he

was a was a German. It was another other thing. It was a kind of incantamintation. Because what they were a cheeserone. He waschicero. He began to make marks in the

doors, in the pintle, in the part of the above, of all the sides. And one that he finished to sealer the place, he said, this place is protected. And here is where we're going to

go to carry a danger. No important what pass outside. If you're not the

line of protection, no is my fault what you pass. And if buss

refugia in other part, maybe you know we're not you don't

a risk. If a part to be you, you don't be in risk,

no you know, you don't get the door. Although you're

my voice and you be asking you Piding to enter. No abras the door to nobody.

All right. Nobody was two times. And all right. And allemann was a type that was he had been

put on all right. And he had indications as if were a military, because

they were they're getting all with their bolsa in the that they had like this

box to do you, coming and they they were on pares. One be at

the other be the right because they were all just in the field after him never in

the life have been started so that in the mind. The fear does things

important in the person and the man he was he knew he

he's a circle just in a zone where in this cabana they're

made like for fogatas but he he no fogata

he he he put to he put to the he he said

he went to he started for those to roceals with the

mugre the thing that He's a MENjurge that and he's put in the

palm and in the part of the upper and I say that they're the hands and he said,

he said, not they're not they're but it after the circle, he said, he said,

it's a little, me, a little a little and then all is a car

like a like a a dormient, a dormient, never I've never had

heard that's a never, a see, you, you,

you're you're you're you're He said, no, if you're saying, you're going to do you're going to doggia. Tray your box here, no te go to pass anything. I'm going to encarrague that no to pass anything. So, so they began to reir one.

Others creakened that this bromas was doing yet something very bad-perienced, and the grand majority not crean in these things, and the dormantyente was a lot of the man. The type, he goes to the bolsa, because he starts to have all the pressure of the group. Finally, camina, he says, put it in the piece. Sientate

over your bolsa. Accomodate. And, he says, Pond your hands a little. And where he put the hands ahead, agarrest, he's put in the front, and while he's saying, the durmiente, what is what you're, it, is,

he's got congelated, and the Alaman simply it's just a little bit, and this type, with the eyes abjured, is it's being to the sky, but it's totally in a trance. His hands still like when he went

when he went to go and he went the menjurge in the many of the many people they're saying

to say it's a paler not to a palom but a person that's seeing the other and they've

put up and all this actuation they're that the drama even after

that the time didn't know and the and the and I'm saying

and I'm saying in a person Rationerer and it didn't even he was he never

silence they was going to all the American he was going to the man

he's not the first he's not he's he's he's not he's we're not

we're doing to get to be to be and then then he then we we're

we're going we're one or two chasos but why be

they're on the don't and when they're they're not something

that you you're you're very observable you you've been

you Ligerently in the area And where he He was He was caught in his bolsa to

sleep, he was moving to one and to and the point where he was

to be at the point in which he was a half meter of difference only

just that not you not was not was so so he the the

German he's he's a person he he put the

he's he's he says this porcaria that you are

you're serve. Just in the part in the part in the way that he had kept when entered the trance. All, a part of the

emmodecied. They were a lot of because that this type never had acted so. He not had

been dead. The only did it. He was a lot of, you can't be. The other, and that line, don't

they're not they're if they're they're not it's a question you know,

if you're they're talking to the armro and that I'm do you, no

don't they don't they're they're they don't run, you're

seeing the right, you're they're they're on a type of marcha

and they're to be a little to the right now they're they're

they're they're all side my, one's at the right, others at the left, and see the cancha. There's a

going to present. Jesus was there, he was part of these people, and he said, what I've the thing is the

thing that thing that's that I've been a lot. And it's not it's that when you know,

you know, it's that something, and it's to occurry, and not to occurr you,

you're just you're you're you're saying, narrator, we're we're not

I don't see nothing. And then one says, I think I think it it was a

good, I think it was a part of the country football has the

time, the time. No, I can count, more than

50 easily. I make a back, and this man, like

if I knew to me, and I know, he was, the

mind the front, he, don't they're the line, it's a

my side right and to my side of the left, not more, no,

they're not to parpadear, narrate. And there's 20 or 30 sombers

in the other and not more that's something is something because these sombras not they

are very, they're very, men, and I'm notians, are things

that not had a texture but it was a darkist clearissima and

not they're not so they're not even time too very similar to what they did you

did they put the appo of the wordiating because in a parpadeo were in a

little meters and then when they were to grouping in a certain

in a line final where I was that we're we're

we're we we're we we're we're we're back

and they're they're to go to the part of the we're not romp the

file. If they're they're not we're to find. If I'm not I'm not

I'm not a lot of the house no open the door. All they have to

form another way in circle in around the entry and I do it to

do you all right. All right and says Jesus he says no you have the

idea of the fear because at the last I was they were as

I was, I came to the German me spoke to the old old. He said, Ben,

the way, the way, the way, the way, he said, I know that he. I know that he.

This type, like to make us the night more aterrower in all the time of the

return, never opened the book, no, he never we know, we know, we know

if more people me seguue if me had been the moment more horrible

that I have lived. We're at the Cabana, we're formable a little just in the entry,

this man came in the door, they're they need to get to get to the once that you're if you're

you're going to go to get to get to make, and it's a little the periya, the gira, the open,

and they're all they're all they're all in the entry and they're going to get to

get to this not a brom, they're all all over all right, even the people of

the and this man, he says, I'm going to the end up the way to the way. And it's

then when they were all right and I'm going to get in the ball, I received two, three codasos and I

remember, but I'm done out and I'm all right right and we're agitated. All we much

me too and he's he said, the door. And I you know, that I'm my primos

assomandos by a window, talking the window, saying, abrem me for

favor, vying to me. And then the Aliman, other way, like, like the head,

he said, what are you saying, what's going, what you're when I said, I'm going to go to

the room, and my prim was just in the kitchen, and I, and I did a

point that that I was taking the form of my prim for me to me and I'm said,

narrator, the only that said the old thing, because were his last

after the after after that was a tomb and no he was we're we're

we're going to get to get to the house to the amnese. If someone

rompe the condena us we're all to do to us and it was

there had questions and we we had no he

did the word to nobody. All the night

that was a was a no no no no more days of the

day of the day The next, the next 11th of the morning, because many

not were not done. The grand majority was doing his things without about if

we were put up to do all the only we got to the one of a whole

bocado and I don't remember if you see the the man

to be the caros. I would be that there there there

there there but no. Because it the prime

of the something that did, something that nobody said But

but he took contact with the other things that the German invoked that when

when they returned the the prime began much his form to be and this

type that was that in some that he did that he did that

he was a more more people he had made in a year

in the fact or of two he had a some time

but the point is that was that was more sociable

than to be a person very callied, very introvertida that has much fear, and

Jesus, after having lived a true that's that's bad at the other had the

other than that's after that after that he's turned to he's he was

he was he was he was he was he was he was he had changed

much for a good his primed to him he was

he's more And from, I said, but no, no, not are people what he

said, the those are the those are those, I think that they were people, but not

they are, what you do you? When we we're going back the cabna Prima,

I've heard that the German me said, I broke the line,

me I'm and I think, and what he said, when I was,

there was a woman that between the sombers he He wasom his rostro, and his Rosto was transformed by the one of an eagle.

He said, it was like a woman, like with a picco, it was something horrible. Me contubed to give a gritty, because if I was going to tell the German that I was I went to the filet and I segued. In the house where I live, I wonder my papas, because all of them in my apartment, I don't know

I can't know there. Because when no, there's a car that's arraiserable, it's like if an abe-gigant to start to lettear and gollied the wall

to the other. Yeah, we've been bruchos, yeah there's all the time, you know, that's all the

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Guadalupe me mando one of the vivances more crueles that has been the long of your life. Guadalupe

was going a pessimim moment. She, during years had decided that I

would be to study a, let's a career or a school like a

other she was a question manuales and preferia more

the work technical. It was a person that not not

to be trying learning things in some mind, it was

much to use the money and it was discovered that he had a

certain love for the podology and he went to a business when he was a little

six years that was a man who he was a man who he was he was

to make to make sure this this she was a was really

and this situation that she could get a good money

and was he were taking and that that maybe

not had had the not the one the 18 years,

I was an old old. No, he did nothing bad. Salvo that not a

part of his planification. And she in his plans, no had been nothing

that had to have to have to that that was to have to have

to have a little of the years. And passed 10 years.

10 years after, Guadalupe is in this moment in

that I want to be in a situation difficult. His She's her

She has around 10, 11 or 12 years. She has more or less this rank of

age. She is in the secondary, but yeah, but you go to

run to the preparatory. That's all you know, all the people,

that you know, that's costos, but wait a little she's

living this situation, with the poor of the time. That's the job of podology in

that she not she's you feel incoomoda fatigued are more of

10 years to be in the same feet, feet, is herida, serida is the

same, the same, the same, he did what I did what I did get to do

to do to do but you are a little her her

she is a in a situation in the that he he was

he and he he has with the he has

the, Papa, mom, I'm living this situation. Me can't support? The papa

he says, look, no I want to give a refuge because there's a responsibility

very great that you have but to your little not. If you have necessities,

luched and ask a woman of good for you do you do you do you

but for your child, you know, but I know, and she she did

the last at final this child, this chick I'll say to be independent

since the 16. And the independent, be a class of family in the next. Some people who are not so me make a peccient. Guadalupe

Vive this cruce because I see the tic-tac of the clock on the secondary. Me is to be getting a

new, me is to be getting certain things. The chikas going to get to get things

beautiful mucroza and I'm do you can make the things that I've used to make

to use it. He's to try to some style, and that so makes that maybe fatigated, maybe fastidied, dege the job for complete of the podology,

and decide that will have to venters to bring to the precipice to see, to be a bit more than the life. Gua Lupe, for you see,

the personality, is a person that is a arm to take, is a person that one way that was the way that was

and one that was he was born, and even that he was born he was he was changed, and now

that had decided that they had decided that they were to change, difficult, well, the life not he was to

win a so he he's got to get to be in idea of what? Because Guadalupe not is not so to

think the things, it's to get to be going to and then you you've seen it,

you've got you've thought it was a type of a type of because you see a

little bit and other local and and you have said it's just pooresita it's

it's per die and so it's so good that's very that but

it was a certain way a person not only not only not the reasoned not that's

not a what you know was that he was going all the conversations and I'm thinking this

local would be being to put a lot of but Wadalupupes you know not of this local

to put some put on some of this local of food would be yeah look at a costurera

I could learn I'm how much time me will get to that you

could be a realucon I had conversations because it was an option for she was a because she was a person that

not was limited. Finally, he found the place and the situation that for her was perfect. Cansada,

sudada. After to be days and days and days in this busk of what I do you

see? It's a place in a middle practically of the nada, in the

that he is actually where is this is a perd under the

caries but a little a salvatos like these silvats of the type of

and he a lot of and he can see that they're in a cruce of the in those

there are four fabricas offices etc but four other new

many many great enormous and she she says what car is where I'm

and where they're and be that they're they're they're coming

in groups including of fabric a fabric they have and they're

and they're and they're coming on and they're to come in it's a muchissimo, and they're

to get to where they're to do you know, well, so the only restaurant that's

here like two two kilometers and this is the opportunity in my life, a place

a place more than that that's, and I'm a clientes and he put to

and it's busky and it's and it's a week, and in a one of the houses

that's that's a lot of the fabricas put a Crenta she is being where they're

putting the letter when you get and they're going to say, oh, I'm going to let's have to a place

to come, she's not over so if we rent a lot of I'm going to do you do you do this whatever we're

we're doing the money, we're say it's me, yeah is me but

we're not we're saying but I'm not we're not me because Guadalupe not much to think you

Guadalupe is a much of well you're in one a month had a full of the place,

yeno, yeno. No had any three months when yeah had a seven

employees, and it was an exitasa sasa sasas a lot and the thing

and the things are doing because Guadalupe a chican dwean a

do you and a lot of good with a lot of people, with a

lot of movement of a there there there was a person

a guy that was a to the eyes. A type of

a number Louis. And, well, she had focused so the time that's the

little had prepped to the opportunity to know to know to know. So, where this

child comes, he's the person, and she's he's and then he'll

do the thing, he does the way. Because Guadalupes, not much to think, it's a lot,

that has been a life there's a way to up and up. not you

a idea false no is feo he's he's he's he's his

attributes has a little labia and he's a certain manner to do

and it's sufficient for Guadalupe because Guadup is more to be thinking

yeah he's getting and if he didn't and if he's interested we're

going to do you do you know yeah they're going to get to get to

another restaurantcito to for the zone, it has a good and she doesn't think much in

a way, you know, what you do well be in vestido, no, does things so horrible

in front of her, no is a type that is a person, he does that she

does that's sufficient, not is very, not has a good, but they want to

make much the world. And that's a story very a story and not was it. It was and he was going to

he was going to when he had been a six months of relation, he had a little bit more, when he wasntner to get a lot of that even were to share. But these things with the time went to evening a little bit more. No,

you know, Guadaloupe, not is a tonta, although if not not say it not sure, if not were done a little

this subject is intelligent. This subjecto, this subjecto, he did a countergottas, in the way, in the way,

in the way, in the way, you, no you, you know, you know, you know, there's a

problem, you're not, you're going to get to the costulerer, no, man, how,

with the costulera, let me, I'm, I'm, I'm, I'm a to do that's new. And then when

they'd make a time good conversation and two, three carcashas and the abracit. That when they'd have to buy the things and say, ah, if me forgot, the cartel, passed asapercived. It's a type that he was a countagotas.

Never saturaba, never more than a day for a month. It was able to make a good. Tampo not you do you know, not you'd be a

properly the interest economic of her. Only was a person was a different to change their style of life. Conform

I went going to the months and they're to get a this term,

and they're going to the there's a situation in a Guadalupe Lupita she does

know that she doesn't the family of Louis. And Louis she knows her her family,

know her her his father, knows her has been to visit much

many, always in the car of Guadalupe but well, that is another

thing. The point is that no he doesn't the family of Lu and he

when I know to to your past is more to see if You have you,

you have a brother's and a brother and a one of my and then you you're getting more or less I'm the

consented of my mom. Oh, and how you know, what's called your mom? Luce.

But no, no, no, I want to know, I want to know, I'm sure in serious we, do you,

we're going to do you don't, you know, you're a question with your mom, no is

that, we're going to evade the time. It's a moment in the

Guadalupe that not is to give to do you say, he's not you know, me will be

going to be going to be a woman, you know, it's a good, if I'm to go to get a

thing, you know, well, you know, and then there's when Louis he says,

the truth, and my mom no is good, no is good,

not that we're not that she's not that's all. Oh, so, your mom

has a psychiatric or or something? No. No, but it's a mal. And if you know,

it's going to end up to this relationship. It's celosa. No, not more is a

not. No, I'm it's a is a okay? Well, I don't

have a I don't have to do to nothing and to you want to be

to be to so so, so then your mom

not going to be that's going to be the story for you know, we're going to this circumstances.

Resulting that is did that encounter, and the Lady Kona Luce knew to

Guadalupe. And you know, Luis, he was the worst of the

men, the she was an angel. Since she was the little my

little, come to back, and they were to do all, it was

a moment in the he was a the house and they'd they'd they'd

get them the time. The best of the time. It's that you get to another more to the

family. You're my little. You're my little and hermoney. They'd a chemical

tremendous. Tremend. And they were passing so various months, yeah, they're

a year, a year and a year and she was seeing she don't they'd

not of their suhra of her a new she'd start to make

to be in the house, the mom of some side, because she knew to get to be in

the same. But I saw the thing, but I was the type practically went to the house to her to her

to her and she, but I don't like that much that. But at final, she was

going to the business of the tacos, then he said, well, the mal is the

minor. And they did it the things. There were more details. He began

to that's to be the He did he did he He said he's got

money or he he's he's he never he never a centavent he had

been in worky but all the workitos that were those workita that's

the same money is that I have a bad good that they don't

discover my talent puras things that justicable that that the

people not he could never that the type not could get to

that he was getting and that was not the time the

the mom was the and now her noviya also, but she not was a thing that important in this moment.

For this moment occurs the first event that will make that this relation sub a escalon and she is very emocionate. Discovered that

the two have a same affision for the football soccer. They used and even they were of the teams

rivales, one of these people had one of these had advanced in these tournaments that are regional, the two were unied. And, yeah, they'd have been to the bandera of one or the other,

salvo that were, between the teams, those finales of tournament. And there, every one of the suiard, and it was they'd like to play. The point is that

resulta that one of the two teams had arrived one of the final, and the final was going to other city of their country. So,

so they're both, and they're, well, we're going. And then Guadalupe does, and says,

I'm, I've, I've got to various costs for the business, he's going to

really, I'm going, I'm going, the situation to be in a year, the situation, to be in a

little of the and you know, I'm in the guy, I'm not, and he's, and he's,

let me to go, to pay, a stance, more the , more the, I'm,

he was to get to get to a little to and he says, no, let me say, my mom,

my mom, my mom, no, she has us Paga and we we have some

familyaries there. Let me see Mom we can't we're that we're

we're going to and then she's she's not a comod of the final

but no he doesn't get to his money so that so

two three days after Louis gets with the good

she she that's good that we're to go to the time

to get there there there there there there there

there is near of the final of his second year and we're talking of the year of

real. We're going to maybe November, December, December. When that's the day of the house of the

lady, the lady's she's a good, that's a good that you get to

you know, that you know, so you know, so, no, then look, don't you,

don't you want to be people are people are people are very fieles and me are very when I

heard the when he's a word a word that not's a word. He says,

they're not. They say, what you know, what you do you're going to do you're not. And it's a question you

do you know, but there's he said, I'm doing it waltas. Some phrases that I'm that they

don't know. But, maybe he's all, it's all. So, so, so,

the conversation, and the she says, what they're saying, and they're all they're, they're,

they're, they're all they're all they're I give that liberty and, I'm going to

pay the time. And they're going to be going to be in the year. And she will be able to

when is exactly the final? Like a second before the end of the end of the year? Well,

I don't me say, they're going to be going to be a end of year? Well, so,

well, is that the final is a month before so, so then then they're

going to be a final, right? Yeah, well, yes, I think,

I'm don't me don't those I think. Are you or so no? Are you or no, my jita? You're going to

come to the end of year? They're going to come to me? And Guadalupe and there's stressed. A Guadalupe?

Nobody's he said, he's a geoff. She has done the things to do it the orderness but here

he's going to maybe to what he said to do you see a character controllerer. Look,

Guadalupe has a colmiel knows, does make a car Dulce and he said, I'm sure that she's a great she said, Dolly Luce.

Here we're going to here. Yendos going to yeah, she forgot for complete of those words and standing there were at the

final and they passed time with this family and occurred a event that was a little bit the family of

the senior Lus a day that was there because he had said to who had said to get to

lookita you know if you know you're you know that that she's that she that she's

that she's that she's a not be able's with her. No, you know, you know, to be in the car.

And then Lupita, he's kept and he's parrower, and if me disculp I'm going

to go to go to the time, because at after the time with her and she, like,

they were they're in the space. And he said, I'm saying that's they're

putting a trap. They're they're to be to say, and no,

no, those things to me don't know, those things are different. The things are in a moment

that they'll go and they say, I'll say, oh, my Sueger's Vindy the person not are not about her,

and they're and they're a carcachad and they're very. But at final, but at least

not that's all the problem, it's all. Sigen in the stancey there and

it's a question of she, and no they're to mention the time. And it

gets to get to get to get to the point in And then standing there the family

and say, oh, again, well, keep in more time. Normally, we're still

not quite to get on the final of year and gett until the 5 of Nero. Because

yeah, after the five of we're going to have a time, but we're excited,

and he said, I'm excited, and he said I'm also, oh, but not

we've been said, um, we've been to pass the year this, and say,

but for me I'm You can't get into the character of the

character of every because it's a lot of that's that's that's

that's that I'm not, but yeah very very at the

Navid there there's a phone of Lupita a number of

a number and it's the voice of she and he he's

he's my little she I'm what you don't what

you do I want to go back yeah. Diggist that you going to

go to be going to be very close and not have gone and they're and I'm going to

ask that the phone. And then Lupita and she's I don't go on me,

first no me not me first I'm sorry I'm I'm I'm

I'm not I'm not I'm not I'm not not we're not

we're not we're not we're not. We're not we're going to of the

and he called the telephone to the sir. When they're going to go to the city, that for this, there was various platics with Luis and Luis, wascavaid the thing of her mom. The point is that when I did a point that when he said, in the airport, is the santa how supo the

whel the world said it to have said he were doing and the people

she got a lot little five six of nine or six of the

she's how she she said she said ah the big I'm

for my I don't for you I'm I'm to me

I'm my son no you and she she says yes well

no you not you don't you you're not you you'll

learn what is the worst part of a brawhip. And he he's a little bit of

the man, he's a person who's a lot of he's a little bit of the time, and the time

he'll just he's the mind to the person. When he went to the way, Lupita

he said, it's the form more ridiculous in that that someone me has

got to he's because no he's over to be of the years. But in those months,

her his that was a she was an really, they've

a relation in the that the she was was going to and this she gave

this, I'm going and this and then all this time that I've been talking

with this relation with the she was the family was and the

were very good people and the mother was a man was she was a

she's encargated to they're a relationship we're a different, special. They'd have their space, and functioned very well.

But when he goes to and they're going to to live again to the house of Lupita, the little bit that there's

rare things in the house. Aromas pestilentes, aromas desagradables. Well, they've been much time

the house that has been being a man, to get to someone, because really the aroma is

askeros, and so they try in plumberos and they're a pair of people who start in the car,

and they're the two three hours the Loroma the problem is that the room

is that they're in the room of the mom of the one day to the other when they're

when they're they're full of moscas when I said you're a

sentos they're they're a door an houndry askerosos of moscas

and there there's a lot of mows in the piece a lot of the

lot of larvas for all all she she she she's

my direction and says, no, well, this tonto, it's a ridiculous of having said where I live, and he met her in my house, and he's a man, a woman of pantalones. A me, no, me is doing that. And, if, you know, I'm just going to and start. And despise, your

business of tacos, because that not to do you know, Wadalupe. Well, if, the negotiation, I was incredibly well, this, more or less, occurred, for there, of February, March, of the 2020. So, then,

of a world and his business, a month after she's a and she's

impacted, because, well, no, I can't have been the she was

a situation world, but of a sudden, they're to get a

other than she has a other he's a friend, a he's

to be to get to be that in the house there most

there there has a there a her not

he has reveled but when not she in the she's there's and they're

not and they're that are that's a lot of there get a

moment. Because even I had had had a good

good money that not he not because no

I and yeah not the voice of her her new. His name is a big, apart is a woman, and it was a voice

clear of a new. It was the pandemic. The people not had to be in their own

and they're incerated. And she said, what's going to say, what's going to start work

jobs, jobs online, vending things, nothing that's a degree, that's a time that

he gets in a time, and I'm going to my house. I need to another.

I need to more. I need to the money and the things that they've been,

we're going to start. It's a woman in the tron. Termina

the pandemic. The things not went bad. The house had to spend the house, the house,

the sameistair all they had to be a correlation direct, something they had to be with

her. She kept without people, he's got alone. The

repent he's to develop like some different of

some that's that's with medical, no there solution to

nothing. You're doing ideas. You're going to do things. But she seems a

rarer, like if had tried something, something that was a bad and that now he

is a problem internal, dolencies in the spalda back, dolencies

in the stomach, and it gets to get a dietar, and it and it's

a way, and the day in the day in that she can't, that

what is living not a question mental was the day in the day in the day in the

other he's going to his wife, he says, you know, you know, you know, you know,

I'm like me derotte, the things will be a different, he's going to be to be in this postura

like a superman and says, this is the initial of the best of our life and

where does that you know, and where the other house, because they're in the

house of the other the second piece, and when when he gets a

little is a little. And this little is the one of the one of the two are and the two

are there because in this house house live not the father but there's

no more. And the mind of the little is a mirabola she and look it

and she's to not think the things she and he ran

to the she and where she she's run the car

up and the she did know the she did because he threw a grito when

he goes to the escalers and he he goes to let's get to get to get there there. Expect to get me my father.

It's almost a year, a year and a year and a half to that was her realita when she got to

the part of the right there was a woman with a black, a ropeon an t'nourour an t'estim

like a rope that were for a belorio but the hands were absolutely black and had an in the

of the black and large. When the rabios spant it was a human,

that's clear-y- they're in the house, they're they're they're

doing and they're more moscas and well so it so it so a time

more. It's a moment in the she is a

heart and then then then and she she's

I'm all all has to all that has been to gone.

That that the thing is a house. I've could have to start

a work. I'm not much. He's a little a bad man.

And in that's a telephone that's a phone of her. Contestate

and she he's like a other other other another

one of a person. He said you goth lost and

you're and he's very my jita you I'd the

I'd the telephone, and right Lupito is going very well. And me this

doubt, you think that that really that's a bad fortune?

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story takes off for this reason is important that those the children not create in do-endez.

The story that I'm going to tell you to get a a year to do you know, to be to be able to

hear of the she's about you she has a 29 years. Rosa was a little

detail of personality that not did you know that they didn't get a lot

to make a lot of their attention and to make making a time. Seguer indications,

God, my, was to pay him. This is a little unquietta, said his mom. Because he had on the

other time has to be doing activities. It's like if it would have eaten much sugar, he said

always the mother. It was the idea of the family of this rose. The situation is that

inquieta and with this personality like all the time doing things and distraida

in a certain manner, provoked that Rosa also was like a little bit of

a little the father learned to distractor to her. There was a sequence of events

difficult for the family that were to do you were to say, things

very short, very simple, but very very, very and without without a

amount of of the money, and the he's been a way of the person who whatever

work to do to get a put to get some pounds and able to pay this type of the debt and do that

and bring there to make a day. That's the that the type, if you

you know you know and he was a day, he was a guy, he was

a zombie. No, he could maintain the attention. It was with the a mirada, yeah,

perished and a minute, because a day, in the time, and I was in the other, and I was to get to the other,

when I was, when I was, not dormia. For that's that was the time. That's never, it would have done

a situation difficult number two. The man of the mama of Rosa, then a person has been in years, this

person has fallen in in a circumstances difficult. And there's a belorio, but the papa, not in

conditions mental that's the many people, and has to get the mom with Rosita.

And that's what gives the third circumstance. A panteon with a little

that no can't maintain there, with a woman that the stress

that's been living ultimately is enormous, has that not you're

like in a circumstance idonia. When they're at the pantion, the first the mother of Rosita, to her little, Rosita, for favor, for

favor, you go to get that the man. No, you're sueltes. And, for favor, maintain the compostura. No, you're going to do you. Not you're going to

do. For favor, silence. It's a moment important for us. And no, you can't

go to the side me. It's a little more he said. The mom I said that that he had

heard that certain manner, and he had given to I'm in the I'm in the

I'm used to do this the things and rapidly to get to get a when they when they're

going to the time of the endierro yeah was advanced had yet also situations

of the little time that time that time to change to be that

when he gets that this really disaliened disgastated and distraida

in this little Rosita saluda a part of a A pair of persons

are close with Rosita and it's time sufficient for that she has been a little bit of

the child. And the after the three seconds, one minute, to be doing all the adultus

there, and then the little that she was that was that was the first time

that was that I'm a very very different and on one side there was pasto,

on other other side had a other side there There were houses in the place, casas chas chiquitas, things with crystals,

there were photography. And, and strangely, no, there were a part of their family. Nobody. What we see is that

conforme was coming down, she was down the that was a lot of the dark, and in

that when they were to get the sombras, it was a little tethrico. And caminando

between what she didn't know that They were in tumbas and lapidas, he started on there. And of a repent,

he said, behind the she was a mouse a voice. A voice that he said, hey,

I'm a I'm a little, you know, and then she'll and see a man,

that's a man that's very, and he he's holding a paleta.

And he says, and then she gets parada, because in some moment her

she had said, no, he said, when, but he he said that he said,

and Rosita's there's there and he's like the head so, and then he's like because Rosita is transparent

and really the paleta, if she's he had to these palettes of chocolate and with malaviscus

and something I would like to and a Rosita he loved and then he was

so he was so, and even and even there was there was the parlet so much,

the parlet's to move but Rosita something about she had the

she had And then he assom a type. A type that she he said he said,

a boy a boy a guy a car painted with the face painted of some of the eyes

ponteagudas overpuestas and he says, Ben, I'm here more new news

and I want the paleta and she he's like he said and he's here

take take take it's more you I'm I'm

I'm to you I'm Acerca. And Rosita Alargo the sufficient the man for that the duend that had very well medied these things, the dwindle,

he encircoughed her own painted of red, he agarraara his manita and he styrrothed. Rosita no-tend to maintain her. So this type, he went to, and then the dwind, as you know, Rosita, he bented his pulp magics in the car. Because when he felled that polvo, he began to

feel that all of nublava, and it was a little bit of And he was a darker. And he was the dwinded. He was he called and he started to hear gritos around. When he wasperted

he was in the hospital and was the mom at and was crying very disconsolated and he said to her for having

lost the mind and he said no mom but no no pass nothing. I'm

found a duend the doctor and the mom and the mom and the mom and she kept

calated and the she was very about that that it not

that will be able to and it and it's a bad anecdote of Rosita. Fan of

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Concour Cip Take care of the duendes. You can't be a loco. When Jaime was a little and had around

10 years, I'd live in a house that had been turned to many years in the father.

He knew that story because he'd another way and it was a time, but he had a

very present. It was a house that not very but they were not very very felices

there. And the space in the house was sufficient for that they

were so that's in that house, after after a

minute to be going to occur to things very things. First,

they were to disordernar things that always have had been their own always, and the

time from the time that they were living there, the keys went in the

little the libretas always always always that you can't

know, the mom was a person that the person that the order

was a thing, the thing, the And, of a repent, oh, the keys, not only

not only so those, no only those and they were, and one of that they were to look at and they were,

they were to be there to be, but they were there 20 times. You're going very distraised, Sylvia,

he said the papa, no, not they're in the I was, I, I,

and I'm, I'm, I'm, things of day a day. Jaime, simply me,

I'd I saw his father to discuss for tontaries. But of the the diabetas

moved, of things that he was a lot of they were in they were to find a lot of

a lot of a lot of and he said him to say mom, why me you're just that they're

other, others that they were like little and he said, because you don't have

something so much she's my mom was a person and then you're

you because the question you because the you're what you're the mom

to do the man of that's the mugrero well, you me those in the cajone, no? And,

and a part of there, the mom starts, yeah, like to be a rome, is a little, this things

don't have any more to the thing they, he's, he's, he's a more furica,

enojada, always like a pellet to pass a very bad moment and a sermon,

so it's that it's was a time for him, because he started to make,

he started to make, and he mom, every more maybe they were the

times were the times it's that they're in the time, it's that they're that they're in the

cell, they're they're that they're that he was to hear of hear of

a little to hear of the house. Talve his mom was his mom was

The senior Sylvia spoke to with her husband and he said, I need to to hear of here. I'm going to

get to be like this about, Sylvia. Relahat from the question of the case. Hey,

you're just you're very stressed and take the house that we're how much

we're we're what you're you're I'm going I'm going so I'm

going to go to get to here but because you is that is that

here in this there is that here Because, because me They're talking. Me,

I'm talking when when they're when I'm I'm gonna, I'm from I'm from the same I'm in the

first I'm getting in a carhoun in a brawl and the voice and the voices were you

me, I was the first time that Jaime see that his papas put in very serious

but not serious enuhated serious with serious with because after after the conversation

they were some some Like, like, I'm saying that the woman

not was the way, as far, and they're doing this thing, they were something that's

very prudent, although the result not was so good. And is that they said,

with the mom of Sylvia, that was, that was the person more physically

to the person, and the mom he said, and where you're doing

exactly, because I'm not even not even they're not, that's

some ones of chankees, the sure you have chaneches in your house. No, you're not not so they're not malice. Mom, ma'am, me are becoming

because you're getting because you're trying like to do. They're doing. For the mom to Sylvia, the house, he says,

a little, my, I mean, I'm going to you know, I'm just to play with you, where

they're, no, no, a house. Sal, and he says, what you do you know,

what you have in the patio? Nothing. Something, something, something, you have to have in the patio, because

yeah I see the front and there's never in they're in them. They're not the people who are the time when they're in the patio.

Oh, Mom, no, I know what you refer to. Let me go to the patio. Camin on a side,

and when you get the little bit of that's the tree is of them, you know, you've been

your offending, let's have some those toys, no, Moma, me are they're doing

something because they're going to they're to get to get to give them.

Govle them his Juggles a little more. I'll help him. He's going to

go to the mom. Reyes-to like a hour and try a lot of the lot of

little bit and they're like to get to time when you'll put them put them

on the mom how will be that those stupydes. I'm I'm going to be they're talking

with the children. Or you're you're you're going to be to be

more. The she embeleso because she's she used the thing.

I'm talking the mom of the mother of the mother Sylvia, that every certain

time, she'd get to be because they're the children of the house. And there

something and there's something because a different, they're things that not even

are more more more more than the family. Nobody was

to do that that's all the thing were in the house. The

abel when I came to get to Jaime what I'm

my my I'd go and I'd and he'd a new a new a new

a new a lot of a lot of things, I'm in all of this thing. Jaime

is when he's when he's about or intend to talk and his papas

and his papas were living with a moment relatively tranquillus so

Jaime there's a moment in the that's only in the person

he's in voice all you you're you're you're

not you're my friends. You're just not just are doing that

my and he's he's always the day of those words. Because there was the

detonant that they had to get to that house. The day next, he's

he's and he says he's we're to go to those and the parents

and the people are about the middle over the and then then Jaime go to

the wuela the wala the way the world he's Tama's, grita and he's put to

yore, he's very sad, and you're like, you're saying, you're not going to and they're

just about the time. And they're not the time. He's too. He's also we're doing

of things invisible, that we know that's not we're doing a little. It's not that.

It's like the thing. It's not the decision. Because Jaime decided, or he's proposed

to play to the the worst game that you can't a

house that is a in the case, that has the presence of they're in

to get a time. And after the time I've had encountered a good

place to and his abelita he got to he said he's

he said a his father and he he said how they're going to

go back Let us, go-n't, go-n't-von-n-von-von-von-von-von-h-h-harmes. When they were out of the house, the papas of Jaime, you know, they've got to be able to. And not was something so strong, eh? But it was the sufficiently

strong for that they'd that was a lot of the house there was a lot. And is that both saw, a little bit of the room, and said, no, it's a time

too, it wasnton to find the scondite. Viered, they were, how a cabicita he gotched behind of a sillion that

had in the cell and the cell of tele. And then they were signos

to come to do you for a little, you know, I'm just there

was a little was playing to do you know, and then that's the time

to get the man, the shillon, and the carito is a despeed to the behind of the

sillion to the his feet. And the mom is a extrano.

He's over the cellon, see the his feet of Jaime, he's he's

he's he's he's he's not. He's he's like no, I'm

I'm doing the I'm saying, when the mom over the right and

there's there. The two are all they're so they're

they're they're they're they're they're they're going to and

they're on the people when they're they're If that thing not

I didn't want to be, the reason for the reason for the reason for because it's a second

because after the game is a chaos and the voice. The Papa, too, they'll be, and the

people get to get to the camera, a little and then it's all sandas, and the sabana

and the all of course and they're not a day, she'd get a son, Sylvia,

the same thing, a crucifix, trai water, a lot of belles, he brought

all the things in the type of they're in things that have to be with people with spiritualities

and with breweries and herberies and so. Prend incidences, preend veal and it's put to do

the final enojada and I know who I have to ask for to let get to

let's get my house and this house is my not of you're and you listen

how in the the other something's to move and he's a lot of the same and then you're

in valentonate Sylvia cometeed the poor error of your life. Subio the escaleras and

he went to where these things they were when they're when when it's when it's

the final of the escalers not a something that never he had passed in that

and thanks to that he was that never never ever the

second Piso, no the hour more the night of the night.

It was seen so much a dark, I'm a lot of it's

a little a matter, and a manto cover everything.

It's the lights were were on the door of the

second the second piece. And when she's a front of

a little he he said he's no I can go

to go to The house They're They're They're They're They're

They're They're Every time The husband Hebaugh To go to A car A carer

A carer The house The Entra and he They're They're They're They're

At the foot of On the second Pissue How Mandol' A message

Jaime Recuerda Part of the history The Rest of the history

The rest of his father He's when He was He He's

He's He's He's the car of her mom every that she he said that's

things that the car, the part of the back of the back to start. And after

she gets to have moments where she get a mud, like if something

that was a thing, like there was a fear that that really,

that she has been a battle to you to be to be

a world and that that was the house, the she's

a Sylvia, the mom of Jaime. And you what you're what was about abitating that house? Chaneke's or demonious? If you may permit, I'll tell you the story of Chenekees

more terrord that I've heard of this story. Me tells me something that happened when he was a manned a baby. This is a story that's narrate in the family for that today of today all day of today,

all of these duend, chaneques, or beings that it's a certain affection for the

paco me this story that he he occurred when he was a baby when he was

a baby of his mom and his papas had to have been like a life

their life not they're practically nothing nothing the house not even

was a little bit they were a lot of some they were doneated the

mesa, were some they had put on a same a sabana of the

camera and they're not a refrigerator. There was something that they were there's

a lot of and they put you put in the things there but there no way

because there had to get to eat that that they're

living a situation very difficult and they had

this baby the mom the night the past over

because the papa had had a a job that I'd a

little more than the entire and it was to be the time to do you a business

a little that I'm that he's that people that people, people, they were they'd

be in the area in the area of a time before, and it after that

after that time, simply they'd give a opportunity that that's

that he'd get a there there there without to be it

never to never to have been to nothing in this place, the mother that's

the mother and the mom of his baby he put just in an extreme of the

colchon because she used for the security of the be to get

this colchon that directly to to get to get in the

end in the corner so that if the baby is

the baby she may in the other extreme of the colchon. It's a colchon that not is the time more great, not is the

that's the one before the more little. But she is a little bit more than it. So, she can't do enough enough to the oria because he does fear that, that'ser tancered, if she gets dormita, roared to do a little bit of a lottoe and lastime to the baby, and for

inconscient it can't he can't do that and it's in these circumstances and in this situation when she gets dormita. And as being a bit a piece enormous,

like if not she could get to get to hear of a little in the house,

new people different that are talking in the and they are you and it

is like between the point that the eyes, and he the

dream that so so much that so that he's

getting seemingly dormity don't no reaction no thinks,

someone, no, no, it's not no, it's so so much the , it's

kind of a mind, and it's really, when it's when it's and then it and see, we're a

three children around of his baby. The children, one, no, no, has a

lot of the other has the other, the other, the thing, like, very, very extra.

But it's, but it's suninging and the parpared to like if he'll like to get a

little the person of the world no he can maintain and he's kept profoundly dormita

but in the sony there voices of the new there there

there listen the but can't get but he he

can't and it that the angusia that he he never

that when when it when he's the father in all the night, and not

yet yet for that moment. He's up almost doing a salt and grittando, my son, my son, where is that? Because, strangely,

Paco, no, was where he had put to the night earlier. When he he,

he, he and he did it, but at the time, and the same there's a house.

No, there's no of objects in that house. So, so it was very rapid to enter in

a room, and the apartment and the area, and go to the What did, what did, what did you, where they did, what happened?

And then, he went to. Just, pegged to the door to the little enwilted and aparted into some sabanas that neither were of her.

What was what what was said? That were those things that when I told the story, the bestinus don't you

don't you're don't care, but take because they're to give to your new. The duendes

are more more more dangerous than what those paint. John, Susanna, and Patricia were three

brothers that were three years. His papas had some people who were incredibly

well economically they were to this age, not even they were they were they were

they were that they were in a rancho in the afours of the town. The rancho

was pretty because the end of the time of they were for you

the first that was the thing most impactante of the life.

The ranch is that is a top of a mountain that's in the mountain that

there's a not a month, they're not they're not they're not they're not and they're and they're

and they're and it's all the barred of the madder of god. Sabra-d- -d-of- what?

They're not they're they're just they're all that's all kind of rather- rather-plano

perfect for that you're there. There's a one of a zone of games for children

there there's a alberka in the place, there's a can't a can't a

place, and there from the house, it's look to see, a barranco

and a lago, but that is a very far is that's to be

to see and you know, these little the end the

night more a night that maybe mortal that

could have had been they the first day

they they present the place and in that place,

standing there like, being the things and the and the people, and the tio

explaining one and the other thing, they were the images, it was the sensation, the air

was a different, the silence, it was something that never had experimented that the

wind sounder so much and that that all that many, they were

that many they were they were they were they were they were

they were, they were also Disconnected the city was something was a thing.

It was a situation when when this circumstance, when it's the first situation tenebrosa that took the end of

the family, in company of the man, the husband, of this family, let's say the children, children,

remember the three regals that we have here. Regla number one or

well, what does that are that's three regals. Acuirdens always here

in this place, no there are people more than we're

no there's. And they can't be able to that I'm that's

the first one is that the side you're you're

you're sure you never you never you never you

the other you invite to you to see

a child you And the third If you If you've got A guy No you

Acerke And let's I'm going to A-piloncito Something I'm To never They'll need to If something

If something I'm going to I'm That I'm Recurtense That's The Lagito that They're

And those And those They're They're They're They're They're They're

He was He was the He said the He said He said to the He said he said And the man he said And the sir

He said he said And the sir He said Why did you That's about Why did you And so's the Well yeah

You have They're They're They're He said He said He said that But he

But no Hebeled The kids He said The second Day And then And they're

And down To get And they're They've got to pelotitas for the cancha of tennis, but the little didn't gettas for their time. And then, they'd have been to venters the and a lot of another, and they'd inventing their

games. A little bit in the alberka, and they'd get dormido. The three are fascinated. It's like a camp of game just for those three. But it's a minute of the time, at least, that's all the end, that's can't. No, there are more kids with who can't work.

And there's something. something that you know what you is in your because of a very peggatito a vaya

a man that had the hair with many little had a rogiss with a smile with a

smile when they were always to all the adults and he said come to go

comece to we're much we're on this we're and when he said

on many voices of the people are rying. The chick of 14 years,

justisperated to pass time with his children, and at see a little

other side, and I hear the and hear the and I think the time, he said,

no, he said, and he said, to me went to me go to the

little, he took to the man this little and he sent him a grito

at instant. The the children were going directly with the

papas, because what they saw that that that little bit, he put her and he he put her and he he was made into the barrotes. And he started

and just saw the just went on the little, and the little all the long. But it was the adults never heard of

they were in their platic. When the children came and crying and grittantly they said, a little,

a little a woman, she left a Susanna, mom, a girl she gave to Susanna. The

the owner of the house, he's put to the man, he says, see, and he's, and he's going to

the house, and the man, my need, my, my, yeah, wait, let's go to be

the way, he's going to do you know, to do it need to do something, and then they're going

to the house, and then they've not had not before, that was very obvious,

much evident, but they're many of the world that they're not they're not even and is that there

three scopetas one above of the other, just in the entry and he is going to directly to them

and the man is really is a little bit of the new year and it's a little bit of the taburete and there's a

there's a and he only he's just he says, no, he's not you're not going to get to

those, no, he's just they're just they're just just they're just he's just

wait me tantito, or right we're going to get to a nena. He went to come in

the saka. He says a sakaito he's a little, he another to do to do it, he's not

let's get to all the time. I'm going to try the my and I'll say what to do you. And then

they say abran't and let's get sal to the sacos. And after they

put them all, he gets all, and it's all and it seeer. No they're

what's the the man thinks that's a man he's going to your little

you know, you're going to your name, you're going to the carmionette, accelerate an carer, and the carerer,

that was the daughter of the house, the other daughter that was there there's a other thing, all that's

all the only the one of the other than you know, you know, you know, you're going to

say, they're in the car, and they're going in the camoeta. When they they're in the

caronet, they're a room totally different to the little to the little bit to have been a little bit the sonna

he says, but where we my inna they're going to the barranca are the vending the barranca we're going to

go to the barranca the barranca is at 10, 15 kilometers is 18, I'm going to don't you don't you're

going to get in 15 minutes there's there's there's going to see my instructions, we're going to when they're

when they're a barranca, there a moment in that the carmennett not can because practically is like rapplear. Then,

then it's a point where to say, I'll say, I'll give where to go to go to go. And at the way, at the back, they're listening the

Susanna, that's asking to usy. And they're getting, and the man, the house,

and he says, no you move to there, he, ha, he, don't you move, you're going,

not you don't be going to not be not. The papa and the little are

atonitos. No, they're not what's what's going to this part of the lag.

The little is practically with the feet in the water, he's maritone, it's

sandranging, part of the the rope is rota and he's and he says, keepate there, meha,

get there, wait a wait, and we're going, this subject still coming and

and it's like the beginning of a quiver, and there a type like

of a train little, I'll turn to the person that's there,

the father, the child, the man, the man, you, you, come to that a

Cueba. Agar his saco and he he says, this is because we're done back.

Regressa, he's he'll be to his sack and he'll rebuha. This is for that not me

are not me stott. Then he he'll take and he he'll and he and so is because

they're getting with with people she goes, he goes and he says we

we can't go. Yeah, no not we're going to molest. No, for some days. Comiencans

to go to run to the rancho, and now just says it's the vending the barranca

not they don't they don't know the salt and that they're that's all that's all

it's quack and they're going to get to because they're to come because they're not to

not to not the people. Odian the water, not they're they're they're

they're they're going to they're to be to be salvo. And he he'll tell you and he said,

you know, you know, the little bit rojala, that she was the little and then the little instant.

He said, no was a new one. I know that you know a little bit more. He vise the hands.

If you was they're with the barrow. Is that they've been a mine.

Viven there. Then then he then he back to Susanna and he

said, Susanna, tell to your brother because not was a

a little. And Susanna with much fear, he said, is that when he gotro, he changed the car and his hands were put like wuesudas and

frias. It was more being like a woman. Jorge was the story. And Jorge says,

"'Hamas has never to look a rural in his life because he does scalofryos, to be

near any a place with plants altas, or even to listen voices of

and that's evidente where they God, God, God, God, I'm really really

bad. I'm going to one of the stories most macabras and cruel that's

about about the fact of the Diablo. In the family Cortez,

all know the story of the Tio Alberto. The Tio Alberto nacio of the

years of seven brothers. In this time, he was stillable to have

families many great, and the Tio was a little that's

when the papas said They were a music. Because when he was a

baby and he used music, he was going to move to get a sometimes with rhythm,

but it was a moment in the all they were in moments difficult. Because it was a

family because it was a time, that was living situations economic

very difficult. In this house there was there were many.

And they were many, and they were a silla that they'd they'd repent the

brothers the most small to get to be a little rather than to make their time.

The mom was in the food but were so they were that for more your son

was to be to eat to eat to other because not you get to not you put in

to calculate the servida and not you're thinking in plato vastos. All they'd have a little, but

not even as well, but not even sometimes I'd have a lot of the time, the final was that you know,

that's the final, you know, not you're family, something, something that you have you've had been,

that's that's family, all that family courtes of that generation, they're super hardah

people, Albert, no was the exception, the contrary, he was the most moved to

all the he, he was, he was, he was, he was, because the man,

he was a a little bit of a time and he had to be a block of the house,

then I was to go to say to one and another person that was the poor man, he didn't even

have to get a little bit of and then he was there's people, and the

people, they'd the good intentions or the necessity that he had. Alberto, no, he had a manner to

get a money, because he he wanted that he was that he had for the music,

yeah his eight years and it was clear. It was the guitar what he was the guitar. When I used

when I was going to be used. If he was limpinged the zapato and had a music ambulant there to the place,

I'd have the people to because it was connected and then when he was to get with the yellow

the yellow was to get to some house had some radio because he was listening

the melodies and he he had the music for the he wanted he wanted

he was to be a a lot of the time of two semans after the situation that I'm going to count, was with his brother to, a time to a team that was there, and articles of second. A lot of them not even was to find out of all that they'd have been tried for all, because at all the final was for all the other, the way, the that you I'm that he

had a dream, but to a certain way Alberto he was going to come up the problem

was that maldita when went to that the second with his brother,

that they they were to buy they were to be to be the shopping,

but while when simply articles and things they

were they in a window in a vitrina, a guitar the most beautiful that I've seen in your life, a guitar that for the form,

for the time, for the type of cures, for the smalt, for all, it was the thing that was the thing that

was the price. That not was a second man, it was a fortune, what they were

a little bit a car, and he he said, and he said,

that's the only object of that the other thing, that is the object properly of second. It's a

reliquia, and it's a reliquia car, it's of collection. It's something that many people want to be sure. And for that's the cost.

A part of there, he was to little bitstit to time to go to the tent and observe the

guitar. Yeah, at minimum to be there was a and she was going sounder.

It was a little ensohnate was a man, he was a little being a

certain way, and even even was that was impossible. It was imprudent

also and he's a like that like that's, he did the

opportunity to go to get to get a question to the dewee to get to the man,

the man, the he said, never, me said, you know, you know,

you know, you know, and you know, so, so much, as far far, he said, Alberto,

he was, he was, he was to guard money, no in an am a matto

in his sapats in the puntas, so, so that he'd somebody,

waiting that some day that's that's good that that's good that I'm going to

know about that's not going to never never. The point is that is that

is that frequent to the place and a much time, that something he put

the eyes, things that in the heart, things that they're in your desires.

One day that he he's another his brother, because his

brother had had put a little of a out of

a chick and I wanted to see a a subject elegant and the thing the

and the thing, they were a manned to get a little that he was

a little and he was the same, I think it was a little while the person who

was going to the different panuelitus, he was his brother, he was over the first of the

brother that a man, very well bestied, of cabell can't, that had

a bigot very peculiar and a barbita in form like a little a little

a little bit a look a look at a little and it came to

the the end of the and it and it was he was coming

to the person, he he went to he he came to be

he he he he's a man who he's there's

a man in a certain way, even it's not so it's major that he has been

to care. So, is that he has got, and as if that man he was into into

because he was not, he was he's not, and just he says, and he

do, and you get you and you'll get to what you want to what was

what was what he was, what I want, he, what, he was

he was what he said, he said, he said, he said, he said, he said, he said,

he said, he said, No, no, nothing, none, passed on two, three, four days,

and the brother was insistent he had much that he was to be sure, until that he said, he said,

he said, he said, he said, for that you did the question, but is that's the

, and you just, he said, no, no, but no, but no no,

but no he said, but he was, he was able to do that was to do

to do I said that all. But, but then that's but you know, but you know,

because he did what you did you, you're going to have the guitar. He said, is that

I'm he was able to give to give the devil for the guitar. And I

asked that what is the mind, and me he's you know, and you know, and you know

and just me, I'm going to doleer. He said, he said, and then he said,

and then, and then, because what you He said that he said, because he said that if

during five nights I went to the ventana when all were all overed, and me incava

to rest her for that to her to give her and me diara, me to give to then,

and then this is the Kinta. We'll see if tomorrow me do the guitar.

That night, the brother was very very preoccupated. He had

heard about the He said that the Diabbles and that blah blah, blah, but no I knew exactly to

what he referred to. The Alba, well, in the church, but

also didn't know of that. But there a situation and it sometimes that sometimes

certain things, certain engranages are because that day when he was

to be in the house, he was very, very, very, past

at the madrogada with the little she was and the his pauletit. When he regressorce,

circa to five of the morning, because it was a much in getting to his house, me the child, in a little

way, with the eyes abjured, something he had been a night, because simply the heart was not to do that.

There was nothing to do. The family not had a manner to pay, nothing.

And, and in a manner extrana, when they were they were the doctor, he

said that someone had paid the question of the belorio and could enter into in a pantheon.

He was destroyed. He was he, no he, he went to many, the duels

was more than the due to a more than that he was a good, or that the point is

that the little he was to be to the man's the mano the

man to the man to the room, the guitar, intact, precious. there,

and, and he rure that he said his brother that's his brother, and with this family

nocturna, we've got to the final of this fogata of stories. Quintam

you, you've did you know, simply tell me what was the

story that provoked that you had to give to the fokata. And one

once said this, I I'm that you with you, families that you

think you can't like these fogat and the people. We're in the

next episode. You want to be a good night. And that you're good

and you have a good and you know, bye