HABLEMOS DE LO QUE NO EXISTE - 7 Historias de Fantasmas , Museos Embrujados y Cementerios Malditos | EP 259 | EL NARRADOR

Episode Date: January 23, 2025

Bienvenido a ésta Oscura Fogata de Historias de Fantasmas , Museos Embrujados y Cementerios Malditos en @hablemosdeloquenoexiste El día de hoy les traigo historias que ustedes querida familia nocturna me mandaron alwhatsdelaspesadillas y unas cuantas cosas más que me encontré por ahí durante la semana y que seguro serán protagoniostas en tus dulces pesadillas. Seguro has escuchado historias de sombras y fantasmas pero ¿alguna vez has escuchado de los espectros de camuflaje? Descubre qué secretos paranormales conocía el señor Luciano en el Cementerio Maldito. Tiembla de miedo con los demonios tecnológicos y conoce al demonio que vivía en la casa amarilla de los ojos saltones. Flor nos confiesa que son los espectros los que hicieron que al día de hoy ella y Miguel sigan juntos; mientras Judith nos esclarece la maldición de Carlota, así que prepárate porque llegó el momento de que @hablemosdeloquenoexiste

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today, we're going to do a recorriot for things that are macabras like phantasmas, spirits of desencarnedos, spirits human and not human. and we'll pass to things much pears, like spectros marivolos

and very probably entes demoniacos. We're from cemeterios to casas, to houses, to houses to

universities, and from places to that you never you'd be a lamentable

notice now that you're going to say, and many people

that in this podcast pass things Rars simply for to listen to us.

So, if you're to recommend if you want to have a matter of the atterrador,

but that you not you do you want to be a recommendation, a recommendation that the great majority

of the family nocturna me has done it doesn't the because

it's a because it that they don't it's not much that's not much

that the rest. One once said this let's we're

a fogate and you you did you you final. If you are the phenomena

paranormal, one of the most habitual are the phantasmas, the spirits of the humans, or the desencarned. But you know, you know, there are different manifestations of them? Here, we're going to talk to

three, and probably the last, never had you ever seen about him. As many of you have you entered, lamentably, one person who was a member of our

team, the end of the time last, passed a better situations of the situations of the situations related to the health,

that for sure, quidens much, dear family nocturna. But there's a situation. It's in

these moments in those that we start our memories, to bring those moments of convivio

in those that we atesoramos those situations in those we have had

interactions with that person that now now now. And me He also

a mind something clear-isim. This podcast, this channel, and the we're always stories to tell.

Because we've investigated, and in some cases because we've lived. In the case of

Angel, that I send a brother to the and the family that is here

all my support the team, but he said that he was that he

didn't he was. And then the day that he was talking with

and with her her husband and he he was a question an angel but in serious

never never never never you never never he's so

there only there only one one so there's

but it's like it not no no no

said the good angel and then I ask me

let me the story and this is something that

in some they heard but there there not they

tell that story. Result that Angel, during a time, he wastum

as a guard of cameras, I don't record in what the place.

And he took to see, all the different, in those that I had to

have to be having to that I could be to be getting to be

someone and I see, and I said, and me comment, that only in a

person, because the lights were on the sun of a sunbra of a human, or what was

a man acropomorphic something that was something that was a where he had where

was a part of a part of the and the and the and they were

it was and it was to the things. But that they were

never been never been seen because not the person or any he could

be any detail of him even when he gave a light it was a it was it was

it was so much that he for he to enter to the door to not need

to open the door they're they're that he said he said

they're no never no there no there no

nobody That was for more than 10 years I don't know I'm going and he's a stucing but the day

the next you know, you know, there's a there's a un-and-as-encarnated and their form of

appear that are very amativas. The beings that are you just a matter, but also

you have heard of the phantasmas blackos entities that in middle of the night

have their own own light. And if you're in front, although it's absolutely obscure, are like a manch-blank that's a black that's

a little. A sometimes, for culture, we're that black is bad, black is good. Here we know, we don't have the minor idea of that provoked that phenomenon. Because one of

the stories more macabras that we're not in one of the first episodes of this podcast, but I'm talking about the first 10, was when a chick came,

and she put to to talk different situations that he had lived,

she was to grab to the podcast and he's his husband, and

the podcast, terminated the recording, that were three, four, five hours

of the was a very much was a very my husband no

and I know, and then I'm I'm did he and I do you

do, I'm in nothing never never never never

and he put all nervous and he put to

turn to all the parts and I said, what's the what I'm and then I preferrower

in this. And then she says, it's that there's that's there's there's

there's where I told for first first, something that I was that I'm

before I had said that in this house of your that not in a place that

you say you're a way, it's a way, a little a Very

beautiful, but very beautiful, a colony precious. The house is a house great and

beautiful, but nobody of the family is going to get there. You know, because in the

night, literally, you've heard the that you've done the partas?

Well, that's literally, nothing that's you're going to do you

and when you're you're not going to never never. Resulta

that in the house of the abel, you know, you're going to

a barred perimetral in the piece. You can't imagine the size of the place. So,

are the part of the barbottal, and still you can't see the first the first of the

place. So, it's a room in the room in the that's just in front, but a aditito

of the door, just in front of the barra, subes escalers and it's the next

the next abetation. So, he's the He does not look to see the stairs, but will be the first affected, one of the first one of the way that thing

came out of the passio. And I tell you because I think, I think what I see there is a phantasm black, but not necessarily of a human. Only something that wants to take the form of one.

He's there, he has 16, 17, or 18 years. He's accosted. For a little situation, not to see the door. He does more

meadow of the door a door but he, then,

he a little Mascota and that's talking about that's a little bit of

a manned so you're so that after the little bit of the eyes, he's inclined in the

camera, sent him a little being to the door, and he he's the trote

a four patas rapidly for the escalers to the right. His

heart his still absolutely a susted no know what is

what is what is what is what is what you where she the escalator

and that that thing advanced for the passio and the thing is the thing that

a lot of an adolescent 15 years relatively delgated mounted like in four

patas on the simply that no has absolutely black totally

black no you know you don't And where he gets to the door,

he comes to and where they can't the stools, it's not, but it's that it's not that it

and there's not, and there's a moment of tension where he he's that they're they're

to be in the other and this thing and he's in the room. He's he's

he's even he even has he's to give a little this

thing again again to the patas directly to the camera, and getting to the corner,

intentating to generate the maximum attention, he's a silence absolute. He? He's,

he's not to be a man, he's trying, tap the car because it's certain what is the

heart, the body, the body, it's a lot, and has a lot of a lot, to get,

to get, to get to be a new, when that thing is a som, when it's he's just to come now

of the and it looks are you in a light of the dark as far as it's absolutely in the obscurity and that

thing, that part of that's part of the top of the head, he comes around the and then

he's like two brasos they're they're taking and colcha and they're they're in the caro

that's that's that's who's after the he's he's incorporated,

he's he's right to the court of the and that thing and that thing

was there. But there are other types of spirits spirits that you have you have

seen and you know you want to you transparentes spirits that are there

and that if you can you can be a little the angle of

your rostro that if you can you you you

you can not you something something a little in your entorn.

And if that thing is not you're going to see that's going to go to be going to

the light is a kind of a different distortion. It's

like it kind of a kind of that is a visible to the

view. It's very strange. But there stories that have

got about these and there one really a

very of Mexico. A museum very great that we're going to say the name. And in this museum, in the area, let's say, there's a zone dedicated as statues. Statues, very

beautiful, very grand. A certain millionaire is the owner or his corporation is the owner of this museum, and not put any even the

name of the place in comments because they can't mania. But there happened this story.

A group of people of people are doing a tour. decided to go to know the place and when they're

to get to the statue to make it one of one of them something there's a there's a

atmosphere can be a and not that the bobeda is enormous there's a great

quantity of people but not the sufficient as asphyxia and he he's

something I'm they're they're they're they're they're they're

and we're this person not is a loco, or is a tonne. And his mind has a

very rapid to the way he says, well, this is obvious. Me are observing because this place is full of people. How many?

How are you have passed behind me? And me observe because I am looking your camp of vision.

No, you do you do you guys, and he's coming out of there and he's going to this

conversation to be really really because it is very rare that when is just between two

statues, he's, that for a moment they're they're they're they're

but there's a sensation of that there's a there's a lot of the statue that's a

other way, the statue you're being the other way and it's always continued.

So, there's a moment in the he decided to do a little

little that's a statue we say we're a circle and

he's and he decided to start to start in a

spiral in that could come in the center

observing to the part where has been having

or, Sintyning that they're seeing as the center, if you're

going to see it, it's a really to see what is the what's going, so it's

the way, the descriptions of each one of those and it's a cellular and he

is like looking on the internet, really is playing the camera in

mode selfie to see there's there's there some there

a or it a group of maliants you have

put the for another situation and they're to start and start

so it's that's a little fear of not a thing to because not it's

very to be being to be not in a place in a

person and less if he he could talk

to and this because not the feeling the

spiral the the only that is to make

much attention to that part of the is the

that Fum, gyr the head instantly. At the moment to turn it, it's just see how

everything is absolutely normal. It's a idea that I had, there's a there, but

it's a little bit of a little bit, to the left. All the sensation

is concentrated in a point specific, just to a lot of a statue and where

observe that point, see, or observe, that something that something that's images a little. And that's

so it's a surprise. And then see how something, something's almost invisible, because in the moment in which it's move, it's a silhouette. And it's the silhouetta, because all what is the center of it is, kind of distortioned, as if you were it as a through a lens that has the form of

a person. And it's there, when he's a figure the silhouette, that he he's kind of he's quite he's not the thing he's disdorcian

all the center and that thing and that thing like you know that's made that they're going to get to get to

this person and then then he'll be going to pass into the people and simply get a point in

that he no percibe and you not it's not the sense of that someone that someone

that's it's like if a entice is like a monger in the entom

but But it needs seconds, needs a time, or it needs to that not you have done that really that's been in

some other than when you've been a little and you've seen that something that something is that something

you've not been you've been not been one of these ints transparentes and you

you, some once has seen some type of these intents for favor, let me go

to get here in the comments Welcome to aboard Via Raii. Embarked and profite. Embarked and celebrate. Rigolet. Publiere. Savoray. Admire.

And, enjoy. And profite. Via Rai. The voice that we love. Something new. From exclusively on Paramount Plus, it's the series Stephen King calls Scarious Hell. Everything here is impossible, but it's also real.

Sci-Fi Vision. the best show streaming right now. We're running out of time and we still don't know the rules. Don't miss what the movie blog calls something you need to watch. Saving those children is how we all go home. From Binge All Episodes exclusively on Paramount Plus. If you may tell you the story of the The Naña of the Cemetery.

One of the stories more obscures that me has had gotten to the channel and more extra-as, me la Morrow. And he said that he and his father to have a relationship very beautiful. The day

of the day of the father and the father of is a person that's a person

he has a person yeah, he has his years and his experience

and what what I want to he was in his infancy and

adolescence and before the life adult and that

he was that he was there there there many

there there Lazzarro not was a little that, we'd grow with with fearsier

with advertences. The Papa of Lazzar, the Mr. Luciano, had a

tradition Ligeram but that was made made with much conciences.

He, the days, just before the after the after the

time, he was he was he was he was on the front of the

venting in the Cementer video. Be you they'd how he was there the night.

The Sir Luciano not talked about much, only he said to Lazaro,

observe, observe. Avisame if you a little a little thing.

Cosa that he's long time and much time he said I remember

that were years, I'm I'm I'm thinking because I'm

not noci I'm not so I didn't but I remember

that I never I said, look, there's and I said, I don't

see, no I'm going to see, I'm going to the statue of the angel, abhito,

he's that's that you're that's the that's that's the that's that's

a way, it's just a entry, you know. But, passing the years

narrator, there's a moment in the that it was that I would be

so I'm and I began to be a little. I'm a little,

was a Fat black, cabo black, my papa never never me had

described. I'm to see and I'm a lot of my father. I've been

getting to classes, I'm coming to just to the window and I'm

that I'm and I see that the little to the car, and I

know to the hand right to be making the not sure. No, me did

M. so it's He said rarro, and the only that I thought was, ah, it's the that I'm doing my papa, and I still doing my

things. My papa me had said, never, never, you never you never, you know,

if you're you're taking to get to get it, does that you see, but never you know,

I don't think I that's referred to him, because with him, during years,

but never prosigued nothing more that that's And, this is important, because as it's important, because, as it were many years, I know, not you know, not you get with the idea of that, oh, and I did, then that changed my life.

No, no, that's the day. The next thing was a normal, and so, if they were the days, it's always to say to my pap. One day, yeah not trailed us that tradition as much as far as. Me, he says, Ben, accompany. I want to be for the window. And I, I said, oh, the little that's instantaneer. Ah, the name of the cemetery.

Me, he said, ah, oh, that's good that you're sure you. And I said, I was that I was. And me he said, where did you? But she

not about that he was like he was like a very well. And he said, and he said, like me

and my papa, and my papa he put pallid in front of me, me,

he says, Lazaro, never you, and I'm I'm in the way and I

said, I'm never you, never you, never you can be able to say to

me say to me, no I don't let me go to guide, I'm going to guide to you. I don't understand,

I don't know why, but if you do you know. He said, Apprendate my words. Apprentate my

words. And, and of preferences, and now you know, not you don't enter's to the

cemetery when you have there. He's a narrator, what you go to say occurs

time after, but this no see is a science certain, is to

my papa. This city in that I lived during many

years, I now of a adult, I, but in a very, very, very, very free. We're talking that nevaba in various occasions

all year and not typical. Of each, there the verano was very short. No, I want to give more data,

because are situations a little scabrocious that I'm going to say. When I have a certain age, we're

talking about that one's 11, 12, or 13 years, I'm, I'm interested me for the

periodico local. My papa he was every always always term in the

table, at the a tass of coffee. And when he was to read, I was

I'm and I'm doing to know that in the part of obituaries come

to appear certain days of the same the numbers of the

rest of the women and those days of the time and I

know other other thing that that those numbers

that are in notices of the day earlier

in that they encountered a the body in the cemetery. And he's a narrator,

something that not are all the days, and all the times it's a little every one of a few days,

a few a month, that said that many people, like, that not they were

in the street, they'd go to that the night, probably

basically and the frio was consumed, and they were to them were the

So then the news of the periodical I'm going to be able to be able to tarcabos. The persons that live in the street, for the nights, are in the cemetery, they're in front of the little bit of the cemetery, and you can't go.

And then, they're in gongelados. Me kept with that theory a much time. Me go to the city, I'm going to the city, and when I go, I don't live in the house of the cemetery.

and a day another again, that nothing to be my papa my dad the little

the little we're the same and said yeah, yeah, yeah, we've been

we've been there, she was the she was the night of the night and me I remember

that my father not more so put palid and he put the

he said, and me he said, no you know, don't do you just that

you, never you know just you get you you you don't the

you have you you have you have to get to get to you know, you know, you know,

says, narrator, you know, I'm going to my life out of the my life

after. My papa, I'm going, but at day of today, I think that in that

the place that's the other that's this little that you that you think

a little this parision of the new the person and the

cemetery? Never, under any circumstance, you'll fall to the respect when you're

in a cemetery or you can pass to this. Flor me says,

that are the that are the day of today, that's that you see a

she and she's a couple part of a typical. Flor has been this

child rebel, that even when she was in a city little,

practically a little, she she culture. Questionable the things, no I didn't know why they'd

because they'd because they'd that something, and then he was to have had normal as the other than

the other normal. After he knew a Flore. Because it's a word,

we'd have been a result of a attractive, he got to very, and then he took the frankness

to start to hear certain things that not would be of a manner habitual. Resulta

that Flore, and with all the things contra-cultural there there was

one that especially he was a thing of the paranormal. Phantasmas

bruchas, demons, duend, whatever that putia to put up

up up up for for flower, it was

that was fascinating. She she was she certain

if if And it's then when when he saw a certain video of a certain, well, now creator of content, but in that time

famous of television, in the time in the cemetery, and he comes to to get it, that's that you're that you

know, you're saying, is someone that's a person who is a lot of a stup. When Flor

saw, she said that she said that she said, that too, in the Poblito of her.

The cemetery not was this person was a but he was a cemetery. That was a few

times, and from the end of the end of the end of the end of the first. Flor,

but here is a question. Floor is the kind of the culture. But Floor not is the

type of people that it's entom to venters a precipice or that if it was going

that's a little car, and she he he's he'd want to put

to be down to a lot risk or he doesn't so on

so on so so on because yendio going to get to get to

the world, and I'm that he had to get over to get to another. No,

he said to he on. No, he said to me to say, but if he was

he said, if he said, Miguel, really me want, because Flour

saw to get to him to Michael. And Miguel was profoundly enamored. And he

said, yeah, And, of Florecita, Dime, Dime, why you you know,

you know, you know, you know, you know, you know, you know, you're

to go to go to get, but you will give a fear. He's,

no, Flore, contigo, nothing me do need to me front to

the most of the monsters. And where he said, Florida, he said the narrator,

you I'm the balla, because if we're going to do you you're

you're you And he said, Ah, Floricita, for you, or what you are? Well, what's if you're going to go to the

house of the monster? Because I want to come back in the madrugated to Cementario. Narrador.

Where me pela the eyes and he's going to say, like, no, Flor, but for what

you want you here? No, but that's for the cemetery? I, then, I put in

the paper of the poor corderito. And he said, in serious, then you were just

me stabbing. He says the real, Narrator, Pobrecito of Miguel, I've tried and he

have done like he he's quite, but well, he wants and he so he so he can

tell you can't tell you, it's all a person and me said, well, I'm

I'm going, no, I don't you know, I'm mean you, you know, you're

going to you're going to you're to come to make that this flowery and it's no,

no, narrator, pooricicic, "'Poorysito, "'a-nose-day-all in the entrance of the cemetery. "'This man literally is time. "'Leetting the time. "'And I'm gonna' "'and you, they're gonna' "'and me says,

"'si, I'm saying, "'if, I'm gonna', "'there, we're gonna', "'wee, we're gonna' "'n't even to sconders. "'He never had said, "'but he had a much fear, "'to all those things. "'He, he'd go to the cemeterios, "'and, well, the time,

"'he'd be all the time. "'A. I don't know but I wanted, but I wanted if really were things

there. And narrator I made the poor error of my life because me did that the

things that are the things that are always are the other there's than the

other than that he I'm going to see the tombs. The tombas, the, the lapidas

of the lapidas not they were good state. There nobody

said that the things were so the place was a little

there was a little in a other tombita but all the of the

things that were the things that were people people who were

in 1920 1990 20 20 40 people people

that I know I know if is of some family that

still in that the there and I'm I'm just aburried because really not

it was a little bit and he was all excited was insistent to that we're the cemetery had a

passillo principal and then they were like pure lines where they were all the part of the

lapidas the fact is that not are like lines you be you've all you

all right but what was clear it's a line to the center

that that you get from the entry to

the the narrator when we we're we're we're we're

to hear that he's a relinching a carball but something very sonor

and then Miguel me said if you did that you're I'm I'm

I'm going to hear I'm he's a car no there no no no

no no no no there there oh my well is a

well it's but but of where And, well, I see, no, I'm going to say, no, I I'm going to here. And he's going to walk up rapid, he says, Narcourt, you're talking

of a little bit of a lot. So, with 15 passes, yeah, I'm almost in the entry of the man, and I'm going to, in the cemetery to me 15 passes of this and I'm going to, no, me deges, and me say, no, yeah, Flor, let me, come from us, here. So, he's sale, and when I go

coming down to, come in the relinchia of the cabo and a galopar, and I hear you I hear you hear you I'm going to but is

where I do a point that really really sound really really really

I'm a I'm per I'm afraid I'm go to hear of that's so I'm

that's that's that I have to go to other other and I

know so I don't so I'm so then I see that at

final for where is the side of the cemetery

they they are and it and it's so me so

Narrator, the Polvo as if would be a little a little turvillino

that comes to and it's then, as I'm to omar me meto the head

crossing like the umbral of the cemetery and then it but a

nothing of me it is the galopar and it sound the

relincho of the about I'm I'm sound to sound of

the and I'm just the whole of all the

whole and it's just right right but I

I don't hear no I don't hear no I see, I'm sure that I'm sure that I'm a millimetres to be atropegated

by the carretta of the murder. This is one of the various adventures of the floor, of the he has made

because me said, you think you to give to make that that you're going to that's a

maldito infirno, no, that's that it was that's so it's so it's

some various years and we've brought various adventures. So,

so I just that I'll go and the other adventures of the

is a personage. What would have to accept us that you have a don that is

capable of families entire? That's the story of Carlotta and here, we're going

to tell her. For those those who are they know

that they are a thing that's a person, we have got to

have to be to be with the possession exorcism demonies and

demonios and the This whole of thematicas are thematic that are

really those are some really things that are reputient things that are going to happen,

and generation and generation and it is that are things that are that they have

there is a this in the channel, I don't remember if it

was in this channel or in chronicles of the narrate

I, the sacerote ex-exor ex-exorcista Javier Luzon that

he made a a very great Abrazo. The Father Javier Luzon wrote. This book

is called The Six Puartas that, if I'm not I remember, it's

that's that you have to the enemy or the demons, for that then it

can't occur the possession. Of a certain way, it says what are

the what is the form of not have the there. There's one of

that is very important and has been to with what I'm going to with what I'm going to talk about to

talk about the malditions. Let me the contraparte of the maldition. The bendition is the desire the

good, is the thing to through your book, by the words. There are

people in a camp very religious that you want to say, is to give the

good, it's well, is I think the concept. The

maldition is just the other car of the money. desire the

mal, transmit it mal, to make the and maybe to make the maldiction

by the demonio to a person to tell that I'm because in the life of Judith

and of his abel Carlotta the malditions have a

special and profoundly macabro Judith nace in a family

of people very creyentes of questions spiritual. Deentres, of spirits,

not is a question like religious they're not impone a religion. But they are abutently

that exists something and that have to have to much care. That

exist there's that are there, and that the people

have power of doing to do what can

be obvious, but they they are refer to that by your words

you can't damage to another person even if nobody to hear. And is that this is

remont to the Abuela Carlota. The Buela Carlota was a person who lived a

time of a period in a situation very difficult. Enviot a very young,

mom of two children, and she had she had to sacrifice all

his time and all her effort to to get a pen and a little of a little of

the house. She took two employees that they marked all their life. He worked

for a family of rich and he was a man who is a centado. We're talking

that this history and this time has to have to her little

carlota that that suena more to a a bisabuel.

It more or than from like the 10, 1920 for

you a idea. The Bula Carlotta, with the family of Rikos, had a very good relation. She had to give us his children. They'd let me permitian that those two children would have in the house,

not with the lusos, not pacedaugh-of-a-merecta, never being friends of the children of them. But, if they could have some instances that she could be able to permit, if they had food during the morning, a time and night.

And if they were in education. If they were they they were that the masters

that were to do you to get to the kids, they were they were with the children,

and they were they were doing any in his time. So, even the

trot, perhaps for you do you want to a good, and then was a

He never had ever ever and then a tragedy. There's a scandal in the house

there's a bagilla of a plata completeitititit and one of the the other

the same the carlotta. The person not are great investigators, never took

to have access to say esi to you have seen the day of you

do you do you're you're I'm she'd I'm she'd I'm

a camera. It's a piece ridiculous. This more well seems that someone wants to have to have a trap. In this time, there was

that there's this knowledge. They're to the object of the bagilla per'd there, is that you

you're just like in that time, no see, it was to know, that the person that

was to get to get a light, and if the light in that moment tronable the bomb

the don't know that's things of things that they're about about

other type of to get to conclusions. Well, in that time, that maldito Cuchillo, we got

the destiny of Carotta. That same day, patitas to the call the she and

her and their and the other and all the resources that had

with that family were, you know, you're to be to do give to

give an end of this year, the that they had

done, and the things that she had accumulated, and A penal they were to

get a tachers and he had a good and he needed a job practically the day

next. That's all the day, after the situation, to be able to be

to be to the policeia? Carlota is that has a and his children,

and those people, and they were not they're they're not they're they're

to get to the car and we let's let's we're we're we're

we're we're we're not we're to get to the carcel Carlota,

never in in her life had felt a fury. She sent me humiliated for the

situation. Sentia much fear for what he going to get to another

family? Ha! They're they're going to start to destroy her with

all of their people, nobody he will never to be to be

a house doing a house she's, she's that she's no, I'm

much odio. He goes He's He has been Lachrymas in the Ohos And the Lord

The owner of The house For the last I'll say And I said And I'm Carlotta That's good

People You don't You guys Farras Orchus Because if My My husband

My Warron But if For me I'm I'm I'm I'm I'm at the

Carsel And Carlota And Just Just and, and being the sir

he says, well, that your fortune you know, because no termine the year you

live, sir, and he and he's going. The sir gets impacted because

he's a amazza. Carlota, no. Carlota what was saying is what he

brought to the heart. All that whole that poverty, all that fury,

that did three months after all the companies that had been that family

had been this man who he was in last year he was he was not because

the people not because the people were to call them the diaries he said because it was one of

the families rich of the city all they were they were what was was going

and carlota was impacted I sentia a culpa much the fault. But at the

same time, he had still still courage? After that, was a inferno, his life? He had to be living in houses of persons little spaces, with families, because no, I had an opportunity

to even rent a place. What, they'd have a house, no, no, no, no, no. That's not going to be able to. Carlotta, and daveing robes'none. and was even sopeas

the idea of to bender a little bit to get a little to the final because she not was

she was she was she was she was able to finally not the year that

that's working with a subject that is an assentad this subject

ascendado not had a good fame he said that still was in

a thing of slavism but Carlotta had to do the

vista the only that's the thing to be the best of the good of the other

she was she was she had never never in the day-a-day was a

situation difficult and he was a not going to do you do a other

and other other things that were in the day-a- and the

people was that that carlota commenced to get

a relationship a So, and a With the Ascendado, very

and it and it that one the husband of the house not

but it but it gets to get a very so it and then it

makes to make that this asendado to make

to try to all the servidum of the

assy obviously to the personal feminine feminine. Humillations, malo-tratus,

and, inclusive, we understand that we're talking of a question of the epoch, inclusive, goals and maltratus physical forms,

forms in which she wanted to that she was the only person important for him. The lady, she did a count

that Carlotta, no, was a person feita, nor a person desagradable at the vista. So,

so is that she empecino with her. No suspecting nothing of the relation with his husband, but she has much importance of that relation. Because one day, standing his husband and the assentado, Carlota

serving them to the day one, she'll try a a superkina, says, no me like this porqueria, and he says the spos, abientasel to the mugrosa.

And his husband no wants to do. He no has, we don't have, We don't have much for Carlotta, but he doesn't.

And, and he does a type of those destroos and that's type of desplantes, but it's

her husband, and her one way that's a demonio is the same-s Satanas,

and he knows, so- -se- for a second, humillar to carlota,

or to make that the demonio and I will be to be able to be

not you I can't say that with the heart because no I think he was a

very great in the that he's but the type he's got the he's

a rosa in the the sopa was a not he did he was

he lost the rostro carlota one once in his life

he was a feeling a a something something he was

that was carcomying for and to do it and then he kept looking

Carlotta. And with all the odio that's in the heart, as he

did he said this man, you know, I'm, you and to make, and for

what you have you and you do you after the death, that you don't get

to be the next year. Scandals, care a family nocturna because

one one two grand murders, an ascendado that had been to do things

that were assaulting, robbing, that I came in scandalous just after a family entire that

was preemable and the only factor in common that nobody was taking in account a little

little a little little two two kids carota carota so

not at final of the year in the first trimester of the second

that that that that a A new A new They never

They've never They're But they're They're The poor man

He's Dorme And so And so she She grew to the children

That's exactly If the children are really The

of this chica that she was a mother But,

he She's inculka You never Maldigas to the

people You never maldigas. You can't make more than you can't be able a little bit of a something more and you're

you're doing power over another. Because I I gave a two people to the tomb and I ruined two

families complete as because I permitted that my odio would be my boca.

Oscar and Gabriela are two people are two persons that are they're

not they know Elad. Oscar, for his count, he took to live a sucese very strange and unresagradable, that at the day of today, still being being a little traumatic.

He went to the house of some of the familyaries that had said, that in that house were asked. He had to get there a time, no see if for vacations or for visit to another family, there was a situation that he could have a little to get the world.

Apeness had about 16, 17 years and even he had to he was a lot of he was a person

that even not was a adult and his papas had a lot of him in certain moments.

Well, he took to live in the house of this family. A house,

a house very a lot of a one is a house of

these they're like tubos or choris or a so

a front that not that's that's an ample, we're

about about six meters, and a front of a lot of about

20 meters and so it's a place in the only five, nine

passes you get to extreme or but to get to you're two

pieces. At the the house, it has a two

and it does much a reason to the construction of the house.

To give, the first, you have to go at final of the first,

to move to the second and then to come in the initial to get at the second piece. All the time, you have to start coming down there. In that house, that's a house

different in what cabes, have colors very vivos in the front of the fashada no pass a percivita. Sin sense because his tis

they've got, they're two windows in the part of the front of the tejas, so they're a little circular

doing like a arc. what makes it like if were some eyes. Oscar, no has the idea of

why those these tios have been so much apart, to finish the house is a color

a marilla canaryo. It's the house that has made to the and now that you

see the right, you know, you know, that all these stories of phantasmas

and of things that are there, are what really really occur is

that the people of the people are being too, And for so they want to

and then they've been to inventing and it's a result of about about about the phantasmas is less

humiliating than I'm not a house altones. Well, Oscar was to the house

Amarilla of the O'Holtenes and and being to be very simple. A hell

no he important, what opinion in the other, no he would be any

that he would be there he he would be able and then he would be

after the other of the canaries of the canaries of any mensada that were

to say to say, and that's a little but I'm a good. But Oskar

was a very not even and the stories not had to see the fashada

that the tios ponied the colors and the fashas of that

the type to be to be the horror that would be in the horror that

in the place without any sense there there things

that they were there things that that not were presentes never.

No, they were you have been in, if you had to be in the Zapato's to be able,

you've had been to think the bad good-gust that had those t'is

because after you're going, you'd know, that the door was to

that was that was in the way because there were

some escaleras that you had to back to enter for that door that's that was

a little a little a little a little a little so he was something he went to

the house and he ried of the place and just where he's there's there

is this things. Percibe as an aroma to the world a worm

a little a bit so is being every more more present

you you're you're all the atmosphere and he said to his prima, that's the prima, he has to

open the window, and the prima he puts the hand in the armro, he aprieta with forces, and he says

to the o'clock, does like you do it, does come to do you a tour for the house, as if

not had been a other. And Oskar not he's going to start to her

going to go to the other kind of a house rather. The family had to

be able the fashada of this the problem is that when crux the umbral of the salar rumbo to the kitchen, there, the aroma

disappears at the instant. He, he, he had left behind his malet and his mochila, he does the media world, he's up until to come in and his prima he'll advance, he, he says, no, goy there, no, he'll be there,

no. He goes to work with him and they're to comeinar into the house. Oscar, yeah no what is what is the and he

starts to see to look, here's the coffee is the refrigerator you're in

the things that there are in all the things that my other than my brother

you're in that's a thing you're not the more more than the more than the one that has this old

you know that's for you we don't we put over it, to do it, to be aseo, because I have to be

here, but no I have nothing to do do you? Then I'm going you know, you know, you know,

he'll help you need to clean the refrigerator and the other people and the prime and he and then

just move the head to the other like saying no. So, Oscar, he says,

oh, it's good, but I just I just of the he would be to grab

the armro with force and he says, no, you see me the game,

you see me not you come here to say, Bente, Primo, we're going to the second Pisa, is it very bad at the house, and then, so, he gets with a face of, see, me, the

game. And Oscar, he says, yes, Prima, yeah, it's, yeah, it's a good, bad at the castle. Commenced to go to the second piece. The first room, has been a door, all desvencigated,

fea, like something that only has seen in movies of terror or in places that are absolutely abandoned. The door, it seems like like if the part of the

mark is he would have rotted a little to the door, because it's right to be for the end. And, above is equal. All this is quadrador. One thing, if it takes, it's a car. And then, the prima is a bit of that point, like if no existier. And he

signala the door that's just a side. And he says, this is my abitation. Here we can't you. And Oscar, it's put rojo, rojo. And, hey, hey, wait. Me, this are, if, are, if, are, if,

If are very rare, how I'm going to get in the room and my prima? I mean,

my prim? Why, why, because no me I'm going to be that they're not,

they're not they're in this type of things, and then it's put red, it's

a voice and he's saying, he's like, I'm not, I'm not,

but no, and you're my friend, what's, and then he says, oh,

he's, and you, and it, and he, he, he, he, No, no, mention it.

No, no mencian. And, and they're coming on. Oscar, yeah, no entient,

and what's going to be he, he, he's he's not he's saying, his prima.

Some much emotions, are much things, and he's is a same day, and then

his prime, he goes, he goes, he was, then, he's, he's, he's,

he's, he's, he's, he's, if they're, if they're you're not you don't

enter and then Oscar is a very rare the prima he's he's

he's he's he's he's a time I'm to go to buy

I'm to buy a refrigerator to get a bottle a water

when he he's he's he's he's he's he's he's

he's he's he's say you're callate okay So, Oscar. So,

so Oscar is that is that is a time, he has a little bit a little

extrano, he has and he's and he's going to get to the time and when he's a

time, you're going, you're doing and when you're going to be my brother, but not they're too, the

house has done, the house you know, no you're You know, Oscar, not it's a good that you

keep in. And then she will to enter in her plan rarro, sonri, and he says,

me can give, for favor a dozen of the and it's like if someone

he was like he's to know that of once in when she she's

there, she's there's in some moment he did the

word Oscar bolteando the his ojo, not totally to Oscar.

He's is over if there's there. Oscar thinks, this almond is that

a woman, he's too? How's how? He's not that he ever had done to my prim and

my tis? Because I don't see, and they're in the house?

And Oscar he was he was to go to he was to go to the

first of not he'd go to go to be to be a in a

city in a city in a but this woman that is a very discontrolated

and then it's when it's when it's a maybe to make a policeia maybe it's a

in a middle of a crime and they're maybe it's going to do you know but it's

but it does it get to the house when he's the first to the prima

prima let me have to let me make a let me to say you to be a

so you can be a he's he's going to and he's some message in clave or to talk to them and say to them come to here,

I'll ask them to the situation and that they'll decide. At the final, he's not an adult, no has an adult, no has got to be and not exactly what is. And he's got to

get a car, prend the cellar, mark a a man, and when his mom he contests, the cellar enters with a sound like

the fault of the signal of the televisotas Antiguas And and And with that

noise of that that he's a that's a voice that says

this is my house Oscar and and the voice of the

mom in that the instant Oscar discovered something there

in that there there there there something. The prima no is not

the prima is admitting. And if she's a single day, the things can't end up. In the call, he contests their papas. He'll make

that passen for him. That same day, he, he he's obliga to that they're the parents, not passed or

they're, the prima was nervous. Oscar me says, narrator, no me involucre in

nothing. He was He was a Mired Like you know you know What

I'm that's that I'm a situation very dangerous my prima

termed in a carcel preventive my prim my my

a time and my and my years were

the taboo of the family never I never

I that was what was that was what I

was what I thought was that have been metied in something that was in the hands and was about to converse to all.

Now, I have the grand incognita. You what you think is that happening in this house of the O'OGODS, in the house of the canary, in the house in the Oscar was burlough, but it's a living something maligno. If you're going to talk to the demon or serpent and how intento

to get us to the infirm. ago. I said I mentioned about about the father Manuel

Acuja that you know you're many cases of many

in one of the various interviews that I saw he was

they they made a question a question that

I think a that if not that we not

that we not a situation to the morbo

he asked he direct. Padre Manuel, really the children can be posseous?

And the father mentioned that there there is like a moment in the that the

children, not exactly in what age, really not can be posseid not a

cause of what? Sin however, I'm that that is like a very

very short age, probably when are when they're when But, there is something that the father no mention there.

Something that a one subscriber of the channel has succeeded a few years. And is that the question, the question, it was, The question, as I said, was, Padre, the children can be posseous, but nobody asked us if they could be or not attacked us. Resulta.

That Minerva is a moma soltera, And, and he lives with his little a little little of a little bit of

a minute and she is a moment difficult. Because not is her only his second

child, is a mother. He's a lot of doing to get us but

right, we're the situation to adapt to give the food, start with

him the most of time, start at the time, to be being

to be the the time, even if it's from her from her she put to things, she put to take to do things,

the little monitos, that's all over, they've been, they've been able to be able to their situations, but you're sure, the day of today, that not is that. is something much more oscuro.

To tell, for those those who are sceptic and not believe in that's because this program

not is not going to change ideas. But what what is what is the story

of many moms when are the ones when they are the same that you know, it's

that during several years, just at the nightcees when I'm when I'm the

abitation of the nene, she was she was, but I was to be able a detail

under the room, into the closet, something. As we're not we're thinking in

questions paranormal, and she also is thinking in a person that I want to

want to be a question like a animal he's, some type of animal

he's that's in the place in some where could be the world, where I'm

the world, the libretas, or those revistas or the paqueteria that me gave to open and the packets madeysabirds that were accumuland there in a corner, because no,

I've had been an opportunity to recogne and to tear all. Well, she thought in that. Those little places in the room of the baby that could be able to be able to be there was an animal or hidden.

So, it's that the back, in the corners, in the closet. And no? The actual, she left a good surprise. The room was a bit more limpia than what

She was ever She never She never She retomed All the last time Because yet were Many were Many, they were

And then she took And he took on the Cest, And he put it to Laver and She was Calugated Yeah, she

He was She was She's very Canceada ultimately Even With her She can't

She's She's To live This man Avance Avance very A rapid

A Aft of A high velocity. He has been responsible of himself because be that mom

the time that's in his time in his time for nothing. The mom is so emphatic

that says, no you don't you care, mom, I do you care. A man, a little

a new new my nerve is a very sure, I don't know what actually I originally I

thought that was an animalito, originally I was that were an animal ego,

until that were things about things about more strange. Dice

that in a occasion he he went to to go to

the house. And in the moment in the moment in the time of it's

a point to start and it comes to get and he starts for the

piece, as if he had the the body and it

would be to restregar and and it's so

can't can that that probably you have passed

in these occasions that the parpado are so

that in that's Desperto. And she's trying for doing to do this and it's

a case there's a little bit of and she she's a turba she gets a dormita

but it's horrible because in the moment in the she'd a in the

o'eo in the o'clock a voice that about pronouncing much the S

something disagradable what is what he said he said but the

the the And he entered in a very profound. What? What I dreamed of the minute? Because he was

so much so long as so so long as when he was going, the nene was dying,

the door of the room of the room of the n'n was an other his other

his other his other little he's his other little bit too, but he was trying to

try to talk to when she saw that Sena. He said, Why are you understand

your brother? No, I don't know what was going to be the

poor woman. And he said, no, is that you're doing this

the night and I know, does no, it has a case, this, I'm, it's, I'm, and it's not, it's, and it's not quite, and, and, and,

The waller is rasped, like if something is put a paredito to the and it's stuier frotting. No, has notated that

in the part of the upper, the most cercano also to the part of the cuna, in the maderas, there are you

arecaves like the garrytas, and the nene when it's put to the end up that one. So,

a new major, needsita a little, and it doesn't make that put it the side. The one

would be that is a part to be able to move, but this this little has been a carousant

of this. Lamentably my nerve is very can't be going to a situation difficult.

No, not had not things obvious. No, not to the cune, as you

do it, and no not he was the quos the world pestered the aroma that seems

that seems to disappear a moment and he goes only. My nirva is can'tsada.

Minerva is passing a moment difficult. Minerva probably is being intoxicated by a presence because also they'll forgets the

dreams. It's a little when something with form of serpent and eyes and of color marrientos

and redos and he starts to bea with Ciseos and a form concrete a form clear.

And he begins to to say, Let me to my to do you. Deja

to suffer, dam to my little. And she in the way,

he says that I'm to get money. You will give a freedom. Minerva,

no you need you I'm going to give better life, I'm

going to be more human than what you are you're going to be you're

a person poor, you're going to get to the tomb to the

poor little you, no you can't to give to

Minerva has some those are the are the things that have been

in the life because the worst is that is so the necessity

that in moments of a tentation is literally latently

Minerva he had all always was very very

very very that were marked in the wall and in the cune, as if

a person would be a begin to get to restregars Minerva

for his canstance no not he his his his

has has made by the car there there there

was a voice that he's your brother you want to

come too? Minerva not is not of this So,

his mind Yeah, no does, his memory too. His

perception in the moment in the time in that's in the way,

obnibulated, for the canstance and for that that's that one

that a day that that he gets the that's the

person, and the person he can that he when he he

says he's he you know you don't you can't

you to have their privacy. He says, me can't do an oration

for you. When she says that this man he gets, tom a place, he form a

cross in the front, he put the hand in the head and he's to start.

Minerva enter in a lot profound and all the records of

the things that have been going and all those

those little details that were that not had

been been are all right all right in his mind. And a sensation of alarm tremendous, her nene is in danger, and she'll have to be able to there. Commence, with an attack of anxiety,

the air is the atore in the pecho, he feels like he's aghando, then this man, that has been present in situations of this type, he still doing his oration, she does all the

he gets to go to her and he gets to give words of but also, not par to rest. No, par to or when

the things are very she can't help me my children are in the year

the year is all there why I've been taking decisions that negligence to make a

little a little a little that that's a not a question and not is

a woman irresponsible but is when you when you you're in this type of

places for time long your mind you now you

don't think you you This man, when He says a little of what is happening, he alterer, he gets surprised

for the situation, and he says, clear, we're going to their vehicle, they're going to get to the place, this man

says, wait a key, there's a little. Toma, also the the oil that

he had in the box, and he he's a door, and he he makes

to make to hear some laridos. First, the grito of a woman, but extrano.

It's like from a garganta raspedos, a person major. Minerva's like to have

the door. And he says, wait a no, no, you know, you're doing so doing this

oration. And now this is the gritty and Minerva and he says, Papa, what

you do? And then, the man he says, your papa to care to your kids.

And he said, no, Papa murio before 10 years. The mind of

Minerva not is at the the 100. No he doesn't that that should be.

No, I'd have to be a lot of this man. This situation

is a way of the way. Really are being victims of a demonio. Continu

doing orations. Of a moment, others can't struendos and the

great, the great, and it's when he says, Minerv, we're

to enter to never, let me get back one. One that may

the part, Minerva he's the other he, he,

the abrasa, no with a carino like of a person that

would have a other than not the he's not the he's got his wife

and then when he again and then this man there's a thing important

because my nerve now that my never that he says narrator I think

my kids still still in the because I don't

remember nothing of that I'm I'm I'm I'm

I'm but I know that you no way in the moment in the moment in the

is like my mind is like my mind is over fused, I know exactly what

it's sound about and the sound about the same that's it's not that I'm

and I'm going to be the time, I'm in those in the I'm and this

person and this person is doing oration with my and then I'm in the person who

we're all right I'm I think my family is in a problem

for me now now I'm In fact, we're talking of a demon, or is another type of entity of the other type of entity of the story?

This is a story that is a story that neither the editorate could terminate. So, if you can't terminate, avisame in the comments. I want to start

this foggata telling you a story that me mando a person that is a member of the family nocturna and that it's a part

of the phenomena that occur when you're talking when you're about the victims of the podcast, but that is the only phenomenon of the

one of the moment in the form a part of the family nocturn. There are, let us, we know, we are both phenomena that we're being located. The first is that, for a strange reason, they're just going to

the stories of terror to give you so the time, and it's when you're going to you're going to be those fears you you're going to you can't

you can front them, you can't confront them. You can't make them. But there other phenomenon and is the

that I want in this story. A Sometimes it occurs that for doing this podcast and

to start to make a marathones, your mind in some moment remember a something that

had been a something, in your infancy, in your adolescence, including

something, something, or a few years, but something that your mind was so much

and it was to protect you of that, because that maybe not you know

how to that with that situation. But in this phenomenon, and as being the

podcast, and when I'm going to be the podcast, and start to see the comments of the people,

it's like if you start to to your brain, to be to do to do

things that in some in the case of Gloria, we know, Gloria, He started to hear, to hear,

to hear, to hear, and I'm going to four months, and he got, he was too, but there was a moment

in the she had seen, the fogatas and he felt about more, and me said, narrator,

I said, I'm saying, I'm going, to do a new episode was, but it was in your

first episodes, in the one of a child, that's she's really, and he

the lentes, and he started some stories of things that they passed. And there was a story that told

a narrator, that when he was listening, it was a malle because he had the

mouth abirta. She told something that was in his abitation and that saw a mother,

and the moment in the moment in the moment in the moment, was like a dujabu

tremendous, something that I lived in my infancy and it had absolutely BORRAD. And there, I, meanwhile

I'd record about every one of the things that passed and to those I wanted, because it was a little bit for trauma and the day of today now me do.

But, dear family Nocturna, this is a channel of terror. So, what I'm about to

tell you, is one of the stories more addereratorous that for Gloria is a superation. For you,

maybe, will be the initial of a trauma. Resulta that Gloria, when I had scarce six or seven years, one day she went to

do not dream. She lives with a family that is very peculiar. Moma and papas are extremely strictos, but when I

say strictos is strictest type military. Moma about and says, something is a order,

and you do you do you do you don't be question, a mom she's

he has to you never is a woman, it's a fault of respect

that even, it's a boffetada. Papa, for other other other side,

never he never a man to this little. But Papa, he makes

some a lot of a lot of a time. I'm some some

un-em menace and a man, very, very fornid

because is a person that makes much exercise, and that

for his type of a person is a impone and

and here probably that would like the enemy than the

other the makes it makes to something something little

little little little little little something without and the

thing that's that that that's that that that

that she she she only she she put in

a place she he's that you take the before

he's sometimes they're sometimes they had to more than

more than more than more of the Figures of an authority tremendous. For the force and a little for violence

that that's that's that's it's a in that house, in the house of Gloria,

she respirable the fear all the time. Amenasas, sensations very tensas and fear and it's

probably that combination, that amalgama was a a malgama, it was a little bit of a plate

delicious for a particular because one this entity was to visit

was Gloria. A person that probably emotionally was the most debil of all. Quenta she was her that was caught. She had to have to be the door of her room, without making a

noise, to close all the lights before the 9.5 of the night. When I had a prohibitism roncar. No could be able to be breathing

because his papas had in the lifeier and not just that not was to be able to to rest. So, Gloria, she tapable

with his sabanas, and she was put always near the nose, and he was in his infancy, moments that no

they used them for nothing. And then she had to the sabana, and over the sabana, she put in

the hands, for that the respiration or she was a suffocation tremendous,

he invadia, and with that sensation of suffocation she was to do, and she was a

naris, taping the boca, with the door with the door was in the

room that's a little bit of a little that was not a place, it was there, and it

was a little bit of a bit of a bit of a bit of a lot of a lot of a lot of

that's that's that glory. So, in that a great and her

person in that I had been been been in time, Acostated in her in total claustrophobia,

living with that anxiety and at a point of to do not when then then, let's get to the door

of the room. When she open the door, she can't say that you never be, moving the

eyes and move the body, not be a noturned of papa and she may be to move

because she not going to make a that in these revisions nocturns are that she

have roto the regla of being the first the so

Gloria simply move the eyes and not there in the entry

the silhouette of mom and he says parate and come

Gloria recognize the so is that he put on

the same in automatic and he starts to come to this

same the same be like a little enchinado and always the form of his head is like a

little redonda that's this silhouette of your side of the right but in the right

no in the right in the right in the and they are

undying like if they did a air it's a movement

that never has never he then he tally

the the eyes and he said you say

I I'm I Come with me, yeah. And then, Gloria, contriens the

respiration, she'll be to tell your eyes, she's, she'll get to be to turn.

Not something that's a matter of that is a one of the right of the

right of the man. The hand left of the mom is clear that you

know, that's a matter, that's the right, but the right has

the right, she has the her own short. She has the

suprosity to the hair. And this thing has the little long as

the little more like those dead. And then then say mom,

your man, your and the voice, when I hear your

point you the right, like trying to the and then

then I said, I'm going to to turn the the light, Mama. And this thing

starts like this thing is a different to get a moment, your eyes not they're

exactly what's there's a image and he says, no, no, no, and it's a voice to distortionation

more. And then Gloria, it's a point to bring her, and of that voice, of that sombra

surging like much voices at the voice, voices distortionated like if sonarer by an

apparato electronic and he says no! And when I'm saying no, Gloria

enciended the light and there. Acto a few those

are marked by the pass his mom parade that

what is you're doing and then Gloria Mom

but she A-ac-ac-a-cern, a boffetada, you'll have to-dorming, and no will-wis to make ruse. Your papa and I have to work,

not be so insolent and so-in-consient. He'll-volt, and then-lety, and Gloria, in the camera, and, and they're in,

that night what he had had been never happened. Until he did a marathon with us and now,

you know, Gloria, could you and front your new things. And with this story, dear family nocturna

of Spotify, Apple Podcast and all the platforms of audio, we've got to this

this this old, so it's that before this episode, a pair of

things. First, if you get you at the final of one, then you

want to be part of the family nocturna is simple. Vent

Spotify, see us, don't the five And in this episode, I I'll leave the commenter. I'm at

final of one, to give the welcome to the family nocturna. The next, count us too,

what was the story that most you and for the family nocturna, permit me to tell us

what is the meta that we have this year. This year we're to get to the first

place to Spotify. And only with your subscription with the five stars,

we're we're so we're we'll comepresenting to more oscuras, more sabbado

of sombras aterrador, and for your count, just give us to give us, and subscribe it. Because this

year, if we get us our first we have been a great, grand surprise. And one once said

this, dear family nocturna, we'll see the Saturday of the night,

the time, we're in Newst, now, that's bonite and that's good night, and that's

Thank you.