HABLEMOS DE LO QUE NO EXISTE - 7 Historias de La llorona , Doppelgangers y Casas Embrujadas | EP 291

Episode Date: May 15, 2025

Bienvenido a ésta Oscura Fogata de Historias de la Llorona , Doppelgangers y Casas Embrujadas. El día de hoy les preparé historias aterradoras que ustedes, querida familia nocturna me compartieron y me dejaron dulces pesadillas.Escucha de la Casa de las Brujas, el Doppelganger Silbón y el Pasillo de las Sombras. Tiembla de miedo con la historia de Mónica y el encuentro con la llorona. Y descubre el oscuro secreto detrás de las reglas de la familia de Saraí "Nunca andes solo de noche" así que prepárate porque llegó el momento de que  @HABLEMOSDELOQUENOEXISTE  HABLEMOS DE LO QUE NO EXISTE es un canal de youtube con el formato podcast que comenzó en abril del 2022, su primer episodio fue "vivo en un casa embrujada" en el que una chica narró sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de éste canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de éste canal , la familia nocturna , creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de éste canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando ésto, tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora.El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo que genera. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado.

Welcome to Family Nocturna to this oscura fogata of stories. The day of today I'm here I'm about these people who are some people but others

I don't have any the menor idea of what I'm talking so if you know what I'm about these stories, you know you can't

you can't you know before you let me ask you're you're subscribed because if no subscribe to

please you know it's no important in what platform stay. Ficka and it's there's there to be there's been to subscribe it's gratis. And one

has said this, we'll have said this, we'll start with this Scura Fogata of Stories. Maria Julia me made a story and it's a story that's a very strange. He passed after just three nights

and said that since not can't get done. She says that she's a house with her mom and her oldita. Yeah, her

abelita for a situation of the state and the state is for the that's the is for the is to

accompanying there. But, a raise of the homo of her house, now she and her and her mom live in the same apartment.

Duhrman, conviven much, what does it, what you can't imagine. Not is the good.

A. a lot of attention. In moments, it's better to be more to be a certain

kind of kind of too. Because? Because a lot of they don't say the

words in the better moment and they're getting molest, and downing-a-law-do-so. And you have to

the abelite is the-a-wol-a-wol-a-wol-a-wit. In the vivid, you know-ve-ed-a-old, and at the age that has to be to get to start to learn

new ways and new ways, it can be a bit more and not very much-refere. That is the idea of Maria

Julia. For that, Maria-Julia almost, and he has been and just to be aught-a-amable but in the

minimum, that if you were to be able to be able to in the same room. That, the person is saying that the

house is a certain, comod, and to get his form to bestying his form to talk,

and that in some moments that he can't control to the house, you're getting a lot.

For that, even if you want to your mother, you know, what's the but it there.

She seemed attracted by this ambient. Recurts that I've said, that I've said, that

certain things for there, that we don't look we're but

it's that they're not we're there and there a kind of

of a kind of that when there high levels of stress,

much violence and no and the violence you think

in a picture in a movie there there there there

violence in the silence. It's says that the law of

a form of violence of is quite strong. Ignorer

to the people who they're and that's like they're not in the form of violence and profound.

So, in this ambient, in this melcoche emotional, that just has been a pair

of months, but really, you're about a cold of a

lot of so much in this house, and so act of presence. And

after three nights, something, something, Maria Julia, she was to

to sleep. And when is at costada, he begins to have a new strange. No,

he can't but can't do something. I'm not I'm sure. Something is in the

house. I'm feel incoo me invadida. She and see something.

When he got her cellular to see the hour, that he has got with all

the light in the most backito to her because he has

said many that he has done the the night when he's revisiting the cellar. But they're in the most vaguely. Be there a number repeated three

times that makes that they den scalo spree. Are you, are the three-on-33 of the morning. She has wanted to go to go to the house, but she has that there's a lot of fear, but at the same time, she's a rabia and enojo

because he doesn't get to her mom, but he can't get a little bit of the time he has been a few months. Then, in this cumul of things, He's up from the camera,

attempting to guard all the silence of what is capable, and when it opens the door, and when it opens the door, it's a shust of his life. And it's a lot of your life, because, thanks to be listening the channel,

has certain references that were put in that moment and they said, alarm, Cuddle. His abitation, with her mom, is a sumament

calida. It's part of the environment that was living in the city, no tinaeatipic, The atypical is in the moment in the door, it's out of the

house is so hell out of the that the skin is to be in a guygiene, and she gets to be able to get to the

time to get to and make it. And it's not an option. So, is that all the velocity and

almost with the eyes and he's to come to run to the room to do that without any

part and is sure of something that he does that is sure

that that's that out of the apartment, that was of her mom and now from

from her and from her old, there's a woman, a silhouette, but it was something that

not wanted to be a reality, so it's that's just that in the time in the

time, and it's back on the house, I'm going to go to the house, and he's

his room, and he's in the room. For other other side, that night not will

be able to do that Yeah, with the Susto that He went to To go to The courage that he took

With the change of And when He went to So, that other Was it that's still

Calid, that's that's something And I could be to think. De'rept

Hego the morning Entro Luce in the room, she She's

She's She's when she He does know that Moma no is there.

In what moment She went? If I I'm I'm I don't remember when I regrece I was there I was there and in no moment I'd

Dormy. So, Maria Julia, she levanted of the camera and she topa to put a mom and a her mother, standing there in the room, and the two see very molestas with Maria Julia.

They're enojazzed with her. They're doing a car, no cup they're saying nothing. And then, she, that was, she cameia, preoccupied to ask her to ask them instantly, they're

their emotions for enojo. Otraise me are fastidiar. Voltaire, just the eyes to up the

mother and then the next that you're doing your things in the madrugated, nothing you just to be

that you know your and Maria Julia and she says that you're that's talking about

moma what you're you're you're you know you know you're

you know you're you're you're you know what are these to get

when she Revisa the hour is It's about the 1 of the afternoon. Maria Julia Perdi-No knew that

I'm sure you She said She said that when she was the hour, she was the She wasnton, and I don't

understand and then then she and thence almost to the end of the mother, is

that night was that night happened. And the Buela and I imagine, I'm

all the night silvando and she's talking, yeah, What's about? All the night

you're doing some object of the metal and you're silvating like you

were as the afilator. What do you about the baby? I was I'm going to

the house was quite and for so you put you put this sylb or what?

And she she's enojic but her mama she has the eyes

like so that all unmeted and so emmectas that So,

and they see that's a point to he's a point of to get what's, you know, you know,

you know, so you're like if you want to be like you say, and you say, is that you

know me I'm, I know, I'm not after the I'm doing nothing. And her

mom, and you don't know I'm not, you're you never you're never again,

you're never and you need to start by the house coming to be and I

and I know, I'm you're filing a a cuthillo? After

I said, this little this little this and this is a way that's we're going to

the world to get to the car in the house of Maria Julia there's two

chuchios no they're they're not they're in the night and Maria

Julia no doesn't what she and you think what you

think she's going to Maria Mara under 15 minutes on

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to play the responsibility the conditions apply. If you let me permit I'll tell you the

story of the house of the Bruchas, Rosendo is a So, who is a person that has a person who

has a lot of a lot of the years he had been he had 27 years he had

to do that his daughter because he was an offer to work to another continent

with house included with the year and he was to have

to part some the money and the the Sualdo. The Suelder was a lotura. He never knew he could win that. The house that was

an house of the company. A place that's a great. No, no. He was, he had seen in films, but no, he had ever to be able to be that place. And that was going to live there. A house of six habitations in the second

plant and that had a cell, Coney, that the pure was more large than that any other house that he had had. A place enormous. He was enthrasmed.

He had a noviour in that moment and he proposed. Let us. Cascemones. Not so the fiesta, not so that's the man of your life, let's go to the venture. If, standing we're doing there, we're doing

that we're doing as well as a couple of things not function. You can't do you do with what you dost, if we can't separate. No. Pasa nothing. But is that imagine. Imagine to, go to live that continent. The time that we're going to say, the fact is, and I say,

the truth, I'm going to say, the I'm inamorado of you, but no I want to be able to this, I've never lived a little and I'd like to be with you, that's a person in the person in the confio. In this situation, that you can't imagine, too, the vivances of this

chica, where they get with a proposal of a change of life, of a day to another, after having to dopezzarro with the almoada and platicke her a little in the brasos of Morfeo, decided that is certain,

that's a opportunity never was ever to never ever to presentar. honestly I think when I saw when I saw that but it was more than sufficient but the point is is that they decided

that they're allantar on it was a festival in that just were the parents of both because all they were a question more political. The father of the

chica were very very grateful for Rosendo because they were an opportunity unique in the life, to get from

the country, start from the continent, the possibility to get a time to maybe to establishes to establishes

nobody would give the opportunity of this chica. Then they were very very very good. It was all right.

They were to enthusiastic about the same. We're talking of the years 90 and this is very important because not

it's the same the day of today. At the day of today, you can't do you do this

internet. You can do you want to be all the things that you want to there's a

question. In the that if you let you have you can be a map and if the day

does it you get in a pestauna specific, it's a way like if someone

he's a little one of the moment. A lot of but here we're to give

a time at the reloh. No exists that. No, in the

dreams of the person most and hallucinated of that that's

that, maybe in a little in the reality, is that you're you know, you know,

you're not you know, you're to give us me a about what Colonia and what no Colony, and you'll show the photographs of

a house? You know what they had to do for that's to get the photographs of the house? One, was digitalize that was all the thing, or two,

mandarlas for a caro and to be a pair of months in which the person to respondia. They were other methodology. But also,

this is the part important. The people of that time confiabed more than the people than more.

Because there had less types of the world were more small the groups of people

of people, tendial to have to have many, very high because

there were other type of values. I don't you say it's better

but it was very different. For so, when they they're

not atent to much things that today to

have you have put all the world one. The

first when they're they're they're recogying his maletas

the the chica the noviour she was sure that there was a

woman that was she was a woman, had a very a

very very very very very very very very

that I'm that desenton for completely the but Rosendo

no he was he was he was he he was

he was he was he was on the time with the So, then he He said, like,

Yeah, yeah, no, you know you're going to go to get. But the reality is that no he could have. Volteau in various

moments, to where she had said, and there no there was nothing. When they do they

do a taxi and they do the direction to the taxista, the taxista is a and they're

in their language, because for a good sort of being a person to be a

person who was a In Spanish, a Italian, a Italian, a short of, why are for you go

for the they're in and they're a little stromexies to say, he said, I didn't

know that they were of that they were in those, they were to get more talk about because

they were with many things to have to but that that was that was that was

that was that was that type of people because you're you're you're

when you were you're in the vehicle and this phenomenon, I'll go to explain because it's important. You are you accustomed to your locality to distinguish what

are dangerous and what are not are you? Connoces your eyes and your mind. Sabe distinguishing your signals. You know, that in certain places, the type of pictures, type of painture that are in a certain

level of deterioration or the type of persons that are there, to you're going to fireman and you can say, that's the place is dangerous. But I know that

you know is equal in all the partes. That's a perfil can be in a city.

If you know you know the styles, you can't think that you're going a place beautiful.

And you are getting in a place very dangerous. You know, because Rosendo

was marvellable with what he was. The taxista every was more

in a way, he'd a alarm, so overreaction

in certain things, advanced, and I was passing the semaphos in certain and Rosed

and he was a whole time said, hey, what a beautiful place, this place, this place

this is there and I'm that's the way to be it to the other. When they're at the domicilio,

the taxista is stacion to a one of the house, and when Rosendo he says,

me he's a man, me a help you help with the the taxista he says,

no, I don't enter there. And Rosendo no to take into no his wife.

Well, her spouse in this moment. No, they're not they're in

mind. Why? Because simply they were with a person a little

strange. But they were many things. They're many things that

were much. For that you say, I'm not to be the point. And I

Rosendo is he was to he's he's he ruined

the life. They're at this house, and this

house enormous. The the the double of the top of the

you can imagine are some bodes those of the place a house

and it's a house and I'm going to the door to see the way

the other never I've never been been a other

and and the new well very well very very

very good good good very very he's a piano

in the life in the life he if you should imagine that

he had in the sal to fan tochar. He sawed like entusiasmated. He said that he's going to carry

and he's going to talk the cleats. He says to talk about. He knows of notes, nor knows he knows of music. But there's the Rosendo to talk. And he's getting like a little

and a new and what a little? If he had had already had done that his husband was

a parted in the entrance and not he had to give a pass to go ahead. And he was there. And the chica

was taking the and she was a genera like this sensation, like if someone they'd or let me

give a comfort. But it was because the house was a cremeccia. She felt something. She was

she said, Ben, accompany me, and when he took me, and he stire to the little, the

she gets to see a little, but she not she doesn't she's comfortable. And that night,

while they're on the dinner, she's going to say, she's very strange in that house.

And he says, clare, is that this place, it's enormous. And she says,

no, it's that I'm, I'm going to say, that when he went, he's

he's, like if the pastes that were that for a second she

saw the like if they were humidiced, like if serenno,

of water of humidity, that was over the surface of the wall. She was imagined a

scene horrible, and for so no she was to be a pass.

She was in the door to the serpent, and was going to the

stomach. She felt to the moment, and never this came,

that she was there was there was in a person that was that was

that was that was consuming. And not it was all wrong. Why you say this? Because there were moments in those who were

very tired. Dio a moment for another and to bring a routine very good of the day, amarecing with those ogeras tremendous. It were two

years, the were to install and put their things, and then Rosendo I would go to work. In those two

years, passed many things that even strened the job. One of the first things that I gave the

welcome in the house, because all to that they're in congeted those are an alarm

rojas, are some banners rojas, are ideas of the people, but not is

an idea when you you're in your house, you're sure that your

part of you, and de actually you've and you and the moment

in the moment in you're the door to the door the door of

your eyes. What he was to he said and he saw the and the

camera was a back. He's not he's probably he's a lot of

some new continent, in a car-or no, no, no, no, no,

all the people, not even the idea, he's trying to

communicate and he has not even even be a good super

decent because the problems with certain things strange,

no there no taxi that want to Rumb to another point, and then in a parading a bus,

to be a taxi. There is another situation also. The place, the streets, they're sitting solas. For more that I've been waiting to find out of

not even though. Talves, not more, not more, but it's that there are things very strange. He's sure

that in a occasion he heard out a few people, persons that were coming, who were doing, He went running the ventana,

I'd hear the passos, the voices, when he opened the window and still listening that. But there no there was going. No,

I know what's going to. For other other side, her new year, she's living a adventure tremendous.

Rosendo, in these salinas that had been to go to make a market, to understand how function

the system of taxis and of the carmions and all of she has been in the house,

but is sure that he's is playing bromas. Because you have been various occasions where Rosendo

isombe for one of the other of the room, not even has had personalized or they've put to their

and they get to get. And when she entered in the room, the room is there

is a little has a little he knows. De secure me is doing these bromas

to be to get to the day to one, that I feel this case

that I'm so it's so it not so it's that it's so it's not so it's

lavaterasties. Just in front of her has a window. And in the reflect of the window, is it sure that go in three occasions that be a Rosendo that is so that when he'll work, no there's nobody in that place. In fact, in two of the three occasions, Rosendo, neither

was even even in the house. Some ideas that's being, she's being very nervosal. She has to start a garrar, yeah, a rhythm of life. It's more, he's going to do, whatever, whatever or whatever, whatever, whatever. And, even, even, even, even, even,

to barred casas, what it's but an activity out of the place. But when he's

outside of the house, sheenty something very strange. He's sure that

he's he's sure that but it a sometimes four, a times more

hands that they're they're to make to make to make pressure with

her to get to not over not not he doesn't

make because, not even can't even can't get very pesadas and the

the body pesidissimo. Are you ideas? Are you? Rosendo? Rosendo is living

something very strange. Those nights that I've been going there in the house, is sure

that there is a movement in the camera, that her her own, and he went to

the back or he went to she's she's there and she's on

the sabana so there are two occasions that he he, he'll,

he'll get the saba in the colch because he thinks that some animal's got in the cab is a base and it's a thing when the

girl's a thing, he says, what's the thing, what I'm, I'm, I'm, I'm, I'm, I'm trying to

say the bad thing. All this all going to confess when they're to get back to their

country, to the country, a lot of there's a situation. What is that they're

to get to get to her to go to the place. Rosendo, go to a center

commercial. One person he said, someone that he never before he never before

a man a man of a year of a year a year that was a lot of

he he says and he says, Cuitate much and salte to the house

of the house and that that's that's that and then and then

it and then that. What kind of is that? Why? Why do the sensation

that me is talking to be a person? And how know I know

that I know they they're they're they're all the question and the

voice of the man and the face of the person he's really he's

the house of the house they they're more more

alert there in that that is where he's something

something that's not a much time because not it's part of

them it's part of some family but not of

us we we we let ask she if they're in God

in something has been a thing more relevant, so is that never has been a lot of and his new

he says that he's a moment for his mom and his mom and his mom and the he says

that he says that they're that they start a kind of a capirotada of tuti-frut and of

rompe the orations where first in a combination of an kind of trying

to try to something and at the moment to say something the other person

complemented with something that has nothing to be they're going to and they're going to to be able to make a little. And then like the memory

begins to functioner more and they're to say orations. This is very interesting because they are making

to get to make these orations combined, revultas made to their way but

they're he's antoj do for the passions of the house and when they're

just outside of their house they're they're the noise. There's a in the

camera. There's movement in the camera. When they're in the door in the

door in the middle of the panes of the camera are moving. And it's

a movement that rocending recognizes at the instant. It's a

other to another, like if something was put on the colchon and

it's also also and he's that that it's

that it's repat that it. of a repent, for a corner, a serpent

a dark and enormous. Because they're how it and then they're to get to them,

and they're so saddled that they're they're not really the eyes, but she

does her way, she does it they're to the camera and only can't see coming

more part of the body of her, and it's still being more part as if were

something of meters and meters and meters and two are them and when when it gets the part of

the collar of this serpent, they'll they're going to see the and they don't know

they're not they're not they're not a company and they say that they're to get to that's the

place, that they're and the company they say um just just support

two two months you're we're going to pay your return your

rocendo is you're I'm sure that those kids of the frugated they were doing all these

presentations and the work, because it was a experiment for them. They know in a certain that demonios

passed in that place in the world and they're playing with them. You know where is this place?

All the families have their peculiarities. Your family, my family, all have

their things. But the family of Sarahy has two little little

little little phrases or instructions that have to continue at the foot of the letter. It's herensia of her own little things, two details. One, never and you always

sersiorate to start with who you're saying, so are the type of questions of why they're like they're saying, and why are they're so incisive with that time? Well,

that is because you know the story of the Abuela of Sarahy. This was when she was a little bit. She had

around of a 10 years and he had a little of seven in this

time. In that time, we're talking of other world, a world in which the

houses are much small, the spaces and the land

that you could you have that you were the place and in the

case of them were in the house, and with a

patio, a place, a patio. In that patio,

they were a part of things that he was that he had

put to to do for the house like a kind of a largeadit

of a table tableon pegated tableon that came from

from that door and you see the the carinito

to the after you to get to the says the

Abuela of Sarai that for some extrane reason she had bad a bad bad bad his father

his papas never were to take that they were to be able to becko a mocoso

a little a mania we're talking we're not much communication and she

she would much to her little as her she'd never she never

never had that her never did that her the sensation that something that something like he was

like he was waiting like she something like he things of the things of

but remember perfectly something something that a one

one a so a that that that and

all his descendants and all of that she

she she is sitting just in the kitchen

and looking to the door this part has a

She'll look to be perfectly all the patio, the camino of the matron. And then, when it's there in the mesa, see that your

brother, he's a side to the door, and he's to come in directly to see the latrina.

She says, oh, yeah, I said that for you go to go to so,

he's he's right, open the door, and his brother, and his

person, when she's If she had to the door, all the luses of the house, they go. Allas. She gets a house apagued. And she made a fear horrible, but her manit

needs to her accompany to the house. She's not going to be to be behind him, and he starts of him, and he starts to

come in a little more rapid. And then, when you're just only a meter and two meters to get a latrina,

she's going to get to, wait, don't go just to hear your manito. But not is in front of her.

He's back. And he's saying, Manna! Man, where you're to go to go to

do? When she heard the voice of his brother behind of her there in

the house, all the back, they're to get a a arcad

and some sensations elctricas and they're all the scalof

the world and he's to feel because he

had has been rapidly to the house and at regressar the

look there's the light of the light of the stars and see how that he

that's a little bit to be to get to and get to get and get

to get the arms and she is sure because he was just a

few of that was ensanched and he was getting the

over every more more much and he began to hear a little grunied, it was from there, from where it was supposed

that had to start the car of his brother, but that was not her brother, his brother was in the house. Voltae, he cheroor to gore to the house, and then he

he starts, but not a two patas, a four, and then the hands against the floor and the quarters of

the back with force, as if it were something To say, to today she has perfectly that that

that was that was in that she she was to get to go to but she she was with

she was with she was because if that that was her she had could have

had had been to that that thing? If you I think that I

talk of the man of the I'm sure that you're that's that I'm this

thing is almost and the common of all the people, but there was

a moment in the nobody those they were not in the people that were

those who were people, and if we're not even so much years,

10 years, probably there many people, even of you, that they know, that's

the case, Felix, and when he was he was little, he took to live something

something that's that's the past of the years , lejos to

make sure it, in peorrault. Felix was having some experiences very extraness in his house.

It was a night. A night in that he, to his 11 a year- he could get only in

the house for first and he was sure that night was going to be a great

because he was a pair of new things that he had been given not electronic.

We're talking more about about about the things monito

of action and it he was to be to be the limit of

the of dormita, because his papas, who knows to what hours were going to get? That day, after that's

the time, Felix is playing. Who knows what was when started to go to the rain,

and when he did he said that he said, he said, something that he made the attention of Felix,

in the window of the room, that's in the second piece, is sure that he

started to a woman that was like, he was he was that he He goes to the ventana and he

isom and see a woman in the entrance of her house that is all dressed with black and he wasnto and he went to see. The eyes were crossed and Felix now is the record that what was the person. Because his

papas do found dormit, he was trying right in front of the window and he was he was playing much until that he was used

no, he did importance he has one year and the day next is a day new and no it doesn't because to do it but it's

very strange how do they these things because at after that he he he began to know

not all the days, not always if not ever had been something or would have had been

to get a and he said to say to his father and he said that was living a

very ruck or that was a man who in the bad that's but it

so it so so much he's more before the next the second

success in the in the he is out out of the when he says he

he's a woman that's the mother that's a mal that's he's

he's he's he's he's a lot of the thing that he's that he considered that that's

that's he's a Because when opened the eyes, after that woman, he was atosted in her camera, trai a pano in the and his mom

was raising a rosario al-lado. They said that they were like convulsioning outside of the and that were very preoccupied

and that had taken a doctor to the house and that had had revised. He was a lot of

his time. Felix, in that moment, he dole the body and it so he's so strange

that he not record with exactitude that was what happened two days. No, can't even

believe what he's what he's saying to be his time. The last

he has to be a not there no matter. Then he does the other. That's

rare. And they are six months. Six or eight months. When the

the papas are very preoccupied they're to have certain and

they're they're Felix, he's a sometimes we're we're not we're in

but they're doing it's a question, but he said, he said, he did the fever very high, and

you know, you know, that's the time, it's that's the we're not, we're not we don't we

don't we put sure the last in the quarter, but he's a little, he's he's got,

and he's they're doing that they're going to pass various months, when he

He will increp to his papas, to ask them, Papa, Mom, those be very very worried and they're

trying to what's. And his papas let's say the next. We need to goys

with a psychologist. We can't help with that. Felix loves really,

he doesn't what he says that he doesn't even even he's what is

a person exactly. So, is that is that is it is it

is when she she's she's make to make sure many questions. Oh, Felix, and your

papas me have said that you're you can't what's going to make sure of that's. And he's

making to more and more questions. Me they're saying that you have a friend in

the house, me they're a woman that's a really and that

your little a person yeah major. And Felix no doesn't

anything that he's there's a moment in the the psychologist

in the He's discueida and has a deal with his papas. And it's say, a sometimes it's going

when the children have a trauma that they don't know but Felix is atent and

he's going to get to get in that moment that has many many

there's and he said a psychologist that there is there

some there a way the psychologist one two

three sessions is what will to tardar, for that a certain new is in

a certain a certain guy in aftarred to a sillon with unas and dientes. nobody can move from there, and he's to begaard. He's got to beckon of records that were in occult, because probably his mind

those occulted, or that woman, and now was living, of the gulf. Tell us I'll tell. Resulta that there's a

occasion that you you just said where he's going to go the pass and he'some a man, because he said a

woman and then a woman she assomed. The woman has a rost cadaverical, has a

markas in the car where it seems that they did you do you think you cicatrices, but there

something, it's like they're open, and that woman put his man in the car of Felix and he he puts a lot, he needs that just feels how of a sudden is in other place,

like if he's had been smalleyed. And that place is a place very a dark, a place in which the year is the incessant. It's a

place that no I think is the world real, but Felix is there and this woman is it. Some

And it's and the ways and it's where there's where he he comes, he's there's

that he's waiting to be that's when he's when he his father's around him, he's been

in a camera and try you a trap on the head. He's a

other way again. Recurred that's going to the camera, he's going to

go to he's he's he abrase himself only and he's he valient,

be able to be able to be able to that he when he's in the dream, in the dream, he opens

the door of your room, and this woman and he comes to he makes

to talk to hear the things that he commenced some some of those,

uh, those people, those people that are those people, but here there's a

detail, and Felix is just a person a little observator all the children

that are of times different, the roba the roba does disting. There are a ropa that are

actors, but there are a rupa that are very antivus, and all the children, his skin, his tessitura, his car,

not are not men, are men, different. But there something, in that's a image of

a man of a man, the car, the car is actual, and the worst of all, is that he

is to the location and is out of his house. He's Wolted loco, is in the situation

there in the consultory of this psychologist and no stop to get because all the images come in like

a picture this woman and this woman orcating this woman doing it and saying

to the o'e avientate avientate and then after they're to be

to make that they're to make to make he'll find out of the the child

the what I'm going to and tart at the ventana. Félix no can resolve that situation, but he'll express some things that

both the psychologist, as well the psychologist, as well as the father, that's, that's in fact that that is there, no are imaginations of him, because he starts to be that this woman rasguina

deba down of the camera, that this woman rasguina the paredes, van, they'll, they're, they're, they They've got in the camera and discover rasguos just in the part of the above, but here is a detail.

The type of in a newia that has to be doing the rasguio no correspond to a two very large and a unias very elongated and filosas. And there's a part in the walled that not even seen, but the tapis

is one and other again again. In both sides, just in the corner, is there rasguedialed. When they're with the exorcist and they're in mind that this is in the

middle of a process of possession and they're not so surprised and they're now that's

he's called the channel she's a trybue to tell us story. Why you think

what you think you do this things? What I'm about to talk to you know

you take with pincitas because it's a situation very delicate that

a family and it may be very that's very that's so it's how me

they're to transmit. Monica has a piscima relation with her mom. She has been a lot care her. No, it's a person that has a lot of her that has been a lot of her life. Never had been a very good relation with her. And even when I'm

give thanks for being here at the day of today, because it's for your decision, of all the way, I've asked me, I've asked him, I've asked her to her. It's a person insupportable, is a person very difficult to try, and is a person

paranoia. When I was a little, but I'm talking, little bit more than that I'm talking that I'm going to four, five years, when I was going to the Kinder, or these stages in those that you go to the house, my mom

me said the o'id, Apprendete this. And me said, 4, 5, 6. And then, me said, 7, 8, 9. Or me said, learnet the word abestrus. And when When I was and recogia,

before to practice me anything, and say, I said, what number you did? What did you?

I said that you learned you. And a a little he was never me a lot of me too. Me to talk

situations that they made that's a little bit of my mom no, I didn't even talk.

And there were the there's the master, to know, to the thing, and she's

my wife. My mom was like, my mom was My father, of some manner, I don't know

why, but I'm from the first of my brothers, I'm got her much courage, much courage.

Pursus Rarer. When I was growing and my adolescence, my mom no, no,

no, so we're to a central, or if we to go to a place, and I'm going

to separate, I'm going to get to me, let me, give me, some numbers,

I'm me those I'm going to learn and I'm I'll say some numbers and you you're going to

you're going to do you're going to be and we're going to get to get to get to get to get to get to

you're going to you're going to you're going always that that's always that's when I'm my brothers

also that but yeah not an apprehensive as it was a but I I'd like

but I'm a little mugre and a old and she's stupided that the only was going to

put me to put me to a situation super horrible, no could do you not want to never to

her, always his numbers, his words clave, puras things ridiculous. If one

one day someone me to be to get, and you know, that I were to serve in those

numbers, and that person to be to respecter. And you tell you this story

narrator, because at day of day of I don't believe many many things

bad, but I understand because it was and when me He told why,

Narrator, I was almost a time without a minute, I could do not know. What he

told, no could create it, and there also I didn't. Why my father

my dad he was a little, he was a little bit of a little in her house. His family

was a family poor, was a family that was just taking the

things the abuel had a had a problem with the

alcohol and had I had luched much for out of there, but no he had

a good job, and that did the mother was living the water and and was

doing the little those times, and the money for that not fall the

thing in the situation very very d'n. That's was doing that they were moving

of places that were medianamently well, to places that were very

bad, and the the worst of all, was a casona, and a casona, the

The place was great, but was a pegged to a cemetery. And it was a feo the place, not for the time, but it was very very and it was a viroarer horrible. They lived there

like paracaidists. Or so, nobody to nobody they'd pay them rent, or they'd have to say to him to say to that.

For some strange situation, nobody was he'd he'd be the form of the windows but no there were

crystals, had the umbrellas of the The abuelo was sewed with a carton and

put some some bols with some a lot of a lot of a situation very precar and very

difficult. Mama, in that time, I lived in that house with the

and then the abelos commienes to get to that things

not are not and they're to be the possibility

of the the father he in the alcohol and

begins to have absences very great. For that what lived in

what we've my mother, they did until that it's my mom.

My mom remember, like with two savors that the one,

the first and that put very is that she she's she's

that she's that never never had never ever

that she she she said she had with her

and they put to to have to have many things. That the

mouke, that's the baby leech, games of the time, they were to talk

during hours, and well, mil things that they wanted to do. The game

that was that was to do the house, and he was going and he

was going to the and he was and he he said here, here, I'm

here, I'm a family, and he stories Trist. And she

was a feeling and she was a god. Until

that one a day, he said, oh, hey, today, I'm going

to see, and she she doesn't. And she said, Mom,

we've we've here, no, is that I don't live here.

I'm I'm to be here. And then she she went to

the cell. The The cell, I'll say this place, it was a

bodegone, a house very grandotta, the cell had a

umbral that was a a a little a business, a little

a little was a little a box, bolsas on some

parts of a little a little and that that room,

that that apartment, was a one of a same reason she never

had never had entered and her and her papa, always they'd be taken the world,

no they've never had been they've been done in the house,

never they had put to man there. I've had to the arrains, was a lot of a lot of

a little bit a little bit of a little, and there's a little, and it's been to get a little, and when

us empoo hae, there's a little bit like a port chis of madera that has one of the security and has a candor and the mom-de-moneyca be perfectly. Recurrected that the mom-de-moneyca when she was very little, the mom-de-law-of-money-sying a-neena,

be that this woman, her mom, take the candor with the the hand, or that the candor is a serrade and where it soffa, it's saff, it, and it's in the door and he says,

come. Accompany me. You will get to my house. And she gets first the woman. Then she met Monica.

And when he does two passes there, she starts the door and she can't the caras

that they can't accommodate. And then a voice that says now if you're

going to be to be that voice he'll turn to all the part's but the

place totally and it's a little bit and it's mom, and I'm

to hear a voice that has been to all those days that was he was that was

to start and he says, Ben Moniquita come, get to me, I live here

and when I'm going to hear that she's to get to that's a mommpt and he's

to say momma mommah momudom mom come why I'm why I'm come

she per die the voice of the the little She kept yorning a lot of

hours. They were going to that the little bit of there's after the nine and

they were done for disappeared. Papa and mom in a middle of a discussion,

not they had been found the the little that they were

days of the time. Cousy and a day and after

had been to the police when went to to the house a

person a heard a little a recion that

was a room, Moved the cajas, quito a canded, he took

with a little bit of a door, that was that were had been incered

there, as far, for some of a kind of because the man,

when the time, when the water, the he was, he, he was

he was he was direct to a clinic. This subject did that arrest

to be a papa and the mother, and the mother had been

that's had been had been been been playing with her the days. Her mom, she said that those

things that said the little were that she had had been to have had gone to her that the last times had been

had been that had been that was that was that was that was to get to get to the table

there in the house and to be that I didn't contact. It's then that the

womanica she did count, even being a little that that person with her own living those

days in that place in the place in the cemetery not was a mother several

years after and being a adult was to a little she he was a

group and he was and he helped them to make to get

to be to bec so we're talking to a place that

that was that there pintargeated not were they They allented.

Accepted a post. And there was a person that was metio with a lampra. And he sailed with a wheyes-humano. From there, that probably that woman

with that was convivating, his restos were in that house and I wanted to that would be with her for

ever. What do you think that that's going to in the house? Eloy was a

podcast, but not the way habitual. He was a victim of the podcast for for our advice. If you want to

know stories atterradoras, ask them the people that are you around if you're going to get surprises very

strange. He, he had a success in the past when he was a little, that he was

in the ball of the records, one of importance. His family had a house,

and it was a house very and was and they were to do a first, decided

that you were not to live in a apartment, and they were not prettytitititito, but that house,

never was to be able to batten to and the poor house and it was and and then

after that went to the property and they were done. That's suceso, the

of that house that they left and they went to and he went back to

after more to be a 20 years. And he, now being member of the family

nocturna, then he asked to the family if they had stories. And when he said, his papas

that are people and they're and they say, well, we're that we're

not, the house? The house was, the house? The house? What, you're

talking? Well, the house, the terrain that I finished and then

Eloy and he says, Emory, he says, if it's certain, we've been

in a house very beautiful, right? Well, it was the house that I bought It was the house of

The House of the Sueyes And it was The house of Our Pesadillas A-be-Papa, how that is that And there's And then there's

That night Phantasmas Mets, Fantasmus Menos, what what happened was something So, resulta,

that the Papas Deloy they know they're, they're and they're a man He's a man

He, a guy very intelligent, of a with principles but very, well, putts, he'll he'll go

to go to a house, and they're to go to a little in the he said, he could

to buy a house at a while to a year, a while, she said, she'd

a car, and a part of there, all the other days, at the

time, he's, he's, he's, down, and he may be there's

a letter to be the end. The Lord, the boy, no, he

He has been content with that. And he has been 14 occasions to the world of there, a year, year and a half, talking that a carcita, for that one day

they'll send. You know, and you know, and they're doing, and it's two domingos and it's a

good, and it's a very good type. It's a man, a typeos. For that, two years after,

no, appeared, the letterer where he's received a time, the dukees they want,

the dukees they're the house. When they are going to sell the house, they're

a very good cost. Resulta there's a situation. The family is living an emergency.

The husband has one of these very difficult to attend. No, not the

disease, but one very difficult. Yeah no have resources. They're just two

people who are great and they have got all the they're all they're they need

the house as the most possible the more rapid that

it's because they're looking all the alternatives the doctors they're

they're they're desawesial. The Papa Deloye is a subject but is a subject

of those that's that's he's he's he's he's the price of the

price. He's got that he doesn't make to give they're they're

paying to the pocket and they're paid to the He was a little bitinically during seven years. Mace with month, with pay. There were two situations there,

very important. The first, the scriptures of the house, not going to be to his name until that he'd be paid. The second, in the year two, he now lived in that house

and she was paying for seven years. You'll tell what was what was. result that when the young, his wife, his wife, and the

little Loi are going to to be in the house, they're going to the house was the house of the

wife and the father of Loy, no, no, no, I've really, he's got

he's made the to the house, he was to the house, I'm going to pay.

Centa centavo but they're to liquidar the house completeita.

Me to me to me tome, he did a enganch, thanks that the

enganched, they were the second, the woman received a little and the

duke, to the house, is that that's that he never no more.

If a he's he's the father Deloy, because is the

he's he. Confere in him. And seven years of had

had never they've never they're that the father of

his family the day in that he was to give the

scriptures, if it's very rare, that not invite to the house, because they're in a department very feo. And in this

department, is where they're doing certain certain notaryals, they're doing the papers, they're all the thanks, the

Lord of Eloy, he does the thanks, because he's got that's that's been

that's about, and the first that's a little inverosomel. Oh, they're not they're not

they're they're doing, because they're they're doing, but you you're going to that you hear you. When they're

at the house, and they're the house of their dreams, they're very felices, they're so felices that the thing that they'll take in their mind, during the next two or three months, is how they're going to decorate. From the painting external, the paintura internal,

certain confers that want to change things more modern, that in the mewle's going to have, how are to be the parents, the wife of the Lord Papa Delo. Is a woman of good, refinated. So, is that has seen various series of television that have adorned

in a manner very beautiful the recamara and the passions. She has in the house,

now here's the decoration. It's in this time in the day, being a little

of two years, he's a little a man imaginary. Apeness could

talk, but in your abitation you, they're many times

that you see, they're they're being, and when they're talking,

he's about a one the corner, but it's where he's is made in his platic. No,

he's not a language, he says, because it's something that you can't understand, babboose to the words

intercortas, but there's very rare. Because when they're going to you know, he'll say, a wall,

and well, it's a man, imagination. But when they're going passing the

two, the things, Eloy, are so sure that they are sure that they're

satidito, there in the cell, with a pair of of the jugetititit. And now is it another time in your room, but are sure that not they've seen

not seen the door to go to the escalations in the escalars and in any moment they saw there. And it's there in your room,

pegatito and the skin and and practicing. They're sure that Eloy not really, but you have been heard

in the nights, to be a form very fluid, at the point in that the mom's

emotion, enter to the fourth and he's, my jit, what are you saying? And the little bit of the little dormito.

But the voice of your nene and and talking Spanish fluid. What is going?

It's a moment in that the she's really a very rara because she

like if there a little when no there. It's a sensation

that has a just in the Nauk is what he was what you want to

tell the the the skin, all the cabos emiris and I'm really

rare. It's like something something. The Lorde the boy had

had been the time on the house, that he would have a

certain that every time that's certain he's but he

and then your wife and has been the father's the father's the father's

in the father's in the His plegarious, bendice the house, and when he gets in the abitation of Eloy, he's a close to the corner in that Eloy has been talking with his amigyito, and when vented the water bedet, the padet

is a manch of rojo. A red. A red, rojo, blood, no entient what is going to the father, and when they're going to the pad, all they'll turn to the parade, all those bolted to there, and yet no manchas. Something there is very rare.

Like a a second or two two months, a day the papa Deloy is a

little the house and he's a voice like a little a boy

a boy and be a little a little but the little

he's surprised because he and he does make a

kind of and he and he to come in back and he

just he But there a detail. No, the detail of the the page,

not was the detail of the thing, not was the detail of those things that were in the

manches in the same. The detail that did you that was that

was the day the next, is that that that is sure

that's sure that has the type of the hair, the form

to look the the is the the same years,

but for a After to be that you know no there's a lot,

in that house abet something that's a lot of and he has a

and he's a family, but as a man of the family during

seven years and a nobody he does say he does just

he doesn't that the demon and it's and no permit a person

until the house after the house Seven years after that nobody

pised that people to robar, that the house is made a mugrero that's he's going to

spend the term. Recurreds always these words. With the demons, no,

they're they're they're and the family of Gabriela and he took to

live it the the worst manner. The story that I'm about to

tell to tell to, it's a story that has many very

so I you'd recommender that if you are a little of the age,

see the better or hear the more or listen to a good, and if you are you

and you're the kids, take the family of Gabriel lived literally a life and

a year, this situation that are situations that are they're

they're they're the question of the because they're they're

not the thing they're not it's important to Rested attention in details of this story.

Because if you've circumstances similar, you can give the pistons that you and your are doing a risk tremendous and they're to do something. Let's go to

this context. This is a story that makes many emotions encountered. The papa and the mom of Gabriela not have

so good relation. The papa was a subject of these brabucones that for to all always

always get to the point of the golfes and he doesn't to do

the people who he's a subject of a lot of a person who

he's a first the same he he has

he two two two two and he but

even even when he he put all point

in that in the time he has to

he he doesn't he does to lastim. For other other side,

is the mom of Gabriella. It's a person that not want

to get under under any circumstances to and I'm

that that situation. For nothing. What you do you

want to do you do it's and it and it and a

past that she's that she still saying she

is that you know is. This situation, this context

is what will allow to to permit that the things that going to be going to not be

to be able to keep in a story. It's a story that can get to be of many emotions.

They've been in a house, in a house in that they have been in a year and

a house a little, a casita of a little, a place a little, the little

and in a quarter dovermen the two two two men, cams individual separate

and in the other quarter, and the other quarter, and the third quarter is where they're using from the other stuff that are using for a time, things that have

used to use, and a night Gabriela she thinks that his brother she acuesta and he says the o'id,

Cue, when she says, hey, let me in the other man dormido in his Cama.

It's a very extrano, He does much Mied. He goes to me jugged a brom. And his brotherito

he says, that's talking let me doorme and then she says, me can't do not get with you.

And so doorme with him. At the day the next, Gabriel, no says nothing, because

to end up the time, and mom that are the playto, no is a good option. That's

that the next night she will go to go ahead of the madrued, his

her manito will get to get a He was up. I'm excited really. And Gabriel,

no, he's going to get to be the what you're what you're you're doing, you're just on you're doing

to get you're to get you because I'm not you put to go when you're but you're you're just

you're justs much. And Gabriel and I said, I was I'm sorry I'm sorry you're not

you're gonna you're gonna the same time. The next the life of these two poor children, is a spantosa.

Yeah no can't doorms separate. They're you. But, but of a repent

when Gabriel felt you, a man, he was a man who was a man of the adult, and

he said, I said, Cue, me, it was a little bad, a very invasive,

he was a lot, I was that I'm not to say a mom, that he was

he was he, because Papa, sometimes don't use any

words to mom will say, yeah, yeah, no molest you to your papa, and he's going to give her, so is that no he says nothing, but also the brother-a-law. Porecito, Jose, is

in his camera, and he no want to be the co-barde. He is the child, is the valiant, but the papa, he says, you are my baroncito, you have to show that you have many pantalons, and then the

little, when he that that thing that's coming to do with to the camera and he agar to the feet-stits, no want to and he's to be up of the

camera. So, so it starts a discussion at the day next to be the

things, you're not you're not, you're in you're in you're in you're in there's a

and you? And who will be to your and you don't you?

And the poor he's that you're getting to that's the mind that's

the one to do you to do this, and they're they're doing where they're doing where

Papa and mom are very enojured the next these two whirks that are in the night, and they're

two there probably being in hotel and they get them don't know even the TV not the TV not

and a sometimes they're on the house. Yeah, not they're not going,

but they're not quite. For that they're some they're they're going to use their women,

and the two poor men they're not that when they're just in the same camera, they were

how a man came out of the and he posed to the two and the two they were

there was a person there in the techo in the techo being the sunriending they're

they're not they're they're they're they're they're trying to get that

that thing that that thing that thing there's a moment in that are they're having

they're not only during the night but during the day Here,

here are the parts in which I PIDO your pacincy and to PIDO TEPIED TO YOU COMPRENCE. This is just so MAMAS-You-D-KIN-KEDA-KU-STER-When the two-No-nijs when the school is full of reports, when the maestros say that no entiened

because they're so distraided and are getting dormied in class. But these reports have months to be accumuling. Papa and mom, they're to solution to a

situation of a wife. Is that he, he, he, he, he's not

he's he he's not he's he doesn't say, he's he doesn't

expressa. In this caricature that this family the mom of Gabriela

took cards for first in the thing, go and he and he'll be

and he does happen to the people, we're we're going to

get to it's what he important mom. So he says, "'A me, nobody "'me will be "'quitear my

"'with is that "'in the school "'as we "'manned out "'much reports, "'and he "'manned to "'that's

"'moy to "'This. "'Vas. "'Go to "'Gabrile and "'so does "'As you "'in' a

"'send to "'the "'one. "'To "'Deal' a "'Yes, "'and he says, "'It's,

"'and they're "'All, "'and they're "'He said, "'Pard, "'and he, "'and he, "'he, "'he,

"'he, "'he, "'he, He says, yeah, I'm going to be well to be good. The subject not is good with

these things. No, they're going to be a little about the capacity to understand.

But he seems a little is what he important. And he says, no, I

want to say, no, I'm going to get it. Then the wife is a question

that the children have much fear and not it's of the and

there is where an alarm is the alarm to be. So, so he's that he starts to And thence to speak to them

And the same And the kids It's a lot of television Because they're telling Every story of terror The little that's My brother My brother that's

in the ba'o The sombra that's my brother that my Eremian and me He'll in the o'clock in the night's The thing that we're The other and

Seek's behind the Mueble that's just in the Noyes and no he doesn't let to to do not And the mom, no can't

even think. They're much imagination but they're so affected that they're not so they're not going to

talk. He says, if they're doing, they're doing something, the husband is he

and he's, I'm going to talk to know, no, no, we know, let me, let me,

let me, go, we're to the house, let me, let me, the case, five months passed,

those children, are made those, are made, those, don't they don't they can't maintain

desperts in the day every time that someone's overreaction, they're violent in the school, they're in the people,

every are less sociable. And the papa, they're moving to work and as this job and

he gets very far to the house, now if they're they're going to go to

and the future. The life regress to the normality. Although they're in

a new school, that's they're they're they're assuastasos, the nino-o-mapache, the two chishitos

yoron, and you, you know, any type of apod. Gabriel and his brother, they're in the one-on-a-one-a-old, but in three months the resilience of a man-in-a-neux.

Regressan, the life seems normal. The husband, with the job that they did that has a amount of

the money, you don't be that's too, in costs, in costs, and things of that type, and the

house in the the case, it's more a-gust- but it's very strange because, a day in the

night, he was to get a little bit of Gabriel, grittando like a little bit of

my little is a little bit of a gavie, and the repent the sir is all the

batte of his abet in the house, cregient that someone that's

the little the girl and the whole of the camera is made a chance

because the fear because the man's, the man's a man he'd be to do a

to her husband, says, "'Muhaer, "'to you "'these "'these children "'are, "'what you

"'what you "'what you "'what you. "'Oh, no, "'pardom. "'And when "'va' "'and when we

"'the "'and she "'emperor. "'No, "'and so "'after, "'but she "'Ence'

"'that the "'in' "'a' "'to be a "'of a "'but he had "'a' "'the car

"'l had "'Cone. "'Toddough "'Crewed "'Crews. "'He'd "'He was "'the "'the

in the night, he said that he said to talk with her, and when she was up the camera, he he was in the he was chicharra. For that he said

to get her. For that he said, the brotherito also the little bit a somber that was over of the camera, and well,

a disaster. A part of that the man of the rostrokemated, all the time, a time,

as a act of apparition. A few, like the mother, sometimes like the time is appearing and no it does it.

The mama and desperated, he's a church, he's a church, is a church Christian,

so is that comes a pastor, with a group of oration, they're they're in a man,

and when they're in the way and they're all the time. But that night,

poor, people, no, they're in a bit in an one of the one of

they're in a one, they're they're at, they're they're, they're,

they're, they're they're they're not a week at the school, because the children are so nervous that are bad, and they're going to know and they're going to get it.

It's the fear of the mom. So, she's that she's alternatives, and finally, they're talking to a woman that's limp. When he gets to this woman, enter to the place in the place in the case, and when

enter, the woman, apennas never to say, you and you're dead, so let's see, and say, out of here, and he's, and, and, standing offura, and, you know, I'm going to get to because I don't want

that you don't want to you do you know, your your ex post and they're a man who's

and he's a man who he's not a mother and he's to do you to do you do you

because if no, no, no you don't get to come for a and I

don't want to be to be those mugger. When the wife,

this woman is going to talk with his husband, he said, did you did something,

did you did something and no the woman of what you're about? but then,

you know, he's talking with that's he's about the thing. You did something.

For those started to appear to things in the house. What did? And then the

husband is evading and evading, and abiding and abiding the time, until he's to get to

and he's a pistol in a pinolele. Abre the pao. It's a revolver

very great, a revolver that no should be said, that never more you'll

ever will be a time. But this type of a way not legal

he's because he in that house in that when they had to occur

the people had had been lot and he said he

didn't get to the problem was the problem

he had made very clear that that with

that they had given another other they they were

they they were they they were to and he no could reveal

who he was he just he he was he was to use in

a case in case of defense what you you can do you do you

is a something is a thing that was that he is the strange

and he he he was he was he he was the time

in the time is because they've had been having had had

another the house anterior, one of the things that had had left was the the pistol. The day that the

pistol came to the man of the man of the man of

he was he's he's the and after that after of that two months

of the two years but the man of the rostro that

he was had left he was laid that that was

been had been the person to the had been had had been

the thing maybe it was what provoked that when it when it they were

in the time and they were going to use her and with we've got to get to

this offcura of the story of the so if you get this the final I think

you got the got you got you got to some some

some the sense like you put the piece of the just you're like you

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And one once said this now we're we're in the talk

or in the Saturday of but so we're to be

to be we see those dulces pesidias.