HABLEMOS DE LO QUE NO EXISTE - 7 Historias de Posesion , Herencias Familiares y Familias Malditas | EP 255 | EL NARRADOR
Episode Date: January 10, 2025Bienvenido a ésta oscura Fogata de Historias de Posesión , Herencias Familiares y Familias Malditas en @hablemosdeloquenoexiste. El día de hoy les traigo historias escalofriantes que ustedes querid...a Familia Nocturna me compartieron en elwhatsdelaspesadillas . Escucha Historias de venganza desalmada y magia negra, en donde está PROHIBIDO hacer enojar a las personas equivocadas; conoce a los FANTASMAS de Estrellita, la ESMERALDA DEL DEMONIO y al DEMONIO de Baltazar. Y tiembla de miedo con el descubrimiento que hizo Lucinda de los SECRETOS MAS PODRIDOS de la familia de su exnovio.. asi que prepárate porque llegó el momento de que @hablemosdeloquenoexiste Hablemos de lo que no existe es un canal de youtube con el formato podcast que comenzó en abril del 2022 su primer episodio fue vivo en un casa embrujada en el que una chica narro sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de este canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de este canal , la familia nocturna creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de este canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando esto tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora. El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado
Transcript
Discussion (0)
Lazang surgelley,
Pugance-Moyerned
15 minutes.
We're like it's the
Dojo.
Prere to play.
Vive the pleasure
with the Ojoe.
The casino in line
that proposes
the most recent
machine-asoo
and the show of
cashino
in direct.
Profite of
Bix Basnez
Bonanza.
Without
any exigance
to miss
and with
the payments
instantanate.
Hey!
I've gained.
Woohoo!
Sontier the pleasure
Play Ojo
10 years,
1,000,
10% per
only depose
only depo
on Tours
B'BBonanza
Depos Minimimimimms
of $10.
Veillard.
Beye, I'm going to fashion responsible. The conditions apply.
Beirroi, the way that we love.
Welcome to Family Nocturna, to this fogata of histories.
For all those who is the first time that are here in the foguata,
permit me to say to them to say they're going to have the possibility
of form part of the family
nocturna,
the audience,
the family of this
channel.
For that you
have to
do you have to
one at the
foggata.
And today?
Today we
have a
fogata
special,
dear family
nocturna.
A fogata
in the
that we
talk about
sortilegeos.
Malditions.
Families
that have
had been
some
maldition
in
their
generations
and
families
that the day
of
they're
still
are
these stories,
we'll be able to
some
advertency.
Certains
that you
never if
you're going to
run to make the
maldiction.
Because if
you
do you
do this
things,
the things for
you or
your family
are to
end up
but one
once
said this,
you do
the good
the
big-in-
to this
off-
of the
stories.
We're
if you
are the
stories of
the
un-gance
desalmated
with this.
Amparo me
mandone history. Me
Dice Amparo that she has a don
that does frupta much, a don
that she, the day of today
she has to feel her own
and with forces.
Dice Amparo,
that, ohhalla,
that those that know-that-you-law
know that they're talking about
and they're trying, and
they're trying to, and take
that's quite, because Amparo,
from very little, lived
something that marked for the rest of
her life. Amparro is a
subscriber of this channel,
and me
that when she was a young,
vivied a situation
very strong that
that marked her
because no,
he had been
since then.
Amparo had
about about
16, 17
years,
and he was
profoundly
enamored of
a person
were other
years.
Amparo
the day of
today is
a person
major,
and he
lived in
some
in a
family
that had
had been
that had
had been
a lot
into
the
house,
and apart
to her
she had
a certain
problem
to control
his
emotions,
it's
a way
about.
There's
a subject.
He was
every
days,
and
three and
four of
the
time,
every
the
day,
I was
a
manate
just
in front
of the
house.
Amparo
was
was
that was
that was
he
had
had
He was profoundly enamorated
of him.
No,
he was a man.
He was the
type of the
dress.
That subject
that was over
there was
with those
eyes so
little,
with that
so that
did he
did he
did he
,
after coming
to start
to see
maripos
in his
stomach.
At the
day
the day
the next
was there
half hour
before
the
front of the
window
to be
if the
type of
the
guy
he wouldtea in some moment
to the house.
And Amparo,
Amparo,
he would have
with all the
experience that
some day
that would be
the way of
much that
she had to
he was,
he was
and he
was he
was he
was a
manparo
had much
emotions
to that
person
and
he had
to have
tantas
and
and
tantas
fantasies
in his
mind
she be
as a
family,
she be
with him,
and
he was
with him
and
all the future,
coming in places,
even he was
there,
out of that
house,
accompanying her
all the
day in the
room,
like if this
subject,
no,
would have been
anything to
do it,
but it's
that she
had, in the
circumstances
that had
had very
limited
his
camp,
of things
to think,
it was
in his
things of
day-a-day-
to do you
to get
to the
level
of the
profound
of those
emotions
he did
a
a raise
so
profound
that
practically
she
was visualized
in all
the aspects of
his life
even the
most
little
and insignificant
this
subject
no,
he was
even if
was
probably
probably
was
crossing
a point
a
point B
of the
city
and it
was a
point
transitory
and
he was
very
but he
was
but
Ampar
no
he
did
know
you
know
you
accompanying to the
her mother
of Ampar.
And I
came
accompanying her
taking
the man.
Amparo
sent you
that the
heart
was to
the
he went to
a
cholera,
a cold
a
some
the
and the
the
and
see
the
bad
this
maldito
desgracial
this
embuster
and
this
man
of
this
man
he
was
a
biggill
on the
megilla of
her
man
was
with
Amparo
No, he was having the family that he had
promiseded in his fantasy.
No, he was with her in those moments
profound and intimous
that he had dreamed and desired.
He was trying to
then.
Then he went to his
abitation,
and he started
one and other time the same
scene.
To this subject that in this moment
he put the name of Beto,
imagined how Beto
he was coming
in a quadra,
he was justcuitable,
and a carmion
very
great,
with a
tumaburros
enormous,
he was
the blow
and the
goal per
that the
body of
Beto
was
out of the
carionette
but it
was
he
was
to be
up
and she
and she
was
and it
and it
was
like
it was
a
little
that
the
scene
and
he was
he
back
and he
was
going to
get a
He was going to
the geno,
the body
was out of
the
part,
this part
where they were
in those
those
eyes
that's
a smile
that's
a gracieting
that you
one of the
imagine
that he was
that they
were not
there
was the
minimum
that's
a
misgacity.
A
the
next
her
her man
was
she was
a
unerer
"'Khebradishima! No,
"'I'mpar'd. Amparo? Amparo, he celebrated.
"'Sea put to read,
"'cas he put to chantar and dance at the house.
"'No, in front of her her mother, in his soledity, in her apartment.
"'Sabes? Because he's interred of a detail.
"'A man?'
"'Aropil to beaute the subject of the trage gris.
"'A Beto, the name that she puto,
"'because no longer he interested to know the real.
"'Sabes what is the poor.
"'The body.
"'Their left about.
Amparro,
not just
said,
Diggar
to the police
that
they're in
the tomb
aburros.
There's
to be to
you know.
You know
something?
If he
said
there.
Dice Amparo
that
since
every
that ever
that
that's
that's
a good
or
be a
bad
or
that's
but
especially
he has
a
don
to desire
the
death
the
people.
We'll
we're not
we're just
you with
don't of
Amparo.
If you
let me
permit you
I'll
tell you
the story of
Lucy and
how
the magic
destroyed to
her family
and
and seeing
the
theme of
these
malditas
obsessions
and
those
that
Lucca
has a
woman
she has
a
story
that is
a difficult
and
summamante indigest.
Resulted that Yadida, when
it was, let's say,
adolescent, but yet, in the age
adult, 17, 18, 19 years.
It's a person
very calliated, very insimismada.
Inclusive, with
her family, began to be very hermetic.
No, they'd say nothing.
It was a grand part of the day in
her own situation.
If it was exclusively
to bein'nard, to beauntary.
and,
and out of that
never
never was
in
a house.
Abitation,
Pocas
interactions,
Salida.
Nobody
knew of
his life.
Nobody
knew that
he was
doing the
time.
And,
and if
were
what
things
could
do you
do
a
person
practically
mud,
absent.
Lucy,
for your
country,
was living
a
time
difficult,
and
a time,
of career.
Yeah,
I had four
semesters in the
career that
was studying,
he did a
question that
he'd be
a career,
and mom
and papa
are very
very much
very much.
For the
future, for
the family.
Apart, the
costs are
not the
time.
Have done the
career
to one
university
to other,
represent
the cost
for those
those
not were
not they
were
not they're
having to
have
been a
lot
to
do you
do
that this
that they don't
count time
of those
changes in
her
and Yadira
Yadira
the isolation
seems that
he sent
very
very bad
I'm
I'm talking
this
that has
had to be
with the
last
two decades
Lucy
the day
of today
no
they're
the
one of the
mother
and no
want to
know
to know
to
know
to be
a reason
to
a reason
in that
Yada
she
Her abitation, the
the place that she had
to be in-serridden
all the time,
always was under
the key.
Of course,
for the part
interior of the
room,
just in the
door,
had two
secures more
added.
Yadina,
no,
I didn't,
and if she
was in-
there was in
that they
were to be
to live with
with nobody.
Lucy,
in some
moment,
intended to
talk to
talk with her
but this
did you
did you
And a day, Yadira's
he'll forget to
close the door.
It was made her
open upyart.
Lucy's
invented
excuses.
She invented
for
there.
He was
looking a
pluma,
that was
more than
that was,
that was
that maybe
is that
is quite
sure that
a car
that he had
had
made to be
his
nobio
is that
he was
that he
had
in some
day in the
house
and there
was
there.
Mintieras.
I'm
to be to have her mother.
And the day of
today of
not
know if
is a repented
or no.
But he
did so
a lot of
what he
found out of
his
her mother
until that
the day
to say,
I'll
say,
I don't
say,
he doesn't
know what
he's
when he
got to
an
environment
an
aroma,
arom
a serca
a car
much
time.
The
the
the
top
he's
a
kind of
a
lot of
some of
something
that's
something
you're
little
you're
to present
attention.
The
place
was
a
rare
a
air
a
spese
and
a
very
something
to
feel
the
the
things
were
strange
not
not
the
house. It was like if you had
entered some kind of
a little bit of a burbuck
in the way you
never a place
not you're
in the world,
in the
which was being
vigilant, and
something that
was there,
no,
I'd
want the
the sensation
of a menace
imminent
was in
that place,
in every
skin,
and she
didn't know
because
there was
a camera,
a
and the
place that
was designated
for the
the
the roba.
The
Rope of Yadira
was supposed
that had
to be
there to
be used
rare to be
all the
top of
the
side of the
room
in the
room, just in the
the
house.
Why is
there so
that's there
that
all
that
in the
closet?
And
one
once
he invented
reason
he
went
to the
closet,
opened
the
door
and
seto for the
next.
Repisas
in each one of
the
parades,
forming
as little
altarsitos.
In
one of the
altars
had a
little
statues
that
quite a
terrible,
that she
never
has never
has
never bused
of
that they
are she
are you
are they
weregolas
things
that were
things that
were
like they
were
like they
were
besties
with
comelmiss
and
garras
All humanoides,
all monstrous and terrorers.
At the side of each one of them,
photographs of people
that were, or,
or friends of the family,
or people of the recindary.
All those photographs that were there,
all those subjects to those
were the ones that were
in the past year and a half,
two years,
they had occurred,
or an infirmat,
or a disgrace, or an accident.
You know what is the
worst?
Two or three
weeks
entered
that a
resident
in a
accident in
a accident
cerebral vascular,
some situation
in the
they were
that they had
been caught,
and that
had hit
and it
was toning
on something
on something
and he
was finally
and he
didn't
know a
detail
because
not are
people
but
you know
what is the
problem
that the
photography
of that
that this
the
old
those
had
perforated
when
this
he was
he did
he'd
he'd
he'd
talk
to be
a
fear
he had
a
pavore
you know
you
was the
worst
and this
was the
reason
for the
lucy
was
she was
that
one day
when
was
I was
day
was
just
had been
a
some
had
had
only
he was
acercough
and he
he said,
Hermanita,
no
you know
you
know you
know you
you know
that I'm
some
some
I'm
some
that I'm
so that
so
be partate
well
and not
me
make
to use
and
you
that
was the
last
that
one
one
she
did
a
other
and
they
passed
more
the
two
years
if
some
have
vivid
something
this?
Compartemel
here in
the
comments.
Imagine that
you're
living your
life,
you're a
way
and a
very
very much
and they
they'll
they're
that they
had to
part to
another
world.
But you
don't
you
don't
because you
you're
seeing
you're
the story
of
a strelia
and
here
we're
going to
let's
the
spiritual
or
the
supernatural
is a
a world
of
which
we'll
have
many
data.
There are
many
things
there's
there's
there's
many
ideas
in torno
to
what
what
thing.
But this
story
that I
want to
this
one of the
many of
those
that
that
that we
make
that
independently
of the
theories
it
can
be
there
there
there
there
there
result
that
the
one
the
day of
today
of
a
35 years, that is
mother-of-family,
has a
anecdote that
lived when
was a
little bit of
a little
when she
was a
little
about five
years,
he was a
only encounter
paranormal that
had been in
his life.
And it
was a
very that
that
that is
that
there is
that the
other
other side
there
there
there.
Resulta
that there
was a
there was
a-a-a-wela,
that
was
very
very
grand in that
then.
I don't know
exactly what
age
has a
time.
I don't
know a
person who
she was a
couple of
a few
in the
time.
She never
was a
mother of
Estrellita,
the
sobrina
of this
tia
abuela,
was the
person
that was
a
person who
was a
day,
he's
when Estregy
had this
age,
no,
I didn't
apego
with
this person
and more
well,
for
it was
one of
the
first
moments
in the
one of the
time
the
death of the
mind.
Understand
that the
people
have
a cycle,
have
a moment
in the
that you
know,
and even
you
want to
see,
if you
want,
you
don't
you can
be
to be
you
get to
think
those,
you
want to
have
to do
something,
something
something
maybe
ritualistic,
something
maybe
that may
be
more
more
more
creative,
but
not
you
can
to be
to be with
your
eyes.
But there
when that
that's
she was
her
she said,
your
my
was a
bad at
the
way,
and then
we're in
going to
see.
But
right
you can
you can
record
in your
heart
and
you
see
there.
Stryl
she
was
for
complete
this
that was
saying
her
she
had to
understand
but
he
did
he
no
mom
I
can
I
can
be
there
is
there
behind
of you.
The mom
she put
the
pig of
the
the cat
and then
he's
he's
and he
he's
not you
know,
you're
saying,
I'm
saying,
but
I'm
don't know
my
because
you know
she's
that you
don't
she's a
she's
she's
that
when
she's
a
age
that
that
almost
six
months
was
living
every
all
the
day with the
presence
of this
tia
she
be there to be a
quiet
and she
not to
another
the house
but she
start in
one of
the other
of the
room,
she had to be
a room,
and there
there was
the bula.
And she
she was a
little.
And it's
there when
the tita
of
Estregyita
she
is a
little
to the
little to
the tito
in the
house and
he he
he's
a girl
the
You're going
the titan.
And he
says,
yes,
he's there
in the
corner.
And he
he's going
and he's
to ask.
And what
says,
and what
you're
being, he's
pretty,
he's
and she's
and she
is a
smile.
And he
says,
no,
you can
say,
to me
part,
that's
that's
that's
time,
it's
it's a
moment that
he's
he's
there
and we
he said,
I don't
say that's
something
that's a
very
grosser?
And he
said,
no, my
ita,
when we
we're
we're
to get to
get to
get to
get to
but
your
abelita
sometimes
was
being
you can't
say,
so you
you're
and
she went
to
the
corner
and
I said
I
remember
perfectly
narrator
that
my
my
t'
about
my
my
I'm
back
I'm
back
and
I
said
you
you
you
He says that you
if we're
if you're
there.
So,
so I'm
and I'm a
narrator,
like front of
my eyes
he's
he's
and he's
to be
to be
never
to see.
And never
ever since
I've
never since
I've
ever
ever
to be
that
there
is this
God's
me
going to
me
she's
and my
mom
and you
you
have
a
other
other
side?
This story that I'm
about to tell you
the story of
the story of
of the odio,
of the
that's over
that's over
that you
go to be
to get even
after after
the other
that's
that never
to be to
get to
get to
let's
let's
live it
to live it
and here
we're going
to talk
her story
in this
episode
that I'm
talking
of
the
situations
that
in the
situations that
there's
not
there was
this story
I have to hear it a lot of
many times.
So,
for the
people who
have been in
this situation
that's
I've got to
do you
have to make
a lot of
animathing as
you know, but
you have
to hear
this.
It's
supermente
strange.
Resulta
that in
a country
in a
South America
I
a family
that
had a
whole
his
normal.
One
day
they had
a
one
his
This
he's
a
way
a
way
his mom
from the
moment
in the
he has
a
great chance
to him
something.
Something that
had
happened.
The
sir,
was a
character
rud,
of a
character
strong,
but not a
person,
a
person
un,
a person
without
a person
without.
But with
this man,
it was
he almost he lobeau and he revolvee
the tripas.
And all the
first years of his
life,
it was a maldita,
maldita totally,
at all grade
that this
little this
little bit of
a contact
with his mother
and there
was another
situation
very strange
that no
had a
same
this
was the
last of
various
brothers.
He was
a
brother of
a number
Frida,
he had
a man
of a
named Carlos,
he was a
brother of
a man of
a man
of the
another of
the name of
an
brother of
a manna
but a
he,
he put
Otto.
No,
it was a
man
common,
not was
a man
that nobody
would
but in
the moment
in the
mom
he said
he said,
Otto.
And since
he was
to try
from
very
little,
I'll
say it
was like
it was
like if
represented
all
the
other
that that
was a
enemy, like
if it was
something that
not
me should be
a more
or a
carino.
And that
he's
a lot of
other than
other
because Otto
was
advancing in
his life
and all
his life
was
treated
like the
fatito
feo.
Like the
little
that no
was
that
repudiated
was always
a
very unjust.
In
occasions
the
father of
Otto
he
had to
get a
a
good
and
the mother
like
fier
she
put in
the
two. And he said, no, you're
chifling, you're going to
throw. And he was going to
try a feo,
of a way disconsiderated. And
I'd say what worse,
unjustificantly.
To his brothers
they'd buy them
new. And the
roba of the
brothers that still
were well,
no, they'd
passable to Otto.
A Otto,
only were
all the
robes that
were in
aguehated,
percudied,
that was
totally, that
was a
reala in
very bad
state.
It was in
occasions
in times
in back.
In occasions
in
occasions,
but you know
something?
Of the
the worst
situations
a
sometimes
are things
because
Otto
started
is a
independent
from
very
little.
And
since
his 15
years
he
started
to work
for
he
he
started
to
do
And so he was
one and
other
because her
mom
was like
he was
in making
to make you
know the
because
it was
this relation.
Otto
not had a
minor
idea.
And if
they had
a
mom,
so they
instantly
was block
and it
was
was
so
so
that's
so
I'm
so
I'm
not
so
it's
something
very
that's
that
from
He was advancing the
of Otto and Otto was a
because he
started to
get very
well.
Lamentably,
when you
have damaged
so much
there are
very
profound.
And Otto
was he
was he
was he
was able
very little
determined.
He was
his
business,
he was
he was
very well
but
he was
a very
very much
very much
only
Elvira is a person
that also has
had been a
life
a different
situations,
different circumstances,
but in Bona
also with Otto
is like
if you
understand
his soled
and their
relationship
more than
a relation
of a
relationship of
a
relationship.
Ambo
are one
for the
other
and of this
relation
that
beautiful
of this
balsamo
between
Otto and
Elvira
surge
an
angelite
Gretel
why carajos
he's
he's
a name
that's
a name
not you
don't have
the
idea
because she
he was
he
he said
he said
you know
and this is
very
rare
and Elvira
the
wife
of Otto
no
he doesn't
know
we're
not the
day of
and she
we've
talked
we've
we've
we've
we've
we've
decided
that we
we've
we've
we've
to put
a man
was a
name that's
a
Our daughter is
she was to
call it
like a
little
we're going to
do
a new
not you know
about how
times
we're doing
how many
the time
he was
he said
Grethel
no
I'm
my
my name
she
never
never
had
mentioned
of all
the
lists
of
the
names
that we
haven't
used
never
never
mentioned
that
why he
did
that
he's
so
Otto and Gretel
had a relation
tremendous,
a carino
special.
It was like
in the moment
of the
birth of the
child,
a part that
Oto had
had
had been
he was
he was
what I
could say
because
he was
that he
was
that he
was
but more
than a
simple
it was
like if
you had
recovered
something.
I don't
you
don't you
have been
you have seen,
he,
abrassing
a baby,
and standing
with her
and talking to
but with
an idiom
to adult to
adult,
you know,
you'd
think it was
that I'm
that I'm
a lot of
and when
he said,
O'to,
you're
talking with
a baby,
intent to
use other
words,
intently
to stimulate
her,
I'm
a little
more
with her.
He said,
it's
certain,
I don't
know why
I'm doing
this,
and I
just to
play
to play
with a
Bebe, but a penas he
He'd just
She'd be abysed, I'd have been
Abasada and he
started to
Oh, I'd see
I'd be here
I'd be here
and I'd be
very well
narrator.
It was very
strange, but
you know,
I'd know
I'm a
really a
rara,
but very
beautiful.
My
husband began
to be happy.
My
husband
started to
have to
that part
of the
the
backio
was full
or, well,
for
our
a little, but, but is that
a little bit, a
wayco, a difficult
to fill a little, something
a headache, that was
too, that was impossible
to put subsanar.
And the last
my little bit of my
little bit, but, well,
not just the
relationship, the
relation that
I developed with
her, and
were passing
the years, and
a narrator,
when my
little,
when my little
two and
she,
discover in a
affixion.
I know.
I don't
I don't
I
like that
but
they're
going to
do you
know about
the
theme of the
second
year and
they're
all the
time
reading
documentaries
they're
looking
people
that are
in
around
that
they're
they
talk
because
when
appeared
the
internet
the
two
were
those two
were
those
were
my
My daughter,
and learned
Russian,
only and
exclusively
to be able
to learn
articles that
were in those
other
books related to
the Second
World War
that were
in those
other
other
other than
other than
other than
a conversation
profoundism
but you
know,
but you
know,
it was a
very
strange to me
because
it was like
if they
were like
if
Like when it was a baby and it was a cragatita and that was like if there were a
the time of the fund, of the that they'd have been in some type of lapses of form of
to be that's a lotte of the day-a-day.
When they were in this theme of the Second World War,
they were other people.
Not for mal.
They were others,
nothing more.
Let's
I've got
a voyage.
When my
daughter
my daughter
I'm going to
get a
visit of the
Holocaust in a
country of
Latin America
I'm
knew where
I was,
I thought
was a
place that
was a
lot of
people
that were
to
the holocaust
I,
I'll
get the
the
year.
And
narrator,
what
what was
that
did
that
had said
that
I'm
not
I'm
no,
I'm
to say what you
go to
you
and he's
when they're
to the
Holocaust
I don't
see if
they're in
a
movie
a photographia
but
Gretael
me
told that
his
father
he went
totally
totally
like
in a
trance
and
he
said
that's
the
camp
of
concentration
where
we
were
we
we were
we're
we're
we
we're
and
I'm
I
said
I'm
the
the
the
the
the
the
the
she was
not we're
not
he's
not
and he
got to
the
camis
and he
was
a
line
that
had
had
a
make
the
and he
said
the
the
the
she
was the
not
he
was
not
he
he
used for
here
and
I
he
and
I
get
so
then
Gretel
he
he
he
to
his
other
cost
and
me
me
said
how
your
your brother, to you
to talk the other part.
And,
also me
and I
never over-
and I'm
saying,
after the
first of the
records,
Mama,
it was
like if
our
head
had a
but
had a
thought,
we've
we've
in a camp
of a concentration.
And in a
moment, in
my mind,
appeared,
and now
all that's
a sense.
He's
a narrator.
I wanted
because I
didn't
because I
didn't know
the demonious
she was about
Ruth.
He had
some
eyes
and he was
really
of the
and a
father
he was
with all
his
heart
no
he could
see
that we
know
now
that I
know
I'm
you know
he's
he said
that I'm
that I'm
not that
was the
mom of
Papa
that's the
The Enfermerer of the Campo Nati.
Narrator,
me
showed a photographia
where she
saw a little
a little
a woman,
and you
can't
have a
same mind
of my
mother.
What my
husband,
Otto,
and Greta
Kren,
is that
they're encarned,
but
also the
the
infirmer
reencarned
in the
family.
And for
that,
since
he has
Otto,
no,
he wants
to be
do
do
that's
I'm
saying
that's
a woman
that's
my
wife and my
daughter
he's a
really a
bad person
but
just a
little
you're
a Rettel
narrator
is a
demonio
in life
and you
you're in
the reincaration
and
care
if you
what you
want to
learn
to learn
magic
never
to
do you
people
or simply
protect
and
Vengartte,
before you
should
this
story.
I'm in
a city
in the
place in the
new to
this was the
form
in the
first of
his message
Federico and
from
he was
he said
a narrator,
I'm in
a city
in a
place in
that the
progeria
was
a
moda.
in
that
to
play
wika
invoc
spiritus
to
have
platticas
in
torno
to
questions as
like
demoniac
phantas
phasas
mod
power
the day of day and there, no
there was any question
like that's
like it's
like it's
you've been
even to the
abuelitas
to play a
wija in the
night.
No,
you know,
you know
why they're
these modas.
No,
me took to
me to
know when
they were
when I
was a pretty
never a
about the
time.
You know,
you know,
the anecdote of
here, the
anecdote of here,
but
I'd
I think the
truth,
from my
perspective,
they were
simple
tonters and
games.
Never,
never,
never,
never,
never,
I've ever
never,
never,
I've
heard the
story of
that they
was going
the
wija and
they were
the
wika,
and they
were
and they
were the
same
stories,
what
he said,
so it
was
that I
thought,
it was
years,
and when
I'm
when I
had a
adolescence.
I have a
situation in
that I
am a
way to be able to
explore the
thing of
the magic.
I am
a situation
very good.
I don't
want to
give much
details, but
not I
am a
black palomilla.
Me
interested about
the
magic
black.
Things that
had to
have been
a
little with
a little
also with
manipulate
people,
with
power,
I'm
was there
was there
was very
tempted
in
enter in these
themes.
So,
I was and I
talked to
my mom
and I
loved much
those topics.
My mom
started first
with questions
of tarot.
The tarot
followed
to the
lecture of
the way.
And then
he began
to do
do things
of the
borgia
and then
I'm
a magic
wika
and
well,
I'll
say,
I'm in
a
city in
a
that this
is normal.
And when
he said
my
I'm
much,
me interest
the
thing
the
thing of
the
the first time that mom
me
direct,
Federico,
no
I'd
recommend.
Although you
feel as
a lot of
that you
do you know,
it's good
that you
know,
I'm not
that's a
time?
You said,
you know
has
heard about
the
emeralda?
The
be seen
that we
had been
that's
he said,
I
know,
I see
who's
she's
that
but
but that
was
He was mad.
You're
inventing
all of that
mom?
No,
Federico,
you should
to ask
more.
Preguntal
your
people.
All of
a world
was about
about
about
about
a month,
and
you know,
and you
didn't know,
nothing?
Asked
to your
friends.
I think
that my
mom
me was
a type
of a
bad
a
other
sometimes
had
had
had been
a
some
about
a
person
to
get to
and
I
I think that here simply
he was
doing his
side of
a little bit
and I'm
a surprise
when I go
with my
friends of the
school and
I'm
I'm
about the
emeralda
oh,
all I said
the
the loca
the
loca
the loca
the
the
and I
there's
there's
there's
there's
there's
how you
know
you know
you
you're
they're
in
the
they're
to
get
to be
what
what was
what
was
and
from
From there, no I've
never ever
to get me
to get me to
the time
that has
to be
with magic
negra.
Resulta
that the
story of
Emeraldah
has to
be more
the
magic
that
Emera
was
she was
only
with
her
father.
The
fact,
she was
she was
a
back of a
car
more
than the
house
she
she was
I
did it
was
because it
was
a
Rara. Esmeralda, no
he'd
ever beas
when you were passing
near the house
and you'd
start and if
she'd cross over
the mirada with
the other of her
and she'd
get a caras,
and then I'd
to go and
and see you
and see
and then
you'd
get to get us in
the
house and
then I'm
going to
see her
not a
little,
it was a
rather,
it's when
me said
when me said
more
more of
more of
more of
more of
she
was
but
no
narrator
the
story
she was a very
very
very
I'm very
she
she's
she's
she
she
she's
she
was a
she
was about
in all
the
I
know
I don't
know
I
know
so
I'm
so
but the
point
is that
I
never
had
heard
of this
only
I
just
she
was
she
was
a
he
he
doesn't
and
nobody
knows
what
was
what
has
had been
frequenting
various
circles
and various
times in
those that
they were
marries,
magic
of vengeance,
invocations,
things of
that type.
No,
is that
was that
was a
woman,
but that
was
that I
think,
are the
pieces of
the
stories,
and it's
like
all the
armado
and what
I
get
to understand
what
I
know,
result
that there
a person
that says
that is
he will
do a
job
that is
but
that cost
triple
he will
costar
money
and it
will
cost to
and
it will
cost to
something
that
not
how
it will
be
going
and how
is the
only
thing is that
not
is that
not
there
is
not
that
but
CASE
And then
when
me
told that
part of
the history
I said
I said
wait a
see what
what
happened
they're
going to
the
after the
after
she was
that
and time
they
they were
going
just
to that
that
time
to buy
different
things
that
probably
were
or
some
or some
type
of
a
posima or
something to
do what she
was doing
in the house
that you're
going to
tell you're
not going to
tell you
know,
now you
know,
and one
day,
they're
the police
to the
house
to the
house
abandoned.
No,
it's a
house,
no has
no,
has,
it's
all the
recives of
the pay
where you
don't they
have been
a
A lot of
people to
creditors,
persons to
those that
were the
money,
to pay them
and they were
they were
there in
and they were
there.
And they
was the
police because
the papa
has been
has been
has been
a
five months.
So,
they were
to do a
investigation
because
someone
in some
family
of the
other
was to
get the
denuncia
and they
went
to
the
narrator. This, I don't know how
obtained the information, but
they're, they're
that they're in a
form more animal-ska-keumana,
without rope, with
the a-o-na-women, and the
hair-largo, and
his papa, was practically
in the wessos. Seelia
vivo the Lord, not sawed
how, no idea, and
Esmeralda
he had
wrayed
in the
whole the
word
Papi.
Papi,
Papi,
Papi, Papi, Papi,
Papi, Papi, Papi,
when
came out of
the policeies
and they
went to
this
sir, when
they were
in the
ambulance,
Emeraldah
those
and said,
Deh,
my
papi,
we're
playing,
de'
my papa,
we're
we're doing.
And then
they're
to say,
he said,
like if
there was
other
person
in her
what I
think
my mom
because my
mom
no more
me
want to
talk
about
about
about
about
the
abus
he art
he
hurt
he
I
did
that
they were
much
for
for
that
so
not
not
is
not
so
not
so
to
want
to
want
to
and she,
all the time
that was
doing that
was doing
parts of
of his essence
spirit or
a soul,
because
now got
of her
and that's
they were
to get them
to the
manicomio.
Because when
the papa
they were
to the
ambulance and
he was
from the
house,
he said,
and she
said that
in that
instant
he has
the reason.
So,
so,
narrator,
it
seems that
I'm,
I'm,
I'm going to
to continue with the idea
of the
idea of
the
question to
questiones of
magic
black
because
I don't
know
I'm
don't
so I'm
don't
get a
idea.
And you
what
do you
do
the
place
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if
If I'm
permit is, I'm going to
tell me
about the
demonies in
the political.
A subscriber
me made to
a story
that's
my first
that's
heard of the
whole of
the time.
And because
if what
he's
talking is
really,
ohhala
that never
me to
with Baltasar.
Baltasar
is the
Tio
of the
subscriber.
And the
subscriber
me
a
question,
the
sufficiently
let's
say,
without
detail,
like to
not you
know
you know
you're
he's
he's
he's
he's
he's
a lot of
that's
a
family of the
family
of the
maldiction,
that's
that's
in generation.
In that
family,
since
you've
done
a
time,
there's
there's
there's
there's
the
other
there's
the
there
and
there's
the
there
and
we
liberate.
The family of this
subscriber
live well.
If not
are first for
problems
economic, they're
to be problems
of health,
and if
not are
problems that
have been
with relationships,
with
friendships,
but are
families that
never
have a
ability.
And this
do they
have
passing
to generation
in
generation.
They're
that
that's the
causeante
of all
those,
but that
is better
to live
as miserable
and
to be there's not
but
continue
with the
promise that
is made
a family
has been
a year
years.
They're
they're
they're
they're
they're
they're
a
one
a book
that
a
money that
a
money
in the
part
of the
and
he had
a
kind of
a
kind of
kind of
cut
and
other
types of
and
the
things
that
was
what was
that
that
the
It was prohibited to bring the
book, much more
prohibitive,
but what
definitely nobody
would be able to
be able to
make the
book.
It was said
that there
that was the
book contained
the secretos
that one
once this
demonio
he was
a family
and that
a brother
to be
to be
the mal
that this
person
caused
he was
he's
a
dead
the demonio
in the
book
and he
he, he,
he, and his
descendants
were going to
be able to
simply
people
that were
there were
in custody.
Until
that he
was born
Balthasar.
Balthasar
was a
subject
ambitious.
Baltazar,
since he
had his
11 and
12 years,
a difference
of the
family,
that only
assume that
was some
that really
and I
saw
all the
vicissitudes
as
something
that's
something,
Baltazar
asked
and why not
just that we
we've got
the book
we're just
we've been
and we've
so they're
saying
Baltasar
but no
the mission
we're
the
and I know
that for
many of
you know
this
but this
family
was that
was
that
we're
with a
ink
with a
with a
real
with a
but you
know
to know
but they
they're
they're
they
they're
and
while
for something
for something
has a
much
time,
we're
we're
we're going to
the
plato
rotos,
and it
can't
be that
not be
not a
bad
idea,
nor is
a
bad
planeement,
but
there was
there.
Because
a
sometimes
I said
and
what would
if we
would be
to
do we
do we
don't
to make
it
and to
make
it
Balthas
also
there
some
little
gotas of
the
darks
that
were accumuland
they were
in a
mancha,
then a
charco,
and then
a rio
imparable.
Because when
it was
his
majority of
age,
amortas
a family,
to the
courtos of
the
book,
he mow
the
book in
front of
them,
and
they say,
the
legend,
the new
legend of
this
family,
that the
quarter
was full
of
a
putrefacto and a voice
profound,
that he said,
What do you
and he said.
And Valtazar
just said,
to them,
let us,
and me,
give them
all.
Baltasar,
is very
strange,
because for that
then he
not had
studies,
not even
even when
was a
person adult,
and,
and,
he was a
breaka,
that was
constructing
a way
very
a career
political
in
the
altos
mandos
it was
like
it was a
thing
it was a
thing that
I'm
not a
idea of
the ambition and
it's
a
other
there
was
a
so
the
subscriber
he
is
an
I
say
because
baltas
al
day
of
today
of
day of
day of
he
is
a person
that
is a
person
and
he's
he's
there
have
certain
From
reportages
that have
appeared
where they're
in the
and they're
linkkeen, where
the periodist
of this article
first was
first was dead
and then was
he was found
he was
there.
There were
some
the judges
that one
they put
in
contra
of him
And, of
actually, when
they were
on
front of
cameras,
they said
that it was
a moment
to
have
the
corruption.
And,
you know,
they
they were
many
things
to
them,
when
they were
to
interview
to
be able
to be
discus
and
they were
disacertated
,
and
they
didn't
of the
carsel
not
didn't
not
didn't
not
a
but
Baltasasas
those,
Gusts
that are
known
is one of these
people that
that's a
person who
really
and in the
years,
has developed
a good
special for
help to
visit a orphanatos
that
visit frequently.
His family
not want to
have
any relation
with him.
No,
he doesn't
have any
contact with
that
that's
not just
because
he has
had done
the
because
not us
have
a
beneficia
not they
don't
want money
soo
no,
but not
not just
no,
but not
they're
not even
to have to have to have contact, because
they've got to have contact with him,
or another once they intended
to have relation with Baltazar,
and you know what happened?
Resulta that they've given a
house, that not is a house,
is a mansion,
and he was going to give the opportunity
of that they'd have a question,
but it's probably that he not
he doesn't know,
because the familyarys
of the child that we're going to
tell that,
that front of those,
Baltasar's put to
and of his
and of his
and it
a voice
that was
a voice
that was
that was
that was
that was
the same
the
eyes of
and now are the
eyes
of the
bestia
the bestia
that they
had been
that
they were
the bestia
that had
captured
and the
voice
so he
said
this is
this not is
his
little
this is
not you
go
those
I'm
I
want
the
family
not
had
nothing
to
say
there.
I know
there
was a
rastrow
of
a
and he
have
been a
years
and they
know
more
and more
of
these
other
people
that
are
that they
know,
they
they
not
they
are
with a
demonio
ancestral.
It's
something
else
here now
something
new
from
exclusively
on
Paramount
Plus
it's
the
series
Stephen
King
calls
scary
as
hell
everything
Anything here is impossible, but it's also real.
Sci-fi vision calls it the best show streaming right now.
We're running out of time and we still don't know the rules.
Don't miss what the movie blog calls something you need to watch.
Saving those children is how we all go home.
From Binge All Episodes exclusively on Paramount Plus.
If you're going to tell you the history of the possession of the Tia Lola.
In this episode that I've told stories about families that have shared,
legions,
legends
family
and families
maldits
and sortilegues
extra.
No
we could
have done
without this
history.
Resulta
that in
the family
of Nancy,
all
know a
legend.
And is
the
legend of
the
Abel
Lucilda.
Not
a
old
old.
It's
a
20,
40
years
since
that
it
was
public
for
the
family.
Me
And he says Nancy that in his family,
creer in the paranormal,
is 100%
a fact a reason
of this that I'm going to
to tell you.
The abuela Lucila,
was an abuela,
was a girl,
that was,
a, we're, let's
a bit of
a girl that
had a form
to be a
leader,
very echada
and not they
liked the
structures social
of that
they were imponied to
do that way
to her
he was to
do it
and she was
what I'm
this
what I'm
to say
what I'm
going to
not the
fact that
because
they were
the
things
different
now and
you're
going to
understand
why
the
abuela
Lucilla
had
a
nobio
this
novi
was
fanatic
of the
movies
of
the
film
and then
they
heard
about a
a movie that
was about
to start
to start us.
No.
I see if
for first or
either the
moment in
that they were
going to
go to be,
but yeah
had much
time in
cartelera,
because
the other
the
pictures in
cartelera
durable
much than
more than
than
more.
The point
is that
were to be
the exorcist.
They've
had been
many
things,
that the
people
were in
there
posseididas,
that
it appeared
the
same
the same
diablo,
that had
had been
have been
the
cellas
and the
so that
even the
lucilla
he
used to
the
things with
the
and he
was going
to
do the
way
I'm
was going
a
risk
unnecess
but
his
nobio
was
obstinated
that
had
to go
to
go to
see
the
time
went
the
day
that
the
day that
was
the
cinema
still
still
something that was called permanence
Voluntary in some parts of
some countries.
That significable
that you could
get there sitting in the
cell to look at
and not so it
cobrava extra.
Methods,
styles,
forms of the
end this
movie had the
permanency voluntary.
When they were
to come down
with the place
and there were
people that had
kept there from
two functions
atras and
you were you
notabas
because they were
bad,
MAL.
A person
with eyes
that no
is a lot of
the screen
was in
black,
the light
was a tenue.
Dava
the place.
Dava
was much
fear.
Lucila
was thinking
that no
had a
sense
to be there
and see
people
that way
not
they'd
like
nothing
of a
little
they're
sitting
on two
ascentos
to
have two
acy
that was
that
did a
a lot
of the
movie.
Conform
it was
advancing the
movie,
Lucilla
Sient
tension, but
the
is that
had the
expectation
that the
thing that
was
that it
is not
that
really
so
fear.
But
his
the
part of
being
being
being
getting
and
being
and
being
a
so
that
he
going
and she'll note because,
although not is an expert in the language no-verbal,
you know-no-verbal.
Yeah, he's because they're three years
together, you're going to
to come to make,
and they're going to do,
then they're doing
serious, you know,
with who they're trying.
And she started to not that
that he was going to
when he was just only a man
and he started to mordered
the in-dice of his
right.
When he started to do that,
and then he was,
froncue the intersejo
and he continued
doing it,
he said,
this
was bad.
Then he
saw that
he was
the car
he was a
petuf
groin-t
totally
enojated
the type
and the
feet
was there
was a
blockiated
this
type
enojidiss
no
I know
in what
moment
exact
of the
but this
type
so he
so he
so he
he got
he met
against
his own
against
his own
and he
doesn't
I can
support
this
a basura.
It's
par and
it's
that
simple and
simply and
simply and
simply
simply and
left a
one.
The
movie,
he
wanted
before
two.
All
the
movie
from
the
first
not
to
not
the
sound
in
mass
in
grup
in grup
in
grupal
no
and
grittos
that
significable that for
the audience
the movie
was complying
its function
100% and
even more.
There were
people who
had seen
from how
came they were
that was by an
attack of
hysteria because
they were
at a point
to have
the control
of the
time.
And now
it's a
nobio,
the
that was
going to
and being
a
good,
she
was molesto.
She no
she noj
she no
she no
she no
she no
she's
put
of the
way and it's
and he
did it.
At the final, she
didn't seem to
be able to
that people
that were in
the same
hours of zombies,
to be there,
and with the
eyes injected
and with the
eyes, et cetera.
She, no?
She,
she was going to
be able to
see it.
And when
he,
this type,
no, he
did not
the word.
And he
is coming
and it's
mostitissimo.
And
almost
one of the
passes
those,
it's
that's
that's
that's
that's
enojured and
vociferate
one and
other way
that's over
that's
how they're
this porchery
and words
about this
altisone
that I'm
going to
say you
put them as
you're just because the
when they're
back to her
know,
she's not
he has
no,
he can't
reactionar
more,
never I've
seen so
that I've
been doing
that's a
little bit to
that not
going to
cross a
car
without
that
not going to
to try
to put her
a person
that's
not a
never,
she's
she's
quite,
they're near
about nine
quadras
Lucilla
was totally
sudada
and this
type
all sudado
with the
punch
just
he
and she
he was
she was
she was
she
he said
he's
how
caro
they're
to
do that
that
bad
that
I've
seen
that I've
bit
a
piece of
porqueria. And Lucila, finally,
of that, even though you're very enoged,
yeah, yeah, he's not doing the
word, yeah, he can't do something. And then,
he says,
me you can't explain, for
favor, tantito,
why not we're going to get us, and for
why me you're like a loka,
sighingt under 10 quads? And
he, he, aprieta the punos,
and he says, no, no, you know,
You've seen the
basura
that we're
doing
and she
she said
well,
I don't
go to
her,
I'm
to go to
you.
But
not you
don't you
think
the
people
was
a lot
to me
I'm
not
and I
was
and you
and you
are
you're
so
I'm
you
can
you can
you
can't
you can't
you
can't
you
know
because
because
a
person
that has
a
person
that
is
that
is
posseida. And Lucilla
he put a look at
well, of what carajos
you're talking you? And he
he's going to say,
yes, the poor
little bit of a
baddement mental and here
they're like, if it's the
daughter, she's the
daughter, she's the
devil, what thing more
stupid, what
thing, like,
with less tacto.
And Lucida
he says, no,
no, I'm
so you're a
psychiatrist.
And he's
no, you know,
you know,
you know,
Well, you're an engineer?
Of what are you doing?
How,
how one person,
not you know,
you know,
you're not?
They're saying
that the little
no,
no,
he said,
Lucilda,
no,
me vengas
with that.
So,
no me be,
not those
do you know,
those people,
they're doing
it's a
little
and they're
putting there
like if they
were the
child,
they're not,
they're not,
they're
not sure,
they're not
they're
doing the
people who are,
and Lucilda
he says,
I don't
what
carafs
it's going
never in
the life
we've
talked about
about
problems
mental
never
you've
never
I've
ever
I've
had been
to be
talking about
and you
know it
you're
don't
health
to be
let's
tell me
I'm
you're
I'm
a new
I'm sure
I'm sure
I'm
my
family
suffered much
the
mother of
my
father
since many
years,
we've seen
of this
type of
things
for the
mother
and it's
a result of
it's like
she were
a little
she's
a little
she's
a bit
your
tia
was a
little
she
she
she
she
had some
there
was
there
was
malita
she
she
started
to
get
to
was a
infirm,
not
posseida.
And your
Tia
was
to say
things that
there's
that she
could be
that she
gave to
that's
she was
a Tierra
shismos
and you
have thought
that you
have been
a
person,
and then
he said,
the
the nobio
of my
abelita
she
kept
holding
to the
person
and he
he said
you
you've
you've
seen
another person
to
the
long of your
life
that
does that
does that
that's
we've
seen people
that have been
some people
have seen
that's been
that's not
he's not
I said,
no,
no,
I've been in
a house
of a
second
piece
but
but we
we're
we
we're
we
we're
not
not
that you
was
that
that
was
that
he
said
well
narrator
is the
legend
but
no
you
not
you
the
maybe the tia of that ex-novio,
because not she cased with him,
and was a reason of this,
of that, of that ex-nobio of my
mother,
maybe she could have been chismosa,
but a little.
My abuela was very chismosa.
So, my abuela,
when he saw that he
he was like,
like, yeah,
all d'uandengue,
he said,
Oh, we're going to
your papa.
He was the brother of your papa?
We're the brother of your papa?
No, but I go and I'll
I'm going and I'll
I'm going to ask you.
You're always
been good
good people with me
we're going to
ask her.
No, Lucila,
how you think?
No,
and then we
say we're going to
get us
your papa,
we're going to
your papa.
And the
he washington
a narrator.
They went
to the
sonro of my
abuela,
get on
there and
he said,
Sorero,
I want to
ask you a
little bit
something to
say,
and the
Zora
Lusinda,
for
I thought about more,
Diggam?
What do you
want to
ask us?
Well,
fiches
that we've
to go
to go to
see,
and he
felled the
old old.
I mean
that he
had got
encorred,
and then
after the
reaction of
my ex-nobio
not I
this way
no said
nothing.
He's
he got
got to
so he had
done a
moment.
If there
was there
not he was
not the
information
to my
sueger,
no
me
they were
to
never.
My nobio, my ex-novio,
he quissue, he said,
Papa, I me advanced, because I said, no, this men'so,
this manso, no, you know,
he's tarrated and serrado and so he's
so-as-a-delano, and I said,
wait, p, pelt, wait, p, p-rat.
Yeah, I see that was
he's that he's not,
so let me mean.
Quintem me what,
yeah me said this loco,
that he said,
and he said,
and both, it's,
I mean,
my abuela,
the narrator,
he was
how the
father of
his ex-novio
passed
of all the
colors in
the car,
he's
he's
red,
rojo,
rogo,
morado,
morado, morado,
black,
blanco,
blanco,
and lucille
he said,
I'm going to
get to the
bolza,
me going to
to go to
and he
said,
oh,
sueger,
well,
I know,
I know
he does it
dole,
I'm
he said that
he does
he said to
he's
he does
he's
no,
he's
no,
not to
not to
his
and to end up
we're doing
and we're
we're doing,
we're
not we're
going to
go to be
those things
where I'm
saying my
sweros
and I'm
and I'm
let's get
the box
now
now
now
so it
to
go to
back
he's
he's
he was
a guy
he was a
type of a
character
very
very
a
person
was a
man
was a
man
was a
he
was
and here
Cahillette. But if
my pair has been
Walled in Deble,
this type
had done
he had done.
He was chiquitito.
And he was
with the
hands,
moving so the
deados,
and he
started,
babbuceand
a little and
he said,
is that my
little,
my
little,
my brother,
oh,
God,
so.
No,
we know,
we know
because,
but he
met him
the chamook.
And then
he wants
to interrupt
my ex-nobio
and my
He said,
Papa, no
you know,
I don't
say that
and I'm
a little
and I'm in
the book
and I'm
call it.
No,
you know,
you know,
you
don't you
know, the
sir, not
he's not
your
stuff,
let's talk,
let's go
my
woman,
she
just,
she,
she
never,
she
did you,
she's,
the
old lucy
was a
car-in-
she did,
then,
then,
he's,
he went to
to tell
he,
the
her mother Lola,
he went to the
house and
he was to
read alone.
He started
rizas
and they were
doing a
problem,
but then
in the
madrugada,
they'd
see how
he'd
and he
put in the
side of one
of the
brothers and
the
father and
they were
being
and then
he was
to be
to be
balancinging.
And so
they were
sometimes they
were to
get a
Muda, no
said
nothing.
And a
day
he said
to talk
with a
voice
very rare
the
the sir
said
he's
he
said,
there's
there
comes
there
gaston,
there
get a
cure
tell
that they
say
that's
that's
that's
take the
water
of the
Cards
and
he's
he
and
when
said when
he's
when he
said
But the
of what you're
talking?
If Gaston
not is
here,
Gaston
will be
the next
year and
she's
saying he's
writing
narrator,
as the
hour
and
a hour and
he
got
Gaston.
The
Tio
Gaston
we're
a
family
of the
the
father of
my
son of my
son
and they
lived
in other
country
and
they're
they're
they're
they're
a lot
and they're
other
times
narrate
narrator,
she saw two hours
before,
since that
there were a
way of
that they were
to do you
because it was
in other
time,
I know that
he got to
he got him,
then the
manhaston,
the Tio Gaston
the time is
that is going
that's
that's a
probably not yet
that's a
but that
none of
that you know
that's about
some
no way
that's about
a three-quarter,
Three-quarters of
there,
solto a carcashada
that stridant
that they
heard,
as if
were in the
court,
listening what
they were
saying,
and it's
from the
family
understood that
something
that was
that they
had been
to be
to begilar
and Lola
and a
day
he said
to say
to all
little
secretitos.
I know
you know
you're
you're
you're
you see
the
thing you
did you
I said, I know that you
did you
robast
a little
person.
And he
said things
narrator
that nobody
knew more
the other
was the
he was
he had been
impacted,
and they were
much
because
they were
so it
was that
that was
that
Lola.
They were
they're
they're
they're
not this
not going
to be
something
but
it was
because they
did
much
a
very
a
very
offended
for her.
So,
so it
was the
way of
control her.
And
said,
I said
the
suor,
that when
was
the
little
they had
to be
back.
Because the
the
cell
was
to be
to
get to
get to
a
times
to get
to
five
or ten
centimeters
and then
then
the
mother
said,
no,
man,
be it
she
bad,
she
help them
because
not
to tell
to
the
children
that
was
posseida
or
or so, because they
they didn't
know what
they were
trying.
Resulta
that the
Tia Lola
she was
they were
to get back
and they
not they
put you
in contact
with
nobody
because
they
discovered
that the
Tia Lola
wanted
to have
to have
contact
with the
young
narrator.
She
first was
there
in a
quarter
they were
they were
they
never they
never they
never they
never
they
they
never they
they
just my Sueger was the
was the guy was he was going to
My Sueger in that
then was maybe
10, 12 years
and he had to
go to the
when he goes to
one of the
vicinitos of the
and is in front
of the Tia Lola
yore and
yore and yore and
the Tia Lola
just says
oh, go and
try me another of
your friends
that I want to
talk to
them,
let me
to Huanito
and let's
let him
that if not
come back
he will
to peg more
more
more
than your
father.
And then
the little
he went,
cor and
he said
my
my son
he said,
he said,
yeah,
why is
all the
he's
all the
and then
the tia
turned to
the color
the
eyes and
he
he said
with a
voice
very
and he
said
you
say,
you
call you
you
do you
say
that
I'm
said that
he's
not
not
she
had to
the
but that no
come
to the
and she
did a
time the
when he
was aspirated
because he
had a
odor
like a
pothed
and instantaneously
I'm
the carcahada
of the
tia lola
while
not he
was not
he was
the
the carcachada
the
the problem is that
the carcada
she would have
meted
so.
Always
that she
discuitable
narrator
there were
children
in the
room
and
they were
well,
or
They were
in
a lot of
spanned,
then was
where they
they said
we're
we're
we're
we're
we're
to get to
when they
they're
in the
city
they
know they
not
they're
they're
they
they're
with
a
father's
and
the
and the
father
and the
part
and
say
no
he's
there
there's
so
I'm
there
God
God
God
God
God
and
he
he
he
for
why
narrator?
Because he
of things that
had been doing
mal
and,
and,
but nobody
knew
more than
he,
he's
his concubina.
Dice,
for result
narrator,
that he
he still
told
all the
chism,
the
more
details
not
not even
the
point,
the
point,
is that
she
she,
she preferred
she,
she,
not
, you, and, you, and, and, you, and, and, and, the,
,
Be what you did
my papa
and never
said to
my mother
Lucilda
I don't
want to
have been
with the
family
because in
more
a occasion
had seen
things
rare
in the
performance
of the
her
her
she said
that in
occasions
when
when he
was a
house
and she
was
a
person
in a
position in the
that
only
just
just
was
parted
and
she
started
And then the Tia Lola,
you what you think?
I've had a
disability
or was it
and was made.
And with this
history, we've
got to the
dark fogata
of stories.
Dear Family
Nocturna
that are in
all these
platforms of audio
like Apple Podcast
Amazon Music,
Spotify,
etc., etc., etc.
And I
do the
well-inied
to those
that
came from
to the
final to
this family
noturna.
So,
so all those
who are
part of the
family
nocturna
and all
those
who
One in this episode,
for favor,
revisit the
subscription that
us are seeing
and revising
that we're
on the five
stars.
With that
you know,
form a part
of the
family nocturna
and we're
seeing in the
Saturday of
Sombras
because
we're going
we're going
now.
Now,
Savados
of Somras
of here
and a
other thing
more,
before you
let's be
in the
comments,
what was the
story
that you
think you
to
keep
the
dream. We'll see in the
Saturday of Sombrows. That you have good night, and that
you have your own little nightmares. Bye-bye.