HABLEMOS DE LO QUE NO EXISTE - 7 Historias de Rescatistas en Peligro, Sacrificios Inhumanos y Espejos Malditos
Episode Date: January 2, 2025Bienvenido a ésta oscura PRIMERA FOGATA DEL AÑO en @hablemosdeloquenoexiste El día de hoy les traigo historias que ustedes, querida familia nocturna me compartieron en elwhatsdelaspesadillas. Esc...ucha sobre objetos malditos que estuvieron en las sombras hasta convertirse en una maldición familiar que acecha y atormenta a quienes los liberaron. ¿Conoces de los niños Serpiente? descubre la aterradora historia de Anita y sus escalofriantes experiencias paranormales, escucha de invocaciones demoniacas, brujería y tiembla de miedo con una de las historias mas macabras que me han mandado en el canal, Damian quería ser rescatista, hasta que se topó con un ser de pesadilla, que estoy seguro que , al igual que a él, te dejará helado.. así que prepárate porque llegó el momento de que @hablemosdeloquenoexiste Hablemos de lo que no existe es un canal de youtube con el formato podcast que comenzó en abril del 2022 su primer episodio fue vivo en un casa embrujada en el que una chica narro sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de este canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de este canal , la familia nocturna creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de este canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando esto tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora. El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado
Transcript
Discussion (0)
Lazang surgellied,
Pugance-Moyance-Moyerned
15 minutes.
We're like it's the hour
Dojo?
Prere to enjoy?
Live the pleasure
with Leo Jo.
The casino in-line
that proposes the
most recent machine-a-sou
and the game of
and games
on Big Bas-Bonanza.
Without exigance of
misgents and with
payments instantane.
Hey, I've gained.
Woo-hoo!
Sentire the pleasure.
Play-Ojo!
18-10 and plus,
1-Depos only depose
only depot only depot
in Ontario.
50 tours
on the machine-a-Bass-Bonanza.
DePo Minimimimmonin of 10 dollars.
Veil to pay
of a way responsible.
The conditions
apply.
Biennue
at board of
Viarai.
Embarked and
profited.
Embarked and relax
and syrot
and bookiné.
Oh,
so also.
And profite.
Via Rae,
the voice that
we love that
am.
Welcome,
family nocturna,
to this
first fogata
of stories.
In the
2025,
the first
foggata of
the year
and to
this year,
the stories
that I
have,
are profoundly
terrators.
Today, we're going to talk about
of these legados
familiales, legados,
that get to people
to popers with reliquies
familyaries, that all
are they all
and that's
those are the
dark, and
the worst,
that they've
to get a
to pass to
to par to car
to the devil.
The day of
we'll be
about the rescatists
in danger,
of rituals,
and the
the
Spejos,
Malditus.
So,
so it's
that
first
foggata of
stories, and
if you
want to
part of
the family
and be
part of the
community of
this channel,
it's
simple.
You invite
to you
do you
one.
Now,
so we
start
with the
fogata.
Never,
under
any
circumstance,
and no
important
that someone
to
say,
you
never mention
in voice
in voice
the
names
of the
demons,
or
you
can't
happen,
we
We've been initiating the year, but just
just a few days.
For the celebrations
of the end of year.
There were various families
that were in,
and they were the family
of Jose.
Jose is a subject
that has a whole
life working in
questions related with
technology, and
he has been
but he has
a few months,
he started a new
hobby, the stand-up,
the comedy.
He enchant-in-o.
He saw the
comedians,
he saw a lot
that was a year that's
a lot of
many years
and after
after a month
and a month
and a year
to start
to take these
courses and finally
he started
his routines
because he
will be to
put up to
make a public
to tell his
chisters
and generate
good reactions.
The situation
is that
Jose
no is
a comedian
not is
a person
that is a
person that
is a hobby
that
he wants
a hobby that
is
a hobby
that
so is
that
is that
is
toped
with the
to go to
give
the
public,
how I
practico
this
chist and
do a
reason,
and he
started
different
groups of
people
to the
people who
they're
to be
their
reactions.
And there
a
situation.
In
year new,
he
considered
that it
was a
very
good
moment
to
to
show
to
just
that
only
his
family
has
some
really
really
and
that
comedy, that rompe a
little,
these parangones,
the norms that
are corrects,
he used the
humor
and he adapted.
And adapted,
adapted,
a routine,
a sequence of
chists,
various phrases,
all related
with things,
that,
that's a
certain
they're,
or put
in perspective
to questions
religious,
but he
had the
ceresa
of the
pastel.
The
last two
minutes
he was to
talk in
a sequence
of a
way
and a
practically
learned
all the
memory
all the
names
of the
demons of
the
first,
let me
the first,
the first
that I
was the
first,
and then
he was
to repeat
all the
numbers,
starting
by the
Z
and
regasand
one
one
I would
that is
quite
dangerous, if they're in those things, but in the case of Jose,
what importance
it has, are numbers, numbers that we say all the day,
and that is very probable that,
even the day of today, some of those
have put names, as to some of
his children, because, perhaps they've seen
these names in an anime.
With that idea,
he prepared. And there was the
reunion. In this reunion,
they were divided those groups.
Persons major,
some abelos, tios,
abuelos, and yet persons
above of 50,
they were in a certain
table.
All those who
were in the 30
and 40 were
in another
mess.
And those who
were in the
two to be in
other mess
apart.
It was a
place a lot
and a lot of
great.
And Jose
is there in
the mess
of the
people who
have been
less
of 40
but
above of
20 years.
And as
it's a
over the
overmesa,
he's
to say
certain
critical
about the
religion
of each
one of
the
commensals.
Nota
that
all
they put
incoododod
and
then
then says
something that is that
that's all
that's in
a carcajada.
A tonteria
related with
a relation that
was called
a part and it
was a babosada
very different
for all of
them.
Because,
you know,
he's
being the
chistos,
no,
we're
insults,
it's all.
And it
went,
and it
more.
Because when
he went to
10,
he was,
he started
the names,
but as
he was given
because
had practiced
to work
the
eyes
to turn
to make
to
the numbers of the demons.
There's a situation.
And is that
all the persons
that know
the thematic
related with
demonies,
will be
who have
never have
never had
never been
to take
all that
with a certain
level of
respect,
but also
with a
certain way
with a
certain
game.
But there
other
that have
been
that's
that de
certain
and
they
know
that
they
don't
not
When he said to
hear a Jose to say this,
no he left
to go see to
his last year,
he was, he put
the man in the
his mouth and he
said, in my
house, no.
Jose,
he was distrisedo,
incommod,
he was going to
and the person
he was going to
say, no
won't say that
in my
house, in my
house, no.
And he
was so he
went and he
went to
Jose, he
went to the
reunion,
and after
he gets to
his
story because
not
absolutely
nothing.
Nothing.
I went to
his house
molesto,
what's
a lack of
humor
of this person
for the
person,
for you
to have to
have to
that way
to be
that part
me took
a subject
a subjetable.
I always
had
thought in
him
as a
kind of
a
kind of
I've
done.
The problem
is that the
story
not terminate
there.
The
story
only
incommod,
a lottacombo,
had been,
you know,
many moments
of silence.
Some were
the attention
to the
house and
they said,
because he
had done the
reaction and
were molest to
and they
were not
even if you
had been
not yet.
Because there
a chick,
a chick
that just
that year,
one two,
three
semanitas
before
had
come up
his 30
years,
and it
was
all the
night
and sending
messages
for the
cellar.
She's
not
not been
present to
attention.
We're
that's
of these
people
that's
that
and that
night
in special
had
been
having
and
and that
for a
family
for the
city
and that
was
to
go
and
they
were
to be
that
I'm
I'm
because
she
she
did
know
when
practically
the
house
so
she
been
all
had been
and she
and she started
and she's
very
very
very long.
He's a
more of 15
kilometers
of where she
was going.
So,
so he
asked to the
house and to
her mother,
that she
could be
to be the
night to
get to
to be in
the
room even when
they were in
the conditions of
you're doing,
we're getting
that you
know,
it's that
was that I'm
talking to
some people
that
I'm going to
all the chism and finally they said,
"'Well, yeah,
"'quette to
"'dorme there in the
"'sala.
"'And here is
"'where you
"'and are
"'the things
"'interested for us.
"'As you
"'This is
"'Apene as
"'a few days.
"'The story,
"'it's
"'recent acquired
"'for the
"'one to
"'soe is,
"'this chick
"'of'
"'a.
"'A her
"'lacke-a-all-a-
"'the-cucked
"'the-cucucos "'that's
"'I've been
"'It's about "'that's
"'he had
he has
your
Primo,
Jose.
Not you have
the
minor
idea and
the
interest.
She was
she was
infrascated
in a
conversation.
For
that he
did he
did he
did he
a time
when it's
a little
down the
the
cellon
of the
he was
the
he was
he was
he was
very
strange,
he did
the cellion,
and when
he
put the
on the
place
to the
seat
the
back
the
door
of the
visit
,
commenced to
start
to be able to
let me.
She has
much
fear,
but at
final
he can
be the
house,
some of the
family,
or her
really no
there's
there's a
question,
so it's
the
name of
her
and it
says
Diana.
And when
he
to the
door
the door
and
she
a
little
and she
a
little
the
mind
she
put Soe
palid.
You know,
because
never had
ever seen
that I'm
never,
no,
no,
the other
her daughter
of the
woman,
who's
that she
that she's
a new.
And the
little
a signo,
he said,
he did the
signer
to see the
way,
come to
come to
that.
Soe,
he took a
way,
he was
he went to
come in
back back,
sentia
that was
that I
was in
a
middle of
a
and then when
I look at the sillon,
be that in the rabble of the
eye on the part of the
right there, there
a person sat down,
a person a lot,
the room, totally
inside, and then it's
a moment in the time in the
the light of the above is
and the place is to be tranquil.
But I do you say something,
this house
not is of
high technology
no
there's
not a form in the
it's present all the
switch at the
same time.
She's totally
a sustada
and he'll be
to get her
saying
Diana
diana
talking to
her mother
to her
nobody
respond in that
house is
like if
is like
absolutely
solo
she
in the
sillon
because
because the
fear is
because the
people is
the time
she do a
pass or to
go to
go to
And then, sat down in the sillon,
shears,
and she records,
she's a word of
her own,
she's a person
religious, but
she's a
other than
some of the
moment in the
moment in the
time he's
to read
things,
but a narrator,
I started
to start.
I thought
that a
hand,
me took to
a little
when I'm
going, when
I'm,
I'm,
but I'm
so I'm
where I'm
in front of
a multitude
of people
that are
between I
and the
a smallitude.
I don't
I don't
look to
see them.
So,
are much
people.
So,
I'm
to gogark
because I
feel like
to get the
air,
the
heart is
I'm a
million,
I know
what I'm
doing,
my feet
and I'm
much, much
fear,
and then
I'm
the voice of
me the
voice of
a
voice of a
little
me says,
the
I'm
saying,
I'm
start
like
a
little,
he's
a
like a little, and simply
open the eyes to the morning
next.
He was taken in the
piece in this position.
Brazos in form of cruces.
She, being up,
no record having to be
the eyes.
Recurred to have
had been
a bit of
a lot of
that was what
happened there?
A.
one knows why
this is very
recent.
At the day
next when
he begins to
talk to all
a to
a-o-
spantosa, the
doggio of the
house says,
we have to
get to
a exorcism
or that they
do you have
an other
oration of liberation,
those invoked.
To what
you think you
have been
invoked?
Because I
do you're going
to say,
what Jose
did was
simply
a chister,
no?
And it's
for this
that I
think,
that under
no
circumstance,
you put
to mention
in voice
the number
of demons.
What has
to be a
bibliotecaria,
a work
temporal, and
the same
demonio?
You know
this story?
Anita is
a person
very religious
a raise of
having been
a
natural,
very turvue
and macabro.
She had
had
had been
a
work
clandestino.
The
work clandestino
more noble
and
you can
imagine,
but clandestine.
She was
a bibliotarian.
A bibliotel
that not
appeared in the
listas,
that not
appeared in
anonym
we're a
publiceria
pirata.
Resulta
that
had a
very
a person
very
near her
working
in the
university
in a
library,
of one
of the
different
faculties
of the
university
to the
university to
they're
but
they are
in a
city
little
and
that
the
controls
internal
not
something
that
strong
very,
so
very
so
when
when it
when it's
the
time in the
time
for a
type of
campaign
that has
this
she needs
and she needs
money and
her
and her
she wants
to go
to
vacations
the
is the
biblioticar
and
act
and the
child
that she
that is the
that
they're
a
convenio
and
the
convene
is
cub
me
the
days
that
I'm
to
I'm
the people and, even
you know,
they're going to
know that you
will be in my
place, and with
that's more
than the same.
What is the
work is what you
have to do?
Practically
to come to
the books that
people, but
almost nobody
read.
Practically, it's
being here
sitting and
being what
there's going to
happen people,
that not
do us,
that don't
want to be
that's not
that's a
very often
is to be
to be here.
It's
is to be
to be
a siento,
and with
all the
days.
Now,
you're
coming in
vacations,
and all the
movement that
is doing the
school,
not in the
biblioteca.
Practically,
you're going to
do you're
not going to
be doing
the installation,
no we're
not going to
leave the
place.
So, what
you think?
No,
you're going to
get to
not,
no deches
that's
that's not,
and if you
read books
desacomodas,
accommodateos,
accommodate those.
And it's
more,
nor you
don't you
to learn
that's
to learn that.
Put those
there in the
stant of the
books used.
And yeah.
When I
go and I'm
going,
and I'm
and I'm going to
move.
The work
more easy,
a biblioticaria
pirata,
the
thing more
simple that
could be
ever could
do.
I never
ever
had been
that had
been in
the
the
peor
an
anecdote that
the
thing
the
thing that he
did you
believe in
God,
because
he
top with the
devil.
The first
day
that's
not a
big of the
book,
he gets
and he
doesn't
a
cargette
in a
machine
that's
a check
of
hours.
This
target
had
the
name
of the
and then
when
he
basically
he
put
to be
down
to
see
the
car
and
where
there
are
where
they
were
on
the
we
were
we
don't
the
two
two
miles. It's a little
before. I think you
you can imagine
for the type of
the type of
the apparel
that's
but it's
going to turn
switch
on the
place and
the place
not is a
very much.
It's a
little bit
disordinated,
and it's
this
ester of
books
used,
we're
going to
have much
books.
There are
books
on the
other
his friend
his
other
his name
he did
the
other,
he
he took
a
well,
we're
going to
do this
money
the money
that
will
do you
I came very
very well, and
he started to
recoges
to get back
the stateria
of the
used.
When
it's all
the repisas,
the
all the
messes of
the
lectures that
there's
no way,
and they've
passed over
five or five
hours.
I've
had given the
books one
and
other
other
all the
those
that were
disordernated
and that
part of
the
books
used
now
was
saturated.
There
had
little
Pilares of
books.
She did
know
that her
really
she did
a much
congruency
with a
description of
the job.
Her
amy to
get a
little to
get a
little bit more
if they were
in the
details.
And this
chica,
not for
a
private,
it's
a
person,
she was a
person
, it's, and it., you, and, you, in, in, in, in, in, in, in, in, in, in, in, in,
, in a
barred, trapeer,
trapeer, and start to
the order of
the books,
even to be able
there's
there's a
little.
No,
there's recogator,
no,
there's cova,
no,
there's a
time, it's
a day.
All the
morning, no
enter to
nobody.
What possibility
there is,
that in
15 or
20 minutes,
it's never
he'll
find an
intendentent
and he
to pass
to the
things,
then someone
get there,
and what
can be
so,
it's
preoccupied 10 minutes. In those 10 minutes
sale, he top for an intendant,
he says his necessities, the intendant,
he's alexer, the intendant, he, he says, he says,
and then he says that he'll be able to a moment,
set up to six minutes, and he gets there
with the different things, and he says, he says, no,
for entertainer me, no, there's nothing to do you do in the
biblioteca. When he gets,
he topes with two things rare.
the books that
in the books
used,
now are all
all over there
have been
looking something
because not
they're invented
for all parts
it's like
if they've
separated
the little
and they're
putio
and they're
and they're
and she
didn't know
they'd
they'd
have been
some book
with a
and I'm
not they're
in their
stancheria
and as
that they're
that should
that's
that they're
that they're
the
books
but there
a second
thing
it's
almost
sure that
when
opened the
door
the crystal
of the
book,
he saw
that there
was a
person in the
stateries
that
he was
a new
university
probably
that person
no
should be
there
should be
there
never
will
be
to start
a
place
on
the
little
so
then
I'm
I'm
trying
to
start
to
startpe
not
the
person
because
because
no
there was
for
to be
to be a
should have
had been
much more
more
more than
because
when he
was the
last time
she was
a lot of
she had
had
barried the
first part
and trapeated
the
first part
and
in the
second
part
of the
when you
know
when you
know
there
there
in
any
stateria
to
who
he had
been
he
When
he'll
your
right and
be at the
first of the
first
instant of the
those who
are in the
time,
that someone
is still
she's
she's
she's
she's
she's
what you
need to
you know,
you know
on the
sun
mojado
and
he's
going to
and when
he gets
at the
last of
the
end of the
end of
there.
Another
again,
again,
again
again is
here,
who's
I'm
going to
give
us
I'm going to be here
some days,
digam me that
they need to
and with the
and then it's
a lot of the
way.
Now it's a
way.
Where is we're
moving?
The stateries
out of the
messas
get to the
and in that
one of
messes,
no there's
a lot of
you're going to
bring you
back,
so stances,
messes,
estances,
messes,
nothing more.
No,
I can't
start at
the initial
and teletransport
me at
final because
no
there's
form in
that I
pass
on the
other
this is
extrano.
Then,
then it's
to do
the
image.
What is
what I'm
doing?
Because no
it was a
person,
not the
rostro,
not the
car,
what it was
a man.
It's a
man in the
that's
that's
that's
that's
what I'm
that you
know, but
it's a
man.
And then
then says,
who's
here,
you've been
your
man,
when he
to look
to the
front of
the
other,
there's
there's
six
hands in
different
levels of
the
stateria
and the
estanteria
and it's
she's
to say
to say he.
He's
to talk to
the intend
he's
he said
that's
that's
that just
two
passions,
but that
they're
to
do the
time,
it's the
time of the
hour of
the
time you
not
that's
they're
to be able to
get to
get to
the
problem's a
mind.
The
intendentent
he's
he's
that's
that's
that's
she's
the biblioteca.
So,
so it's
he's
he's
he's
he's
he's
he's
going to
see how
the books.
He's
assomah
and be that
there's
no there.
Nobody.
The
intendent
gets,
she says
what are
those
the last
those
last time
and he
says,
no,
I,
I,
I'm
I'm
so,
so they're
so they're
that's
that's
that's
She has
of those
things, and
she's
back.
What the
intendant?
This chick
no
know the
idea.
But you know,
she has a
idea,
that's
that you're
a lot.
And you
know it's
not a
good,
so it
doesn't
get to
the
door,
and it's
just the
day
next,
no,
there's
any
that's
questions
of the
university,
and when
he gets
the
intendant
for
all the
part's
not
he's
he's
a top of a
little
another chico
he's
a friend
for your
young
major
chaparito
jorobadito
nobody
nobody
doesn't
the description
that they
they're doing
a question
that's
there's a
turnus
that if there
there are
there are
there
people of
people who
do you
don't the
other
two intendents
the university
we're
but yesterday
me attended
a
person
with,
we know
to who
you're
so we're
so we're
going to
the same thing
to the
publicer of the
publicer
for a
time for a
pariseless
oh,
yeah,
sure
that's
that's
the
book,
the book
the books
are moving
different
to when
she was
the day
to the
time of
and it
and result
that when
these
people
endran
the
recoged
the scov
the stowa
the tina
with
the tina
with
the
part
It may be
There's been
There's been
There's
Maybe there's
That's been
He's
He's said
I've said
I've said
But these
They're going to
And they're
They're
They've said
There's a
There's
There's
The scov
Recogedor
And so
When you're
To get a
Cair of
You know?
If you
There's all
They're
They're
They're
They're
They're
They're
They're
They're
The day of
Yeah
That's
What demonio's
What?
And she said,
Oh,
you know,
they're going,
they're going to
the world
more than the
place,
nobody's,
he said,
yesterday,
me put this,
and I,
and I,
it was there,
and I,
and you're,
you're going,
you're going,
to do you want to
a
one,
your
your friend,
you've been,
you've got
to be
to do you
and we're
and we're
and we're
we're going to
we're
with you,
but,
no?
So,
no,
so,
we're not
in a
person,
we're
we,
we're
and we
And this chick
She's with much
Miserie and says,
yes,
si,
she's got to
get them to
make them a
smile or
to get them
a susty.
And they're
like they're
in the
sense of
humor,
because at
that time
they're
they're going
like they
they're
they're
they're
they're
not sure
to get
in the
biblioteca
because I
see
in the
stances
in the
other
every
time
he'll
and
there's
there
and
the
two days
that
the
They were they were
spantosos.
Vio how
she moved
a bank,
saw how
they were in
a stancher
in the
little bit of
that was there
was a
little bit more
but what
what was the
last of
the last
midodier's
she was
there no
she was
getting to the
book
to the
book
she was
to be
to talk
with a
person
only to
just to
time
was the
place and
when it's
about
to open
the
door
the
the
intendant
that
the
first day,
it's
at the
and he's
in the stancheries.
He's
a sustadissima.
Abre the
door.
He's,
I see,
you know,
you're doing,
you know,
I'm doing,
because now I
just like,
I'm going to
do that
day that
were going to
get to
things raras,
and you
you said that
you're not
you're
there atras,
me meant
you,
I'm going
to know
that's
going,
and when
he's
a soma,
no,
no,
there,
nobody.
Nobody knows
that's
intendant.
He has
asked a
person.
That man
not a
job of the
house of that
the book
nobody
nobody's
he.
At the
day,
decide
the place.
And when
you're
the
endentent
commenced
to get to
her
and he
has decided
she
she'll
she can't
the
door
and she
go to
her
mind.
No
doesn't
because
they're
that
they're
not
the
place.
That's the
extrano with that has been the
place with the sensation as
a temericent,
never had ever been
living a little
his life.
He said,
oh yeah,
no, I'm going to
go to the
the book
and then I
think I'm going to
go to go to
and they're
going to be
and her
and her
and she's
she never
to be a
nothing.
When
he goes,
we're going to
talk about.
And two
months after this
conversation.
He said,
Annita,
I want to
give a
disculpa.
There
and there were
things
raras
in the
bibliotica.
Discovered
some
that in
repeated
times
were in
other
in the
part of
the back
of the
booker
and they
a wika
in
one
a
occasion
had
in a
cranium
I'm
sure
that
was
a
little
and
a
photographia
and
it was
a
photographia
that
was
a
maybe
years
there
was
something
there
was
the
person
to
you
you're describing. But Anita,
I'd say that if you don't
you think you're trying
because I think that all
that's related to the devil.
And Anita, he says,
why? No, I'm not
I'm trying to see. It's
that I'm going to my vacations, Anita.
My mom
has a crucifix
that is a bendit. That's the
one person that my mom says that's
a miracle and that's santa.
And when
me went to vacations,
me lo gave. And in the
No, no one day I had got her to the
pecho and where I'd give to that crucifio.
In the morning, I an an an anarchy with a mark
of a manor of a manor of the crucifix
was all of color black.
And you, you have you heard of
the Biblioteca of the Demonio?
In some of countries,
political and brugheria,
band the man. And in this
history, in the life of Eric,
he's, he consta that that is
is a real. Eric received a
a regalow
that destroyed
his own
and not only
that's a
idea,
Eric,
was working
to enter
into the
class political
of your
country.
He was a
person who
had no
had any
kind of
religion
religious
defined.
I think
that exists
something
but
he was
he was
he was
very
focused on
the questions
of
politics and
he had
been
in the groups that he
interested in the
I'm at
a point of
receiving the
nominating a
very good
cargo.
Tal best
to be at
some
an
institution,
maybe
to be
at front of
some
group
in the
same
group in
that he
was
part.
The
point is
that when
they're
to do
that
the
number
to
the
number
to get
a
little
to
get
a
because it's
a
package
a
a caja, medium-minted
a supermently
pesada,
and simply
comes with a
moaned to
color
rogo,
and the
target says
Eric,
felicitides
for the
new cargo.
He,
he no
question,
not it
is a
little
but it's
something that
it's a
alarm.
Also,
it's
got to
the time,
the year,
not even
a Amazon, for
The level,
she does
know
that's
a
supermating
even
for your
time.
It was a
amount
about
about
about 30
centimeters
for 30
centimeters,
more
or
less.
He was
the
house,
and he
does
see that
there
there
was a
very
simple
a
a sweater,
a
sweater
a
black,
no
very
very
very
very
feo.
He
he's
he's
he's
he's
he
he
is
not
new.
The
sweater
see
that
that is
like of
a tendency
pasted
because no
has a
short of
not it's
a lot of
a lot of
so it's
so it
so it
he's
it's like
it's a
kind of
it has a
aroma
me
a dark
dark
something
something
something
something
that I
had
olied
before
but
rare
it
he
in the
cellon
and
then
when
he's
when it
doesn't
so
the
case
to be the
she was going to
get a
back to the
tanger and the
sweater
also.
You're sure
that the
case was
much much.
And it's
that a
there's that
there's not
there.
Because Eric,
from that
day,
we've got
that's
his life
entire
he went to
the devil.
He was
to do his
work.
That day
he's
to celebrate
with
some
number of
this question of
a
number.
In the
night when
a
very well when
they're in-juncts with
companions,
that's a
one of the
one of the
intention of the
bad intention
in the
place,
of someone
that's about
to do something.
But his
house is
a bad-as-
and he
is a
type of
a bit of
he has
to get to
you have
to get the
fear of
many
things.
So,
he's
he's to
he's
to be to
a
caron
that has
in a
other caron
that is
easy to
have
access
that,
less if you know
that's
that's a
he,
he's a
a pium
to defenders
and he
and he starts
and he
starts to
say,
I know
who's the
but if
I'm
saying something
I'm
am armed
if
if you're
you're
you're going to
those
two,
I don't
want to
let's
get to
do you
don't
but
if you
topo
to front
I don't
how I
will
react
so
So,
if you're
saying,
I'm using
the arm
and if you
top,
I don't
respond.
Ablam me,
if you
want to
go to
the
house,
and here
we're doing
this.
And he
heard a
voice
in the
house,
and
just
he said,
he said,
he did
do you
do a
very
strange,
and he
said,
you're
I'm
I'm
I'm
I'm
I'm
I'm
to
hear,
so
I'm
Sal to the
house
or atent the
consequences,
and the voice
will be to
say,
Ablam me.
Eric,
is with his
pium,
come in the
telephone,
mark a police
a police.
A police
we know,
is the
number
habitual,
but a
number that
a
more
more rapid,
and then
there's a
convoy.
And there,
seven
elements,
they're to
their house,
erie
he's per
out of
his house
more than
that's
the
house,
more than,
they've
No, they've found nothing.
Let's ask you to,
tell you,
checken,
tumble,
move,
desagant,
all the same
to do you have to
do it.
No,
no, no,
there's nothing
in the house.
When they're
going,
the house is
a disaster,
and he's
so too
that's too
to rent a
hotel and
to get to
there.
You're
sure that
in the
middle of the
madugada
when
had a
certain
to go to
the
and
he was
a man,
he'd
a man,
he'd
a man,
of the
camera.
In the
sill.
A chair,
a cell that
has got
the
hotel,
a hotel
that he
know,
and is
habitual,
and he
can
the
people in the
hotel.
In that
his
seat,
he normally
he has
his
his
a sweater.
A sweater.
A sweater,
he's sure
he,
he,
he was he
had seen
that he
was probably
used,
he's,
he's
he has
strange,
but
also
he's
a
Well, my
night was too
chaotic.
All was very
rapid.
I'm not
I'm going to
have tried
for error.
Yeah,
I'm going to
do you
do you know,
and he went to
do you know,
the room of
the day earlier.
And it's
a little bit
a lot of
but it
but I'm
sure that
I see that
I'm sure
I'm
still very
sure.
I'm still
still very
affected by
the year,
no see
who's
I'm
got to
not
it's
not you
know what you
know
that's
you
know
the
things for priorities.
Pongam most
the things
as they're
in the
head.
Who,
demonios,
me want to
affect that's
a lot of
a coffee,
and he's
to be a
list of
enemies,
all the
possible people
that are
interested in
the post of
all the
those possible
affected
because he
has a
list.
And then
in your
ear,
I'm
and then
he's the
voice of
his
house of
his
person, no
he's
talking about about
to the same
not is
paranoid
that's a
not you
get in this
game
he's
right
he deroges
to the
car
and when
he's
there in the
entry
in the
place
in the
he's
the
sweater
tirated
in the
place
he
this
no
that's
that's
the
sweater
that the
day
that
he came
in the
car
of
the
shirt
that I'm
sure
that I
in the
morning and in
the
hotel
well
I
don't
I'm
not
But that sweater is that.
And where signer the
place, there no, there no,
there's nothing.
Eric, no, is to play
with his own
mrs.
He met a buffetada to see
himself.
He's,
carho, Eric,
guard the control.
You need to
do the things
well.
Priorities.
You import the
sweater and grita
in the
house.
With a
carajose sweater,
what I
important is
who me
He said,
again,
the cajong of the
cajure.
He said,
and he comes
to movepum,
and he comes to
do the
disaster.
The police
really made to
the indication
that he said,
they took the
cashings and they
were in the
carhons,
something that's
that's
that's going to
get into a
caron,
nobody cab
into a
caron, but
all the
house was made
a disaster.
They've
revised all.
And in that
night,
no,
there was no
there, and
that was
looking to
checker,
there,
nobody. But,
another way, the
sensation of
a sudden,
if there's
there's a
going to be
going to be
paranoid, I'm
going to
go to make
a little bit,
probably they're
going to be
looking to be
someone,
to get a
person, and
someone who
want to
get to do that
the house
in the or
the voice in the
o'clock,
Eric,
they're put in
the paws
to put in the
point,
me I'm
going to
look into
loco,
let's
they're
some of
an
something,
I'm
trying to
some
kind of
some type of
hallucination
and
he's
direct with
a
friend of
him,
that's
he's
known
in different
areas
of the
medicine.
Pid
a series
of
exament
toxicological
but
they're
not
really
this situation.
They've
done to
have
a position.
If they
are
there
is
the
cordy
not
not
not
going to
be
in seconds
no
can't
do that
that
make the
the
examines
that
they're
the
results
that
are
perfectly
normal.
Pid
a
attention
of
a
a person,
someone that will
reveal to
nobody,
and let's
this person,
he'll try in this person,
and he's
going to know the
other things that
and he says,
look,
no you know,
you know,
you're going to
start two or three
days after
in the post.
So,
take you a
little
vacations, and
yeah.
And when
he comes to
the consult
of the
psychiatrist,
the sweater
is up
on the
chair of
the
cell of the
hospitalio.
But you
know,
but you know,
to attender it
to him,
serran
the
cites of that day.
That day,
only had a
patient.
He,
durer what
durer,
no could
have testigues
that was there.
No,
could have
testigues
that there
people
there.
And there
was that
sweater.
No,
he didn't
any to
talk.
He was
he came to
the car.
Adivina
that he
found he
he was
just in the
asient
of the
copilot.
When
he's
he's
because he
will be
a
a man
A ditto sweater, a prenda to vesty.
I'll go ahead.
Eric,
he's a siento-annoy.
But it's there when
has the idea
brilliant,
the obvious,
what any of
you know,
he's a suetter,
are many,
and what they're
doing,
they're putting
in the
people, they're
in a situation in the
I'm,
I'm feeling
that I'm
feeling like me
and says,
what stupidness,
the thing
more idiot
that's could
have imagined,
and
For favor,
a part of there,
agarra the sweater,
commenced to
clean all the car
and in the
middle of the
window,
he's roger
for the
window, simply
to show
to show
that he
important,
he's
compromete to
himself,
needs to
take the
control,
need to
return to
and make a
person
and able to
that's a
day,
he's going
to get to
a house,
and
and being
there,
and being,
and
he's being,
he,
he's just
simply
arrelanded
all the
place,
he was to
leave
his
house
and he's
going to
be a
place,
it's a
place,
and there
will be
all of
who's
who,
especially
all those
who are
in that
that
all the
people,
they're
all
all right,
and
very,
so
that
I'm
to be
to
the
final.
No
he
did the
reason.
no
he was
not
because
when
he
came
to
get to
the
things and
accommodate us
and some
the moment
in the
time in the
time.
It's
a
time.
It's
a
little bit of
in the
cell.
There's
where I was
the
room.
And standing
in that
sofa,
when
opened the
eyes,
he saw
to say
to someone,
something,
of a
face
a large
with the
rostro
and with
many
machas
of
tisne
like
the color
black.
The
eyes
of the
bones of the
eyes
were
rog,
like
if it had a sangrable profusso
internal.
The
mirab,
absolutely
malvada,
and he's
really the
eyes, be
that's the
back,
and in the
parpadeo,
he's
only.
A partier
there,
there are
there are
there's a
place in the
other
he's
that he's
he's
where he
is there
and he
he can't
he
he's
he's
he he
he's
he's
he's
when he
to feel
MEDO when
he said the
passos
on the
floor, not in the
piece
superior, no,
in the
the table
in the
room in the
he was
if he
was there
was
being,
he could
come in
his head,
with the
feet in
the
teach
like
if
not
the
same
the same
image
he
made
to make
no
it
in the
night
not you
were
why not
I'd
hear that voice
that's
he said
I'm
a point of
going to
get a point of
getting to
get a
little bit
he's not
he's not
he's
not know
where it's
but you
have to
have to
that you
have been
in any
part
and that
that
thing
and that
he's
he's
he's
he's
and in the
reflego
of the
coffee
could
see
he
he
was
he
he
he went
to
he's
that that was there.
And he was
seeing and he
even he was with
he,
even if he
was a bad,
he's been
like a person
desaciated,
she be
like a person
that has
been a
very person who
the best
to do you
to turn the
to turn the
house of
his abitation
because there
is sure
that I've
been
heard of
the day
that someone
rascunia
from
from
someone
begins to
get to
be loco.
Yeah, no
is
that voice
that says
ablame,
yeah not
just the
pathos,
not is that
be of a
repelago
of that
summer,
no
know if
is just
you know,
or it's
not,
no,
that part of
the sound,
the sound
of the
sound of
something
that's
that's
again,
so,
so I'm
a
part of
a
time,
tumbe
the
and you
know,
and you
know,
he
found
there,
there,
like,
if
if
I've made
a rollo
just in
middle.
He started
to ask
and ask
and simply
they said
this is
Palo
Palo Mayombe
Eric
he was
a whole
to start
to be
they've been
said
he had been
a
man who
he was
to be
to be
so to be
so long
and finally
to
get to
practically
of his
force vital.
Decidio
that
maybe those
posts
political
not were
not really
the
reunion
never
never
did.
The
cargo
never
took.
And you
have you
have you
have you
on a
murder?
Has
heard
a
about
the
other
if you
know
you
have
to
hear
this
story?
Isaac
he
has
just
just
a
second
a
a success that he is sure that he will mark
for all the life.
There's a phenomenon that actually
is occurring at a level
that are places desavitadoes,
places extenos,
a veces,
poplados,
complete.
Cases Antigua,
that are being
vacuas and that
no people who
want to repoblars.
And,
and this phenomenon,
certain countries
are doing,
even,
let us,
some types of
visas,
for that you
can't
buy the
place to
a
price ridiculously
underculably
below,
always when
you dedicate
to renovate
and live
there.
And you
give the
visa for
that you
get a
place,
and some
even they
pay them
for
doing.
The
case of
Isaac,
is one
of these
cases.
Isaac
he ventured.
He
had some
a
point
to buy
a
house.
But
occurred
something
that
happened
to
the
time.
And in
that
moment
he
replant
the
thing,
It's worth
to invests
and buy my
house
and make a
high and then
after I'm going to
even even got
my job
or it's not
a moment
in the life
is saying
that I'm
going to
do this
more.
It was
when he
told of these
things
what they
were to
the
house
were
$1,000.
It's
muchissimo
but
not it's
something
something ridiculous
small in
comparison in the
major part of
the places in
which a house
costs much
more than that
a house
of a million
and apart
they were
going to be
about
$5,000
for being
doing the
reparations.
I don't know
if it was
a country or
if it was
independently.
He revised
he was in
a town
in a town
a lot of
a city
great,
is about two
hours
and a
but he would
be able to
get a
little bit of
a little
people,
he had a
money
sufficient as
as much
for a
month,
and then
just not
more is
recurrentently
in things
very
pointuales
to the
city.
The
house that
is a
house
of two
pieces,
five
abitations,
four
four
banos
a place
a
very
big
a
one
if
is really
that the
house
not only
is
an
mal-estado.
No, is that
you can't
live there.
But,
we're some
not so
very much,
it's his
manches that
don't you
want to
and not
immobilary.
So,
he,
he got,
he bought
a new
a
a sofa
to come,
and he
used to
do that
he's
little
work's
remoderation.
He
no is
no
carpintero,
and
he's
in an
adventure.
No
know
what
going to
to terminate.
You're sure
that's going to
go to get
all the
hours in
that's
but it's
good.
It's not
very little.
Durrown
two
two months.
Two
times because
happened
to occur
things
very rare
during the
madrugated.
There
much
movement
out of
the
house.
In the
day no,
no,
no,
he would
not be
to juror
in man
because
that
was the
place
was
there
was
just
not
they were
and
I'm
did
someone
coming
there
and then
some
people
or things
and things
he
thought he
could
be people
but
not have
seen
perros
in that
not
any
any
any
never
had
seen
got
the
of
the
whole
was
so
so
it
was
like
it
was
like
in the
first
in
a
public
in a
book
but
in the
nights
no
there
there
much
movement
coming
from
from
and he was sure
that were
purr movements
nearer to
their house
movements
front of your
house,
when he
started to
get in the
patio.
For the patio
you had to
bring up
bars at a
and they
were part
transredient
a property
why not
they're not
they're not
they're not
they're not
they're not
they're not
they're
they're
they're
people who
they're trying to
never
He started to
to be able to have
been a bit of the
dead.
One day in the
night,
he'll confrontance
those fears.
No,
he's going to
be able to
see there,
if he's going to
be doing the
night because
not is
that when it's
when he starts
the movement
outside of the
house,
he'll be the
window and
he's top to
a scene
that he
will be
to come
to come
to the
final of
his days.
In the
second
Piso, in the
window that
he opened,
there's a
a rea
a rea,
a rea
metalical
that you
can't move,
no you
can't
start, because
the barrotes
between one
and other
there are
spaces
very little,
and then
there's
a pedastito
like 30
centimeters
still
of the
murro,
that generates
all the
recuadro
of the
window.
That was
for
that
not the
That was the idea original, is what he intuio.
There, in those 30 centimeters,
no way in that you can't
get and parrater from the window.
No, there's form.
It's more than two meters
above of the piece.
The walls are absolutely lisa.
Tendous to get a escalator,
put it there,
subrity, and then,
parrarte.
For that when he opened the
window and see three
nine in cucklillas,
vying it directly to him.
And there's a little
detail, the language.
The three had a language bifida,
partied in two.
The eyes,
you can't you imagine.
And a reptile.
When those saw,
the three
began to rears.
Like if you were
planning that
they were,
they were,
the little bit,
a sound so tetrico,
a sound
so disagradable
that when he
was to be
to get to
what he was
being,
the children
just were
to be sure
and they were
and ascent,
and like
if they were
something
something
in his
hands,
pegged their
hands to
the
and they were
to get into
the
and they were
to hear
how those
sonos
started
to the
house,
and then
it was
it was
something that
was repting
on the
three
algos
reptan
in the
techo
of that
and they
started
to be
back
to the
patio.
It's
that the
mystery
of the
sound
of
the
patio
were
three caturus
were
two
with a lingua bifida and
eyes of serpent,
now they're
acething.
No, I thought
two times.
At the day
next,
practically I'll
go to do
all the
money, and
he doesn't
ever to know
nothing to
that you?
You've been
heard of
the children
with the
eyes?
If you
do you
don't know,
the
demons,
no
you're
not going to
hear this
story.
Damian
me has
made
one of
the
stories
more
macabras
that
he has
He's arrived. He came to a certain tradition
familiar. His papa,
was a bomberer, of a certain form
rescatist, because, although
his activity in many moments was
more administrative, the time that
was in service, he had a pair of
adventures to count, and he was
very proud of, of a certain way, Damian
saw a man, view his papa as a superior
of his life. But, although
there had this tradition familiar,
the brother-major of Damian, Oscar,
was the
encarred
or the
who was the
volvers of
bomberer and
all of this
type of
traditions that
are going
passing
in generation
and generation
Lamentably
Oscar
fellesio
in service
and Damian
never
had
had been
in those
times
but
there are
things
that are
that
Damian
he was
that
because
from the
excursions
to
be
in camp
travisa
rapel
the
exploration
of
the
coves and
places that
are a
little
scabroes
and dangerous
the adrenaline
was part
of the day
a day.
When
he took
22 years
was a
time,
he was a
time
and he
never was
all the
thing related
to rescat
people
was
was a
was
it was
in the
same
was
part of
this
modification
to the
tradition
family
he
he not
was
he
was
he
was
he
he
he
he
he
he
go to
the first
rescue.
And he
took to go
to the
little bit more
a little
lot of the
people who
have done
a
lot of the
and they're
not they're
going to
have been
to get to
the storm
and they
got to
get to the
three
people,
they're
to get
a rappel
cargare
these
people,
up at
one in
camilla
and the
others
if they
could
be able
and
was a
experience
impression
for
it.
It was
adrenaline
to
feel
that
was
a
something,
I felt
that was
doing
much
well,
he
changed the
life.
From there
he said,
he
he was
he could
do
to do
the time
more.
Lamentable
had to
be a
project
secondary
because
not it
was a
payable,
and the
poor for
Damian,
but the
better
for the
person
human,
there
there
also
there were
there
many situations,
so
it
they were you
They'd just
that
there's
there's
there
was a
a lot of
it's a
he was
profoundly
happy and
he's
committed
for that
that's
that's
that's
that's
that's
never
ever
ever
to get
to know
to know
to know
of this
and
me
revealed
the
story
because
so
so
so
his family
not
didn't
the
because
he
didn't
say
nothing.
His
companions,
his
friends,
the people
that had
known to
the long
of this
trajectory,
no
they were
and never
he did
The two cases, principally,
they had
derumvado
over the
and a
building of
departments.
Very lamentable.
Families
entire have been
being set up
when he got
to get Damian
to this
place,
they're
assigns
to the
department
and he
commies to
think two
things.
The
necessity
to enter
yeah
to help
to help
the person
and at
the
same time
that's adrenaline,
but he's
in risk, but he will
be able to save a
someone.
And it's
a sensation
that enervant
that he
has been in
bad news.
Yeah,
have entered
people who
are people who
are
trying to
help the
building the
building of the
building of
these rescatists
improvised,
and the
only that
has worked
to get
to that
building,
has been
more of
four
fours.
Ni-
men,
seniors,
a situation
of a
A pesadilla,
very lamentable.
No,
there are
a ruse of
people
and there's
no there.
No,
there's
not in the
people who's
saying, and
that's about
there's a
bad
prognosical.
But Damian,
Damian,
he's
nervous.
Damian no
was there for
that.
So,
he said,
he'd
get in the
space, and
he commences,
he's a
person,
he's a
person that
even with
adrenaline,
he does
very well
in form
very
professional,
and he
says,
a
narrator,
I,
I took all the
good the
way to
I'm going to
move me,
where not
met me
but I
sawed two
four and five
minutes.
And so
those two
people really
were there.
No,
I don't
have to
explore much.
They were
people who
were meted
to rescat
to others
and
lamentably
it's
and there
there was
there was
a way,
there was
a way
to
move
to the
impact
of the
scombs, was what
was what he was
made to the
other world.
He said,
but I was
sure that
if I'd
have been a
way to
get a little
more in
these entrains
destroas
of the
building and
rescue to
someone.
But yeah
had been
a little
and had
descended and
there was
no,
there was
nobody there.
So,
so I'm
that I'm
think,
Damian,
although
you're here
to get
to one
of the
two
houses
damaged. If you're
going to be declamar all, and not
you'll be able to rescatate to
anybody, and apart, you
know, there's nobody
here, not they're talking.
Probablyly it's tardy.
When I thought
that narrator, I'm
the cord to start to start
and ask them to give them to give us,
for the hour in that I'm going to need, I need, I
need a little of support, for
the rest of the combs,
without any rest of things,
and then I'll hear so
clear-to,
from my
right,
for an
an
little-
I'm
the
I'm doing,
the
yant of a
baby.
I'm
impacted.
I'm
I'm
I'm
back.
I'm
look,
I'm going,
I'm
clear-to
that's
there's
a
light, a
an agor
an
dark,
a
wall,
a
and he
a
little
the
little the
two or three
meters are,
I'm,
I see the situation that has
been
desplomando,
I'm sure
it's a
dangerous
no-search
and the
baby will be
to die.
There's a
really the
adrenaline.
I'm a
friarism
and I'm
without
and I'm
going to
see that
I'm in
the world
in the
real
in the life
two paths.
When you
you're
when you're
when you
are
the
eternity
second
to
every
small
centimeter
that
advance
they're
like it
are
so
you're
to have
to be
good
to be
to be
to be
the
movement,
to
where
you
put you
your
part of
your
son?
Narrator
it
is
that
that
that
trajectory
when
I
get
to
the
tunnel
I
I
see
I
I
can
I
have
I've
have
been
to forget the
forms
possible
and not
I've
got to
get to
the tomb.
When I
get to
the
tunnel,
I'm
look,
the
space is
sufficient
as for
an
little
a
little,
two
meters
of
long,
more
or
one
one and
a
little,
the
the
building.
The
building,
no me
that respected
a form
so defined.
No,
I don't know.
I've seen
nothing at that
moment,
and the day
of today I
think I'm
because I
want to
want to
know.
I don't
but for me
no,
but for me,
no sense.
There,
at the
final of
that tunnel
just in
the center
of the
room,
if there
was a
baby,
turned
over to
up to
up,
without,
no,
there was
a rastro
another
of
and it
was not
notorious. No
I want to give details
for not the graphic, but no
was there baby.
And it's
there when I see that baby,
that I know that
where I'm,
they're going to
some feet.
And are some
the person
human, but
has a quantity
of be you
tremendous.
And it's a
big and
a little
long.
And I don't
want to do
any
because something
I'm
a little bit
a alarm.
Like if
it's like if
it's
were in
danger.
And I
see that
is going
to the
feet to
the
feet of the
feet of the
area,
and it's
someone
there's
sitting
and is
a little
the body
has a
beautiful
the be
the
beyo,
is like if
were
very
rissed
and
very
pegated
and it's
of a
color
coffee
rogiso
no
so it
doesn't
not
in the
people
that
not
the
people.
But
there
something. It's like
if it was a person and at the
way not.
I don't tell you
don't know
because I know
of that thing,
but what I saw
there,
it was a person
but not it was.
When I'm
starting to see
up to
see the
head of him
is going to
back to be
and the
he's going to
the sound of
the child
of the
baby.
And me
spanto.
I'm spant.
I'm spant.
I'm spant to
you know.
The
what I sent there, the form
more graphic that I could
is that I'm quite
frio.
I was with adrenaline
narrator.
This thing was
congeled.
That thing was
there,
sat down on a
pietra, in the
sombras,
just front of
the baby,
and emitting
soundings
like of the
yanto.
Then I
see that
I'm going to
the right,
he gets
a few
focused in
some part of
these
these
and the
he's
the voice
of a woman
I don't
know I've
seen his
but he
has the voice
and the voice
of a
woman
saying
auxilio
help
help
for
favor
says
narrator
my
my
body
and
I can't
I'm
I'm
I'm
I'm
I'm
I'm
I'm
I'm
I'm
you know
I'm
not
you
notte
moment,
it was
to where
I was
to be
so on the
his
eyes,
narrator,
were totally
black,
and he
had a
long,
with a
dintes
that were
pored
and he
opened the
mouth
and
and there
was
a
moment,
and there
was
saying,
no
respire
no
you,
don't
you
don't
know
I'm
not so
I'm
didn't
to start
from there.
Because
I know
respected
nothing.
I'm going to
start at all
velocity,
the
building.
The edificio
started on
where she
was going to
go to
go to the
time, and
I'm doing
to get to
back.
Where I
came to
get to
get to
get me,
and I
helpen me,
yeah,
yeah,
yeah.
And I'm
start to
start a
start.
And I
go with
all my
force and
I'm
I'm
going to
move
behind me.
Are the
the
few
those
two
seconds of
my
time.
When
I
The edificio is to
plomar
some centimeters?
I hope
that that
thing has
been made
in the
scombers
because I
know that
but never
I want to
talk to
something.
Never.
Never
could
I was
ever
ever
and I
never
to repelear
and
I'm going
to get
another
other way to
another
little bit
and then
I'm
even I'm
my
dream
I'm
not going to
be
a
rescatista.
And
now
I'm
Damien. Imagine that
you've got to planar the
the voyage of your life with your family.
They're going to visit different cities and
all are all rightyed. And it's there,
when you're you and your family
are going to be victims of a
sacrifice ritual satanical.
That is the story of Luis, and here
we're going to tell her. Louis
me made one of the stories
most strange that have yeted to
the channel. Resulta
that Luis and his papa,
with her mom, had been
had
been
in
that
one
the
first
before
to get
to be the
first of
the
time
they're
a
in the
state of
they're
they're
to be
to be
to
other
three
in
literally
a
circle
and
they
they
were
to
the
vacation
and
yeah
was
something
that
had
had
something
they
they
they
had
all
they
all
was
all
For this, there is
something
and we have to
know a little
of the personality
of Jesus.
He says,
I don't
not are a
person that
is a sussed.
Of course,
I'm identified
when you say
you're
so I'm
very much
to do you.
I'm very
things.
I'm not
a person
like a
lot of
many people
of terror
but
I'm
they're not
and I
don't they
do you're the
person who
can't
be there and
it's
in the
I always
I've said
that if
there were
a movie
in the
partisipar
in the
life
real I'm
going to
survive
and I
think
because
they're
to happen
to happen
things
strange
I'm
to have
a
new
very
for this
there
there
there
there
I'm
a
those
states
to
those
we
we're
to
those
we
and
I
discovered
that
in the
last
the
cities
in
the
we're going to
be
going to
have
occurred
something
about a
time of
some of
some of
some of
other
was going to
do
something.
It was
had been
the
first
church
satanica.
It
was
not a
very in
that
then.
I
had
very demonified
those
things
and
here
here
I'm
a
little
in
the
image
that
was
in
the
subject
that
was
a subject
with
rasges
arabes,
the
cabello
he was in
a form
very risada
and it's
very
a color of
but he
appeared
in a
lot of
many
his
mind.
Very
profound,
like a
kind of
person
when you
put the
eye
instantly
you're
instantly you
want to
you
get a
person
a subject
that
had
a much
a
person
and
he
the importance of the things that
the past
after the
time.
We're ready
for the
trip to
go to be a
day to be
those things.
But we're
to suppose that
were two or
three days
before.
I don't
think it's
going to
have some
some new
strange.
I'm
to me,
but from
my,
but I'm
going to
a point
that in the
world real
I never
had seen
and it's
a port of
color
red,
very feo,
very,
very
a naturality,
I'm a
abro, and
the other
side,
there's a
little
little
vesty-de-ne
in his
hands,
he's
a book
of color
red and
they're
all the
borders of
color
rogo,
and it
seems like
a
little
a
little.
This subject
is chaparito,
no
has a
little,
it's
a bald,
and has
a
little
rather,
like if
not were
congruent
with
what I
I'm seeing
below
of her
nose.
His
is great
and a
little
abulted
her
is a
black
completely
and they're
those
labes
and they're
with a
one of
aeneh
orreja
but
his
eyes
and they
say
that the
is false
and
no
me
does
nothing
of
that
I'm
that
I'm
that
I'm
when
when
for
something
I
I'm
I'm
I'm
I'm
move
he
he
enter
in the
house
and
he
he's
cut the
dream.
Then,
the
day
the
the
dream
the
time.
And then,
the
scene
in the
house,
in the
moment
in the
time I'm
now I'm
doing all
from
if it
was a
movie
on a
picture,
and there
a
guy
that's
a
black
a
and it
was
all
something
like
something
if you
see the
picture,
ohos
but in
a
little
dark
that has
the light
that's
that's
that's
a little bit of
a focus,
or a
but it's
more like
a covea
and no
see more
more than
than he.
The subject
the tunica
roja
has the
hands like
one
and the
other and
go to
like if
was
being
abrasando
something
because
they're
separated
of the
body
there's
there
there's
there
and I'm
that's
and
And, of a repent,
it gets a one
in a place in that
in that place
in the place,
in the place
in the
six shias
like ornamentalels,
silas
that are made
madera or
something like
bronze,
because it's
in coffee,
and they're
signs that
are like
monsters in
different parts
of the
and there
I see
something that
I'm a
lot of
a little bit
and in
one of the
six is
my papa
sentado
with the
hands
armadas
and he
is
he's
is
the eyes
abirtos
and no
reaction.
In the
other
the other
side,
but I'm
sure for the
the other
chair.
The third
thing is the
way of the
bad you know,
and the other
side.
This subject, but
the moment, but
the movement of
the
case.
that's daigning.
You'll go over,
I don't
say a person
that's a
easy.
I'm doing
that's a
bad a bad
movie of
terror.
I'm just
I'm just
I'm thinking
this and I'm
about the
news of
the time.
And my
case,
I'm made
a lot
a trame,
no,
very taut,
very sose
in a
coveh,
my
and then
so it's
a little
a lot twist that
no me
I'm
coming down,
he's
sitting in the
third stia,
she quitted,
and I'm
I'm
I was
I'd
so I'm
dispirto
I'm justiated
I'm just
I'm sure
I'm thinking
that's
I'm thinking
I'm not
I'm not
there's form
if I'm
I'm sure
I'm alh
if I'm
if I'm
that I'm
the door
the door
in the
car
no way
in the
way in
that I'm
never
I'm
never would
I'm
a tunica of
that time
never did
do my
no way
so my
my
a little bit of
people.
Well,
we're going to
the voyage
narrator.
And the
dreams persisted
and persistedian
and persistedian.
No,
me quittable
in the
dream,
it was a
bad thing,
it was a
bad idea,
I was
I said a
sometimes
I was
and I'm
back and I
said,
oh yeah,
you,
the cinnester
that I've
in the
case,
yeah,
put another
thing,
it's too
bad
that's malice
not me
no more
more
more thing
more
more
a
thing,
does
something,
does
something
more intelligent and me
put me to
to be a
talk to
say.
Narrator,
I know
that this
not suen
something
but
wait a
because what
happened,
if I don't
know
I'm
not the
time and at
the same
no time
but I
know that
my family
the
the voyage
and the
day
exactly
just before
we're
just before
we're
to go
to the
church
satanica
I
I'm
I'm
I'm
I'm
so
I'm not
I'm
in the
place
in the
a place very
tranquil and
very secure and
just front of
motel in
that we're
to get to
do this night,
there was a
barrotes,
that was of
these of 24
hours.
So, I'm
going to
go out of the
room,
I'm a
little of the
little the
little of the
door,
I'm going to
my papa
to be a
house out of
the
house.
And he's
he's
what you're
what's the
time,
you're up
you're doing
to work
to be
And me
I'm
I've had a
per semitia
very rare
and I'm
various times
that's really
I'm not
a good
and I'm
really the attention
narrator.
I don't
a
movie of
a problem.
And I
asked,
how was the
PCA
a
a tontera
no,
no,
count me la
and say
look,
I said,
I'm gonna
was in
a cella
in a
cello
and a
little feo
and you
you're
you're
you're
a part
red, so, bien,
fey, and you know
I don't see with who you're
talking, and I'm going,
let's go, let's go,
let's go, you know,
you're doing a subject,
and of a subject,
to be a bit, and a subject,
and then a subject, and so much,
after a natural, like if you're
aphab, and the looks,
and the
thing is
the part of the
tachio
I know the
culpula
like a
a place
of a
place that's
made to
and I'm
a baghito
like the
rabio
of the
old
a guy
a
a top
a capuch
roha
and this
subject
is a
type
like a
kind of
a
redorgeteta
tees
black
labos
very
carnosos
pelon
that
his
my mind
is to
feel
in
It's very much.
It's not to say
nothing more, but
he's going to
me clave there
a punial.
So,
if it was a
weird, I felt
incomodoo, and I
many times
that I swenho
that's a narrator
I said,
well,
I'm sorry,
jeff,
you know,
you know,
you're going to
move to one
and to other
don't you get to
sited,
and he's
and he's
and he's
to hear,
because I
know that
like to criticar the
movies of
horror.
Then I'm
going to
to the
store,
I'm going to
get to
the two
subjects,
the church
satanica
and the
that I've
seen in my
dreams.
And it's
my
same
dream,
but
we've
been
other
other
characters.
And me
I
do
me
me
fear.
When
we're
going to
this
city,
my
mom
us
in the
way
that
she
the
last
days, not
had
been
because
he's
a sonning
with a
car that
has been
a little
feo,
a
door
and that I
do you
the
door to
a
a man
aubriot
of
lapios
and
pelon.
And that
after a
subject
that has
a rass
arrasg
a
manto
a manto
he clav
a
hand
a
so
for that
so
I
have
I'm
my
alarms
of
the
film of terror,
I'm
all right.
Narrator, in
that city
we'rentable
an Airbnb.
No, it
necessary that
you know
I'm going to
describe in my
dreams.
It was the
place.
A little
a little.
A new
car far.
The door
was a
bit of
red,
it was a
spinted to
be a
point of
my
dream.
We're
we're
we're still
and I
felt very
very
very
very
and I'm
too, and we
and we're
to talk the
door.
No,
there's
no way
that I
would have
an narrator.
What is
is that I
am, I
expected, me
I'm,
I'm, I'm
prepared,
I'm,
I'm, I'm
looking, and
he's going to
and he's
going, and
after that's
my papa,
we're going,
we're going,
we're
we're going
to be here,
we've got
to subornar
narrator,
but finally
we've
we've seen
in a
motel of
carretera,
and I
the day of today,
rescade
my family.
If you've
done a
premonition,
or you know,
someone that
has been
a premonition,
for favor,
do you get
in the comments.
They're saying
that the
spejo are
portals.
This is
this ispego
to be
to be able to
be a
story very
very strong.
You know,
I'm a
question at
moment of
to hear of
her question.
And she said
a narrator,
I'm
I'm a
person
from my 15 years,
and,
and,
I think,
I think
I'm not
know,
I'm
a girl
of the name
Yesbeth.
This
abuela
was a
person
very hermetic
of character
very
very
very
a person
of
a
little
words,
that
always,
we'd
always,
I'm
things to
form of
a
little
oskas,
lageram
agressive,
faults
of tacto.
All
all said
in the
family
that the
was a ropero, and
there was a roperer,
there was a caja.
That caja was
like the treasure
most precious of the
mother.
No, I
wanted to be
that they'd
never.
But it was very
strange, because
a treasure,
for the general,
if it's
something like
a lot of
a little, because that
was a
little, a
little, a
little, a
, like,
some, like
some argoles
in which
had a
handado,
but it
was very
very good,
because she
would be
there,
She had
in her closet
and behind
of her closet
and much, much
piles of rope.
She had quite
perfectly,
that when
he was
a day,
only in the
house,
she went
directly that
that caja
and I
wanted to
and it was a
carer not
a cajah
not was a
cardadito
that I'd
and those
argoyas
see yeah
in the
tornions
for
the
and they
could be
it was
easy
to
to open really the candor
was a respect
symbolical.
And this
chica Esther
was for a
gunnered, because
he was able
to manage disarmators
in this time
and I'm
another way.
The bula
came to
time, and
you're going to
understand
why?
Because when
when I was
going to
the house,
he was a
little bit of
a little
you're going to
what you
you're
doing,
when the
little she
was put pallida,
palida,
and he
was able to
know what
was going to
was going to
go
to the
court and
he went
the car
over the
camera.
No
he was
much
explanations.
Yeah,
I'm
trying to
try to
try to
try to
her and she
was with her
and the
abel of
he perept
he pardt
he was
he said
never
you'll
go back
to get to
this
caja
and never
you
never you
never you
she
kept
so traumat
that
that her
that's
her
relation to
She was very lehanna.
Yeah,
I saw.
I was like a person that
not wanted to.
I was like a
manasse.
But apart,
it had
that the
Caja took a
value of a
particular.
What guard
there?
That no
want to me
a
a second?
Joyas?
Moned
of the
era of
your time?
Acast
is it
like a
fortune
family or
is it
a little
something
that we
know
that we
know?
What she
has been
is that
has to
have to
be
something
because she
when she was
she said she
did a car
she said a
little bit of
but it was
a little
and it was
not pesable
but it
was enough
for the type
of the type of
that was
and that was
very hard
because it was
a matter
not like you
don't as
these
maderas
agglomerated
that's
that's
not
I think
me
you know
the point is
what are
what are
a little
a while
and the
because the
only
that the
abuela
is that
is that
that's a
car that's
that's
they're in
and they're
to get to
the tomb
and the
and the
people are
there's
but
there are
many
many
there.
And Esther,
Esther,
that not
had a
good
relation with
her
she
when the
when the
she
she
she's
she doesn't
a
little
but not
much
because
her
she
was her
not
her
was a
she
was a
so
Esther
for
this
then I mean,
I don't see,
two or three years
for there.
And when
it was a
situation,
she's
that they
get in the
house of the
mother and then
they're going to
do that
and when
the papas
they're going
to do that
her make
to help us
to help us
I'm going
to comeod
things of
the abel.
They're
pure as
Stair.
She
had the
I'm
going to
and now
nobody's
he was
to be
The papas
go
and she
for this
then
she knows
of the
disarmators
and he
really
perfectly
this form
of the
crus
that they
were in
the
portacandadit
and he
a disarmador
a
get to the
the
old
had
moved
from
this part
of
the
closet
of his
closet of
his
rock
and
he
cut
the
the
turn
it
and
horrible
deception
the
The cajana no
money's of
gold.
No,
there's
no secret
family.
There's
three
things,
maybe four
if you
consideras
granos
of salt
in the
part of
the back
like,
like,
there's
a tachito
black
and very
aenehated
for the
time,
that's
like it
was some
kind of
kind of
and
there
has a
pan
mooso
there.
There
a paper
enroled
that
the
above has
a
nudo,
and above
of the
new to
the seal
of the
paper
is a
big of the
she has
that she
he's
he's
he's
he's
he's
he's
and the
he's
and
there's
a
little
a
black
a
little
ornamented
no
no
ornamented
no
very
very
very
very
perfectly.
That's
seeing that
is a
t'hqito,
that's
seeing the
space,
and then
of that's
in the
house,
and he's
like,
and is like,
a recorried
for the
house,
and he
and he's
going to
and he
is doing
that?
No,
he's
simply
it's
there when
he comes
a
and a
minute
after,
he's
the vehicle
of
his
papas,
that go
and get
to the
house and
he
a
little
the
room of the
little bit of
the
little bit of
the space
and then I'm
the car to
the door
and the
when the
parents
when the
she gets
this chick
she has
all the
people who are
the situations of
that you're
not real you
not,
practically they were
to say he
said to
get to
the car
and that's
that they were.
Esther
he's
a spejo
of the
car,
he took the
house,
he was
he was
to get to
his
house,
and it's
in the
house
where
started
things
very
strange.
From
the day
one
that
he said
there
was a
little
there
had a
window,
with
any
type of
ventilator
in
the
room
a
door
and
a
door
and
there
And an air
extrano,
because it was pestilent,
he'd
the impression
like to be
oldling
very close
to eat
a webos
the other
other thing
is that
the other
I'd
had a
blackouts,
of a
reputies
and
not said
because
he was
in a
place,
and it
was
and it
was like
it was
like
he was
like
he was
a
time,
and
he'd
know
when
when you
in those moments of conscience,
that's coming into
and is the
space, the
passage, the
repent, the refrigerator,
of a sudden
the apartment, the
apartment of the
apartment of the
mom, and in
occasions,
that is when
he does more
the case,
he's the
house,
puttas just
front of the
mirror, and
they're just
that's going to
this, but
I don't know
to say,
but I'm
never to say,
I'm not,
because they
they're in
your family,
that's a
period of
confidence
absolute,
So, so it's that
the
worst error
that you
can't do you
know the
thing that's in
this type of thematic.
She decides
that you
have to
discover what is
the secret
of the
space.
And it
occurred to
a little
too,
very stupid,
and that
that's
it's not
it,
he took
the
space,
he put in
a comoda
of the
room,
he pincit
to the
power,
and yet
not
to be
not to
take it
and
to be
and then
she
said,
I'm
sure
that there
something in that
space,
there
a little
in the
reflex,
there
there
there's
there
that I'm
there
and she
not the
room,
not the
space to
move to
move to
the
house,
and it
and it
to be
to be
into the
the
mirror,
and
see how
in this
reflex
that's
there's
there
there's
there
there's
there
is a
person
and the
popilla
and
this
she's
Esther
grita,
he's
out of the
room,
will be to
talk to
her mom,
when he says
he's a
mom, it's
that there's
there,
and he
doesn't know
he's
a detail,
because he's
not the
thing, they're
in the
room,
and there's
the space.
But there's
a
little bit of
a
thing, it's
a instrument
that has
a little
a little
kind of
a little
dark,
absolutely
obscure.
This
thing
not
reflect a
nothing. It's matte.
What material is,
who knows? And her mom
he says, where's
you know, where's
you? And she said,
Moma, is that
me lo, I'm
found out there. And she,
it's that
rare, because you
have that's
there. And the
mom,
he took the
mirror.
When he took
the
mirrorer,
in that instant,
my mom
was kept like
congelated,
like,
and he
had, and
he said,
and no me
I was the day to
that he fellacy,
passed two years.
In those two years,
it's like if my mom
was a transformer.
And a person
did a character,
because my mom
always was
the character,
but a person
more than,
like,
could be a
other things
raras.
In occasions,
when a person
that she
had estimated
to go to the
house,
I'd
to talk about
to her
continually.
But I said
pests,
things that never
I've
heard of my
mom.
In occasions,
when my mom
was a
good,
amiable,
linda,
notabes
in his
miras
a certain
bright.
And then
his
semblante
changed.
His
eyes were
like
as they were
like
and he
was a
little
more raspos
I
said
in
a
I'm
I'm
I'm
but
not
but
that's for the
I
have to
do you
to
that I'm
to
my
mom
she was
a little
very rapid
he started
and he started
put a
little bit more
and he
simply was
all the
whole the
doctors
not were
they were
doing that
he said
and then
my
family
had a
good
money
in that
time
after
after the
after the
situation
of
not
not
and
mom
she
he
didn't
he
didn't
because
he
was
his
days
were
in the
hospital
he
I do a much the
body.
And she
all the
time
she had to
get a lot of
what I'm
going to be
going to be
pasted.
I'm
just in the
hospital with
her.
Papa,
he's going to
talk about the
doctor to
my father
is a
very much
very much
the situation
that's
living with
mom
since two
years.
And
standing there
in the
room,
my mom
me
my mom
me pique,
when I get to the
camera,
and it's
there's
when the
nothing, me
a
strange and
his eyes
change in
front of
my eyes.
It was the
same
mirate of
the woman
of the
mirror,
the same
mind,
exactly the
same form
to be.
And with
a voice
very rasposa,
he
said,
thank you,
I'm
the phrase,
thanks for
liberate.
No,
me what
said she,
but
was there
was a
little,
the moment,
that he said,
and the
room,
without
windows,
without a
non-
air-ac-annationated
that
would have
been in
a raffas
of the
and a
lot of
a-wove
poised.
Mom,
to the
day-sient
fallacy.
You
do you
do you
see that
that's
a
dark
we've
got to
the final
of the
first
foggata
of
stories
of the
20-25.
Now,
if this
is the
first
fogata
that you
get to
the
comment
saying
narrator,
I'm
Family Nocturna.
And if you
you're part of
this family
nocturna,
revisit, for
favor, that
you're going
the second
on the five
stars,
on Spotify,
Apple Podcast,
Amazon Music,
and all these
platforms of audio.
Because this
2025,
dear family
nocturna,
we're going
to get
to you to
first place
in Mexico.
And you
know what?
No
it's all
that much
on the
Saturday
that you
have a
good
a few
the
time
and that
have always you have always
you know, bye-bye.
