HABLEMOS DE LO QUE NO EXISTE - 8 Historias de Espectros , Apariciones y el Titiritero del Diablo | EP 230 | EL NARRADOR

Episode Date: October 15, 2024

¿ver peliculas de terror abre portales?Bienvenidos a ésta Fogata de Historias de Horror, Espectros y Apariciones ...El día de hoy les traigo historias escalofriantes, que ustedes querida Familia Nocturna me compartieron y que son especiales para éste LUNES DE HORROR.Escucha la historia del Titiritero del Diablo y por qué es mejor que NO OFENDAS a ninguna ENTIDAD PARANORMAL; descubre con Amanda la razón por la que su tío siempre rehuye a todas las temáticas de miedo ¿Sabias  que Barbara Mori vivió una experiencia inexplicable junto con unos amigos? te cuento esa historia y muchas mas en éste episodio, asi que prepárate, porque llegó el momento de que @hablemosdeloquenoexiste Hablemos de lo que no existe es un canal de youtube con el formato podcast que comenzó en abril del 2022 su primer episodio fue vivo en un casa embrujada en el que una chica narro sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de este canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de este canal , la familia nocturna creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de este canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando esto tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora.El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado .

Welcome to Family Nocturna to this new episode of Let Meas of what no exist. The day of today, Family Nocturna, we're also in this new new season of the fogata of Histories, and today I'm a very good quantity of relats, very oscuros, and atterrador.

So, what do you think? If, to initiate this video, first, you ambientas a little, by the lights, trying your beer, or your food, for that you're ad hoc

with the situation, that's in this the place, obscure in the middle of the night, in the middle of this fogata, you'll start to hear stories atterradorous, and, that's so, as well, as far as those who are who are surviving the episodes, I'll ask you to see this foggated to stories, make me to say in comments at the final of the video. And once said this, comece us with the first of these stories.

You will tell the story of the cinema most enbrugated of

all Mexico Natalia has around two months in a

cinema of these many many great and in this work

that he was initially for very but a little

to have transformed really in a point in a

point to she has been done that all

his companions and they are back to turn nocturn. This not you have

to think much. Natalia said that probably this was probably this was a time.

They were soon as after the last time. They were the time. The impuels

of and a time that sometimes some of course some of the people were to get to

get to there. So, she was she had the idea that all had

in this turn for the complications. complications of transport, the hour so long time tardy that you exponies a little at all the same type of things mundanas. But

he left a surprise terracorough when when she did a point that those not were the reasons for that the people not care to go to nocturno. The reasons were more supernatural, for put them to put those in some way. And is that a certain day, the

gerent had yet a problem that great with his group of the workers, that offered a bonus extra to those that could cover them night.

Natalia was the first in the first time. He was in a certain space in that he could do get the

luxury of getting to get to do in the cinema and get to get to time.

Because he had passed the midodian. There was there was there. There's

exactly that was a little. I don't know the minute because no me He also

He made What he made know what He said what He said that night that's a time

because it's all during the one day. And the bono yeah no he interested to do you

to do that's what he occurred to Natalia is the day as you know that's

that's the after the personal in this turn a little in the

time using a little in the time doing a question to reparting a sometimes orienting to the

people that are going to see the one moment or other. What he has to think in some moment, and me it's like, narrator,

I think in a little moment that was the first turn of all. Vuel, in seconds. It was so

full and it was so that's a form of my form of that was that I was doing

it was because of a time to another and we've been pasted and we're getting practically

at the final of the turn. Yes, the last part is pesada, in what the last functions, that not all those are the same time, in

what we're going to recogiant a cell, every we're more more people, some people, some of them are trying, and they're just going to, and we're doing it's done a checkout, and legally, it could, but they're just being more cargo. At the

final, just now just we're just just a job. Yovana. Yovana was encargo of the area of limped, the chick of intendance that day no had had been and then she was

she was she was she was she was not a another one more than we're

what we're that we're we're because when I'm to the last last

the last function that I didn't I can

I said I'm back bank by file for

that no there was I'm going that one of the

bankas but it was to have had that had either to

get to get to get to get a when I'm doing a everything I'm everything

and I'm not going to be time to be able to do you to be to the morning.

Simply was not to make food and that that this were to generate

like animal and that I'm then after then I'm back and I'm

back back soon I'm going to the part of the back and in

a one of the only the people that are there are the switch to to be the lights. When I

go to do you, I'm chisteed, and the heart's because I had sersiorated

that there no had nobody. When I'm it's a silhouette totally

dark of a woman that's going back slowly the escalers.

He's, I don't I can describe the detail, because was something that was

that was that the instant, you know, the ball's there where I'm going to be out of the

light. Corrie. Not was a person. It was the silhouette in movement of a person.

It was a totally dark. Like a sombre. I'm going for the and I

know if it's my suggestion, if it's the fear that I think you think you

to get a frio tremendous in the hands. I'm that I'm getting

and I can't get to get to go to all the passillo the long of all the

salas and I'm going to some little some of the little there's the little bit

there's and she's going to going to go and I go and this car and

go and it's a way and then I'm going to the last

when the door I'm on the lights to be I'm I'm

I'm I'm I'm I'm I'm I'm trying to I'm

trying to get to get to get to grito, all the parts for that

someone would be in the second piece, there's a room, there's there's

so I'm to get the time, and where I'm going to get to get to get to get

me, they're saying, Bacherer, me's and we're doing, we're in the

hand, and yeah without whatever, and like she's she had been to

get in a place, the while I don't know I still and we just left

directly the stationation when we're at point to to get to the

stationament and to open it, we're doing that we're that we're going to not the

time I'm not sure we to get to get to when we're the port of the station are the

bar of emergency that you're we're we're we're we're we're

we're and when the we're when it when she see something

something it's it's it's but it's there is there is

when there is when there's that not there Because when something he'll

a door, we're going like if an energy would have out of there's

and it's and he did it so feo. No, you imagine something a movie

of terror even that all what I'm that's one, but imagineate that something

to do you get a moment, you're getting the poor catarro, the with the spard with

with a lot, with a much those muscles like contraided without the sunnolientes. No, you know,

you know, has crissed and can't get to get backs for complete. I was too a year.

At the day the next, I'm the message, I don't me going to present to work.

It's the only work on day of day of day of not made formal,

and I do I don't me repient. The Zanguele Pucance Morrow for 15 minutes.

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this actress Mexican, well, this actress that has radicado in Mexico during many years

and here has developed her career, she and her family seems that has a certain level of

a good in a interview with Gabby Mesa. And it about that she

has been many interactions to the long of your life, let us

with this world and natural or paranormal. A not much time

was a certain part in the and one day they were there,

no see one or various friends, when he's talking to a partner, of some

a time that they're to be that's that's part in his per particular,

there's a person there, someone that's a subject a ribita

of the 20 years of the the rostro detailed has

some the hands has done in the jeans. his rostro

no reflect a emotion and this is rare because it be a bit

but a bit of a bit a thing but she does know

the instant that not is a person and and he does because

he said to his wife I I've I'm he said

no man he's he's he he said he's he

he's he he's he he he he was

in the car he he's he Reja, creed in

a way that this not is a lot of this is a

one of the people, he's he's he's he's I'm I'm

just a kind of a energy, like a presence I'm something,

I'm something that's he's he's he's he's he's

he's a man, he's he's a lot he's he's

a lot of a phantasm. So this friend, no, and perisoso, and also

kind of a little entusiasmed for the situation, he got to his cellular, and in

Google he's the direction of the house. And it's for this that I

want to renter, better revise the direction in the applications, because

they can do the information important. When he in Google, resulta

that there was that there was a not not a new

that place, ago, had been found yet without the

son, Selvestre Stallon. Sheh Stallon. She's she's going to look at

the rostro of this man, and he top a big image of

the man of that he had seen before. Never he

had before never in the house in that this child, in

this story, me kept thinking something or something, if appeared a

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and interesting. For one not they're in nothing of questions subrenaturales. For the

other other other side, I'm the love the all the stories and

all the movies that have to be with with things of

the other they're like the magic of the

imagination of human and as they for for the

movies that they're about the thing that's a matter of a lot of a matter of

respect for you is a question important. There's there's many times

that have been that have been that's long the time and as

this has been just a few years we've we're many

many that there there there there there there

there there there of someone that's a peed Kane. When

this movie it's there's like two three scenes that they

make something something if something something that's maybe

she's suggesting that's suggesting these things that's they're it

and it doesn't the camera and it's never a few seconds

there there you see a sound, she's a she's not clear because I'm probably there's a

when it's a when she when she is a not in a position habitual. She tends

to be always on his side of his left. Now, it's a back up up to

never he had to get to get a way, it's not a lot of the world. You know, yeah,

yeah, you know the question of the paralysis of the dream. Never you ever ever before. It's like to say, it's a person that is a sussed easily because no creen the supernatural, although he likes to be it.

And, standing there, recalls certain things. For a paralysis of the dream, for that's quick it rapidly, learn to relaxate, not you take those things so in serious,

respira profound, commence to relaxer the body and you're going to start a rapid of there. So is that begins to breathe,

inhale, exhale, it, is relaxing the body, you're seeing every and then

after the five, maybe 10 or 15 minutes, nothing can't be there's

to get to get to get a little bit and it's to see to see to see

with that this little Angelina calmate and this is a state

normal in whatever going to go to get to be and you

get a dark and when it's a directly the o'id. And he said,

Evangelina. That voice he cala so that she opens and she be like a silhouette to start

to his rostro and pegandos directly the o'id. He I don't you know,

you know, that you came here and he came here. When she hears those

eyes and see that the heart and it's that are the hallucinations that have

the people in the paralysis of the dream, you understand why they're just their time the time to get the

heart of the heart of the room, like some of the thing, and then, you know, that's that silhouettes, it's a while, you know, and then, and... exactly there. Evangelina

is out of his house and she promised to see that of this type of movies not going

to go to see after six or eight years and no has ever got to live

any one of these episodes what me to ask me really

was a paralysis of the she did you know you know

you are the signs of the the people Louis Arturo

me made this story. Resulta that he is very fanatic of the podcast.

And even he had heard that in various occasions we recommend not not be

the episode Maldito and Louis Albert for that he made

so he was to hear it or in this case to hear because

there a thing his mom not he doesn't

that he doesn't that he also the terror,

the the fear a person of what ram of the Christianism but I know

it's a person with a ferbore. It's a person very practicant so he he's not he was

he was prohibited yeah in form tacent. Especially because he was he was a certain

volume alto. What he did a night is that his mom he

invited to to go to a night to a night of his

other and he he said he was he was going to be to

do and I'd like that day. While his mom and his mother

were in the cell of television at the house of the room, that are connected

or more being are divided only on a room, and with

a volume and with a little was the episode of how much.

But I know he was advanced. He was sent me was a little, when of

the And when he opened the door of the room, he threw a grito. He goes to her. And when he goes, oh, mom, me, I'm gonna say,

oh, man, me gotsts me that's all things. And he says, but, I know, what's,

what I'm, that's not, you're doing, that's doing, that's doing, that's doing, that's doing, there's a

there's a thing, and he says, to what you say, see, see, so,

see, they're, they're, they're, they're, like, going to and it was the

sound of the sound of the sound of the street that I'm it's a thing, he said,

Moma, how you're they're on the wall, and she reproduces the sound.

Luis Alberto, he's he said, Moma, listen what I do you know, I'm going

with a volume very low. That's that you didn't come here to the

house, he said, he said, we're not, we're they're and they're

listening the and they're just that you're just being these

things, so, so please, he, very curious, he says, let me hear me hear me hear

that I'm going to get to the cell, he gets a the cellar because he that the sounder

and where he is a earha and he's a loud of a little the larid of a

woman grittando and three three blows, but three things that were too

retumbar to the the party and the sony was there of the

abitation in the he was he was I was listening with a little

little the episode is that he did a fear and he he's

a little that's what I'm what I'm what I'm that's that's

when he that's when he that in the window like that

was there and what could be to get

more more more so a unia long to

come to to get a resunned all the ventana, what

does that all to us put to the whole to put in the window, in the window, but when the

that in the podcast we have a episode maldito. And, and about the success that have

occurred to people who have seen this episode, I've I've seen the podcast the worst

manner. Never had heard of him. Simply one day on YouTube he

appeared this episode as one of the one of the video. Entro

and it was talking about the episode that we we're we're

we're we're we're we're we say we say we're like that's but other way

they're starting to get stories. So, I'd recommender you would be to be an

angels Cahidos. Paola that YouTube is it is a name angels caidos

he doesn't the thing of the term to start to be something he's a

very strange what he has been she's she said that she's a little something

a perception, a sensation, I sentia that even the episode not terminated, it was like if not

it was like it was a minute, I saw in the minute, maybe 30, and now he passed

much time and he went to and he in the 31. And yeah passed much time and just been

in the 32. And I think that I, I know, I know, I, I, I,

I mean, it's pure anxiety. It's, so, it was to do the episode and just see in the 33. So,

so it's to get to get a very, is that I'm going, it's that I'm going not, you're

talking about so and so much seconds, what is the time and where it's going to get to

kind of in this type of conscience, see, something that has been what has been the

most spantosos that's sentio in the place, it's was an encapsulated in a

burbubu and not she had done but even until that

something something that's horrible, enormous, with a power implacable,

he started to run per the burbue and to get to

the sense you're feeling like something of some

the proportions to talk titan is that in

the thing in the radar of the and it's something

so that it's that she's the only that can't is encogers and put her hands like never

in their has seen something like what I'm saying the most is like if you're in

a little bus passing it with one of some and I think it that of

a person and the oso front of me, and the oso is angry and it

is totally aggressive and it's so I'm how I'm how to do you

do you don't compare because it's like that was

more of 15 or 20 meters. And as if they'd have some garras that just a circledomelas would have been sufficient. He said, I tended in the

piece, I'm going to and I did over my my fingers. I never had seen much much.

Of a sudden, that thing was to be able and the sensation of that the

time was moving disappeared and the episode without I had to be

He was ever talked, I was in pause. I'm cuted, and no I've got to live

a little so you do you do your precautions and take a little a good

so I know but I think it's a good good things are feeling a little less human

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the arm of my brother and we had to help him to get to get to this story of

Clemente. Clemente is the second of three brothers. He, when occurred this

lamentable situation that I'm going to say, he had around of seven or eight years.

He had an brother, that is a mano major, he had 16 years,

and I had a brother of only three or four years. They've

had been a situation very difficult as a family. Two years after the

mom, the mom, for a very aggressive, had passed a better and the

father, that not was a more sociable for that you give you an idea

that what you say is the profession, that is very loablet, but

also I can talk a person, the the father

was a Relohero. He was a work very minocios of the work of

much concentration and things of pieces little that he was to organize and arm this

history data more or the initial of the years so

this this this papa that not a good conversator

now is a car of the family now that he's

he has got the thing and the business

not has done so his major, even for him

was his promise to continue with the business family, is much more

more than the music that's a lot of time. And he know but is that

the little he's good talking the piano. Of

a way that was one of the things that he

made to pass this man he he the

eclad electric mediano, not one professional, but one medium. No, he's

not he's not quite that he did that the man, the the work or how

he had costed, no he he said to know. When he was with the

piano, it was he revient to the carchettable to the car. He's was going

to be a situation economic very difficult and this this chico with this

chico with his So, no he rompio because he had done to

but he had made to talk it was he put to very, very malas.

Tal best that he had that he had to that he could that was that

that was that that was that was that was that the piano with his

dimensions he was to be to be things that he not that was what

provoked but it was a moment in the he did an ultimatum and he

he said I don't hear that that's I'm in my car

if I'm to talk this I'm going to do it's

not a way, I don't support I so so his

postura was a something was a contradictory you

because because in the other various of the

reloges they were they were caches musicales, reloches that sonnable

as many of the piano, and he he'd he'd to be to be a matter of

that's not a idea and I never got a contradiction absolute. His his

his little he was to say, what did it was that's

that was there had a time that had had to

a little more to and he had a little

he was He knew manage certain things in the business. But the

he was not he was a he'd not a job of the he's was always

he was he's and even he was doing it was doing because I'm

that the economy of the house not never he was he was

he was he was he was he was he's much he's

he was a time he was a he was the tremendously

when the situation of the business is very bad. And this chico

that he has been practicing with the piano a year and a year and has

has made a ability a great, he did know

that he's good with the one of the own own only

just just listening the melodies and it can

be and the he he is a prodigio but

in the situation economic of the house and with his other brothers who don't want to

see the people who see that he's got a lot of his melodies and he has worked because he

got some audiphon's a thing that he's a thing that the papa not he's but with the

sound to the melodies in the car, he's he's used by his oricolars. A day in this situation in

that the economy in the child, in the child in the music, they're a job

a lot of a man, he's a little a lot of the tisdusts of pendul

very we're talking about something that is about a

70 sumamente pesed made of made made special

and with a mechanism very complex to and and

they they're many years and have to pay

a very good money if he'll repara. The sir commences

to start to get the rest of the other of his his

his his he's he's doing the time, but when he's

he's escape and there's certain people, what he is a time,

so that's that's that's very he's not not even he's not

not even when he's when the he's desperer so that in one

occasion he one of one of the pieces and he's scone.

For that the father is to that malditor the rest of the time, and then he's

he can do you do that he is that the problem is that the father that he

doesn't that he he's because he he said at the child an

adultente no me did something very obvious the

the only that are the there was he he's

he was No, you can't imagine the level of re-gainada. The chico admit that he was the

piece, he was the he was in his brother, the papa, and then he he, he,

he's got to his own hisodephone, and he's put to the piano. A melody tremendous,

delicious. He was he was, he'd ever he'd ever that his Bopat he'd

he'd understand, and he'd he'd he'd that he'd a person with

good ability and that maybe there's other opportunity there to get a money. The pap

he's got to the melody and for a moment he calmer and he and real the life

will get those notes in your mind, all his life. But that that

did it two because he went to the room, he he had

said another once against the counter the he he's

he's he's he's he The other The other He was inforeseen He says

He's The father The father The father He does The error That he has His other

His other two He wrote Because this story me The child My son The child He said

You can't But he's Heppes But he's He's too He doesn't He can't He can't

do you No, he He's done That's He was a He was He was Tentosos

He was with Tantant situations on the night his son no regress to his own he's going to

do not in the middle of the madrogated his son he goes to the car he's

met in the tair and he is disposed now so to cover to a

bigger's he's to be the mechanism of that the malditor the he left

he left their they're destroyed his own and that's destroyed his future.

The clock, the reloge is a lot, he not is not so, not he has not a seat, but simply

open the part internal where has like a a point of a crystal, put his

feet up, open the area where is the part of the the mechanism

and that's his weight that's more than that the

structure and there. There's there. There's a house. When the

father when the man is a little man is a little the head is

very very and he not is a structure is that he not able

to move to him to help to help and the man who's there he's there

down he's the liquid vital rojo is around he and

he has to start in the madrugada piding to the time

is a scandal that a ambulance for the manned a child

and they're in the time. The little he never after he's

he when the father when the father had seen his Papa

so that so he was a he said it's like it's it's

a little that I'm never I'm could get to get to get I'm

I'm really my brother my brother I'm not he's

but I'm he's I'm never to understand I'm

I think I'm I'm I'm I'm but I'm I'm

I'm I'm I'm we're and it was working the

the the man, the man was my father he said abertam

disulpe me I'm not I'm he said he thank you he

you've you're you're you're you're and you I'm a surprise

because when the the time when the door he's he said

why me you're you said this is mariv

is it's I was going to know the I don't know the loggia but really the law that's

the new year he doesn't even get to get to and what was the time and the house. No, has allowed

to pay the situation of the hospital, not have not allowed to work to work with normality.

It's deseched. The family pended on a and this is the new new

the door when he when he talks, a voice a voice very a voice

I'm a voice but he's a question for the the owner of the he's the owner of me, he's called me, I'm not going to I'm meant you to make me

I'm meant you and so I'm gladysed but at the same time what you did is very special and I'm very He was very appreciated. The Sir, no he had very poor

food in the refrigerator, only for that he took to his kids to get to this food,

and that could you could get something and maybe the next days not passeran

and the bono no they were they were to they're to come

to this house and when when they come in this house the sir he's

very, very very rich and not nothing of much little lugo, but if, let's say,

just a lot. Not even even in a certain time. The children, no have been repaired nothing. Simply, they're there doing their work in the plate for not to not a little got of the

soap, any a little bit of a ross, you know, you know, the point is that the sir. The point is that the man is overcasted, of each,

he's been disaligned, and the duke, no he wants to ask, no, want to ask, in what is what is what is

passing, the not centred of the noticia tragic. And yeah he says, Toma this quantity of a number, a sum important.

He's what did you with my reloches marvellous for what? And then it's to sound to

a pendulop a and then then starts a melody of piano. When son at the

melody of piano, the sir says, he said, never would be imaginary

that exist a melody that beautiful as my reloge. If my

reloge not my reloge not you know how you do you I'm so much

I'm sorry I'm I'm every every hour, every sound this

melody and me has every day and I know the

day because you get with this money and

I know that the man to he's he's

not he has a impactate and and being

in his his kids not reprar in this

the a chico that the story, no, he has a conversation with him,

only he talk to hear a conversation that one a few a time.

And he is he said, he said, I'm, I'm, I'm, I'm

to offer to me he's I'm give, I'm all the money

that I do, all, every one of the pesos and he

do, but but I want to that me vend that relo and

I said no I like much that no I'm not really what you're doing it's

much more more car and he he says for what what more in the world

understand me let me give me to give your money and for favor

for me that the man he says I'm going to think

and they're there when he says come to come for him

to let you do to do not you take the money, that's also

it's too. When he gets the reloger he he says, not tese to say

I'm not to say I'm just I'm just I think I think I'm I'm

want to do you I'm there's a there's a there's a there there.

When he gets to the car with the relo the little the

people are they're sometimes have a car that's a where they

they're they the melody, they're they're they're they're they're

they're they're they're not they're not even to get to get to them.

So, it's a marivhous or that's a matter. Because after they did you

do you the melodies and the year had had been all

his time and listen to one and again and they

they're how I'm I'm and the day the next

the child the story me Occurried the situation that during many years never me atreve to ask the papa, why did that? Only I,

that, with other two persons, from the recital, harassed the reloge to the patio, the people were, and my papa commenced to roger

to some type of liquid and it wasend. When the reloge was in yams, I was having impacted from my house and I

see how Papa he's a bottle of the water and he can't

venting water I'm never I didn't ask because

after that he was another he was he was much

better it was something very very so five

years and so and me responded with a phrase very simple.

The RELOG never had a musical. That was the melody of your

brother. I'm I'm I'm a old a ghost

a I'm a person and me said narrator I

had a I'm a man my time and my

Tio Armando was a person very Alegre, a person that we We'd love a person that

We'd like None of the things related Like with the terror, the supernatural. But when I'd

like they was that if someone had to talk about to be the stuff, he had to

the other preferia not to have to not have this type of conversations.

I think that why they'd they'd when I'd when I

get to have 20 or 22 years one I'm with

some Cervasas, we We've got to like a afternoon a tio very, very very,

very, very very very good. It's like a more more.

And it's in this situation in that I I'm about the time, why the

things of the world are so? Why not you don't you don't

the stuff? And says, is that I've lived something

that nobody said, and I don't want to tell that's

you say, you're you're told your brothers. He said, no.

It's a story that I've told you're a story that's a cente because

I'm not I'm not what I'm what I said. The narrator, what he told

was this. Me said, look, my, Sobina, I'm in the

80, not me going too, like, I'm a work

in a a work in a a very bad paid, very, But it was my first matrimonial,

the things not functioned well, and from the initial, we castes without money, we're in a

business, and we went to be to live in the afours of the a city, a little very little, much chiquita,

in the that we had no time in the first, I was in the place, and in that

houseita that was in the afueras, to get this place in the city

in the the city, in the I'm, it was the time. It was not

a comorita. pass a carmion and at the hours, without exactly if one or two or three hours pass another. I had much precaution to get up front of me very and be the first in the parada of a bus, but never

it was always when I'd get a one or two people that always me asked where I'd where I'd be because there was no one nearer. Well, this day, when me passed what I'll say I, went to the parada of

with the the same that's the I was in the time. I don't have seen in the

hour, but not it was the other days, it was a little more

to the time. I was to get a four, and I was going to at the

five, trying to get to get to work to get to work at the

time. I'm in the part of and the way, no get a

no no person. And I'm there and I'm an idea, I, Armando,

you're ragged. You're going to get a time. And the business was very strict to

get to be out of the I'm not I'm not a contabilized. I'm going to start a much and

I said, and while I was being very preoccupied and I think it

that was for that I did that he started, that he started to get a

a repent he started there's a there's a time

that I'm there never in the never never any one one of the day

and a day that it's to make a never and thence the

I'm thinking ohhal that no I'm that I have not that

there no I'm not I'm not to be and in that

I'm they're that they're they're so two types of farole

two two types of the light is that are going to see like a

arrow very very great of the light and I know I'm

the sound of a carcache of a carcache and I have

a little and I do you do the car and I don't

I'm the car this vehicle is a car

and not is a car but I'm talking you're talking the

car and it's it sounds like it a

is a little bit more than a little recently, the picture impeccable, new, all of color and he's a somo a type that's based

like the years no see, a subject to maybe of 50, 60 years, and it's a yeah, yeah,

great, it's been with, with cana, it's a kind of a little bit of a little demacrada,

and he a back the and he comes and he says, I'm, I'm, I'm,

I'm, I'm, I'm, I'm, I'm, I'm, I said, you can't to leave in the

place of the center. The place of the center was a four quarters of where I'm doing this

he's a favor and say how do you do you see, I'm suh me subo we're going

we're going to never the word, he's focused totally in the way I'm not

no voy nervous for going to go to he, I'm much more corpulent

than that so I'm so I'm I'm afraid to him start this question of the question of the fault, the way of the

way of the way, I'm a good a matter of this and apart, me going to go, no, no,

I was thinking many things for mal. And it was there where I did count, since

because it is part of my form of the way of that I'm, but I'm don't know,

and I start to go to the and it's like if I'm kind of I'm

kind of I'm I'm I'm a despirto, very, very rare. In two parpadeos, the type is paris, and me says, yeah, we're going.

The place was like 40 minutes, my ha. So, no durrower, and where me kept, I'm going to

go and, I'm going to the place of the place of the people, and I'm, I'm going,

and I'm and where I'm, you know, no, it's a whole, never in

no, no, no, no, now is the car. But not in any part. The place

no, there's no there. It's a bader. I'm going to the company

totally disconcerted. I'm sure that I'm going to get a time. I'm the

first in getting that day. No, it's any of what I did that. In what

I'm doing? I don't know I'm sure that I went to a auto phantasm.

to be, armando that the day of today of today of his party, never found an explanation. You? What do you think you guys you've heard of the titiritero of the

diablo? This story that I'm going to tell her vivied a londra when she had 37 years. But there's a detail important, needs to know

something of the context of Alondra for that what I'm going to have a lot to have a lot more more sense. Alonra is

the her men's. And she he took to be a cargo of all, because, let's know, that her mom had problems with certain beverages and certain substances. Alondras did his family from

very, very, very, very little, and that's he was a person responsible, but he developed, let's talk, for put her name. Every time that something, he had a little, he had

generated a little, instantaneously, as if it were for Deporte, it's direct to that's we're going to

a day that a little bit he said a little bit that's a little bit to one,

because she wanted to show us to not there never ever nothing in the life that

would be to be less, she would be a little or that were

to be it. It's in this context that I tell you, that

that's three years, is a TIC when there things that

that can generate fear. And she can't get a lot of a lot of years.

She's a little bit of a little is a person a normal, has a person normal,

has a job, has done a good in their life and she has been to carry

with more responsibilities after that the menor of the university, all of

all, to a certain manner, they're in apego and an great idea of a great moment. It's a second mom.

For some of them the first. Alondra, in this relation beautiful, you can't imagine the type of

person who is, a person aggerrida, a person that takes decisions, a person of those that's

that's that they were a life that was a little bit of and he took to get to the place.

But it's an time, because it's a chica because it's a But it's this tick. No, you'll

say never that's a coabre, not you're going to say that something that something he's going to do

because instantly, it's not he's going to control. In this department, in this house, in the

case, in the case, in that you have a good, invite a invite a and they're a belada

in the that they're to talk to different things, things of things of the things

things important, but it's in that the day when surge the theme of

if exist in Serexed Serexionate. The Ambiga comes very affected. I've seen a

movie related to a position, no see the rito or something in those

times and she's about the demons and that is something that's something that's

this type of plattics and Alondra where he says how can you can

you can't you can't even even even he says look,

you know, I'll demonstrate in this instant. And he this what I'm to say,

words as textuals. If those things existier, the RETO to all and each

one, that they can be in the most minimal fear, because I

don't I'm to know to be to I'm to I'm

that that's the thing that is the world, to me not

me, no me Where she says that, the She said, Tranquilla, no you know, don't you take it?

Like, what's like to be it. And he says there's that there's a something that's, I'm going to do you know.

I've been paralysis of the sunno. And in the paralysis of I've seen of all.

But I put to investigate and you know that you get a catrified, and you

and you know, you're allucinas things and you've seen, he's seen, somebras,

things medias rareas that's or in the camera, sensations that's

that's nothing that's not of the thing, so it's that's if someone

that's that's I'm, I'm Alondra, as the rest of days, after that he's going to

do not really. The fact that's that's the moment in the he felt you that's

a lot of the word, but it's that way, he's so I actually,

I really really, really, she's, she had had been many years paralysis

of the soo soo. So, so it's simply was he was

and he cost to have abendas preparing that that night was a

night of the night about the times of the timeaticas for the stress. When

is doing, in a moment of the madrugata and and it

is a paralysis of the sleep. And in that paralysis of the

sleep is that the person no is react not

and it is that She's to read mentally, she

starts to get to think of things and he's to be and he's

when it's when it's doing this that's that's that it that's the night

a a shadow a little a little and they're

and then then they that that type that he's to start the

time to in the point in the point in the point in the point in a point of and he starts something that never had

seen something the sensation of a dead by the plant part by part she begins to feel a

sensation very very strange and he starts to talk to mentally and a

voice he invading his and he says call you now is my

turn and you will and to show what is to have been a bit. She is impacted. She's never

had never had been that the control and then that's the little she did in

what could have been her so how it is still it is a

strange like a type of a serpent and it he's the

end red and then this thing moving the hand he

he and she start she she's just just

So, your body is being a way the way the the

way to the time. The feet pegs on the piece. And then see how

another of this serpent's the end of the other thing. Another of that

the end up one of the hand, and the other and the

time. And it doesn't a way very strange in two

feet but with the head totally caught on the car

and it Be how that sombra is the behind she put the hand here, something

something is the head in the area and he makes that he and he

and he's a thing that that is being burlando and

and makes make a much and that make

that they're making that they're and he he

a propos with the side the the one of

the does it do it really and gritter, because part of that serpent has it has been metied in her and that thing, and that still is tirade out of the

room, pass, pass, moving the hands and the feet, like if were a titere. It's still advancing to get just in the zone in the area that he took the conversation with the friend, and when

he gets there, now this thing he'll be the o'clock, and he says, now you're to feel what is a fear. something

and it happens and he gets to have a sequence of scenes espantosas of things horrible

that have passed people people people that have happened or that

have occurred, things where not has been control about his things to get

to get to get to get to get to he's and he

says, call you say, and say, say, so his

body is totally like amarrow for those things and when

he's another again, it's the day but I'm talking about not in

the amnaceer it's the day for complete and she recuperer

the control the the only that's to get to get to and start

to get a time tremendous the conversation was two

days after he was two days par in that that

that is what that is what they're because what Sligio

of that Alondra that's she she's she's she's she's

she she's she she was she did he he said

and a londra was a second in an hospital psychiatric

for through that medication and did other type

of therapies and they got after after after

that after that could put to forget to and manage to the

records of that night. And from that's that you're that you know,

that's or not, no, no offends to any entity paranormal. And with

this story of this night, we've got to this episode.

For favor, remember, if you've survived this fogata

and let me know to know on this one here in the comments

if if you can me can't put Spotify, Apple

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next fogata of stories.