HABLEMOS DE LO QUE NO EXISTE - 8 Historias de Fantasmas, Casas Embrujadas y Victimas del Podcast | EP 256 | EL NARRADOR

Episode Date: January 13, 2025

Bienvenido a ésta oscura Fogata de Historias de Fantasmas , Casas embrujadas y víctimas del podcast en @hablemosdeloquenoexiste https://youtu.be/575At6KMjwA El día de hoy les traje historias que ustedes querida Familia Nocturna me enviaron alwhatsdelaspesadillas y un par de historias escalofriantes mas que me encontré por ahí. Escucha los sucesos paranormales que vivió Esteban junto con los guardias del departamento en el que vive; tiembla de miedo con la historia que vivió Máximo en esa carretera maldita. ¿Has escuchado de la Magia azul? descubrelo en ésta guerra de brujos y si no conoces de fanáticos deportivos que sigan siendolo desde más allá, entonces tienes que escuchar la historia del Capitán así que prepárate porque llegó el momento de que @hablemosdeloquenoexiste

Welcome to aboard of Via Rai. Embarked and profite. Embarked and relax. Cirotay. Bookine. Oh, that also. And profite. Via Rai, the voice that we love that we love.

Welcome to Famine Nocturna to this oscura fogata of histories. The Saturday past, in the Sabbath of Somas, we're about demons. And the episode, you're still there. It was very aterrador.

Some days We had been retrased with an episode Special in which there was a major part of the family nocturna almost

did that was out of the episode and it was one of the last and also I had to talk with

this the demonios today we're going to start more more we're going to

make this fogata be more amena for so we're to talk to

castas infestas phantas apparitions and victims of the podcast because if you

if you're here and you're going to you're a shrew risk, a risk that probably

you're to be to be in aterrar. And one once said this, I'm

I'm saying the welcome to all the new and just that if they want to the

only to be a condition, one one that you're one that

you're one and you and it to survive to to

this fogata of the so so so much that's If you may permit you,

I'll tell you the story of Esteban, Gerardo, Yvon, and Maxim, four people

that are not so their life is a pesah exactly for the reason.

To start this fogata, I've I'm a three stories. And in

these stories, all have in common. In the time of the thing of

the A few difficult to to find a hilo conductor or something in what various things are in a same phenomenon.

These stories that I'm going to happen the year past I think the most actual occurred just a couple

of a couple of the time. And all have this is the I hope you can

you can discover the first story has been to with Esteban Esteban

is a child that was a living in his time of university in various departments, situations that had to be with where he said practices, with the type of rumies,

with the type of ambient, and it was changing from a other. Of course, in the best of all the departments, it was present it as a opportunity of his life. He's a living with two persons more. It's a department supermently beautiful and summously that he never had had an opportunity to pay. Imagine it.

It's a lof, a quarter of years, without and the cell a commedore and it's a lot of the room, but it's

a space that's a little bit of the middle just in the part of the apartment. It's a

apartment of two-pissos into or no. The the techo is about a high

a lot a lot, a place a lot. And in the second piece,

if you paras just to look to be the cell of

the there and the the room, you can see the

you you can you look at a part beautiful of the city. In the good Esteban has discovered

various times from different points of the department looking to the city, being the lights in the

night, viewing in occasions how they've seen little sombritas in a way, and

it's just people who are doing who are people who are people like I students,

are parents of family or some of them are ladrons, maliant Gentes with histories

oscuras. And you know why this in your mind? Because he he's that he's

living a dream. He lived there with three rumies more. It's a very

very car. Yeah, is a different in four. It's is that

he's under the time of the years. The situation is that his rumys

were people that were people who were in the other the next three

months he will be going to be because his rummys had to go to

go and get to go to their situations to go ahead. All coincidio. So, you imagine? This type

is a rite, he's a palace, in his castile, but not is a type sociable,

it's a person that like to be there only. And lamentable it seems

that the reality paranormal is he doesn't not because they're

to occur things medias strange. Have you pasted two months,

he was doing, he was doing this idea of the stances in solitario, being the

city in the day, in some moments and the things, in other moments,

simply having a rattit of oce, when one day, standing in the

second piece, he he's clearly how someone came

in the area in the the alarms of the door. The door is a new of these that are

that's that's that's a when you do you get a little bit of a little bit of that's a sure.

Because it's a protocol that one once entering to the house, it's here it's impossible to bring her

if you know and the key has much a really who's in the house and

he's put to record rapidly when it when it's when it's the last moment that I

went to I could have left the things abirtas. And then he's

aondon and he says, who's who's who's going to the police

I'm going to the policeia, who's he? And he he and he

a door of the door of the water that the door

the person of the he's he's the he's not

we're not we're we're more grand is being being being

being he's thinking in how survive on the and how he has a

little and if it's a a problem and if it's some of those people who

have played and he has some of those he's he's

he said he's he's he's going to No, is the most valiant. Tampo is a grand covarde,

but not is a tonne. So, so it's that is the door of the apartment, that's the door of the

department, a micro passigyito that you get a direct to the so that's that you, I know,

I'm going to get in your drama. So, so you're so, I'll, I'm going to

want to not I'm to talk to the guards of security, that they're they're so I'm

who are you? So, I'll wait a moment, the key continues, no, there's more noise, pass two, three, four minutes, and the sound of the water persist,

continue. He's out of the room, mark, for the telephone to the security and they say,

that, for far, go to the room, that he's there out of that's going to something very

strange, that someone that's someone's in the little in the number of

some cameras of somebody that someone that has never, and they respond, and the

work could be a lot of the person to get to get to and they're in the

so they're in a good at a question of the good. And they're in question of a

minute. They're all in a little acererated, a type a type quite a

little, and what you said, what happened, what happened? No, well, it's

there's got a little in the room. We're just just over in the apartment.

We're not we're we're not they're doing to they're they're in the Why? Because no

they want to that any a new business and in the moment in the door

they're in the door, the key and then they're saying, we're the security of the

building, we need we need to get to this place that so that not to

get in more problems. No we're going to do not

and it's not in the bano in the same indication three times, and

then the two guardies, the lanchito the lankit the lankit right, the do you know of the

house, the room, the door, they're in the door, and they're a room, and they're

no, the bathroom, no, the water if I had been going, because

even if had chorra'd have a charco around. You know, you know,

there's some whewas, some wetties of stalsos, but there there's no

there's not there way of the way, if not it's for that the door that they're

in their people, they're not they're they're they're they're not they're

not of those because when they're they're so pally and with some eyes

that they're not those that's they're all they're all right he's

all this he's a part to be the life of Stephen is

very divertia. It's full of many little moments interesting.

Like to feel that someone is going when is a little

a little the room, how he to hear to the second piece

that that someone that he's that he starts

he but the part that he more he generates not

not necessarily good is the the fact that when he

has the cellar, and he's listening the things that they

like the cellular, if he he'll see the moment, he's and in

occasions that he has been in the room, that he's perfectly

that he he he's he's to hear that moving and at

the back, and if he's he he back to be a

back to do he's even I've encountered the middle

of the escalator. It has also in the mess of the commas a new to someone.

Someone, who's someone doesn't know who's Rumi. But also we're the

case of Gerardo and Yvon. They're a a pair that where I

think you have a good many years together. They've had a

really very beautiful. It's a relation in that have

been in the same time they have done great spaces

of there's there's a time in the time of the time of one of the one of the

other, not because they're in a company, but the other person did the other person

did it, or because in other the other he said to his partner that's he could

give a place. Necess to think things. And as both have family

and are very well received by the family of the other also, the

other also, and And there passes large stances in the house of mom, in the house of papa, or with the

friends, or with the friends, it has a problem. It has a relationship very much. There are

occasions when they've lived times, because they're going that the part emotional is a

thing important. It's a thing important for them. It's a thing that not a thing that

it's when they have lived when they times times difficult, they're

doing certain routines in the routines, in the routines, they're in silence

with their only just as to show to make that they they're that they

they're always going to be with the other. Passing in many

occasions that we're that, Gerardo is preparing to do

and then so, without any a word Yvon gets behind

to him he, he He embraces for the cintura and simply he doesn't

he says he doesn't he says he doesn't he doesn't he continues because he he's the

symbol that they've been doing that's the form in a that's a form in

a time I'm going to be to be even a sometimes it's

and it's something that's something that's each each different

has a kind of a type of strategy of

symbol or ferrito, that something that is so good, it's that's

a proper and to get to it. Because lamentably that's what

have been having been having been the last time. Resulta that

Gerardo had heard that in some people that

they have been having things strange, Ruids in

house to hear conversations in an room that is vacations in a bit of having seen a presence or sentirese observable and for those things are patrains

for him those things are their gusiness things not even to pass you're a person human that has the person who has

that's not to have been to not have the emotions that that so so that so that there's

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WestJet where your story takes off So, Gerardo had passed a a week. He said to Ivon that, for favor, not all the

end of the week, but that the Friday and the Saturday, he had to be a little in the

house, and I need to start to order on some things, order to order your apartment,

your piece, also, also, I had much some and he had the

opportunity to have a opportunity to that nobody was to start to what

was something something that is a pretty good, is a very good. He was advancing the day of

a yearn's. And more or less to that's the night, he decides that's going to do to

do the the bathroom, he's to the space for the two, he's

looking markers in the roste to desvel of a decansancio of the death,

and it is the time, the way it's feel quiet. She chaggot

in the car, it's a second the rostro, it's if there something that

has a something that has been to be in a lot, go to the room, and simple

and yannamently she can't in your camera, it and he and he

and he's waiting that's maybe the morning the next

again the again, the again, and the and stay totally descanceded

and with the mind and it's then when something when something interrup his process.

A vehicle a vehicle that's a vehicle that a vehicle a lot of when he's that he's a

he doesn't much how they can't. And he he was a lot of that instant. He? He said where Yvonne He went

and he, to not make her feel like her feel like because he's in the house is for something, he's going to

say nothing, he'll say the he'll be to be able to be able to be to be there and that if is that's

being done it's not incommodality so is that they're they're for some for them.

For some it's not so that's simply that's the dormido. After a minute after

the door of the door of the door of the yvonne, he's he's totally

where the camera, let's say, let's a plan on a little, he comes to

get to get to dormido, and then his cellular so it when it gets,

he says Yvonne when he he's when he's when he see that something

that's to the right and the sensation of the arm that he on the

same of him disappeared with the thing that was in the thing that's about the when he's

he said, he said, he's he said, Gerardo, disculpame, I'm going to go to the

house, I need to get, and he said, for favor, tell me that's

a problem, and he says, and he says, you're talking, tell me,

for favor, that you don't, no, don't you don't you don't you just you

just you, you're you're just you're you know, you're talking. No, nothing.

You know, you've been, you've been, and, of actually, if you want to you're never,

I'm not really, and you know, a little bit of his voice, because he decided to get to that night.

No, they got to when he did he did he and he got to, and it

never does, when she he was he, he was, he was he was

he said, and he had a thought of the They were dormied and

they were not even through the day the day the next. In the morning

when they're to have to get a little to get a gerard So, they're to have a

conversation of those conversations that's just doing to make the time. And then

Yvonne he said, Oye, a night you've been very carinoes. Much thanks. It's so

much that not you felt like so. And Gerardo starts that something he's not.

He was like a night. He never he never he gave carinions and he

said, to you are you saying, when I'm went to when I

what hour was and I and at a little time, you know, you know, you're

and you know I'm so I'm really a way, and I got to be a form of

you're very respectful and, and, but I just say to say, that when

you want you want you want, I'm going, he's he's

to put palid in every part because he said that he

had been he had been he. And now, Gerardo and Yvon have a one an inquirino

that seems that has certain interests in both and they're to be in because it makes that he

likes to make a person. And the third of these first stories that I'm going

to start to start this episode the 256 is a story that is a

literally very much very little details. Resulta that in the

family nocturn exists a chico, well, at day of today of a man, a adult,

that's called Maxim. Maxim, like many of you're to the time he's also he's

doing a trailer in the carreterer. And, and being on these Trajectus, Maximus

says, you me has served as a idea, to do you the best, of the

best, because me do a lot, and I'm really, and I'm really, I'm

And he's family nocturna active, of those that they're going to be able to learn the messages of more family nocturna. And when they're saying that they're listening to to them to listen to. I don't know how I can't get to listen. Me put the pelts de punt, me pung, with the pill chinat. And if I don't have a fear in saying, no, no,

me does it do you know what I feel. And I'm just the stories that you want. And says, and you know, you know, narrator. As a few a second

was in a carreterer and I remember what episode. But I'm was a murder of the

he's and I'm going to I was saying oh my maximum I'm

changeal change him and for other other I'm no no no

I'm going to the time I'm this this quote

this this so I'm so you so so rescatist. No, narrator, where you

know what he was trying to make he was made, all the skin iso, all the peel, I put it, but free, free, free, and I said,

and I, and I said, I'm sorry, that you want to keep you're a spirit, but also that's you want to do

a new time I'm because it's part of my routine, I'm a lot, and it's the form in the way I go

going to get manage a time in the madrugated and that

that's a story, I'm a stop to the podcast because

it was a lot of the and I do dostify so dosific

it I'm a little a little I'm I'm

so I'm know I'm a little that something

that's really very very I'm I start something

I'm I'm I'm listening almost since you have 20,000 followers. No

appeared as in the channel in this time. And it was when you try you and you're

invited and you're talking in stories. Well, from there, never, no one one one

ever ever, has seen that someone has a or or something. And I

in the carmion, when I started to start, I'm clear it like if

took a person sitting a lot. I don't I'm not I'm

because I don't, where I'm undid where I I'm going to I'm going to to turn.

No, no, no, no, so is that narrator, I got just the ballante with more forces,

I put the refreshkito in the zone where I have done to do that and I'm going to

want to look, no, no, says, but narrator, but for

something, I'm so I'm so I'm very curious. And in one of those

curvitas that I said, like, I'm like I'm no, I'm

nobody, I'm no, man, Maxim, Maxim, you're You're just inventing

things, Maximus. I mean, you're going to and I'm going to and I'm going to and in that me get the reflex of other

carmion, me diege and when I'm going to the right like to avoid a little light

because not I'm not I'm not I'm that in the video see the reflection of

a person that's sat down my head the car of that person is with some

with some some more around and is being so just to the front like if

if I'm like if you're putting up a time and where I'm just I'm just that's a

little bit more the time to be the person to the time I'm at the same because I'm

sitting to the carous me to start you in the first acotament me

pared we're we're we're we're coming and I'm going I'm doing

this this this no this no's this is this is this is this is this

not so it was I went I'm going to a new kilometer narrator. I'm going to the carmion to get the

car to get a car to get the sun, me again to tryver to get to and there nothing.

And dear family nocturna one of this stories of Estevan of Maxim

and the history of Gerardo and Devon I don't see if not you not you

know what is the whole is the whole there's the thing in those stories there

there in common. And I know that some of you say, well, that are people that are times that are times solos. No, no, no, casas, talves are places enbruched. No. All they have something in common

clarisicissim. All those, the year past, said, no exist in the victims of the podcast. And all these soceses occurred, while they heard the podcast, and let's do

what no exists. The part that me, I mean, I forgot to say to Esteban, the things that

I'm going to be the first in the podcast, as you in this moment,

also, in the case of Gerardo and Yibon, when Gerardo was just in

the house and it and it was a time, there was a moment in the

he said, I'm going to start to do you, know, I'm was a

good, the episode me said, and in the case of the maximum

is it while. And the three, his stories those those are the conclusion

that's another is another and the story of the story of the other way of the first I'm part.

So, if you get this part you're going to and I'm and I'm going to you know, that you have to get

to the fogat because we're just we're going to. If you you're just victim of podcast,

I'm sorry, but for favor, let us know to know here in the comments. If you

me permitting, I'm to tell one of the mysteries most grand

that exist. Something simple and very simple and a one a scale of

a that is impossible that is and the day of day of there's

there. It's there is a time. I'm that you're

in the fogata. No, more after the last stories. I know

that you know, it's going to be a ret that simply

will be a bit difficult that So, so so I'm going to give a

brief of a little bit of a question. A couple of stories that I

heard this last time that I like that are very very interesting. But very interesting.

There is a capilla. I think is in New Mexico that is known as the

capilla of Loretto. And in that capilla there is something that no

should that nobody knows who who and they're and they're

a architecture not is possible. The situation has been also when when when was built.

It's made more of a year, years, before the technologies actuales,

before the systems of mediation actuales and of the tools that you

can make to make that's the time is a simple and The Scalera of Loretto is

something that no should be not under the laws that we're not under the techniques that we use, it's something

that is something that's a story, this is the legend in the door to the escalator. And if I am I'm

saying a simple escalator and before that you that's a that's ridiculous go to go to

a cartofero and tell you how he did he did it to do you

will be number one that is impossible to Number two, they're to say a

lot of techniques that not used to use in the construction of that this escalera.

And now add the question more difficult. How he would have done a carpintero

to a year just simply for that they're in your and they

say, no, no, never could have never, never, the

story of this capilla. Resulta that that was a capilla had a design

architectonical very and the constructor, the architect, he had planned to do some escalers very bonitas. No, I see if the design original is exactly that, but he had planned

some of the escalars precious. It was the last thing was to the capilla to give to the Sermannas of Loretto, some hongitas. And result, that no less gets to give to do

nothing, because standing in that last part of the work, it was a situation normal, was a person a person major. We're talking of

other times, other systems of health, and this person passes a better life. And the two men are in a problem. His presuppost is not the bestopist. And this architect, is the architecto of Confianza. Who will be able to help

to end up to end? And tell the history. I'm saying a legend, because I don't know to where they get the documents. But this is a story that's repite in the people that are there, that know that capilla.

They're that in the brothers did some something that's a good or a

time. Orations during nine days to give to God that they're to make

to make those these escalers. It's a or a oracul because if you

want you if you want to you can't be able but at the same you're

doing options of constructors of and of that there

says a God God and the massodando and

the the mugitas, no did that. They were and they were to do their own. They were

to make sure to them the carpinteros. The person that needed for that were a carpintero

so is that they said to say they to say to God that for favor to give to

someone. The intercession of San Jose and in fin you know you know that this

can't you're or not you're not the story of that is the story of the place.

When terminate the day 9 occurs something that no has a

simple and simply simply not should not have to be going to

the I'm to put to the I'm know how that

the city but the people start to about

about that about that he got to a

person a very a person a question that

for the capilla of Loretto. A subject a quite entered in a year and that in a mula. The subject

is going and it gets directly to the capilla to the mongita yeah they have been

to the old people that they're they're saying they're they're saying they're gonna people who

they're a construction, not a little bit the situation that had passed with this some type like a

like a like a pay for and they're to be able to get to do it. But no,

at the revision, no, it's not what's who's who's and why?

He'll this man and he present. No, does a only says that's a

carpintero that's they're the door, and that for favor to do

let's go to do you get to look at the he's he's

he's going to take approximately a month. This this,

sir, has that they're the capilla, and they hear the

they're doing. The mojits are very preoccupied. Because this man, no he's

not said not the cost, nor the personal, not the things, they're very

very very much, because it every every time when, that every

the door and it, and comes to get to ruched and commences to make

to work, and it goes to the capill, and still the time is martyling

the man. It's extrano, because he had invited to eat to dinner, he's not he has been,

he hasnt no he's no he's no he he's a that he has got a much, that's

a little that's what did he and he's said, the mongitas are all the

count to do you to do all these madderas not are gratis, of sure they're to be able

fiatas, and as the type, Ben, that came, he went to this church, well, we're going to a quenton, and she went to

the month. Never sawed ever been ever before. and when they're they're they're they're

they're you know you're know, no there's a little clavos

not they're not they're they're they're they're nobody nobody

can't how they're so you know you know you what's the

thing for the well for the mongita was something when

when they were to when they the carpinteria to the mader

the they said they never had been going to ask them to ask you never for a little piece of the matter.

No, they need to where he got it's no, there's there, that's over

that's there's there's a there's a much, no, so I'm a time,

maybe a decade, maybe two, they're an investigation to know what type of matter is

that? And it is a betto, if it's a matter of a this

world. The theme is that specifically that type of abetto no exists.

Only the matter of that's abetto. It's unique in the world and is

that's the world and there's who it why it's there?

But if you want to know that that's me it's so much

interesting you look there on you you're to

talk to talk to you want to be what you this story of the

Scaloraleas of Loretta. No, it's a minute. Buskla. Existent and are there in New Mexico. If you

permit, I'm to tell you know the story of the I don't I'm I'm but I

say if I say that I say that I Israel me assurred that he and all his family

they're in the paranormal. Specifically they're in that there in the life more that exist in

Los Angeles and they're that after we're that we're In the other other side

is our family's but that there's a time, there's a one and other

me do a ribbon that's and he and he and he says, and I'm

a narrator, I'm a story in a story that's a family has marked and to

me has marked because me have repeated. And this happened when I

had a second of two years. For so I don't me I don't know of

nothing. Resulta that my abuel paterno, to I don't know ever

ever ever never. He's just when I had a year

and a year. They said, my parents, that I

was that he practically was waiting to be his life,

to have his first he's, I, and he's, he said, my captain,

and me He had all the all the couple of a marinerito, and I don't know why I'm

that I'm a question, and it's a lot of fissioned with the barcos or not of that, but then I said

my, my captain for here, my captain for that. And well, for him, I was,

my adoration. It was his dream, it's a reality. My

papas me they were even they even they were so because they said,

oh, you never not we're not not this this is much.

To to any a little I was like the special. Then, the narrator,

well, causes natural. The abuel had a problem because he liked those puros. That's he generated a

problem pulmonar. And for more than my mom, and all the brothers of my papa, he said to

the abuel that's what he said and he said, and he said, I mean, and nobody's

he got to. Then my abelio then my that my abuel had a tradition. And the

tradition familiar, minimum, until that my papas were like people

were that every time that every time that there was a

kind of any the stadium of baseball, he he'd he'd

or rentable because I know how was stilable in the time

of my but I bought and rentable a and

they they were all all all all and they

were they were the part So, for you know, because my abuel was to impone the things.

My abuelo wanted a little something. My abel said that is if, my abelow you say, that's what

that's red, is red, is a black. My abel was that way to say, I don't know I'm not I know.

But, for you know what you did you're all the things, my papas and my

tios odian the baseball. No, they support. So, to me give the

impression that my abel oblig to to get to be a a little. So,

then a nobody liked that but it's that's that's

a little to be my father in depression my father and he

really I've had had got to know to

he he and now that he now, he

he's so so my mom so so that they were

a part of a basketball to the stadium. My father no has to be the

money of my abel so he's not not to get to not

or he would have a part of a but but my

father he said for what he said he's that you're

that you're that you have done to you don't you

have done he's more that just just just

just you're you make you make you make seas

I mean you have Odio And so it's For the baseball You've seen I've seen It's been In the television

No is the Deporte It's the Relation It's the So it's Nowrador Well,

Imagineate the Scenate the Mama Finally convince to Papa that if we're

Well That they They've They go They're They're They're They're

I'm I'm But for In the Stio I'm I'm

I was justa well, but it's that if they're going there's, probably maybe or I'm

going to get and I'm to get to get to look and they're going to and I'm there's, I know in

what part of the stadium we're but my mom me that all

the time I was I'm over the shoulder to the back of she

and was doing a signal always like and he he said Tito Tito Tito

Tito! And my my mom, she'd, she called the attention, me and said, yeah, yeah, so, and no I didn't know that he was talking,

and then since, until that in a certain moment, he's going to to do you, he's saying, Tit, Tito, Tito.

And he says, Mama, that I he'll take the hand, and he's a and I'm to know for

my old I, and where he says, and where's a little bit, my mom, cackety, that's and he

to say your papa your papa, he started to say to my papa and then

my papa says that he's not I'm thinking to know you know yeah you're you're

you're going to be the partied and yeah and they and they my papa

he was that my yeah you know yeah you're like you I'm like

my mom actually is bad she's my mom no try you a color normal

and then he's sust, Voltae to my Papa, and he

he he's he's going to see. Exactly the image of my

abuel. And from that's that's that's that he was a going to

go to to be to to be a bad to be baseball.

I don't see after that he did my father. What

I do is that now to go to the baseball, to me

me to be a If you know some history of terror that has occurred in some stadium, leave it in the comments. If you're going to the stories of brujeria, you'll be to encantar this war

between brujos. Esther me says that she has all the respect, favor, and repudio to the brookery. Because she, in his family, has a tio that is a bruch. Resulta that this tio was a fichita. Literally, a type,

some moral of another, and with this, no, I don't think, that all the bruchos are so. this is the history of Esther, and this is his tio, that practically all of it wasia for dinner.

What they'd and they'd be given, that's the tio, he did, and then after, this was what you know not saw in those clients. But, after, Dichael, in carnes assadas or reunions familyals, she hacked over the things

that he'd, and then he'd always relattos that were very aterradorous about, no, I was doing with the Santa Morte, and he'd be mad to tell person,

and not us will do durer. And he says, Esther, the worst narrator. And this I was, I lived in a chick, because my tio, yeah no's dedicated to that. But the worst narrator, is that they'd say, that's the thing, so, so, my t'you, I

before he'd really much, and he began with those things, me gave me a fear. And when they started to do that reality, I had a pavore that man. And also, there had a little, me genera like a rechazo. No, he knew I was nearer. No confiab in him.

He had no he had a carino. He was he was a man. Mal, mal, mal, mal. So is that he said Esther. Narrator, me about the work of the Santa Mwerte that used it to be able a person. Me about

to marries and, all rato, the two that had ever had ever been seen as a pair of course and many casandos. But you know that was what a malo, narrator. Never terminated. Me took one of the

the pairages of my my tio, one of the other. He said, my tio did a little

he used to manipulate. He said that was a manipal. And he was always to get us in the

head of the people and manage to go. Now I understand that the magic that is the magic that

corresponds to to control the mind of the people. And he said that was the

he said what you? I think in the life Brando narrator. Because my my tio,

my tio, my tio, he had a old, he had a old man, he had a old old he was

going to be to be able to him, itsel was than he. Yitzel also was a bruce,

and the two when were together and my man he was a malo with he was

a monster. They were all right things horrible, but they were they were

saying that they were they were they were they were they were their but in

serious, we're all the thing, from herences that he took to the people,

children who was don't know those people who were people people

that they came to the destiny, people that they took the

people that was that that was money and he

could pay a couple they they were all

that all that all that desac I don't

I know if all exactly exactly was really

what was that The simple fact that if I was to feel

that's a real deal with him. It's not for just to know the narrator. It's for

what I'm going to say that I'm going to say, I'm going to he's called him as he was a

other of the other people to get to me to me. It's that no there's a person that

could be with me. That he's so I'm too the he's what I

manage, what I manage, no it he's to do he never was a

I'm always not even that the brujeria mannigham. But it was

a person that was a ruin narrator. Look, to get the things clear as

for Itsel was they were all the herbanes because she wanted to get

with the house and and the point he was the people

that all to get to my because they had had

so. So, you you can imagine the the

class the person. The point is this narrator.

One day, my my Tio, I'm, that had his new new the business

and the night of the morning, he's and he did I'm the night of the

morning, because those times, or, maybe in that he he was he said,

he was about to his life and he had to have to do it

and he was a he was not going to get more to get

in the end of and not. No so no his

new And the political, because he said, name and a peed-and-and-and, never came to positionarce in a lot. My tio, the night or the morning, he's going to

be a black and and he's to go to a church. As me the frigate a favor. What was doing? Why was doing that?

No idea. I don't he'd say to gore to a church and that's a man. God-it-o-

but I don't he'd be a man'd be a bad to beck-a- and apart was ruin and and malo and he was

being convenenciero, and apart he had been all the brothers for the situation of the abuela, and this is a guy, I

didn't want to my Tio for this then. So, so it was so that I'm

entered. My my Tio changed for complete his life, he's back of the

state, regressa from six years after, and it's where I know of the

story that I'm about to say, I'm that. Resulta that in

those times of the political he's to have a These two dreams, Itsel

came and, let's say, he'd be used, for use your own those same words, to make a deidist, to make a power to her. But it was

one and other and the dream was a more realist, and they said, my, tios, that this was

what he he said, and he started to get to make us, as if really

they were doing doing the dreams. He pusso. He was paranoid, he was a he went to

do it'sel, and well, the things that he can't manage that I don't understand. But he started to get him.

For the other other side, Deciel continually came to look to his house to the

old, and that had been two or three occasions that they had been out of

he. How? Pottetto to know to say it was to be the Bruchery or she had

a surragero, but she metio. narrator, she had to get to get to the police

in two three occasions and they say I'm come to come out of Miram,

that you get that me dehe that's maldito and I'm I'm

all this you know many years after I'm result that in

the version of Itsel she she was she was she was

she she was and she he was He started to put very paranoia because he was up with marks. Not you sound to that or something? Iram,

not was to be at a cell, because I feltia that she had recorried his way to make sure and had creased much then. For that he genera markers to him, the Brucho

powerful, no, I didn't know with who he was trying to, maybe he was he was too this time, and she had

had much more more power and so-o he had been shown. Things of my t'o-lok. But,

well, I'll say, although I not I'm so I'm I'm sure that various of the

work of the work I'm know that they're going to the point was that he did fear I'm hisel and I'm

my Tzel he disappeared and my my Tate Christian Cere a whole Sancey

and he got over and it has been many years after that Yitzel and my

Tiel was part of some a congregation Christian also and now was of these

people that they'd go to the house and about to get a word for me hypocrites because the

day that I did the same essence and my my man was one of the leaders

also to the other other side. I don't have any any kind of to the two.

But what I see to say is that they're two have a plattica when

they were they're they're they and then they've had to parted

and I know how he's never my family but what they're

they're going to say of things that you, you want to you're going to you're going to get, it's where

they're that they're that they're that they're so on the same. And it's then when

they're to the conclusion, that Don Manuel, the the bruch of the

people, that was a person who was just just the after the two were the

he was the most benefited and he, and of he's the

that provoked the Point. Is that they didn't want to ever to because if

he's he's years after it's a probably probably it's more probably more than

more than you both once. You've had a time? You've had a

time? If me permit you, I'm to tell you the

story of the Pum Pum of the Padre. Just

after a last you Saturday of Soms. And the Saturday of Somas was a tetrical and

very aterrador. As probably you took to be it, we're talking about the experiences of exorcists.

There's one that I don't I'm I'm sure that I'm sure that

I'm to be with the experience of a a certain a

this sacerdote was a cappeyan of the other he

he encar that he diar the unction, diar the confession, and did it were the misas, there with the recluses.

No see in what place exactly, is a story that's in the internet, until where I'm the same sacerdote. This sacerdote said that when

was to this penitentiary, since the first year came from things strange, that when he was there in his capilla, there was more

a occasion that I sentia a presence very synestras. No had nobody

around, I thought that someone he had a person who was going and it's very strange

because one time after the demons the demonies the people after

these that time, that's that not was the good, that only was

the only was the one day he's going by a passillo. And then there's a subject that's there in a cell, and he's

in the mirage, but a mirabye, but a mirabre cargated of odio. And he has it distinct. There's a sensation in the sacerdote, very a very similar to the capilla, a sensation of a menace, someone observantle, someone who doesn't know what, but it's like a menace latente. They're going to pass a pair of days, and

then, a day is to do giving a misa. And, he's, that in one of the first bankers, is sat sat down this type of the cell. And in his rostro, has a care of odio and of asco, a repudio complete. The

sacerote continues with the misa, and at the final, is it a hoga the capilla, it's aloja for completely. Sin embargo, it's there, in the third bank, Samuel. Samuel is sat sat sat down,

is going to the piece. And then the sacerdote is a

matter because at the end of the thing, but also there is there's with people

that have been in these and some of them and some of them, so he is that

is what did that he's a recluso he's a power, he

he commiened to walk down and the third bank and when

he was to do you a Samuel, looking the window,

he says, he says, what do you do you do you know you don't we're

here, here not you're very much. And then the sacsardote he says

what you are you know, I don't see if had asked the name or

I've a goth but he's he's a when he

he's he's the eyes the not you're a good this is a

Sarrote this is our not the and then the father commenced to make a

oration Samuel he put to put to the back and he starts

to the the the the and he's and

he standing in the the person he he's he

he's a little he's he then then in

middle of that some malestar of those convulsions, they're going to start various voices in the garganta of Samuel

and he says, this is our place, he is our, no is your, no is your, no is too, we're here,

we're here, Sacredote, not we're we're with your arms. The father is a much time with the

time of the arms. Hebe various experiences there as a campéyan of this

prison. And it's then, when time after, I'm in an exorcism

with a new. And the exorcism and the little, he'll and then with a

face of an face of aodio he says, no we don't know your arms

sacerdote. And he does the second that's the second time the difference. Is that here,

in his man, in the other man, more that was that the demon in the prison. They're to be the

reason. Here it's the reason why you do you're because you're stories of terror. But in the

day-a-day, where you're with those things is a word that you've heard that you know,

you know, you know, the orations, are the medias, are the resos of the persons,

it's the fact that I have the uncied of an obispo and that I can't be

the armes. Can't be the Bible simply should be the arm, but what

they're referring? And here he was he was the time. And there's

a second occasion in that they mention the dichas arms, these dichos

arms, and there a person that's waiting in the station that's a man,

that's a man who is a person, and then the repent the sacerdote

is all where he was, and this man, he's a vehicle, he gets

the sacerdote to the capelland of the prison. He says, Padre, Necessi, for favor, that exorcise a my husband. And he says, how you know you're a vestige of civil?

He says, I know, but my husband, he knows it. He identifies. When he so on the carrow, be a woman, and, I don't know us. And she also knows. But he identifies the exorcists. He has a demonio, father. The sastardote is to keep impacted and he's, he says,

to have to make that the demonio that has this woman he does the woman,

he says things that you can be about the other than and it's then

when he he's to say to her to let you to make

to make the the other when she put in the eyes and they

say you another time with your arms no

we not that you use your and that

the sacerote the capee the capean of the prison he

understood perfectly. The the acid, the salt, the stola, all what is used

in the ritual of exorcism, the demons those demons are as they're like they are the

time. Durro various things the exorcism for a very simple, but from the sacerdotel. What he

has been there, for the demons, are arms and arms to those

that that If you knowces some history that has occurred in a prison,

mandam me to the WhatsApp of the Pesadels. RBC Training Ground has discovered

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to the long of this history, not I'm doing numbers real real of the people, but it's one of the stories of possession more the first that I've got to get to

the last time. It's only not to say to I'm not that I'm in the Sabae

in the Sabae. But this I'm at point of to tell you have to do you

have to people that you have been that you have been to have to be a

little that you're a little very very very living in the

person. They're a person who's they're a a fission tremendous between the two.

The terror. They all the theme about the thing that's from the 90s

like Biernerner and then Feredy Krueger, Chuki, Candyman, and well

all the stories that are the things, all the movies, they're H.P.

Lopcraft, Edgar Alamp Poe, Stephen King. Autores know of all.

They've that they all that they're a diversion. For them, Halloween is a festival that's a festival that

they're in a concurs of disfaces. There's to be very clear with this. No, because you like the terror? You're a person that's strange. Only is an aficion. There are people that are the extreme. They don't. They're not.

They're not just like something like something. No, are people that in the day-a-day they'd be scared. They're not people totally normal. not are people that if you get to get you

go to see the walls to be in the wall of the wall of the and over the table there's a man or a zombie or

or something that you're saying that's a extrano no, you get you get a house and it's a

very good very clean because are people because are people just if you're

you're and get to be able to the space to the area you

you're you're a lot that they're a DVDs of pure movies of terror.

And are muchimous. And it's because they are, those are amtes of this

time. Abakito of that stent, is serrado after some the portecis

they're from, they're from specialised in the theme of how

they're in the things, it's they're in the all, they're

they're all. And then this house it's happened something

something something very extra. One day Julian is

very very very there's there's red on the

and they go and the the passio and get to the

area all absolutely manchated and they get to a

little in the that is set and and cell with a

with a with the and she is she is actually

actually she is actually And she's very demacred. Julian is is a astusated

and when he gets, he says, he's, he's, he's, he's, he's,

he'll be a balanced on the to see, he had been a little or if they had a

part, and it's where he does, he does get used of fresas. As

as you're there's, there's there's there's, there's, there's, the color

rogo, are the colors were the fresas, like pisadas at the long of the

place. And then he says, like, what kind of kind of of a kind of

that? I'm to get a car and he's got a little and it

and then he says, I'm so I'm so you want to get me in a

peace, I'm just, I'm a person really, he's a person

a Oscar, and is a person that he he's a person very very certain

of many many does, not normal his reaction. Julian is a carpito, he's

full of water, and she put to clean the feet of his wife. And he's with her and he says,

you know, and she's a lot of a paus Julian, no me I'm a lot

that she to be to be that he that's giving, he's that's

that's and he is very very preoccupied. No says to

talk to a medic, a a medicic, a a So,

see that sat satatita and he says, you want you to try it more, your coffee yeah,

you're free, you prepare another, and he gets to be very calmatito for that she can't because

not be well, and then she just, she, I'm just, I'm doing the good,

thank. Julian, is agraring trapitos, those start to get to get to

get to and weye and we and it because not it can't do

do you trapeador, is that not you want to be a lot of her? Why are in that

situation? What's the whole of the thing? I'm going to do you know, and the thing is it

is a time strange, there in a middle of your house. Then Julian is going

and he goes to like, oh, I'm I'm a little a man,

he's trying to see the person, he's being, and not that he's little,

a little, he's to get to and then he's to get to and he

and he's and he's and he and he and then he's he's he's a

and he's in the say, let me, let me, keep and you're and

and you feel in the poor moment of the life, the

never had been in a situation even no know, he

know, what's what you say, if what you do you do you

do you do you do you do it's what you you're doing, it's all. And then he

just, he kindedito, he's been more beautiful, and go to other trapo, he a lot of water, he

put to do it, he'll give the word, no, he does his space, and still limpeying, and even

he took it three hours, something, something, and he goes, to a little bit, and regress

to make to takele the eye, and it's a way, and he goes, and a little the way,

and it's and when it's, and when it's Talleying a little more more Firm, you know,

maybe you're going to be able to do this woman, not it's a way to be able to and it. A morning, a new yearn't.

There are people that are the repetition. Well, Julian, he's living in the property propia,

espantos. Three hours, more or less or less, is what he gave. And me, me,

me said, narrator, was the eternity. The eternity, because I think, and this

is obvious, yeah, for who who has heard, or have heard, This is, you know, I think that if it was

to do a year. That something happened in the madrugada, and only for miracle I had saved of something. And not was more lexed to the real, narrator. Yeah, for there of the time, and Selah, she was with me, not so much

but she was dressed, she gave a ban. While she was, I was going, I was out of the area up there, and I had the earha pegged, and I had a-money, not just because not were to say, a little, I sentia, spying to my a pair something

something something something. It was it's a sure that I'm just that

I'm just going to I'm she's she's she's in a good at

she said, Julian me want to go and I'm

going to get to not no narrator I I'm

not I didn't because I'm I'm I'm I'm

I'm I'm so so I'm this to do you

don't understand what happened they I never in my life, I've done this.

I don't think that there's a need to do it. But Minkke. Meen I,

and she said, for favor, pardon me what I said, no me do you. No,

I'm doing. No, you know, I'm going, you know, you're going, you're going, you're going to

to get to and you're going, and where me said that, I'm, I'm a narrator, I felt like

something I took the same, I'm, I'm, it's, it's, it's,

passing yellow for my venas me doly to be able to do with you how you try to

say that you're because you say that's saying that you're saying because anoche you put it

much you've done a house I'm I'm my I'm

I'm I'm I'm not I'm I'm I'm I'm

I'm I'm a really what was that was what was

about my paria I'm I want I I'm with the

Alma, for the fact that simply it's going to and I don't know why I'm not even I'm used to you need to

me have to give a narrator, the worst, of what is what's about? I'm not I'm I'm sure.

I'm that I'm pettisk with all the force of the world, my pierras and

my arms, to see me I'm not could be certain to this.

No could be certain. And then I'm I'm, how that I'm

I'm to do I don't understand nothing. And me you say, you know, you're in

I'm and then I'm so I'm doing that you when I put in the and I look at you

you're up to me being, but with a face of a loco and when I'm

you're doing Julianne you're you're not me says no and Julian

me you're you I'm you you, you're back from the

and I said, me you're going to get us to come down to the and you're doing to come back from the house like an idiot. And when no I did see to do it, me styrasted the cabo and me tiraced the piece. Narcador, I think that's a I don't want to enter in more details. The only that I'm going to be able to a process of deliberation.

It's like there something. And you, crets in the possessions? And with this story, dear family nocturned of the platforms

of audio, like Spotify, Apple Podcast, Amazon, Music, Decer, and all the other things, we've got

at this offcura fogata of stories. So, so first, if you gave this day one

to the final, do it make them to commentaries and simply put a narrator, and if you

put the emoji of the family and the lunita, it would be because I want to say that if it's the

first time that you do the welcome. And now you're part of the family

nocturna. And for those who are new in the family nocturna and those

that are times, first, thank for being part of this grand family.

And for favor, pression the strettities, then five stars and see us.

Because this year we're a year we're a number one, we're on the number one of Spotify, and the

only way to do it is with the help of my family nocturra. So, so all those

who are new for favor, presson it, all those who have even the statistics,

only me see the one percent of all who who they listen to the

fogatats. For is the I'm a news. You have got the

time of fogatas? Have you been good and have been terrible? Because this

is the training the next the next time will be much better

and we have done this we we're we we've

and that you