HABLEMOS DE LO QUE NO EXISTE - 8 Historias de Maleficios Amarres Y Objetos Malditos | EP 236 | EL NARRADOR
Episode Date: November 5, 2024Bienvenidos a ésta nueva Fogata de Historias de Maleficios, Amarres y Objetos Malditos.El día de hoy les traje historias que ustedes querida Familia Nocturna me compartieron. Escucha del Espejo MALD...ITO en casa de Marco y sus espeluznantes maleficios. Alonso me confesó que estuvo a punto de destruir a su familia porque un amor pasional resultó ser PARANORMAL.¿Por qué no debo jugar con FANTASMAS ? descubrelo con Lorena en la escuela EMBRUJADA; Conoce la BRUJERÍA en la Sierra e historias oscuras en donde LA MUERTE se hace presente de maneras inexplicables... así que prepárate porque llegó el momento de que @hablemosdeloquenoexisteHablemos de lo que no existe es un canal de youtube con el formato podcast que comenzó en abril del 2022 su primer episodio fue vivo en un casa embrujada en el que una chica narro sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de este canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de este canal , la familia nocturna creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de este canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando esto tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora.El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado
Transcript
Discussion (0)
Welcome to Familya Nocturna to this new foggata in Let Meas
what no exists. And the day of today, Famirea,
I have a macabre episode in which we're going to
about of Ceres Oskirts, that we don't know exactly that are
in bruchos, something to be with possible demonios
and other type of monsters that are there,
aseching from the sombrows. And one of this,
before
to initiate with
the
first of the
first of the
stories,
I'm
to make this
interchamble to
you.
If you
do you
do you
simply
at the final
let me
a comment
in the
that you
say,
narrator,
I'm
a
narrator,
if
in a
moment,
you need
to
you know,
I'm
for the
call me,
I'm,
I'm,
I'm,
I'm,
and then
you're
your subscription and
let me in your
comment
what was
the story
that made
that you
need to
you need to
take your
rest of
this fogata.
And one
once
said this
let's
let's
let's
this episode.
I'm going
to tell
the
story that
the
life of
Abigail
this
story me
I'm
he
and
me say
narrator
something
something
something
something
I
know
that
simply
something
something
something
something
that
not
always
my
life
was so,
and my
time we were
on a
family,
we're in the
car,
my father
and I
am I
am a
carretta
to the
house,
something,
something
I was
the attention,
I don't
say to
exactly
that it
was,
but
it was
like the
something
that
someone
me
was
that something
that
something
that was,
not
it was
not that
that
sentier
presences.
Only
that sensation
like a
certain of
a certain
it's not
a lot of
I'm sure that
I'm going to
come see to
my own
and I'm
that I'm
that there's
just to
above of
the car
or a
side to
because
I was
perfectly
well.
When
I saw
that I
did you
that's
there's
where they
started
these
things
strange.
In my
head
it began
sound
like
a
interference. Imagine
like these
panties of
the end of
the end of
a signal and sonabes
that noise
white and
they were you
see you're
like those chispit
grises,
blanks and
blacks,
well,
that was
that was
a lot,
but it was
like if
not could
be to be
the lights.
In
some moment
they were
so
that's
that I
did a
lot
so much
that I
had to
have to
have to
have to
the
And,
and the
light
the sound
also, the
sound also.
And that,
like,
that's,
like, I'm
not there.
And I'm
did not
to my
father.
First,
because I
didn't know
how much
explain it.
I was
still very
in this
time.
And I
never had
lived in
something.
Also, I
also,
I was,
I'm,
they were,
and even,
in various
occasions,
it was,
it was,
they had been
of
,
because
me
they were
distracted.
What I
thought I
did,
like they
did not of
what I
didn't,
and they were
not of the
room,
and they,
that's,
that's,
that's,
I didn't
know how
to say
when we
when we
got to
the house,
I,
I did
know that
the things
that
maybe
not going to
be
to be the
same,
because
I've
just I
didn't
the umbrella
of the
door
of the
door,
and
that
that way of that
the noise, the
white,
the interference
began to
son to sound
in my
head.
It was
a rarer.
And,
and again
the sensation,
someone
me is
looking,
someone
needs to
talk to me.
Not I
know that is,
but something
that's
something.
And it was
real,
it was more
real than
all the
world that
he had
around.
So it's
that
was like
intuitive
that
my
parents my
father
went
to the
kitchen
I
me
to
the
At the side of the
door,
there's a lot of the
door, there's a
another
there's a
other way,
and at the
side of that's
my passio,
when I'm
going to be
going to
a room to
my room to,
something
something in
the commer,
I'll,
and there's a
subject,
a person,
or someone
or someone
or a more
than I,
for a
more years,
it's a
adult,
it's a
very well
bestied,
but it's
like
with
Ropa that not
this
time,
is a
place that's
a lot of
a lot of
the attention
and I
get a
all the
curiosity
of the
world.
He
he has
in the
hand
right
a
little
and in the
hand
right
a t
a t
a
bagila
that
never
ever
seen.
What
me
is what
is
what does
this
person
in my
house
is
sitting
there
there
is
a
not
a
person
but
where I
is when he
he has a
taza,
the pegged
in the
plate and no
generate
any noise.
And that's
very strange.
I'm used
to come in
him,
he's
not a
percivying,
I'm going to
the way
the world
by the
back, I
go to
him,
I'm
look at the
other
side,
I'm
going,
and I
positiono
just in
front of
him
in the
the
head of
the
the
head
and I
know,
a
The table of the house is a
rectangle
long.
So I'm
in the other
cabacera,
he in the
header principal
and I'm
going to be
going to be
thinking
while he's
the movement
of the
taza.
I don't
I'm going to
I'm
getting a
little.
The
sound of
interference
augmenta.
It's
not it's
too,
but it
and it
and that
generate a
little
little
a little
of
the
and in this
instant
it
it's
he does
because
he's
and
to move the
boca,
I'm
saying
something, if
were
something,
something,
something more
and it's
a lot of,
and he
to say a
little,
and he's
to say
something, the
sound,
the sound
a level,
that I'm
that I'm
start to the
eyes, I
don't know,
there's a
little,
the sill,
the chair,
a person
was there,
and not
we're not
we're
we're very
ordered,
and at
the moment
to start,
and all
all is in
your
place.
What was?
No
I know.
But I
know that
something in me
yeah not
was quite.
Something was
I was
a decompuest.
I don't
know how
to get me
to my
papas.
What I'm
a subject
taking tea
in the
commed
in the
head in the
head.
I've
heard in
my
got to
say,
ah,
are the
are the
are not
my
person
talking to
I've seen
So I know that what
was going to be
not to be
not to be
a great
but I'm
not quite
I'm not
so I'm
confused and
a little
extrana
me went to
doorme
during the
days
I began
to be
I'm
because
obviously
I'm very
nervous
at
the
because
I didn't
know
I'm
going to
but
now
no
so
the next
days
the
day
marchable
with
all
the
normalid
and
they
advancing as
as
always.
And,
and,
the time
after this
viacet
we're
some
days more
of the
time.
It was
a
very
very
and my
papas
me gave
a
permission
to
to
fall
to
the
last
the
next
to
the
is when
definitely
something
something
something
something
and
my
life
not
can
be
the
when
I
go
to
do
I
very strange.
I'm sorry.
I'm sorry, and I'm
conscious that I'm
dormita.
But it's like
when you're
the eyes that
all the dark.
All the
dark, no,
there's no
time.
I know the same time.
I'm sure
I'm sure.
I'm sorry.
But I don't
see if
can't explain.
No,
I'm just
I'm still.
I'm in
a dream, but in
the sun no
there's nothing.
Then I
have the
intuition of
the eyes.
When
I'm the
eyes,
my
my heart
is my
car's going to
when I'm going
the eyes
the first
the first thing I'm
the subject,
the person who
was in the
commisive
but now
he's a
vesty of
doctor,
I'm a
batta
black
above of
his
and he
when he
he's
surprised and
he says
you're
you're
you're
saying
for favor
take
care
that you
don't you
know it
and where
me says I
I'm justo and
I'm
I don't know
what's
what's
what's
The sound
I do
know that's
there,
but it's
like at
the part
in the part
posterior of
my
head.
Yeah,
no me
is generating
that
that's going
that's
what I'm
doing.
I don't
understand.
I don't
I'm
so much
I'm very
un-tranquila
and I
doorm
with the
school.
When I
go to the
school,
it's
going to
my day
I'm very
callied,
I'm
trying many
stuff in the
subject,
who is that
is my
mother,
and while
I'm going
thinking that. I'm going to
the salon of classes
after a class. We're going to
a certain fill, passing
just to the side of a vitral that is in the
entrance of my salon of classes
and I know to there is
there before that enter the salon. So,
so I'm just that's my mom. It's
my mom. It's there. Reflejada.
It's me makes very
extrano. But
then I know something that I de gelada.
His eyes. His eyes
not are your eyes. The
The mirada of it is malabola.
It has a mirrored.
Like if they were
malas intentions.
Like if I could
make sure.
And it's a
sonrisa.
He said,
no, I could
need to replicate.
It was macabra.
It was like
to make me
mal and
like if
was a point of
doing to
do it.
It was
horrible.
The image
me did
that much
that I
that I
I'm,
that I
took to
give me
the
back and
I'm
and I
don't
there's
nothing
there.
I'm
I'm going
I'm
going to looka.
I'm going
and I was going to get her.
the master me saw that I'm going to be it too bad that he drove to the
man.
He said I was a little bit of the infirmary that was
normal, that in those years, there were many
changes hormonals, that simply could say that he was
that I was that I was living
many changes
in my entomero
but I knew
that no
that's the
things that I was
living this thing.
And,
and while I was
a house and
my mom
was preoccupied,
something,
the interference
in my
head,
will be a
surging,
and I'm
I'm going to
go and the
right.
Just when
we're
going to
cross the
crosser of
the
caries where
there's
a time
of the
type of vestido of
the trage,
and while
me
is
seeing
me
has some
and he
says,
no.
And move the
head
to one
to the
other
like this
and I
don't
think
but in
my
mind
it's
a
voice
that says
that
that's
you know
that
you know
that
when
I'm
I
really
I'm
so
I'm
so I
so
it's
my mom
and she
she
she
she
she
she's
very
confused
in
narrator
so
no
are
that I think it's
that I'm
easy to
explain.
That day
I got
the house.
The day
advanced.
I was
I thought that
was just
an episode
although
in me
something I
said
like,
uh,
uh,
something
something
but
I'm,
I'm
made a certain
my
myself and
I'm
and I
didn't
pass time
with a
mom,
no way
never
to give
nothing
she was
a pure
company was
We're abasamos, pass us a
beautiful
time.
And then
before
to do not
I'm
sure I'm
sure you
to do you
and when
me was left
the
door I'm not
like in the
passio
that's
the lights.
My
mom,
for your
silhouette
she put
as the
part of the
and as
a time
to come
to come
to come
to make
a lot more
and
he's
many times that
he's
many times
I'm going to
be like
I was
I'm
I'm going to
a lot of
I'm
so on the
so I'm
getting a much
spuma,
much more spuma
and I'm
and I'm
and then
I'm going to
and I go
and where
I go so
no there
no there
there.
I'm
my
my mom.
With all
the book
full of
spum it
I went
and I'm
coming into
my room
and it's
totally
dormity
not the
type of
the problem
that you
don't you
idea of the level of
fear that that's
my general.
I went to
doormy.
And,
yeah,
when I'm
going to have
that's a
dark in the
that's
all the
dark.
I'm not
I'm not
I'm going to
do the
eyes,
I'm going to
do you
do the
interference.
Like
never
had been
with a
bad
terrible,
and the
voice of
this
man and
I'm
grittando
I'm
Cidate,
remember
that no
it's
your
mother.
Where
I'm
I'm
I'm
I'm just
in the
umbral
of the
door of my
room,
it's the
silhouette of her.
The
the room is
the
door.
In my
room, it's
a little
light,
what I
make
differentiate her
of the
rest, but
no,
I don't
see her
stuff, and
then very
very assusated
with the
carouserated
by what
I just
heard in
my
head
I said,
Mama,
and I don't
if that
thing I
know if that
my
voice
me would have
had been
and I
said,
Lazange
surgelley,
puissance
more than
15 minutes.
We're
like it's
their dojo
ready to
live the
pleasure
with the
coo
the casino
in line
that
the more
recent
machine
to
and the
show to
do
live
on Bacus
Bonanza
without
insigences
without
the
payment
instantane
Hey, I've gained.
Woo-hoo!
Sonture the pleasure.
Day, Ojo!
18-year-Depos only,
Excluent in Ontario.
50 tours gratis on the machine
as sub-Begbas Bonanza.
Depos minimum of $10.
Veil to be in a way
responsible.
The conditions apply.
Biennue at board of Vi-Aye.
Embarque and profite.
Embarque and relaxed.
Cirote.
Bookiné.
Oh, that also.
And profite.
Via-Rai, the voice that we
am.
Oh.
And I just saw it,
And while I heard those voices, that she
started to accelerate her respiration and be she
were like the shoulders up and
back down, like if were a beastia,
that was going to attack me.
He said, I took almost a collapse
nervos. I started, like,
a loka, piding a help.
Me, I'm gonna,
I knew them. I knew. I knew
my mom. And then,
if it'scending the buses of the
passillo and get to my papa
to see, there no way.
There, there was nothing. When
he comes, you're air
conditioned, because it's so free
this quarter?
I don't
I've
had done
I'm
feeling
I'm in
the room
the
room
the rest of
the
house.
I said,
I'm
going to
talk about
a narrator
because
from
fear I'm
I'm
with
fear of
in
spejos
in
the
fear of
that the
fear of
that sombra
that
was the
way
I'm
going to
so
I'm
going to
three or
four
And a day that I'm going to
Dorming, in which, of certain
manner, yeah, I'm starting to
go back a little my guard,
another way, the dark
other way, another
in the middle of that limbo.
There's the interference.
No, I want to open the eyes,
but something me impulsed to bring those, and when
I'm going to be a strange. It's a center
commercial that never had seen. It's a
new light, is neon. I'm subbing
an escalar electric. There are
people of different nationalities,
they've never ever seen the
life, only in that
so in that
the
color,
for the
colors,
for the
things that,
I don't are
not at the
thing,
and then I'm
a tacto,
a tacto,
a tacto,
a tacto
there's a
hand,
and I
know two
things,
the first,
the first,
I don't
do I,
don't have
the
time that I
have the
real,
I'm like
a
little,
because
when I'm
looking,
I'm
I'm
the altitude
of the
cintura of
someone.
I'm
a little
more
high than that
that's
a big
he's a
biggant.
And when
I'm
know I'm
that's
the subject.
The subject
of the
person, the
subject to
the doctor,
the
subject of the
skin, the
was that
was there in the
car,
and he
said,
and he says,
another
time you're
going to
go to
but I'm
much
careful,
no,
it's
your
mother.
When
me says
that he
abrasser
and
I feel
much,
much
as a lot,
like a
carino,
and then
the interference
to get
to get to
get to
my head.
And I think
in the
dream
was so the
pain
I'm
because when
I'm
the morning
the morning
next,
my day
starts
normal,
all
that's
all right.
But that
same
night,
I
didn't
why he
me
about.
When
I was
I was
not
I'm
done
I,
I
started
to
get
to
get
I had a
I was afraid
I was
I was
because I
not I'm
going to be
to go
to get a
never more
to go over
my
over my
home
right to be
just in a
side of the
car
and I
and I
felt like that
that part
that was
that was
I'm
not I
didn't
I'm
not
a voice
in my
mind
I'm
said
no
no
no
no
silhouetta that
my mom
a costada
being me
and his
cabels
were like
she she
had been
in some
type of
water
because
they were
they were
moving
there's
never
I've seen
so
I've seen
a centip
of the
rostro
she
was a
feeling
a
arom
askeros
and then
as I'm
like if
I was
her
little
but I
knew
that that
thing
was
a
He started his hand and I took, I closed the eyes and I felt like a
wesseau asper,
start to rossed mejillas.
He said, narrator, I don't know what happened that night.
No, in what moment I did the conscience because I paredes the eyes with all my
forces and just I'm just to say,
you no are my mom, you not are my mom, you no is my mom, you no is my mom,
you no is my mom.
And in some moment I per die conscience.
No, I know when she went.
And I don't have the menor idea of that had been those socesos.
no
I know.
I know
I'm
that something
I'm
not going to
happen
things,
but it's
because I'm
I'm not
to go back
to start
spiritualities,
I'mpe
to do that
and I'm
doing, I'm
doing to do
things.
First,
exercise for
that my
case,
when I
would be
so
that I'm
so that
pass,
and I'm
also, I
don't know
with an
audiphon
to the
music
at
all
volume,
and,
and I'm
expecting that
never
will
be in
my
head.
And that
if that
thing
would be
to get to
be in
that I'm
that I'm
not even
could be the
young.
I'm not.
I'm a
little bit.
I'm a
part of my
life
with
fear.
Because
those
things
not
I'm
never
to be
to be
a little.
I'm
I'm
know
I'm
He said now that I'm
Cossed, that I'm
a point of
to have a
child, that
I'm not
a child
that we're
our men,
but that
my
brother-n-n-n-
made.
Nacio.
And there
other situation.
Resulta
that my
mom
lived the
same
history.
She's
entered
yeah
great that
she not
had been
a
child.
She had
a
her man
a
female
that
no
was
her
to be done to do.
It's
from the
only explanation
that I can
plan to
is that my
my gemel
is the
that my
is the
one of the
one of
your gemela is
the
picture of
the
tragedy?
This
story me
sent to
Marko.
Marco
lived a
situation
very difficult
with
his family.
Resulted
that the
family
is a
family
a family
quite
common.
Mother and
and parents
are
people
are
but he also
he also
he also
that's the story
that I'm
going to
tell you
is when
he just
took up
his 20
years.
The family
of Marko
inro
his many
particularities
is that
is a
family
very
focused
to
questions practice
and
if they
have
very well
and
they're
not
people
that you
are
so
so
they're
they're
so
they're
that
they're
they're
that
they're
they're
even
you
It was a great
but between
it's normal
absolutely
normal.
In the
Cumplea year
is number
20 of
Marko
he's
he went to
like all
the whole
the last
the last
with the
routine
that he was
going to
have been
to see
a week
so he
was a
little
time and
he was
he was
going to
he was
he was
tally
the
he was
so
he was
a
little
more
more
robustes
and
he was
going
going
The papa collection
speyses.
Because, who knows,
he doesn't,
if you were
the passillo
of the
space of the
house of Marko,
not would be
nothing
and you'd
say that's
things that
bads
because it's
strange.
No, it's
that they
have
for the
beautiful,
for the
ornamented,
simply
collection
speyshons
different.
And the
side of
right,
there are
little
quadados,
oval,
redondos,
medianos,
of the other
to the other
to the other
to the other
to be
to be
to be
to the
a little
a table
with a
dinner with
a day of
a bit of
a piece of
a piece of
and there
two
two regalos
in the
bolsas
in the
they were
to be
involved.
The family
of Markko
was very
practical and
not they
didn't
spend
time in
questions
like that
of
the
year
not
not.
It's
not you
were a
little
they were
they were
but
we can't
the period of
time
they were
some
people
are
people
Marko,
also.
While
he's
walking
by the
passile
mod-orro,
as I
think I'm
just trying
to get
because it's
a day,
because it was
to be a
time,
it's a
time.
Just getting to
the
one of the
specks
that has
his papa,
but he
he's
he's very
looking
because
really is
really
very feo,
it's
a
mark
that's a
that one
that one
funded
the color
of a
color
of a
color of
And now,
it's
like grisaceo
and with
manches,
a spego
that's a
little
that's
that's
that's
been in some
that's
a form of
ovalada.
That
that's
a new
he was
a little
very
strange.
When
I was
getting
at the
final of
the
the
passillo
he
saw
on the
border
a
a
reflex
of
something
simply
not
should
be
there.
he wasomed
to the
mirror to
confirm what
was being
and it
was a
like if
in form
angular
he was
the reflect
of a
marko
and a
door
totally
black
and
if you
see the
pome
of the
door
Mark
when I
see that
he's
a
a brom
maybe
is a
sort
he
don't
there
no
there
there
bolted the
spejo
and it's
clearly
it's more
and can't
be a little
more of the
door,
this is
a little bit
I'm sorry
I'm trying
this is a
a day of
the same
and it's a
catchetable
and it
got a
man of
the commas of
the commas
the commas
and
he does
a little
punchon
in the
end of the
door
terrible
because
he passed
a little
the
and no
it
and it
doesn't
get
when
he
It was a
other
and it's
there
a
door
a black
with a
mark
a
no
he
he's
no
he
took
he's
not a
he's
not the
door to do the
thing he's
he was to the
day to do the
part of the
door, they
was to
see the
different
angles and
positions
it was overponied the
Spejo
took the
mirror,
he put one
on the
piece,
put one in
the
one in the
one of
a small
similar
nothing
he was
he was
he was
he moved
and no
important
where it
was
only
on one
one
one
one
the
mark
rogo
and the
door
and the
when
he
took
to
to
put
to
to
put
to
and
then
then
simply
to
just
to
get to
the
night
and
to
say
to say to let's
what is this
you have
done
when you
when he
he's not
something he
he used
to feel
bad
but very
very bad
when
he was
he
he
he noticed
something
in the
space
something
that he
he
called
the
attention
and at
the
he
noticed
that
he
was
to be
literally
literally
and
when
he was
almost
completely
abert
intent
the ver
to
that's
out of the
room, that's
what he
was going to
be able to
be able to
be able to
be in the
thing?
It was a
room absolutely
obscure.
Imagineate
like if
they've
painted,
piece,
paced,
and teech
all,
but even
so it
was that
they were
something,
that they had
some
type of
a lot,
because
he was
a type of
a reflex of
light with
a certain
movement
just like
the flam
of a
well,
but not
you imagine
one
various.
and they had to be
different
times.
Because
it was
where the
door,
this is
movement
of the
light.
He's
really the
light of the
light of
the
light,
and it
makes a
remodiment,
fear,
extraneza,
leave the
the spego
there.
And only
see,
how the
door
to start
and it
can't
get to
get the
mom of
Marko
and the
the
He had been, heeched a mar of the larkerick. He had gone to beauped a accident and falleceo. There, in the
post that he had passed a alto, he's part of the cera, and he, when he was
doing his job, he was he was he was impacted. Marko is impacted. No, he adjudicca nothing to
the spejo. It was an accident. Some things that occurren, but no could have ever been expected in
his
Cumple-A
and with his
father and
the
the next
days for
Marko
are a
situation
very difficult.
The impact
of the
space
no he
and it
a part of
there's
something
that he
and be
the
light of
the
time the
time the
his
father
a
man
a person
so
a person
that even
there
there
were
passing
a
couple
of
several
he
Mark
was
changing
he
was
more
asper
in the
I was the
even.
Even his
mom
he said,
you know to
get to
an ojohn
and Mark
no,
no,
he was being
a little
insensibly,
but well,
are things
that are
things when
you've
this type
of things,
the
part of
a person
that you
know,
and more
more
the day of your
birthday,
it's
something
is a
something
that's
a
point is
that
they,
pass
some
sometimes
a
maybe a
maybe
a
little
when
the
duels
of a certain
manner
has taken
like that
a
lack of
a lack of
a
little
that's erred
and you
can't
continue
to get
to get
the
normality.
When
he's
back,
and again
he
has
the
attention to
the
space
during
all
that
he
never
he
he
never he
he
never he
he
never
he
never
he
he's
a object,
maldito,
because he
called,
and Mark,
and Mark,
and he
had to be
his hands,
and he was
pasting
for the
house.
Mark,
is a
type,
that is
dedicated to
work,
and it's
a person
is a
person
and it's a
time, and he
didn't know
to the time.
He was
he, and
he was,
he was
he, he was
he, he
was just when
he was
he,
he was,
how the
The door
again
again
to open to
open to
his
his body
and then
it's a
little
and he
and he
he's
after the
after the
door
started to
start to
see that
not the
day
and the
day
the next
two
two
two
a
man
a man
a
he
he
he
wanted
he
in other
he
in other
he
he's
in a
other
he
he
that he
that
was the
moment of
the
time
the
he was
it's like if
if he had
been a
and he
took more
of the
decision
to subscribe
to the
life.
Now
no he
didn't
a
doubt as the
type.
Marko
he was
that
that was
that
was
that was
was
that was
that
was
that was
the
thing that
had a
sufficient
and
I was
a
tragedy
to
the
person
he
he was
he
started
to
talk
with
with
this
not
to say
her
her
two
pardidas
very durs
for her
in very
little
time,
not going
to mention
a
thing that
apart is a
thing
of the
people
he's
people
of the
people
people
who had
different
religions
there
was a
person
that
was
a
not a
not a
not
someone
someone
someone
someone
someone
he
there
people
there
people
people
people
that
people
that
had
a
spiritualita
idol
and
he
was
I was going to
how
person
he top
and
he gave
a conclusion
that was
that
all the
people
he said
not
don't
do
with
the
hands
so
not
you
don't
so
so
so
so
he
trying
to
make
that
this
maldition
and
not
not
not
he
decided
en
and
and
so
that
to
not
to
not
he
got
that
he
involved
in
a
covica
and
he
He was
He was
walking
around to
hour and
a half
until he
he went to
a
church
because
someone he
said the
objects
in soil
sacro
no
does it's
like if
you're
like you
don't
do you
make that
so
that's
the
place
the
place
in a
where he
he's
a little
he's
just
behind
the
the
house
the
the
problem is that
when it
he's
like if
that
that thing
that
would
have
a
property because even
it was in
a
same way
the sabana
came to
the same
the same
the door
was able
completely
abirted and
he's
started to
start
and then
Marko
was
he was
not
know
I know
that is what
he had
provoked
no
he was
he had
done that
he was
he said
that they're
doing
that someone
did a
nobody
he didn't
he said a
no he
said a
a
All the fault.
All right.
And when
he went to
the news
balacera in the
center of the
city,
up in the
little quarters of
the
church,
more of
people had
had parted
to the
other
world in
circumstances
horrible.
And Mark,
the day
of the
day of
and I
say,
I think
I'm not
I'm a
way,
I'm the
I'm the
I'm the
so I'm
so.
So,
you,
you,
you're
you're like
an
object
maldito.
Much
people
Cren in Dones.
Some
people
live as
like malditions.
And this is
one of
them.
Marta
vivio
a situation
after 10
years that
he changed
her life
for ever.
Vivio
a accident.
And this
history,
I want
that I
take you
a way
that's a
thing she
has been
no time
she has
she
went in the
carterter
and
he was
with her
and with
two
friends in the
part of
the
right of the
right there
a little
a little
the vehicle
was over
and she
got to
get her
after a
four
days after
after it
could be
a coma
or a
situation
like a
shock
and the
hospital
has
had
and the
family
also
and the
people are
both are
very
they're
both
they're
one is
a
little
one
one
another
is a
little
less
they
they
they're
a
very
good
time
and
that
type
of
the
But all right.
The situation is that,
a raise of that,
commenced to occur
something,
to do you
know she
never was
an
question.
She did
know when
that he
in the
hospital.
When
he was
in the
hospital,
he was
something,
he was a
very strange.
There was
a person
who entered
in the
cell in
that she
was,
a
one of
some
papers,
and he
not that
on his
side
the left
it was
a little
a type
of a
black.
When she
saw,
the first
what he
said,
something
was there
was I'm
doing something
that I
did it
and the
doctor,
when he
did he
said,
when he
said,
he said
he said
he's a
manned to
the
manda-o-
and he
made
to do
the
he's
and then
finally
conclude
that
could
be a
situation
more
well,
of a
projection
inconsient.
So,
that what
I've
had been
about to
have been
so traumatic
that's
a moment
he's
projecting
images in
the world
normal
that they
they're
to be
there.
So,
they're
just
take it
and
you're
to come
to be
that
you're
when she
when she
starts
a
treatment
psychiatric,
everything
all
relatively
well
because
he's
a
level
personal
for
things
that
I had there were
in
different
details,
but
no
there's
a
very
a very
with a
related to
the accident.
Since
however,
the sombras
have
not decided
to
disappear.
And apart
of something
very
strange,
when
he goes
on the
street
that
he's
a
supermarket
or
to visit
some
a
other
a
person
of the
another
of
a
one
one
or
two
are
those
that they see that mancha.
And, for them passing the
time she decided,
as she did, as well,
I was taking
all that therapy
psychiatric,
decided that in a moment
he was going to
say to the psychiatrist
that she gave
the manchas,
because no he
had the
connection with
a situation
related to the accident,
and the
psychiatrist,
no,
I would have
that had a
situation
that traumatical,
and she'd
keep her
to have a
a
that in some moment,
it would be able to
it was a lot of,
it was a lot of
sometimes a little
tired, a little
little altera,
but there was something
that could manage
very well.
The detail
was that the
manches
still were coming.
And during that
time that we
we're talking
of the
sometimes, maybe
months,
she had,
and in
persons
disconocides,
a
sometimes when
I was
to the
supermarket
or that
he was
coming
and I
saw a
lot of
people
could be
the
mancha
there.
And
he
didn't
need to
see
a
manch
always
over
the
arm
right.
And
conform
were
passing
the
months
it
was
more
more
nitid
I
saw
that
there
different
types
of
manchas
that
were
like
were
like
were
more
clear, to
make me
to understand
to some
it's a
perfectly
defined a
silhouette, a
type of
a circle
that was
just where
was there
a little
more.
There were
some much more.
There were
that's
that's
the part of
the
person and
they were
to
barcar
it on the
side
but
only were
in persons
disconucid
not
I didn't
because
I
saw
that.
As you
you can
you
a person
that
is a person that
is a
person who
I'm going to
my life is a
normal, and in
my own
no time in my
entire in my
time you're
I'm trying to
I'm going to
do with this
and not let's
present attention
until
that one day
a company
of
work.
It is a
a companyero
that has a
much time
with him
but he
had a
time of the
time.
He had
had fallen
for situations
of
health,
some
complications with
some
some
some
and it's
a
time.
But he
got a
really a
attention.
Never
had
seen a
mancha
that nitid.
The
mancha
it has
on the
armro
is more
the
more than
that
has been
that
is more
that the
part
of
back,
it's
totally barracandol
the
spalda
and then
like if
were two
types of
tentaculos
he's
he's
about the
she's
she's
not the
idea of what
is the
night.
Because that
night
he marked
for the
telephone
to the
jeffa.
The day
next
they were
to start
to
work
because
the
the site
was
now
in a
capilla
of
this
chico
had
had fallen
He had been
not had
done a
root of
the catarro
and the
medication
and it was
a heart of
a cartya.
He was
that they
had been
that they
had
never been
detected
and it
and it
was there
situation,
of the
companyero
of the
work
that
Marta
understood
that
that is
that is
he was
to get
to
therapy
and it
was
very difficult
express
all
those
those
people
that
had
seen
this,
children,
Anciano,
women,
parishes.
The manchas
maybe
significable
that the
death
was being
present in
their
and they
were at
point to
start.
The
manch
more close
of the
death
was,
the
mancha
more
of all
and
that
the person
had
parted.
And
me
said,
Marta,
this
is
spantos
no
you
have
been
to not
to live
to live with
many
people.
Never-
I'm
not sure.
A concert
is terrible.
Because the
only
time I was,
when I
saw what
this
significable
I,
I'm
many
many
I'm
put to
investigate.
I don't
curiouser
with this
simply
I'm
that I
know,
that's
my
sort of
something
or maybe
something
I'm
put up
to be
to be
a
a work of brujeria,
can try consequences
very oscuras.
The story,
the family
Gomez
create the effects
malepicicous
of the brugheria.
Not because
they're practicely,
but because
were victims.
This story is
three generations.
The abuelo
Gomez,
his three
children, and
his nieta.
The abuel
Gomes,
all day of
today,
he lives
in a
cabana,
a cabana
a sumament
luchos,
a place
very great
that is
meted
in a
Sierra of Mexico. No
the locality, no
the location. But it's a
very beautiful.
The place in the
place in the
he was a
little little,
that not is a
poor little
and it's because
he liked
always to maintain
a certain
profile
he was a
good, he was a
good,
and to have a
first a kecery,
he brinked to
enter a
business of
the business of
and, in
Fos, and in
all the
negotiations
that you
could you
imagine.
But it was
very good.
It was
good
things of the
business,
manage people,
and like
he had
a very
good Tino.
I'm talking
that he
did he
did the
fortune
there
over the
years
80,
90.
Never
was a
person.
Never
he
he interested
he
didn't
know the
people.
He was
the
he was the
person.
He was
that. He
important to
give a
family,
he important
to generate a
fortune,
retire to
retire,
but the
fact is that
this type
he was
he was
that he
when he
took up
the
70-and-tons
years,
is when
he said,
yeah,
vendio
what he
had to
his
major,
he took
part of
the
new
and was
the
company
to be
the
name
Laura,
she
more to
to build a
family,
he knew a
a type
that was
a type
relatively
well,
but also the
abuelo
Gomes
us would
help us
did it.
The
brother,
let me know
Esquiel,
for
put put him
name.
Ezekiel
was different.
It was
a good
type.
If you
you know
you know
you'd
be a
type of people
with an
angel,
that's
they're
that's
they're
in a carcashada,
he is the company
of the
Abelho-Gomis.
He lived with
his papa.
They went
very,
so he
never he
loved to
to work.
He was
his own.
He learned
a little
to live with
those
lus and
he said
that they
did it,
then then
never
he felt
the
effort,
not for
study much,
and
for dedica
a
work.
But,
the
Abel-Gem
no,
this,
no, this,
he generated
no
no problem,
because
was the
company,
always
that was the
situations,
Sekeel is the
that was there
and was the
person
that's a
person
some
adventures
because
he was a
type
that he
was a
different
to be
not a
bad
type,
only was
a
person
and
not he
was
not
much
things that
was
a
the
the middle, Laura,
Kied embarrassed.
When she gets
embarrassed, the
abelowel no
want to visit her
because the
Abuelo-Gomis
yeah,
he's just
he gets a
your little
your little
visit me,
here you have
in your
house,
here we can't
care,
and all the
attention and
necessities,
don't you
don't you
don't you
don't be
to the
city,
you're going,
you're
to come
for a
visit me.
Occurred
that when
you're
is about
a year,
a year and
a half,
the
new and a
little,
this
she's going to
go to
go to be a
time to
a year to
his father.
The
father is
the old is
a manned
that he
another way.
It's a
time to
retomar
those moments
beautiful,
they have
those moments
family,
parents,
he is
biudor
since
a few
years.
So,
are moments
like
very
very good
for him.
Decid
that
they're
to
contract also
a
newner.
Here
there is
a little
situation.
The
newiera
that
is all
a new
profile.
No,
is a
little
just for
put
a function.
This
chica,
studied
a
firmerer,
was
paramedico,
he
was
a
time,
and she
has
worked
after
and she
has
all
that's
super
well,
but
apart
is a
person
very
very
very
good,
his
personality
she
has
her
an enchantada
and
he was a
little
a certain
dislist for
questions of
education.
So,
although
not she
form completely
as a
master,
she's
they're not
a
younger.
At the
start of
a new
she,
all the
little
she knew
that he
was going
to be
not
a person
very
very
prepared
that's
a
time
to
all
a time.
It
a
situations in
that Ezekiel
and the
brother
have been
a various
discussions
to tell
that the
abel
says,
you know,
I mean
not I'm
like this
type of
amients.
And I
think you,
please,
but
respect my
space.
They're
here the
two of
invited.
I like
his
company.
But,
for
favor,
total,
that
I'm
saying,
I'll
say,
don't they
do you
don't
do you
don't
the
problems.
For
so,
after
two
minutes,
he
he says,
under the excuse,
that has
some
new things to
go to
go to
go to
and get
a little
to get a
little bit
to be a
back back
to the
place.
And he
says Echelle
in secret,
for favor
to do you
get the situation.
When
regrece,
you know
me
make them
to be
to be
what they
have to
do.
The
abel
the
little
and it's
then when
is then
when it's
not more
the
newner
the
that the
girl,
the
this nana. Laura, the
brother, the in the middle,
if it's a situation
familiar and she has to
go, also,
but Ezekiel
he said that he'll leave
to her a little,
as a niagara,
Laura decides
that if she
can't leave her
there's an emergency
that has to
assist her, then she
she goes and she
can't see her
and the in the
little.
There's a
party in the
people and
that's the key
she wants,
the she's
that she's
that she
she's a
accompany and that
not
be
for the
little
time is
all the
time is
dedicated to
this
nena.
But
this
this
this
piece of
that I'm
going to
come to
the
first time
when they
did the
not they
did it
what
it was
what the
was
consequences
were
fatals
when
when
they're
in
a
carionette
and
you
understand
the
level
socioe
the
community
a
Camionetta. When I
a carmelt is the Camioneta.
All-terrenu, enormous. And it's
so great that thing. No. I see what Marcosian
and what model, but it's so great that
that just leaves space in the
Camino de-Regro, no can't pass
another car. One person
would have to pass up on the Camionette.
And I'm saying this, because when
you're just too, a few hundred, Kilometro,
a minute, a point of getting to the cabana
where they live, they're going to
They're like a plastic
black
that's just in
middle of this
carterita,
of this
caminito, but
are many
are all
and are much
that they're like
covering something
that's
that's about
a meter and
maybe a
70.
It's something
that's something
that's a
big of the
carmionette
but not
so little.
Is that
the key
he'll be
that the
chick guard
of the
back
the
instantaneously
he's a
a arm and he
put a
where she
put a
because I'll
say for your
training she
presented that
this could be
an emboskata
and he says
he says,
we need to
we need to do
this,
I'm going to
go to
get to
if something
you're going to
let's the
name is the
principal
I'll say
he's a
he's not a
real type
simply
he had
taken the
decisions of
his
life
and he
he's
he's
he's
he
he's
he back
the
a niñera, pass to the
bullant,
has the arm
and the arm
and the
arm's
he gets to get it.
When he's
a little
a little
a little bit
on the other
they're like
a little
no less
I've seen
never had
seen that
anyone is
that's with
all the
intention that
they'll
they're
they're
the
boxers,
he hasom
the
head the
the
head,
sierra
and he
goes to
the
caponeta
and he
he says,
it's
brujeria.
She's
a woman.
They're like
an altar,
put some
some figures,
there's
there's frasco
it's brugery.
And she
cres in those
things?
Well, no.
We're
going to
let me,
I'm,
I'm going.
She'll
and he
gets in
the bolsas
and he
gets to be
a movement
where it's
disarmando
something
and there
and then
there's
some of
some of
some of
the
carreter. And, well,
it's a time is that this woman
you know, that no, there's
like a revision, a little,
nothing. It's,
he's with the arm,
too, and has funned,
try the keys in the bolsa,
she comes,
and he, is over,
revising the perimeter.
No, there's a
there. No, no
person, nobody's
doing, no,
nothing. Perfect.
When he's
he gets, he, he'll
help, the few things
that are the few things that
keep, they're going,
They're even
event
on the moment
in that
they're
in a moment.
And they're
in a
boy,
what stupid is
who did this
who I'm
so.
We said,
no,
we're
we've
we've got
we're
getting the
manna
with who
you're
with you
metiste?
With
who you
don't,
no,
no,
no,
no,
no,
no,
then they're
they're
going to
go and
to the
day
next,
the
the new
mannese
with
temperature
no
he's
no
they're
what's
what's
what's
in his mind
agile,
he's a
and it's
a good thing,
and they're in
contact with things
that could be
some of
microbial,
not they've been
the precautions
to laversy
well,
the way of the
hands,
because for the
agitation and
the possible
embosca
of that it
was a
second
that's a
question,
we need to
get a
hospital,
let me,
let me,
let me,
they're in
the carmett,
they're
to get to
all dispecated
in the
camitito,
they're
cross in the
city and
they're
a city
and they're
And then,
I'll see,
no,
what has probably
nothing more
is a catarrow,
a infection,
perhaps estomacal.
We're going to
give to this type
of an
spectrum.
We're going to
let's go to
give us.
Kewskeh
here.
They're going to
the Laura,
the mom of
the name of
a little.
A little bit
a day,
I'll do you,
and she's a
man,
so the little
she's see
bad, but
we're saying
the doctor
that no
is a great
problem.
Conform
going to
the day,
it's
something
inaudito, that the
little bit of
a little bit of
a little bit of
a little bit of
a little
apse, the eye
is she's like
in vidrios
and is it
is a person.
And the doctor
no, I
think that's
there's a
kind of
kind of
of a
morrhy
but no
there's
no has a
signed
and not
when
the day
two,
the doctor
about
very emphatic
with you
and it's
if
if you
don't
we
don't
we
don't
despidance
of the
the little, because
no, no,
is, no,
we're going to
not know what
he's what
he's the
he's the
he's the
old, he
says,
come,
they're going to
be going to
this,
and then
one of the
other of the
people,
he's
he gets,
he's
a little,
and as
there was,
there was an
aroma,
something that
he perceives
that the
other,
he said,
they're
they're,
they're
that's he
said,
the brogery
how no
I'm
this is
brugery, and the renana,
I say, no, is stupid.
I mean, focusate in the important
and he says,
when I'm gonna,
when I'm a
daughter, when I'm
to come to do you.
Let me care of this.
I know someone
who knows who
someone who knows who
he's got.
He's gonna
who got to.
But,
he went to the
day
next.
The doctor
was bad
and they had
been very
sincere.
Yeah,
I was Laura
there.
She was the
niñera, Laura is
destroyed and
no,
it's a
little bit of
the little bit of
the
little.
And they're
not you know,
they're
that for
more that's
not even
idea of the
idea of
how to
that it's
a new
that's a
thing that's
that's
being
affected.
So,
that's,
that's
he's not a
day of a
little bit of
the
little bit of the
little bit
taken,
he's a
little bit more,
she's
also,
he had
carine
with the
family
apart,
he sent
that, in a certain way, she has
her got her. Everyone is, he said,
he said, he'll be able to someone.
He says that,
if we can't do something.
He says, but,
but, but, there are consequences.
How, what will be
consequence?
You're going to be honest,
and I'll say the things
as like me as I said.
The people that gotrars
what they went around for the
way,
will be their life in the
the
other than the
other
you're
going to have
to decide
two
one.
If not the
little the
little
you're not
man,
what stupices
me
you're saying
no,
no,
it's
not going to
do you
the moment in the
thing that
the
little,
they're
going to
come to
me.
And he
we're not
going to
do you
not to
do you
to do this.
And he's
who's in
what I'm
not the
person
that I
have generated
and
nobody
me
He said he is a
a brother with a man and apegid
that knows where he
is a part of an Akelare,
that he knows, and that, for
to demonstrate his power,
he did something, affecting a family
that was very well positioned
and that simply not
could not do anything to
do anything to make it.
So, he says that he
has that he has no
has a way to
put to do something
to quit the embruch,
but he can't
get to the nina.
She gets
thinking, the nana
and you know
in that.
simply,
a baller more,
an attempt more,
and he says,
you think that's
what's the
thing you?
If you say,
I'm
and say,
you say,
you say,
you say,
you're saying,
and then you're
doing,
we're doing.
You decide.
Dill that
if I'm
go.
Let me.
They're
going to
this type,
simply make
a limpia,
they put
some photographs
that not
are of them
not some
sense,
but that
occurs,
and the
photographs
they
when they're
wrong,
they're
something
they're
in a
hospital,
and Laura,
when they're
when they're
and they're
a brazen,
she's
is starting
to recover.
The color
of the
skin is
a little bit.
It's
reaction,
you're
doing the
getting to
eat
to come.
They're
two days after
they're
they're
two days
after the
circumstances
of the
family,
never
knew
they're
exactly
that was
only
to be
to the
he said,
what had been what he had
said this brute.
Who is that
and why he's
to do you
do that?
It's just
to show
his power
to get some
more.
TEN KUridae.
A few years
can be
profoundly
paranormal.
Alonso
me confessed
the moment
most
of the
family
and was a
consequence of
his ex-pareja.
Resulted that
Alonso
form a part
of a
family in
that has
a
woman
and his
father and her mom. This family
are people, to those
which are dedicated much in
questions as to commerce.
The father had a new
business proper at least of reparation
of bicycles, and, little to
was having, as little locales commercial
in which gave different services to client.
He, in the zone
commercial in the area in that he was, practically
had four sewers, what he said
that had to a certain level economic,
although they had also costs too much,
not were people
rich,
but if
were so
very
very
very
the
mother
the
although
he could
live
like a
she was
she was
she was
she
had a
money
and say
she had
put a
business
she
was
not
she was
very
very
she
she was
she was
she
she was
the
moment
in the
moment in
the
people
and the
he had
received
with a
satisfaction that even
there were some ways
that the
things were made
to be made
stables, she
was always
never had been
a problem
economic in the
business of
a business,
simply and
sometimes
it was
not it
but we
some way
some years
were a
job,
but I was
having and
doing and
that's
her
mother of
an exephal
empedernida.
He had
adiction for
the cinema
but I
had managed
well because
I'd have been
because I'm
like a technology
and develop
software,
that type of
things for
a company
great.
But all the
time
livers,
she had no
interested,
she was not
interested,
she was always
in
house,
seeing a
kind of
movie,
because
I'mab to
all,
the point is
that had
a lot of
a lot of
something,
she had
made a
show,
she had been
a
hobby,
that was your
job,
practically
their
life,
was a
work,
family,
COVID.
And yeah,
and he was
a little
so.
Alonso,
in a
child that
at this
age of the
17
years,
was just
after the
preparatoria,
was at
point to
elective
the
career,
but he
had
from
he had
had been
different
work
of a
mecero
of
technical
in
repalation
of
the
and
where
he
was the
opportunity
that
he
was
there.
In
the
The work
actual
I
had
for a
new
a
company of
a
for a
time,
he got to
be a
time,
and even
this,
we'd
we'd
demand
time,
the
time,
he was
a
time,
it
is in this
work,
Alonso
knows
Matilda.
Matilda is
a chica
that
was a
little
simply
to come
to
this
place,
but when
he was a
little
a lot,
certain
a certain miradita, and
although Alonso is
very professional,
because there
regals that
there's
to go to
get a time.
He's got
to put to
this chick
in the
stationationation
and he
was still in the
phone.
And at
after that
he started
to be
a certain type of
relation.
I'm
that you
understand.
In the
age of
Alonso and
for the
life that
he's
he's
he simply
not he
did
kind
in what
he was
being
he
was
a
experience. But,
we're going to
more
a project of
a pair of the
here there was
much chemistry,
much fire, and
much passion.
Much.
So,
that's the
day to another,
he was
embovado
with Matilda.
If not
was sending
on her
and if
not at
being in the
supermarket,
I'd
in some
moment or
other that
he was
he'd
not topar.
Two,
three,
four,
five,
six,
seven,
eight,
ten days
were,
these two,
It's obvious, but
they'd always
always always
because I'll say
there was a passion
tremendous,
a chemical
impressionant.
Never had
ever seen that
for someone.
Never had
seen so.
It was something
that he had
like,
all the day
like if
was able to
bebrioged
but
not he was
not he was
this
sentiment,
it was this
passion
and he
was this
chica, he
said that
he wants,
that,
let us
let us
take another
other,
other type
of a
kind of
other type of
things.
The first is
that her mom,
the mom
of the
person,
he had
called the
attention
and two
or three
occasions
and he
said,
you're
saying,
no,
because he
did you
know,
because for
the type
of relation
he no
he
was really
very
I never had seen
his papas,
never had presented.
No,
there was no
no idea of
there.
I was a lot of
not really
to talk about
to that.
I didn't know
to say
don't know what I'm
saying to make
the matter
when her mom
he'd
call the attention
he's
he put to
the defensive
no, no,
and apart
not you're
not you're
not you
know,
I know what?
The mom
says,
oh yeah,
I'm
never me
you've been
never you
never been
distracted and
you're
You're
well?
And then he
says,
yes,
but no
I like
that you
get to
my
things.
He's,
I mean,
I mean,
I'm just
you're
just
that you
know,
but I
pass it
for there.
And those
changes
of the
behavior
that's
doing
normally
when
you know
when you
know
if
you know
I
I'm
I'm
I'm
I'm
not
I'm
a
really
a
kind of
you're
you
do
what you
be responsible and not
falters with your occupations.
He's going to
molest to the house.
But there was
another sucese.
Is that in
this Inter,
in those
in those
years, in the
time, he
did it
there was a
very strange,
very,
very strange
because Matilda,
although
no,
there was much
a lot of
because
all practically
that was
that was
very very
very much
verbal.
She,
the day
that he
He, he took a year, he didn't even
even if he said he said that
he'd ever he said, he'd
he was impacted. Surpended, and at a
way, a little incommod.
In a little bit of a little
caja, that medied around
of those 15 centimeters for 15
centimeters, when he opened,
he was impacted the instant.
Addentro, there was a sphere of the dragon.
Much of you guys are to
To be the one-as-you-itra, those that I'd say, is part of unanime.
And simply imagine it's a sphere of a color between
a marilla and orange.
And it's marked as in color rojo,
from a star-a-strel,
because there are seven types different.
The point is that the
that was that was the car.
It was the one-strelia-strel-tas.
And it's important this data.
Because, as like the protagonist of the history,
to him,
he wanted that
Sphora, the
of four
stars,
and in some
way,
the only
star that
ever had
desired.
But how
he was
Mattila?
The
between the
one
things that
he put
had done,
why he
did that
and how
he knew
that he
had published
nothing,
that's a
thing is a
personal
that never
ever
to have
evered
to
he
he's
he's
he's
he's
but that
day thinking is,
this is,
this is
two success
had
had
been
situation with the
Sphere.
Mom,
it was important
because
he was
detecting
changes in the
behavior that
he's not.
The Sphere,
how
knew Matilda
that he
liked that?
But,
let us
the passion
he got
to the
intellect and
those
things,
although
were there
and they
were
really,
it was
a good
decision.
Because
a day
Matilda
he said
that
he said
that the
things
were
to be
a
other
different,
were
more
formal
and he
He said that that night
He had a moment
special with him
in his parents
When he
He was called a moment
special
His passion
He desborded
But then when
he said in
His parents
They said
They said, you know,
how?
I mean to
dinner with
your parents?
Yes,
see,
Vente to
be ready
and get to
the house
I'm here
I'm going
to pass
the night
with me
Alonso
is a
type
that
not is
that has
that has
much
recatto
but
this is
I don't know
I don't know
to your
papas,
no
know the
family
you're going
to be a
present and I'm
going to
get to be
there
and he's
a little
he's
not you know
I'm not
I'm
you're
in my
court
and he
he's
he's
he's
but how
you
you pretend
that you
present
with your
this
child
saying
that he
was
knowing that
he was
he could
get
got
any
he could
just
he did
a
I'd expect in the night.
We'll see at the 9.
And he's going to be able to
Alonso.
He was lost to her.
So, he was there in that
place to sleep,
and get to be there?
What,
what's such a lot of
moments that I've had
had been with this
chick, and he said,
no,
that's a
all, all,
they're going to
know.
I'm going to
understand.
And then
he was avergonsado.
Never had
had been a situation
to have to
presentarse
with the parents
of a
novia, apart in the circumstances in
that she was going to present.
His mind was
a lot.
Alonso dedicated the day to
think what
type of vestimenta
had to use.
Like in
movies.
If I present,
I'm at the
my mom
to go to
have a
dress, I'm
a man to
make a caper of
vesty,
I'm going to
put a corpata and
pantalones.
And,
for other
other side,
that's what
he's a
little?
I'm
when I know
a chica and
her family?
And the
her brother,
no,
prestanded
much
attention.
he said like,
well,
you can't
put,
just whatever
whatever
whatever else,
the roba
that you
do you know,
the room
you're doing
to the other
extreme,
like,
like it's
a little bit,
so at
final,
I've been
loco,
because
she was
invited to
pass the
night there,
because he
was to
know to
the father
to know
and she's
going to
get to
he got to
the
time,
he was
just could
use
a pair
of
things
that
had in
the
pantalon
less
wrugged
and a
camis
that had
a
little,
we're
not formal,
but
it was a
little
a new
so it's
so it's
a lot
that's
black
that they
were
all the
that's
what he
was
he
he's
he
paid
the car
and they
could be
to be
going to
get a
good
to be
to
And he says,
this,
no tokees the timbre.
Pass directly.
You're going to
and so it
is a super-extrae.
How I'm going to
get in the
house of the
father of this
chick,
without talking,
without
a little bit
a
without a
doubt,
and if they're
entering a
extrano to
the hardin
and,
well,
we'll
see what
what happens.
Baja
from the vehicle,
the
be that the
reja
is that
when it
when it
See that the
key is
The door
The door
Keeps the
key,
The key,
keep the
Coney down
to move
the last
to turn to
the door,
the door
is able
and this
chica,
we know,
the
the
Ropa
that's
not for
a
dinner
family.
It has
a
really
supermente
and he
he's
he's
he's
kind of
he's
he
put a
colorado
all
instant
he
is
very
attractive
he
is what's going to
here, and she
just he
he takes the
he's
he's a
in a combination
of emotions,
obviously the
lojury,
for one
side,
it's carcomying,
but for the
other side,
he's
the other
way, this is
too much
extrano.
Apart,
there are things
raras.
The
house is
all apagated,
there,
there belas
in the
piece,
there,
there petalos
of different
flowers
sparsid
in the
he,
he doesn't
he's,
and he
your
papas,
what's
what's
my parents
are
on the
parents are
on
my parents
and they're
not
you,
it's
a
a piece
to be
a
thing
the
she's
a
little
a
little
involved
in the
relation
with
the
emotions
but
don't
she
doesn't
and
don't
want to
do
so
so
he's
so
he's
so
he
he's
what
we're
we're
what we
a
best,
he says,
we're
a day
more
special
of our
relationship.
He's
to make the
man,
he's
a
embeleased
with the
figure of
the
chick,
he gets
to a
one
where is
a
a
place
and a
little
a
dach
and he
put a
on the
table.
Alonso
he
gets a
free.
For
more
a
big
instantaneously
it makes
that
he's
that's
that's
that's
he's
a little
he's
a
way to be like
a coquetto
color black and
he says
I want
that you
and I
formalize
and I
want to
the two
we're
we're
we're
we're
we're
inlaces
we're
we're
we're
we're
we're
we're
he says
I'm
not this
I'm
if you don't
you don't have
me to
we're going to
pinched
the
two,
we're going
to make
this
panch this
pao and
it's
symbol of
that we're
doing
that we
want to
we're
that's
for
and
we're
to pay
refuge
how
to
we
we're
going to
we
we're
to give
a
how to
my
my
my
my
my
no
I'm
you
see
he's
he
he's
he
he's
that's from the
piece,
almost a
1,
72,
meters,
something,
and it's a
very great,
there's
there's
different types
of offrendas.
He's no
know
of this,
this,
he's
he was
a clavere,
and he
said that
he did
so
a lot,
but
he's
that's
he's
he's
he's
he's
he
was a part,
he
he was
he was
he was
he was
he was
he was,
he
but this
she's,
I
I want to
we're
going to
our
night,
after
after having
our
pacto
by the
thing I'm
my
need to
I'm in the
person
for she
and she
and she
and he
says,
you think you
this
thing?
And she
does it
not insults
to my
little
to her
to her
not
to be
to be
to be
but
you know,
I mean
you know,
so you
want to
a
carverer
that me
that we
do you
one.
So,
you know,
what is
you?
So,
what is
this?
He's
he says,
me
amas
or not
you?
I mean,
you
do you
want to
want you.
But this
no.
This is
this will
be the
only
form
that
you guys
to
always.
When
I'm
when I
hear that
never
I
kept
so
so I
got to
be
there
I
would be
to be
to be
to
I was repelous.
I felt horrible.
I made ganas
to devolver
what I'd
in the panza.
And at the
time,
I was going to
see,
a second
just a second.
It was,
it was a
only second
in the
the lights
of the
bells of
that they
did it
made that
they were
that's
it was a
form of,
it was
a fact,
if you
want to
see,
but for
a second,
hego
to be
Matilda,
the chick
that she
was
a
woman,
a thing
of
jammeant,
a thing
mal ebola.
And me
did a
fear that
just a
minute,
and I'm
going to be
I'm going
and I'm
the door,
I'm
put the door,
I'm up here
the car,
and I
went to
the
house,
because I
don't know
to be
to be a
lot of
I'm
and I
know.
I don't
want to
know
to know
I'm
I'm
much,
much,
much,
much,
and I
thought.
the Tienda, that no
that would be
to happen
nothing.
He said,
I'm
really a
weird and so
weird and
so much
that's
something I'm
because I'm
something that's
a figure
of the
but I'm
really like
if it's
in my
wosos.
I'm
could have
to get
the work
the day
the next
and so
so
for five
days,
until
that I
knew that
was obvious that
me
I've been
never
no,
I'm
I'm
didn't it
I'm
not to
top.
Then I
I'm
to look
different
things,
jobs,
things to
do you
in my
house
things
started
go to
do a
day to
my
other.
My Papa,
he's
to be
bad
when
go to
do you
do you
do you
do it
do you
do it's
a
operation
but
when it's
a
business
they're
they
commit
a
and
he
or he
he thought in
that.
A
part of that
the next
the next
he's
deprimed
so,
the other
lojals
start
to get
in clientele
and they
started
to start
his
people,
and he
little,
and he
began
to make
bad the
movements
and
what he
had
to
get to
but
a
way
that
no
that's
a
other
other
another
of
one
day
to
another
and
he
has
the
need
to
and
and
it
and
I get to frustrate so
to look at my
father
that's the
person that
is the person that
is a
very aggressive
and very
enogated and
just a day
he gets
and he's
the local.
Yeah,
I know
I'm going to
see it
this business.
I'm doing
all the
and we
don't we
do this
look.
My
my brother
not us
had said
and I
had
repaired,
but also
had
had been
had
been put
on the
last
last time
I'm
not
said we
was
so I'm
was
so I'm
I'm
some situation,
all those that
had to be
with demonies,
exorcisms,
with questions of
possessions, that
was all the day
there.
In the
mornings,
it was to
know we're all
that we were,
and in the
nights,
they were
doing the
and we
had been done
into the
family was
a ruinable.
Arruinada.
When I
did a
question of
that I,
I'm going to
do this
woman.
Talves
not,
maybe simply
the
things
coincided
but I'm
I'm going to
help
and there
was a
a friend
commercial
that I
knew she was
like she was
like in the
things
because I know
because I know
of those
things
but she
me
I know
I know
I know
I know
a person
that I was
a collars
on
had a
thing
I was
I was
I'm
she was
she bestia
she
I'm
and the
thing
and the
she was
me just
me knew
me did
the
he did it
the
me took, me
and he said,
it has to
it has to be
with the
black.
What you
are doing your
family,
no me
you know,
there's a
there's a
house that
is alluring
all right.
There's
someone,
someone,
who you
really,
but
he's not
he said,
it's
something more
turbio,
it's something
more visceral.
It's
does this,
and says,
if,
I see,
see,
of who
is talking,
that person
you did
something.
And then
he's
thinking,
no,
no,
or so
we're not
we're
and we're
he's
he's
been born
to be
a
year,
he did
a
darkon,
he borrower.
And even
he
and even
I'm
like it
and I
never
did a
never
never me
never
never.
But
I'm
to come
my family
was
so bad
so
so much
that
I'm
practically
to
take
all
to
all
the
all the
things
that had part of my
camera and the base
of my camera
all of my
all of the
all of the
for a
a case of
that I'm
there's
that I'm
having made
even got to
even
my
and it's
that it
without any
that in the
front of
the sesta
of the
stuff
was the
was the
space
and when
the
I said
why me
have been
of this
and because
it's
because it
not
didn't
sense
she was
she the
I
let's
the
two, three days of the
when I
I said,
today I
come I
see,
I'm
let me
see,
if there's
there's
other
other form
apart of
of the
and blah,
blah,
my mom
was with
my
mind,
my
herm
and I
said,
and I
started to
do it
for the
bad.
She
got
the
problems.
He
never
to
never
to talk
with
this
she
with
she
never
to
never
to
see
I
she
I
think
I
know
what
her
she
was
But what I
that night
was the maldada
incarnate.
I'm going to
tell you three
stories
that's
that they're
going to
do you're
you're going to
be there
first you
first Loretna
me
about a
situation
very lamentable
that he
was a
few years
she was
she was living
a situation
complicated
at a
level
physical
and he
had been
intervened
chirurgic
in an
hospital
I've
had
had been
let us
this
salon of
the
care of
intensive
was in
the
time
and he
has a
very present
what he
occurred
one of
that
that
no
there
her
family
that
was
turn
to
her
and
her
and
her
and the
that
was
been
dedicated
that
they've
been dedicated
that's
very
and lora
let's
I'm
not
not you
are
are
Cance.
Apart, the
mom is
major.
The husband
has tried
much stress
for the
situations
complicated.
That's
about
that's
about the
point.
But the
point is that
they're
because they're
going to
have
to get a
or this
they're going to
get a lot of
the way to be able to.
The first
of a
sudden in
the night
commies to
feel a
cold
terrible
and then
see something
that she
does that she
does
that she
probably
is
soya
not it
is a
really
really
the
is
the
light
again
and it
is
the
temperature
no
can be
the
very in the
body
but
it
doesn't
change
the
the
brum
is
all
around
of her
and
as
a
a terror, a
light
is the
entrance
and then
his eyes
appears a
calaver
enormous
with a
capuched
and with a
guadana.
She
a gachach
and
commencing
to come in
her.
The image
even a
dream is
so
aterrador
and even
is a
dream
that's a
fear
that he
starts
to get
to give
a
help.
If
a
the death
and
he
takes
with the
hand
he
he
he
say,
so
so I'm
so
it's a
good,
it's a
touch
nothing
very
it's
a certain
frialed
that
it's
but
at the
time,
not the
same
a bad
intention.
And that
that
thing,
that
that
said,
without
the
little
the
body,
because it
doesn't
move
the
body,
but she
she
she
is
moment
of
you
you
And she
And she
And she says
For favor, no
My
my
is still
My little
Apeness
He has a little
More more
With her
And the
Mourte
And the
Morte
You know, it's a moment of the
Valleas, I'm for you, borg, I'm from you, borg, and he says, and the, in the, in the time for example.
for me,
I'm going to
put on.
No,
I'm
really
to put in
the
foot the
foot the
foot the
foot,
he's
a
walk,
and it's
a little
really
what
is a
because
he can
a
in direction
to
a
room,
enter
for a
door
and then
she
the
frio
that
the
and he
and
the
a repent,
the
first you see,
the other
she'll be,
she's
a little bit,
around the
there is a
group of a
group of
and then
a medical,
and thence,
he's a
reaction,
yeah,
react,
yeah,
say,
paren,
parren, it
is a
thing,
and it
said,
a,
she know,
she said,
I've
entered into
paro,
we're
just,
we're
just trying
that's
good,
there,
there,
there,
there,
there,
there,
there,
there,
there's
all
to be
being.
No
she
I'm going to
be.
So,
she was
there.
After
after
a
not quite
not quite.
But
that's
very clear
that in
that's
a
not that
and it
and it
and the
can't
get to
the
the
thought,
the
the
reaction,
in the
morning
that's
the
something,
obviously,
the
of the
doctor's,
but the
the
of the
doctors,
also he also
has been
an effect
of the medicine
and when
when I'm a
question
for a
time he said
a night
he said
so you know
he's not
you know
we're
we're doing
indications
but we
we've been
a little
that
that was
that was
that
not quite
we're
not
to turn
nothing
in
yet
but it's
yeah
yeah
were
there
were
questions that
the medication
but yeah it's
I'm
No, no, I
want to
to me
question.
It's much
nothing.
Tell me,
for
favor,
if someone
abit in the
apartment
that's
right to
and say,
no,
yeah no.
It was
a person
that's
a person that
was a
person who
we didn't
do it
and we
did not
nothing.
She,
Lorena,
he
was clear to
something.
She no
has no
nothing
to be
with the
other
person.
No,
he
he asked
the
no more of any
type of
favor.
What
is that
that night
the murder
is that the
death is the
next time
this is the
next time
this is a
dream.
And if
is a
dream,
that's
the
one.
This is
the second
of the
three
stories
that
I'm
to tell
you.
Claudia
has
a
tradition in
her
family.
Her
abuela
was a
person
that
said
in
in his practices, that was Catholic, but Claudius had
had made a mixture of many creencers the
Bela. I creed much in put the erratura in the
entry, always put in a ristra of hajos at the door, and
always that had an opportunity, barried the nets with the
web, you know, no, it's going to be the mal of ojo.
The Bola had many traditions that had been passed
maybe, of generation in generation, or that was
learned
to the
long of
the
life,
but there
a
all the
remarked
to the
form
as a
whole
that I'm
that I'm
much
in the
Rosario,
that she
had
had
been in various
danger,
when the
mal
has
made,
the
rosario
was
to
give a
because
I was
imagine
a
a scene
in
where
a
there's
a
a
person
that are some of the
countes
of the metal or
or of the
metal or of
a piece,
it's something
unanimated.
Claudia is
a lot of
rational and
so it was
growing
in the
life,
is a person
very
observator
that as
the traditions,
we know,
that the
questions
spirituales
they're
the attention,
but no
believe in
that.
Also,
now of
adulta,
in the
the last
in the
two years,
it's
developed a
good
for the
podcast
of
MED.
And
It was just this year,
after
just a year,
when I went
in a carretter,
he was managing
his vehicle,
and he commenced
to do a
marathon of
many times
because they were
about two
hours of
where I
had to
do you,
and he
did it
and he
did it
and do
to the
people,
because he
had to
be able to
be a
alerta
and not
he was
to be
listening
the podcast
something
on
the
the
time.
He
to think she said something
something
to get a
particular way,
she was adjudicco
to the excess
of the
excess of
many anecdotes
in the
monsters and other
that they
were the
people of the
people,
and other
entities
malignas
and of
other
and he said
that's
that's
not much
I'm putting
paranoia
but I
think it
like if
something
he was
to
a high
velocity
but
I felt
like
something
that
was
observar and the sier.
He was in a certain paramo in
where no had nothing around
but it was a night and it was
tetric.
Practically, only the
only was to light was
the moon because the
other was absolutely
obscure and the
faros mercuriales,
these lights of
carretera,
were very
distantcied as one
of other.
He started
to have a much,
much,
of a sudden
there was
a sensation
like if that
that's a
maligno
so that
to be
car.
For
a
situation,
she
not he
went to
the
studio,
and I
heard
on the
applications
that's
the
music
where
she
had
had
previously
a
and
only
was
a
list
that
over
much
the
the
amount
the
time.
In
other
other
other
other
hours,
and
the
last
that
was
the
maximum
that
was
so
in
that
are reproducing podcast
after podcast
and we're
probably all
we'll be
about what you
don't know
what you're
what's going to
in some
moment
while she
she's
a fear
that she's
carcomying
and she
that's
that's
that's
that's
that's
that's a
point
to get a
better to
the vehicle
to
get a
more
to be
a lot
change the
time
the instant
even when
I go
in the
episode
and the
cell
no
no
has
been the
hand, and
no has
presson
a
button
and the
and the
thing is
a person
and he's
a person
clear,
a sensation.
That
that was
seeing,
is a
little to be
to be able
to be
back,
and
to make a
distance.
And then
that phrase
of the
abuela,
believe
that the
Rosario,
when the
mal
has made,
those
will
protect,
there
has
been a
second
of the
three
stories
that
I'm
a
story
that's
the
other
now
something
new.
From,
exclusively
on Paramount
Plus,
it's
the
series
Stephen
King
calls scary as hell.
Everything here is impossible, but it's also real.
Sci-Fi vision calls it the best show streaming right now.
We're running out of time and we still don't know the rules.
Don't miss what the movie blog calls something you need to watch.
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No, Jueges with phantasmas or the phantasmas
will be around.
The story that I'll tell her story,
she was in Lye when
was studying
her career.
She was studying
for an educator.
And in the
school in the
school in the
school was a
little bit
a little
old.
And for
a situation,
although it was
a school
of a certain
renomber,
the last
had been
more people,
what he had
made much,
what he had
been discurances,
and just
closed and
their cellon
to get
an idea,
she had
matriculated
a good
a lot of
people,
and it was
the salons
only
were the
nothing more.
Those are the
alumnus.
She said
that for the
third or
fourth semester
was when
occurred
this situation.
For the
third or
fourth semester
she did
know that
that was
her great
preoccupation
could
be to
turn to
the career
there.
Because
every
had
more
learned
and they
were
there
were
inbruched
for
so
the
people
not
were
the same career of
educator.
So,
we're going to
start
thinking to be able to
think about
the time
in that you
know,
he was going to
do you know,
resulta,
that's
there were
rumors
between the
people and the
people of
the place,
that the
place was
inbruhable.
She
not had
never had
never been
that
and paranormal
and he
had a
two years
standing in
that
there.
So,
I'm
just
pure
meniders.
He
He was going to ask a detail.
And there was a story that had
passed something with
some of the
school when that was
before,
a secondary.
But they were like
say, dirretes.
One was it
in primary,
others were in
a student.
One was an
student.
One was a
final.
He was a
finality
in a salon.
The salon
they said
where was
located.
And she
did know
that that
ala of the
building
no one
that's in
use.
It's
is very
strange.
He commenced to
ask more
a detail
with people
that have
more time
in the institution
and result
that
that's area
of the
building
no intendent
is quite
because
they're
they're
inbrugated
and they
said
and he
was the
and the
and the
people are
the
they're the
is that
was a
a man
was a
a
child
and not
he
he
he's
he
he's
simply
he's
he did
if they did
something or
did something
but they
they've got
they're in
the
and then
it's
it's always
it's
it's
it's always
that's
so it
so it's
not we're
there many
people who
were in
the post
of us
and they
were
and from
and from
we
have
and they
they're
and I'm
and I'm
and
he said
and I'm
saying
this
sparsying
this
and not
you're
you're
this
information
because
they're
they're
they
I mean, we made
say to them
and we used
to sign that
we were going to
share this
information,
but it's
that's a salon
and we're
that's the
thing that's
that story
that they
didn't know
it's called
me called much
the attention
and then
I was
investigate in
internet.
So,
so what I
did,
was,
I'm trying
to make
the mytho.
I'm
a camera
of those
like GoPro,
of those
like cameras
chakakas
me,
I get
to
I bought a grabator
a small,
that in that
time,
I'm going to
have been
like external,
and then
I decided that
a day that
was there,
a hour or
of a
day or when
I would be
a little
for the
back to
go to the
room, me
to get to
the salon,
and he
was to
put play
to a
video that
had
been
on my
cellarg
that
that were
like
they were
in the
of an exorcism.
And I said,
because I'm sure
that if I'm
going to put this audio
here,
if there's
going to
be a lot of
and I'm going
to be able to
be the most
probably,
simply are
just some
and maybe
with that
I'm going to
this myth
and I
can't
turn to
my career
in this
place.
So,
Jocelyn,
with
this
idea,
because
he put to
to play
with things
quite
because
without the
experience
and without
the
serried to
he was
he took a
game.
It took a
day in
a time,
and getting
a certain
moment in the
time in the
unnered
a good
and he was
a camera,
she was a
car,
he did a
little to
a box
and in this
boxita
and in that
little
are the
things.
She's
she's
going to
run to
the
back to
and in a
moment that all
that all
that's
put in
this
ala
the
It's met, and,
and, clear,
that's
a lot of
a lot of
a lot of
all the salons
of all over,
bank's apilad,
there,
some window
crevrable,
it was a
tetric,
desquid,
things to
that's
to the same
to the
mindably,
and I'm
to do the
whole,
because the
salon,
the embruchado
was the
old,
so it's
he went to
the last
the last,
He,
Sacco's
things,
she put
in one of
the
work in one of the
work,
and she
put her
the camera
in the
way of the
kind of the
view of
the world,
and she
said,
if there's
there's a
person,
if there's
someone
here,
see someone
if there
is there
to be
to me
and you
do you
make you
and you're
saying
things of
that's
time
while
to put
play to
the audio of
exorcism.
She,
she,
standing
at
the
I'm
to hear it
like a
little
gemmied
in the
salon.
And that
gemmied
to increase
and augmentate.
Not
he was
not used to
the time.
She was
she was
that it
never
that was
a
start,
he was
a
fear of a
terrible
and he
went
and he's
going to
go to
get to
the salon
is all
all
all right
and it
like,
I don't know
what
happened.
The master
and said,
you see,
you're
very,
you're doing
all right,
you're
all right,
you're
all right.
So,
my
said,
I'm a
little
but
yeah,
I'm
more.
And he
said,
well,
you know,
you know,
you know,
you know,
so,
so,
no,
so,
don't
be,
they're,
they're,
so,
so,
so,
so it's
a
school,
so,
there's a
many,
but
there's
many
about
six,
she
she's
she's
she
apart.
The master
no he says
nothing
because
he's
a little
and he's
a little
the class.
And as
the 10
minutes
that I
went to
the
cello
it's
a lot
that's
a lot of the
corner
in the
cellon
in her
in his
mind,
they've been to
all the
things that
I'm in
and he began to have
much fear.
The yantto
was like
of a woman
and he
began to sonar
and sonar
more than
when he did
know that
she did
all the
same place
the corner
the end of
the end of
the
side of the
second of
the salon
and then
he went
to go to
and she went
to her
she went to
the shentio
and the yantto
all the instant.
All came to
her and said
She kept
callied,
and she
went.
The master
said the rest of
the chikas,
then we're
going to be the
class,
and he says,
narrator,
from the
house,
has passed
a lot of
things.
My papas
have seen
somebers.
Dice
that of
a bit of
a bitation.
There's
a sensation
extrana
like if
if there
someone
there's
when there
there's,
you know,
and it
seems like
someone
is just
that someone
to come.
I've
for the rabble of the
eye
that someone
that's
and in my
dreams
one and other
other
other way,
caravirs,
women
mortars,
persons who are
people who
doors,
like suffering,
and say
what I
did,
but I'm
invited to
something,
and it
I'm
now,
I'm
got to
this
family noctura,
we've
really,
you've
to be
a lot,
and
if it
is a
question,
let me
partes,
tell me,
for
what was the
story
that is
that you
have to
have been to
the
and you know,
and once
said this
you know,
if you
have a
little bit of
your
family,
you can
make it
to get to
the WhatsApp
of the
Pesadels.
The
number is
more
52,
85,
81,
381,
65, 6,
6,7,
5,4.
And,
remember,
many of
you know
know what
the Saturday,
we're
Saturday of SOMBASS. 5
the afternoon,
the city of Mexico,
in vivo, in YouTube.
Now, see,
that you have a
good semester and
and sweet.
Pesadillas.
Bye-bye.