HABLEMOS DE LO QUE NO EXISTE - 9 HISTORIAS de Ángeles , Demonios y Almas Atrapadas | EP 238| EL NARRADOR

Episode Date: November 12, 2024

Bienvenidos a ésta nueva FOGATA DE HISTORIAS en @hablemosdeloquenoexisteEl día de hoy les preparé historias aterradoras que ustedes, querida Familia Nocturna, me han compartido y a las que daré voz. Escucha historias de Luz y Oscuridad, apariciones con mensajes del más allá , de conexiones especiales, de mascotas que protegen a sus dueños, pero tambien sé testigo de relatos escalofriantes con seres de pesadilla, que parecen sacados del mismo infierno y vienen por tí , asi que prepárate, porque llegó el momento de que @hablemosdeloquenoexisteHablemos de lo que no existe es un canal de youtube con el formato podcast que comenzó en abril del 2022 su primer episodio fue vivo en un casa embrujada en el que una chica narro sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de este canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de este canal , la familia nocturna creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de este canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando esto tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora.El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado

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Publied. Savorre. Admire. And, and profite. Via Rae, the voice that we love that am. Welcome to Famine Nauturna. To this foggata of histories in

Let Mepplems of what no exists. The day of today, we're going to have an episode very special. Because today convergen in this episode. the angels and the demonies. Stories of the light and the obscurity.

Histories that are about about the bondado human and of the most obscure that can get to get to the person.

So, if you can't be you know, the ruggat, you know, let's make, in the

first time that's here, and not you've subscribed on the moment

that you listen you that you listen, or that you get the the dream,

then then, subscribe, and once said this, let's come we'll

with this fogata of stories. If you let's I'll tell you the story

of the voice of the devil Arturo me one of the stories

more intrigante that he had had had been a prohibition

in his house and this we're about he

had been he said that for normal, demoniac, things oscura.

He believed that simply this was because his fathers were a little recatated and that

they were the old. What he was that was that there was a detail

that had had been to be with her mom and those thematic as

he's he's that he's I'm going to know he

he simply he simply he started on the internet

what is the content more is a one of the way, once put it a regla for an adultente, oh, no, a a lot of you have been said that exactly what you want to do. And he's exactly what you're in the task. I don't know what is. I waske in internet, I don't

me toped nothing. But he said, I mean, in my circle social,

about much of that was a video of that was a real to do you know.

I don't see if a creepy pasta or no. The point is that

I'm I'm a man I did on the computer and then

then standing there in my court he put play.

In my my court I'm a cat is a a

cat totally black but in the part of It's up on a bolita

white of a lotita redondita. For that I put the name caspita. Because it all of the

zone is full of caspa. And then Caspita normally is in my quarter. And that

night, I gave with me because even I know it because I have a

bit of fear of what I'm I'm sure the volume. I'm that I'm and Papa and

were done so I'm put play and sonable so back that I

didn't to hear nothing. So, they were like the sound like more than

more than more. He's a little more. And so it was a voice

to something to but I didn't understand. He said, but

there occurred one of the situations that more repelus me have

done, that more me have caused me have never seen caspita that

did it did you. He put in arco, it is and he began

to the a screen of my laptop, but was like like a freak, at the point in I tried to get her to get her

because she's like, she's like, she really with her a sharpo, he was settow a arpacos. He was empecined at

the computer and she started to move in the above of her so that compo was all over

and it cameo in the piece and the kebrough. The mugre that only function

with connection of the so it was that it was pago at the instant. After that the cat was

a little, the cat was quite like if no that was done that was never ever been so I'm never got to

do so. For that's that's what that's that's strange. And I went to get a little

un-tanky and it's about a five, 10 minutes me taped the lights and I

did the I'm not I'm able I'm I'm I'm going to make the way to make

the cato this and at a point to consider the my mom, my mom, he's a gritty, but it's a great, horrible,

it's emel the blood, it's made, because I'm made to do my mom, if it's that I'm

with much fear, I'm going to the room, but I'm without, because if someone's

got to the house, that's that was a stupidness, but I think I, only I'm,

only I'm, and where I got to my mom, my mom is My father is to be tranquilizate, tranquillisate,

and she, it's like if had been a head, he's like, yore, and he's, he gets,

atorough, I'm going to, but she doesn't even me see, and me perceive, it's a bad.

At the grader that my father, he's a time to get a service of emergency, 40 minutes

after, there's an ambulance in the house, we're doing some revisions, and after a

a little little little and she put a a little more and she get to

get to normally in the house, and they they say if they have

to have any whatever other or attack that they can let you

call but that they preference she let get to

the service of the part of the psychiatric so I'm

I'm I'm was like I'm I was what I

did this my mom but no no no no

even even I was and I was so with that incognita for more of a month. When my mom yeah

regressed to be in the house in that they were in the car and they were and I said Arturo

we have a question that we need to talk. I don't know what had passed no I was

not going to that day or was another thing I thought my people were about that they were

going to And me Scenti with Mied and me they're sure we

you're that's something to you're doing we're doing so we're we're we're

we're so we that you that's that you so I felt like in a

defenseive and I said but I don't do you don't know I'm what I'm

what I'm what I'm to be to be I'm I'm I was I'm

I'm I'm said you me had said house. I was to hear that

audio, even I didn't I'm confused. I'm in that I'm to have to be.

It's a I'm able to hear a audio, but no, I'm not I'm the computer

that's a computer that's a patsapit. So, I don't put anything. The audio? Well,

is the audio that are saying by there the voice of the devil. Look,

Arturo, we need to say something. The family of mom,

vivied a situation very difficult when she was a little little. Things that

have to do with the day of your mom since it's very

sensible those things and for that has has been the

resguard with people that are very very very very

those for that they they they help they

to help they do do do do do

and then my my papa bolted with my mom and he

said, Claudia, tell her what happened. And then the mom of Arturo he'll

say, no, it's not, he's no, it's very, you know, because

if you never will understand that this type of things,

what is what can what can what you do what was what he

did to the mother of that the The She was going to

do nother one night like any night she has always a dream very, very well,

descends to and it's very good, and she's very very something something something

something, she doesn't of his in the she never was quite was not even

because it's completely took a conscience and she that there there is something,

something that not should be there that's that's a lot of a lot of and it's

absolutely malign. What is a person, a animal, one thing, is a dormita and

know that is a dormita, but it's a sensation to be being a point of

being a so that she's she's the question, what are what are

you're and what is here? And then in the life real, she

She had the eyes and see some those hands that take the feet and they're from the car. And here came a situation very extrana, because it was that what those hands agarer not was the body physical. Because she saw was arraughtrable of the

camera, but at the same time, when while while he looked at, view his body on the camera, and of a second to another, was like if he was to bea miles of kilometers because he saw as a that high velocity, and I was in a

house. He was in a house a sumamente tetraic. A house of that if you're

going to be going to you're going to do you know it. And no even if it's a vibrator,

something has a real presence, that you know, that's that you're that you're going to be in

a little you're not the history. Inclusive it can be a but

something that that you are saying that not you're your own security. She not took that opportunity, because something she was in the interior of the house, and she was to the poor of the habitations. The abitation of the last was

was there was a room of a lot of the wall, the stairs were red, and, of the walls, it was just tochorraer a little of the same. A liquid spes, oscuro, and when he began to let an ol'olralloyer rascaroso, like if it was something that

is a podred, but he he said, and the the piece was to get to get to

get to get to do the people, many. Cuerp of the children,

of the people of people who I know that she still in the and they're

a pastedia. There a voice that was a another and another

another another another another again, I came for you, your family

is my and you also you too And, while she was in the

room, intentando to rest, but all was in the book and all of the and all of

the time, while they were in his house, her husband, intentando

to get, because she was talking in an other that you know, what was,

what was, and she said, but was reclinated in the camera, sentada,

with the eyes, abirtos as like platos, and was talking in a

manner fluid in a language that never before ever had heard of that's after after 20

minutes something something that she's under that she's over askerosa but something

also in the world real that that makes when she she gets and is she's

grittable and he's great and he for complete to her to be

posseid and with this family nocturn we we

this fogata of stories You think there entities oscuras to the

that's the kids are the people Sylvia recalls perfectly the moment

the moment that had been around 10 years. Sylvia was going

a difficult had to be a part of his

he was a time and there was a promise to get the but with

the time he was to change a person violent, in a person very serrated, and

then he fell in certain vices that she had not put to support her. When he was a newina, a norma, no could be able to that he could be able to that type of examples, apart, that sentia that he had been in risk. He, when he was,

I was a lot of times, he could take decisions very tontas. So, one night, yeah, because was the only option that she saw, as not having as good resources, had been a little during

of about eight months, and, and having a certain guardadito, he went to

a department for putting a man, because a little bit of a cartuch that had a tachio

and there, in that cartuch, they were a few of years, Sylvia and Norma.

It's in this tap, in this epoa, in the she is trying to try

their life to get their and the life of the and that they

have who they they're that question of the question of the

when they occurred the most terrible that I'm that's been the same the most

the most very they're going to not not you know you can't say

that's a night because in the place in that they've always is in a certain

level of risk in that in this things that could be that your life

had to be to get to a moment for other

so so let's she she's she she she's

Alerta, expecting that not going to be able to be able to get to be going to get to get to

get to get to that time. Estreaseda as you was being used to get used

to get to get and she and so his little he said moma moma

is the mano he's the other way he's he's the he's the he said

and sylvia no practically neither move the labos and he's doing some a lot of the

normita he's a person's like to say momma momma help me for a

man you never you know what you get the alarm and interior she's like she has been many years

I've been many times I don't know what is and that's the head is and while the head is

his body no more doesn't the panic the sensation of aogue He's a fear. It's a fear terrible. The

little bit of a need a fear and then comes the worst. A sombra in the world. I'm sorry. I'm going to be a sombreau. It's a sombre. I'm going to be able to be able to be able to questioner. But here is a seeing the sombra, Tira a and says, Mama,

yeah, I'm going, and I'm there. It's a little bit of that's a sombre.

Sylvia no's put to move. It's there with the heart that the heart, with a

need to a mind and in the heart, pieting, for your and for your little,

that no the little, and then in her ear, I'm a voice macabra

that he says, and what me offeres. Sylvia is she kept

congelated and he's and a part of he just he's talking about

mentally saying for favor for favor God for God because

not they have more words the she's and she and she

she in a moment I'm a heart of a heart

a heart that's a when he's when he he's she

she's a heart the car her her car is a feeling a

a no, I can't do do anything. So, so, to some kind of the

heart in the latino of it. And that's a little, it's a little, and it's

more more than a second to other, it's and it and it just be

how that that's a moment, and it and it is a thing,

it's that it was, that you know, that's to get a there's

really really there's no way to get to the thing, it was

the only that it could costeer. One a year and a half more,

living that's every two months. A basis ragsgues of gats

in the techo. Gats that were part of the community and that

were just when that were when that was that was

that she was she was there was there

was no there was like she was she

she she How would you If you If you'd If you'd If you'd like The stories of

Fantasmas Getate to hear this story Teresa me manda And so Anderator During many

I've been I've been I've been I'm a family My First Encounter And it's

And so I'm It's a totally in that exist the spirits and the Spirits and the

What I'm to say, to me in a moment me in his moment me he made traumatized at the

point that I'm to get to get a back of the time and back to my life

after my life for complete. I had yeah working a time in asylos

in the that in the time that's in the time I I'm

just in a time, I've been just a month, and the reality is

that even that even there had stories of I never had seen anything. And for me,

nothing more was a folklor, novatada, and it was the way to start to all those new. In this

asy, what I said, we had we had a little problem. We were very little those

encargated and it was a revented the place. That's that we had to

a type of dynamic that was a little because we were we're we're

people that were people not over it I'll give you an example. If we had to eat to dinner,

between the prepared and the servita, God, was a quantity of time that you can't imagine. So,

there were people that forceosomently we had to dinner at at 5. The time, not it's one of the

time, but is to serve 86 plato's not whatever thing, to get to get to

whatever thing. Transladar 86 people not is whatever thing, and much of them need a good

very similar to those of the baby, limpial, doles, do you know, and that's that's the time for

plate, a lot of times it's up to do you, multiply it, and it's a lot of time. All this

I don't in son of queja, if not it's for you understand what I was living when I was there.

We're we're a situation all the days of the time. For the Saturday,

and the domino in the time, all the abolitos that were there were

been in back back done to be in back in these I'm in this I'm like to

do you not have they're not even they're not they're not

they're really it's like if you imagine you a cell

of hospital where there many people are in

too in too they're they're they're not conscienties

many many abulit were in conditions of that type.

A me I'm a time. We're always for doing for all the time. But for

to get a both, badiated and arreclos, we had to start to work at at the

morning. At the four. We had to be good, because where they'd

get a time, because that hour, a bit of a very, we'd

we'd do you, we'd do you're we're just we're much, to be

covered, to be the place, in the back of the time, in the

recamaras, in fin. It was one of of these days where it was going to say that I made a mark

for ever. I'm in these turns. I'm Mwirted of Cansancio. So, are close

of the 4.20 of the morning, it's absolutely oscuro. And salvo for the

salon in that we're doing that we're because that day was free especially, we're

we're we're but then one of them has been an ambr,

and it's that's that's that's that's a lot of it's a time.

I'm going to get to go to get to take a little to try to get some of the little bit.

Because you were to get to get to the time. I'm going to a little a little time, I'm

a little bit of the time. I'm trying to the kitchen and the area where we all the area

where we coming down, I'm going to, I'm coming into, I'm that he was caminandos but I

I'm a way a little and he really a question and he he's a

what is your room where is your doctor no he's he's he's

he's he's this what I'm talking to come that that's

you don't that there was a lot there was a lot of the

thing was the thing of was the the head and the the shoulders. And it was clear

his movement so valiant because he moved a homero to a little, and it was a different level. It was obvious that one of his feet was fallia, and it was a movement torpe. The head totally cana and in many areas,

he was also, it was a bit of a strange, it was an corbado but was someone when I was trying to think, this, sir, I don't have seen, in what abitation is that? I know I don't know, but I've been advised. And what's it? I'm going to

this hour. So, yeah, I've got those other pendent. We're just aceleratism. Because, if not we're going to have gone, apart. The other person, can put more impatient for the way of the food. So is that I'm arraink in the cuisine and I'm going to one of the cociners and I say, for favor, mandalay a cellarer, that's a

person that's an aide. And tell me, to know, for a while, that's a placeio, and that go by the sir alto. I was a a man

being a man being a way to be a manned he's not you know I'm going to not you

don't you because not you don't you do you you're going to you know what you know that you know

that's a question and me no I'm that's it's not it's not the morning

it's a so it's and the poor the he was going to you know not you don't me

don't me you know how I'm I'm too that he said I don't you know I don't you know

in that concept? Because, because me you know, because me you know what and the other

just to turn to be you know, you're not so you're really, is a phantom,

how is a phantom? It's a phantasm no me me say to know, to know,

he'scue toio he mark for telephone toio and in that's suen toio

what's here, the chica new says that you go to the

Mr. Alto, the that's the man, he's like to be in he's like, he's he's a

he's a he's a he's a he's a he's a he's a he's the he's the

he's he's a old he he's he's he's he's he had

like some of some of insomio and he he's he was every

he was he put he he he was he was the he was the movement

that he's he's are just going I'm taking the little my is the

and you know and when me said you I'm trying I'm trying I'm the figure of the person

was to the back to the middle to the middle up to see don't see all the

time all the time and you know the you're going to be to pop

and you go to see narrator it's I'm so I see that

the sir that you not he was not the and the of him, but no

there had put to think it. That day I'm that I'm that I'm

that's there. If you have passed something, like what he

happened to this chica, excrimem me in here in comments. Imagineate that your

life normal and for the lamentable circumstances of the destiny occurred

a tragedy in your family but that does that you

can that you there lastes of the and I'm going to to tell her. When Blanca

had 15 years, he was a impactantant for her that has led to believe that

that maybe the human has capacities in those that could be or it or is

it or there's some laces that there's a lot of that I'm going to

talk Blanca had a situation very a real a

real in a family that's a lot of a little, his mom, and the

father. Since two years after the father had developed a problem

in the rinions and they had a very bad diagnostic. No responded to

any medication he was in the final for a change

of he and all know that all you

don't get to get the Although he had given the experience of

the possibility of that the list. Problem is is that after two years, the Papa

lamentably felleceo and the family had to deal with the perdida.

As they were much, as they had much union, although it was an

obvious that was something was something was something that in the time,

they had to lead to that was much, muchissimo. for Blanca had not only

his father but his hero and his his best his father was a confident for his

mom had had been his maximum support not only economic because they were

in these houses that were in their time in the father and the

mom was that was that the that was the way

or not the was the mom of the mother of her had

parted And apart, also, I also sent that the world was over not super not supposed to get the

things at the initial. Not was accustomed to that's things that to talk about him.

Blanca was much more moved than her mom. The problem with the mom of Blanca is that

committed many many of the moment, in the procession sepelio and the

moment of to go to go to the pantierro, no he was one of

the one of the her brothers of his husband. Blanca, he was more conscientious of these

things and she had a list of the people of the people who had to have a much much

and she was a very much that she did it that she decided that she

had to get to she was about her personal so that so so let's

let's not did a question but she she had

very clear that not had invited to the Alfred. Nobody

he said, nobody he said nothing. And it was very repentine to the death because

there was a little like a comment of the doctors of the doctor's and two days

after he died. So, I'll say, it was a process, but at

the same time, it was destrozo and, and of the certain

was the family not have not didn't do not,

when went to get in the capillas, it was more than the lot of people when they were

in the pantheon and they were just in certain can't to get to this family so dear and she was

with the heart of the heart and you're a little she was impacted she was

he was he was he was he was he was he was coming and he was

he was he was he said he was he was he he was he

He was just But not He could Knewk KATH After four months after he

He said, he said, oh, God, T, O'Gar to say to give him the endear of Papa, not

we took the delicacy to talk to us to talk about. And the Tio Fredo Bonachon

says, no, I, don't you don't you don't you don't you're sure

you're and you don't you took it. And I say, me, for how he's

interred of the sepilio of the death of the death of he said, no, my ha,

I'm I'm interred, the mere hour. He called the doctor. No, my ha.

Vino, he came to talk to me to come to come to you, but you

live you a six hours of where we've we've been you were very

unidous but what's the what's I'm my father was here.

We were with him in the house. No, my son. When your father

was in the hospital of the and the petate-e- and I was there was a

little and they turned to the door. When me I was

to be your little and I didn't see the door and I

didn't see I and I said I said I know that I

got to my bolet and I'm that day, Blanca has clear that there is something. Or there is a

and that makes that we're that we're that's we're going to let us. Or, maybe there

are lasos that transcendent in this life. And you, you, you have

someone with who you want, you know, if you think, in the cruelty of

the life, but also in the good in the good to listen

this story. There's there was a Over the time of the 60 or 70, a person of the name Mario.

Mario is the decim of 10th of 10 brothers. We're talking of a Mexico in the that the families were extensive, but not for

being extensas were caudalas. At the contrary, many families extensas had necessities economic and as being

so great the family, a lot more were not just are not just are not even affectivas,

no even the force and the energy of the power and energy of the power and give the attention. A past of all this, Mario

lived in a house in that there was much love, but there were a new special in all the senses.

He had been born with certain disabilities that he impeded to have an

learning that was a relentisado a little. But that that little was sentuable

because no had the conditions in the medium, and the life is cruel

a way, because there's a accident in the which Mario received

a great, and at the reason of that he's the end of

the and now with that capacity difficult to learn but

apart, without, without, without, because he be sombras. So,

he's sombras. He learn to live a his manner. Always

supported and always acugied for a family, always with certain attentions

and certain carinoes but at final, if at day of today, could

to be support, that type of facilities, in this time, it was a

that it was a way, he was there in much a

very sometimes when they were to be to visit to the house of

the family, conform he was growing and he went and it's when the

kids had done all the people, he was a man. This

type, despite of what he had been a smile to to give to

give to the other always that I know the not he didn't know

that I didn't the words correct that said, all

they said, all some form he he saw the looking

the people, he was going to find out of and the family and then

there's a little angel a little a little margarita that there was a

connection with both had been a little a linkable a very special for the

Tio, because she had to her, and when when I was the house, it was the

first, I'd say, I'm sorry, but have some of a lot of to get her

a lot, to have your time, to hear you, it was a little about the Tio Mario.

I'd put in his other and he was a little that they were the

black and black and he'd he'd hear of the Tio-Mari and the Tio-Mory

and to be expressing. And Margaret Marita he liked to pass time with him.

He marked so the life of Margarita that when she decided to give to give to

the questions of the mind is also in his mind. Although her vocation is to

the children and he really to work to work. His

mind and starts and can't make more more

can't do more what I can't do do do to

do to look. The Tio Mario no, but if I can learn to learn to learn to play in Braille.

And it's to look at course and start to get to get to get to come back in the life of Margarita.

A lot of the people who are very well, and she knows a person that is a person that's

going to be in the life and then the life is a good, the person who is the time that you Mario, for

that is learning and the education, prepare well, when this

is going to the time his life that's a lot of a smile, it's a

experience, they're to know the family that has a smile that has been

more is more brilliant, so his life is changing for good.

But the life, the life and the destiny is the destiny.

And when Margarita has to receive a notice incredible, because he's

just to know that he was a mother. Receive a news

desastroza because he's got to know that they've to detect a

infirmat terminal and no, there's a good pronostic. Three

months after, four months of and with those four months

of the time, he's present in the funeral of the

Tio. All the family is destrosed, but he especially that angel, that person that he gave

a little, that sonrisa, that was made, that sonrisa, that could be part of a story. Yeah, no is part of the present, and it's a person, and it's a lot of the desire, that even when it's

a man, and that's it makes a feel very well, that's a trestessor that has been so arraigated and he has pegged that profound, that one night, before of

going to do you need in a or a question and he's for

favor I want I'm want to see a way I'm ever

ever I'm want to talk about and I think is the desire

that maybe was another thing because in the moment

in the he is like if there is a

other reality in the that is a thing

but there something there the Sway. The sensation of

the time is different. The sensation of reality is another. It's a

really. It's very real. And in the moment that is going to the

house of the the second door, that never has seen or that

he's ever, and he's a he says Margarita you always,

talking of a way, talking well, and in his eyes

he had recovered the vista. He was he was having. And he said, Tio, I'm going to

say, I'm going to say, I'm you know, you know, and then she he says, what, Tio?

And he a little a bierreuth, and he has a lot of confused and he doesn't know

no, I'm no name that's but I can't call Ezek, and the Tio le

he's he says, Ezek, Ezek. He'll he says, to God, Margarita, thanks.

She has she has with the last time. She has that he took contact with the

man, and he is the moment in that he was the time. There's a

moment. She still not not know she will be a child. A month

after, it's that is a kid he has a time of he has a time of

all right to be a mano, that's an angel that lived in that family, that

always had a sonrisa to give a other to do you think you

think the those angels come here in different forms? I'm to tell

one of the stories of imagineries more that I had had

had to the day that she got a so

a very impactant a success that that for

nobody has something that it Resulta that when she was

going to go to the church she is up in the vehicle

that he was to get in the way there was

there was a lot of a lot of in what was

going to the area. And the many families

were and they they that he was that the vehicle. Here there

is a whole thing. It's a boda, it's a little is part of the tradition.

For that all they always, that when they said that Anna, Anna,

she were on the eyes bidriosos and started and it's that

nobody knew this past of Anna, nobody knew this little

that because if if you If you had to have to the past, almost 25 years when she had around the

six and the seven years, occurred in those events in her house that they were that all the family were sure.

Because no they were what was going. Anna was a little unquietta. I was to be up

and down. Anna he was had to have a house in the house and

even the the little are the dresser and with a lot of her and she was

also to play with and I'm and I'm all the whole of the house. Why?

Because it was a little bit to be a point. He had three brothers

and I know if there a pair of tias with the and even they were

a family very traditionalist Anna had had a experience of the

most varied different and a lot but at the

only the only that was the little That was a certain

because the brothers and they'd have a certain age, and they'd do you're to be a

time, the time, the time, the time, the time, to be the time, to be a

little bit of her and start going to happen to things very raras. Resulta that Anna,

justly the Saturdays and the domingos, subed the second piece of the house,

she'd go to a bitation that they had been in a triques of these articles that servied in some moment

but then it was time to use those, and then those metian in this room, and then it was put up things like guardadas to use them after those after. In that room of the second-pice, there was a window that was directly

directly to outside of the house, and Anna was just in front of that window and began to talk to. But there are something very rare. The first the other times that I'm going to

that's I'm doing what a sometimes that's a question about, like, yeah,

I'm going to go to get to go to get to get to the and I'm going to get to talk to do you,

and I'm going to talk to my tia of this time, and there was nobody that was that's a

normal in she, because it was a really inquietta and he was a lot that was that was normal

that it was he was that he here there there was there was there Because when they

started to listen to that's they're doing, I'm saying I'm saying, I'm a sometimes I'm

alone. No, but if I'm doing my people, my care. Oh, many thanks.

I'm too. I'm also. And so, you're going to be able to who's talking? In that room there

no-in- there. And it's then when his papa that's into this situation,

tending a trap. He'll with one of his her brothers and he and he's he says,

you know, it's not normal what is doing the little bit we've been to get to get because it's me makes that

there's a out of the window, there's a person, and as the person who's looking the

she's saying, he's a adult, not of to tryer good intentions.

No, we'll let's let's let's get to the trap. We're

let's let's hear the and we're we're going to let's see the Saturdays and the Sundays. They're

to the next the next the time. Commis to hear the little this dialogue

and they're two or three minutes for that the person who is the other side the other

side of the door, that's so much that's so sure that you don't

get to get to they're that they're when they're so that this man over the

door, he's out of the patio, and then he's a indication and then that they're

accompanying and and they're all, marking the pass, getting to get to get to

get to that's a little that's the that's the that's the second that's the

thing, and then when it's when it's a time, and the other

two are you don't go to go and they're and they and there's

there there, and there and he's there still coming and

of the ventana and and he'll be that the little bit but there's a situation not is going to

back he's going to be able to see in front that's that doesn't that doesn't say that's

talking about a man who has been an friend has been a question that

are very elaborated for a little what is this and it's there

when they're when they want to ask you ask her and ask her what's

happening. And very tranquilla and she's my friend Lily. Vive in the

space. In the video, there's and then they're saying how? Yes,

here, here here and it's a little of the other of the window. No,

it's a window in the window, in the window, in the window, I'm

there, she's Lily, and with she was she, let me, I'm, I'm

to explain, to why not the Reflejo of Anna. Because Anna is a girl of Tess Blanca, of a little bit of a color cafe-cito clear.

Lily, had the skin morena, the hair totally black, and the eyes were very dark. No, there was nobody in the family of that characteristic

to that. Nobody. No coincide that she had known someone in the family. No there was no Lili in the family, and is then when

they began to Vigilar, Ivan, but nobody can't be never to be not of that's a

question. And total, that's a little bit a time during months, until that someone

hear of the people can have the thing for sanjado, because then is the thing of a

little bit of a new, that's a point of years after 20 years after you. And all right, and all right

to see, because the description of that was a new year, was a girl of Tess morena

of the hair very dark and he also very very

and he a vesty a color and he was and he was not even he was you know

that was a little something or something if you you have a mascot that you think

that you protected, needs to listen to hear this story. Alma had a

life very very good after that he took years. At the

30 years, his reality changed. Papa and mom, that

had a very good the last two years not not

they were too, to be more. They've tried had been

trying the things but no, nothing nothing nothing

actually not even not not the same car, or the

same room. They're different for that they're different. Alma

has a year and not is a child that depends on a same house because he's

a lot of but at the 30 years he's had been different and actually he's

really good a good money, he has a own and when mom's he's

to be to refugia in questions religious to the point that's

almost a fanatica Alma said I said I

until when I when I see Papa, only me is talking to mom,

when I'm about my only I'm about the and I am a but

those things I'm don't so that so you that

the was when when it was when a very

silencius decided that he was going to go to and

going in the situation like to much choo decided

he he was going to carcasses for different sides and she took a house of

a piece ample, very beautiful, that had everything she had a house was previally

a more a new a space of a cochera for a caro and he had

a patio that was a set, and just in the part of there was

a kind of a barit medianera these baritas that

are like a little above of the we're talking about about

about one 50 to 1.70 then. Alma he used to for many people.

A barda so a barred that would be the probability of a but

not in the bar in the the place. There was a place

a very, very very good. But there was a house had a

something, he was much he was a thought but at the same time

it was like it was like if occulted something like if not was being of the whole the world

but at the final he was and of the he was the other more apart yeah

was a heart of mom and the about the discussions and the play

of one with the other and even they were they're they're in their

and they they're and apart mom with things of God, God,

God, God, God, God, I occupied his space. Necessed yeah,

to live only. No, he said two times, and he works, I'm going to

live there. He did the opportunity to live there about two months, before to invite to

his mom and his father. When us invite for separate, each one

goes, and when was the father, no, man, just puras questions

of of the other, you care, too, that not to be

going to do you care that's part of the part of the person.

She not He took nothing more. He did a good to be able. He did a good to be able. And the Papa finally went. When he went, there is another

other thing. Alma, let's we'd be a little that all the thing of this woman were to all the and to give us

and pidele. Because it was a form of her to refugiar to evad the reality. But there was a little

strange. When he came in the house of Alma, ambas they felt like if

the temperature backer. This this she said, oh, I, he's sure

that you want to live here? And then then I'm a unresperable and say

oh, yeah, I mean the contract like if you know so you know

you're not that I'm going to be here, I'm here and fin no

there's there there say, oh, say, oh, this

this house this house this final no about

more about A part of there, for the first the lady, the she was talking continually neither of the orations or not the moment

of despeders, the second, she gets, take into your house, if you're in your house. If you're

a little, if you're going, who's that's the or the fact of to start to live only

when, during almost his life, I've been in company of his parents.

The problem is that's that's any sense anyone, because he was in the place that he

liked and he had the activities that I had the rhythm of the time

he had the people that were that they had to when she was a thing

she was a kind of a pachada like like the the family

or the family or the family or not even any other no more more more.

It was not that was more more things. It was that just simply

was being because the house had a color in certain the color aqua

but it was an aqua very big now she was she was a page and she

had so her her rosa that some suiters and those

had with some light those was very bright and

he was and not she never she was she was turning

more less monoton apagated little, he went and the people around

and the people around the world I'm saying, oh, you're agongojada, more lenta, rara, rara,

like if you were thinking in something and without energy. And she said, but I know

I know, what is. And they started there those things rare. The first

was something was a but not in a way a little, was a

very beautiful. of a one day that he was a just in the entry

of the house there's a there's a chachorrita hermosa and precious

that has some long, large, long, and no know why but

since she she she he's Mafufa and Mafufa and Mafufa

for up up for above because poor Mafufa he was that

he was that was the first he was the first he was he was direct a

veterinarian, because there a nena that needed attentiones and were the attentiones more important than the way of the and she was

a day-a-day. But something because all the time and they were to see, it was the same.

When I had the house, the first of Mahfufa, what needs Mahfah? Like,

Maffuah, he'd go to the peto and, he's got a petal and he's he's got to try it, and

he went to Mufufus, and that's because the The family of Alma not so similar and it

was a far-of- Kemp off- Kof-Kee-Safe, who know? But Mahfufa also was a

per rome a little strange, because he was to develop as a fission

to do something very rare or very very usual. At a time of

the night, he had to rask one of the door, the

door that was the part the part the first he did he was simply

I saw go on she was coming and he was a certain

in a area in the center and from the room the

was there was being being that that bar

medianer but but present attention in something and

a hour and it and it and for the

the third or the fourth time she was

the door because my fufo, not was a perr very great, so, for it was to get to be

not a way, she could be to get to be and then and he was going to go to the

couple of that's rar rarerer because my there's his no it's a postad of like a

guardia, like in two or three occasions I'm that the perrita

serisab a little and was able alert. After Mafuah and these phenomena

rare with her, and that kind of kind of characteristic of this perrita singular,

vina were the things that were so much. A sensation of fear. The sensation that there

that in that house had a other, not out, a out,

a sensation of a presence the sensation to be being

being being being to develop more and more and and the light that had brought to

mafufa and the way of the way he was up and he was a little moment of being in the

pastio he was but he was not more and he was a laddra and not a laddry

and it was a lot of alerta it was like it was like and it

was just after a part of months is to come a year a year

alma in that when occurred a tragedy espantosa. Regressando

of a night of a party with a couple of a house, and the

first is the first you do you do you go to be a foo? Where is Mahf?

And the perrita no doesn't make you know that's doing that's

sitting that's even though she's she's that she comes to look at

all the all the partes and it's there when I to the ventana of the cell,

that's a point of something of a terrible. Mafufa lies in that point

of the patio, where always she was in a position that is

normal. The language has the furt the perrita is a styrata.

When comes out the patio, Mafufa has the eyes and the language

to be obvious. Something she she was she ran in yantto

was her her friend, her her her friend's, her love, the

who he did you do that the other that's the other

the day he's the he's a man who he's he's

he doesn't say that they say that it's sometimes. Sometimes

these they're and they say but it's normal. No, no,

it's normal but no not it has not. I know what is

what he's what he has that that presence, those sensations

only start to get to get to get to constantly with a sensation

of a mind, all the time has been to be paranoia sensations

that they are that they're not because at the time in the

she she's I'm to go to go to the patio,

now she see that something that comes to get

a little and is a She's in the cell and she says, Alma,

carjo, you're a adult, you know to get to get the things to get to get to this house,

you're going to go to be to get to you're not you're going to you're not a little. And where

is this dialogue with her regañando see, listen to a little out of a

kind of a cruey but is something that really the situation most spelusnating that has

been to the day to the she has ever ever ever ever before that this.

see like a sombra that's that's more than two or three bards after the

comes to get to smar to start to start, styr, estir, estir, styr, styr,

styr, styr. The hour is the hour in the fufabai and it's in the

lightio. And this sombra that's high-tisimate to you're talking

of something that I'm that's that's that's they're that they're

that's like a kind of membranas and with those those arms and those other two

membranas that fungens to move as a quadrupedo and the part of the top of the sombra kind of a little more as to a bit more as far as a type of a big thing enormous, it's a lot of course. It's a

sombra. And that sombra begins to pass from bar in barred and barred and it goes directly to that. Here there is something, and there's a detail. When Amafua

The veterinarian, he gave the option if she he wanted to cremary she said no. And even

when I never had to do it in the patio of the house, in the point where

Mafufa was and it was very strange because the sombra that was

coming with a very good speed and a good to get to the

point he was he he was And there was a sensation in the house espantosa, like if something

you had gritted, with a silence sepulcral. Tal-be not you know you know that

you know that you're that you're that she simply, after that this sombra was frusted

because no could pass to that he's disappeared. They're not-n-n-n-nad-ed.

It was were close of two minutes to see that. It was an hallucination. because in the moment that that

thing was the fear the fear of the day next was to talk to be my mom and he said

why you know why you're saying that the house that's a little there was

there there's a mother said not me you know me give me the house

of your house tomorrow is a day a more more and we

we're we're we're so we're you don't you're you

don't you you, I'm I'm incargo. Connoxed this time. When Alma regress

to the day next and were at the night, the mom was sat at the

table of and he heard, before to enter to the house, Alma,

he heard that there was a voice that was a voice of a

woman, that was doing like and there was a aroma that there

was a house, a a aroma and a

arb year a woman that has a a rossary a boat with a water and he's

doing a water bendita in a water in a zone of the she'll come to the mom of Alma, no

saluda Alma and he has a signal and he says, he says moma

let me tell me what was what was here and both they're saying it's necessary no you

don't you don't you don't you see this woman neither she doesn't say

a woman of this chica, she detain, he put the hand in the armory, he said, no you

don't you care of the problem, that thing not you will be to be to be able

to be a lot of that he's, that's the last that was the last time that's

and they got to two things. Exist in the angels. Angels

in life and angels that they visit them after auf but

also the demons. You think that the animals can get to be

our protectors? Prohibito to have to your baby only? If you

have baptized he's a brother. Ricardo is the grand

miracle of his family. Not only is the only the three

children and there was a very good for his

nothing and he did not not just for it.

It's because there was there was has been a person

special, you know, a person different to be in their own their time, so he

always he's always he's been a kind of and he said, and they're

another other way. It's that you're the miracle, you're you're

an person special for the family. Here there's a

question important, and is that some certain traditions familiar as the title that you put in,

the apodo you you're the things for that they're

that they do you a A sometimes with the generations is going

and even he was he was a direct about he was he said he said he's

not a year. We're talking about that the day of today Ricardo

has 25 years and he he's and he got to he

said, he not he he said that he was just for the

he said that there was a miso the there

no. It's for a totally aterrador and inexplicable that the family the day of today to be a true. When Ricardo passed his first three months in casa, the father, the papas were very atentous, that no, he would have

had to be left to nothing. Of course, poor of his brothers, but those descuitable for complete. No, in mal a faith, but is that they'd bein'nion of a certain process that had been a certain process that had been very d'nuch, and that there was much risk to to have a baby

before that that's the first of the whole of his attention was put in him. Apart the

the new he had like a energy, a little that's all they're saying,

he's an angel, and his mom said is that this this little

the miracle. The miracle came after it was in this time

of those first three months of when they when they

put all the when when happened this that's

the day, the mom of this nene, is to be in the carlidant, he's in the side of the cuna, and he's can't sing a can't a can't even a little of a new year, and he's dwehrum. Then, he'scuched the voice of his

husband, that he's talking to the comedore, but with a certain urgency, and he says, "'Deh, the child in the cuna, "'ven to come back, "'necite me you, des, yeah. "'And he says, "'Spere, me, I'm doing,

"'me, I'm urge that "'and then she agharrs, "'and then she agharrs, "'because if he's a-we-all-a-oh, "'because, she'll be talking about that form, it has to be something and

maybe it's not to be a going to get something. Or it's not that she's there. So, she

has a little in the camera, it's the little the door and the

door is the door. When it doesn't see a lot of a sometimes

there's a different things that can't move. The problem comes

when it does just when it doesn't a house not a house,

and when the the table, and the commode. The lights are and there's no nobody. And then recapacita.

My husband still even doesn't get at the time. My husband gets to get with the

children. They're going and they're always at the house of mom. Where are? When

it's when he's a little, it's when it's when it's not only is that's that's

not true. The door's the door the door the same and it's where something is like

if the other other side would be someone and the person and the other way,

the the first of the baby that at the first when he was in the car

were there. Now they're not you do you. This woman enter in a hysteria

direct and I'm and I'm my baby my baby no you do you do you

do you're in a fourth piece there. No, there there's

not there not the front of the house because there in the

room there's two windows, no done at any any windows, nor down at any any of the

balcony, nor a alfaisar, no there, no there's any of a there. And here

there's a very strange. She has a sensation, but it's a certainty absolute. There's a

other there there's more of a person. How do you know, no it's a no way, but

you're sure that's there's sure that there's a person, then he's been a person, he's been,

he's a person, it's a door, and he says, is that my I can't do I can't

make the door and there there's there's a I'm in the get you, he's got to get some people

in the house, I'm not you get to help me and he's going to the door

and he and he says, it's a person, the door is like the person he's like someone

he's like someone he's like he's never he's over and I'm there's still there's

there, there's there. Total that that between both are all the door

not you move in a napice and in this woman, she acuade,

that, in a little in a Bible, a bit of a bit of a little has a

word, it's the first the word, it's, he's going to and by intuition,

he's to learn that that and when he's to learn, the

the door the door. The room is a

back, two of the windows are there and but

she is the way where is not in the cune, no is in no way

and then she's to she to keep like the chanto and the desktrol

the desperation he can't but the the the definitely

has so but he is he has he has

an little more in colchus in a armario deba

more colchus there is just because he was just because he was a little he was able to save

but what was that was that he was that he was that he was that he was that he was to get him a miracle they're saying

that were bruchas you, what you think that you can't maldecy to the money? Umberto me made

a story that made a lot of a question because me I mean me I like the issue of

terror for a situation that I've a situation I've changed the life

for the time. It's just the time of the I'm to share to talk

and I never heard a little a legend, like that we've

a day of day of he he's in the sector immobiliary

is in the thing in the thing in the time doing

this he's he's a type a a little softening.

Although he a thematic paranormal, it's like many of you know that's not

that's it's not but so like many of you're so much that's incongruent

if you have lived something that we've let's let's in that

line, in that part that that even when you have been

that you don't necessarily that is going to make you that

you're what's what you what he what he what he that he narrate

that his life was very different until before the 15 years. Let us

from the first he was a first of the person was a person,

say shifled despota a a type that he had facilitated

all he he said he said he he said he says

during the first during the first years of my 15 16 years

I was I was a person very inconsiderated and very inconscient. I've been in an

environment very very we're in a 70 people without a problem. It was a

monster of a but I think you don't think you're you're going about

there. The house was a assco. It's all the things

in that house were they're unserbable and were inservable

my my papas never had a work in

that would have many sometimes were there and

for me the life was so to have

those luxus, apparent the things, to show you to you're like you're in to get to

the money, and get to the bassoon and get to that question of the appearance. Never invited

people to the house even we had in the case. Never was in the house. When I

had made to make a lot of times, and to come well, because malcomia most, why demonies we've there? And why don't

vendied the house to my papas? I don't understand. Until that age, I began to ask questions, because, before that was, an inconscient. Before those, I lived in that game. And then that's what did you

another question? How, carhows did they're from this house? Why live we've been in this house? If my papas, can't even work, and those two, when

they're doing, the money or do they're, it It took to see how in various occasions that had the pay of my papa, my papa, my papa, when we'd with cars

granders of when we had got to food, my papa had got to because he he'd like

much and that he'd not be to find out to the time. He was a guy,

and he's a guy, and I want my father, no me I'm not with

him, but if I started to do you, how demonios did you did this

house? And then, and then a question more important, why all the brothers of Papa and the

brothers of Papa have these houses like these large, very grandes, practically

mansions, and they're all disquidated because none of my stoo's because to all my

and my and my and me we know all the never I've never been

and the most important how you're all this family of these

house? I don't I'm I'm I asked to ask her. There is what changed my life.

When I started I began in the time, no they were in the thing. I made

a little that I'm a little my mom after having had been some of the copas

he's he said, well, no, you know, you're the father of your

father, a little but if my my abuel is too

I know to tell this this narrator I I'm

I I'm 41 years but But, since I Nassie, my

abel was in the manicomio. He was when I had a year, but was

a person with the person with my time. We've went to visitar.

And it was all. The Lord was was lost. Never never

had put to do a thing, so so if my

abel had had even he was never had been never

never put to say, I said, I'm said,

I'm two questions. My Abuelo, how did the house that's to do the

about? And the other houses, what? I said to ask to them to ask us some of them.

All the houses were my abuel. My abuel was a man, my abelado. And then

I was and said, what we said, what we're doing to do this? And then he was made, he's been

the fear. He was been trying to ask you, when they said when the boy, he, the

Abelelel, No, the abhorred The abhorred, the primus more grand, those who did they get to know, but here there's a question.

Very little time. Because for when I was he had had been more to 10 years to have had been

the conciences. He had had been the chabeta. The point is that they got to a couple of

years, and in that part of years that if they took some there were there still

still there were about there about a time that was that was

to that was very decided He was a genius of the construction. This man, resulta, that he was working

and these points that are a return. He was a specialist. He paid incredibly well.

He was a contractist external and had various new things. As he was in the thing of the

construction, to do this house, not was that he was he was he did this because he

had a certain architecture, because he was a family. And the family just was all the

and it was not of the lus, and it was a way in the way, to get a point, he was just a preoccupied, and yeah no had to be able to beck, I'll say to, it's five tios, five mansions, and this manned, and this man, and he had been gasted all.

Everything. The only that were in the casas, but I stilled with the doubt, if my abuel, he'd even, and it was so fargene, what he was. And this is the story that changed my life. result that my

abuel in those constructions of carreterer and the he had a certain peculiarity he was a

kind of you can't imagine very precise a type very quadrado and there things that

he was a very they were a super observator and the detail

that he he not he not he was to put to put he he observed

he was he was he was he was he was he was observable, very important,

I'm very iconic, that's it was going to be a name of the point. And I'm

the point of the maranjos, you can imagine for you, the point of

you can't imagine, because the point, the point, the point, the point, he was

always, he was always, that the points had a number of something, that the

people, the moment of them, they were incredibly good, and that his

contracts went advancing until the project the Pouente of the Poueto

that's no one he, because no he put it put it in honor to him and I

me kept to the point of the point of the old that's a good that could

be a lot of that's the story more that I've seen when I'm still a question of certain

things that you don't me I don't think I don't know the idea

of how they're in the other there's there. There's people

people of people that were there circundates to the

construction that they were and they said they they

did they're on the car and not pass for

this area so it just coincidia that he

was the the point he they What what said the

people of around is that it was a one where they were a zone like an

ancestral, and that the rituals not think in things beautiful. They were rituals.

There were many people that were also people who were able to many things and they were

to be not perturbaran the spirits that in some moment governar

the zone. At final the narrator I don't think in

those things I did the rest of my life

to puras questions that are more like this area of compas, ventas, I'm very

practical, but no he has been a thing that has been a bad that I'm

saying my abel is a type that's a thing, he's very,

he's he's a lot of money, he can do get the luxury to

build the house that and these circumstances when they

when they came to get to say that I know

The project is the final to present. And there's where you're the part more toovue.

What was what was what was there? Nobody knows how that's certain.

I'm going to say my version of the history. Because this version are pure

trosos of stories that were telling the family of different fountes.

One says they were they were of the policeia, others they were

of the people that were there of question forrense, some are

saying that also of the hospital psychiatric, that some novatos that were going to

put to the things that and they were in different fragments of the story.

I'll say in my version. It's it's that when they

had advanced to the constructions and they were just

in the part of the point, they they were a zone, they were

a zone desertica, they were done a day to to work at last hours, because the

abelorged to finish the work. Passed on the 12 of the night. The problem was that

was that there was a year of and when you say you'll be you know, you know,

you imagine that's a little. It's like the sky had been had

been a torrent and a water, because, for what I think, the water

was there was really up up the foot, a little

more above of the right. And here, and this is my version, it's my version, it

it's like seen a thing that he was going to get to get to be a creature, a little

because all they were to get out. They were the people, the people said that were what

the were the people, that's that's that's that's all the

thing was and then the little, he said, this is a crocodile until

that they saw that that thing she was pared in his patas when

he was pared on his patas it was that so enormous that he started

to cover practically the light that was reflected the light

that you did say exactly how he but what I

imagine is that was that not a person that

was that was that it was it was

it was not in some type of of the of the

stories that they're that's that I'm saying, I'm going don't know they're

not, I'm don't know they're and the he was a whole protocol lighters, lights,

lights, but it was like if she had got a little to get a little

and then they're saying, what are those those eyes. Because it

of the obscurity of that that's a manta dark, they're to be

some like little parpads on one and other side, many, many,

many, many, hundreds and hundreds and people, and then they're the grits of

the grits of the people people asking auxil the

abuel. The day the day the morning because they not

did you did you the report of the people in the base not they

can communicate with they they had they were they

they responded, so that they're, so they're a quadrilla to revisit, and they were my

abelel and they're there, they're in middle of the camp, they were done by

the when they were, and when he was, the eyes, the eyes they're they're

eating, they're that I'm there, no, there's a little there's,

there's it had to be put with a beastia, carnivora, and all the quadrilla with

that he he'd have been clear the because he he got he's he lived

something I don't I'm in that he could have been able to have been to

the normality. Narrator, no see of this history if

exactly that's did the things, because my abel never

he could tell I'm to say to talkos one says

that the examin of the peritos others said the same

investigation that did the police, of the localeons, and others more say that are the

things that they're in the way because a he was he was going his life normal,

in the most normal that he was in this institution psychiatric, and I saw a

a sombra a big, he started to know a start a thing,

the sombra, the sombra, us is covering, we're doing, not they're not coming, and it's

a little the same, the same, the same, and the same, and the same, and the

water, will come, the crocodile, the crocodile, we're we're part of the

same story. It's the thing I never never had ever the opportunity to

talk to do you is that the way, as as it so exactly that's

exactly the fact that I'm the conclusion to the fact I let's the

I'm what I'm what I think my My abuelo not only he was a little,

but that also he was made a lot of and he did he did all the what he

took up to that he generated that he has done, the day of he has done, the

family is destroyed. Only I was the only that after that was history I

did not that did you and the day of today of the house and did you

some the other no no I've got to them. And me have been

because I think that my abel of all my vizue to all without and have

cared. And with that story, family nocturna, we've got to the final

of this fogata of stories. So, tell me for favor,

you get to you got to a final of one or you've to have

a pause. And if you had to a pause, you know, subscribe

and give like and comment me what was the story that you've got to make

a pause and if you could get to get to get to one and my story

favorite and I'm there for favor for far to go and the family

nocturna that every that are the questions that they most

they're that if you want if you want you want to

share so that every every nocturn. One once said this,

you've a very night. And that's good a nice little and we're doing you're doings

a, and we'll be in the Saturday of sunbras.