HABLEMOS DE LO QUE NO EXISTE - 9 Historias de Horror en Morgues y Funerarias | ft. @nomiresporlaventana |EP 159
Episode Date: February 9, 2024Vi al lado del ataúd una entidad oscura, sólo yo y la bruja podíamos verla.Bienvenida Familia Nocturna a un nuevo DUELO DE HISTORIAS de horror en MORGUES y Funerarias con un invitado que me estuvie...ron pidiendo que regresara, el buen Quike Huerta @nomiresporlaventana Quike nos ha acompañado en @HABLEMOSDELOQUENOEXISTE EP 086 Vida después de la vida y EP 131 a esa entidad malévola no le gustó mi bravuconería. El día de hoy les traemos historias de Muerte, Morgues y Funerarias, escucha historias de veladores y taxistas que presenciaron sucesos paranormales inexplicables, entidades aterradoras, sombras y sonidos del más allá.. así que prepárate porque es hora de que @HABLEMOSDELOQUENOEXISTE Si llegaste hasta el final del episodio comenta " #aguantaQuike yo también llegue al final y la historia mas aterradora fue..."Y una vez dicho ésto, te deseo bonita semana y que tengas dulces pesadillasAtentamenteEl Narrador Hablemos de lo que no existe es un canal de youtube con el formato podcast que comenzó en abril del 2022 su primer episodio fue vivo en una casa embrujada en el que una chica narro sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo.Ice Murdock es el conductor o host de este canal durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de este canal , la familia nocturna creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados.La comunidad de este canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando esto tu ya eres miembro de la familia nocturna.. bienvenido El duelo de historias nació el 1 de junio de 2023 en @hablemosdeloquenoexiste y consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora.En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado .
Transcript
Discussion (0)
The day of
today,
we're going to
talk about
about the
morgue
and funeraries.
If you
want to talk
a story
aterrador that
occurred in a
funeraria
after a
years.
Since
that he
came to
there was
something
there was
a dark,
maybe
sinister,
like if you
are in a
place
in the
you should
you need.
It's
me put
the
the
guyina
my
person
that
so
I'm
Welcome to Family Nocturna
to this new episode
of Let Me Ones
to know what
no exist.
The day of
we have
an super-episodio
that you
had been
much much and
I'd
die of
because
were the
and I'm
fascinated
for two
reasons.
The first,
because we
going to
doel of
the stories.
The second
for the
person,
for the
invitation
with the
person,
because I'm
at the
disance
my good
man
Kike Wirtah
Kike.
How is,
my
manor,
content to
return to
this,
my other
house,
the fact that
always I
do much to
to come to
say to all the
family
nocturna
and as
all of the
people,
you know,
they're all
those ventanologists
are very
contentos
of that we
are doing
that we're
to be partiping
together
to all
the family
extra normal
and all
the family
nocturna
a braus
a
question
in
comments
of what
can't
that
we're
We know we're
in the
family
nocturna
they're
they're in
a lot of
communities.
All are
very well
very well
because at
final we're
the community and
for the
community. And for the
people who are
the dynamics
I'm going to
explain
super rapidly.
Kiki and
we, we
we're going to
talk about
about about
death,
morgue,
and funeraries.
And the
stories that
we're we
let us
we're
we're
from the
that we
does the way
to the
that probably
not
you know
you
know we're
going to
get to
get to
get to
the end of
the episode
if you
get to
your
comments and
for the
new ones
I propose
a lot
if you
you know
if you
have time
because
you know
many people
that I
don't me
know
and thanks
to
the trot
the
things
changed
the
thing
when
when you
when you
hear
when
you're
subscribe.
For
so I
say you
do this
channel and
not is
subscribed.
When
you're
the second
story
that you
do the
little
that you
do you
do this
comment
what was
and if
you
get you
get us
to the
episode
now
so
and
once
said
this
I'm
okay
I'm
I'm
I'm
had
I'm
I'm
I'm
I'm
I'm
I'm
I'm
a
Let us.
The people who
are the
people who
know that in
all the
places to
go to the
always there
always there
is a
time. It's a
work of madrugada,
it's a
certain talent and
a certain personality
to support him
and he'll
he knows
all the dims
and dietic
and all the
inisos
of stories of
terror that
you can
imagine.
He's
no
he has
been in
different
places,
from different
places,
houses of
people
rich,
bodegas
abandoned,
places in
those
where they
are
some
containers,
etc.
But
Miguel
says
that only
in a
place
that
really
really
he was
very
very
He came to this
place.
It was the
first day
of the
time.
A little
a child
that was the
person,
to give her
uniform
and to
explain to
the
protocol of
the local,
he said,
he had
opportunity,
before she
were to
to be
to be
to say,
and that
he was
to say,
no,
he was
to do
to do
that was
another
more.
Miguel,
no,
he considered
a type
agraceado
or
did not
Juan.
So,
he
is a
problem and
he was
he was a
he was
a lot of
a good
to be able to
get a
little
so he
was with
a lot of
to talk to
this chica
with a
much,
much, much
that the
when she
was a
little
she was
he said,
let me
tell me
what you
want to be
to be
to say,
we're
to be
a
one of a
part
and he
he says,
look,
not you
don't let
say
to tell
the information
that
me
me did
when I went
to
work
here and
I've done
I'm in
I'm a
real,
that I'm
not a
matter,
but because
the respect.
For all
those that
every
one of
we're
in the
tour nocturn,
in this
place, we
don't the
doones,
the deweons,
the ones,
the ones,
never to
do you know,
we're saying
that never
after the
two,
you get to
the bano
that's abjointed
that's
that's a
Any other day, I don't believe in that.
And he said,
The chick, ah, no, much
thanks.
But,
well, I don't
believe.
And he said,
no, no,
a me
has passed a
thing.
But me
did it.
And me
they're
very firm.
I'm
feeling
to pass your
information,
you know,
you know,
you want to
you know,
he said,
he should be
he'd be
done a case.
But no
I did.
I gotry
very, very
very well,
my job
and I
started
to do this
roundas
inside and
out of
the
place.
In this
place
was a
not a
bellator
because it
was a
guardia
of security
without
a
I'm
to be
to get
to get
to get to
some
these
these
and
but
me
pay them
they
were
good
that
a
good
a
very good
so
it's
not
it's
not
a
climate
I'm
there
there
was
a
lot of
in the
certain
times
for
certain
descanos, then
it was perfect.
At the day of
day of
I repent to
not have
done to have
this
child.
I said
because
at the
one of the
morning,
I'm at
the
the place
on the
place where
is just
that
and I
heard
a
door and
a
door.
Only
we're
just
we're
just
there
was a
the
time of
certain
cameras
of
security
that
normally
not
was
I suppose that
he was he
but it
I made
because five
minutes
before I've
seen in the
quarter of
the cameras
so it's not
it's not
much
sense
to hear
in this
bano more
because
there's
a man
so that's
so I
met I
to see
at the
final
I
see
to confrontate
these
situations
so
for me
no
no
with
I'm
not
not
to
get to
I
not
put
to
I'm
I'm
clearly in one of the
retretes, the
door's
and two
the end of the
piece of the
person that was there.
It was a
very vestida. It was a
trage,
what was
being.
And then
toso,
waiting
that there was
a person
no respond.
I'm
I'm gonna
I'm gonna
two
and I'm
not it's
time to
who is
what is you?
What is
here?
He's
he's got
dormied in
a
And I'm going to
talk with more
authority and
enojated,
because who
knows that
person?
And then
in front of me
if in that
instant, the
door was
and the
bathroom was
and the
bad I'm
I'm
I'm
I'm
I'm
I'm
I'm
he's not
no no
feet and
he said
he's
he's up
up
up the
door of
the
door to
the bayon
the door
was closed
to move
If you know, the door never
never was open.
There no
nobody.
I sawpatic
little black
and I saw
those pantalones
clear.
Well,
no,
I can't
say that I
asked me
because no me
so it
was very
rare.
If I
soresalted,
me
surprised me
surprised.
When
I go
going to
go and
it's
there's
where the
door of
the
door of
the
door to
be
back to
I
don't know
to be
to
see a
someone in the
back
a
centimeter
like if
me
I'm just
I'm just
I'm
going to be
and I'm
and I'm
sitting here
where I'm
seeing here
and I'm
a
and I'm
and I'm
and I'm
and I
see the
and I
see the
I'm at
and I'm
and I'm
and I'm
I'm just
I'm
that I'm
a little
almost
a little bit
a person of
a man
and that
was there
to
And he said,
I never
had
lived a
so
in the
morning
with a
time,
I'm
the same
I'm
never used
to be the
uniform
no
I'm
back,
I'm
back.
Yeah,
I'm
job,
but that
type of
things
never
never
ever
in
this
case
there
there,
there
there
a person
a
one
one lady
she
she
has
a
the
activities
of
the
and very
very
very
very
very
very
of
the
year
with
many
years
and
there
a
time
a
one
a
one
a
way
mysterious
and
and
at
a
certain
point
and
the
extraordinary
and
the
esot
a
kind
of
a
kind
of
modern
Do
O'
Elie
well
in
his
work
was
to
be
always
with all the
person
very
a person a
very
alex and it's a
very
and in the
activities that
he
the limpeas
attendia
a pair of
places
in a manner
simultaneously
as a
custom
many times
in this
type of
work
one of
these
was a
one of
a funeraria
in this
funeraria
yeah
was
said
that the
rotation
of
personal
was
only
the person
attending and
there was a
other that was
what we know
in the region
as a mortero
no see how they
say they're
in their
people,
but it's the
person that
the person that
the
preparation of
the
that was that
the work
between various
funeraries.
So really
there was a
receptionist
that said
that's
also,
then into
of his
encomiendas
was to
be a
belator,
to be
the limpeas
and
to live
even in the
funerary
because there
an
an immuble
where they
had the
opportunity to
get to
because it was
of time
complete,
a time
or a
one only
person was
a funeral
a little
in this
in this
and come
of people
in one of
the
one of the
one of
the
one of
she offers to
do
this
department
that
there
was
in
the
edifico
to
keep to
live there
not
really great
science,
it was to
attenderla
and live
and then
to be
the need to
the need to
the
thing the
she took
consideration
because
at the
final
was a
work
where you
not going to
have to
go to
go to
house in
officeina
in
officeina
with
one
one
one
to
get to
to
get to
to
her
was mother
solterra.
And he
was made
a two
machetees
one approximately
of 10
years and
another of
a little
to be able to
doce,
you know,
at
final,
well,
accept the
conditions the
daughter of
the
funeral and
he has
the
the end
the
official
to do
she,
and it
was a
place.
It was
a
place with
she was
she was
familiarized
because
during
the
last
years,
I've
had made
have encountered who
who
were working
yeah
in this
Lue.
I think
we've
had the
opportunity,
for the
least to
see how
these
these
get a
get a
little
a
rare
also,
too
also
a temorizant
because
at the
final is
an
experience
the
the
murder
to
something
to
almost
we're
we're
we're
almost
this
is
It's also
of the
life
for this
family,
for these
littleits
that
even,
you know,
even,
even,
these
cages of
the ultimate
destiny
for the
world.
Everything
everything
all
seemed to
do
a night,
she
one night,
Do Nia
starts
to know
that his
little
his little
he,
he,
he,
he had
various
nights
pidient
a
water.
She noticed that the
Chiquio
was a
little and he
said,
she was set.
She was
she was
the water and
when I
was there
was a
again.
He was a
back to the
water
at the
the camera of
this
little bit
in suburro
and
then the
other day
the
naturally
the water
yeah
had been
been
the
had been
the
little bit of
the
madrug. And this
is started to
practically
all the
nights of a
time until
the day in
that Do Neli
and he said,
hey,
do you,
do you,
do you need a
favor,
papito.
I need
to use
my hours
of the
because I
am I
get to be
very temprano
and a
sometimes I
have to
be in
well,
for if
someone
get to
come to
come to
get a
work
before you
do you do
you're
so you
doormas
for
that you
doormas
the night's. To what the
little bit of
he says,
Moma is that I
don't you
do I'm going
in the
night's.
And the
sirs
oh,
I'm
sure you know,
you know,
you're not
you're
done.
And,
well,
whoever
had
had to
there,
but coincident
the
night that
they're
in this
conversation,
will be
to hear
this
senior
the
petition in
the
madru
the
mom,
I'm
set
in that
moment
like all
the
night she
she's
she
but in
this
occasion
yeah
trying
to reprend
to her
new
to the
to do
you know
you
don't you
do
do
domety
no
she
she
and she
and
try to
to
try to
to
try to
go
to
she
she
she
she
she
she
she
she
she
the
person also
the
brother
who is the
he's the
he's the
he's the
he said
you know
my mom
that's
you're going to
get a
way
and doormets
because
you're
you
both
both
both
both
they're
to
get
the
second
time
mom
I
have
the
same
voice
infant
but
in
this
moment
this
this
man
he
he
he
sit and
he
said,
Moma,
I
don't
you know
I'm
I'm
there's
the
real
a
man
my
person
unexplicable
where
has
this
voice.
There
are
some
many
and
inexplicable
and
in
the
families
a
a
many
there
are
such
there
when
when
when
Magali me
made a story
in the
story in the
story in
that I'm
that
in the
family
there was
a
young,
much young,
Magali
had 15
years when
occurred
that she
had a
three,
and that
she had
a
age
fellesio
but
had a
particular
this
she was
a
person
from
from
his
form
to
form of
and
was
a
person
that was
a
form a
This tia
had a
Fama
to be a
fact,
a reason
of that
his
women's
not the
not really
trying to
always
always
a
distance.
This
she had
three
and his
children,
the
most
grand
around
the age
of the
age of
Magali
more
points
more
more,
the
point is
that
his
kids
had
a
good
but
for
all
for
a
surprise
that
that
fall
that
young.
No, no
any
a new
infirmative.
Nobody
was ever
to occur
this
type of
situation.
Simply one
a day
they were
the
bad news
and it's
a little
atypical.
Very atypick
for different
reasons.
The first
is that
the family
not
tallied.
No,
they were
much
relation with
her.
Really
they were
more
respect,
MED
and re-comy
and prefer
not know
to know
much of
then.
So,
lehous
to
get to
get to
don't
don't
they were
so they're
very
they're
like if
someone
that's
not they're
not
there's
so
that's
that
the family
were
culpable
and what
provoked
that
a silence
sepulcral
during
the
entire
almost
nobody
was
not
in the
miras
where
ones
were
like
the
there's
not like
we're
not we
are
so
the part to
some
we're
so
so
it was an
an
an
an ambient
very
very
atypical
but
there was
a factor
extra
that he
was
a
apit
the
amissed
of the
tia
puros
subjects
of
vestid
in
many
eccentric
men
and
women
were
in
questions
of
esoterism
and
see
all
the
lus
from
the
way
in
the
form
in the
people
that were
that were
that
were
different
different
types
things
that
had
Mied
people
that
were like
that they
were
a lot of
Riser
characters
that's
so
about a
so
so my
Malalry
recalls
this
like a
little
she was
very
introvert
and then
he was
a
little
but there
was a
thing
was
a
time.
And is that
in the
bellorio
in
that
funeraria
there
there
a
figure
at
a
side of
the
at
the
was
a
kind of
a
color
gris
that
had
a
mirada
very
severe and
she
noticed that
no he
never was
she was
because
nobody
he was
there
was a
very
very
amatible
but
Magali
was
introvertid
and the
introvertido
know
do very
do
things
disappear
invisible
and
be invisible and
put
to get
in a
place
so
then
nobody
so
she
could
disviar
the
mind
and
reooo
he
and
that
figure
She was
like trying to see
someone that's
trying to see
that's
a woman
light, gris
that was there
was a girl
in a girl
super rarer in
that nobody
wanted to be
a little
people there
and strange
was a
was a
time.
Those moments
for her
are they
were in
eternal and
never had
had been
a relation
with her
then
then just
she had
to go
to her
and
there
there
there
a woman
all
vestida of
black
full of collars and
pulseries
and he's
going to
a pass on a
minute and
she can't
that she
can't percibi
a woman
on the
cause.
Because she
he gets
looking fissomente
and he
and he's
she's
she's
she's a
moment that in the
moment
there was a
feeling
of her
she was
simply
she was
he was
out of
the place
without
that
nobody's
didn't
get a
count,
it's
all the
time in the
passio,
it was
that nobody
he had
been a
know,
he said,
it's
when I
had been
15 years.
The day
of the
day of
I've
never been
to be in
a funeral
because
that thing
was a
not was
human
I'm sure.
In
these
places
are things
very
strange.
The
simple
effect
to
confront us
with
the
thing
all
that all
in
some
moment
we
get
to
MEDE.
Sin
However, the
form in what
this
is the
that's
the way of
our
story.
It was
a morning
like
any way
when
Gabriel
he
got to
he
was a
carriette
took a
little
his little
his
in brasos
to
get to
the
door to
the
primary
where
he was
the
first
well
this
without this
without
this
something
very
extrano
I would
go to
pass
in that
morning.
One
a
one of
the
school
and a
time
had been
the
opportunity
to
open
the
door
to
the
little
to
get
to
get
to
get
to
a
little
a
car
a
car
a
car
and
they
were
they
and
the
pass
and
and
opening
a
fire
against
a
person
in
repeated
occasions
and
the
life
in the
moment
and
the
eyes
atonit
of
the
people
and
the
people
and
this
this
this
is
the
beginning is the
beginning
is the
first
that I
want to
I
know
the
protocols
for
this
type
of
situations
and
that
The family to recog her to this
desafortuna
little,
the body
was transferred
to the
service for
ense,
as the
rigor for this
type of
situation.
My
my friend
Jorge,
who is
medical forense
and that
does classes
in some
universities in
the
state of
Veracru
and some
the
other
that he
has to
me
and
he
about this
story
and
he's
to do
the
procedures
necessary
and he
detect a
that's
that strangely
the
the
body of
Gabriel
begins
to
get to
the commisura
of the
eyes
this
this
surely
people
who
know
they're
that
is to
certain
point
natural
the
secretions
the
the
the body
will
continue
expidying
much
time
after
after
after
has been
a
bad
and this
not it
would be
the
attention
to
not
not
that
while
while
the
the
the
the
and
he
was
to be
accompanied
for
what
was
a
a
semblance
of
a
person
my
my
friend
my
doctor
he
a
one
of
his
and he says,
maybe
it's just
my imagination.
You know,
you know,
I'm a
person totally
septic
to this
type of
things.
But this
what's
what's
happening
is capa
of any
question
medical,
or for
no less
any
explanation
that I
could
give you
this.
Invita
a
company
and he
he said
effectively
I know what
was a
sort of a
sort of
a special
but
certainly
so they're
and that was
the form
that was
taking
a little
a little
the rostro
a person
in that
condition
but a
rostro
a certain
point fruncid
and
notable
that there
there had
a
accumulation
of the
liquid
in the
mess
mortuaria
that
provenia effectively
of what
it was
some
some of the
last time
that were
constantly
for the
eyes
of this
person
and a
minute.
Inmediatimitably
well,
the only
that the
thing is
to start a
kind of
one
from a
way,
from their
faith,
from the
time
in that
the
family
of this
person
they're
to the
place
to recognize
the
and also
the funeral
is present
also to
give this
moment
of this
moment of
a
in the
family
the first
the
first
when they
when they're
one of
his
brothers
is
these
lachrimas
in the
eyes
he
he comes
with
the
view
of
the
and
And,
of
all the
all
what
he made
a moment
so
difficult
like this
there
appears
a
woman
that was
the
mother
of
Gabriel
and
he says
he
he not
in
peace
he
needs
to
see a
he
he no
know
he
has
transcendid
still
all
all
was
very
very
very
very
very
very
and in
a great controversy
they're
to bring to
a little
that was a
little bit more
my esteemate
a narrator
with just
seven years
you know
you know
you're
you know
you know
you know
but
the mother
accede
they make
to enter
to the
little
and
the eyes
atonit
of these
medical
men
of science
see how these
Cessan
This
Cuerp.
This body inert there in the
Plancho Morotia
and he'll
die to
Jorar.
What
What is
a
despedida
of the
most crudas
but
over all
Summante
extrana
because
they're
to presential
what
it seems
a
partica
between
this
little
of seven
years
and
who in
in
life
were to
his
father.
Emitting
the
words,
not you
don't
you
don't
you're
not
he's
he's
he would
ask you
he
did he
and
she
and she
said
the
mom
of
my
and
and
they
got
and
they're
like
this
the
world
would
have
a
voice
that
another
more
could
hear
that
the
person
that
the
to be responding to the
question of
who you
took in the
school?
The
the little
she was
my mom
she was
she was
she was
she was
a much
too too
and I
want
that was
the
conversation
final
full of
love
of this
this
a
way
a
way
that's
really
he left
the
a
little
the people
when
you
you have
taken
your
own
your own
your own
a moment
in the
you can
you can
do you
do it
not necessarily
is to
do what
you
do you
do
do it.
It's
a sacrifice
is to
do a
part of
you
is to
do
an
effort
he
discovered
that
he
has
a
don
and
a
maldition
that
are
related
with
a
court
of
a
funeral
that
that
to him, he causes
terror, but
also peace.
He has
a very
strange that's
been going
since the
past 20
years.
He said that
he was a
kid more,
a little
more,
like a
school,
like all the
other,
he has a
brother,
and has
his
papas,
a family
conventional,
a
workado
and a
good relationship.
In moments,
obviously,
those
enojojo
his arrebatos, but
nothing
out of the
normal.
And one
day,
for a
aster's
of the
his father
had to
go to
go to
work
to a
funeral
and they
entered
to the
the
hall
and he
saw
and he
sawmoh and
this
salon
so he
made
a
very
a mative.
it
was a
lot of
a
front
rogous
was a
something
was a
something
was a
very anxiously.
It was more
well,
it was a
kind of a
little bit more
he was a
little bit more
he was a
little
he was
a second.
At the
end there
was a pair
of sydios
and yeah
two vellas
there
there
no
there was
no
there was
simply
like a
salon
that was
there
well
there
and
they're
going to
do
things very
in the world nirico.
He's going to
and being
and being
he's done
the moment,
he's done
that's a
but this salon
now is a
only.
And this salon
is exactly
the same
it's a
little more
little more
has a
little bit of
a flora
roger
and there
there's like
some
there's
but
now not
it's
there's
there's
five attaudes
with
the
door
and
every one
of the
attaudes
is a
stant
delgado and
a little
a bell
they're all right. It's a
thing. It's
that cross
is in
my
abolito
I've
seen in the
cell
not it's
a dream
of a
not a
soo
because it's
a little
a
place that's a
good
simply
when
it's
when it
he's
never
that's
images
the
place
right
the
tautos
these
cajas
the
madera
that in
this
time
didn't
even
I
didn't
even
belles that I had
seen in different
rituals and in the
house and
he knows certain
things, no
has the names
exact, but what
is she knows and
he has clear
is the cross
of the mother of
his old.
That end of
the time of
he was to go
to go and
he was the
same and she
there was.
He was
called to
where she
was always.
Yeah.
It was
that was
something he
had a
same thing
where they
were in
those
cajas
and
there was
the
the abo
fallacy
the
way
a moment
he
he was
impacted
when he
got to
the belorio
because he
was
he gets
to get a
taut
that no
he was
the
dream
or not in the
other
or the
boyal
and he
he's
he said
that
that's
the
he was
that
he was
he
and the
he's
felt
he
was
like
maybe
I
maybe I
know
that
maybe I
was
he
was
maybe
a
day,
like
any
at the
moment of
to go to
go to
get to
get to
his eyes
into the
mind,
because he
is done
and he's
another
other way,
in this
fourth
rogo,
of the
wall of
reds and
that's
these
curtains.
There are
the
first,
in the
first,
in the
first,
is the
rest
are
there's
there
there's
that
there's
something,
in the
second,
there
there
and it
and
see a
a
cinti,
a
a little
of tela
longed
color
and it's
there's a
and it's a
no,
no, it's
a piece of
a little
that's
a little.
It's
a little
and it's
so real.
It's a
place so
real that
that's a
different
that's
totally different.
But
no has
no, it's
something
for it.
It's
something
that's
he's
two
months
after.
A
Saturday,
one of
the
the time
more
terrible
that
received
his
family
he
has a
he wants
really
the
Tia
Coco
the
Tio
Luis
and
his
his
Prima
Alejandra
for
put
a
name
they
they
did
a
car
because
Alexander
went
a
competition
of
dance
and
Alexandra
passed
a
better
in
the
photographs
that
after
he
had
much
he
had
a
a scintilla
Rosa
to grab
her
hair to
the instant
was the
one of the
moment.
And he
in that
he was in the
moment
he came
to be a
intuition
that's
they're
saying to
tell you
get a
10 and 13
year
no
I was
never
never
opened
the
thing
he was
there
was
something
was a
but
when
when
he
one
night
more
another
in
that
place. Quartre rojo,
the front of
the front of the curtains.
There are two atautees
that are set upheldes
that are open, but
now something it's
just in the middle
of two.
And he's
and it's
and in the
two atoves
in each one
there's lends.
And he
he'll recognize
the instant.
Tia Koko
and my
Tio are
those lends.
In that
instant
something
something,
something,
something
a child and
now is
an adult
and
he's
going to
go to
do.
No, no,
there's
a form in the
kind of a
very strange
because for
many people
that have
some don
always are
this question
of culpability
of what
to do you
have to
say,
Arturo
is he
went to
another
line and
he said,
I'm
I'm
going to
try
he
and he
He was
He was
And a part of
He was put
Like a mission
Even when
No, I'm
He said,
and at his
20 years
He was focused
in questions
to terminate
studies and
start to
give the time
to be the time
to be a
time to be
a time
Tia, how
you're doing?
T'O.
Louis, how
you have
been,
let's try
something to
do this
let us
let us this
other.
This,
what,
what,
what happened,
in the
2019,
this
June of
2020 pandemic
the families
are all
confined.
Teacoco,
Tio Louis
have time
be ablehandoes
to all right
in the last
year and receive
a call
the end of
the end of
a little
severe.
Arturo
knows perfectly
what will
be going to
and in
that
not they
want to
not they want
to altering
not they
no has
no has
no has
He,
he said,
Tio,
that's,
that's,
that's,
that's,
that's,
let me,
let me
to say,
to you and
me,
I'm,
I'm,
to do you,
and I'm,
the
situation,
the
man, the
man,
he says,
hey,
my
he,
I'm
want to
want to
to say,
I'm,
from,
since that's
your
prima,
to us,
we,
we,
we,
we,
we,
we,
we,
this last year,
you've
your second
son,
you've been our
second
opportunity.
Two days
after the
family was in
a reunion
virtual,
making a funeral
for the
two years that
had
had taken to
this
terrible.
Arturo,
the day of
today to
me says,
at day
of today,
I don't
have
yet I'm
going to
see this
place.
Keda
one.
I suppose
that's
some member
of my
family
for what
has
been
but even
that's
not
I do
thanks to
the
life
that
this
for me
what has
been the
opportunity
to understand
that
there's
a moment
to value.
But
also
I'm
thank you
this
opportunity
to
reconcile
to
make
to
make
me
that
I'm
that
the
same
life
we
can
put
in
alert
and
it
and
it
says
when
the
final
is close. The moment
is going to get. It's like
that history
where an heque
Arabi had a mozo and the
mozo gets and he says
Maestro, I've had a
a dream, my
sir, where
I sawed the murder and me
was fissioned and was very real. I
would be sure that I was
desperate. Me
mirabahed so fichament that I was
sure that was that was sure
that was for me in that moment
and I want to
I need.
I need to
you need to
me des a
cabo and
some cabo and
some years
while this
past.
So the
heke
accede
hecett
and he
and some
denarios and
he's going to
that same
night
while
he was
his insomio
for the
palaceo
the heke
heke is
he gets
to top
with the
and he
has been
for me,
no?
And he says,
then respondem
this.
My mozo
me has
paid him
some denarios and
a cabo
because he
has been
for him.
He was
surprised and
he said
that your
mind was
to surprise
too.
To the
the
murder
he said,
and the
truth is
that I
surprised
because I
had
I planned
to
find me
with him
but
until
three days
in Syria.
are things that
are going to
we're trying
that the
death is
so in
this is
so we
know we
know this
we're
many people
there's
some
some people
that me
they're
that one of
they're
a conductor
of these
cars
of the
funeraries
a carosa
he is
the
chauffeur
of
the
base of this vehicle.
You can't
you imagine
the quantity of
stories.
Of actually,
he is
who's who
he's who
I've got to
talk about
this.
As that
has,
he'll
definitely of
things to
talk to
but
none, but
none,
but
none, but
my
esteemate
narrator.
In one
of the
work to
the
he had
to be
to
of
to
passer
for
a little
time a
a
family
to he
had a
great
cario.
This
family
were two
brothers,
those
which one
one,
unfortunately
had
transcended
and
after
a
part of
a
mother
his
his
his
his
a
he
he
he
had with
the
they
The
minor of
the
other of the
other
he
was the
he was
he
he's
he's
he's
he's
he's
he
because
this person
fell
a base
a
cause of a
cause
he's
he's
a car
to get the
preysions
and you
yeah
list
he
in so
in so
the
funeral
where
they were
to belar
in
this
place
um
to his
a his
friend
he
well
as to
have to
do you
to be
to be
to be
to be
a
night and
they're
a
a end
a
end
a
more
a
madrugada
all
all
they
all
they're
in silence
and
what
what
is
something is
something
that
nobody
is
that
this
conductor
of
carross, this
amiguercano
starts
to cry
to a
way
a lot of
a
biggerrador.
At the
harded,
but desgarrador.
I'd
try to
maintain it
there,
but
no it
he's
that you
got
going to
more and
more
and more
further
and with
much
sentiment
cargated
of
a
trust
profound.
What
not
didn't
the
people
that
still
were
still
in the
place
because
a
past
of the
actually
they're
people
they're
very
it's
like
like if
he
had
had
had
had
a
a
person
much
more
more
more
he
he
was
he
saying
they
like
he
a
father
or
a
mother
or
even
a
a
one
a
a
his
young.
He's a
little
and he
says,
oh,
Jorge,
tranquill,
no is
the place.
What is the
place?
They're
in a
abrass
in that
moment,
an
a brazo
almost
like,
as a
brother.
Acto
and
the eyes
autonitos
of the
people that
were
in that
bellorio
and
to
come
to
directly
to the
biode
the
duke.
In
that moment
he
he's
he takes
of
his
right
and he
he's
he's
a
pardon
pardon
you
am
rapidly
they
they're
they're
and they
he
he
he knows
in the
mirate
in the
mind of this
man
a
very
familiar
he
he
he
he
together
They're
to
walk to
the
at the
at a
time.
In that
moment
is sum
to the
brother
they're
they
are in
the
eyes
incredulos
of them
three
it
seems
as
as
as
a
story
of
the
most
ten
ten
the
atou
was
the
they were
that for
some
instant
it was there
there
in a bris
a rar
of eyes
it was
a person
the
the body
in the
and this
this friend
he was
it was
something
that never
was
but
to say
of this
this
child
that me
he's
to
to all
that
all
that was
the
moment
of the
this
if
me
permit is, I want to tell you
a story
aterrador that
occurred in a
funeral area
a few years.
Alicia.
It's a
child that
has worked in
four funeraries.
No is
that he
used that
type of
work,
but for
circumstances of
the
life,
it was
a couple of
years,
that he
gave experience,
and he
offered
a job in
other with
a major
suelel
and socessively.
She
mentioned
that if
there are
many
people
that
they're
ideas in
these
places.
Apart,
are
not in
many
emotions.
If
not know
if it's
the structure
physical
of the
person or
the person
with the
people who
can live
because
at the
final
always
you're
in
a
tragedy.
But she
comment
that she
she's
septica
if
existian
ruditos
if
existed
there
was
there
was
me made
a
person
and
the
person
always
never
never
I said but no
it's
but it
I'm
about to
get a
and
it's
but in
the last
funeral
that I'm
there was
a
so I'm
that
was a
terrible
I
think
if
would
be
I
don't
work
to
work
in this
in the
funeral
in the
funeral
in the
car
there's
there
there
so
there
is very
normally are families
grandes or families
medianas? If are
great, then is because
they're all right
to help to bellowed a person
there. If they're
a lot of level
acquisitive, but it's rarestim.
It's rarestim that
are families very
chiquitas.
Because, for the cost,
no, not.
No, it's
no function.
One day,
one of the
salas,
for a situation
of the maintenance
we had two
to the
abirtas.
In the
cell
principal,
the most
grand,
they've
tried to
a little
to a
an atahut
in the
the whole
was the
person and
we were
the family
that was
the second
were not
a few
some
people of
a person
and that
you know
that the
person
had lived
well,
because
notas
those
ambience
where
there's
those
emotions
of
people
you're just saying
like,
yeah,
it's a
kind of,
yeah,
it's in
it's in
it's a
time, it's
it's like a
thing that's
that I'm saying
that's a
thing,
because it
was a
very rare,
the world,
very rarrow,
very
very pesado,
like if
were the
those, the
three salons
at the
last time,
that I
get to
live many,
many years,
in situations
inesperas
and things
that preferier
not,
and I
never even
never,
and
that's
that day,
no,
that day
I,
it was
I was going to be
that day,
was it
was a
person who was
a better
life
after having
been a
other
simply
had been a
person
not had
got to the
family.
I was
my
chief and he
said,
hey,
I'm
that's
strange,
because I'm
not
I don't have
the
no idea.
Who was
the person
that
termed
for the
time of
the time
on the
last
the time
we're not
we're
not the
we'll
let us
let me
and to charge me of other
assuances.
At the
this,
well, it's
not a
question.
He was
advancing the day
yeah,
of the
way,
and of a
repent,
acercating me
to the
cell of
just to
see me
had escaped
and there
had some
there
was there
I'm
and it's
a pagerate
and it's
me make
very extraio
me met
rapidly,
I'm
I'm a
question
a lot of
respect
enormous
if
the
family
and more
in this
the place that we're cobram most
this,
that get these
type of attentiones
as a minute,
when I'm trying to
turn it,
it's very
strange.
I'm trying to
turn to put it
and I'm
the switch,
and I
go and I
go and I
never had
failed.
And of a
sudden a
great moment,
a great
that came to
the atou
the top of the
light
and the light
and the
says, no,
no,
it's my
second,
I'm going to
the
I'm
I'm
I put
At the
final I'm
the
general I'm
I'm a
because I'm
the image
so I'm
so I'm
so I'm
so I'm
to talk about
to talk to
the intendent
and he
said,
oh yeah,
they're doing
they're
and he says
no, no,
because
so it
and I'm
and I said
if you
see if it
doesn't
really
and I'm
and I'm
I'm
don't know
we're
to be
there's
there's
not
just a
that's
not make the
the lights
the
with the emergency or
you see,
revisa,
but right
that gets to
the family,
that all the
whole is a
minute hour,
when this
type,
when he's
coming and where
he's going to,
I'm going to
this cell
to be the
cell of the
cell of
so I
thought we,
we're doing
the family
that was there
and we're
we're still
we're
waiting
the family
that no
and then
then I
see a moment
opportune
and I go
and I'm
I'm asking
that, I'm
they're in
a certain
court
of the
maintenance
where we
we have things
guarded
and I'm
going to
and where
I'm
the type
in a
corner of a
little bit of
and they're
just putting
with the
piece in the
piece in the
piece of
all anxious
and the
mind that's
all over
and I'm
going to
go to the
other side
and I'm
what you
what
you're saying
no no
so
no,
it's so
it's
happened
what happened
it's
it's a
rare
it's
something
it's
a lot
you up
you
You're
part of the
team.
What's
what?
You said
there's
there's
there
there's
there.
There's
there.
In the
salon
that's in the
taud.
There's
a little
and say,
me,
is that I
am I'm
and when
me
was a
man
gray
in the
bank of
a mero
atras
without a
manor
without a
man of
a
man of
a
very rare
that I
never
never
had seen
some
some
pink
little
black, a vestigeon, a suit.
But rare,
a vestal that
a newstead
who's used
here,
I've seen
never seen
nobody.
I've seen
a little.
But the
little,
me made
to feel like
a lot of,
I'm seeing
the same
the way
back of the
white,
a white,
like grisaceia,
rarro,
rarro.
So,
I'm a
backed and
he's,
and where I
went,
and the cell
was a
backia,
I said,
no,
the shing-
that's this?
I said,
no,
I don't know,
I don't know,
but it's
It's rare
that
cell.
I don't
go to
go to
that.
He said,
at the
final,
I'm the
head and I
don't have
many people
that's
not a
car,
so we're
to be
the car,
then I'm
and at
final,
and at
professional,
I'm
I'm
to put in the
house,
where this taut
only,
the cell
only the
cell is
just being
to be able,
we're doing,
we're doing
the family,
no
there's
not there
doesn't
any
message,
we're going to
the people
of the day
earlier and nothing
Don Juan
is aterrower
in the
environment
is a certain
and say
I'm just
I'm just
I'm just
it's just
it's weird
it's strange
at the
final
the time
the time
the night
and then
and I'm
Mike
oh yeah
what you
why don't
me
because no
me
you know
I'm
you know
it's
put the
and not
so it's
it's
it's rare
how
that's rare
for the
night
passed
when
us
Trajero
the
person
not the
what happened
what's the
he said
there was
we know
we know
we're in
things
and they're
they're
talking about
voices
and said
what never
in the
life
has passed
and it
there's
there
there's
talking
and that
this way
was this
was there
was in things
in the
dark
or was
I'm
was getting
to
what
this
never
so it
and
so it
so
no
so
it's
I'm in the center,
all the
time,
it was a
place.
Not more
we're in
you and Alberto.
And if you
had you
have a person
at the same
time, no,
we're going to
we're doing the
door.
It's all the
night I've
been having
pesadies,
no,
I'm doing,
I'm
really, I'm
really,
and the
friday, and
the data,
and the
family,
I don't know
where I'm,
I don't know
where I'm,
I'm here,
but,
but net,
pager in the
light,
they're not,
they're
they're in the
quarter.
What
what I
was what
was what I
was super
spantada
was that when
me did you
go to
go to the
and I'm going to
the house and
now see.
If you get to
get us to
work because
me is affecting
to all my
people.
I'm going
to this
cell of
bellation.
The
light is
apaged
other way
that nobody
should be
to be
the
And,
and above of the taug
is a
something
that has
like the
form of a
person,
but emitting
a type of
light very
very little
and like
to see
to see a
and the
person
that's there.
No,
I said,
no,
me said,
I'm out of
out of
to get out
to get
a cigar.
I
went to
I'm not
I'm
so.
At the
time
he was
a
family
and
he did
the
I
said,
I
know that
you just
They didn't know what was
Because
they did
For they're
For they're
They're getting
To a little
A little
A little
People
Rara,
people with
Mirate
people with
People who
I'm
I'm
And so
I'm
So I
Never
To live
So
I'm
So I
Goh
I'm
I'm
Gross
with that
It's
It's
Feeo
Yeah
Yeah
Yeah
Yeah
And
I
I think
I'm
I'm
I'm
I
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No,
without,
to talk about the
story.
This is one of the
stories
that probably
anybody would
say,
is a story
fantasiosa.
But
is something
that's a
person
all-
a-y-
in the
city where I
last.
We had
a friend
in common,
a friend
very
that
he
had a
battle
a battle
a
great
that he
akega
a
people
with the
that's
we
that we're
we're
we're
we're
we're
and
also
we
had a
good
particular
for the
music
but
in
however
well
as
as
in
all
the
stories
that
we
have
done
and
that
have
been
with
these
places,
the morgues
and the
funeraries
in,
all the
final we
will
to talk
some day
that
that
he's
unfortunately
he
did that
that
battle
and one
of the
experiences
Cesar
family
noctur
more
more
the
more
that I
have
lived
is
that
that
that
that
that
I
I receive a
call of the group of
of the people of one
in particular and me
they say,
Kike,
it'ser
that for
favor you can
come to
in the
panteon
we're going
to sepultar
to our
friend and
we'd
like you
can't
you can't
as
this
is to
do it
in many
in many
in Mexico
he
is a
custom
to
get a
a
a trio.
There's a
marimba or even
a group,
the band
now in the
case of the
people of
the north,
right?
Cremem
that I
have
to have
to
can't
have
to sing
my minasas
that my
familyars
that have
parted
but this
experience
of can't
in the
Pantion
was the
first
was a
very
very
difficult
very, very difficult.
There were various
friends
that time,
a time
very dura
for his mom
that was a
mother
solterer of
this grand
friend and
and various
friends that
well,
well,
that they had
had been
the pista
and not
they had
seen.
This
context,
I'll
talk to
because
was a
question
because
time
after
just
I
was just
I'm
waiting
a taxi
because
me had
been asked
a
music
precisely
of a
person
never more
never more
never
never
and I
think it's
something
that's
that I
I
I'm
I
I'm
he
he
he's
he
he's
a
He was
in
well,
well,
so,
confirm about
I
was a
a
and he
and he
he was
in the
place where I
was in the
stuff to
my
stuff to be
a taxi.
And it
was a
very long
but
the
sufficient
for
to
talk
and the
fact is
he
he took
the
batuta
of the
conversation
and
he
he
he
says,
I don't
know
that this
friend
had
fallen
I'm
saying,
and I
say,
sacam
to a
doubt.
But I
saw a
look at
a
like,
like,
with the
eyes
about,
so much
looking
responses,
no,
like,
with
desperation,
and me
say,
sacam
of a
question,
when
he's
he said,
well,
then it
is that
has that
has to
be
two
men,
I
said,
no,
cabron,
no
it
can
It's not
It can't be
That's what
You can be
It's not
It's not
It's not
I'm
They've been
I'm
I'm still
I'm
What I'm
What's
What's
What's
What's
And
I'm
And I
Fiat
That I
I
I'm
I'm
I'm
I'm
On
a
night
In the
taxi
Yeah
He
He
He
to a
a
he had to
he was in
a lavado
he was,
he goes,
he's got to
he's a
go and I'm
going to
a while
and he's
the way he
does the
parada
for what he
says is that
he was that
I was doing
the water in
the taxi
and looking
services
when this
this friend
me does the
partada
the
the difunto
and then
then I
then I
well I
I was I
I was
I was
I was
his
car
as
very
very
he
he's
he's
he's
he's
he's
he's
he's
he's
he's
what he
what
he's
he said
he's
he's
he's
he's
he's
he
he said
he's
he's
he's
he
he's
I've
a
I'm
a
problem
and
we
we
we
and we
the
really
that
me
I'm
and so that
and so that
that's
that's
I'm
very
very
aguitated
because
because
I'm
not he
I'm
to explain
to get
to get
to say
and he
and they're
talking about
of that
but
then you
say
oh yeah
but
where you
go to
where you
go?
And he
he says
no
look
I'm
here
to he
he does
the
direction
it's
a direction
that
coincide
just
with
with
a funeral
very famous
there in Tuxtepe
and they were
talking about
that's over
that you
I'm saying
I'm
that I'm
paid him
me paid it
he was
he was
I was
I was
I'm
just like
I'm
even even
he didn't
I
didn't even
I
went to
the funerary
to
a
last
I was
I'm
just
I'm
putting
some
chelas
afwara
of my
house
when
when
they're
and they're
and they
say the
difunto
fulano
how
so
he's
cabron
but if
I
do you
I'm
I'm
in a
little
and they
said
no
well
there
was where
it was
where
they
he was
he
he
he has
two
months
more
or
he
he
I
don't
I
don't
I
Cesar, is
a story
that
to the
point in
that I
have to
tell you
what I
tell you
what I
tell you
know,
what he
was a
man,
the taxista
only
he knows
the
scalofriante
that
there.
There are
many
people
that
they're
that
they're
sone
certain
things
is
dangerous
and
Armando
has
a
that's
that
he was
that has
a
a manned
a funeral
a murder
a murder
and the
murderous
he's
quite
he's
he
he said
when he
he had
his
his papa
he
was a
he was
he was
a
give to
a
child
he
was
they were
to
get to
car
carete
a
one
and
they're
going to
runch
and
you're
Montreches,
going
to Poblito
in Pueblito
without
a place
specific to
you want to
do.
It was like
a day of
a new
a relation
more
profound,
of a
time,
and he
and he
and he
after
the first
day,
in the
second,
they were
in the
second,
they're
a hotel
very rite.
These
hoteluchus
of two,
three
pisit,
two,
three,
fashas
that not are
well
are in
in the
nothing and one
you can
ask how they
they're
to make it
to make
the people
who are the
people who
are there
because no
there's
nothing
there's
but they're
a little
and they
decided
and they
and he
Armando
comment that
that
he's
he came
there
there
there
was a
thing
a
kind of
as
as if
not you
just
as
you
don't
you were as
a
like if
there's
a
dark,
maybe
sinister,
like if
you're in
a place
in the
you're
to go
without
without
because the
place,
the place,
at the
but he
was in
the
places that
not are
in places
quite
very little
and in
places
rustic
so
his
and he
and he
does
know
what is
perfectly
tend to
make
to do
some
tendid
to be
in the
middle of the
nada
and
to
the night. So,
it's the
very strange
this sensation,
this emotion
of, oh,
yeah,
there's a
kind of a
little,
when I've
been in the
places in those
that they
say there's
there's a
same sensation,
take care,
you're in
a place
in a place
very
dangerous,
but no
has a
person that
you're a
person that
you're a
person amable,
but of those
people are
a bad
a bad
a bad
a bad
something,
you're
like,
something,
something
something
of something,
he's not,
not,
not is,
he's,
at his 20
at the final
not is,
he's not
a person,
but is a
person,
best in experiences.
The father
is a
very can't
and he
says,
you know,
this place
that this
night,
we're going,
we're going,
we're going,
we're
not here,
we're
not going,
the
bit the
bit of
the
of animals
and if
all is all
we're
we're going to
we're
going to
get to be
Armando
is to
get to
get to
the event
he's
he
he
he
enter in
a
type
of
a
of a
sense
that
that
he's
in the
dream
he's
he's
doing
perfectly
but
you're
very
conscious
and
there
there
there
there
some
some
sensations that
have never in
his
life has
physical.
And it
has been
very
strange.
Sient it
like a
type of
the
kind of
in the
hands on
the
person who
they're
a prisoner
of a
picture
with the
hands
and
and
the
hands
in the
two
of the
and
there is
something
that
has
got
to
a
coat
to
the
and
all
these
can
connect
and
and the area, it obliga to move.
The sensation that has
a level emotional is like if there
in that dream or in that
place in the place in the
place in the physical,
no existies the liberty.
No is free to do anything.
The chain is
hallowing, he no has liberty
of decision, simply in the
dream, it's rare, because
he recognizes totally
that the place in the place
in the place is the door
for the moment's before
to enter to his court,
but now
is going
to the
side and the
the chain
is a
and he was
a little
and he was
a way of
a little
he was a
moment's
before the
times.
He goes to
some
and he's
and he's
going to
run and the
way
not are
not the
time of
normal
are
more
more
long as
they're
quite
they
don't
because he
doesn't
be
he
so
almost if it's
a little
every
pass.
It's pesed
because
those things
is the
feeling the
person.
The best of
the
worst is
that you know
the
idea of
who is
who is
the
cary and
why
he has
to go
to do
get to
his
but his
question
it's
like
if
could
feel
but
the
person
is
in a
play
simply
is
about
it's
he's
he
has
he no
he
has
no
no.
So,
but it's
so
that's
that he
these voices
that we're
in the way
that I'm in
what I'm
doing to do you
know, but
he does
know that
no way
there's a
no way.
No,
there's a
effect.
The body is
a moment.
In the
time,
no know,
knows how
time it
doesn't
know,
but it
a moment
in the
after the
last of the
last of the
last of the
pastio
very
of the dark.
After that
he's down
some
the way down the
way
and it
never came to
get a
little bit of
this place
to look at
this room,
there's a
little bit more.
It's a
light,
you know,
like the
lights,
there,
these tintineos
that's been in
the
the waydes
for that
movement of
the llamas
then so
enter in the
house,
it's a
one
there's a
house, and
there's a
house,
around
of the
taud.
There's
many
vellas of color rojo, color
black,
sydios,
veas
little,
things
chemos in
the walls,
there's
front of the
taud,
there's a
type of
a siento
that seems
like a
tron labrado
in madera
that has
labradas
serpients,
has labrados
scorpions,
has the
faces of
people
that are
that are
suffering and
there are
so there
and the
part of
the part of
madia,
no,
there
there's
all part
of this
structure
of
this structure of
a
extranaverrante and
aterrador
and the cadena
something is
it's not
not able to
not even
to move the
case,
only is just
just being
this
movie and the
body and see
as a
lot of people
that are
a lot of
people who are
doing a
sound very
that they
remember to
a russ
budistas
and these
songs that
some
that one
that
some
some
voices
guturals
very profound but at the
time harmoniosos and there are
some sounds of cures that
sounds the thing more tetric
that I've heard in his life,
more for the ambient in the
and the chain
and the tawyd
and see the taud is
abirt and when
it's a certain
he's got a
one of those
in what
it is a
little
rectangular that
is covering the
rostro
something plain and
when he the
hand is
the
Reconnoce the instant two
things.
The smart watch
that he utilizes
and that
he's got in the
moment in
he went to
do that
he's a
little bit of
a little
deformity.
And there
are the
those are the
where he
that's
that's really
that's
that
he respire
in a
certain
in the
world
in the
world real and
he's
he's
he's
he's
he's
he's
very
very assusated
the
heart
the
at 10% of 1,000 per hour,
is it's
very incommod,
no there's
light,
will God,
who is,
bolt to the smartwatch
and he can
even get to
get it,
the head
has got to
and it's not
and say,
let me go to
go to the
car, what,
what's the
thing,
so this is
a certain,
the sensation,
the head
is so
diffusa,
so diffus,
not can
focus very
the thinking
the things,
are like
if they're
a torbino
of ideas in
the
head and
a sensation
horrible
for
there's
MEDO
MED
in the
place,
MED in the
environment,
the obscurity
askeros
and there
there's a
horrible.
When
he's
the door,
the door
and it's
his papa
and his
papa,
but
embegecated
is
a little.
The
sir,
he was
maltrecho.
No,
he was the
father
that,
maybe
hours
before
he had
left
to be
the
last of the
car,
and
he's
he said,
Papa,
what
he said,
no,
a little
a bad
a bad
I said
I'm
a bad
dream
I'm
go to
go to
get a
bad
I need
I'm
so much
he's
chas
in the
car
when
he
he
has
fear
to
but
no
not
so
not
so
certain
some
some
that
sometimes
he
he
he
smart
watch
not
not
not
not
he
is
in the
car
and
he
doesn't
he
not
night and
want to
talk to
his
father.
He's
to sit at
the
bed at the
bed.
He says
he says,
I'm
you know,
he says,
and he
and he
he's
and he
he's
when he
he's
that he
he
he's
that he
that
he's
that
he
he
he says,
he
did he
see,
he's
he's
he's
what you
he's
saying,
he
I'm
the
same
the
same
the same.
Not
that
the hands were different.
The hands
I brought this
pulserra
that I'm
I'm going
and then
I said
those are my
my hands
and there was
there's a
kind of a
look at the
car.
Vista the
and I said
no no
no
I when I
saw my
and I
I'm
so I'm
I'm
so good
and it
no no
no
the
the picture
what you
in the
in the
car in
a
in the
I'm
I'm
I'm
I
didn't
have
done that
I'm
no
was
that was
reflected
it was like
a version of
me but
rara,
like if
was just
it was a
a little
like a
thing you know
something
so it's
a little
very rare
no I
don't you
can't
say that is
and those
people
and I
sat down
and I
had a
little
that I
could
describe
that was
I can't
be a
person
he was
behind
me
and I
just
got
the
I
got
the
and when
I
I feel
very rar.
I'm
very.
Armando
and says,
look,
Harrador,
this
passed over
10 years.
My
Papa
felles.
I said
never
to be the
same.
I don't
know what
they were in
that place.
I don't
see if
had to
something
that he
was
but
by the
time,
we're
going to
affect to
those
I
I'm
I'm
I
so I
don't know
how to
But as my
my papa
and I
still
until the
final
something
I'm
I'm going to
say this
story.
How you
have passed
this duel
of stories
Kike?
Incredible.
Incredible.
I don't
know,
I don't know
to say
to you
would have
said to
have a
rata
what is the
phrase
Kike
Karemer
for
the quote
Keeke
Ag
hashtag
Aguant
Kike
for
favor
if
if
in the good
Quake
Huerta
that
he goes
to the
final.
Kike,
here you
do you
do you
do you
the wanda
heke
I mean,
I'm
do you,
I'm
going to
do you
want to
hear this
that we
talk about
because
are
stories
fortis
fortisim
or
fortisim
I think
it's
fortisim
I think
that's
yeah
at
final
I'm
I'm
that
they're
in
the
kind of
in
of many
people.
So it's
how
you know
it's
a
time.
Because it's
my
language
because it's
not a
not true.
It's a
right.
I'm not
I'm sorry.
I said,
I'm a
man.
It's a
lot.
Oh,
yes,
for
supposed.
The porte.
But
if this
terrorifico.
I
think it's
this format
that's
using
now this
duel
of history
is so
interesting.
You
I'm
and
I
thank
for the invitation
of the
really of
a whole
heart.
Quique,
you have
you have
to do
of the
of the
or this
was a
debut and
I'm
I'm
a vented
I'm going to
to
how many
to
get to
get
to
the
second
that
what you
get
to get
to
10,000
likes
and
getting to
10,000
likes
that
that
that
the
thing that
the
more
the
that
is the
we
we're
to
we
we
want to
stories.
I'm
perfect.
10,000
likes.
And with hashtag
and it's hashtag
and
Keeke.
Oh,
for the
people that
yeah,
get to this
part,
commenten-
but
let's have
to say
something.
Go,
and not
you're a
one episode
that we
got us
that we
got to
that we
about the
time.
And that
episode is
that's
tremendous.
We'll
we pass
very well
we've done
many
stories.
And,
And if you
wantast
to get
to the final
of this video
I'm sure
you're going
to get to
get to
get to the
one of
a series
of stories
and
interesting
and then
we're
we're
we're
we're
the
all the
family
nocturna
there
with the
ventanologists
that are
very
thank you
thank you
thank you
thank you
thank you
thank you
thank you
thank you
for having
been
your
heart
your
story
that you
narras
something
you
of your
life.
And also
I'm
I'm
to have supported
to the
end of this
episode.
I know
for you
it's a
carrera
to be able
as you
like the
menors
valiantes.
Sabran
of
always
that not
the
this of
the stories
of terror
but
but
we've
been
doing
a little
to super
the
to do
and
this and
this
and as
and
this
today
for
today
to
that
that
that
more,
for
to hear more.
And,
and figgat
that
there's
a little,
I'm going to
tell you
that much
times it's
like one
a lot of
this,
but it's,
it's,
it's,
it's,
it's a
question.
This story
is a
goodycea.
I don't,
I'm,
I'm a
goodyima for one
that's
but generally
this
ultimate
that you
last you
I'm
wanted to
see,
what,
this
experience
so
Dura
for this
father and
this
incredible
I'm
I'm going to
thank
thanks for
this
this quotation
this
commentary
here
here
I'm
like this
channel
the people
don't
are real
they're
no reales
no
no no
no no
we're
not we
not we're
not we
get them
the
that's
the
sameire
the
some
them
they
be there.
That's here
just here
just to
put this
semigita
of this
world
of this
phenomena
of this
but there
there's a
very certain
in what
says Kiki
consideren
the
real realto
is fascinating
the
vivencia
is spantosa
no
no
no one of
those
that we've
talked
here and
for all
those
that
people say
I want
I'm
I'm
think
I'm
think me
that no
want to
see
the
comments
of
the
videos
always there
people that
I've said
I've got to
be a
podcast
and in
none of the
one,
you've got to be
that nobody's
to be able to
the fact of
so,
then let's
with the
relato.
But,
but of
preference,
evit
the vivienes.
Kike,
thanks for
a mano
that goodasas.
Me
justed
me decouardado
I'm just
I'm just
I'm just
to the family
You'll see that this
week
you're going to
have
a time.
Dulces
Pesadillas
Bye
Bye