HABLEMOS DE LO QUE NO EXISTE - Advertencias Siniestras , Presencias Macabras y Posesiones Traumáticas | EP 297

Episode Date: June 5, 2025

Bienvenido a ésta oscura Fogata de Historias de Advertencias Siniestras , Presencias Macabras y Posesiones Traumáticas en  @HABLEMOSDELOQUENOEXISTE  Cada vez mas cerca del episodio 300! hoy les traigo historias mas oscuras de entidades oportunistas y desalmadas , secretos de brujería familiar e historias de carreteras malditas. ¿Conoces a la mujer gris de brazos largos? atérrate con la historia que vivieron Eloisa y sus amigos en un viaje que casi los lleva al mas allá. Te cuento de advertencias e historias que se repiten , ouijas y cabañas embrujadas asi que prepárate porque llegó el momento de que  ⁨@HABLEMOSDELOQUENOEXISTE⁩  HABLEMOS DE LO QUE NO EXISTE es un canal de youtube con el formato podcast que comenzó en abril del 2022, su primer episodio fue "vivo en un casa embrujada" en el que una chica narró sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de éste canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de éste canal , la familia nocturna , creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de éste canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando ésto, tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora.El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo que genera. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado.

Welcome to Family Nocturna to this new episode to let's about what no exist. Today, in this oscura fogata of stories, in the

episode 2997, we're going to about about about certain certain things that I'm to give to when you have

some of these success, that I'm also, we'll be we're going to not quite never so

can't be that you can't you're always to have been you're much much

you're and finally, we're we're we're just they just. Posessions. But are positions very strange. Some possessions that not are the film, are possessions that, perhaps you have

lived and not you've done count. And one of this, I mean, I mean, I'm saying to the family nocturna, that before I'm going to put this interchamble. Today, those stories are going to be supermently as far as the advertisements that you recommend that take a point of these. And a change of that, to do you need a little more, that's justifies and not give you like.

One of this, comece us with this Scura fogata of stories. For sure, not you feel bad if you can't get to let me.

In some occasions, I've been told about the Father Manuel Acuna. The Father Manuel Acunia is an exorcist,

an obispo Lutheran, and he, in his office of exorcist, he has been caught with many

things, many experiences extrana's and difficult, but he has made clear to something,

independently of the circumstances, independently of who is in front to him, what type of

spirit is the that is the person, he's not he no he's not fear. In fact,

in an interview, revealed something that's a contradictory, but no it is. He says

that no has a fear, he knows perfectly that God will win that

part of that contienda, but he has to have to do

that he can't this is an strange, no? How can it's

can't be you, but if you have a terror, and it's because he's referring to two things different. Mentally, it's clear that what he is for the bien of the other person, and it's clear that he will

gain. But, even when the mind is clear and when his spirit is in peace, there's an instinct in the body, there is something that we have in this naturalness human, in this body, in what we have all,

the when when I see a big a when a beastia ferroous

when he a person that he can't get to get to it's difficult

to work because it's an alarm biologic that you is saying that for your

supervivency you have you have to get to that that's the

terror that he has to have to work because a past

that you know that he's he's he's he His body intuels

into that is the end uprored and then he says that has to go out of because what

is in front definitely is more more than he. The Padre Acuna knows that God,

that God, that is what he does that part. And why I'm going to this? Because it's

very important this question of the sentiments, of the emotions, of these

impulses that we are important to be being when you're to

a event paranormal. Existence many phenomena a little bit. The first first time that you top is some of these things can be so difficult to present attention

that simply and simply simply simply, you know recordes all with exactitude and you have to be recurrentently to

something, it would be good that you'd present because there are indisions that you're in front and not I'll be

going to say with more words, I'll say with a story. There's a chica, that has a family, and her family no has no one type of connection with

any religion. They'd have from a family, the mom, of a family Christian and protestant, the papa of a family Catholic, but none of those two were practicants, and their families were as well as their faith, that they were insisting so that both were arted of those religions.

No, they'd say they'd have done nothing. And one that they were two in Union Libre, decided that all the kids were to

have done to know those to know those things for their own, and that each one eligerer what

that they could be that you don't have that the families of one and of other.

Then, all the children of those two barones, the two chikas, they were

with the abuelos, abelos subamently religiousos, abelos that one's

can't see. Ah, these Catholics, these Protestants, and always are you never going to look. I, you'll say, are people so adept, that in some moment, more than to be

people, people that were people, werecied of a party or of some type of equipment. That's so that the

communication not so the knowledge that have the children of both one and other religion of a way of the questions

of this type, is all diffus, puras pieces of rompecabes inconexas, puras ideas for here and there's, thoseses of

little situations that of they were interrupied by pap or mom because they said with my kids,

not you're not getting ideas in the case. So, so the kids don't have a

formation, and the life will start to get to children, they're allegeances, this

tap of rebeldi and to get to himself, to develop their personality, and Sylvia,

sylvia, that is the little that's this story, well, now it's a little little bit of

the time of the time of the adolescence he passed a little very obscure. She she has

got to to move to a new house. It's a house that is a beautiful

because it's never been living in a place. For her it's a house of a house of

a house of the city and they can make this. Maybe

because the economy is the those does, but, primarily because the places out of the city, in this place in the place in which they live, no, are so far as. So, the place is great, a single piece, five

habitations, a garden enormous. In that place, they're much time only those children. Well, adolescents are just for this moment. And there, when they're only on this place, is where they're going to occur things strange after being there, three months in absolute peace.

One day in the night, Sylvia she's left of the camera, they're much going to

go to go to the time, when it's a little very

strange. The house has a time the time.

And she she has a frio tremendous that she

can do do to do to go to

that and that also also also also also

there there two there are there there is

that the time all to go to the normality. So is that's

the bathroom, it's a moment in the moment in the time of the time, the two

temperatures are in front to her, not in it's a real and it's a cold

tremendous, but it's a color that's a lot of the feeling like it

was a time, and at the time, a real that's a question

that's something that can't be able being things of the type

is that being But at the day next, it will be to occur the same.

He has very little going to get to get to be in the morning. And there's

two temperatures that are chocating in the house. She up,

he gets to come in to come in to the back, and to get a

water and make a really, and not something that's very strange.

Just front to her, in the passillo in the corridor that

all the quarters and the bathroom at final, before to get to this cell or area

common of the house, it's to get to get to get a little

a little a tonyata impactada that from that's that's living where

he's living there three months more, little more, there

is newb that's the nob it's not you be that can't

come like a windan like a lot, no, it's would have been She's seeing that

when not that part of the nyeb is like rejunting in a area

common and he's to form a silhouette when it's a fear but it's

a fear that's a big that he doesn't he has even he does it does it

and come directly to the part of the part of the mom and the assiented

on the camera and she She gave the santa reaganada of her Because the little A-nina, with a accident, apart, manchando

all the sabanas, the papas, says, no, it'ser, Sylvia, we're we're just that you're more, we're just about, what class of

tonteries are honest, and she she's so avergonsada that she never he doesn't make a not make a

answer to and they're a murder, but there's something that does a little bit when he's

a When he When he's She's a Wap Of the After that That's

Recagainate, That's All the Courses of all the quarters Because they're

seeing from the door to see the she's the she's the carhous That's

in peace no, no, no there no brym and no nothing siloenating

that's a that's that he was that he was to do that night but three days

after again he'll be occurred He'll be He, and in his abitation is the

the nyebla. The nyeblet is there. No, is going to under the door. She's

standing from the house. And it starts to get to her whole. She

not is two seconds. She gets to a brinko, go and open the door, and when

he gets to the room, he's a arm, be that his armament, he's a old bion,

and the camera, looking at the door and he says Sylvia has meted something in the quarter

and then he says if you've the nyeb and says but this is out of

other so they're so they're all of the room and they see that

the side of the camera all the all the of a woman

that a man in the head and that has the and that

it's something something something something something of some

a chure the things not not not But it's perfectly the silhouette. Because there's there the nyebla remolined.

She's been impacted and and then in two, three vaults of a mirrored, the quarter to go ahead. The temperature is to normal. There's no one of nyeb. And Sylvia says, is the Virgin of Guadalupe. And the brother no, he says,

you think? Yes, the abuela us has said of the Virgin of Guadalupe. But here there is a thing very important, because when I spoke with Sylvia, Sylvia me revela that every that thing began to appear,

she sent a fear terrible, she sentia a menaceada, sentia that that was to do you to do that, but the idea of that was the Virgin, after

he was a time, and that is a thing with you have to have much precaution, because if instinctively,

not I don't you think, because I'll say something, that's definitively, no. But if it has occurred in repeated occasions,

you know, you've got accustomed to that, and still despertating your instincts of supervivency, take care? Because if not you can't pass what he passed to Sylvia. Sylvia, creke that is the Virgin, so is that in the days

for the morning, every time that he's up, seen calado, of the camera, and he says, thanks, Virginita, for come to visit me. And what What the time is that in the quarter of Sylvia, the apparitions start every more.

After the apparitions of this woman, commenced in the house. Ruidos that all of us are those are called crudied, like if, as if the repents were of the madera and

they were restkebrajando, like if she's accommodated the house, but it's a house of more of 20 years. These now don't they're not, they're caj, and the house not is of

madera, it's of concrete. No, has sense that type of crudges. Menus, when cruge that the windows, they're looking at the only the sound. But every time that

they're in the door of Sylvia, Sylvia is satatite in the camera, walking to her side, moving the head up, and it's there when me said she, it was like if

that woman and I coulder be patriced by the mind of my thoughts. She had ideas, and I had said,

when my papas me began to see that was in that position. No, they were two times and they were to get me the house of the abelos to one and other

other side, and I know what they said, because I was not present, but then they were the boys and they were to inventing to get an

water bendate, me put an rosario in the hands, and me they'd get them with the father, and then a day,

simply and simply, the things they were to pass in the house. And all this time,

since that I of recent, the day of today, I'd keep thinking that the Virgin me visitable, until I was I used your programs, and I put to put to put in attention,

that I always feltia me and that time the things were like bad in the bad in the work,

I had many problems with my mom, my brothers, to be very very close to me, and the

day that disappeared, it was like a manto-a- calm, of peace, would have another

have reigned in the house and all reissed to the normality. Never me ever ever ever I've ever

during the time. Lazange surgelet, Puccence modern for 15 minutes. We're like the hour Dojo,

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Embarque and relax. Ciroat. Bookiné. Oh, that also. And profite. Via-A-Rai, the voice that we love. Markos is living something in this moment,

and not has ever had to know that is something that is something until just after just a few years. Marco, you have to

know the context of him. Lamentably he has been a situation very d'n't and he has been a

little bit of his wife. Marko and his wife had castas 15 years but simply the

things didn't to function between and for more that were more that

they were going to their ways went to the different and he

he wanted to continue with the but she sufficient for me. I don't want to continue here. I want to continue ahead. No,

situations of violence. No, they'd be able to be able to. Simply, Marco, says, for her, yeah, she had been able to be. Me, I said that yeah no sentia the same, and that yeah no was about a good living with me. But I was

no, you know, to be that point that I was being loco. When she was from the house, because me me, me, I'd have with the things, no, I really wanted a pleading of economy. She really wanted to continue

the things ahead. I'm so just that I'm doing a matter of but in the mornings

I'm talking with her. I'm in I'm still in and I'm talking to all the things that I'm doing the

thing. And I'm going to go to work, I'm going to where you're to eat to eat to senate

to get a to be a little day. I'd like to buy to it's a thing.

I'd know I've got to I've done I'm going to say. She's

not live with me and she's like my head. So it's like my head I'm going to

hear of the house and I'm still saying, hey, what's the thing? You're going

to do you? No, no, you're going to be to be able to me to be to be talking of Mark,

Mark, what's doing you're doing? You're only? Olivia, yeah he's

he's only, Mark, and get it. And if narrator, not that I was to becky-fired, it was like if my head not so far to let me say, it was like if simply, I'd be in the sensation that she was there in the

house. Now, no see exactly, if it was my head, or was a little more, because they started to pass things. One day, I go to dinner, I'm going to eat at once, when, of a repeat, I go in account

of who I prepared the dinner, and I'm doing Wiltas and I'm sure in my head I'm a word Olivia

me prepared the scene and the record I'm standing there before the stuff and then

me myself I'm doing me I'm going loco I mean she she's she I'm not

I've I've got I'm I'm not I'm I'm not I'm so I'm

so I'm a real rarer if this no longer control it in

very in much I'm going to get a psychiatric, incerrower

because yeah, I'm going to be a lot of I'm going to going to be able to think it's a lot of

people to be my around. And Olivia, Olivia, I want to want to be saying to be saying these

things, he's a thing that's a thing to make a thing to get a time to get

us to be that she's he's got and I'm I'm just, I'm just only, but

you know, you know, in a in a place in the nobody could get and they'd go ahead and they're going to

things. In the mornings, I'm sure that she was sitting in front my narrator. And I remember perfectly that she came, me

gave a brazo and me a bece on a mejia exactly how Olivia it was I know.

I know what was what me to do you do you not are a person a person

creient and of the fact I began to see to see this programs at the root of what I

have been but before of that I know I'm not to be some time I'm a day I'm

know because I'm the need to go to a church when I'm when I'm doing a

certain misa are at the 6 the time in the the church is

going to pass for the bank's and that he's going to put the

things in the heart or in the feelings that not let you don't

be be to be able to put them. And then I close the eyes. And when I seero the eyes, I see a little bit more. That's a lot. Me, he left elated. Me, da much fear.

And I know what I did. Or what I was. Because the father he left. He left me. He went to the file. He got to me

and I'm dismayed. When I'm I'm up. There's a group of people and say, and say, and say, and say,

the father want to talk to talk. I think but I'm disconcerted, but I'm something that I'm since sent me

a lot, much peace. So, is that I'm still disconcerted and at a way, with much a peace interior, and the

father comes and there is, there is a person, there's a person, for favor, permit me to

your house, because if not the things can make a bad for you. I'm

when he wants, that when he has that's how I'm going to cost. The father me says,

that this is to help me. So I don't understand of this, but I say he has an opportunity, there's just, we're going to, me it's very late, that this has to be done. So, so, the day next, I'm absent all the

time. At the day of the time, at least of the morning, is the father in the house. He begins to do you do something that's talking in other idiom. I go behind of him. He me pite, nothing more, that I trygum a rosario in the hand, that he'll help with the water and that just, that just go ahead and

that just go ahead and rest, and I'm praying, at least, at some in the head, a little bit of my and then just I'm like in my

house a woman, a sombra in front of us and it's moving right and it's been and I'm

made a narrator of, I'm just to get a but the but the man, it said,

he said, I'm sure you can't be quite, you know, you're going. Family Nocturna,

the Saturday of Somras past, passed something because we're having the

narrations, and they were telling the stories, and of a repent, in some moment,

it's done to I don't know I'm because for me the apparats me the time the

transmissions and all this occurred when you're going the story of what it is the maldition

that has a family if I'm not I remember this story no was a person in the

Mexico and then when we went to this time of Spotify. So,

so there there's back. I'm going to the story because to

where to I don't know, it's not done to hear of the Sabbath because it

he's it. It's it's a phantasm no, he wants to we're

what we know, but look, lamentable the war spiritual

still and we're going to talk. There's there a person who had

a kind of situations strange. Recurred that we can we're

we're we're we're we're also, we're also the history

of the Saturday, there are changes to the day of the orita. It's the changes that we're doing. But, well, this person is coming to your house. His house has a door that has a type of crystal, the which is a crystal

of double-vista. For those who know what is this, I'll explain to very quickly. The crystal of double-vista is like if it were a spejo. If you put a crystal of that type in your house and you

bring the lights in the night in your house, the people that are going to be to see inside. And you, being that crystal, you're going to be a spego. But if you're in the day, as well the sun

is very potent, afuer, it appears a spejo. And you, from the house, you can't be to see that out of the way. I hope. So, there's a crystal of double-vista. He gets in the night, and as well the house is apagata, because he always

he's a part that in front of the house has a sensor that has that's ensued a light very very, just in the entrance, but that sensor no up until the door, then when he separates the door, not the sensor. As the lights are apagged, and afura, there are a few of far as mercurial,

he's able to see this spejo, and when he put the key in the serratura, he gets the look at a woman just behind of him, and he's not being on the armory. No, he is a person major, the pill has very arugated, very maltrated, to the point in which

he gets to think that's like a prosthetic like a mask he's a type of a bit of all inmarnanaec

that that's the hair the hair is 100% cano except for some of

the redos that's that's like some this person see that the

body has been like the body that maybe in some point in some point was a little

black but it's a part perlada, the roba that has only he's always

able to see the cooel but not is a quite of the little bit of a cloyo

antichissimo. You're talking of cooos that's used to the initials of 1,800,

finales of a microsecond. It has been an actress and is a time over the

the theater because there's there there's there they're to do

they're to do visit to things of such is that he, without to have all

this pass in a second the way, his head his case, he's a time, he's a

woman, he says, goodnach, how you're, and it's a hand, and where he's t, he's getting

being like, what's going, what's a rarrow. Well, me know, and I'm, and as a car,

is a car, is a little little bit a little so, it's a way, so it's a way,

but no, no, that's a woman. Well, well, I mean, maybe.

It's just, he's distracted, I'm in the house and everything. It's a normal. Passing some days or

a week. And when he gets to the house, he gets a a susto, but a susto

a bit of the door when the sensor of the light and that woman is there

in the house. It's there, adentro, being to the way to

the way, and when he a lot of us. Now, if you look, the roba of time, a rope of more 10 years, is a lot of course, is a lot very old, not so much

a lotrated. The woman is the same that saw a few years, the skin, all partied, morena, the cabello black, that terminate, like in those tenses at the side. So, this man is a sussed, and no knows what to do. Not if it's a person that has a problem mental? How is it in the

house? It's been a ladrona, or me are playing a drama, and total, that he knows what to do you. The police, the police no, he goes to a moment

in the he says, he's a little bit of the same, and he's going to be a car

and he's four, five, people, people, more or more than their own

tons of tons, two of them two of them two of marries, some barrotes, some

palotes, no, they're not they're they're they're not they're not sure,

they're talking and they're probably someone who's they're in a cateo. Revised, but every centimeter of the house, debauchess, even when it's

something ridiculous, to look down to a chair, debauchas, they're down the salmonds, they're justombed down the car, they're in the colchon, things that can't

in the ridicule, because really don't understand what they're in doing to do with the same time, what they're in a lot, but there no there no,

there signos of that nobody entered, at the point in the people are sure of what you you've seen because, you're a person

major that was going to be doing to do this person and this person

can't I'm, I'm, I'm, I'm sure of what I'm, but the

second time that I see it, nobody has been an actress to and that

not, nobody have seen that person no, but pardoned me and thank me

me, and I'm, total that all all of all of the case and he's

all he's and he's and it to a center commercial. In this

central is up the escalars and see that just at the final of the escalers is this

woman and he's observing to and he's looking to move the head and then he

says no this opportunity not this opportunity not can get to get that and he you know

you know and he and he's to come in right to be a boarder person

and he he's a little he's a little he has someone he's

someone like you wait a you're you're you're you're and what you

you say I'm pardoname me no there's nobody there. Yeah, it's a un-tranquil.

This is a very strange. Who is that person? Why is it? Why is it so insecure

that you want to go to your house to do that? Something it makes very incoomod.

Apart, he's been a person, every time that's been that's not there's

there's there. No, but it's so you know, yeah, yeah, it's a

back, he's she's a good relation with her, has a good time without her and he'll make a permission

or to be able to get in your house a few days, despehers, be able to be to be able to talk to this thing.

Minim, it has to go to get tosog with a person, you imagine, you imagine, if you get

to talk to that they're to get to the idea of that he's, then you know, my mom, feelate,

that me has been doing my time, let's the opportunity to visitate to a part of days.

We'll use to put us a day, to talk to do you know to say you know, and so, if you go, don't you

don't you know, you're going to but you're doing, yeah, so you're so much,

so I'm things so much, but I need to talk to someone. Yes, you know, you know,

back to come to the house of her mom? She put in the day of many

other things that are more more of the day a more of back conversation?

And when when they're when they they're they're to tell to tell

to say to say to say something, but I need to me just get to look at the loco, mom. No, I, I know, how you think? That your pecho not is a bodega? Well, here we are you see when you were a baby and you're in pañal. Come and, tell me, no pass anything. And, well, when he starts to empower, he

and he begins to grab confidence, because there's something very strange that's passing there. Conforme, he's going to, and describing this person and what happens, his mom, she's going encogient, he's having the car every

more palid. And he gets a moment in that he has to have to have to be in these narratives and to talk

these stories because the hands of the mom's them are and then then he goes and then

he's got to my hitho my jit I'm good my jit so I'm my jit not this is good.

Again, how again again? How do you my opportunity? You're going to tell you to

tell you but give me a opportunity because not it's easy for me. And the mom that day, she has to

have to pass the time, tomatetos, intentando relaxes, dorms, you can't imagine this type

how it's, he's practically eating all the unas of the hands, the nervousism that has, what the

demonies me occulted my mom, how it's what is this? One day or two days

after, is when they in the conversation that I'm going to take a dayon,

and his mom and his there is something there's a something that's a that's a

never I'm never said to not suggestionate to and I'm sogisternars and because also I could say that

could be back but it's that's that's not I don't have to work to but of that you

don't you don't you don't because they they're maybe they're maybe this muchach

is he is impacted mom mom you're you're playing a brom no you know

you know you know When I had, like, about about 12, 15 years, I began to have many

many years. In these dreams, it was like a woman, a woman that you had seen in

person. It was a woman chaperrita with the hair all right, with a

vestido that I could have seen my vis-abuel, maybe, in some in a

photographia, but were things that in my time not they were not

they were, Maybe there, the abuelita, the young, the more the most

grand of all, even, they used to have in this roppa, but not the people of my age.

And that woman, in all my dreams, appeared moving the the head to one

and saying, and there was my vizabuela. And nothing more that

was she and I know the and I never, I was a way was a

fear, it was a until that I started to get a ragu Kna. Salia

rasgued out of the arms, of the pants, of the busts, and then I went and I did you know,

my mom, my mom me is my mom and I'm got to my abuela. Resulted

that my mother, I don't see if she was a she was a girl and I

know the impression that was she was she was a person to a someone

to the she was a that she had been a Resulta that there was someone in the family. I'm going to say, I'm going to say that was my abuela, that practicable the brujeria.

And he was learning, I wanted to know to those things. And her maestra or her companion to learn that Merequetengue, was a man that wastes always with her vis-avuel, of her own, because he said that they'd have been power.

And that woman, a woman chaparita, of a skin curtida, daigned by the sun, that always I'd have two tenses at the sides, he put to practice

with my abel. And one day they were an interchamble and said my abuela that he's over the

man. At the day the next, after being the posimas one of the other, the

senior major fallyceo. She said that not was something that was something, but since

the phantasm of this woman she's going. And it is that generation

we're going we're seeing each one and we're that we're that we're we're going to have to

let's, but I know what was my my bisabuela, I don't why we're doing it

but to me it's now that you you're you're I'm

I'm I'm I'm I'm a story that me she's

she she's she's she's she's there's there And there,

and in a casasks, 500 meters, there's a carretter, and there's a curve. And in that

curve, they're in that way they're in that's the kind of the is. Yeah,

have been many tragedies from a after that there, and there that's

a type of muee and have gone many people, but the legend that is that

is that many taxists and triletors have been had been accidents in the

curve because They say that's a Mewereto, that's a new person, the phantom of a woman. They're going to

the curva, of a repent, they're in the cabin, and there's a little bit of them. And I'm saying

a narrator, that is a legend that we knowcees to be a perfection, and of when,

lamentableable there are accidents, and when there's there's always they're the same.

So, see a woman, I saw, a woman, I distrajo, did a ballantazzo. For me count during

all the life, because after I did I'm past, but during 23 years, I was over there one and

other times several times a year, never ever ever ever had occurred nothing. In the

morning, in the night, in the night, in the night, no, we don't say it was

that that it was a thing that's, but it's not a little, we've got

a lot, it was like it was like the little he could go, we've been

in a vehicle, I, one a friend, and three friends more. My amiga and I was co-pilot,

and three friends were in the part of back. We'd be in a country, we'd have

had to be the carreterter and not us we'd to get to my house,

we'd go to the place to we're just for that curve and for this

carterterer. Well, they were at the two of the morning we were in the

first we'd have been We've taken absolutely nothing and when we've been in the

carreterer cruised that and when we get to the curve we we're something that we're not

something. It's like if if if there someone put into the curve, so like

more more than that's there's there's like we're and then the

three people that are back back they're to get let's accelerate, acelelelel

there, there comes. And I don't understand what's passing, then I'll go to

them and they're like, and one of one of them and he's, he'll get in the arm, he's, he's

going to do, my friend, my am I'm so much so much for his words, that he met you but all the

velocity, does a ballantazzo, the car turned to a trompo, for a carterterer,

and there we'd have been kept, but my my friend and I'm really a very well, and

he went, and we're all right, my same story. When we When we got a curve, there was something there at the front, and when we

started to venting, he put to four patas and he started to gore. It was like a animal, until that, of a car that was crossed by the road, he gave direct with the light, and was a woman with arms large, the brothers were going to the

back and was the back, and was it and put it to happen, and it was a velocity that was going to get to. And that thing was of a color gris, no had a piece, like a

color normal, and the eyes were all totally dark, it's not the night,

the fault of that's not the day, and this day, this group of friends, they've never came to

visit me. She knows. How? Did you black? No. The devil wears Prada too.

He's the movie event 20 years in the making. Honestly, can't with the secrets anymore,

so I think we just we should tell her. Will you two please spit it out already? Um,

this Friday. be the first to experience it only in theaters. In light of the recent scandal, I'm sure to restore your credibility. Oh, because we're a team now. That's a nice story. The devil wears Prada too in Theaters Friday. One of the other than the utterances that recurrently we're saying in the channel is that not to be

to terms esoteric, not ask you to make you practice extrains. No has nothing to be with being to be in front of a mark of creencers. It has to be with the stories that we're going, that one and other once is repit

in certain patterns that are that if you do you are you're putting in risk without know.

As you're part of my family, family nocturna for your securities, for the

I'm saying this type of of things. There's a subject that when he had

about about about two years he was he was he, in that

in the game he was he was he's sure that the table

was move. But when he was sure that was his friend who he was going to. And yeah. No, he gave to the ghouy ha'n't. He made the attention. He did something very chafo. And with the years, he was developing a person

that's socialable. No has nothing to be with the wheeha. His papa is very similar to him. His mom is very very similar to him. Not are the persons most sociables of the world, but are people people very honest. Persons that people that say, the truth, directly to the car, you say what they think. And that's, and

that that so in occasions has that not are the comments as far more than the moment

more correct. A lot of people around are there are there but many, many people who know

they know and they're they're apart, it's hermitan not he doesn't be around

to be not the life was advancing and he was a adult and I

lived alone and for this then then had been past 25

years since hegg when he was when it to do something. And I tell you the wiga, but

he, he's, he had been a little bit of the 100%. He started to occurre something rare. He, standing in his house, he begins to see a little manch in his periphery

right. It's a mancha and he's a way, he's he's done those eyes. He is a person that he's a excursion, he likes much to campar. Also, I don't

recall the name technical, but it's in a way professional, with a professional, and doing it's

doing it a form perfect, and doing protocols of action always. Also, it's going to

the mountains to make the other than this practice you could have done the eye, a little

a little a little a little little a little little a sun, and it could be

a mancha. Lamentableablement, not go to that's so in the periferia that for what he pre-attention.

For what? For what to do something or something so great? He not has the culture as many

about the things that he's much in the body is his own their own their own

their own and things of the way that he is the form in that he he's the doctor,

not go to the ophthalmolog or not going to any other a simple and simply

simply simply simply simply simply they're going passing the

days and they start things and that manchita to

grow. And when it's start to tell you to get that it's like a little bit a little bit of a little. It's like

if it's a person in corbata that's right. For this, it's the first time that the first time

that's the mancha. And the mancha, when it's when it's not thinking all the time in that.

So, then it's not. So, then it's a mancha permane there's things raras. Now,

that the manch was more grand, and they were other things like rags, sounds in the house, aromas.

Well, of a certain manner, it's not something that he has been a part of the life very

occupied, he's not to be to present attention to the time. The life continue.

And then they're more. In those 11 months, he's he's used to

he's used to that when he's in the time, in occasions the door

is never never and he he's used to that when he's in the

house, in occasions there are like a little murmur that can't detectar, but it's been the the bestine. Yeah, he's accustomed to that when he's accosted, to some occasions

it's a seat a piece and the camera is to undy. Yeah, he's accustomed to do things that not should be

to be used, and they're on 11 months, yeah are three years, three years to start with this.

Now, the persons around of them detects things, of A-present, he says, no, and you're like, mal-vibroozo. He doesn't bad-vibrozo, he's something there. In occasions, people that

passin'er nearer, they see that the pierce is eris. And they say, hey, that's rare, it's like much static. The rarrow is that is that's from the edge, where that mancha, that mancha, that's a manch, yeah, it's all right. Now, if you have a register, always is with him. In these times, after three years and a half, almost four, So he goes with some friends

to some cabas in those cabas decided that they're going to do you're going to

because no there's a time with a little in the night he's the same the camera

and his his friend he's a manch no manches the camera is stondying

the he's under the camera he's he's he's he's

he's he's so that sometimes and all all this sometimes what a

A you a-to-you-past that's a so, since he has much, and they'll say to say to the mancha

that be and they're saying, no, you know, that's not you're not you're not you're

sometimes, it's a spirit, you can't be a man, he's a man,

he says, no, man, he's not, and it's there's a lot, that he

saw he a bit different as a kind of he's that, but it

was something that was something that had been if something you chuped a little

the energy. And they recommend there to go with a woman that's a woman who lives in the outside of the

city, who has been that's many people. Well, he not think of those things. But if

his friends are to be quite to get to the cabas because he's going to

then it's now I'm going, but for you don't have me they're

they're because if you don't you don't you want to we're and then

then you go to the same the that woman. That woman commenced to be a clean,

and he starts um, around him, and some matitas, of some gerbatchos that's quamando, and of a moment, the

humo that is doing, that's around, like if there would some type of that would be an

air, he'd, he'd all, it, and it's justparest. The woman just he

gets to be being, and he says, no, I'm going to cover nothing, but I,

not you can't help. Trace something very very strong with you. He's a bad. He's a good that's with him.

And then he says, go to the father Rodolfo Aluro. That father is exorcist

and he is a other he's not he's not of this but also not a person

that's a person that's he's he's he's over the he's into the he's into, that sombra

that's side of him, always is there, and there are people who are around every time he

is there. So, he says, it's like, it's not going to something. Decid, with the

father of Lurro, and is he has gone to the time, he has a carbares, I want to go to

go. So, so the day is going to he, 20 minutes. Commience

to go to go to the matter to be, and start, when he, intends, to talk

with him, he, he's roaded of people, never to talk to him, he's going to the secretary,

one and another and another other and another and other way, and after and after this after he's, he's

transformed it like in a routine. At the final of the job, I'm going to and then, well, I'm ati me attend.

And so, and so it's and so, until the secretary is the that you say, oh, yeah you know,

I'm, all the days, you know, I'm, you're, you're, and, you're, and, you're, and, and, and, you're, and, and, and, and, you're, is that it's that it's going to, and he says, oh, so, yeah, there are the people around that you're going to be able to be. Yes, yeah, for that I'm going. You're going to go to the list.

You say, there's much people. There's much people that come here to the but let me put the list because the thing too, it's a lot of you also, it's a lot of time. Let me talk to. One month after, the father, he's called. He's with the father.

And this type, he's sent. The father commenced to do his resos. and he's to say one and other and he he's to doctar

and he's to docting and still eructing and still having a son. The father he puts

the man on the head to put a hand in the head the stola he's roceing with the

water and he he's saying certain things in latin and he he simply

simply he's a little suborient and the father he says like

puttent not you don't you do you're present concentrate

and concentrate and he is doing that the father continue, continue, continue, continue. And when he says, well, it's all, just all. Two hours and a half, more or less. For him, he brinked the time. The father

he said, if you want to come with me in a few years for me in a few years ago. He says, but no no, he says, yes, but if you're saying something, well, if you said, it's a bit. This subject no is a cremate. No is a type of Catholic. No is a person practicant. But he says, something I can

say, narrator. After that exorcism in the that for me no passed nothing, yeah no

see the camera, yeah no see that the sunbris the skin, and I don't understand

why, but me feel more so I'm more more than me don't have been me

I think I'm I'm exorcisar. And with this story, dear family

nocturn, we've have you've got to the final of this obscure fogata of stories. But,

before you after the night of this here, I think you're this episode.

So, subscribe, remember that it's where you say, and you're and you're

on the five. And if you give us, and we do that's the same the next

Saturday, we're going to see. And as we're we're going, and how you're a day, it's a

day, so I'm going to get a three relats totally terrators, the Relatos most

oscuros. We'll see there, I don't say the hour, but a pair of hours before the

last of the showbos, you know, for the group of diffusion, we'll do you know,

but the Saturday, in what we get them on the time, it's des that they

have done those these psalas psalas and you know.