HABLEMOS DE LO QUE NO EXISTE - ALMAS en pena | Espíritus OSCUROS y secretos SINIESTROS | EP 268
Episode Date: February 24, 2025Bienvenido a ésta Oscura Fogata de Historias de ALMAS en pena | Espíritus OSCUROS y secretos SINIESTROS en @HABLEMOSDELOQUENOEXISTE El día de hoy te traigo historias de entidades extrañas qu...e habitan lugares comunes, lugares en los que tu y yo hemos estados, hogares de familiares, casas que parecen abandonadas, pero que cuando un alma buena las pisas parecen comenzar a alimentarse de su energía. Conoce los secretos mas oscuros de algunas familias y acompaña a sus miembros a que reciban un golpe de realidad helado, oscuro y aterradoramente paranormal, prepárate porque es momento que tu y yo @HABLEMOSDELOQUENOEXISTEPor cierto si leíste hasta aquí deja la palabra CALIXTO en los comentarios y solo tu y yo sabremos de que estamos hablandoHablemos de lo que no existe es un canal de youtube con el formato podcast que comenzó en abril del 2022, su primer episodio fue vivo en un casa embrujada en el que una chica narró sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de éste canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de éste canal , la familia nocturna , creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de éste canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando ésto, tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora.El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo que genera. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado.
Transcript
Discussion (0)
Welcome to Family Nocturna,
to this Oskura Fogata of Histories.
The day of today we are about
about spirits oscuros,
almas in pen, and secretos
but, before
to initiate, permit me
the welcome to all those
who are new in the foggats.
If this is your
first foggata,
both your servitor
as the family
nocturna, we
want to give to
the bienvenile.
And we want to
give you to
make a part of this
community,
and to do it
just to be a simple
thing,
something that is
a little bit
simple, the only
that is to be
to be able to
the fog at the
fog of stories.
So,
before the
old way,
this old
tracetka
pern't you,
let me
say,
Family Nocturna,
those invocco.
Aganse present
here in the
comments,
and they'll
their good
sufficiency to
all those
that is your
first time
in this
channel.
And one
once said
this,
we've
we've seen
all those
those
who overvivivate,
These, let us talk about what no
exist and comece us,
We're going to
This Ocura Fogata of Stories.
Tony is at point
to do you know
to do your life,
he's remodelar
a house and
to rents the
house to
very good price.
What he knows
is that
that house is
and in the
people are
that they're
in the
sameism
Inferno.
Tony is
a seguidora
of the
channel that
me about
his family.
Me
he mentioned
that your
family have
a tradition
or an
herence
a one
form
to do the
things that
has been
from
probably
abel or
his-a-
-sabuel
and from
the other
mother,
there's
something
is something
valuable
the value
to the
value of
the
time.
Tony
me
said
that
when it's
that
she
and to
her and
they're
they put
the
value
to
they're
inculcated
not
a
job
like
to
be
not
but
And they had to gain their own money
for at the moment
that they sit in the
table and eat,
to eat,
to make,
come quite little.
The post of limonadas,
to buy dulcettos,
and revenders,
all a newgoce.
That's a little
thing could have to be,
Tony and his
brothers,
they were.
So, what he did?
He's that
she,
both her and
those
were very
dispirited
in the questions
of economy,
and now,
that's
about the 30
years,
Tony,
that is the diminutive of Antonia.
Tony has the
money sufficient
to buy a house
and you can't
have your casita
but Tony
not is thinking
in having
a houseita
is a method
of inversion
what he left
to the history
of terror
more
more obscure
that has
had been to
live in
her
something of
she never
had ever
could be
partisip
and all
a reason
of a
business
family
there's
there
the situation. Tony
has a tia-a-vuella.
We're going to put her to
name Rosa. And this
tia-a-u-a-tie-Rosa
has a house. And Tony,
now that has money,
is to be able to
the t-a-one-sopalceding
to the t-o-sue
remodel-a-cassed the
house of the tia-rosa,
and transformal in these
the other
a house
they're subdivided
in the
habitations and
they're rents
for a
way of a
application that
you know
you know
well
was.
It was
and he
spoke
with the
family,
he was
the plan
and from
there
something
started
to make
to make
to be
a
family
even with
his family,
even with
a
there's a
very
so much
that
one of
one of
two is
a mala
simply
because Tony
has
been focused
in
the
negotiations.
And that
has absorbed
and he has
consumed the
time.
And it's
like your
principal
aficion
and one of
those
those
principales
activities.
Inclusive,
his qualifications
not are the
good for
her.
The business
is the
most important.
It's a
very different.
When she
he planned to
her mom,
a sub-
father and
his
brothers,
what was
thinking in
around the
house of
this
Tia,
all they
were getting
and they
were
and they're
you're
that
that's
that
The house, no, no, no, there's
manner in the
you want to
invester there.
And she
said in a
very good
zone.
The time of the
house is
great.
No,
is a good
state, but
it's a
way to change
a fachada.
She had
had made
a lot of
that cost to
that cost to
that
money.
Well,
puros
things related
to the
money.
The point is
that,
well,
now result,
that the
parents,
no,
is not
not so
are
focused on
the
thing
of the
business
for
first
in the
first time.
They're
saying
something
that in
the
voice
that's
that's
that's
what people
is not
my
people.
They're
they're
saying
a phrase,
a phrase
that
a
place
that
doesn't
turn to
don't
that car
is a
person,
that's
talking to
things that
you're not
I don't
hear anything
related to
the terror.
No,
he interests.
It's a
thing that
has a
little to
have a
little.
And so it's
how it's
how you know.
There's
what he
took to
live to
see to
you.
Tony,
he brinked
these
phrases of
his
papas,
no
does it
doesn't
to say
to the
family.
It's
that in
that
house
there's
there's
there
no of
any of
any
of the
person's
to be
that
they're
they're just on
nobody
wants to
be in
that
and the
she's
upon
to be in
a woman
it's like
she
she
was a
being
she's
doing
purruthes
purestst
stupidies
pures
words,
a
wordererer
that
she's
people
people
of the
people
can't
be
doing
value
that type
of
commenti
then
then
then
better
for
that
that
can be
a
can't be
a
nobody
that
He wants. And here
can be the
negotiation
of Tony.
So,
in the
other to
start to
make a
question,
of all of
those
those
comments,
what he
is a
matter
different.
If that
that's a
person,
nobody
is to
get to
get to
some
things,
let's
give
more
money,
a
little
less
percentage,
he's
going to
be a
remodeled
I'm
I'm
know
money,
and
here
it's
going to
be
the
business
the
most
I'm
the
family
had
for
his superstitions.
And Tony
is the
most
intelligent
of that
house.
And it's
that now
has
a
one has
a
person who's
a
person who
someone who
is a
kind of
this type of
because what
they're
in the
days of
this stupidces.
So,
it's not
a day
next to visit to
his day.
He's a
house and
that's like
she's like to
show you
the
before and
the
in the now,
that is the
before in
the image
mental,
the house
is a bit
a little
tethrica.
The
painting is
quite
bad.
It has
many
areas where
it seems
that it's
more in the
windows
the windows
antivus
the mark
of certain
parts
metallic
is a
redumbr
the
door when
the
door,
is a
melody
for
a
movie
of
a
If you were there, the pill would be chinita, but in the case of Tony,
Tony, well, the space, the opportunities that are,
how has to invest in tal or what kind of thing?
If the structure functions well, if it's the mark,
if with a pintedita, it's a quita, and apart, if you put a certain color
that actually is the model, even, it could be able to make more
than just paint the ventana.
And he's thinking, all those pesos and centavers,
and his mind he disparate, like a render,
an image predesignated
of how will be
going to
get the
house
and she
is in
a bebbed
you know
there's
there's a
big
the house
is more
great
than what
I'm
and
in a
place
in a
place
and
where
the
remodeled
always
be
always
be
a
place
that has
a
place
that
is the
business
that's
the
business
or the
entry of
the
Ligas of the
Negotius
of the
business of
Riener-Rieces.
When
he abe
she can
start
to put her
attention
in his
words or
do it
because
really is
being
all the
details
of the
case.
And that
was
his first
error
because
if
had
had preston
at
moment
to
enter
in the
house
if
had
had
done
that
just
in the
door
the
door
after
the
first of the
entrance
the
a door, in the moment in the
time in the
door,
the door,
a door
that's in a
bad in a
room.
Rarer that
was in the
reception,
in the
recididder
of the
house, but
is there
had done
that the
door
was open.
And from
there was
a sombrough
some andos.
A sombra
that no
had no
nose,
and a
face,
simply was
a sombre
that was
a
car to make
but she
did the
she, the
she, the
she, she
did
perfectly,
even,
aghached the
head
and he
did he
did he
he was a
he was
doing a
calculation.
How cost
to paint
to do you
what cost to
paint her
this style
is a
old,
and simply
or with
her
book,
he was
trying to
make a
thing,
I'd say
to say
a tia
like,
oh,
I'm
that's a
little bit
a time
so invert,
how has
said,
and if
see,
you know,
to Tony,
I was going to
all the
whole of the
things,
and she was
getting in the
little,
the tia,
the tia,
the tia,
he's saying,
oh,
my gita,
he's got
that you
come to be
to visit.
Yeah,
we're all of
here,
my companions,
that's,
that's,
you know,
that's,
and then,
don't present
the attention
to those
words,
that are the
words,
well,
still,
preston
and still
doing your
matter,
so,
yes,
so,
so,
so,
so,
No, has thought in remodelar, no, has
thought in doing something, and the Tia
saying, no, no, I mean, they're
going to, no, they're not, they're going to,
they're going to, and then.
And Tony, no, presentable attention
in that. Is that you'd have to
think it, Tia.
You'd have to check it, and
it'd be back to one and other
other side, because I was doing
calculus and calculus and calculus.
The things change in that
first visit when
sub to the second plant.
When I subier the second
plant, conform
it's coming
to that part
of the escalars
that are more
of the second
piece,
that's the
first, it's
to feel
a very cold,
a free,
a very seco,
not as a
house,
that was a
temperature
normal,
temperature
ambient,
circa,
about the
here,
it seems
like if
every
one,
it would
be made
the
different
materials
that
absorbier
the
water,
because when
he gets
up to get
a bit of
and he's
he's going to
you know,
you know,
you know,
a problem with a
ventilation,
what a house
so-elad?
And he says,
Tony,
is that's
doing much
really,
no,
it's got to
that's
that we're
having to
the ventilation
Tony,
Tony,
no,
he's precepting
to
nothing to
what he's
he,
and he's
going to
get in
the
the
only is
just being
the
factiads,
just
he's
just
those data. If she had
meted, would have seen
how the companions of their tuss
are aglomerating in each one of them.
Because the energy
of Tony seems that they're trying
and she's not
not being able to count. But
she's every more can't.
Because the things that are there,
it seems that they've got
the energy that she has tried.
It seems to be a cadaver second a little more
It's
Fierce
that not
necessarily
that the
place
is that
it's
that I'm
getting
more
more elated.
The things
that were
there were
eating
and not
was going
to get
little.
Pocco
he started
very
she started
but
she was
lucid
with her
business
that she
did
give us
that certain
shock
of adrenaline
did
so that
so that
she
then I'm
back
to
and then
I'm
I have to go, me have to go.
Oh, if you're in this house,
we're going to have to revisit
the ventilation.
And, another time with
your energy,
Alta, well,
well, I'm,
I'm going to do.
I'm back.
RAPOLUS,
and then I'm
to do you,
I'm going to
visit you.
Tony,
and the head
has got to
have a mar
of data.
It's a
thing that
was not bad
conditions.
That problem
of the ventilation
of the second
piece.
Well,
will be
a whole thing,
that could
be so
that's so
has been decomposed that the Tia
has not done
and how can
live in those conditions
so in the conditions
so nelad.
We're going to
have to
have to have to
long.
Probably not they're
in good conditions
and the
the walls,
nor the
times.
Oh, God,
those vanes
yeah,
and I don't
want.
The piece of
the room,
it was a
little more
more
more than the
two, three
days,
will be starting
going to be
going to
all these
numbers.
On the other
In the house of Tony
His papas and his
brothers are
Incomodos
In the days
In those days in
She has been
So it's been in
Simismated
Having her
They've been tried the
information
Probably the
Remainting
The gang
Of the
Negotias
That's the
Cases in that
That's what
Tanya
That's what
is what
is what you're
When they're
When you're
To ask you
To get to
The Tia
She was
She was to
She'd
She said
No
And he's
suspecting
that they
want to
do you
have
applied in the
when you're in
Exactly in the
room of Tony
when she was
like if
were more
people,
like if
were there
and more
people and
sensations not
as good
as many
people
as much,
like a
kind of a
kind of
and they
asked her
she she
she said
Tony,
they're not
empathize
with me,
they're
that be
my defenses
and they
want to
what I
said a
thing
I just
responded
to
like if
I
I don't understand
of what
me
about,
no,
I'm
really
I'm
very good,
the house
the case
that's
really,
that's
really,
I've
been in
the
bad things I
know,
that's
not the
thing,
not it's
not the
thing,
and it
and that
the
thing,
and I
just
that's
to be
to be
taut,
for that
that I'm
that I'm
that I'm
that's
things that
that's
that was
a
thing
that was
a question of
now,
now,
I'm,
they're
that
simply
were
ideas
and not that
really
I was doing
all my
calculations
and I would
start
to start
to do you
and I'm
a car
and I'm
think
that I
never have
been in
the
business
maybe
could
have been
the
things
because
all
after
that day
after that
day.
After that day,
I had all the
calculations
not used
just to
get to
convinceer to
my
tia
to me
said
we
remodulations.
I went to the
house of
the Tia.
Toke the
the door,
me abri-
no I
saw that
was in the
door, and then
I went to
quietly to
the house of
my Tia-Rosa.
When I
entered, do you
a little
the door
is saying, and
I'm thinking
with numbers,
I'm saying
her, Tia,
fiftate
that I'm
doing the
doing the
thing, I'm
going to
try to do
a little
to be a
thing that
you're going to
say that
not.
I'm going to
see the
door
is the
that
is the
is the
is the
is it's
CERRando, and then
then I
I'll say,
Tia,
I'm a
new thing to
my job of
your
life,
and I'm
know that
I'm doing
to do
a lot of the
there.
And I'm
going to be
going to
another and I
know that
I'm not
I'm a
Tia,
Tia,
where you
did you
did you're
I'm not
that the
second
plant me
and he
and he
said,
Tony,
Ben!
And then
then I'm
I'm
Tia, Tia,
I,
I, try go a
like if
I
had
heard
a
narrator.
Tony,
Ben!
Ben!
And I
hear in
his voice
like a
order,
but with
a
force,
with a
way,
that me
made to
that he
made,
he made
that he
didn't
make a,
it was
like if
his voice
had
something
that
went
directly
to
my
ears
and
my
spine
and
that
all
the
whole
the
whole
the
my
Pire
was chinty
and me
started
to do
a bit of
I'm
I'm
I'm in
I'm
a lot of
I'm not
in my
in to make
the
compostura
and I
put it
and I
put it to
see it
you know
you're going
to be
to make
my
more
sonrisa
me
I
sacudy
a
little
and
just I
just
yeah
I'm
yeah
yeah
I'm
every
every
every
that
was
it's
like to
descend
to
a
Pozo,
sin,
dark,
in the
nada,
narrator.
Every
pass
that was
something
that was
something that
I was
my instinct,
no see
my
spirit,
my
soul,
and I
said,
and I
said that
me
that I
could be
little
and I
just
into it
was
a great
back
a
cold,
the
the
temperature
was
spantosomently
free
and I
started
to
me
count
that no
I'm
feeling
with the
same
the
energy
that's
a lot of
me
said
not you
don't
ridiculous
are you
don't
your
not you
get to
the
house
you're the
nervous
you're
you're
you're
you're
and other part
of me
I said
grits
tori
start
you
start you
you're
in
you're
in
that part
narrator
the cargia
I'm
I'm
I'm
there
a
And no, there's a
worse error
that I've
done in my
life than
when I'm
a second
piece.
There was a
sensation
horrible,
a sensation
that only
one ever
I've got
to give
a presentation
to do
a more
to be
a more of
all the
parts,
for a
multitude of
people
that I
I'm in
the
passio
of the
casasos
two
three of
my house
of my
time of my
time.
Every
PASO-CADA
It was like
If a lot of
People were
And I'd
And I'd
I'd hear
The voice
My Tia
Claritima
The Fond of
The Pascual of
The Lado
Exquieter
I'm
I'm
I'm gonna
I'm gonna
I'm
I'll hear
Tony
Ben
The voice
Narrator
Tien
The voice
The form in the
The form in that
I'm
It's too
free
So taken
of carinio
so cargada
of demand,
the necessity
of the need of
what I'm
saying,
that not only
me makes
feel you
and it's a
fear that
really a
but even
so I'm
so I'm
so I'm
in the idea
that there
is the
business
that I'm
going to
start.
I'm
getting the
time
my feet
because my
feet
me's
being
being
my
never over
so.
It's the
sensation
of the
feeling of
the
I hear something
there's something
there's
something
there's a
thing you're
a new thing
you're not
not you're
not you're
not going to
do you're
and my
I'm saying and
when I'm
going to get
at the
final of the
the passio
the door
the pome
the giro
the abro
and my
my tia
is there
in a
place
very strange
a narrator
just in front
of an
altar
with two
bells
encendididid
and
see in
some
color rojo, an orangeado that
illuminate in part of the car,
she'll be able to say,
"'Ven, yeah.
And in that moment
I hear a port-a-in-the-pland-a-pocket,
but it's a port-as that me
has to throw a gritty in an instant.
"'Nabas, I'm a-a-me-lejolejoed
the door, and I'll hear the voice of my
my tia.
"'Igit, bachate,
"'you-hap, got to be there.
"'No, you're in the second-pice-sola.
"'When, I'll turn to the court,
"'s, if there's my t'-a-a-a-a-a.
I don't you can describe the level of
fear of the media
that I felt a matter of.
It was like
being two people
at the way of one.
No, there's form
of any
to describe what I was
being.
It was and
not my tia.
But when
not it was
a little,
it was something
was something
was a person.
Simply,
I'mpecée to
come back
and that thing
no,
came no,
it,
so it's got into
the door,
narrator,
my tia,
a senior,
of almost
85
years,
I don't
how
he got
so much
he took
to take
to make
to make
to make
to make
to make
a little
and he
said in the
he said
to be
a grittos,
because no
it was like
me
on many
don'ty
you have
to be
to be
back
you
get to
come
down.
I don't
what I'm
the only
that I'm
sat downed,
and my
my aunt
saying,
for favor
no
gollas
to come
here
never to
this
past was a
time
narrate.
And since
then I
know that
the paranormal
is
and I
have to
have taken
to be
a bit
a
bit of
the
and you
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You want to tell you a story that is strange.
It's strange about the circumstances in those that occur.
Much of you who are here,
have lived
the different
temporaries
to let's
the time
and that's
has been
part of the
questions
that I've
planted to the
long of
these episodes.
Dudas
genuine as
you know
that in
the personal
the theme
of the
paranormal
me attract
but
this case
that I'm
about to
tell you,
is one of
the
most
extraions
for how
they're
the
circumstances.
This is
the history
of Gabriel
Suarez.
And what
he occurred
is
something
that a
very
little does pass, and more
in this manner.
Resulta
that Gabriel is a
fiel seguidor
of the channel, and
I had heard
us after
more of a year
and a minute,
and this
that I'm going
to say, he
passed two
months, and
he made that
his life
has a
different,
as you can't
you can't
you.
Resulted
that Gabriel
he started
to have
experiences
paranormal
since
five years,
for
so the
thing of
the
thing of the
paranormal
it
attract. The first
what he occurred was
something that's
aterrador,
for the strange, but
nothing that was
under, let's make
a little bit of
a little bit more.
The family had
had been a pardida.
A tia, that
all of them, that all
had a lot of
a child of a
child, independently.
It was a person
with that he had a
level of effect
important, and all the family
had an appellate with her
strong. I'll tell you this, because the funeral
you can't imagine. Much of people
are stressed, vestiges,
of black, many people
yurrauding,
see shunfuss in the
place in the place in the
they're not paranormal,
it's the dolor of the
pernida. And there are
families, there are
families, there are
there, there's, there, there
there's of all type of relation.
And if you presentar's attention
in the sonnids of the
in the other
and in the conversations,
you'd
you'd
like,
she was that
she's
she's always
you know,
and there's
one or other,
another,
other than other
that's too
that's too
that you
a carcahada and
the rest of
people,
intentating to
that that
so that
the other
not so that
not they're
in those
moments in those
that it's
to get to
a,
Entrap in a profound contact with the fragility
that we have as humans,
and also, lamentably,
has that you enter in contact with the pain.
Rostrosstles desencajado.
Caras of persons in those
that see that have been days
in dorming for the preoccupation.
And now a combination
between guilt,
dolor, and cancance.
But Gabriel, not is so?
If you were there
coming down to the attention,
Gabriel is different.
Gabriel, in that then, I think
that has around
16, 17 years,
you'd like much
the attention,
because they have the
mouth,
open and the
eyes open to
be so.
It's not
impacted.
The people
that's around
of him,
no he presta
much.
Because at
the final,
they're so
insimimimized
in his emotions
that that
he helped
he did
much to not
be the
bichor-
he was
living a
experience
totally
different to
the other
the other.
While
all,
in this
moment
they were
to the Tia, he was
he was looking there,
at the foot,
just at the
side of her
and she was
seeing she
and her
face, was a
little
of expressions,
like a
face, like a
pale more
than the
normal,
and he was
the same
that was
that I'm
for the
house.
For a
person of
this age,
it's easy
to get to
that situation.
The
actually, at
the
first,
I
didn't know
what
was
being,
and I thought he was
maybe hallucinating
because he
he wanted
much to the
but when the
tia
turned to be able to
and he
started to
come to him
he,
he was going to
get to
fear,
of the angustia
of emotion
I know
was a
big of a
problem
and in this moment
they were
to let's
get a
carcajada
and they were
to say
they were
they're
not getting
what carhos
when the
woman is
he comes
to do
the roadies
and it
be direct to the eyes and simply
disappear face to his
his mind. He can't
close the book, or close
the eyes. No, he doesn't know what
carajos happened to pass.
Who knows how
time was so much time
was so forth. The book
was sick and the eyes
they'dolian. When
he was made
of the place,
no, he tried
to say to anybody.
Why?
Because it was obvious
that nobody
had seen.
It was obvious
that nobody
had that experience.
Papa and
mom and her
her mother, and are
they're near
to him.
They're
there with
the family.
He,
he's
like the
bichor
he's not
a case.
Is it a
case that
had to be
a lot of
the coffee that
he took
there to
the funeral
and it
was a
hallucination?
Verdardaramente
he
got to be
a
tia
that he
he saw
minutes after
out of
the at
out of
out
out of
she and
coming
to him
and disappear
and
his
eyes
doubts and
questions
that during
the night
they're
going to
tormenting.
The
next days
are the
same
the same
the same
the
other year he's the
worst
He's
He's feeling
He's
He's like
If his
his Cere
He's
He's
was a
Arund
because
he's
He's
what he
did this
What he was
What's the
human?
As a
Cauts,
as far
to be
a manner
continual,
his
Cerebrough
he
a way
a way
simple
to get
to be
a
You know
you inventas
Maybe
maybe
even even
even
even
you're
even
you're
you're
you've got. And some ideas that
will help mitigate that situation.
And, of certain form,
it's a matter, he can't
masticar the circumstances.
The next day are more
simple. Your cerebr, you know,
think in that, no, he's
not recording the images,
it's like a movie,
and is the thing
more satisfactory of the world.
That's not, that no
was a real,
me it was.
It was an idea
that I've, I think
it was, no,
in the belorio,
I was never,
I don't know,
and are things
that are
to help to
be
capes and
capes and
that
impede
to get
to the
record.
Much
pensions
in tors
of that
situation
and they're
to be
two years.
Two
years in
that this
time
that's
that's
that's
that's
that's
a
flower of
the
not
not a
question
to
talk of
that
is a
thing
that the
thing
that it
was
that it
was
that
was
a
difficult
to
manage
that
was
more
now not to have contact with that.
For that the next two years
are two years very tranquillous.
This record no is to.
After that occurred something very rare,
very, very, very
extrano.
His mom, the year
earlier,
she had been barasado,
and just two
months after
had given a loose.
His brotherito
had two months
of the naceo.
And a day
that received
some visits there
in the house,
He was a regular
more
He was done
to come up
a little bit more
time to get a
time and he
he had they had
had been in
his abitation
he was made
with the
door
abjured,
they were
with a camera
and they
they were
and they were
and he
he back
he the
house
and he's
topa
with a
scene
that he
he's
in the
house
in the
room that's
there's
a cunned
One of the one of the
He knows perfectly.
Ase two years,
his mind was
in the most
profound of his
inconsient.
That tia
bestied of luto
is in the
room of his
and there
a other person
there,
a guy with a
gawartina and
he's
he's gothanging
in the cunner
and he's cargand
and Gabriel grita,
no, no, my
Eremitts!
And where he
gets a
door and the
door to the
door is in the
totally,
can't open. The family
no entient what happens. They're going to
goreying to the abatuation and he says
there's a man. Can't you.
What's about? We're going. We're
doing. We're going to
a man. There was a man. Here, I see. My
brotherito is in danger. And he says, Gabriel,
tranquilliseate. No,
that's not. That no me is
doing case. That's anyone there, mom. There's
a person that's with my brotherito. Mom. Mom,
mom, for favor, he will be going to do.
Oh, my, kid.
tranquilize,
for favor,
and listen me.
His mom
was like
if they were
talking about
about him.
Gabriel
no could
be in an
alarm.
It's more,
forget it
of things
paranormal.
Someone
got in the
room in
the room in
that
there's a
one
there's a
totally
free.
No,
he's
not trying
like a
loco.
It's
different
what he's
doing.
It's
like with
much
carino and
empathy.
Like
saying
oh
Chiquito
you
don't
this. Then, then I'll tell you. And so,
and it's all right, with
a lot, with rabies, confunded,
the door, commenced to
call up there, and his papa,
he'll detain, and he says,
Basta. Voltae
with the spouse, Gloria, for
favor. Gloria's
a close to the door.
He says something
that Gabriel no entient, and
then the door is open
quietlyly. The new
is in the cuna, no, there.
And Gabriel
is that, that's, that
not the
of this.
What is what
has what
happened to
unrowered?
The abatation
is a lot.
The room
is a lot.
I'm
feel free.
It's a
bad to be
going to be
the pressure.
I'm so
his papa.
He says,
he's
he said,
he's
a little,
I'm sure you
I think, you
think you,
get to your
court to
to get to
your quarter
to get to
the record most
extrao
that I've
had been
in
his life.
That situation
with
the
in the belorio. Now it was nothing. Now, now. Now,
now, he had something that he had over much. And the other
record, surged, surged. Surged,
surged, feel. Feliz. Alegre. Oro-ond. And so
he was planted in front again. And now, you know,
it was to forget. These things in the
night were tormenting. And when I tell you, these
things, not are the things that were in the abetation of his
brother, to record.
He's having
other times
these scenes
so real,
tan reales,
that's the
little,
and her
little,
and her
person in the
person
her most,
and she
was a
normal,
but she
was a
murder in
a tomb,
under
the
water,
what the
is doing
there's doing
there?
What is
doing in
your house?
Why,
no,
he's a
little,
because
he can
have a
little,
it's
simismars.
His papa and her
try to
talk to be in
the next
months is a
lot of the
time.
For that he
not so
he's
so they're
to say things
like he
so much.
Tranquil,
are things
that's what
we've been
in a
world
strange.
Let me
don't you
take the
things
that's
your
man,
he's
a
great.
Gabriel
came a
moment
in the
he has
no
say to
him,
and why
caro
react you
and what
did you
did you
the
did you
did you
Who are you guys are you? What are you going to?
No, there are
All right.
All is made up allas in the
Cavesa
in your carousan
It's a very strange
And they're going to pass
two years
And it's very close
of these
Feches
Maybe a year
A minute
A little more
A little more
A little bit more
And in a certain
But it's
so much
It's a personal
A little
Different.
He's a
Soresalt a little,
is a person
nervous, in occasions.
Sienta that
is a nervousism,
is the that
certain places
do you make
feel very incommod.
She does
a point that
he's a
type of
personality in
that she obsesion
with certain
things.
If a
place a
little bit more
not be there,
if a person
has a
different,
I prefer
not to be
not to be
a certain.
I'm
a problem
mental.
I'm a
problem
mental,
me invented
those
things.
I
I was too I've been
hallucinations.
He's
looking
to be in
a man who
continue to
go to
go to
a psychologist
and a
mother's
him in
him to
get in
that's
very questionable
totally
independently
what I
want to
get to
you're going
to be
a
person to be
a psychiatrist
to be
to be
that you
don't
they're
not they
he's
he was
simply
that the
life
was
to
start
something
I could be to sell more ideas.
He was only in his house.
And, standing there in the house,
he waschews,
those passes that were from the abetation of her
but the house was a
pap, mom,
his brother and her man,
had been a visit a few
family, out of the city,
he had been
gone to have gone
from yesterday.
He's those
passes.
He is sure that
no could be
nobody that has
entered.
His house is
very hermetic, is
very secure.
He would have
heard heard
heard
if
someone
intents
to
enter,
apart
of the
systems
of the
security.
He's
going to
the
passio,
he's
to know
because
of a
way,
the
incomodidid
the
fear,
but
also that
is a
interest
to know
that
is a
question
that's
the
door
of her
and simply
see a
an
man,
a man
that never
in his
life
has been
a
man that
was
a
like if it was for a
fiesta,
a type of
a type of
a type of
a court
like a
person
of a
a little
a
and he's
he's a
being
and he's
the
corner of the
commencing
and come to
the
and as a
place where
a little
a little bit
he's in his
he's
and he says,
I'm
I'm done
to
get to
get a
room, the
room, and when
he gets to
the room,
the cell
is around the
cellar in
the cellar in
the room
there's the
front, the
door, where
is the
television,
is all
full of
somebs,
somras of
people,
different
times,
people,
people,
people,
people,
people that,
even't even
people,
if they were
living,
if they were
those,
they'd
be the
people,
and it's
the place and
he starts
murmur,
and then
it's a
time.
And then
there's a
moment in the
that's
a time in
a voice
that's
perfectly and
that has
about about
five years
to not
to hear,
he says,
but it's
like if
not he
to be
to the
words,
he
about his
eyes,
to the
mind,
something,
the voice
of a
woman,
of a
woman,
of a
woman,
of a
woman,
that doesn't,
that
that they have
in
a tomb
because
is nestia
in
care of
this
child.
And he says,
I'm
not you know
you know
to get
your
your father.
Dills you
know it's
now.
When
he opens,
the
place the
place
is a
back.
He
he has
no,
I don't
feel
of the
sombers,
no
I think
fear of
the
the voice
of the
she's
not of
those circumstances
paranormal
is
he
feel that
he has
been
that
he
And, until
that they
have gone
two days
after he
if you
saw you
see,
it's a
person
is a point
to take
a very
bad
decision.
It's
he has
been that
has
been that
has
been that
has
been that
has been
not.
It's
very bad
has been
when they're
in the
people
when they're
they're
very
unquietos
and
they're
they're
and they
says
that it
happened
something
something
that
the voice of my tia and me
he said that he was now
but he's a very well
this is the first
that's the first time and mom
if they're ever
to give to a little more
than words
mom
go to the kitchen
prepare a mienjurge
of something
he says for favor
acety
here I'm going to
be to be here to
be to be here
to be here
to get to mom
with a tascita
of something
and the what is
this?
just,
take it.
You have it
you have to
take
to three sorbos
and he
he's got to
the time
and he's
my hands,
he's not
four,
no five,
no one,
three,
you've got to
three,
he's important,
of three,
you know,
you're just
me,
you know,
he's got to
and he's,
he'll give
to tell,
one,
and he'll
give the first
sorb,
like if
was a
little little
and not
someone
that has
more
to be
two years,
two,
and he
then he
then he
then he
In the third, you have to have to have to have
done it, and in the thirder,
he still to have tohrie a little,
until he has churrored a little, and he said,
Tomalo, Tomalo, tomolo,
tomolo, todo.
He said, Gabriel,
that seemed like something
that's strange,
or a cold
in the endrored,
like if many
things that were
there were,
something that
he was going to
get to get to
accumulate, and
of a sudden
to get a
very cold for the
and it was
like if all of
all of this
all of the
he was really, he was
he was sentia
and he was
he said a
little bit of
his father he put
the man in the
armory and he said
you know
you're part of a
family of bruchos
metete to
bathe and
you go to
tell what that
that means
Gabriel me says
narrator
no I don't
what demonious
is going to
my life
but since
some
months
me I'm
I'm sure
that I'm part
of a family
of bruchos
and
now I'm
I'm seeing that
many
things,
many
things that
I've
not were
things that
I'm
imagine.
Some things
that they
were not
not at
my moment.
And you
would you
would be
the tradition
of the
family or
would you
something?
This
history
past that
I told
me
a one
of the
messages
that me
have
made
that
that's
a
story
a
particular.
Result
that
there is
a
a follower that
says that
there's a
legend in
his family
that he
went to
find out of
and he
lived a
very much
that's
said,
if you
have seen
that a
place,
or that
in certain
circumstances
in
that's
in a
other,
it's
not you
don't
it
to go
to get
to
do
because.
Because
it
can be
that
can't
be
something, but
it's
very different to
to hear a
relato
to live
these
things that
he took
to live
to live
to the
story
of the
family is
this.
In the
family
there
two
people
that he
only
one
I think
is a
tia
an
old,
is a
person
and this
person
of
name
we
let's
put her
Trudis
had
a
her
a relation
like
very
beautiful
very
unyed
the
the
the time
is that
there's
a
tragedy
family
when
just
just
just
get
and
he
around
six
seven
years
her
her
her
was
a
she
was
an
accident
I
know
the
details
but
he
a
part
of
that
the
life
the
the
life
the
not
only
he
her
her
her brother,
I've
a confident,
to his
best friend,
to the
person who
was the
person who
was the
family of
the person
with the
person with
there was
there was
something
something
that was
that's
disconnected
and he
started
and he
made
actions
that the
family
were
they were
well
but at
the same
a little
a little
strange
Hertrudis
He said
about
about what
was about
in the other
life,
what was
what was
after we're
going to
say,
is a person
a
very much
and this
is when
I was
when I
had six
years.
So the
culture
of a
good
communication,
we're
not we
don't
we're
not we're
not
not the
times
that they
were
that they
didn't
incomodas, in
the way of
to get the
good responses,
it was
to get to
the family,
and she
was going to
not a
person,
that was a
person who
had a
lot of
the life,
the other
was someone
who was
a house of
and mom,
and I
had contact
with
anybody
more.
They're
passing
the years,
Papa
fall yes,
years
after mom
fall yes,
she erred
to the
house,
no
has a
and practically
is there.
That Tia
Rata
that
All the time,
they say that he
Reza the Animas of the Purgatorio.
And they say
that he'ss
the Animas of Purgatorio
since
her mother.
And this was
in many decades.
And that she
all the time
will be to
see her with
a rosario
resandol to
the
purgatorio.
But,
well, that is
an action
that many
people do you
today.
And many
people devote
the animas
of the
purgatorio,
what
would be
a strange?
Well, that True, for
D'emunitive, to this
woman, Hertrudis,
True, has a experience with
the animas or a union
a little more than what habitual,
a little more than what normal.
That is what we've lived on our
subscriber.
He had heard that in the
house of True, or in the
house of the papas,
of the Tia True,
occurred in things rare.
the people
were in sombras
there are anecdotes
of primos
of tios
of being in the
cell of
start
trying to
conversing with
the Tia True
when
they're
when they
they're
they're
they're
and they
see a
woman,
a woman, a
woman, a
little
the
person
that you
know
but
all they're
something
something
something very
simple
cross
the
wall
like if the
pared not
there's
they're in
they're in
they're in
they're in
they're in
they're all right
and they're
they're all
so they're
that's the
person that's
in the instant
they're at
the time
the T'A T'A
T'Ale
the Rosario
and in
occasions
they say
they'd
preference
not enter
because
they're very
unquietas
no less
they're
they're
all they're
all know what
they're
the
The house of the Tiatru is of two-pissos.
Yeah,
and various persons that
has exactly the same.
They are so on-som-because
there is something that
calls the attention of the escalers.
They're going to the second-pice,
and they're going to the second-pice,
or at the second-pice,
they're going to the escalars and they're
to come to the back.
And they're the T-Tru
is there,
Saca the head, and it's
a-cob.
If you're in the second-pice,
Saca the
Carta,
and he's
a bit of
but at
the instant
they're
to be a
true
and the
voice
comes to
the
other
there's
there,
no there,
normally
that voice
comes
in a
place
very
to the
area
to the
area.
The
people
have
what is what
is what
is
going,
you
and tios
and
tias
that
they're
about
that
they've
seen
to the
have been
to the
kitchen,
without
nothing in the
hand,
without,
and do you
to get to
their own,
until that
they were
that they were
a noise,
that was doing
a noise
to make a
and the
T'A.
T'A.
T'Ruh,
they used to
a certain
that all
they're not
a single,
that all
there's
a car
repetitive,
that if you
are there,
you know,
you're doing,
and there,
while
the time,
while it's
the
room.
No,
there was
no noise.
Then they
they're in
their attention.
They're
they're
they're
going to
the room
to the
house of the
tia,
you're
saying,
and when
they're
a little,
the room,
just to
look,
that the
tia
just being
entering
to the
house,
just for
the
area of the
house.
Cosses
Ras
in that
house.
Cossus
very
strange.
This
seeididor
I'd
go to
try to
try to
I wanted if that
of what they were
telling those
legends
family are
really
existian.
Apart,
nobody
know the
version of the
Tia True?
Nobody
has the
why
do you
have to
say what you
have to
say the
question.
He wanted
to know,
if
really this
occurred,
or is
a manit
and a
question of
the family.
So,
is that
was to
visit to the
Tia.
When
came,
the Tia
was received,
he was
much time
without
ever to
he's
he had
to present it
like she
he's not
he's
he's a
he's
he's
a boy
a boy
I'm
a boy
and he
he's
a little
and she
oh yeah
yeah
yeah
yeah
he's
he's
I'm much
questions
I'm gonna
talk
with you
yeah
yeah
she said
I'm
so
you're
saying
and from
and from
and from
he's he
he did
he's like
who
He was very inquieto, but not so he said it was to be a little grosser.
So, just that just he was going to be able to do that this
not ever so habitual or so normal.
And, maybe the legend, the legend, if it was based on something real.
He had his doubts.
I wanted to confirm it.
Enter in the house.
Comegents a conversation very rapid.
Tia, how has been, that's been, you know, you know, what's been, my hitherto.
tell me what is what you
question.
Of what,
Tia,
you know,
and you're
quite quite.
What are you
want to be
you're doing?
Tia,
you know,
you're going
with the
Purgatory?
Yes,
yeah,
here me
they're going to
what's
no,
but in
serious,
Tia,
I mean,
you know,
you know,
to the
, you know,
I'm
so,
my hither,
the restes
the animas
and are
with me
here are,
what's
what's,
but
Tia,
so,
you're
you're saying
that,
like something
you think you
know my
it's a
you do I
this
like you
know what you
know you
there are
there are
some
and we're
not coming
the
the animas
the purgator
I'll
I'll
let me
let's
you
I don't
I don't
I don't
see
I'm
so my
you know
you don't
you
those
you can't
you
but
you're
more
you're
what you
what you
do you
why
When I was a little, if you know
that's more my brother,
well, my mother,
after that she got her in the
life, his spirit,
he was kept in the house,
and no she wanted to go.
And I wanted to
continue to come back.
And I mean,
at the beginning,
me, I was too
a little bit.
But then I
was there was
a part of
a situation,
she was going to
the house,
and I came to
ask her the
person,
but nobody,
nobody,
nobody,
nobody, me
knew what
I took them
for a loka,
and I
I was
I
did. So,
I'm
so I'm
more religious
and a father
me gave a
monjita,
the mojita
me gave
another.
It was so
so I don't
me
remember the
of the
name of the
name.
At the
final,
there was
someone who
said,
and me
said,
Reza
to the
benditats
of the
purgatorio
and
and to
your
time.
And also,
if you
have your
opportunity,
tell you
continually
to do
to your
woman,
that you
have to
get to
that you
to
get to
and
And it's, my
jit.
And like
two months
after my
brother's
my sister
and it's the
other way,
because a
part of the
time,
every time
people get
people who are
people who
I've
known.
But,
but then they
have seen
to visit.
What more
questions
you know,
and then
poor
Jose,
he's,
he's talking
with a
person
as a person
to be
a person,
a person
that you
talk with
that level
of that
that
and with
things that
absolutely
are
a
person
that's
the problem is
that's
they've got
a good
rata
the conversation
was a
long as much
more than
more than I
to do you
to do you
know that he
is a point
to knowcheser
and he
says
Tia
me permit
to pass
here the
night in
the
and he says
yeah
but
you're
to be
they're
some
they're
some
some
some
they're
some
you're
not
you're
if you
don't
you can
you can't
you
but you
know you
don't you
starting the
night that I
do you
do not
I'm doing
I'm going
to go to
talk about
words of a
local
will be able
to prove
that the
poor
this age
and is
a person
that is a
person who
I think
and you
have to
respect
it
and he
is the
that's the
that's
that's
he's
he's
he'll be
really
he
there's
are
in the
apartment
the door,
she'll be the
door,
and he's
made up
much.
Of a
repent,
in the
in the
bathroom,
it's a
move,
movement,
like if
had a person
to be a
car
and the
door of
the bayon,
the bayon
the bayon is
no tally,
but there
is a little
strange.
The
mirror is all
all of
the bow
like if
if someone
is
barra of
to
You can't
there's a
there's a
Maybe he gets
He's a loco
He's all
Because there's
There's nothing
That's that
That's to corroborate with the
Ohos
No, he'll work
Toeer to the
Spejo
No, he'll
Volteer to the
Spego because
Yeah, you
That's just
Is that
He's just to go
Toe back
He's to go ahead
in the
hand,
grab the
pome of the
door,
the room,
he's going to
be to
be in the
camera,
and when
he's
a costed
in the
camera,
I'm
a respiration
in the
room.
A respiration
that's
not in the
room,
not the
room.
That's
all the
perils of
the
body,
he does
really
because
the
rest of
a
little.
And it's
a
respiration
profound.
If
if you
had been
had to
live
what the
poor
Jose
Louis
vivio. Cremme,
no doormes.
This chico,
poor-sito,
if he wants to
think the idea
that's imagining
things, so
is that he
tap the
eyes,
it's covered
well,
because all we
know that
we can't
have a
super-power,
that we
do that
and then
that's
being covered
and tap
of the
eyes,
you know,
he's
like someone,
he's
just a
he's
saying,
for favor,
I'm
so I'm
say,
that no me
abrace,
that no
me abrace,
that,
and it
was necessary.
Sentire a
aliento that
was just
actually at
the nukk
was more
than the
minute.
And then
after that
he's got
going to
get to be
a problem.
You know,
that's not
that's a
room.
The room
was a
place when
he went to
a brinko.
There,
no,
there are
any more.
There are
there, almas
in pen.
She is
going to
the abitation.
And there
with a Tia Tru
she,
and she
He comes to hear that she's
saying that she's
residing.
No, he
wants to
get in come
with her.
So,
he pretends
a little,
so quite,
to get to get
and she's
going to pray
to prays
to her.
So,
so it's
that I'm
gently the
door,
so that
no,
it's not
more
noise,
not to
not get
to be the
time,
the tia is
great,
and he's
he's great, and
he's not,
so where it
comes to be
to be
has an altar-cito with a cross,
something a lot of 100-Catholic,
there in her
house. So,
the creensions of the Tia,
and she is inkedita,
has the hands
agarred,
it's perfectly
that I'm a rosario,
the problem is that
the side of the
right of her,
there are three
people who are
three people
that are
because they're
very well
in the head,
even down
of the bust,
but yeah
no,
you know,
see
the
one of
one of the
three.
A man
with a
bigote,
a woman
chaparita
and a
little
and they're
being seen
now.
He's
let's
start the
door,
as he
never
had been
there
he's
to come
to the
passio,
he
does
know
that the
door
of the
house
is
and
that's
that
just
he's
in the
house
he
percy
and
he
commenced to razzed the rest of the night
until that gets the alba.
One way that in the
room enters the first
rays of the sun,
it's out of the
little,
he has prepared
a day-in-a-all-a-old,
and he can't
provide a vocado.
And,
and just says,
Tia,
how I do
for that you
don't me
going to
get to be
a little,
that the day
of today
that is like
some kind of
some kind of
a problem
and they
in a
cacita
linda
with a
molyto?
What
is a
little
and he's
a
a
rosary.
And so
you,
you
come back
you
do you
do?
And you
tryver
you
would be
a
night
in the
house
of the
house
of
purgatory?
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Welcome to aboard
Via Rai.
Embarked and profite.
Embarked and celebrate.
Rigolet.
Publié.
Savour.
Admire.
And profite.
Via Rai.
The voice that we
am.
Dicen that in the
bad moments,
you know,
you're just
your realest friends.
In the
history of Alfredo
and Lassarro,
we're that
they're down
but
after the
Fondo.
Alfredo and Lazaro
are a pair of
of friends
that have been
many years
to know of
a year
and have
decided that
they're going
to enter
to the
great
adventure.
They're
a new
a business.
The two
were
in a
company
of these
of the
attention
telephonic
and
they were
they're
at a
certain
level.
Lassar
a
a post
better
than
the
of
to do you have been to
and they had
said that
they were
going to
have been to
get a
grand
they're going to
have a
business,
and they're
to do
and they're
to do you
and they
had to be
a lot of
the
hydrophonia
a system
that is
like a
form of
making
a
need to
there
think they
to do
some
kind of
kind of
a
kind of
that had
different
different
types of
vegetables
that could
they could
they
would be
menudeo,
has a
a bit of
hippie,
pegandole in
a little
in a place
in a
big of a
little to
a little
a company
that some
day could
be a
great.
They were in
a little
a
little bit of
a
agriculture
for
that they
were to
and
they're
to find
to
people
that
to be
in the
place
to
something
and
also because
you
not
didn't
know
they
never to
When
when
they were
different
houses
that could
renter,
but there
one of the
afueras
that was
that's
that's
the time,
the people
that were
the people,
they said,
they said,
that was,
that in
that people
not was
a lot of
time,
because
they were
saying
that's
embruchado.
Alfredo
and
Lassar
not
they're not
time for
those things.
They're
they're in
six months,
then
look,
if there
there are phantasmas there,
we're going to put
to work.
That's the
mentality that
they're,
they're in the
own people,
they're in the
other one
does it,
so when the
person,
they said,
that there was
in this
place,
he was in
a new
first of the
other
the other
the other
was, you're, and it's, and, you're, and, and, and,
it's, and it's, and it's, and it's, and, and, and, in a
, person, and, and, it's
in a synchronization
extrana.
He said,
I said,
well, if you want,
if you want,
then the
place,
you know,
and it's
that I'm going to
do you know
more dialogues,
and at the
final,
despied a
papelry,
complied with
the things,
and they were
fascinated.
Not only
was not
on the
affueras,
they were
to have
more
people,
and they're
more
privacy,
apart of that,
the time
of the
place.
It was
incredibly
bad.
A house
a house
but
with a
sotano.
In the
sotano was where
they were to
put a
question this
of hydroponia
and
they were in
a zone
of a garden
that's
there are in
zones of
there are in
there are
a lot of
a lot of
to put in
to compete
the plants
that they
were the
system
that they were
and the
that they
had been
outside
for me
of
cultural
that
maybe with
those
are
comparatively
for the
clients
etc etc
etc etc
they're
they're
they're
they're
the
point
is that they installed
in the house
and brujed
and the
people,
from there
they were
a little
strange.
When they were
to buy a
the tinder,
the type
of the
was the
house,
those of the
house of the
and they're
they responded
in the
enbruched
and bring us
and he
well,
if you
get to
they're
they're
they're
not going
to do that
don't know
to
do that
every little
the same
cantaleta
the person
those
and they
had
the
miras,
they'd
be, maybe in
them
some sign of
that something
that's
about,
but never
going to
find out of
those in
those
people are
two
entrepreneurs,
and a
entrepreneur,
I'll say.
If you
get to
see,
have fintas
in their
property,
they have
to put
to work,
they're
not the
way.
They're
that they're
not a
situation,
that pressure
and they're
taking a
year, and so
they're going to
do this,
the first
things are
going to
functioned a little.
And then,
is when
those who
are the
realeros
of the
house,
they're
present.
And well,
I go
property,
but not
are various,
it's one.
And it
is a
form
more
spantosa
that you
can't
imagine.
There are
certain
indicios
of that
the
temperature
of the
place
is
changing,
not
the
house
of the
city
complete.
One
day
before
to
that I'm going to
tell,
all the
sky of that
was in the
city,
it was
all the
news
were made
like
as much
what for
them
that would
probably
had a
bad
a
temperature
tremendous.
With
a
high
high
high
because the
sensation
of
the
was
something
that was
something,
something,
something
something
was a
thing,
it was
something
they
were
to be
different tinditas of the
people and well
the people
they said they were
much careful
that in the days
of torment
is where that
thing is
that thing is
very convenient
no have
been used
from one
these people
that we've done
insist and insist
and insist
about the
phantasmas and
the things
that are
in the house
pure a person
pure people
people,
people ignorant
and is what
they're
are thinking and
are saying
Lazar and
Alfredo,
but the
people the day
of the
day of
the storm
when they
do it,
he does
do the
same
and that's
so
they're
strange.
It's
percinan.
No
they've
done that
those
months,
they were
they're
they're
they're
they're
but
not they
they're
all they
all they're
all
all they're
all
all to
all to
all
to the
people to
they're
they
Well, it seems that this
people all of the
whole all of the sketch
comic because this
no has to be seen.
So, that day,
when they're going to
a house
with various biverees
prepared for if the day
next will be a
a manormenton,
they're being
well, but
also are very
incomodos.
They're
so incomodos
that the two
as if they were
put to do
doggio,
they're not
they're doing
well,
the day
the next
second is
all the
very
can't
and get
and the
other
and it's
not
going to
get a
night
before
the
first of
a
time
you
see
on the
long
the
the
and the
new
the
new
and
it
can
get
the
very
and the
sensation of
a
bit
a
bit
a
a
little
a
little
the
aroma
of a moment to another,
will be to initiate.
Decidion
they were so
tired,
and the day
earlier the mal-viaholos
and it was
a bad viro
of this
people pretentious
that has ideas
false and ridicules
in the
that they're
that they're not
going to do that.
Toman a
pair of mecedoras
that were part
of the house,
they put in
the porch of the
house,
they sitan
there,
one has a
one has a
one has a
one has a
little,
and then
to
expect to
the storm.
No
they're
much
conversation.
They're three
months
living together
together.
It's a
moment
in the
most
to be
just to
simply
exist.
And not
say
a
word of
this
porch,
of a
repented
in the
first
raines.
Commenced
the
storming.
And then
then,
after those
first
chubascos
and the
first rations
they
heard
something,
they've
heard
in
have heard
in
relato
but
never
have ever
have
heard
that they
they're
going to
hear
in the
house
a
in the
But then
they'll just
They're
And it's
Like you're
Like you're
You're just
You're going
They're going
They're going
They're going
So it's a series
of relampagos
That makes
that the
place
Yeah, you
It's
Oskueue
The nubes
are sumamente
oscura
Yeah is
quite
It's a
night, but
for the
nubes
and the
type of
climate
It's
much
And the
relampages
To make
to
do
all over
All
all the
All right,
something
with the
sensations
that they
have in that moment
and the
the
of the
last
that's the
last
the last
truendo
of the
little redempting
they're
they're
they're
and they're
then when
Alfredo
be that
he's
bocke abjointed
and he
is overte
and he
he's
saying it
like saying
he
be there
he
he,
he'll
he
he'll
his hand
with the
indice
to the
endice to
and
he's
moving
in
manner
repeated.
Then
Alfredo
bolted
to the
front and
there.
Out
of the
reja
there
a woman
descalsa
with
a
black
totally
empaped
the
is
black,
he
is a
color
and
he has
all
and it
is
very
because they
are
very much
because they
don't
have the
best
not a
view of
no
a
view of
an
not so
normal.
No
it's
normal.
And in the
mind of
those two
that have
synchronized
many
times.
In many
occasions,
one
says something,
the other
complemented
the phrase,
they think
the same
at the
time
and they
they're
both
and the
time.
And
they're
all
time.
They're
they're
they're
they're
they're
they're
that they
did you
and
did
and
she
per over
out of
the
house
and
probably
as the other days,
as orchested by the
people,
they're all overcasted by the people,
that's what they're thinking.
So, is that they're going to
see the one to other,
sonrying with the
face of this,
it can't be right?
Voltean,
there's a relampage,
and of a repent,
in that second
in the light
are the lights
and the same
time, all is
the dark,
that woman
to be the
side of the barred,
now is to
this, the
side of the
barred.
without
to move.
And they're?
They're
very much.
That's not
in a manner
of one.
That's these
ignorantes
of this
poeblucho
have the
effects
specials
to be able
to do.
They're
being
a instant.
It's
all the
temperature
to the
floor and
all
phrase
mordas
sarcasm
or form
to
the
way?
There's
that they
that's
that of
that was
of what they
were
they're
of
that they're
It doesn't
sense.
So,
so they're
they're
again.
They're
again.
And they're
in the
mind of the
woman.
There's a
little bit
more
closer.
No,
it's not
to move.
When the
light,
and it
goes,
and it
has a
moment of
disappear,
and
move,
they're
to the
instant.
And they
goren
to the
door,
they're
going to
get to
something
to be
something,
something
that's
something that
not
They preoccupied to say it,
something that
a minute
in a minute
was more
than a second
because the
door is
closed.
The door
was open.
But,
well, the
mind,
he's a
rapid
and a
response
rapid,
and a
great,
and it's
a lot,
you're
saying,
you're
there's a
mind,
you're
there.
And where
they're
going to
the
door,
no
see
the
one of
two,
he's
he's
he's
turning it,
and
he's
to open the
door topa.
And it's
like if
you know
that something
there's
bad,
because
there's
a relampago
and they
can't
see a
very much
atypical
and it
untypick
and a
door.
There's
a foot
there
is a
partens
in one of
those two.
And it
is the
foot of
a chica
that
has a
type of
a
little
a
little
around
all the
all right,
all right,
The house?
No,
has that type of
filtrations.
And that
foot,
there's a
other entrance
to the
house.
They're so
so they're
in what
do you,
that's
they're
in reacconar
and they
have the
door
just in
front of
it's
me
abirta
with a
foot,
the
man of
one of
two
has
has been
the
POMo
and
they're
seeing
the
and
now
that
that
that
that's
in
blank
In the middle of the two only
a noise,
a sumbid,
an something
that's a lot,
that's
that's overpass
not they're
not going to
do.
And one of the
two,
just he's got,
I go.
And he comes
to gore,
and he
gets a
down the
year and
he's
running of
the property.
And the
other,
he's
no,
he's not
more to
do you,
he's
he's the
he's the
person
the door,
and when
he's the
thing
on the
of him, what
carafos
is doing
there?
He's
behind
his
and they're
going to
just right
to the
times of
the caries
that they're
to be
to be
to be
a need,
and as
to get to
keep there,
and
they're
they're
to get
the two,
as two
poor
locus
that
that
were
that they're
that
they're
going to
and they're
going
and they
the
problem is
that
when
when one
of the
two
has
been
That thing is there,
without move,
only that when
they're going to
when they're
going to
still being
to the 5,
10 or 15
meters.
Always
the postes
of the
light.
It's very
obvious.
The
the first
that every
that they
are the
two have
clear of
something,
it's
more
more
back,
they're going
going
to the
maximum,
the
the
heart
is they
will
be
to
get
to
any moment.
No,
they're in
condition
physical
to do
that's in
that's a
time,
there's a
one, it's
not going to
be a
surprise for
the other.
The other
will be
going to
until that
he's
your
car and the
that you
get the
door to
that thing,
but no
it's a
idea of the
head in the
head.
Simply
it's
going to
when you
when you
get a
one of these
house,
they're
they're
let's get
yeah,
the only
that you
are the
moment
in the
that's
and the
door,
that
that was in the
porch of
the house.
It was a
daughter
of the
house where
they were
living,
I just
wanted to
give us
a message.
No,
I was
more there.
Because the
day
the day
the
they didn't
they
they were
those
not
they were
they,
this
part of
people,
they were
many
times,
some
a vocabulary
very
well
developed
because
they're
people
that
people,
they're
people,
they're
they're
palidous.
Practically,
of them
not said
a
word of
and the
people
even the
day of
like,
you know,
you know,
of those
those
who
were the
those
misused.
And so
they're
poor
Lazaro,
poor
Alfredo,
the
two
meodos
is of
the only
that's
that's
there
in the
people.
But for
them,
for
them
after they
no
there,
there
was like
that's
that's
the
He fell to pedasos and
He went direct a fossa,
a fossa
full of phantasmas,
of entities malignant,
and of things that
they're going
during the night.
And you,
what would you
do you?
You'd be a
person very valiant?
You'd
be able to
confront me to
the demonio
castaer?
Because Fermin
was a
person who
was a person.
Fermin is
a type rudo.
Mide
more or minus
one-90,
he has
a barba of
candado,
He, in the part
superior of the
head
no has
a
man he's
a man
is a
subject
that if
you see
the
face the
every
hour
of the
day
it's
doing
two
things
thinking
in
something
and it
is
he's
no
is a
person
that
you
he
you
have
a
aura
pesable
he
a
a
severe
a
person
that
not
is
an
mistoso,
or anyone
that you
want to
talk
only in
a
carjejean.
Fermin
has a
whole
a context of the
part of the
a question of supervivency.
He met in the
naturalness with a cuticle,
with a carc,
and it's
a few days of
a time of
entire.
That's all
has led to
take the
life very in
serious.
But this,
this,
this comes
from a
affision
that not
was acquired,
was impuesta.
Tal-be
that's not
amistos.
I'm
to tell
because
poor Fermin,
and
I do
so directly,
he took
to live
things
very
D. Fermin is
a son-of-militar. Or, well,
of a subject that was military very
little time, but he had the
Infulas, of
a great-militar.
A subject that was just
a couple of years, a person
very frustrated, and that
with his son, with his
his son, he would have
to do you know, he was to do
his own military, a
military, a military of renomber,
so is that, since
he
he not
took education
he
he
he not
had a
family
he was a
former
he was
a
he was
a general
he
he said
he
he
he
no
there no
there
no
there
there
there
there
there
there
there
and
do
the
things
and
the
things
he's
he's
there
to go,
use
pesas,
and
have
puras
questions
of the
questions of
a strategy
of an
enemy,
what is
what you
have to
do you
do with
the
artes
of the
part of
him.
The father of
a person
that was a
situation
not put
perman
not much
time
in the
body
and now
fors
a
only
his own
his
to be
a mode
of
a mode of
a
He wanted to do you to do
do you want to do soo'nions in the future.
What he went to
Fermin, to not
understand what was a
one of a sonrisa,
not capture what
was a joke
and a drama.
The life is in
serious.
The life
are to do
things correct,
things serious.
The life is
bad, or is
correct or is incorrect?
One thing
made a lot-each
you can put in
a problem
in the rest of
the rest of
people that
you have to
protect.
But you
know,
the life
also.
The life also.
because a day
that Fermin and his
father
they were
to make
he was a
first time in his
a flag
and a
condor
a gundor
an eagle
at the
end was a
big
was a
big
he saw
he was
he was
he was
in piccada
and when
he got
an animal
with his
garras
and he
he was
he said
to see
to be
the condor
was the
form
in the
He's, he said with an animal, and he said, mentally, I'm going to be a
casser.
I'm going to be a prisoner.
No, he was a military.
Al caro, papa, his own dreams.
If he'd get to do his own own own
his own preser of his father, he'd, he'd, he'd,
he'd, he'd, he'd was a better than what he was.
Amistades, no, viasos?
No, no, he no, he not the other people that,
that's the other people that not the life is corrected or incorrect.
The life is so does it, or you put in risk the things.
a little,
so much,
a little,
a person
a very
very good in the
work,
he was in
questions of
security and live
incredibly
well,
he was a
military,
but it was
good in
the combat
man-to-a-money.
But you
know what
what was
really the
really really
he was
a lot,
the
arc,
and when
he has a
arm,
and he's
not you know,
you know,
he's idea,
but he
has been
one with
one with that
arm,
one with
his instrument,
and he
has been
hours in
the
camp of
the time
to be so
important in
his life
that practically
everything
all year about
all the
thing he was
all over
to have to
make a
practice and he
began to
compete and
he did
count that
he was good
and now
the
carerer
but in
his mind
he is the
castador
in his
mind he is
the condor
every
every
he's a
he's
he's
in his
camp
in his
environment
is
in his
family
is
firmin
you
don't you
don't you
interest to be your
friend.
Tampo you
don't you
make a lot of
because if you
met you
get to him
Fermin
knows how
does it
never he has
never had
taken the necessity
to do
Fermin
does give
his life
and a
good,
he's correct
does the
things that
are good
as far
are so
that's
so structured
that has
a process
that has
almost
he does
is to
get to
the camp
of the
time to
that
normally
it's
in the night,
to get
to the
time.
You know,
making
rubles,
doing the
without
the life
in serious,
being people
that not
connect them
with the
arco,
faltale
to respect
to the
arco and
the
fire,
not to
be really
to be
one,
it's
something that
he generates
problem,
it's
more,
he's
in the
night,
and he
he has
many
many
many parts
for
motives
of
security
that
that
they
are
there in the camp in the night.
He gets
about the 9, 10
of the night
when the last
last time.
Inclusive when
the vigilante
he's got
to give his
last time.
He's preys
the place.
It's a subject
sumamente correct.
Nobody
thinks in him
as a possible
ladron or
someone that
going to do
do it, because
not is the
person.
He is,
more well,
the person
that would be
a person
if you
want to
get the
place you
and it
and it
all the
night,
because it
would be
more than
the
kind of
a
guardian.
Fermin
is in the
camp of
the time
are the
night,
and it's
the process
that most
he likes
to get
to get
stationarce
without
the right
first
hand
to make the
carcage
that is
where he
has a
second
second
pass
rapidly
the
man by the
room
to be
to be
to be
if something
to
see
something
there's
there
is
there
take
the carcag
with
another
man
and
then
go to the part
posterior of the
auto,
to open the
cajuela,
to get the
arco,
cargarsel
to the
carcach also
and then
then as
past
by the
side of the
seat
of the
copilot,
observe
of reoho
as
and not
and see
there,
if it
was
something
on the
something
on the
point,
something
that he
has
done,
no,
it's
perfected
limpio.
Hega
the camp
of the
time,
take the
the
is out the vigilante,
they're saluted,
and they're in need
of words,
one or you know,
to say more.
Firmin,
is a type of conversator,
you know,
then so,
then he's,
the door,
and he's right
to go directly
to the last
area where
he's like there
for different
motives.
It's a
place ample,
it's a
one that's a
one that
more or
kind of
two meters
in their
space
between
the ombro
and ombro,
then
in the
natural
is the
that's the
that's the
time.
He's the
diana
about the
five meters
long as
a camp
for the
first
is the
most that
is the
more to
get a
and a
minute and
more.
What
does that
the
the
that's a
that is that he's emotional, no so he'll ever
never, never, never you know, but he's
he's been to see him. He's
so he's the camp of a
time of the Tiro for that. And,
and standing there, in that
area, the one that's more
near the video, the
you can't see from the
area of the area, from
from the entrance principal,
would be the person that
would be able to
try all the time. But there
no, nobody, nobody
nobody is it's a lot, he
is a little, and
he can do whatever
that's like his
second home, and
he's a good,
and, standing there the condor,
they're going to pass
the hours.
The Casador,
now surprise is the diana,
and no he has to
get to escape.
Every time,
that's the center,
but not because
he's falling,
it's because he
starts to play
with all the
distance and the
form in the
way in the
way that he could
do.
And he's
put the
place in the
part more
near the
final of the
diana.
Because if
if he has
to have to
have to
have to
have to
make to
the
Fletcha.
Deve it's
exact where
put the
eye to put the
this man.
So, he's
he's got to
put it in the
time.
And there's
to terminate.
Centimeter
above in the
first line,
there be
to get the
Fletcha.
And he
starts
keep in a
certain order
or that
are in
other order
distinct.
The point is
that he does
his own
their own
games.
Not is the
competition.
It's the
art of
the art of
the art
to be one
with the
a flech, to decide where
it has to
to be in the
time in the
time in the
he's a
bit of a
back, he's,
he'll be to
vacy the carc,
and he'll be
to make, and
this one, the
endumied,
he's been
done to know that
are the
three-33
of the
morning, and
at the
three-33-
of the
morning,
something,
it's just
the arc,
he has just
the one-
just-and-
the last,
the one-
in the car-
the car-cage,
They have the hands,
the styrs to be
back,
and then there's
something
that's
a lot of the
other.
This man
is perceptive,
remember that
is a cast
he's a
he has been
after the
time just in
middle of
the nada,
practically
competing the
golfs
with besties.
It's a
man that
has a
perception
that's
developed,
he's a
question of
security of
all type,
and is a
man who
he's a
man who
he's a
bit of the
t'nus
and it's
the sensation
that there
there's the
you, Voltaire the instant when you
let's let's
solace and then the
Flea for complete
the diana, go and say, and can't even if you
are going to all the parts, he'll be in all the
instincting, that's all right,
there is something, there is something.
He is in danger, and
he's put like paranoia,
he starts to work, grita, who is there?
No, no sound, no,
then he'll take the
hands to the bolstillos, a gun,
a gun, a arm, something that he'll be
Puno-limpies,
your man.
Puneil impos and the
flecha that you
in the arch.
So,
thinking that
maybe he met you
some ladron,
but how would
have heard
he had seen,
before that
had been,
he had been
said,
but there's a
little,
but there's
a little,
that's up
out of the
things that
he's going to
do that's
he's not,
he's a
thing, or
he was what
he'd
do you know,
because in the
carcag
when he's
when he's
when he
doesn't
he gets
the
carc,
he put
in front,
he was sure that there was
two fleches.
Where are you?
If they're coming to
the diana,
he's going to
take the flyers.
If there's
someone for there,
no want to
do you,
prefer to pantallel
and make it
and make it.
So,
so it's that
the area of
the corner,
the zone of
the entrance,
the door
is perfectly
closed,
no,
there,
and then
he's,
and then,
he's,
and the
other one
and the ultimate
fire,
not is,
he's,
he's a
observe behind the
lot of paha
and he does
know that
he's done
he's done
he'll get in
the armour
put a
point on the
fire in the
ark
he's going to
in all the
part's
like casasando
something
there's
there and
he's going to
say oh yeah
but no
there's
no there
no no
there's
no one
there
and another
voice
into him
and I
my instinct
I'm
I'm a
I'm
my instinct
I'm
no I'm
not you
never that
is
my instinct
is perfectly
lineated
If me says that there, there's someone, there
and he'll be there.
I'm going to say,
and he's there.
And he's this man with the arco,
and he's cominging,
he wants to get to the part of the
back of the pachas,
because there's a few
the flet.
It has been to
have perforated a
and he's done.
I've done it.
I've done it.
The day next year.
The day next time,
he's going to be this
fire.
It's the area.
The problem is that
not is the flecha.
It should be.
And when it's
He is there, behind the paia,
of the zone in that he was
tirade, in that part where he
should be a little, like if something
could have something crujia.
Voltae instantaneously to where he
he was two moments
and he starrantzoned the
flechas, and there is a subject
parado, in where he was
a parted, and a sombrero
to the al-ancha.
It's a somberta,
a somberta, nothing more than
the part of the
back of the rosts and
he sees that
I'm sorry.
He asks.
He says instantaneously,
without
fear in the
voice,
Fermin,
he's got to
that's the
I'm saying,
I'm saying,
I'm saying,
I'm saying,
don't me
you know,
you're going to
faller.
When he says
that,
he'll be
heard to
he'll be
back to
him,
and when
he's a
little bit of
the end of the
front of him,
he goes,
he's parted
to the
thing,
How carajos?
No, there's
There's
Arriba of him
No, there's
There he came he
In front of him
He's not the subject
The sombrero,
No, he's
He's gonna
He'll be asking
Not gonna be
There's done
There's done
Wondas
There's a
There's a
Mboskata
So,
It's a
Negoti,
It's some
of the
person who
Has been
With those
He's been
A-Tenio
A-Tamp
No,
It's gonna
It's
More than
sufficient
With his
Puneus
He's
prepared Fermin.
Here this is going to put
very violent.
That's a lot of
the cellar, because
he would be
saying if this
is a scaler to
make a much,
he's a lot of
that the cameras
are presented to
and they're going to
and this calcule
he's going to
the arc or
with the fletka
and then
see that in the
area of the
commedore
is the subject
of the
gabardina
and he's
being
going to be
going to be
to say,
no see
who's the
time,
but you're
it's a
but it's
convenient to
get to
And he's
to come in the
last words
that are
that's the
night.
Because when
he gets
to the
area
the
subject of the
gabardina
is there
and simply
and he
starts to
move the
book,
Fermin
no
he doesn't
say anything
but of
a repented in
a dana
and the
subject of
the gabardina
has a
arm and
a flagged
and he's
is it's just
envisied with the
image that
is a helled
elated,
no know
why he's
being that
he's
totally the notion
of where
he's there
in the
diana and the
subject he
sirt to one
and other
and that
cause a
problem
tremendous
and even
it's
imagination
and even
it's something
that's a
something
that's
no thing
then it's
so it
has forced
to return
to get to
the
and the
subject
is
a narice
with
a nose with
front of him,
smiling.
Fermin is the
first time in
his life that
has a fear
that the only
that can do is
up.
In front of
him,
above of the
nose, it's
like if
was a
poece.
There no
had eyes,
but
there were
there were
looking at the
thing that was
in front of
him,
almost
being a
man with
the
not was a
man,
only he was
he was
he was
Fermin,
he's
running
to the
car,
he's
up to the
vehicle,
and he
he's a
little
and he's
the subject
in the
area of
the other
side of the
door,
Fermin
and he
the
little
he's
not even
he's
to get
that
that's
that's
that's
that's
that's
that's
that's
not a
person,
it's
not a
person,
so I'm
then the
person,
he's,
he's,
he,
and at
the
side of the
the
the ascent, the
Flecha that was
Perdida,
rot.
There.
Come
to go.
They're doing
to do with
fear.
Siente
that they're
observing,
Siente
that's going to
see it.
All the
time, you know,
to be the
retrovisor
because
knows that
can be
in the
ascent
that's
a little
more.
And when
he's
on the
house,
the
door is
a bit of
a bit of
a subvertina
with a
arm,
there,
adentro of
his
just he's
pointing
and then
Fermin
he'll
have to
have seen
a vision
he's
amarrated
to be able to
a diana
and this
subject is
doing the
different
of the
life
because they
can't
carcacadas
and
she
hear
a
and a
voice
a voice
full
like
of the
love
of
the
time
as the
time
like I
want to
make
that
is
that
is
cruelty
and
and
only
he
still
he
and
and
Fermin,
Despier,
they say what
they're going,
that he's
three days in the
hospital.
It's
a day,
because when
he got to
that night,
three days
atras,
to the
hospital,
he started
to attack to
the people,
he said,
he was
saying,
that they were
a demonio,
that was
he was a
manned,
he was
he had a
carmiss,
he was a
marrado,
the quarter
was a
black,
and I
I didn't perfectly where it was
but I don't understand why.
And they said that
he was like a loco,
that be I was a lot of
all the people
that had meted
something, but when
they did an examines
toxicological,
no, he had meted
nothing.
The problem
from this was
before this was
four years.
It's that
Fermin
yeah no
could go to
go to
take a
fire,
has that
he's connect
with the
arc with the
and with
that thing
that was
that he was
that night,
because
every
that he
to go, that
recall of that
dream of that
and
get from
every
is more difficult.
It's
like if in
some moment
the Condor,
the
castor,
now,
as he said
that thing,
it's been
in the
prison.
And with
that story
that
family
nocturna
we've
got to
this
dark
foggata
of
stories.
Now
see,
all
those
those
who
survived
and it
the
I'm
a
and family
nocturna
those
invoked,
and then
the goodvene
to all
them to be in
your
little
a lunita
as a
question.
Because with
this we're
welcome
to the
family
nocturna.
And one
once
said this
subscribe
to
and then
the
campanita
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me
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me and
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podcast Amazon
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and
callifekin
for
favor with the qualification
more high
for the family
nocturner
get a more
and more
homes.
Now, there
go one question.
This year we
get to the
first place of
Spotify, and the
only way
to do it
is if you
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and you
do you
know the
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apply us to
get to
get to the
first time.
And once
said this,
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