HABLEMOS DE LO QUE NO EXISTE - Almas En Pena, Pactos Involuntarios y Vínculos Tenebrosos | EP 355

Episode Date: January 8, 2026

Mi querida Familia Nocturna, en esta nueva FOGATA OSCURA DE HISTORIAS en @HABLEMOSDELOQUENOEXISTE nuestro querido Narrador, les trae historias que incluso algunas de ellas había prometido que no las iba a poder contar, sin embargo, como ya sabemos El Narrador y las reglas a veces no tienen tan buena relación, pero si tenías ganas de una historia relacionada con Ouija, o si nunca has escuchado de los árboles poseedores de almas, o si quieres llegar a escuchar algunas de las historias que se contaron en las fogatas en vivo en tu ciudad en el Tour 20 25, este va a ser tu episodio. Dicho una vez esto si llegaste aquí querida Familia Nocturna lectura pongan en los comentarios Narrador vamos por el 20 26, soy familia nocturna lectora; para que entonces les mandemos un mensajito directamente ustedes. Gracias por apoyarnos. Los queremos mucho y nos vemos en el Sábado de sombras y como ya saben no sabemos si va a ser en viernes, en sábado o en domingo.@HABLEMOSDELOQUENOEXISTE es un canal de YouTube con el formato podcast que comenzó en abril del 2022, su primer episodio fue "vivo en un casa embrujada" en el que una chica narró sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de éste canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de éste canal , la familia nocturna , creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de éste canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando esto, tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora. El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo que genera. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado.​

Welcome to my dear family Nocturna to this Scura Fogata of Histories in AbleMobes to be a

new friend as you have been baptized and I'm say you know that I'm tell you guys I'm a

little bit of but before you I'm I'm sorry that the newos of the can't

the Wednesday and the Thursday to the time of New York to the time you're

going to put down in all the platforms 9 and Midday of the morning, Lunas,

and Jueves. One of the said this, let me say this this time this time this time

that you know, I'm going to tell you know, 2025, the last semester, for so put it, we've

with all the theme of the envibos. And in this theme of those

stories that you are not to get to get to because they are

exclusive for the envivos. This year when retomem the endivos,

it's the show, the But, you know me and me know them well. And, well, that's going to see, the reels. Of course, we do.

And, de-repeas let's do what it no exist. So, today I'm here, one of the stories that I've done those in-vivos,

that's I have to tell us, because what what was, I'm talking about, I toped with two stories more,

that seems that are of a same universe, or of a same type of phenomenon, or of a

same type of situation that that before and I'm I've heard and I want to know if I've

lived a respect. There's the first story of the time this week. And it's

a chica, we're to put her name Alba. And Alba me said that

his family paterna had a rancheria, a space of a big, and it

had all all all with a car, me said I'm I'm that,

I know, that my family has passed like a story of a economies of sub-sidies and

and backers. And that has passed also a situation of those cases in those who has been in the property and in

the moments in those that has been in the problem. There's a barred of perimetral that's

very much the part most antivable. And in that part entire, all is made to argamasa

of a piece, a combination of a piece with what it is a bit something of

something of and it's made like these trosses of one or other it's like a murray of a castillo

antiquism but there parts that are of that murgia and are made from blocks and are sorts of barilla

and there are other that would be more like a corral that's trying to have any some type

of protection symbolical because even the maya that they're got huggherated and is

there are little more that just that just that all day of today the

property is that has a problem or that they're going to get to get them to not there's

not there's that's a thing that's that's about it but you're not there's not you're in that we're

well, that we're that we're that we don't know. You know, I'm going to that house.

And in a only occasion only one one time, only a time, it was a situation that

me made a lot that I'm not I'm I can't explain, and I'm me has

worked to occurrits. No, I want to talk to talk to get to

do you. But here is the space to talk to get to this story

and you know. In that in that patio, in that corner, in that's

in that the one is a that's a pared an limonero. It's a

limonero that in many occasions no does fruit. Yeah, for the

year, it may be that they're they're they don't they put in the

thing, or maybe says my abel that is because the children not

they're not there, because when I was we're we're there the primos,

and it was very very because it was little games that my abuel had had made to do

and were and they're a little little resvaladero, some columbios and not those we used to we've got to

get them, we'd get us back after the back, we'd start around the arbor, we'd have

to give us about us to find us to find out of who'd get a bit and see who things of

that type in arraud we'd we'd and we'd and we encantable to

other side to be not over another person and get rapidly and get to get to

the base and say that we're going to games very strange because having a extension of a patio

so much that one now. Now the adult I know. The new was the normal.

When I was little it was a normal was to play there. A few a time there were

many and I, I'm going to the part of limonero because I think my primos

are there and I see a little all bestied of black all they have the

cabo ruby but that's I know if is imagination or not because

yeah was obscurecia from very very I'm not so much

sure. Really the the hair of the real I'm imagine, so I'm just in

a lot of a lot of and they're a lot of very, very, very, very,

very, very, very clear. And they're going to around the limonero, but

I'm put a no, I'm not I'm not to say nervous, but

with a little of a little interest and with much got to know

what I see there the limonero there fire, no

because is there is incendiating nothing. At the house there's a piece, the stone the piece of

the world the world. The world is because it be like if there's a lot, like if

there's a fogata and it's like the light. And so the light. It's very,

very, very extrano. And I've these children, and they're getting to get us to the trunk

and is where they're there's a primos, primos, and I'm to get to and then

the two go and the second the limonero, without me, they're

looking directly the arbor, they're in a one, but to get a

lot of the limonero, and meti the part of the back to the light, and when

I'm not nobody. Nadia, narrator, nobody. No, there's form to go to

other part, and there there's absolutely nobody. Nobody got in the patio,

when I know my primos are at the other side they're there, they're

there's a dinner and they they're doing, no, I mean, they go

those, Pallida, palida, Pallida. They asked, that why they were going to goreeland, that because they were going to

there's a lot, I'm still like, I'm really like a lot, like if me had used a problem. My mom

was regained for and I'm doing to make this. We're just we're doing, we're not we're here,

Prima. Or, have, Prima, tell them the anecdote of the little of

the limonero, of those phantasas that you're that's just that's not no,

I'm not because they're going to think they're the with the years. What I've happened that

I'm afraid to say to nobody, is that in various occasions standing near the arbor,

I've heard the voices of the children that I'm when I'm a little. And if you

imagine the sounds, that simply my mind no, but I want to say, that I'm

a person emotionally stable, I'm married, I'm my life,

I'm perfectly normal. No, I don't no thing that the people

think that I are a person like a chavetada. I'm a person of the most normal that you can't imagine. And all my my work has been just with equilibrium much the things. Always me have said that I'm very

good, that I've been very objective with and all of this is, for that I've lived a little bit. Me sent me too much during the time. That's put it, like always, to have the years of the world, but those voices that I've heard of, I've heard of the kids that I've been when I was a little, and I know what demonious

So, well, family nocturla. That is a story. But there is this other. This chick that I'm going to

to say the country, but this is of one part of America. We're going to name Samantha. Samantha,

she, in the lot of their house of his abelos that have a zone of a garden

that in serious, not just because she's a garden but I see there between a

jungle and between a bush. A place. Enorme, full of plants as you can't

imagine, full of the arboles, then there's a barda and more arboles on the other

side of the barda. Really, it was a place you know you know you know, you could be

a hardin, a certain a little that was a barred and they said, this pedas

is our idea. Samantha says that that house all the life he had

been but that all said that zone is embruched, that there

there have inhabitants, that there are like doggios of the area and that have to have to have much respect. No they're going to play when at a turn toaddece in the zone of the arbores, because they say that something

can't happen. A she says in presences. That when he's coming under the arbores or into the matas, you know, you're going to pass for at last. Voltae as how rapidly you want to dostead to do you gusts,

never will ever see nothing. Because nobody never ever I don't know I've seen, except she in a one occasion. Me, it's that there's, how we can't call it,

traditions, some realties, certain requisites that they were to have to have in that house. When, you still

not you're a major of the old, I mean, I'm a word a word that, he was a

person, I was justipulated that I'm never obligable nobody, the senior. But it was clear,

that to get to come to eat the in the morning, you had to be badged, arreglated,

peinated, well, bestied, and with the not even to come to get to get to get to

that you, I'm going to get to get to get to get to get to the he's a car and not

you're not but if you're back, and you go to you're back, and you get to

you're getting that you get to perfect but dispeinated that you not you to put

to get the to get the chair the car to to bolted the eyes, and you were to send like those eyes peas'amble a tonelade

and you'd get in a lot of all the girls all the girls there were a little the old and the old were a type that made,

not they'd talk about words with a pair of things that things that were all the chistos, never they've

never had to expresser verbally. They were they were all the caras that they were being badiard well,

well, all right, always with the same sometimes you Acerkes. Well, in that house

of those regals, to the abuel he used much, that I'm not the

not he said, but it was very clear, because robes that

he hadrava, took so, and it was clear that no he got and it

was very strange because if I had the black, black, color

melon, color celeste, something something that was a he had

and he and he and he said, and you perfectly the idiom of the old.

To the abuel the world the world's not the things of the things of course not the not the point

but the point is that one day this little this is that this is based in colors black, is that the

dinner. The problem is that the time is that had done a passia in the house,

that's over so very can't but to be a extreme, he got to get a and when

he went to all all they're all over rapidly yeah she's finally

she's to get a regular, she put very very well his zapats, the ropal the room

to get to get to get to get to their time, because after to the house, she had to

get to the house, she's she's talking to make a coffee, even there's some of the

dinner, and she's a little a little and she is still, the old he's still,

the father, is still getting to the same the man, she's she's got, he's a

man, he does a becito, the abuel move the head of the above, above, as well, and does it be a bit of the house, and she'll be able to make a noise, and the abel to signer the light, and the abelowel's so-bye. The indication

is, when you're finished, and apag, and get to dream. And she'll understand the instant. He's onry to the abel, the abelowal so he's she went, and that's never to gore to sener, and that the dents of nests. In that case, no. The abelowl is

a carot when she'll be able to do it. of where he had Dorillos that sir because he was to get to get to get to

get to get to get to get to his own because that that sir like the he said he

roncable at the same the same he was the all the house

you did you know when he was done he he was the ronqued of the

abel a pair of a while some prerototototot about suspirits for there and

the primos the boys of the boys of the tios and tias of this all

all of starting to get us dormied. She's to come in the passio and all the lights

are in the of the kitchen. No, will be not bring because the

abel to get to get your own than that's better than that's un'

so much to be then you do that the bathes of a partied,

it's clean the in your sepillar be in the sepillar the past, it's to

start the door, but there something very strange. Escuch a in the passio,

an echo of conversations. There are people talking. They don't know the regal of the or what?

If they is it's going to abodeceal it's a way, in your house, no?

No, they're to do it so in your house, then it's a

little fear that maybe some he's doing a little to be to the

the night. No, no, know, they're going to come back

to the passage to get to the entrance and there all

the garden, because that passillo is a pacyo abjured, it's a way out of the and you can't see where it's the entrance, this finquita. Well, she's going to be all the arbores aberts, and at the final, just in front of the entrance

in the arbor most large, that is an arbor of mandarin, it's where there a hogera and there are no subjectos with a ropement extremely extragues, all sentos all sitting there, dialogue. The problem is

the rope. The roba is antique-sima, see a suce. Colors that are not clear, are quite dark, and they're and they're always things rare, maybe the markers

in the body, like markers of paintura, maybe things that they're in the hair and the hair is a bad-ar-reggled

or so in any other. Those who are barons, none, one doesn't give a camisa. The women

have a roping with some marks of color here, and the rest is a bat a black, but made

for some type of fiber textile, that makes more the combinations of the raisos or fiber

of some type of plant, that is a synthetic as a day of day of

the way, it's very ancient, very old. So, they're people,

like if were some of some she is a so I start to

palpited the heart and he and he gets people in the

house of the abel and he's about to be a

point of there, and there are there no there no there no there the maldito

arbor of mandarin is a rarro it's a very very extra because a

part of the she discovered that you have been very bad sure you the only

that's the that's the day that's that you go to that the

year of the time and it's still everything and the

nothing the mind it's put in black will be

so so if all if it perfectly well in that and this chico was to be the

indicado, I knew that something would be bad, and something bad. No, it's a good suorpe, no

it's a protection, me says, mala suor the day that I got my car to my car,

it's something that's a lot that's a thing, it's not more, of my family, where the I got,

the two yantas, yantas, narrator. The people no, he got to not,

I'm doing hand on yantas but if you had seen the car in the agency,

they're saying chica, traes mal suhirt. Me he's directly the vendorer. I repusier

the yantas in that same moment, to the three days they they've got to get back to get back

to get back to me, a nobody he had passed to that. I've got a

bad a time, until a day a person he's he said, and I

want to say, I'm a something, you know, the seen since you were a ninja and he

attracted for something, go and I'm I'm going to go to get a lot of the person that I'm

that you know that you know I've seen, I've got I'm going to get to get a cross of San Benito me putse

to look, one day I did one of one of I'm a father, I'm not I'm a part of

that I'm that were this meddle you're the father and he said, well he's a good you're a bedation and

he said a meddle and you know a bulae and she without having nothing, just to

getro the Tomo and they have passed two years and my my good

very good about but who are the people the arvoles of mandarin

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or call your travel agent. Westjet, where you Your story takes off. And it's then, after having read these two stories, my dear family nocturna,

that me accorded of a story that's in the fogatats in vivo and you'll be to enter. Resulta

that there's a person very peculiar, a person that has a form to be, say,

very sumament, but for completely unique. A little contradictory, but unique.

To this person we want to say Sanchez. Sanchez has a form of

a little contradictory. He, no is very good at level social. No, knows connectar with the

people, not he doesn't know, to connectar with the person. Since that he's little

that it when I was in the school, he was the more caliado, and conform

he was that you never changed, but a day, when he had a

16 years, he's he's a taxi, he said, he said, v,

and with the eyes and with a carino tremendous, this is the best of the world,

and since he has he's a 16 years, he'd be a ex-taste

so it is that is very strange, because when he comes, he

he'll make a vehicle with a credit, but at the same time,

he's going to live in the place practically despolable, a houseita

that only has a pen different of the person because

is in middle of the nothing. It's a 10 kilometers of the city. The grand

contradiction not is good with people. He's a profession and he's going to do a

profession that has been everything and the question of the taxi, all those who are

those who before taxi and now many of the taxi are part of the taxi, but

you know you know what you do you do you all? All you see

in the gasoline. In the gasolina of gasoline, the consumption of gasoline

is a thing. So, what What the most bus can is the the

amount of the time. I'm in the water to get to every time is a lot of

no time. But our good Sanchez is very with that he's a good at his auto.

He's he's a little. And there in the last time, he's a very content.

He has a sillier because Sanchez is solter and live very a good.

It has a door that you have a car, and the house, part of the sillon, has a newbue in the

book, and it's a book that's jured that he's a year, he's a little bit of a second years, and he has a little bit more never it'll terminate. That page, he's

sure that this year will be to turner, like the other six anterior, and every that every time that sit in that sysion, take that book, and a little bit,

he has been, and a little, and a few, has been a bit more, it has been made, but, well, no, it has terminated.

That's the limbrough is there. No is intact. It's a bit of where Sanchez has certain routine because you have made marcus in the same parts where it's got to get over exactly in the page number one. You imagine you'll be. And apart of that

book, of that Mewble where it has, that is a new rustic, for not saying, that practically it seems that he wased, the sillion bigito. Aparted of that, there's a camera, that has a sabaada, a almoada very big that has a fund. Sanchez no has a lavator and not

I don't know a lot to laver, so probably those sabanas and that funda have a very good time. And apart he has a tarpa and out of the house, there's a lot a rower of the house. It's all what there in that house. A Sanchez, no is much of the theme of having refrigerator and

those things. That's for the people. Apart, when he gets to the house, he gets to to rest and to learn. It's all what he does Sanchez. A veces, in occasions, he gets out of the house, She sat in the coffer of his car to see a little bit a tree that's out of his property

that is a tree that is a old old that's how many decades that no does fruit, no he does a little hojita because he when he went and he said to that casita

that no see if is in rent or credit or what that property or maybe abandoned and Sanchez lives there I don't have but since

he got to that he goes that arbor that never has had been at the first Sanchez he'd

he'd never he'd be the that that's a old is so he's a good

and he has a little bit of energy that he has a very life and

a he's he's something he was a very rare and it's

that after he's he he started and they're

about that they're about a addiction when he had

a little service not only just us mando the story and me is a narrator. I don't

costumbrough do this but I want to tell what me because I have been a year and

it's just a year and since I don't me feel the same, I feel very incoomod.

I'm my routine is always the same my car my auto is my auto is the city

in the city, the city in the other part of the people you know is a city

so part of my car I'm a my car and when I open the door, I'm going to hear of a hoarie of

perros that's lad, lad, lad, but no you know, I know what's it are. 10, 15, 20 perils.

Where I live, no, there are animals. No, there are nothing. I'm here I'm going to

the nada. When those I'm going to start to the hands. Rapidly I'm trying that the

videos of the auto do you see, because I'm being going to come out of

the is polvo because they're a lot. And me nervous, yes, si, si, si, sis, sis, sis, sis. When I was a kiddo, and since I don't want to make, near me, anyone. And this, they're all the size of the narrators. So, I'm just that I'm much, much, much, much

me know, and I'm just, I'm in direct to the car. Me do, and the idea, or me in the image to the head, that they're to go ahead and that's out of the car. And that's try to bring the coach, and the car. I'm going to start, ta, ta, ta, ta, ta. And no incendi and no and not onciend and no

and it's and I'm see the and I'm sorry. I'm The skin me I put to a

gillina I'm a scalofrio in all the and I'm just I'm

I'm that I'm and I'm see I'm see I'm front of a bird that's

a lot of and the above of the arras in the ramas

that not you don't you don't because are ramas and

these there's there there up five adults all bestied

of gris with the The cabello large, also of color gris, and the skin, very, very grisacea, with a narus like piccuda. And me are being there. They'll, they'll go the ventana of my auto, voltue to the front of the car or rancor, me went, and almost for three

months, no me atrevee to go. Who, they're in those? No, I don't know. But since then, I don't know still a time, nocturn. If you've ever always always sell mad, no, man. No, man, in this, if you're a bañarro. There's there's a group

of chikos No, we're not going to not even because we're we're that they're an animat

right they're to be because they're they're going to two, two, septic

complete of the thing paranormal no they're, and I think, and I'm in that,

they're they're like a game mental, things that's things that's inventable, and three,

in those which, one, is very metied in themes esotericos, and two, they're much in that, but in a manner

indiscriminate. All is paranormal practically. These five chicoes, one day, they're in the middle of

the discussion, that if the whiffa, that if are things, that if not pass, those two

sceptic, for the supposed, that are not, for the mind, they're just,

it's more, the day we're going to do it's to do it, and it's the imagination, and it's the

movement idiomotor and a million things and all things and in the

discussion acolored decided they're going to go to do you're but for what

to do you normal we're going to do the we're the

chico that's met with many things about number one

we don't look a table normal I can

I can make one one good and and with

materials that so make a that's Now, if they want to pass something and stay

the place and I know a house in the time there's there are rituals. But if still want to

that's more more more than we can do do a ritual just before to have and if

the things are even even better we can weincularned all with the table before the

actual and the ritual before to huger in that house where

they have done rituals, and finally will occur to occur to do. The two sceptics, neither they said, they were the two that

were all the paranormal, were the most prudent, and they said, no, no, we're not, we're going to

get to do it, but finally those subvers, they're all those septics, they're just they're going to

say, they're some co-brardes, now, so we're going to get them the reason, and feremany some the

circumstances, that casuality. And, well, they piqued in the Urgoy. They said for there.

Because when they said, Gailene, instantaneously, no, we're going to be going to be going to

go to the wheyha. And, well, the type that was in the questions esotericas,

call it, he says, no, here, I'm going to reignar. I'm going to try all

the quets and the gues and the other I'm so I'm can't I'm

can't do you, I'm I'm I mean, I got a table, I don't you want to do details, the people that know the time

know of the time, know what type of table I'm talking, the place, the place, from the place, they're in the

environment is very carried, very bad, the two esceptics are, they're not that I'm sure that I

know, and the story, me said, I said, I said, I'd be going to accept there,

there, I'm going to get to the suggestion, because, one way that's, they're not

had Wilted back or any of the chist. If you had

had to go to get to get to they're together, they're going to

the house. Because if I didn't light, it was in the

middle of practically of the nada, it was a but you never the

place, you've that you've that they were in the last, the other

because all the other minimum, they were one, two, three, or

four, three, or four, back, but the last no one had nobody, and I still seeing that someone's in

getting to get in the internet, eventable the lights, and this was something because, and this was changed, depending on the

place, but the key back, but the key back, she was the light, and the light that was, and that would be

in the middle, and then they'd be able to the final, or now I'd come back to parpade. Eligered the

abitation that more than it was a MEDA and it's a chico the time

emasotorical he's, he's, he's I'm a place in the this is the place in

that's the thing they're they're doing they're doing a ritual of a but the ritual is

the thing that you imagine I'm you're I'm you're because

it's a ritual in the that can do you don't you're not to

do you're something was a thing the table the table

they put Then he said the type esoteric, no I'm going to do any kind of act, very paraphernalic, because he not is occupied. The house has all, the Uiha, yeah,

it's all the intention, all those have we have done, so let's ask you to all those who are there, if they're that there are there presenties

here, we're going, we're going, we're going to. They're going to start to do that. The people repeat what they're saying,

and then say, more things to do the spirit, the spirits that can be there, the chikos do repitent, that they're vincent, that are welcome, that this is the moment in which no important what is your intention,

they want to be there in a form in that that all no less care of any doubt that they existen, that are there, and that they, even, they put in their service for that night

the course, passen as they have to pass. After to do that, hebuels in the Pison No, one, various, he puts veils in different

points of all are and they're and when their bells black, his little things there,

has a circle of around of them and says, no's this is to protect us

that you never enter, because we want to call things that are very

very much and not good, but also it's for that none of us

not that any of another of someone to be out of that it. That's

that all did you without without, with cadences the rest of the night. Nobody was to try to

the circle of salt, nobody's to try to get to get to get to get to the rito

that was the rito simple. Simply he was that one of them, the

one of you, the he said, he said, he said, he said, to concentrate to that he's

imaginate, that all the energy of flewia and was and was the hand-to-the-

and it had, just to the table of the whiffa. After that he said, yeah, yeah, I'm doing, you know, you're doing,

you know, very well, now another, I need to, I need someone more, other's upunt, and say, put the hand up to him, and now the

same, you know, you're doing your and now you end cadenas to the hand to the and you're to get to the

table, and the table, imagineate the, that is your chain also there's, one to be one, they're

putting the hand on the other, just to the table, and when the last, it was a

extrano. It was like if the table to start to calentar, that that not viable, because all the hands were starting to put very frias, very, very, very, very frias. He said that nobody would have to get the hands until he said, one

said that the man was trembling, that he was not sitting so the dead, and he said, wait, something, then he heard a room in the room, and said,

this is the moment of indication, and we're We're here, we're all. We're all over. Comeensar on the table to to ask questions.

No, socedo not. The planchette no-soombovia. There were much crudges in that place, and the poor is that the piece of it. It was rare, how crugia

there was a structure of that one. The abitation in that was I'm sure of the time that he had been, but

the person that he was the person who made a matter, no matter, no matter, no matter. It didn't

or no, if you'd have me no, it's like if the place to go to get a little bit back to get that's,

it was a so not a thing that's a lot of but it's everything and it was crugia

and more and more and more and more. Never's the planchette what did this

kid was that he grito in voice in voice I'm I'm want to

say yeah manifest let's yeah and in that instant that he

says that he It's heard in the abitation the gritty the gritty the girl is a

a door that's a little very and then it's quite it's quite it's

a lot of a lot of the crystal, and all the crystals out of the directions. No,

see, it's got to we're we're getting with the time, I'm trying to I'm,

I'm, I'm, I'm, I'm and I'm good. The good way to

tell to the people that you try to get to get to get to be the car

and the type of the palid, palid, palid, palid, palid. And he said,

we're going to do that I'm never that I'm going to control and he really

really is a sustado. I'm I'm not I'm not a little time, he's

a good actor and I'm what I'm so I'm so I'm well, so we're

we're all all we're all we're all various questions. The planchette, we moved we were, not so we moved to the, so we're going, we're going, we're going to there, and

all the end, and all right, because the day next to the day next in the day's day, my parents, me are talking something, and me saying, oh, yeah, no, yeah, when you got to get asked, you, you went, and you reportast

with us, because we're us usustam most. Passo, something in the house, very rare. Stavamos, your papa and I, watching a movie, were in the 11,

we'd be able to get us, because you know you've been to get to get to get, past at the and then,

and then, and then, around the 11 and 1, or 12 and a minute, the gritty of a woman,

two portasos outentro in the second piece, and it's the video of the house,

you know, the spejo of the world that put us in the the page, it was, and the

second-piss were all the second-pissue and all sides. No we know what happened, but it was horrible.

Thanks for having to reported after after you got after we really we're really we've beence the dream

after the shock of adrenaline. Narrator, two things. No, I said my papas. But one, I got

at the three of the morning. I was dead of that I've lived in that house and

I don't get to report me to anybody. I got in the cell and I kept to dormido.

My papas me said that that minutes before I got to get to the house,

that when I got to the room, and I'm going to get to get, I'm going to get to be

my time. When I'm my friends after, I don't tell you I'm going to accept

that I'm in these things, because I don't know but I'm except the

chabois the chabic, the table, all, as you have been all you

have been to be their house, his his parents they're they're

they're and some space of the house is rompio the one of who someone

was I'm to the people who the other and then when I'm when I said that was

what was that was he said because you you're and for pure I'm

I'm just to continue but a narrator if me pass on those

things and they're I'm there I'm back by

barque and and profite, Embarque and celebrate, wriggoled, Publi, savour, admiring, and profite.

Via Rae, the voice that we love that we is a typas. It's a family nocturned since she's a good time,

and she me said she he took to live a life that stillita not he topado nobody

that. Julietta, from very little she kept to live with her mom,

and papa were from they were her brother, who was a little bit major than she, he, he, for circumstances

of the life, no, things of personal, he had many infections and the system immune,

and the day of today, not have been not to us but it's there to be her to get a lot of

a lot of a lot of a woman, and it's no, the relation with her her brother.

So, her man, so I live in hospitales, it's then it's not it

was a time, so it's that during many, many years, they're they're

He knew that he had a brother because he was when he was when he was to be able to be to start with a

his dad. His father was a type very particular. He was a type very peculiar

in the word of my papa was a manned was a great he was a

mechanic of cars, the carpinteria the plomeria and for me he was a man just

my dad in the day a day had his form of being broncudo and apart

of that he had a boca of marinero, because to all those was all-dicing always that could. But very, well-d-scient, he'd know this to palaces, that's what,

that's what, what I mean, it's what I mean, it's past that he's a year? And all the other, narrator, pure maldicions. My papa had a form of being in that he no learer to have a life, the life, the things had to pass as they were passing, and it's happened. No, there was to give you

to give to do lots, no there was to be to think about the point of to do you do you know, I'm at the time in the

thing in the death of the general, he said to the doctor, well, but, well,

what's going to be to get to that chamek? That was the way to reactionar. Me,

had given to the consult, narrator. I had to I had, about a 16, years,

the doctor he said he said, no, my father he d'clock he did those years,

he was he was going to be going to the doctor, and he He did what he did in that time.

But, look, here, we're always a medicineita time, and the things that the doctor he said, don't even

to come to take that. My papa not my papa not was mentioned about, but those things,

he had had been to take to make. I said, I did it was the did it,

but he was doing the guy, I always he never said. When Papa,

he took to to be other world, I did care of all of

those things, he had more or less, like, almost, like, 26, 27,

or he was, I'm going to , I'm quite quite but I'm to get to the papererer

because it's, it's a little difficult, because, there's the old, and the he was saying,

oh, yeah, be revised with the doctor, be, to do you to do you do you

do you're going to do you're my own good, but, but at final,

I'm I've got to be to get and then there's more, there more

more than, I've to make the things to from a very young-sito

he's got without I don't have a family apart he's he's a little he's that

we're just he's not I'm not to be a minute not it not it was the

the woman the much the world but but the life is the life

and you have to the thing to it's that's my and I'm

I'm to give to the house where and I and I'm did you during

much time to me my and my But I got my chamba deuterre. Me got my papa was my hero. My papa was a good at the excursi, I also. My papa was good in the carpentry.

Well, I also, I'm good in the carpentery. Plumery and things of reparations of auto. Well, no I'm so much. You can't imagine. I'm very brown carlador. With me, no, it's me to come. And the residents, here,

they're talking madder. None of me and that keep my space and staconament and I don't have car because there have been a time long as long as to buy another or to to change it, because I met him manual meo to repair it, and I left it peoroughed in

but no they're going to put me nothing out of the house because you know how they go. I have my form of and so I tell you that there was a time in my rancho, that the people that were around of the house, of a sudden, they began tocichar and I'm getting to get. I'm always, Naviada, year new, I'll have those details, I go and I'll get some gaitites,

I go and I'll buy and I'll buy some dulcest it. And it's just to know that they're in their Vecina, for when they're offres. And, of a repent, sell in chambita, and no, no, you crevas, I'll do, I'm doing. Because in these navities, no, exactly the day of this year,

but one's atras, I don't remember when, there was much cuchyo that was like to the Yorona, that had been various that had been many years that

I heard that Tonted. It's that if you're that's just that's certain. What is that? And that if she He's got That's like that That's that

That's a Narvador, Purr menzada Well, if He's Because it's Because it's Because it's

Because it's Because it's And yeah And I'm So I'm And I'm And you're You're

You're You're You're And then You're You're So you're So you

I'm So I'm So I'm So I'm So far And I And I'm I'm

I'm front of both Well you I'm I'm I'm I'm That's

I'm I'm Julietta Vargas. If fulve to sonar the mugre that and me say, I'm going to find out, you're going to see, when I'm going to see long, let's turn down to, but be to start lexed, the thing is? And what,

and the narrator, passin' like two, three days, and so on the arididded of a woman, for me, no, the Yoron, they're assaulting someone, and me mark a-vecina, oh, that's very, Bargas. And then then I do the encabronado and he quill, I'm going for your Yorona,

and I'm going to get to, A-air, Yoroncita, where you're Sonn'a, so, yeah, well, it's on the long as far, and I'mpeas going to get to and get to be

a yorra, that's sonnando that's near, pos, you know, and I'm saying the pedd, but the

real, narrator, is for that you're for that they're gonna and me say, and me say,

and in that that's the day I'm to get to give to give a ralito, because where I'm

back-and- in the entry of my house, but a woman, palida, palida, palida, with the eyes, all chamoscados, feosurrible, of color black, with loo, feo, feo, the thing. And

see the woman, where that pela they got from a tumble, because it's more muerta than the fruged. And, upon I was, well, to say, no, I'm much to think to me, the things, like to happen, and so, is where they've got to get. And so me gave the grito, and what peed the grito, the most agued that I've been

in the life, and me salie corrieing of the house and, and then I said, I mean, I said, I mean, I had to have a reason. Me, I opened the door. The other one of the other hand, she gets, being angry. No, I'm sorry, riced. I'm going to be enoged.

I'm going to start madres, and the becina that's rye every more. No, well, yeah, no, I'm going to scondering, because no, me want to give us, that mugger, could be there. And, the day next to see, me, I went to get a bit, time. Me, I went to get us to care

to make a few, to come here, and I'm just, and I just gave, and I, I'm just reason for that's a reason for that's it's and it's a lot of me said there's a family nocturna. The first, the family nocturnal, never gets a tardy, yeah, when it has to get to get. The second, the family nocturna, always

is where it has to be able to say. And the third, the family nocturner, in no moment I've seen nothing of fear even we maybe we'll we're doing

maybe I'm going to I'm a poe the other I'm not you know why. Resulted

that Josue he doesn't much the thing to experimented of things esotericas and I

said directly Josue I'm I'm sure that after what you have you understand

you know that I'm that I'm much that they're much that's a thing

so in unobstito that we don't know where we're we're talking. And there's much people that like to do

affirmations, but the reality is that when you're doing you're not you're to understand what you

and the things can go to go and they're going to get to why. Josue

had a certain type of a practice because he had given some

I know where I know how that had to provoke the suhors the

suns lucid. He was was looking, apart of that, to enter to the time of the way of the way of

it's a question, it's a time to have to manage it with many times, because you do it,

for the stories that they're the stories that are much for this channel, but not are not good for that you

have the experiences properties. Then, Josue, was he experimenting with all

this thing, and he had yet had yet to the thing to the

thing of the world in the I'm not, no see, no see, incredibly well. I'm very

conscious of what I do every one of the dreams. I get to control my entorn. I have much conscience and

much memory exactly of what I saw what I saw you. But for more I've attempted to have many methods, and

there's been many masters to have come to and no it's a thing. And of a friend me

a little real. I'm a friend in the world we're people from a person

he's, he's has to get to get to the case of his papas,

has to get to get a job from a time, and now that's

about to have a career, that's a time, you know,

he is a department, and in the new department, in the they're

going to things, my other times. That's he's he's

sat down or and he he's sort of that he's coming to

get the partam but he, he, he's he he back,

but he he's that's out of the department be sombras, be things that move, things that are people, a lot of people,

and that are rastering, and that there a certain, that is, apart of the translucid, like a little luminescent, has a little

of the light, and this being a man that rastra a cadena, and when he can't, there are much

rechinidos and the sound of the carenas in the room. The problem is that after the sun

isusts much, the but the rues of crudied of the the

can't do you are stills and persisten for hours and is something he's a he's always he goes to

he goesue I know I know you you're so you're so much about the things about

because it's going to this in the department and I don't do you know I'm

I'm my contract of a year and I'm I'm I'm going I'm

so I'm not I'm that I need a situation a situation very complicated. For

favor help me. And I'm a narrator I'm not he's writing. He's

is the thing that's going to be going to help. But of the I'm going to be

to be to use this department of him. He me said that he's

going to go to a little a other department. He's

more or less three months before to he's trying to

try to things and blah or la I'm I'm that this Yeah, the department new,

yeah, has a camera, has a seillon, has a television, has a refrigerator, is almost armed for complete. Faults. Things of him

are a lot. But if you'd have been there, you'd have been, just that's, just, for favor, the people, the people of,

the people of, that's a lot of a few years, that no, do you know, that's a problem, that I'm going to do

make a plan, to do a investigation, well, to understand what is what is what is what's doing,

and to to give to my friend. He's a he's a money, this is a plan of my friend of

I'm sure, there's a good, so it's that's the time, and it's all the two days, no has

been done that I'm very desperated, and I'm to ask you and he's awful with that that's

that you had been having been about many episodes of stress that if the

time, he's there's there's there's there someone or that

the fact of the the and he no me I don't even terminate and I'm

saying, I'm going to you're going to go ahead, you're going to get to say? You think you're

not? You think it there's something something that's something else. Now, if you know

you can't do you to make to make to say to words with him and he's

to start to say to me after that's the middle of the discussion

because a me not not going to be being even even if even

even if it's my man, but not I'm even I'm I'm

in my name in the in the other, not in the I'm in the other, and I'm just I'm going to

I go, ah, you know, I'm a little bit and he's going to say, he's

a little, then you know, no, no, then I'm, then you know, it's a second I, let me,

to do you know, and I'm and it's and he's and you're you know, you know,

he's not you know to come to make to know how I'm going to don't know so,

don't me don't you don't do the apartment that's passing things raras, point.

Quoel, a narrator, and after that's where I'm my friend, my friend, I'm not

of this, maybe there's there's that he's that he's that they're that's going to

something. It's a matter, not more the voice that's that's the day,

no way that's the day next no way, we're just we're just where you know,

you know, I'm I, I need, I need to provoke the things. And,

so I'm me see a pair of things that could be that provoked no I'm

much in things esoteric I'm going to start with the time of Vueges Astrales but nothing me functioned

but I'm am amistadets details, things of internet and I get to attract a

other to bring a callers a pair of things I'm a pair of things I'm very in serious

my job I'm going to my friend's my name the time of the time I'm that I'm sorry

that I'm to be a little bit of so that I'm molestando the people are new people. The new people are new inquisional, but

the building is a new old. Well, in fin. The only that I'm into my

friend is that my friend and I'm saying. And that department of there is of his family. Not is

exactly of the family of that he's he's from a while, but it's a boyo and then the apartment

was just only a little time. After he took a two years to him, and now

he to occupy him to to occupy him to almost two years of to be alone. And the

people always had reported that there's like crugied, conversations, and they were in that people

were there. For that they were to report them to the police and there was a not the police

not even because every they were in the department, never had nothing. Well, I've been

interando of that that's, my friend, is a man, so you.

Something something something something something, so oh, well,

now so, now, so, I'm I'm going to let's so I'm going to my rituals,

I'm doing do things and I'm going to happen and no pass a other night and it's when they're

to start many crugied and when they're going to start crujid and I'm going to my communication

and I'm saying to see, I'm here to know what and I will be probably the

only in decades that you can't you can you can you can you can

you can't get here frugated because the quater here. My my friend, no,

he interests to have communication with you, and you going to be going to long,

so you're doing this you're not you, communicate with me, and when I'm going to

start a narrator, not I felt a moment, but desobolence like if me

had made some any of any time, because not I'm just I'm just my

and fum, I'm, I'm just out of my person, and me has been a man,

Grisaceo and Blanco, is translucid, trai a camisa that no see if it's a face or black manchada, but is a camisa and this subject has a lot of

the hands. The cadences are very, very, very, very, very, large and they are they connect just to the center of the

room in that I'm in that I'm when he's getting to the man, he, he's,

he makes, I'm trying to talk, but I don't hear that I'm moving to around,

and I see that there's sombras that start to join in the habitations

and it's very much this subject is so nervous, me a preeta the muke

and in this I get up when I get here, I'm I'm so I'm

really, it's a bit bit a great, but it's very disagradable, he's

I'm a man I'm and he did you also there were mortletones in the

mollettons in the muckus you're you're going to you're you're going to

you're what you're What else no me has Conted? I'm I'm sure that's

of your family. And just he said, no you're not des investigating

where you don't you don't get in this thing because not you don't

get to do you do it all right so. I did a pair of

do you did a part of the house every was more

pesed more pesed more cargated and he he went

not didn't do live nothing the catch gachach

gachachach gachach Gatch, get to my friend and he said, you know, you know,

I think we're to be you, even to be a few, when you that's a that I'm

and we see a solution. And my person, no, if you don't know, if you

need to give me someone more. You and you're just in this place, no. And he said,

me's you're not and you're a little and it a little a sobrecito with

money, me said I'm I'm thank you. And then after that, we're

never to be a I never ever to talk. I don't me respond to call.

I know what I'm going to know what I'm not the story had a place.

But what I see is that the son something. Because they were

six months and then in my house started sonar crudied and I'm

having times and all right and then my quarters and then

I'm to pute that mono to be to the subject to see with

that the car but now in my apartment me

it marrars. And you have passed more than two years, a narrator, since that there's no noise. But when it has occurred the phenomenon of of the Bages astrales in my house, someone who knows this history,

and the never said he told me, and I'm marrary to end up to end up with phantasmas rotos. And with this story, my dear family nocturna, we've yet got to the final of this obscure fogata

of stories. So, my dear family nocturna, if you got to survive this foggast, and it's your first once, for favor,

let me know to know here in comments for the family nocturnal let's

thank you the very much I'm I'm in this time I'm the first of the time

to the new members of this our new new new new that you here

on YouTube are more more than a million of members. Now

see, in this 2026 we're so sure you do you doves

something to your stories you you're to you

you're going One of this, we'll see in the next episode, but from here to to see us we're going to see

if we're going to be to be the summer as to the next week to the next episode, you desire you, you'd say you

have some those little, and you know, ones and Thursday at the morning,

the time of the time we're when we're we're trying we're when we're