HABLEMOS DE LO QUE NO EXISTE - Amistades Siniestras, el culto a la Serpiente | SABADO DE SOMBRAS

Episode Date: October 12, 2025

Historias inéditas que no conté en la fogata en vivo en PUEBLALos adoradores de serpientesGabriel PastorCrees en los muertos?

to this Saturday of SOMBras in domingo and I'm going to ask to

me support just to say if all it's good also family no

my support me for favor mention saying me for favor mentioning

if all so it is in order we're we're we're we're

to be to connect some some Yes, very very well. From here, very,

very, it's getting getting to the studio, and as we're in a new and also the signal and

all can be just a little just a little little bit of some seconds in what we're in live, because it

seems that it's going to put in good. What's what? Excellent, perfect.

Let me move a a little bit, there's and let me know, for favor, if all

see, it's listen well. I'm going to see different in the

comments to like it. So, I'm going going to adapt and a process adaptation.

All right, all all right, all right, all right. I'm so, yeah,

yeah, yeah, and good, good, good, good, good, so, super, super,

all good. Very, Funner no, before to start this Saturday on the

Sunday, first, thank. Thank you, thanks for part of your time,

thank for to let us be a day-a-day and I want to say this

something. We're all the team, and I do some thanks speciales

to the team because we've been working and the team has been very for the

time of the show, for going to see the time. It has

been days of time kilometer in what it seems that never

never the time of the the Pasadilla Nocturna, a brazote

to all of them. Thank you. And to the family nocturna I'm that all this is because we're

looking, we're doing, we're doing, giveles things, so is that. Listo, perfect. So,

although it's a sound a little different, for the people that me is listening,

we've got to get the microphones professionals, we're doing the microphone on the cellar. So,

so a little of patience, remember we're doing this Saturday of SOMBras in dominole, but out of the studio is a place so we're going to enjoy a ball

of stories, but well, now said one once this, I'll say, I'll give the voices of the more detail, that if there are any detail, me digan, because I'm going to be very concentrated here with a panel. So, we're going to,

now see, to what us truge Chencha, or in this case, the phantasm of Chencha. Figence, family nocturna, that, as as well, the team of the

pesadillas has been a hard for trying to things new to get back to start back to start

the show and all these questions and there was a super surprise with the time and the

final of this video we'll say it's a gift, it's a final, I'll say

because I'm to tell you because I'm to tell you know, but it's be a

great-to- part of the team of the piece of the people, the team of the

We're going to to start this Saturday of SOMBASS And I want to remember for the people that's new and never has been here.

I've been because we've grown much ultimately because as you know, we're going to the marcher of the million,

we're going to a million of followers in YouTube and just that we've grown even more and the

audience is many are new and I want to in the in the in the moment in the

we're trying stories, we're going to talk to stories but also also the interaction

with the audience and I want to tell things that have been passed in the time,

things that we've been living, put those and tell the and then and the things to the

other things and the so I'm so I'm so much this Saturday of SOMras for things

that are good. We're going there, there are people that are saying that

all right, all so I'm then I'm so I'm to give to make a little

question the message the more than all the people who are to be to be to be to be on to say something to be on the

theme of the night of the night. As well, family nocturna. As you know, we're going to do with a hirah. There's a question. In this hira, we've got to get, or well, we're just a few days in Puebla. And when we're in Puebla, we're going to live in some things very interesting, because we know we didn't know about what we were to confront us. We didn't know

the family of the Nocturna of Puebla, how us was going to receive. Yeah, of the entrance, we're going to be family and we're going to expectative. No. See, it's been a dinner familiar to a reunion family of people that have much time without

see. Well, I'm sentie like, how will be able to be the environment, how are going to start the people, I'm sure that they're a good to pass in a

bonita belada, a nice, a good in a little bit a lot of

a little little more, that we let's let's make the thing that

the time, but the point of the night is that I'm I'm going to get

surprises and sorpresas very good, very, very, very good.

I'm to be in the zone of the we're preparing like the

little details that's they're to prepare and standing in the place. When they do the

entry to the family nocturna to show for the fogatas in vivo and it

starts to occur something that is a sign very beautiful so they're

to hear many voices of people that talk and platique and

you know there's there there there there there is a

not a a normal the is that Pardon me, it's a

Platicna, it's a a platic that is a lot of emotions. It's run a person to be very emosionated and the

repent I'm because I coel of caberminies and me I'm a part in the way I could hear the

auditorio so when they're going to those in-vibos that I'm on the but I'm listening and

they're talking and they're people who about about what they're talking about that were people that

two hours back, not they were going to be there. And then it was advancing the show,

the people not so family in the night of Puebla they were very

beautiful when when I'm the applauseos the gritos the and the good, you know,

what you didn't, but it's moments very, very very very beautiful.

When we came the show and me kept in the part of the

It was a lot of people that were a meet and grid, impressive. So, it was a moment special, so I'm going to talk to a little

because at final, a file that great, we have to distribute in the time, because it's a large and it

is a large, but it was very beautiful. And I was talking with one and with two, three phrases, and the photo

and a firm and that's and I'm to know that many people me told, I'm, I've got to

make friends of the family nocturna, I've to have new new friends and a chava

me I'm a couple to talk about my chief and my wife also and it's a family

night and it's a very good because it's a little bit you topas with those

people who also that's the podcast and was a family complete and a

little and a little and a little she's part in front of

his family and behind there there a person there's a other person

that no a type, a little, moreno, and there was a woman, and the chick was down to

and she's a little narrative, and yeah, I'm going to a newcturner and I'm very much

a lot of this, and I'm really a lot of so I'm allude to all, we did a bit of us

we're talking, we're talking, and the person and it's was very part, the father of

this chick, at the final when he he says, we're we're going in Mexico,

he's he's going to go to to go to Mexico. Me going to get me going to give.

Well, it seems that this she took a very in serious and much thanks for being part of the family

nocturned so it he was I'm going to hear the fogata because as much you know,

every fogata we're going to tell the stories totally different. There are some one or two that

can be repeat because there are certain contexts that I need but we're

a episode very, very long, very long. The person ultimately me it's actually I don't

I'm sure that were like many times in the fogat and so in San Luis there was a

little bit I'm saying I'm not I'm just my new my new is the super fan

and it's a lot of I don't I think that it's that we're in vivo as I'm

like the I'm like the story I'm and then before the time the people of

the people of the people of the people of the people who were they're just what

what they they were in the show. I mean, because we're going to see this. They're in here,

but what is what they're what they're going to and this she said, I'm going to do you

like the stories of then I'm listening to hear many stories of terror. I don't

know that of that I'm not of that I know about that's when I'm the show,

and I'm going to be to get to this in San Luis and she'd say saying, it's that

I don't I'm not I'm never ever that were that's that And what for me

for me, exactly. Here, not is a fogata, it's a ogera of stories of terror. Because I trygo a grand quantity, because the idea

is that if they come in the show, you know, Astroita, I want to say that much thanks. For me,

it's an adventure. As I'm very much for me, it's something new for me. I'm very very accustomed to

learn at the family noturna but in the in the where I, in the that I'm

and that you, and that's And in occasions, also you're allucinans, the voices of the more

than my spectators, and with you interact with you. For Saturday of SOMBras, also for the other social, but in

the en-vibos is other thing. It's other thing. It's a way in front of you. So, it's

a dream. When we have a time to say, I don't know what I'm going to say, because this is

something I don't know I'm not I'm used and I don't know to get to

but it but it's good to know those. many, many thanks for

being part of this family and now that we're in the different places,

well, you know, you know, they're that they're going to them. But well,

let's this to this for a little thing. When we went to the show

of Puebla us just a little thing, and it was a thing,

I'm going to make a idea that was my imagination because so I

can be more so before I'm that in Korea

for You know, right there's much the time that I don't know how time do you know that's quite

the time of the K-pop, the music Korean. Well, and also the series Koreanas

that are many times that are good-en-s like the The Cullamard and some other, but the

point is that it in the theme of the K-pop, no-s- if it's in all-Corea

or only with them, there the people that know, comment-em to have an idea.

There's a creency and if is that in the production of what you're doing,

so it's something something, it's going to be a very good good to be a good idea.

Because we're in the show, or more me, I was about before we, before the time,

only was the team. And the team and it was on the side to another to another and I

was about the thing of the hogger of stories, to be what are the

what are we going to give, what is what is this, I think we have

we've got to this, I'm like a deputation final depend on that many things.

A preparation personal that in some moment I'll talk about but I'm doing a depuration I'm doing like the

ultimate list what's going to do you're in front of you're there's already now are so. Lazangue

surgelley Pucance Moines for 15 minutes we're like it's the hour dojo ready to

play live the pleasure with the hoo the casino on line the company

to propose the in direct. Profite to 50 tours gratuys on Big Bas Bonanza without

without any without any I'm in I'm going to get to get to play oh Joe. 18 18 and

plus, 1st only deputies on Ontario 50 tours on the machine as sub

big base bonanza deposit dollars pay you do you do this money

to be very much very much concentrated I'm very much very much concentrated and at

certain I'm saying like oh yeah yeah I'm sure I'm I'm

was very good. So I'm very, super, super concentrated. And, of a repent, when I'm in that, I'm going to get a moment in the head, I'm going to lookeating to the piece, and I'm like repasant but without talking. No, I'm going to be bargeoce.

Only I'm doing it to make a little bit of the ideas. And for that's in an idea, I don't know if some of you came to see those antivos confessions of the churches that were like they were metied in the

part or they were like a quadro of a made to the wall, and in the center there there were a

other two orifices more where you met you were incaves and they were like those

rectangles pegates on a page but every one is a vestibul in which could

be a person so were the carerin a one an hieler

or like a type tarima in the it was it was a tarim there was

a there was a to put something to a Mesa Lark, empotrared in the POTRED, and in front

those rectangles, that were some wECOS, with a bank, in the that each one was separated, like, to change, jobs of concentration, or what that, a space diminuto, a meter and a half, more or less, a inch, a little, more or less so, and, of the

fond of 50, 70 centimeters, a pedacito, and with a little bit of your, and so, for if you wanted to start, you, or do you, I'm, no? I'm there, I'm sitting, I'm going to I'm going to

the piece and I hear some those passes that are just to the way, there are

some escalers and they're on the escalers, front of me is to do the and then it's

the same and I'm sitting, pardon, repasando, and I listen to do you know,

I mean, it's a make to be a sound a voice of the more

then, then I still I'm so I think I I'm the

I'm front of me, but I'm not I'm not putting so much attention in the outside, more than that noise is a little bit distractor, for that I'm just a little bit of distractor, for so I'm just I'm just, I'm going to, I'm a little bit of a little bitcuitable

or something, I'm just, I'm no, there's nobody in the passio, no, there's nobody in the other side, and I'll go, and then in my ear, of my own, of a form tenebroso, a voice

of the mass yeah, you know, occupies something, and then I'm talking

you with this voice, I said, yes, a boat of a but you you have been

to say, you know, no, no, we put us to the other side that we

don't pass over there because you're like, I'm very very so that

he's, ah, no, nobody is going to be there, no,

we're not we're we're we're we, Oh, well, and me said, for what? No, for nothing. I'm going to get with the idea that is something that's going to be very well in the future,

according to the creencers. But if I'm like, that's rare, terminating the show, me put to talk to the people of the place. Simple and simply simply, simply, for the way, there are stories of the theater, and me said, see, fithet that they say, not us consta, but there are many people, because it's a place that has a year, and it's

much time serrated. There are many people who have worked here as well that said, that for here, of a repent, you're seeing the passes of when is when he's Camin'O. Gabriel Pastor. That is the person in which name he put in the theater, in whose

honor is like a type of homage, no-seh. No, I don't know if he was in the construction. No, I don't know idea, but they're saying that, that's going to go to Godi-Roeil-Pastor. nothing that I took to hear of

but well family nocturnal the show was incredible and the situation

was good but there were some some I'm that I'm want to

tell us because even when is a hoger of stories there there's

a time there we have we we're we

we're we're we're we we're at the morning and

there is a fogat in vivo. The first was a story that me came to this week.

That is a story a little complicated. I know and I did you know,

to ask you a disculpa, there was a story that many people that many

people who that's that they know, I don't do not be to be doing

bandos properly in these things, but in no moment there

a fan of that pass in a bad moment to listen to the stories? A little of mehito but there

people moleste. From this perspective, that they know that when we the history

in the things that are preston that are very obvious we're not we're not in the

thing paranormal that was a problem that was a little sensibility to have seen that.

But this is a story, that I'm going to say, that we're to talk

it with pinzas. It's a story that it could be that it's not the

but, but, in the end of this, it's something that's something that's something

that we're something that is something that's something there. There's a child,

many, many, many, many, I'm talking to the time of the 70.

She was dedicated in the and a body, in the body and to the

the company of the company of the business. A chick emprendidder a child a child

very visionary, but also we're that's your postura and your code

ethical no, it's good that not it not you know, I'm going to

tell you, I'm going to tell you my family was going to be hungry. In that time, my Papa, had almost two years

without employment. He had purrots like, of a sudden, for there, things to do a thing, a little, a jobito, for here, and we had been perded all. We were dying, no, there was money to buy nothing. We were going to be. In

that time, no, there was a way in that a woman consigued a good job, or there were exceptions, and maybe many, says, but the grand majority were jobs of secretaria and it's a cabo and not are

well paid. He helped out there to get the but I don't care that. Because with that work, the only that I would

do to do you were to be a doggates. I was in this time, this chick, I had around of those 17

years. And she said, I always took something something that I did much value. I don't

me be yeah I was more than. I was I was fast like a person of 25

to the 30 and the I've done. My father was a person that's my life

family nocturna if you yeah I've got to be to be to be

like to see like health for all for for please

if I have I've no I've not I'm back

my my thank me let me say I'm I'm I'm

I'm I'm I'm I'm I'm We're in a place in which we don't

have enough control of the internet if there's these intercourt and I'm a little of patience

and we take a re-court to reconnected and while allude to all you guys

very very I was telling that this this chick this she was

dedicated to the thing of, well she she she comes to be

that needs, to one or other way, to see, to get a work to give a

family. I don't want to the workes because were the workes that were

going to make that I would end up to get the problem. Then, discover, for situations

of the life, well, it's a way, a lot of a person very

very convincing. And then then discover a sector that was being being exploited,

that is the sector the immobiliary, Compr and the house. For there,

someone has a need a need of the business, not was a structure in

that's so that now. So, the people were and they were

and the people, and there were there, no internet, you're

you're in the public, but not all the other, she did you

know, she could be a red, people that have the necessity

and in a certain way it was like a single an immobilary but with a unique a person

to do you and put it about. Nothing of about the contractes the point of the point

was the year. A year number one says we can the life

to do the family. Much vergence very very my mom one and

another another other way me and again and again and again

of why I'm doing that a woman of family not should be doing that's because they were

other times and other ideas narrate and I was the rebel I was eat to eat a

food to men and men and that was he or they were me, because many of the

owners of the time in this time the grand much more many people were women and much

were more more than more than a matter to it was a thing it's

a very because of there no way there were And, maybe for that was all this was

all disorderned. I'm going and I'm to capture. And I'm a person like sexy, coquet.

If you get to see, you know, you know, this person like me, me, me,

because not that type. But you know, I'm going to say, and it's something that I'm

a person a major mehacto, I know, I'm a person super interesting. So, super interesting. And then

those captivate, They said I said I said to tell them I'm going to tell us

and I'm very well that they was interested to one and a other I'm very empathic

I'm I'm thinking that's that I'm that I'm that's going to the person the space of

a few yeah necessity or live in a colony or to be a

person I'm not a I'm sure I'm I'm sure I'm the money

or a good family or that not they destroyed the place or if was a

or if it was, I was I think a whole of those then I'm to make to make a marries. Amarrs,

not in that sense. In the sense of the way, I was a very good commission because

in that time in this time not be standardized I was I'd say to me pay me

me pay me and you and you give you I'll say we'll give the life

to my family. My family me regana not accept the job

but look how how they did you And so was the thing. I was used to in the second year.

So, it was a question. No, I had a man. All those my clients me came down for recommendations. Someone who worked with me recommend to three, four persons. People who were and rented

a house, bought them, me recommendable with people and I'm going to go ahead. This was before the before the

immobiliaries. It was still there. There was some one but not the normal. Okay.

There's to go to what what happened. No I know in what moment, because me tarded much in discover it, no, I know

in what moment me they're to referer with bruchos. I don't know, nor idea. Result that

these bruchos with those go and I don't to say, I'm not to tell you because it's the

most obvious of the world, but I've too time in power it to get that not I

don't I know a person that's that's so I so I what I did,

because you're going to understand. One day, a group of people that when I go, I'm going with some people

in a lot in a lot in the place in the way predominant colors colors, there are there are

there, many, monstrous and things but I had known that people that I'm never

me'd know. Apart, I was for my interest, we're going to

go over the family's that never to die to get to get in the time of the

business, I'm doing in what they're in the way of the thing, I'm going when we

do it's that I could get to get to the carcel to be clear. Well,

I'm with these types, are different, types that are people that are that are

fashions different, arretes, tatuages, not habitual for the way, the form

to vesty the camsas so debatoned, with markers here, they used to some palacquates, things like, you'll say,

the world very extrafalary. I just go with a time of a little, that not may have to do something, but

no, are people that are the people, I go free, I'm going about certain things that you

can't say, and me they're going to doions of much properties at the all the

whole the whole not just not just that I, and if I have people,

we can do a very good business. Very very. There you go.

It's a past a minute after that reunion. Me they're a bad spina but

at the time, is a job, it and I do it do you know because

so I'm a day a call a voice of the but I know the question the

second he said I'm a see who he said who is what you said who

is what you're what we we're we can't we can't we we're

we're we're of mom, papa and two kids. Or so you know you're not

you're not interested listen to listen me mom and a father and two

man, woman or woman woman and I understand that you really

that you don't but that are two and that they're that well

he's well narrator I'm I'm I'm I had a

I'm you did the property me you said what it

right is the most normal of the world in that time no. Me about about the property. The first that I was

before before I'm direct to the person and I said to the property that me to the property

and the first that was how he did do that how he would to be so much

so so that when I go to the property and me the type the the keys

me says oh yeah but you're you do you I'm I'm

houses, to me not you're going to be all and I'm going to be a lot of now. Now,

you're going to not the and you're that I'm that I'm doing to do you. I don't know with with

the ruse and the quater's and I'm going to the house and the house is strange.

For it's very beautiful. I'm the door I'm and I'm put and

I'm in a room super feo but but feo, but feo, and then then I'm

an apartment in that in the Pissue, there's a food Pondriada. I'm understand, not is a

basurero, nor a place of a place that's a lot of that there's a lot of the food in the

place, and just around, or more well, the food is circunding an altar in the

statue of a being a set that has a partas that are in some some of

some some the body is like musculosos, has, has like

some kind of some kind of a other extrana and the head's a little bit

like if were some some type of reptile I'm going what is this? No,

no, it's a time of cellars, no, there's a call connections for the

telephone, and then then I go and the zone of the kitchen, if there

was a box of or something, I go to me go to my car me go

to a time of a car, I'm a bottle of a

various bols of basura trapea-scob a scuba and I'm also a question like a picture of

the color of the paders. I'm metto the house and I'm going to gohter for the

mowlero in the piece of the plo after the cloro, I have to go out of

three, three, three, three, three, I penta some of the things that were

there, like some some rations and things and tinta roger that no

and I painted and and then it was the first time in the life that when I think about a little three hours

the thing that was at the thing was to go to find I'm going to start paying the time contracting people who

people to I'm going to pay some I'm I'm sorry I'll say it was something that I'm

that I was so I was and I'd and never more I'd ask you and when it's a paintura

of the fond that just no more not we get to me never I'm I'm a

I'm a I'm a good at the house I'm quite good at the I'm in the

and I'm know I'm never to tell you to know me pay every one and it

and it after two three months I go to other house in this

house to the same group of people when I when I when I'm

on the second piece I'm there's a silhouette and me

a bad a bad a bad sensation so. And then I kept with

the sensation of that's that is that maybe there's because

not they said that they're there and I see to be

to be to I'm and I'm on the hand

the I'm the I'm up the car I'm

go I'm The house is being abitated by someone. I don't do that I'm not I'm not quite

you know the give up the property is there and I go and he says no. That property is a back here.

I'm saying that I'm saying that I'm there's a little bit of a type of he was going to be over

the back and he said he kept a bit of the he's going to see that he's not you're that's weird that you've seen

that's you've been is your job and he says no but then then you're going to have to pay more because I don't me feel secure how much? 50% more. For less not you're going to the house. It's a good, no I have a problem.

Oh, a narrator. Very easy. With that 50% I'll give a 20. He pido to my brother and my brother that me accompany. Let's do 10 and 10. We're going to the house. Oh, and in the house we're to start normal. When I go to the second

two-piso, I go that ventana, the limpio, and no I'm back, I'm back, I'm

going to be another way and I'm and I'm , I'm I'm not, I'm to do you know, I'm

mean, and I'm know, to go, we're the time, so I'm, so I'm, I'm going, I'm going,

I'm going to get to a mother solterer, certain things, list, we're getting the things,

I'm just, we're going, I'm going, the chica, me pay the the person, I'm, all the

15 cases, narrator. Fifteen casas, more or are the ones that are the group. Until that, in the

last or the penultimate, because no me I'm I'm going to work, when I'm going to move, a

new person and he's put in front and me says, he'd be to give a verguyen,

and he said, sir, maybe you not me is not saying, you know,

you're not interpreting something, but I vending houses. I vend, rents houses. Of course, if you have one with the world, I can't do have servicio, and I'm sure that I'm going to be able to be able to be able to

say, you'd be a bit moreguesa. I'm, I'll say, please, no is it's a costumbrated to that a woman do that, but, well, with the pen, I'm going to continue doing my work, and I do it, and the day that is he's to be able to serve you. And then the sir, the

the Lord he says, you, like they're going to go to the inferno a witch.

And I'll say, I'm a brao, I'm me be a bad, brouca,

because? Me says, those who are the bruchos, bruchos also, I'm going

to the house, I'm going, and when I'm he left turbado, me dejo

me thinking much, why me is saying that because me said this sir,

apart he was being offendeded and Well, well, I pratico with my papas. And when I'm to say, of the statues, of the

aromas, all this, narrator, my mom, assustada, palida, and me, he says, well, you're an idiot or what you're doing? No, you know,

to where you're doing? No, you know what you did to those families? You'll go to say, so, and I'll give an explanation, narrator, that me left them blando,

I'm in my a new no I was doing no I'm put to investigate what was what were

the people those people that were in those God wants to you know I'm going to my count and I

let's the house beautiful what I was what I was what I'm doing that I'm going

to work in that I'm got out after the sector immobiliary and that

good because me was a very good moment so so family nocturna as

there's there There are times, there are situations in that simple and simply simply, simply, and when we know, it's very obvious and we can't say, this is too strange, but when we know

are not, they're going to be situations that you're going to find. There are many creences at the level world. There are many religions and cults. No, I don't want to divide them in good

and bados, but we're very beneficial and prejudiciales.

Cultus and creensies that are to get to bring up this plan or another. Why?

For the many practices the things in that they and where all the things, the

people, the emotions and all they're to do you and all and when we know

we know we're a first fact of this is a attractive

and very beautiful. I'll say, my labor here, in any moment, will be just to judge, and say, well, and malo. That's the criteria of every of all of you. To you, my dear family nocturn,

as I want, and as well, I'll give recommendations, nothing more, of what I result, obviously, ante, and my eyes, not, of the things

that we're being and perceiving. But one person, that was a family nocturna, he took to live, or what is a bit more

what he's see. Resulta that this person is of a world, and I'm

to mention a country. Me mention to him during a time, in the little after the

university, they did a very good job, he gets in that work, to be a lot of

money and what he's been paying and what he is to get a moment

in the he's deprimed and it and it seems like as a

like, as has passed. A crisis and it's a crisis existential. For what I'm doing

what I'm doing? Neither the money does so feel like what I do so for what I'm doing this. And for him

there's people that's not important and rapid you can there are there people who get to the response.

In the case this see no, me was doing much damage that to at the point in the

that I'm made sense nothing me was feeling me felt me felt I was a very good

quantity of money and me going to give to a year to go to go to not I'm

a person gastona, not I'm a person that's a person that's he's invent a

gastus is a person frugal, I'm a person that's a person that

is a person who I'm like to come in the sense that are

things that are things that me can't do you not things that me

can't in quantities. So, I've been simple to get to get. Never have a problem

with that. Never has been a person of good refined. The rope, the thing is the thing is

me get to be a good. I'm going not by any for things, caras. With what

you want to the way, is that I'm living in house of my parents, I'm

could be to be a 80, 90% of what I was and I was going,

and I know, and with the other with I'm paying food,

and out of the money in my house and look, all they were all all of

all this and I'm paying me pay them very well. In a year, a year

and a and a year and a year I'm a lot of a great fortune

and with that I could do make a plan for various countries of the

world and and get me in stances in two

months because a year because a year retomable some things or in occasions

that I passed, I needed to go to the hospital, recuperate to get to get to

the time, but the minimum and the more than what is here and I'm to explore religions.

When I get to a certain country, there are some people that are that the

serpent is a symbol like of prosperity, sabiduria and apart like longevity

and that the serpent with his sabiduria can be a grand and spiritual.

I want that I'm understand that I'm not I'm a person

that I'd try a bandera of black, no, bad, well, bad,

nothing of that I'm I'm looking with an aperture absolute to all. I'm

saying that is a perfect, we're to try it, and then I'm

with the creencia that, well, we're to try to try to

this, and it took it this. Well, we let's see what

on the serpent. Me they're they're to drive first during the first sessions that were about two weeks, to many,

many situations in which we were with a group of persons with meditations, that were persons of different nations, because, we'd say,

we're a group very proselytista, eh? I'd be able to say, had generated a certain fortune to start paying the

years, but nothing more. If I could live with that after a couple of a yearitos, me had to have been

a grand fortune, it was a canty-enero you'd have a little. The point is that I don't know why me, and because they were to get them to enter, but there had people that had had money and if I had power. And I didn't see, no, I mean, no, I've got rostos known, but you're just a count, you

know when the people have much money. And there I was, I was down to that group, and me dave a lot of the people that were in different idiomas. I was, I was a little of Portuguese, and a few of Portuguese, and a pair of words of Japanese, that not you could say that I'd understand a Japanese.

A pair of words distinguia that was the word of the word. There were a lot of other idea of

where they were. There were people of all parts. They'd and they'd have a house of wespels,

I'm there in what was taking these reunions. And these reunions that we'll let's get

of the serpent, because I know what number are right? In those reunions,

we're sent us around a little a thing I'm like to I'm going to I'm going to

say yoga, I'm an ignorant of this time, but I'm going to say yoga because we're going

a type like a mante in the piece, we're taking a postura, we're

not doing different postures, and only for the things were that we repeated we

and I me was a because I'm now we we're going to start to be about a

bivuras then but I'm I want and I I was to be

very very serious and we we'd we if we It's heard, because there can be a

blocker of the sony the sound, the sound of the Z. So that's that's, the sound of the S, the S,

or the S then says, it's, we repeated we repeated we repetians, and I had to get to the

principle of the risa, but you know, something, you know, it's a weird in the

environment. After the five minutes, there was something, there was a little bit more frie,

in the the piece, it was something something something rare. If you

have been been a one of the same you're going to be a lot of it's

like the piece would have micro-vibrations micro-microscopic not that you know, it's a

thing, it seems that the piece would be a moving so.

Well, Marlard van and then and after this, to do do this

the soundions the things, the sensations as the vibrations come other

things, there situations in those that we put in an image, the image a lot of times are very

impactant, a person, all full of like, and they were in the image and we put them in a image and then the

person that was doing the course, that was never, and we'd give a man so, like, like, it's to be

to us the same, I was, I, after the other that you have done again,

I was, and it was very rare, but what what I saw in this quadro, it was

moving now in my was a person with the arms abertos and I'd see the in the

back in the question, in the dors, in the other, in the person, when I was

the serpent were to move around. And this was what I started a little bit of a little

time, but at the same was very interesting. The person, the face, the face,

and they had to put on some actions like of fear, much fear, and then

then I'm to have to be inexpressive, like plan. I made a strange.

It's a matter of a two, because it's a good time, and then it's a good time. And then we're

on those who put in those they're a bell a black with the fire, the flama, and then

we're just we're more close that we're the most that we're before that we're

when we're we're going to be there, we while we repeat a sound with the language and every

certain time when the hands we're on the hands, we're in one of these images and

he does make the indication how it and he is a little, it was

something was terrible. With the hands around from the wall and the

flama that that image started to change to but it was an

impactant me was me the image changed for another and when

parpadey about because I surprised he went to the first and the person was a

little and he was and he was in the hand it and he said it's with a

point I put another image and me I'd to see that I'm

much I'm I'm I'm with with me after

after after that that probably that I was a good a good

because not the first and the first day or the second, I

I'd know that the those who did they did that they were in, they'd get them,

they'd go to a course, no creas or I'm a person a person tonted,

I've had been in places and colonies and places and places and

it was there's being the things rare that I'm doing but I'm in

the same that's people that people that were in never regress

back in some occasion me they're stoop in a patio. They're living, they're in

those other. So I don't feel any risk, so I'm going in that pass. What's the pastille? What's the thing?

And my curiosity in that moment me got it. And then during one night, I'm meditating much, much, much, I'm

to do. I'm going to do it. And standing in my room, I'm trying to practice how to work to

a point without parpadear the more that could. I put a chronometer, 20 seconds, 40 seconds, 10

seconds, and I'm going to right, right, a little, right, a little, a way, more, a little bit more, and I'm going to

get more, and there were forms in those that could be able to get a time. I'd get a first, and then the view that

would be good, and then the water me to get back, and that before that before that was a moment,

was like a moment in that was a very, very perceptive, but with my eyes that not were

not stuced from my I was in the initial. Another form was not to breathe to a way to be in a way to be

a lot of thinking in things, irme in my things to make my eyes, to put attention

more in my sejas, for that my eyes, and my eyes, not you're the language,

no, you know, you know, one and you things. When you put in the problem at

day the next time, I'm, I'm able to do, I'm sure, and in the

moment in the moment in the time sufficient, the image can be a one to another and the second to a third image. The third image was a

serpent in form of, you have seen that image, of the serpent mordiingly-the-cola, has been a name, but it's a woman, but it's put in here those that si-sepaen the name, but it's the serpent, mordyndoce the collar, and it was in form of circle, I see, and when I see, me sorrendo,

and there, parpadeo, they're, they're, they're, they're taking the ombro, me make me and they're going to be the passage. There you

go, narrator, the only ever in my life in that I've been in the way I'm

going to a little that's that the that's that's that we're overboros.

Yes, right? Uuroboros Oroboros well, for here he'll putrard,

but well I'm going to the passio and there is connect with another passio and

that's and then it's connect with a third passio and the third

passillo, that has various doors, windows, all normal. The first is black, the second, blue, the third is rojo, and at final I'm a

little black, that's all the no see if it's a black, negro, or is like a color blue, but so dark

and so little light that was that was a dark. At the end, at the door,

there's the rostro of a man, tallied, is a door of a door of the door,

the door, the door, and it's a bit of espantoso, front of the door there's a person, and that person me is down the back, and they're saying that

me detain in the middle of the passio, I'm seeing that person, and only I see that every person, and what I'm going to say, no has a sense, no doesn't, or so, logically, it's not function, so, but

this is what I see. A little, a little, a little, a little, with some eyes of a color very, very,

very flamient like if if they were a lot like if for the head had two

two types of the focus and of a time of two meters because that the

door was a light and she was a somando

from from a one one one and put in the person

and it's and it and it has like the person was

zombie-id indecient I inconscient. I don't if it was what I practiced the day earlier. I don't know if it was the fear that that so me did. I don't know if

those engaged and I thought that I was an state altered in the way that I said, is too idiotas and think that I'm going to enter there with that. I did the media-wilt. I'm going to start in front to

create me to detenarer. Not I'm a person Violetta, except in that moment in that place. I gotchaed, it's I tackled with the ombro and me I went

to get a sound with the language, I hear of a bit more, but it's something very rare because I'm going to get ridden,

I'm agitado, I'm going to breathe over and I'm breathing like I'm breathing, I'm going to go through the

passillos, the passages were rectos, not it was like me were to get a when I'm a

placeio I'm in a pastile red, I know, but I'm in a passile and what I did,

if I'm to go to get to a I'm going to I'm going to say that. I'm going to express.

And in the next passio, is the passio for the first that I'm there's a

little bit of a little and I'm really and I say nothing. Nobody's me kept being

some of the one of a second, a minute, a me no me I'm interested me,

me I'm not really to know to those people, and I'm never to talk to me

those. What is in what they're what you really what that's the I don't know.

So, my great family nocturner, many experiences, many things, many experiences, that,

how do you know, to us interested in the stories, and tell them, for favor, what they're

that they're doing the stories of this Saturday of SOMbers because I know the notion that

they're doing when I'm talking, and I know this may be a question to

one and there's a lot, and I think that If you're going to the

stories, for favor, come to your like, and you know that in the episodes

if you're going to the episode, share it to get more in the family nocturn of

YouTube and the of the YouTube, we're going to the million. Now,

in what you're going going to when you're acturna health for that almost

million of subscribers because we're in the rach we're

going as we're going to run to the the last 60,000, yeah brinked the of the 20-tantos mil, rumbo to the 30,

then those last 60,000 sub-divores to get to the million. So, it's that's because every we're more more close. And, narrator. Me, they're saying,

here, narrator, so he's good. What a good, for a new-nortem-nort. We're going to, we're probably to probably the ultimate story of

this Saturday of Sombras. There's a person that he said that he took an friend in the infancy with that they

they'd have been a tremendous, tremendous. They were a good, many, very, very,

unyed. The relation that they were almost of the other people, the time of one of the

two is a mud, no me me to clear who one of the two is a

and then it and it's this relation, but the life is going to when you don't know,

you're a person, a person at the that you want to be a lot, you know,

at the time is a manner very strange because it's eternal. But in a

parpadeo, you know, and the children are in other things. Much of the power of resilience

enormous. And the person that has made the story is one of the story, when he's

going to say that I'm clear, so when we we're going to make the question tremendously.

He was my brother. All the days we had to all the and I

kept only. I was a little in that time. At a little time, mom is embarrassed and all right, but during a time period. I was very bad.

Tube to learn to divert me only, and I began to learn that in my imagination, I had like a great power. Me dave a account that in occasions, standing only in my room, agarrable a lapis, agarrable a hoja, me

to drawer, and, of a repent, I don't dobuho, no I did not doggoo well, but at To do those movements, I could be thinking in a caricature and I'd go to look at

imagine me a a little bit of what were some time, and I was making that was my imagination, and was something that

me poled-loco. Thanks to that that's a narrator, well, you know, what, the things started to change,

because me did a point that I could dovertive much so and I started to

dovertire. I'm I started to enjoy much, much, because, standing only, I'm trying my

own own little, my own stories, my stories, my stories, my movie, if a episode of a

series, I was, I was, I was, and I was that had had been been

this, and it was that this way, so I'm so I'm so I'm that I'm

never so, and I'm a lot probably, or of my thing,

and so I'm time, Jack, no we've been, not we've been, we're going to see, and look, it was advancing the time, I'm going to study,

themes related as a scriptural, no destacco so I'm so I'm going to do you know what I'm but what I'm

like the other doesn't know, then I'm going to be changing and finally I'm a job in an job very goody

administrative. When I'm in that time I'm in the time, I've been been able to live well,

I've been to live here even, I've been years of of ascense in the place in the

company. I've been smearable much. When I'm going to the direction of the company,

me they're to do you to talk to talk to you, I felt like me were on the honestly,

nothing more they were doing this they were for the post of the post of that I

had to that I'm when I go to that group of my friend the infancy

I don't know the but when it we're a name, Jesus Sabaala, for putting a sign a name,

when he says, Jesus Sabaala, me call the attention, but in that moment no, no, it's a friend of the infancy, that he's the move, or the girl, or the one of the time, none of that, never, it's rare the name. And it's like, ah, that name may sound of something, me

sound of something, well, just passed more of 20 years. No, I'm, I've known. Then, then, I've known many people, that no. Oh, yeah, in that junta, at the final, he's and I said, don't you

don't you don't you do you don't you don't you remember when we're not you're going to

you think you you're I'm sure you and I'm and I think you

the direction in that we we've in that time and then he says exactly

I'm back by by Rai Embarked and and profite Embarked

and celebrate rigolet publiced savoured Ammire and profite and profite

Via Rai, the voice that we have. I said, I said, no, no, I don't you, no, I don't you know, no, I don't you, no, I'm sorry. And I said, I've forgotten all the other. Me said, I'd say, I'd like, I'm much

years, and then I've got to learn that in the life one's just all, and look, well, the things are well, I'm, we're just, we're, we're just, we're just, yeah, no, we're just,

yeah, no, you're just, every one, you know, you're pastes you, you're partas't, you're doing, you're, and you're And that was very extrano.

Because, because why me asked this? It's a question super rara. Because how

you did you know, how you is that question is going to my story. Because I did it

after he went, he said, he said, he did he did this role of my and then he said,

and it's a very strange. Well, narrator. After the the Honte of Directives, me

he's to look to and he and he And he's to look at a point in that this

is with much respect, but I'm the impression that we have different preferences of a pair. In my

case, I'm like the women, to give the idea that I'm just to him,

for the form in that I'm looking to my telephone and I don't know about a

message, how you're to go, you're going to to be to be a sonar very

extrano, very extrano, until that in a moment to have to be able to

be able to maybe I'm going to go to be going to do you know, I'm really, I

feel very incomodo for two things. The first is that you are one of the socius

and here I'm looking, I'm working, so we're a business,

I'm that I'm that can affect that that's really me smerado much for

that. And the second is is that I'm have a novi, and I'm very very happy with

with her. And he said, but I you're going to be able to dinner, as I'm not like your

chief, definitely no, me interest. As you know, we're doing, what you've really, you get a lot.

And then it's , oh, I'm, I'm sorry, me, I'm not. What are you understand? No, no,

no, no, no, no, no, no, no, let's say, but a narrator, he had a little,

the life was a way was different, I was a person a a little relaxed in the

industry in the company in the work in the work that I'm, I'm of the most relaxed definitely. And this type,

even is of the most stressedos, oh, even we've been a man who's in my infancy had an air that that was a

greatable, nothing, nothing, not a greatable, no see how to say it as an imponent, pardon,

for the word, but a mamon, there's a person like, that's a person who has been

a form despota, that in the form in the form in the way in the way in the way he he says, he makes a

clear that you have to be a 100% seeing what he's, then it's not, it's

not a good, but well, a scene, a plan, and I, my head is

working, my case, in the way, in what you get a work,

because in this company, you know, you know, you know, you're not got to be he,

and with the you're, you're out of the I have to continue the game. Because if

no, I'm going to go to get to be the things. I'm going to other

form and I need to go to do and that's very important because much people would have you

have you had said you have done you've done or no, no, no, no, no, no, because

if I'm not for the post that I've got to be to contract nobody, never in

never to have been to be much. So I wanted to get to another

place, right that was in a good moment, and then what I'm going to pass what I'm going to keep it, no, it's money.

Well, I'm going to all this. Because I'm made choboles in the head. My head was all over

all overreve, and I'm kept, no, this type, it's a car-cose- to be- to-en-

and apart, me's-or- despot. That's the kid, that he's not, this type is like the

ogro, the Mr. Hy, and the other of the Dr. Jekly, no, no, no, no, no,

Mal, mal, mal. I don't have so the head revolutioned. And a day I'm going to say, you'll get

to get to eat to do you're not over to get to do you do you're saying,

I'm saying I've been put into spade and I've been done curriculums all part and I

want to and I said, well, be, you know, know what you know what?

No, I did that the invitation not to not to a restaurant I

was going to the car, the more, of the the worst, of the worst. If I could

be able to go to get to get to my car off? Who is he after this years? To what he

is the social? Mesa directive. No, it's an operative in the company, but

he's a decision. So, God, God, God, so, Narrodor,

I'm so you so you're so you're so you. When I when I'm when I'm a house,

Marrador, horrible. The house has two gargolas in the entrance. I don't

have nothing. I'm I found the as gargolas, but entientem me in what situation I'm I'm going to a type rarer, I'm going to be after more of 20 years,

the type seems that me want to causear and I'm going to go to the house and it looks at a car who does what I'm doing, and now, the part of the channel, remember,

my respect is for the credences of each of what they're all that is part of what you mean, so I'm going to do the things, because

I had four or five escalones, before a part enormous of the man, the type not was Rico. It's what he

is what he's and another pass to do it. It's a no, no, no, no, no, no,

enormous. To get there are these these finkas in the city, that have been guards of

security, abres, and it's a new and it's a car of the other of the return to

a garden central, that only is there to be beautiful and puros car's of luch. Oh,

no, no, no, no, no. I said, what I'm I'm doing to do this here, God,

I'm a person, to a person, for the for favor, stay nothing more as a pendent, and I'm going to try to do it

before. In two hours, for favor, mark me, mark me two hours. I don't want to be to create that this was planned

two hours is more than sufficient. I go to the house, me meto, and when I enter, after that a door of

a little a little part that was, not if you were to be about the space that great, I'm,

I'm going, and it's a postio, all-offbrated, with quadros to the narrators, I'm sent in

the house of Hannibal Lecter. so I sentia I was a little I was a biter and I was a victim the type

me grita of a bit of a passal no me say to where narrate I'm go can't door

door abirted no I'm want to smear no I'm not I'm interested if the doors are

I'm sure that he's he's sure he's doing 100% for that I don't want to I don't

I don't want to I'm so I'm so I'm I say, where you're where you're going to talk?

The worst sensation in my life, me, I'm back to me. I don't know how much

time I'm doing, but I have here and when I look at the I'm seeing, me's like

I'm saying, you'd see, you know, and nervous to do, no, no,

to where we go? And me says, no, you know, it's your house,

you give me what we want to do, and then me he's a

an abitation in a chimenea narrator. I'm the chimeneas I've seen in a

quote, I'm in a little in my city there's no, there nobody has to

have a chimney a we're a city, we're a climate calid.

The type of kind of how they call it, if it's a climate has been you know,

you're, you know, to change an abitation to be in a air-condionate, air-condionate central,

because I know any the windows, but the quarter is a lot, elado. It's a refrigerator,

practically what I'm trying but these salas, that are like of carniseria to have great quantities

of things that have been to get to be coldated is eladiss and me a perchero

and me says, if you want to one of those vats, vats rogas with

Marks and I said, no-loco, no, no, I'm going to take this type of

and I'm still in I'm not I'm still and he will be to be so sure

no you know to do free and then so I don't know I'm so well

let's let's get let's get a let's get all there and I'm

he narrate was horrible he he's got he took a bat and he's just in

front of the chimney and say, TEN, I say, take the option if you want to

get the seat, or you want to be you're to be in, and then I'm just

thinking, I'd this type. I don't want to know what to know. And when

we're sitting one one one of one of those and I ask you

to I'm to what you do you do you know, no,

no, no says imbecile me says so is an me gave

some the I'm going to get a little bit but I want to and then just I'm

I'm going to I'm trying the question and for please not you do you do you do you

think you in the dead in the we're going to do you in the mortes

in the you're saying in phantasmas the phantasmas no exist not so is that is a

embecil crees in the more and then I'm I'm I'm

that's the last time that you have been you're not you're not I'm

don't you I'm trying to but then I'm still I'm still in the people who I'm saying

I'm never ever that I'm sorry that you that's that's that you're

now the people are to come to come to come to be a piece with a

gesture doing me I'm I don't what I'm what's situation,

I'm a little bit of a little bit of a cold, me do an arm, me says, the people are, the people who are, I'm going to

the armory, and me says, Retireate, for favor. And yeah, I'm doing, me push the arm, for

favor, retirete, bet, let's get, yeah, we're all the we're all to talk. And then

I'm all confused, me, I'm going by the passillo, I'm going to the passile,

is what's going to and when I get to the stanza there's the guardia and the guardia

and he said the and he said he tap the eyes to see to look at

the and I always I'm more confused narrator I don't

I know that type and what does and that he's he does but

I'm not but I say that I'm that the demonios me passed after a

one a week complete, standing in my house, I'm a one and

other other way the same the same I'm the thing. I'm going to be

to be a lot. This is very very rare. Because I my amupto

normally or abrass a arm. I'm not the arms, I get on the

center of my camera, I'm a same, I'm super a

good at so. I'm a person more calurosa that freolent,

so is that if in my city, the climate is calid. I'm a pan of

ventilators, normally no I don't use air-condionate, a pair of light on direct and I doorme

to be in the car, and in occasions when the city is a little friar, or I preendie the

air air-acionate, abrace an al-a- and me kept the side. In the

I'm in the time, I am in the house of my building, when, when, de

repent, two persons that I know know, and never seen, beings, enter in the room, they're they're going, me take

for the hands, me make a camera, I don't see my body to reaction and I'm being as

a spectator, and one of them, take a and me it's a back. I don't

even me Ikeho because it's more that's an thing, and no I have a

reason, so I'm so I'm really, but it's very rome, because where where

I'm I feel that something I'm going to I'm trying to take even if I'm part of a dream and I'm feel like me fall the air and after that there's

like a parpadeo in the dream and in my room and there are things sombras people, things that I know that are not

that are alive for the roba old, and rota people downed and then I'm dispirited

the problem is this. When I when I have I'm despired the three, four,

five occasions of the three, 33 of the morning, I sent to something I'm going to

here, horrible, and I'm like if someone was getting the hands, I'm in

my camera, and I batel you know, you know, I'm to know I'm

no, I'm absolutely nothing, but I try I'm a re-gust am a language that

you know that's idea, and when go to go to the phlegs the flea that I've

binted has color. the flemas and disculp in my family at the auturra but I think that is something

that someone could know that we're going to be in occasions was a rojo but not was a manor

was a black and no me interest to know that it was a margot was horrible

and after that were the same because it was the same the things that were the other

were the other was the other after that in my houses, they've started to

move things. I'm I'm going to I want to I'm going to reclam to never.

And what what's the narrator is that I'm a new job and where I'm going to get a

other job, I'm moved to and at six months they're to start to make

that's in the house. That's I'm my space where

I'm where I'm cutas tene where are all my

cubi in the nights my house no tiemble there's and they're listening to where they're moving

in more of a occasion I've left a lot of the table but all they're all those are all sooos

apilados I know I know I'm that I'm I've done my and I'm

perfectly I'm a perfecting I'm a top of my and I elic my and I'm

before to get to the day next to before I'm to come and I'm because it's

part of my ritual in the in the in the morning, I'm up very nokeated,

me do you go and I'm going to go and I'm going to get a way, I'm going to be the other way

I'm a minute, and I got in my guardropa. Narrator, no entient that's the type.

I don't know why did that. Thank you God, never has been so terrible more than

that they're that they're that they're but definitely apparently that's that's what

to the of the mortals that I'm going to be in me if it's going to see. And with this

story, dear family nocturna, we've got to the dark in a fogata of stories.

Well, in Saturday of SOMbras in domingo. So, tell them for

what you did you like? The story they've liked. If you did you

like, and you'll share this video for that every we're more

in the family nocturna that thanks to all those are of

families nocturns that are kind very, well, into the

active because thanks to you, thanks to be part of the family, but all those those people that are the

people, you know, you know, you're going to hear this stories, we're doing, we're doing

that way that we're getting to get to a million. But now so, you know, a surprise.

Recurred. There's there's a surprise. I'll to tell what what was what happened.

Because this chism is a good. Resulted that's a few a few

some time we we can't we can't a company, very great of the

time of the film, because we're going to to be a film in type session of press. Sessions of press, invite a

part of people to be a particular, and that's a opinion about that's about that's a time, we've

been invited, for the general, not tiento to go to go to go to the sessions of because no,

so simply not, not, not they're in the activities that we do the And in this occasion,

if I interested me, me said, I remember I see how I saw, I've got a idea that I did the year ago,

but maybe was the second time I've been because I know the called black phone. I don't know. But that

movie I liked. The concept was super-loco. And then I didn't know I didn't know anything, but when they said

they're, hey, we're going to know, we'll be to see, as a thing of

the second movie of black phone, I'm going to be a second movie, no manches.

then they said I'm going I'm interested I'm going to and I'm interested I'm going to I'm going to a cell of the press

I'm at my I'm sure you see you know what there's a photo because we took a part of photiot that I'm a

great Adri that's a super abrassote and resulta that Adri me was talking that she has that truittes

of the night and that's put a rare stories of terror and that's so it's for favor family

nocturna vases terminating the episode that's a surprise. That is part of what the story. Vance at final

to Creaturitos of the night listen to the episode recommendem any of the and put them in the episodes

that you put them addie Adri, you send a narrator. But well Creaturitos

of the night, there's a YouTube, in Instagram there can be the photography.

But well the point is that we just that we're doing the we're doing the movie and the

movie is a local is a local. Puntor apart. No I want

I because for those that they've liked the one, I think it's a one, for those who

don't have seen the one, definitely first be the one before they're the one, before the first of we're doing.

We're trying to a lot of I'm a person very serious, but no me kept talking with any of the house,

after that's after that's after that after we've going to go to and we're going to

maybe, some type of a kind of some type of or lapses in the time, that there's no way of nobody. And,

and we're doing, Adry and I'm plattick and plattica and plattica, and it was, yeah, go, yeah, and where we're going to walk down to escalers,

I'm entero of something that I'm interested. And me entero that will be another, or other session of that movie,

one in Monterey and other in the city of Mexico, in the city of Mexico, will be a a little, how is that?

to that's, that's going to go to the artists that are in the movie, I said, oh, this is that the local, and that's

going to do make a presentation special, before the first of the first thing, and then I'm very interesting,

and me asked, you know, well, so like to interest me, I've got the movie,

but not that I'm going to invite to the family nocturner, and me said, then let me be

what can be a matter, and so was my commentary a part of that's the when I go and I'm

and I'm the people the people of the people of the people of really and he's

to talk to the people and he and he says give us don't know boletos because we

want to invite the family nocturna and then we get five tickets

for the alfombrough five bollets five bullets doles that will be in

Mexico in the in the cinema that I think that is the

cinema and in Monterey in galleries. The theme is the next. Only there are five,

so, only there five for Mexico and five for Monterey. How are they're going

to the way the way the most the first five people

of the people that are a contact inexistent at email

dot com and simply has to say the name complete point them

for favor number number complete correa to get to get to

the number complete the correct to get to get to you know

the word and with the character go to go to go to the film you can

put in English or the title or the title you know no

it's just for that you just to understand that you

know so name complete and you dobles here for Monterey in the Cine of Galleries Monterey.

So, the same, Monterey, is a number complete, Ciudad, of the way you're in, your Correo, and narrator, I want to be

Blackfoam. The Blackfoam, Spanish, or the English, no important. But it's a number complete,

Correo, for favor, and also of what you're all said this, one of you know,

once that you send them to contactune to-Gemel. Then, So, dear family nocturna, then to the first five, you'll get your bullet to the

Correo, and you'll tell you. For sure, in the bullet, revisen it, because there come, and how this is the show, and in what places, and all of that. So, so we're not in anything, just let us give us the passes, and we're going to pass,

and we'll send us to you and that funcution. And that's all right, because with all the cremeoom, the world, well, we'll get these passes. And if you're interested, five persons,

passes dobles in Ciudad of Mexico, single Monterey you know Cine Antara in Ciudelette Cine Galleries in Monterey there are

to go to send in those data, name, Correo, Ciudad and narrator, I want to

see the blackphone to the Correo Contactoenexistent www.com Contacto inexistent arrobaGmail.com Now,

so, one of this is said one of a question that they're putting here

that I don't see the voices of of the more else else to make you

there's a question to say I'm that need to talk about for things that I've put the

family nocturna all right. All right. So, family nocturnal. I've

said, I have been to mention the day of day of today? No. Well,

one once said this, no, as we're we're not, we're not we're not

in the studio, we're not we're not the possibility to regress me in

comments. for end I can't put in a commentaries but, but, but,

I'm just to just to be one more one more the first. Mandeal www.

Nombre, Correo the city the city of Mexico five passes double for Monterey

and narrator I want black foam name number name correo

city and list as as I'm like in Mexico is in Antara

in Montrey in Galerries for that the second part Blackcom

Mexico will be the Alphombra Roja, Monterey, direct to the film. And well, that's for one last. Second,

start on the night. And if you're in an episode that you like especially for a favor to be in

to get to want to be and one. And for ultimately, of the fogatas in the

day of today of me still saying, narrators, I want to want to say,

2025 we're not we're more more feches, no way, 2026, we'll

we're going to that we're in, more or less, despotito of January, I think

starting to February, we're going to make that the people to give to where they're going to be

in Mexico, and we'll see if we get to make it to get to tell you. Aorita, I don't want

to create false. Esperances, 20, 25, we can't get to make the years in

that we're going to because you know because you're not a country to one to one

to one to go to a little to go to the fogat and those people in special, they've

been to have been in the Mid and Grid because is where I have an option, is where there is where there

the possibility to be able to be in contact and talk about. But yeah me has talked about the meet and

grid that were from a city to and I'm and you're you're past you know, there's

there's there's there's on time, and well a whole thing, other people

have been in carnet in more than two hours of the time, and I

didn't no value the because me super interest a no? And me say,

narrator, value absolutely the pen. Of course if you've opportunity, I'm going and I'm

going to a city and they're saying, I'm going to get to get to my boletto

and tell. For the same. Because every one of the shows will be different.

The stories that I'm going to are different. It's a reunion family. Getar

there to talkart with puros that are family. So, is There are plaitics,

there are people that start to record episodes, standing in the show is a problem, because I'm going to something, and at some of the story,

and various, ah, yeah, I don't know, the narrator, yes, you, yeah, you know,

so you're going to tell us, and we're going to other stories, because the idea is that they're going to be that they're

that's not I know, that's not I'm not, I'm not, I'm not, so, thank you,

thank you, thank you, thank you, thank you, thank you, thank you, thank you, for your

more, Viance, Creturitas, those who want the boletos, you know, to contact

unexistent atroachimil.com, number, correo, city, and nothing more narrator, I want to

do that platform. And with those first five of the city of and the

Monterey the videos, I'll do you, I'm going, I'm this, to be

to come to get me that, tomorrow to be the video. Uff, U.

The stories they're they're so far is the they're that they see.

And now, so, to that the day of the day of the day of we're going to see that I'm in the

family of Puebla and family of Puebla so thank you for all your care care thanks for the

receiving. I'm that I'm did have done and I'm happy, I hope that you have been

going to and we're to get in a foggat in a bit of I'm I'm sure

that I'm thank those I'm I'm I'm and now

so how said Marih and this Oh.