HABLEMOS DE LO QUE NO EXISTE - Ángeles CaÍdos | EP 300

Episode Date: June 16, 2025

Hoy tenemos un episodio especial, un episodio para Celebrar con mi querida familia nocturna el episodio número 300 en  ⁨@HABLEMOSDELOQUENOEXISTE⁩  Hay un episodio que es un legado de este canal, un episodio maldito que tuvimos que dar de baja y el día de hoy les voy a contar la historia y los secretos nunca antes contados detrás del episodio de Angeles Caídos así que prepárate porque llego el momento de que  ⁨@HABLEMOSDELOQUENOEXISTE⁩ 

Welcome to Family Nighternauturn to episode No. 300 of Let Me Also, today, we have an episode special. An episode that has left

much time elaborated, because really was difficult to know what we'd want to show in this episode.

Let's do you on a sabbado of Sombrass, a question, what they'd want to be in the episode 300

and that, by you I'm, I'm going to see the cartita Santa Claus

of part of the family nocturna and Oh, they're very teetriced

dear family nocturna but also some of them not really those. So, there was

people who me said to what you like a marathon of 72 hours

how if this body were to resisted there there but

but we we're we we're we and exactly

at exactly at the 10 hours of I I'm

I I'm the next because, for a mega contractura

in the back the Cuello and, well, it was a time that we've got to be in 20 days to be living all those days therapy. So, from there, when I put them in those quantities, I said,

Pekechreepkeen, it's, it's, that the half of this episode, they're going to be doing it's from Ultra Tumba? But, well, no it's going to be able to. Me said it to a certain people, that we did some episode with

certain people, and the idea us encan't, but for that we're just trying to a surprise, very beautiful. So, so I'm going used to use

here in the episode 300. And it was when the angel that's a man who doesn't know, as I,

as the voices of the more than that's moment, that when that when that was he was

present, me gave like a moment in that I knew a little and I

did a that probably you know you've done that's in the

comments. We're not, but for finales of the year past we're almost 350,000

people in this moment that you're seeing the episode we're at about at

about about I think of 5,000 to get to the 800 000

followers in YouTube we're we're we're that in less

a year we we we're we but there not only in YouTube, in

all the Reds. We're just a 3.1 million in TikTok. We're now to the 200,000 followers of Instagram and we're

to runbo to the million of Facebook. Why do you do this? More to say,

that's clear, that I'm very angry and I do the great for all this. Because that

would be impossible if not no you'd if you just to you

just to you know more than that's because It's going to say that exactly of the year

one of the first, one of the first once we've got to the fecha, many people, for not say, the middle of all our

our followers, we know from that point. Or, we know, they know, for the fogatas, and not

know what what happened in let me that. And when I that, I said, I said,

I'm, that's that's going to this episode 300, the point of the union,

between those who have many time, those who are those who are those who are the first time that are the

first time that they're all the fogatas. There's a one thing that's part of the legado of this channel.

There's an episode prohibited, the which at day of today of today, yet no

is in line, you know can't be and you can't be able to be.

But many of you only have heard that legend and no they know any idea or what it and what was

what was the thing it's why we're doing and why for all those who are all of those people who from us

I'm going to tell you I'm going to that episode that you know that you're you're going to understand

why we've got to be back and because she will go to never to never to we're going

to come to the past we have we're going to we're there 2022

in the 2022, the idea of duels of stories, of foggatas of stories, no even existed. No, it was so. In that 2022, the podcast were being an oge, or they were reventing a cannon. I was a grand

consumer of podcast, and for being consuming many podcasts, of all types, colors, and sabres in various languages, I began to have a concept repeated. The podcast has to have invited, and is a of a type of a

intervista. A type, because there are some very, many, and others that are very, very and I'd have not any any

another. Traia the ideas in turn to not to not get in the channel. As I said, at the voice,

but not the that now know you know as your narrator, Cesar, here's the other,

and I'm in three times different. And as I've in the concept of the channel originally, it was apparently, but we've seen a error in the first gravation. Me gave much

a verguyen to come to accompany and grab us other three, four, five hours for an error that I committed. So, the video was so and when I saw the result, me enganted. And I said, we're going to go with that. No, I'm going to appear in the videos.

It's part of the mystica. And various videos after, that voice that was there, that all the time was mutteable when they said my name,

even when in the first episode they said like 14 of times but then then it's muttears and the

people were to say that person that was talking and who are that they're that they're that they're

in a moment or other they were they were there was a firm in the channel Ais Murdow

and they started to send me to make stories saying me oh yeah Is

I'm I'm I'm I'm I'm so said these things

then the people commenced and the others were I'm saying Frank O'Connell but well the point is

that the grand majority began to know I's and I'm and I'm the theory

of who was in that question in the there's no there no-oilus and there

people just the people to be able to to be a person to have a conversation

and to do a question a type of the question is a

question is paranormal. And there something, there was something, for what I'm motivated much. I mean, I'm really a lot. I mean, me a lot of time. All right.

It's all the time, me maintain, so like the filer, or the border of the ascent. It's something that me entusiasma, because I've lived it to the same. The theme that I made me entusiasm that was that the person

that wascable, were persons that had been given to first a man to a phenomenon paranormal. Now, how did with these persons,

that is one of the great mysteries of the channel? Preguntando. No, there's a mystery in that.

I'm going to ask, how you idea, for day, I get to to send to 150

messages between knowns and those the social, all the

contacts, the contactos of the contact of the contact to all, to all all of

the Monterey, of this circle of persons, I gave a message me saying,

Oye, no you have some story about the natural? And then people are saying, who

who are you, and I'm a person, but I'm a podcast. No, you've

ever been a lot, I think in that so. And they were, they're,

every one, me respondia to a way in a way that

that had had some something to have some to do, but, but

is for that you I think, that you're you around

when I when I bring to people people and people near people and people there

stories and many they're to respond me to a manner continual people

in those that I never ever that I never said I've I'm

a normal I'm a year when I go a time when I'm just to

create about the time we can talk to a person in Redes, that also

is in a business, but not did a podcast. I'd simply get to get a reddish. And I was a time that was

doing that I'm doing too much. You're talking that in that moment, I had 10,000 subscribers, his server, and

she may know, I remember, 35,000 subscribers, and it was a lot of you did a lot of how you

did you? How could have done many people there? So, so you just to

send to many people because the a verguenza, no is part of what I have in my ser, I'm sending a message to and I say, oh, yeah, but coach, I'm going to be a coach in questions

of the development personal. I'd like to talk to you, and see if we're going to do a type of synergy. She's met in my channel, see what it's about the things that I'm saying, that in this time, not a theme paranormal, and we

start a platicada, pass our tips. She may say the claves that's trying to grow up in the red. I said the things that I started. And after a couple of months, it's archived that contact. No, we're trying to

continue on their networks. I'm going to go the projects in those that I'm going to go back. And we're going to talk to look at what no exists when I'm going to look people that are contactos. And there is where we're going to when you're talking. 20-22, I'm looking contacts yet certain.

Because the contacts leftos, all those were both me were bathearing and batting and batting, I didn't even me know I didn't even they'd I'd

know they're and they're many people the people and they're to say me stories of very

very forthes there in this moment I remember of Vero coach and he

I'm a message but Vero how you know we're we're not

talking about but you're that I'm that's a podcast and you're a lot

to be able to be but I have been a real another way you has lived a normal

And she me respond That, living a thing paranormal my life entire

is full of the other and I'm saying, I'm going to be a exaggeration

me to come with some about the change personal and the change

of something I'm going with something. And I say, no,

I'm to say, something that is a question, Cesar, my family is tam

my family went in a house that not had been been

and we've passed many things since this and this and this has been over over

over 30 years. And I, here there's a great history. So,

well, we're we're a part of episodes of the channel. If I remember,

this episode I think is the 16 or the 19, or it was the number

that was then. So, so, for when she he got to be

the episode, apparently there was about five or five or about. But,

see the the episodes me say, I'm I'm very excited with what you're doing, clear that I'm going to

tell the story, but I have to have to tell you to tell a lot. A they don't like that I

want to be so. I'm going to I'm going to put to make all the I'm, but you can

happen to happen things raras. And I said, yeah, man, no no,

you're going to come to you're going to talk the things. I'm you're going to understand

the context in the what you occurred the things that happened in

this episode. The people, the people, the people, the people, the people, one-a-one me have

been going to the and they're a question, and the expression that I used to be that I

had been on a teach of and it's that's not, and I'm that you're that's about, that's

that's that's about, and there there's a story in the first episodes where

about, that I'm many salutes, Betty, and she about a period of and that's the last

of the life, that was a period of that was, that was, he was to have,

and he's to have a contact with but the little little is the age in the

that he was not that he's growing, and it he's in the way in

it was a question, as it's, because a day, in a a

a new a new a new a a new a a and a

and you and then so you and then all that that she had a a

and I and I and saw and and then the mom and then the

she's the she's the she's a a little a something and it's a you know what you can't, if you know, I'll tell you, I don't know to tell you, and yet no to tell you. Bette and say,

no, it's a good, that me tell me, no, I know what I'll do. And then the little, you took a baby that was you're still, and it's a kidduring. And, well, no, I want to continue, but it's something very commovedore and a little bit of aterrador. Because he he says that that the new, all the time, is to he's all the time, and he's just the babyto that he says, he'll describe a man. He describes

a man that has a year has a year that he should have that he should that he

should be that story me revented the ideas me tronaron the neurons entered the phantasas

out of hardwheres entered all the disc doro and me volavs people

person and person that was more and more and more and there is where there is

there the things to be to beer to be to be and we let me

and we're to grab Lazzang sur-gillet, Pucance-Moyerned Phrance Molyne for 15 minutes. We're like it's the hour Dojo! Preetly the pleasure

with the Ojo! The casino in line that proposes the most recent machine-a-sou and the game of casino in direct. Profite of 50 tours on Big Bas, Bonanza

without any without any questions of money, and with the payments. Hey! I've gained! Woo-hoo! Sentire the pleasure

Play-O-Jo! 18-Ton and plus, 1-Depo SOUK in Ontario. 50 tours on the machine-a-soumine $1 billion to $10 dollars.

Veil to pay to fashion responsible. The conditions apply. She's a board of Vyarai. Embarked and profite.

Embarked and relaxed. Syrotie. Bookine. Oh, so also. And profited. Via Rai, the voice that we

love that we're saying, no, you're doing nothing. I'm going to this podcast is a fascination tremendous.

Me are many ideas. Me going to start investigating to look at people and experts

not only just to talk to them, but to start to document me and I'm metidissimo,

I'm a day entire to that's, and of a very he's that he was been to be, but it's

been to be about the last 12 of the night and me say, you said that they

don't want that they want to they're that you you, what are the time?

It's the And I'm a audio in the in the person but like like a

like if if it's with much energy, no see, energy, violence, emotions,

a flower of with the head a little because it's a door of

that's that's that's that's that's I'm I'm I'm

I'm a person against the door in the end of my friend of

my friend it's a person, markle the No, no, no, no, no, you're going to be there situation of the phantasm. Me, he says, Cesar, I have cameras in the entry. And this is what they're sending. No, I don't have the videos.

Those borre. Those thing, no, you know, of the mal that he left. Because me manda the video of the entry, and it's a door where no-nady, and is it's not moving. I'm going to impacted what he's going to the day the next in the morning, but he'll come to tell the story, and me is telling. Cesar, passed

things in the night. All my vicinus around the house was asked them. They're the door, they took them the windows, a decino has gone to, and a vacant, and a vacant. He was a vacat. No, he knows, no matter,

the why, no knows why. I know that's because I'm going to tell this, but no less I said anything. Well, I'm sorry, I'm sorry, what he is going to tell you what I've

lived in the episodes anteriors even when I have lived and present situations difficult

or that it's not it's a question. This sounded very violent sonable

very very very the the fact the that

no had signos vitales but no he was too

not that was a animalito that was perfectly well,

the fact that all the all the tomorrow they were talking of that the fact of

the way of that's talking toky toky that's that's a person to do you

just to because he going to come to something, me I'm going to get to

and I started. And I'm doing, what I'm really, if I'm going to

put a risk to me, will put in risk to my people? Entient in where

I'm trying, I'm really with what time we're getting a moment

in that you you're you've insensible to this for having

many people you're talking about and they're not going to in an episode that's one of the

three or four sonar some some some of the studio. Something that how fregated you're

you're you're doing three seconds and the day has two four hours and have passed

almost 20 or 30 days and it's got to see how he's more that

she's like if the closet and the closet was totally totally basically

okay it's okay it's a But I'll do do things to two or three seconds.

It's going going to it's a little bit of if you're going to be if we're not seen.

But that's only said, just they're just talking about so you're just to be just to beas a little

my perspective. Vero Vero comes to to come to his stories. I'm I'm waiting and I'm

preparing because in that moment the format was I you tell some stories you

me you want to you know the we're the part of preparing

all, I'm ready, I'm going to go to venting and you're going to be and you're about a hour

and a half after you know, when he's supposed to be there's a little and I'm saying,

no I'm going to get to get. I'm chocker. The shocker was that

was too he was the time a time, I don't see that I'm even even

that was a little over two months. In this time What are going to the things?

Because in basis, the count's not because if they're in the 11, pass in two months, I had to be in a form different.

All the days I was trying one or two episodes. One of two episodes had the agenda full. I mean, I canceled

the 90% of the people for situations of agenda, but of a sudden had to be a 15

chapters ahead. The theme is that I didn't say the number of episodes, it was

there's I had a batch, a quantity of episodes graved, then it's going going to be going to visit me. I'm going to

this. For this, it's about a second of a month, because not when he went to visit me,

and in the time I'm a message and he said, Cesar, I've to have to be to go to

the hospital, I'm really, and he's two days interned. No, they'd

they'd they'd they'd a lot of medications to do you that he had he called

a group of oration. The group of the group of oration was over her

and he back to get to get to get a time for a time for a situation to

give him and then they're going to you know, you know, you know, I'm going to get to

get to visit. That day that I came to visit I have the hair I'm,

I'm just the gallina and I have all the skin of gal guinea, I have all the people the

people are those people are I'm very tense. I'm very nervous. They've passed things very rare. Those goals, the of the

bestin, the back, the shock, the end of the child. And this little bit about the

thing, transmite something in your voice that is a sort of, is something what I

was a thing that I'm a fact, I don't say, that I've heard

heard heard have heard that there there was that even

they were they were they they were For my account, it's like that's the while

me were saying no you're expongas still. No, it's moment or no expongas

this. And not I'm I'm not the question. Also, also,

also, this type of things are interpretative so, then I don't you

say, because if had been textually, I think if you had done to do

the signos. It were three cancellations. Yeah were all

were going passing things raras and the things not they're

there. They're after the video. Vero gets to the studio. When

he gets I'm I'm going to feel to feel a good, I'm to make

to be in confidence and all that she not so that she not

not take things bad at the They were there, even six or seven hours. That means that we started. I don't remember, 11 of the morning,

and we're going to start after the five, six or seven of the time. I was to be dark. And then it was that from the

moment one, I was to be my invite and I said, oh, here we are in a place to be a good at

this, what you're to say, no you're you, you know, you're saying something to

you, and then you say, say, say, and with all the good of the world, I do do it to be the back of the channel. And, well,

let's do all the congences because I was very grateful that they were from the heart. All those ideas I've got to be in the case.

That's the thing to say, to be it. I'm going to be it out of and then I see the door and me say,

what a beautiful perrito you do you know, Perthito, how the perrito that's the you know, And me said a perro, wherito, grandot, very

beautiful, and he's going to be able to the escalarer to the second-pice. This place no has second-pice and no have any kind of scale. And I said, in the tower, it's a hallucinando. So, I'm going to have to say, okay,

it could be that trake a little effect of a pharmaco or something, because it's to see something that's not. We've started to talk to out of the studio. I'm going to a little of the signal

and I'm very alterated saying things incoherent or so. But no. We're talking about many

things and in a rhythm of conversation a lot of a good of all. From the coaching,

the things of politics questions of economy. There we were in a tematic still

as a almost post-pandemia then so it was a world of much,

much attention and we were desawing the things as you with

the projects that I in the my, that blah, blah, blah, blah. Abre the door, Volta to the right and he says, I know why no me did you

do you know you're not you know, you know, chingado, Cesar. He says, no, I know we're going to

the doors, but well, we're we're going, we're not going to we're sitting there, we're having a preamble that's a lot of

that's a bit of that's a very much, and we We'll start we'll start. A part of this moment, I'll tell you what Beiro us in the episode of what it's

what was going to say to. And that episode, maldito, the episode that nobody can't hear of what was the story? The story of Verro is a story super complex.

It's an history that has a story that has 30 years, but 30 years of activity. So, I'm going to give, as the points important that I did in the

story, but not how to me the I'm going to hear to hear of because

I'm a backup of audio and it I've to hear because I did

know that when we did it we're we're so that we

were to a conversation I didn't the sense for completely

for what was what we was this is the order this is

what Vero and this is the family vivier. But after

more 20 years, is the brother and has the brother in middle and the mother in the

mother. The little is a character of the million. The woman is

the mother of all, inclusive of her own own and she her,

to the small, 16, 16, 16, 17 years, is a child,

that's a little things, and it's in the assuons that nobody she has made, and has a instinct as a maternal,

protector, that would be very good if they were their kids, but as not their kids, is the apestada. No, they

want it, and they're nearer, and all they get a little. The herman of the Inmey, it's an

womana, like all the middle, like, has a, a personalida a personality diffusa,

distinct, very different to the other two. This chick for some extra reason, all the

thing of the paranormal from the very little to give to give to give you

a lot of about the point of obsessions then it has something has a

room has a cranium and he has a hair of

arqueta and has many things with she she

she is the patito feo of the the

house because in that they in a tradition Christian

very marked but is the major. But no is, let's, let's, let's look at the other. It's the

place and is covered for the more little. But he's about her. He's going to a good at a situation very

difficult at a level family. There are many chockes, much a war internal, and she

is a point of your life in what is to know of a little a fiesta because

they have many responsibilities in the school. It's a tippa, a chick

a Summintilient. That part very aggritty and really enron in all. So,

in the nights she'll get to be to go to go to the time, disappear to the night

and she could be to get to but his papas and mamma you have to be getting to

all the time for you get you back to your house, you're at the hour to do you

at the night and go to start at the time, and if you putast all the

a week, that you have 20 years, that's what he really that's a

mother, so that's a type of contrast for the environment that's a lot of

that's in the business, when you're in the house is in a little

words, mom, she's that's there, and all the life of all.

With the good the good, but all, and the

two years, they're they're very invasive. Inc., even to the

second mom, there there a a shock and a interesting.

This is the context general. In this family, that in these

is where they are going to live the things more important, we need to make that they

need to get in the time, four years. Four a year when Veroe

was in the preparatory, all they're to do the business

of Papa has a boom tremendous, tremendous. Tremend he

is he's getting incredibly well. He is moving

all the thing of porcelanat of questions of lavables, pieces,

this type like of a pietra that's allure in the albercas. All what was doing there

was made a model and when once had been a bitas more or now, is it's being doing

all. He's a capacity and that makes that that has to make more

locales, make more trats commerciales and let generate a fortune of the

night of the morning. What does that the thing is I want to buy a house grand.

And apart the house, not be going to do because I, if I have this type of business,

I want to so I'm not so the the soil of a great men's of a lucho tremendous, the lavables

of a lot of a lotto, all in that house was super luchos. But,

well, these things not are not to the night to the morning. They're they're

to get to the house, and they they're to have contact with the when the

Papa is taking note of all the changes that want to pass in the house. When they're in contact with the residents, the vicinus actuarer with all those them. I'll say, we're talking of a vero that goes to rumbo at the 20 years and a

little time is to pass by the mom and a woman in the middle that the most part of the time express that is coqueteing with artes oscuras, but at times they're in the heart in the heart. Papa, to make note of the change of the house. And the

bestinons act on in a manner extrana. Yeah, they're three times that they're saying the same phrase. Oh, how beautiful. That's good. That's good

that one of the family is the same phrase for three vicines. That good that a family is living in

that house. Well, who more would be in this house? It's a house enormous. So,

is that after three or four of those phrases, they're and they're they're going to a person

and they're sometimes that's that's just a very strange, not doing, not are making feeling incommod, what's? And it's there where they're

something that's not a greatable. If you know who I've been in the house that you've bought them? Well, no.

No, they've been due of a broker of a person that's contract and yeah. In this house,

if she's a brugery. Vivian a braw, a man, a woman a lot. Then we're

much good, that you don't want to be a person to live here. And,

that's living, you know, has passed something? And he's going to be the mom

and like, oh, no, be ridiculous you, and your superstitions, because,

although are part of a family Christian, let us, we're not to be in the

marco of creencers, are people very hard of, and they're in things tangible,

and not have been having experiences of that type to be that's then when

the father, that's that's the story, he does a

report. Chikos, we're going to another house that I've bought in another part of Monterey,

and this house I'm going to put in remodelation completeita because I want to the house

of my dreams. The family it's up. They're going to the area of Mitras

and then and they're a lot of a colony very old in Montereyry that

in actually many of those houses have many stories very macabras appearances

movements, sombras, Ruidos, things extrana. It's a sub-colonia very,

very an old, well, in the house in the house in the they're in

the first the time the thing of the paranormal. They're all in a scene when they

when they are the second piece, there are some those pass-its

not correspond to any one of any of the kids because all

they're to all one of the parents because they're there

they're to the techo, because they don't understand what what's going to do you know the sony of the pacito, they're in the room of the papa and mom. Papa and mom goltial to be

to see with a car of many people. Then I hear of a sortassau, but a santo portaso, like if they were to tum bar

all there of the trancaso and then after that start to start slowly how it's going to be

the point. And in the moment in the when it's going to start a little passitos that enter

in other other room and so a door to a portasau tremendous then the then the papa

yeah no support that's he's over and he's he's just he's a bad he he's all the

thing he said it's pure inventos ideas has to have been the the wind

the wind so the wind was turned the door of a so that's

that's that that's he's that the carager that's

that's that's tremendous of being there. And that is what is the family, but, look, after the tremendous sust, all of the book. They're going to see one of those

others, they're going to say, they're going to be up, all the that's all right. That's all the things, when the Lord is going to be able to the things, because in the first moment in the way to be able to live in the other house, there's going to live in August. He will do the

revisions of the remodelations. And it's then when a Becina comes And he says Oh, yeah, I see that they're remodeled the house, for favor,

in the part of the patio, you know, that has that that's a great, that's that space

great, like that that's a quadrido in the that's yeah, yeah,

yeah, I said, my employees, no, no, no, for favor,

no, don't you don't you don't know, no, but it's part of the project of remoderation. He said,

I have to say something. I don't want to say here in front of those chos. The Lord is thinking, he was to be reveling after the

family, that the she has a fear that, that's a matter, and he may to fracture

a structure of your house. But as the sir, also the construction. He says, no important

what I'm going to say that's good and I'm to do you want to do do you want to do it's

that's a way, so that can't the person, that's the person that's working in the remodulation of the

house. And then the lady says, "'Dabajo of that "'bed of that "'the piece of "'any, "'there, a

"'streya "'of a star "'and there's "'auchery and "'sacrifices. "'I don't "'reau, I don't "'reau much in those

"'Coh, "'but that not "'deckon the "'that if "'he gets to "'that's "'that, "'that's

"'to me that will "'to be able "'as "'a. "'A. This this man He's He's

He can't They've got to Passed things in their house They're They're

They're They're And they're And so And it's His head Revolutionian When it

When it's To start a Scandal in the patio He gets Corriending

to the house And are part of the part of the part of

the part of a POSo that's right of the Cement

and And, and in that pozo they've to be able to cover three or four wottes,

one of coffee, a pair of of the one of plastic, and there are in photos, animals

desvivied and marrads, clavos, substances, and the word that's repeated of the labos of

all the people, it's one and other other way, brujeria, and the middle of

the people just say that they're saying that satiguando, they're they're they're able to

day the day next those people no no one is the

one of this this sir or for prudence or for fear

or simply because it was not convenient they they they're

they they they and that that he's he no he

he met no he made and simply and simply simply simply that

all over the and now the family before the the

remodelation and they are living in the house. And it's there. Circa of a month

after that they're living in the house with all these remodelations, with these banos, that, well, there's one in the plant of the bottom that's done. But the no, the banos of the little bit of the little, they're a lot of marmol. Hermosysicissim.

Carisisicisicissim. The children don't let's the value that they're, but that's a boy very beautiful, so very modern. The type of a spejo that has no has Mark,

never never it has been the part of the end up the end up it's a

little bit more they're a little bit of the little bit of a house of a princess and the

result they like they don't not they're not they're not they're not they're good

experiences they're in that house well that's that in one

not they're they're to hear the grits of the her mother. Gritters desperated, please, help me,

help me, someone, come, help me, and then he's tose. When you get to the

little the room, the room, the room, they're in the door, a patadas of the

bayon, and they're a chick tirada, and the lavabo of marble, practically

deseched in ruins because at the center there's a yame, and all the

other is totally has something that's something strange that during years the time when

he has been conversations with you say, but is that the marmone no is the marmone

and the sir, the sir is a thing, the story that you're to hear after this

little is something that makes that the relation between all and it

gets to rechebrach a little so sufficient to generate

a fissura that with the years will be to be to be able

more grand. She'll tell you. Something that Verro also knew, because

participed a pocky- and it's that in the times in the last you're living there, before the

before the remodelations, one day this chica a tableau- whiffa. When he took the

table-o-wisha, in the night, when not they were not- they were- to put to play-and-

the two and they're and they're and they, and play, and you, a tonteria,

the day The next vero, he felt so culpable that he said, No, you know, you know, that's this, that mugre, Tira Kema, the al-de. And yeah. But, but after that, her mother in the middle, the chick of the lavabo incendiated, the that was there,

the time, the time, she began to look at about the tarot. And it was a word that not was used in the family, but something he wanted to understand of the tarot. And he began to ask her

to ask her amigues of the school, Yeah, for then I think is pizantorra or final of the secondary and is a and it's

and it's that the mom of a friend and from the time, and from he gets to get a

little, and he's to get information of revistas, and he to contact with bruchos and bruchitas

and they start to tell you various things. From there, in this

time, not she had done the family because this chick much was a

was in house, I had done a idea that he said, I said, look,

if you're going to generate money, bah, and he put a rent a ridical,

and he's a other way, and he apart, he's to be there

to be in that. And it's very strange, because that business clandestino

started to let her to make his good to the little because she

because she had a fillas of people, accertable the percent of

the percent of the and it was a very strange but the people I'd go

I'd recommend about in nothing because they were in two months in two months

they were a lot of clientele the time is that that's that you know to

get more more magic invocations and then he top with a little

thing the umarrs you a veil roger with the form of

a person and a lamp he's a little a row a a pair

of clavito meal and other things that they

And then, one day, thinking in that simply simply and simply simply simply, went to bring a

ballita, carton, carton sumamente gross, before that he was in a little water,

over that, put the statuia roja, and the only that he saw, it's like in a

flamita is a torbilline of a fire, that consumed the bell in seconds

and commenced and it all around. That thing of there was a bell. It was a because

he was a local in various occasions and the bells were on the little they were something. What was there

was a matter. What was the problem is this. But he to get to the conclusion that is a

right of these situations is the start experimenting with the topics of tarot, the

having had And apart of that, that's what did in the armarre, that no know exactly what was, that they

were the things that were in the patio. Because at the life of that family is a

pastelial. Some much years of those who lived here. Not to I'm going to tell

to all. But I want to to the most the more the most this

her man of the middle one one day he revela that has

really has been much fear. He has because there something that live in your

closet. She's her own and there have been various occasions that the

same. She has a pelotita, a ball, a pelotita that's a little bit of a

little bit of his room, just before to do her, he's up of

the camera, the he's, and he and he how the pelotita

that's the piece and to get a rebotar, Kae close of the closet and it detient.

He acuester in the camera, it's a time, and it's then when it's

to hear that the closet's open and the pelotita back back, turn to back into,

and it's in the closet and after of two seconds, the door is going

more, the sufficient for that something, that I know to get

to be that is, the avient to that pellotita from the closet and get and get

just to the other down of her down of the camera. When she see that

something, something, something he is seeing a little, something, something he is a

little, that for first time after that after that situation of all that was going to

he's a gritty, brinked to the camera, and He goes out and gets directly with Vero, the chick that came to tell us these stories, and he says,

for favor, her man, let me doorme with you. And he says, yes, yes, vent to back here. She acuesta with her. And for respect, because she has her very astusted, no, he asked what happened, to the day next in the morning. What was? What? What did the sucese of the pelotita?

And he says, it's the first time what you pass? No. No, but yesterday she seemed more feo. and he's sentio that there someone there and someone that's a good.

Verole he said, I have to question to what on with that of the tarot? What is

that you do you know that's that clandestine and that's doing cards what I'm what I'm

and he said, is that I'm not I'm doing that I think for that's

they're so I'm so I'm let's say first how you you're and then because you

you're that's you're who you're who And the Irmana I said

I don't I'm I'm going to hear but the first I'm the first time

I'm was going to but when I'm the first card one of the voice me

said to I'm he in the I'm saying to to say to the other

person I'm said the other person was surprised and they're

to one to other after, after my dreams started to

talk to and I'm to have dreams horrible, the voices were always more despicable,

more malvades, until I decided that not going to do that that's things that

that were about not were not good, and then I'm to manseh and

muretons. And he he's vero and the spal the spieled the

and the marotone and the martoniardo and the situations in the

house, a reunion of people, chicoes of faculty and children of a group of a group of a group of

great, they're all in the room, when of the when of a light, and they're going to hear a

little bit time that they were in the abatation of the papas, to the abatation to the

room of the middle. When they're in this apartment, they're they're are moving

things in the house in the room. All is a sustat so much that they're

to get to the house. When the last the light the light. The

day Vero is in the plant Alta. And he's to hear

that the mother she says, Vero, come to back. The

thing is that is that the time. And her mom normally is a person

that respect much the thing of the other that's

a little more it's a seguido. It's for the morning and when no is that perturbing other people. It's rare that he's talking so. For the third time that the mom says that, Vero, he responds, yes, man. He starts,

to go. Empecies to the floor of the plant-bara, and then, one of the one, the time, the time. It's the voice of his mom. He says, no, you're going to be go, no, I'm going. So, he gets excited to get with Moma, to Dormick, in his apartment, together with Mom and

and Goppa, a person. A person, you know, says, no, no, is that it was impossible. You know, you felt you envisied, that those things all the time they wanted to become vulnerable. In an occasion, you're a nana. They're in a nana, especially

for the hermina-menor, that is a mamita in potency, but this mamita in potency, this little, that she's a mom-a, no, deja to be a minor in that time. And in that time, that is a minor, that they have a nana.

The nana also is a child that is the aseo of the house. and then she She gets Vera, with her two sisters

are in the plant a back when she gets she's she's she's going to go to

the plant at the thing she's she's she's she's she's

how she's how he's the escalers and he's the

door to the room that's the one that's the the

court and when he's he's he's he's he goes a

escaleras. And let's say, A-er, you know, you know I'm not like in the bores, no me like me are assupting, no they're going to

do that. And Beiro, he says, no us have been sub-uped, I'm here with my sister-a. And he says,

it's the Camilla. The Camilla is this cranium that I said, that has a pasta-lars, labios-pinted, and that

she, the her man, he put in a pedestal for that that is so impalado. Well,

resulta, that when she entered in the room no was the Camilla and after after being a couple of things,

the Camilla was up the pedestal for that so she so she's so far what you know

what's the what I said what I'm going to say what we mean it's a thing that this is a minute

they're up the Camilla is in the pedestal and then the agarra the grab her the baby

to the bao to the he makes in the bay in the door the door and he says is,

you're I'm there's a I'm he's he's never a and the

sound the grito afura out of the back in the carmila

and he said you you're playing with me and the chick she's no no

no no no I'm I'm you I'm but that that's

not that's let me get me they're in the closet this closet

is a closet special in the in the they're in a

things important, it in the closet, they're in the closet, they're in the key, and then this chick to start the asheu.

After the minute, pege the grito, he's going and he's he's not to be here.

But, but he in the room, there's a room, there's a she's a

little she said, you're you're doing, and said, the closet is the closet,

you've got to have taken you. But he is a is a sustada, she's

out of the room, no he's going to be going to the pass and the

thing, the way of the carmila is just in the the passio being

directly of her. But it is a camilla, let's the carmila, let's

the pass into the passio, and then something he does it make, and then

she's a little way, it's back to go, but it no,

nobody nobody he's nobody's the up, the little, the

little, the back, because he says he is there, he's present, and they can

they're not they're with the door, and with the never the door.

Commenced to come to make a rapid to the stairs, and it's then when

something something something that's something that is a very very close

and when it the camilla is the small three pastos

of her just in the past just and say, you

I want to say this to I'm saying that I'm seeing, is that

that really that's a maldito craneo, it was like if it was looking to the eye,

it's a sensation espantosa. I go going to the stairs, the chica

that she was the she went to the house, she went to the I'm

what I'm what I'm that I'm the same that's in this case, I'm, I'm,

I'm, and to tell you how I'm how to I'm that my t'

living in the other extreme in the city. In less one hour, it's in my house,

together with two pastors of the church. The two pastors are and they're not going to me the

and this, I don't me and it. My sister, and they were the pastors. Pouettes and windows,

all what had, something that could be to get a matter, he was to get to

the time in the house, one and another once, until that they

after the back the box. After the house back the house

that's a little. After that they didn't have to pass things, the things

were for the first. The first was a situation that was a

very that was a that she was she should have

had had had to be at the the house

in the time but they're at the two of the

time so there's that there's has a real a

real good and she has a little bit of a power or he's not a way in the no generate a

sound of no, into the house of the house of and oh, for God,

she did know that the mama had a trampota. There lights on the

passios. If yeah he gets to be to make to make to get

to the sound of the switch or something. So, but it's is that

says that's that's is a prendida, that in the morning me culpom for not have paid anything, no pass anything, but never

going to know to know what I get. She's sysilosa for the escalers, he gets a

house and when it's the door in front of your apartment, is the door of the little girl.

This her man, that is like a mom, and that he's like a person, and be,

by the door, by the light of the passio, that there movement, some

passos. And then says, Chingado, let me, I'm a question to be my mother-tap, and me tap-ramp, because yeah, he's going to be my mom, and say, what, now are you guys? are you to get? And blah, blah. Me, I go the dormida, and it's so, Bero, she acuesta,

dandolet just the back to the door, so he tapper, you know, see, and I think it has passed, when you're those eyes, and there's a point of light, notice the change of obscurity of the light.

So, she's that she not instantaneously that the room is the room she's in

and then he says, but no so she's my port and that's a ruy.

Well, no it's a important. No it's still she's

still and then she's that's the mother to the camera to

and that he's he's in the he's there's there and then

so vero so it has to want to respond to because where where they say,

because where they're going to castigar and they're to castigar in serious. So,

is that you want to keep and not going to not happen and other again, you're

you're done. Vero? With the eyes and he still breathing

like she was like she she's like the camera and she

back to her because she he'll be seeing the person and see to be able to

because nothing that the her man is there is there's a and where the he'll be at the eye to say he's going to and he's

going to get the and he's he's got in the eyes of her mother in her mind and she's her of her

not me closed and she she's she's over the morning she'll get the attention and in

some moment he got well she got well when you when she when you're when it's

about she's coming in the piece of the end of are eating, they're eating,

and then she sit at the table, she's still in the first of the first of the first of the and he said,

oh, yeah, where is my little bit? Ah, well, is that yesterday and the last I

no, it's she went to and he said, no, I mean, my brother, the middle, my

her man, my sister, she went the day of y'er, circa, the last of the time,

and we're the time, and we did the she, and she, he was And he said, okay, then where is my

brother at the in the middle? Nah, she, you know, she went with her friends from her very, very time. And he's not back to the he's not,

I don't you know they could create. My her mother, entered, me about the he said the

voice, and like the universe me gave a catchetada in the car, for that I

put to the piece in the my brother, I'm sure that's there, no, he's always

he said, that is the thing that had had regressed. Probably maybe they were in the night and they're in the night.

That should be all the thing. I'm parro of the table. I'm coming on the

door of the house and came in my little little little with her little bit with the

mother, we're doing a good. And I kept a friar. No, there was

nobody in the night. Who was the thing that did so pass

for my her man? Well, from that that thing, not that that was not

for my but not for all. I'm not my university I'm taking a course. That course

that I'm a course that's a good at a lot of the leaderat who's time. We're at seven in the

morning, we're about about the seven of the time. It's a very much. When I

go to that I'm my custom me get my my robe and I'm even though I'm going

to get the car and me I'm going to get to to be a car and me I'm going to the

I don't I'm permission and I see I'm more I'm sure I'm sorry and then I'm going to

my course I've got to some of my time I'm going to my cellular and I'm

my cellular and my my armana the in the middle me

she's I'm you're you're you're you're you're I'm

I'm I'm you're I'm I'm you're you're you're

a maldite insensible And she said, Wait, wait, wait, wait, wait, And she says, I don't know where you're You're going, but I said

I'm going to say I'm going to I'm going to I'm out of the morning to be I'm going to I'm going to the city and

when it's the the other side, the girl of her her mother he said, how, how you're

how you're how you're to do you what's about what you're what you're what you what's important?

So, for what you are doing? For what you are you? I said, Vero, you and I did you,

we have to get to to get to because you going to get the car, you said that I,

that I was going to the time, you got you got to come to the

carient to get to get to get to that we talker so I'm

so you and then I'm saying, Cesar, so I have to say

in that instant. My brother, Salta at the house. I've not been

all the day in the house. I don't when you talk about you. Salte yeah

to my sister's that's that's time. I don't go to

and I go to the house and when I'm sitting out of

the house and I'm and I know and I'm and I

start. And my I'm going to the thing I the day

I'm the perfume that I the day earlier. And then he said

that in some moment he's noho so when I get to say like I'm going to

I'm going to blah blah I'm I'm so I'm so I'm so I'm so much

she's she's she's she's just he's put to put in the hands

so I'm I'm so I'm very very rapid but very so that

I'm so much I'm so I'm so I'm moving back back that I that time.

That's so that where she says, "'Parame, but right now we're going to "'saint, we'll talk to, "'and when rebecca "'and when she goes to "'and she was to

"'because, but I was "'I was going to say, "'I'm moving "'Raping, but not "'as, so it's a "'it's a tramo enormous. "'And then just "'merely to a

"'rege of a "'and I went to "'and I said, "'Earned you, "'you know, "'is that I'm "'the way to do "'the way,

"'it was that "'I didn't "'anying a car "'and not I was "'I was. When I see in the Rop, we're in the shop, we know what to be.

We're going to work to the house. We're almost two hours. No, we're not anybody there. That's mark my mom and I'm going to be, mom,

pass some of the things very strange. Dime, what you're going to get to the house, no we're going to get us.

I'm going to get back. Pront. Very probably I'm probably I'm going to get to the morning. I'm a

time with some things. That's not mom, is that in serious, that's something that's a met,

that they're saying. Entran to the house and they can't close the door. When they enter to the

house, the two enter in the first of the first of the side of the carerals that are

making some little little chiros, and they're some of some little some bules of marredera

gigante and painted in color black that seem a perla in every time

in every decanso of the escalera in the damero up, something

when they were on the door they're they're just they're going to do. The two

both are in simultaneously for the and there and there's a man, and there's

a paltied, with no-o- with a little time as a time as a man of someone that's

that's a lot, but it has a time in a taub there,

there, the little of the escalero. The camis that I

said, I remember a person of a person of a person of a person of

because it was a person that And we said, we've got to see that. RBC Training Ground has

discovered potential in over 20,000 Canadian athletes and county. Your story could be next. If you've got the drive, they'll help you find your path to the Olympics. Let's see what you've got. Sign up for free at

rbc training ground.ca. And that day, we're getting there, almost there, almost to the madrugada when I went to. This success, the man above of the

Perla was something so invasive that that's that he's that he's

that you not they're that that's something something something

someone he did because of a time from a

mother there a mother that this is a pastor

of an church that an not they're not

a person but he's he's he's he's he

He can't that night in the house. Why? No, it's a way.

There's a lot of family, but he kept. He's done the quarter of Vero,

Vero's going to do not her mother, they're excellent an a family,

and they know what the day that's the thing, it and a little, and then

he's a time, a family very beautiful. When they are to this part of the

the the pastor says this primos me permit

for a form of make a order and to be the food and do you

do it that's the problem is that the problem is that the question is very emphatic

to the point in that it was like this type of the restos when you

when you are trying to expulsar a demonio grits

and and the hand, piding that God is there reprendientient and,

piding that the presence get the and that he's the and nobody intends

because is saying that's so. Then the Papa of Veronica he says,

you thank me but explain me it was like very impactant

what you're saying what you say he says I'm I'm

to say something in this house something more

apart of you don't well, and I know how powerful it is a I'll give you

need to be very good of here in the father and he says no I'm you know you know

you're not you're doing that's about. Anoche we went to gostar and when

we went to gostack there there was a mano of peluche very great that you

had you in the part of your camera and she she said yeah

said in the of this mark that if she the mention, no,

we'll eliminate the channel in two seconds, or no they're so he's the ratoncito gigante,

yes, we're we're in the camera, and of a second the camera, she simbrow,

like if something something had been a and then it was a structure complete,

the pure camera, because no he got the the matter, the piece,

no, but it was so I'm so strew and then I And between my spouse and

I is there that oneke gigantote sent out so I'm

I'm I'm go and I put in your place and I see

how that that that gets to come to the camera and

when when it comes to get to get to another

and other and other and start to start to begin to

start of a sudden the mono caeed, he was about and he put in his place and he was repetive the same.

I know how strong is what he here, but not is good they're much careful. After that

the soceso was advancing the clock. The noise of the house, the sunras that were the

presences that were, the persons asus that were being to the fact the family

yeah not was not the time, the time's the time the time They don't even. Inclusive,

Papa and Mom, of a sudden, they're just they're not not so they're because they're they're not they're in a

way normal. The family is disbanded at some point. The father decides that you can't be able in that

he's a place, and then Vero, in some point, also decide that it's a moment to do that

to do that back to that's the family in that's her but she she wants to be a

family, know, and she a person, and they're going to live apart. For this

moment, but I've lived many things paranormal, or the other things that's a little to be a little

light, he wants to know the other car of these questions paranormal, of these questions

supernatural and he know if there's a good other side. And so a church

Christian and begins to have many experiences that for they are reconfortants and profound

and and then to study something that comes to give to make

to make to make monology Christian and and he began to understand the why

act were and they they were and they're to give to give to know that in the

house not there another thing, but maybe a time when he starts to get his

studies and he gets to get his or a level more profound that

that the pastadilla not has never that has

they they're they're in not just not just his

husband his family because now her The husband, of a a sudden

he's a lot of much much he's not a lot of he's not, he's not really

he's not he's part, and it's very difficult because Vero is inbarraiser

and is being to experimenter paralysis of the dream. And in the paralysis

of the is horrible that that's phrases, that those orations,

that things that have learned to be they're they're

they're not they can't say they're in the language. Intente

express them even that's with the voice in your head and all it's a bit of black. He's a

living something very very far. But well, at final, the embarazes is something that also that

has been many with many, and the time is the time going to the train and it's a

right, and the right, and to be a time of the quarantine he has been a little bit of

her mother to the mother mother has a house very great, he's that they're

that you can't receive there to from there Vero is living with

with the abel maternal just to give you that this contamination spiritual

and this maldiction family that maybe was originate the house

or maybe the house was that that that because in

the first nights that is that she put that

all the day at the three-tenth the mother and he

He starts, "'Valance here! "'Degener me "'not me are "'in' amazing, "'this is your "'tuck, "'with a lot of

"'improperios "'ke here "'in't we "'we can't "'mere. "'Vero is "'asas "'custed to

"'es. "'Easas' things "'of this "'Awe'clock. "'And there is "'on't "'to have a "'of your baby.

"'And he comes "'to be "'And so "'If you're "'Audeau "'And then "'Al start "'Pil,

"'Lomombe, "'he took a "'and again "'active, and he's a lexioning to the wula about what orations to do, what things to do, and it's done, and it's

a quarantine. But the house never was never. The family, too. And after that they're divorcian, Vero's he was

to live a departmentit in the part of the new house of his papas. And in that departmentitito, after

a certain time that no had passed nothing. One day decided that has passed a

a time a time of a long, it's a new she's

a new she's a little and he's not a same they're

both and they have a good they're not at two, and he

has decided that she has a opportunity, she does that's

with a person so her she's she she's that for

not back after the last of the night to the she's a

life. So, is that he says that at the 10 of the night I don't know he says to get to the 10. 5 because it's

a person very responsible. Practically he had talked. But he's I don't want to

my mom so much. So is that not going to get report me, saying, I'm saying,

I'm going to the second piece, they enter in your department it's, no, do you know,

and they're to get with the idea that they're going to get in the night,

no me my so their are good, they're sitting in a sillon in the cell and

you're at you, 11 and quarter of the night. No, have passed 15 minutes,

no hours. 15 minutes when I receive the call of her mom and when he says, well, what you

pass, you're a considerate, what a mother, that's unresponsable, how you

still you know, you're still to the time, so so it's not the 3,40 of the

morning? How are the 3.40 at the morning, Mom, you're dormita at the cellar, and I'll wait to be the cellar, and are the cellar, and it's the time. And he said,

Mom, I'm here here at least, no, me stas minding, and he's, look, no, we're going to discuss it. I'm you've got to confunding much with what happened.

Practique us in the morning, and you have you're cameras of security, we're to revise, we're at the cameras of 10 and 20, 10 minutes,

before you begin to get Bero, they're to perceive something because it's a

never to get a lot, it's all all in all and they're and they're there's there's

there. But it has clear that it was the 10-20 and it has been

15 minutes. No, is a desveled and have had per

all the time in this TikTok. And her mother has a story

very different. You I've heard that you're you're that you saw

the door the car with a trancasso. I heard when you got to the second piece and commentated to venting practically

your zapatts against the wall. You started to start the doors with the whole parts and to walk all the nothing of

that's all that's what the record's but also it's very strange because the records of Vero, the 11 and

the 1. 30, no, there's she's supposed that was sent having a pair of TikTok.

Not three hours or four periders there. This situation of the time of Vero? Fantasmus, more, phantasmus, less, if they were 10, 15 minutes, the point is that there are a quantity of hours

that you say, Cesar, I don't know what happened. And of there, all of it was in calm. All right, all, all, was in calm in his life. After that we started to talk of this time, one year after of the process that I'm saying that lived, and it was when

they started to talk the door, when they're justed to the residents and all those people. I know that Verro has much more vivances I know that probably

there are things still more more than this but I know me the

I'm not I'm because just when I was telling that was in the

house and her and her and her and the mother and the repented

he and he just he and I know to I'm

there there there there there there there when

me I'm I can't express. Because the level of the level of something was horrible

not I'm it's always unexpected not quite the rostro of no is an actress was feeling

fear of really and me it was to get to get the situation I'm here I'm sure

that's quite and she she'd let's no no no we're we're let's let's see

let's see let's let's see it's but me describe to a a

A man-alt, vestido of black, with a sombrero, that was with a very curiosity. The theme, that is something that I don't tell you, is that all the maltito episode, is the place in which we were telling the story, was sentia so cargated of mal energy, but so cargated, that we could not breathe well, none of those two.

The, the air no entra, it was like if it was the air dense, very, very dense. Right, not is here the studio. In that moment, it was a little tremendously pesable.

I know techniques of respiration, and in this time, those had still more fresques.

If you see, pressure in the pecho, because probably you're probably you're doing a certain

group of muscles. What you have to do the postures, respond to other

way, to get a respirational diaphragm, that not superficial, ETC, et, et C, et C,

et C, a lot of forms that's can do do you do. I've tried

all. It was like if the air were a person like a and it

and it's because there's because it had to an air I do the but I'm very present

that's too that's a great the rapation that I can't that I'm not so that's when it's being out of the

door of the studio, I'm over the door, I'll go to and we're and we're talking

in the second cell of the studio about 15 minutes and then I'm I'm still

still is of day, are about the 4 and 5 and 1 5 and a time in this range of

hours but not I don't remember exactly. And when we're in the cera, I'm trying to change of the theme. It's going to say, of things chistosas,

one and other that can make make the state emotional. Giego a moment in that he's a time that's so much that I'm saying, I'm very

very sure. Now, if I'm going to come back. Much thanks. I'm not. I'm sorry.

Thank you. Because me put to hogar these things. Not are things that normally for what you've

seen what you did you And, well, we're going, we're going, she's going, all so I'm trying, I'm sure the door, and in that I'm

I'm going to do it. We're in, I think, like 45 minutes, one hour, perhaps a more,

from the time in the time in the time in that I'm I'm going to and she go,

I'm going to get, and I'm where I remember, that I'm that I'm that I'm

that I'm I'm sure. Those three gattitos, when when they'd the spuma acustica that had the

house of the studio, they'd see a little in the whole they'd be able to

and start escalating, because when they'd not support the sound of the music,

the for them. For you, it was a park of a different, it was a

person, it was a piece of sound of music, and then, the microphone,

of a whole, they're all of people, because they went and they

they're in a situation in the which I would I would care that no he would

never ever in never entered there. It was more to one hour and a half

about. You know what I imagine all? All right. All right. All right.

Trosos of the sound acustica for one and other part. The microphone,

well, now I was to have practically a cat there crusted and it

was going to be a zone a zone of a exactune and when I'm

when I enter to this door of the studio and to

see made actually, I'm a lot of the three gattitos, something that never has

been able to repeat it, they're in the studio, vented to be in and they're in. They're not so they

don't see. I'm so, I'm going to do, and I put to do, and it's normal in it, me brinked

of the braus and he's running to get to a month, a month and a

maybe, maybe was a little more, maybe was a little more, never

never they've never they're to the studio and if those and they were in the studio was sentia espantoso

espantoso, it was horrible it was a sensation a pesada, it was like an obscurity, penetrante, was something that day

to get to the editor and the editorer gets hours after that he had been ever, he went

in the room in this studio of the video of and when it's two minutes

after I don't he had said, no, he had been to or any of what we

know, or the we're going to and he and two minutes after, and he says,

Cesar, what was here? And I'm, of what? He's really, horrible,

what happened in this place? And I say, no, no, no, but

spantoso. Espantos. A part of here, commenced all the success

that detoned to have done that a grabation in that place. After

that I said this day I said that day I said to that I'm going to go ahead to get to that way

we're going to go ahead. No, it's a day next. Still, it's a

very soon to come to get to the life normal. I'm going agendando cites,

the other manners, then we we'll be to graber, et cetera, et cetera, et cetera,

et cetera. Day three, I met the studio. As I'm I'm going, I'm a A lot of episodes

yeah grabed, but that is the of the episode of the show. This is the thing to be apart of what

happened. No, man, no, no, no, no matter. I'm in the time.

And then I do you know, and I do this is the edition. When, no see, I know, I'm

a hour and a half, a minute, I'm, I'm, I'm, there's a person, I'm

saying, I'm saying, I'm still, I'm going, I'm going, in the episode, and I'm,

and I'm And I get a moment that the sensation is so disagraterable that I'm parro and I go. In the studio not in the

cats, the studio is a lot of I'm going to because I've passed a much time. And in the

studio it's a person who is there's a time. When they're more than two hours or two

hours and I'm sure, I'm not, normally in the episodes for you have you an idea

that were long, it were in episodes that were four or five hours and

I'd terminable a quarter of two hours, two hours and a half for, well, the times in those that they went to go in the time in those that you know, we'll do you know, I don't see if you yet I'll

let me revisit my points, things of that type. So, then I'm going to two hours and a half three. In those episodes, me were normally a day a day, a half,

of the edition. More or less, about 12 hours, 14 hours of edition, because to go, going to go and all the things that said, that if it's

that you can't, that you can't censur, that blah, blah, blah. Well, that that episode I'd a time

in edit it because no could be a hour what were like 15, 20,

25 minutes of dialogue and I had to retomar it because I felt that they

were they were behind and the sensation was that was

that's the episode not in the moment in the I want the

thing of the the thing the we're we we're

we we're we event the episode that I don't

I don't I'm exactly what he suplio but the point is that we

can't the time to do the time of the revasions as you I'm mandathe

a lot of not I'm to canceling that a month I'm going to confirmer and then

one's going to grab so if if you grab much in the

time of the backas gorgas and the next summer can be

back blackas or can be even can be so so

so all all we all the studio in those revasions. Well, the Luis, the

I'd like, we've seen some of the real, but a question of five minutes. And here he's to

tell the stories, and if you see you see that the first video of Louis Martines in the

channel, it's a kind of an ambient very, a very very tenso. And the

episode of me I'm really, I was a bit that I'm when we we were

to be not, no, we'd don't, we're to be the

the spalda, the sensation of tension. And it was going to pass much time. When Louis

Martinez he'll go to go and the second time, me say, hey,

I want to say, and I'm, what you said, I don't know, what I was the last,

but it was a horrible, and right and it's very well. All that coincide

because Louis me said that just, just like three or four days after,

the day in that I I felt that something the day in in the the day in the

the day in the studio was there was a lot of there's a three days after four is when he

a little when he's he's a studio very well the way so for me to be quite to

me just to make me it's a there was there was a there there. Apart,

I think it was in those times when it was when it when it's in the

we're we're talking, and then he starts to feel very inco and he's to get a

little bit of the episode to say, I'm going to say, okay, you're doing, you're doing,

what you and it's a thing that he was going to something something, and he did he,

I'm going to go, we're going to do you, no, no, no, yeah, yeah,

see, see, and when we're, and when we're just I was a little

molesto to say, oh, well, what's, what, what, we're going to, so, we're going to see a respect, and you've accelerateded much. When we're doing to grab, he's a little, and he said, he's a hand in the techo, he was a man in the techo, and me he's a lot, that

there's a sombre, for the form in the way in the way that were in the room, in the light and the half of light and the half of obscurity, and he see as in that division, from there a shadow, a sombre of

a man, and it's to start a little bit of our head. I don't look to be that.

Apart, the type of camera that we had not put to the time. So,

there was there was something that it was something. But it was a start to

in the studio. That's me to ask, oh, yeah, it's

is, well, it's not the point this is not anything. Or,

I mean, a time in an editate, sent you so much to get a time, see a

person who and you're going to be looking to be a little, and no, I don't me gave that

impression. The fact that my gattitos could be too much that's all these situations

were like that's strange. No, not just my imagination because could be

my imagination. But the editor and an invite to that that has that has

that has a new has done this episode, that has there's a there's a lot of, there's a lot of, I'm asking me

if I'm going to if we're going to do, if we're going to do, or not we're the episode in some point. And in less

of two three times when I do you're with these questionements, the question movement more more more than the

question. The question is you're going to you're going to you're going to because of a day to another,

we're going to bombarding to something that the old that the old are you know for a name very

specific. Something that the new, when it they put them they put in the the pouls

and they don't know but here we're going to run the taboo and I let's

tell that is that is something the those victims of the podcast. For all those

new ones that have passed a voice, is that is a podcast that if you're an podcast that's not. In that episode was where

were where they were especially the things. I've got to my theories and right because they're going to get to get. We're going

to get stories stories and comodas raras. Stories from a chick that says I live in my

house, I'm in this season, because I don't remember, my mom and I know I'm going to see I'm a old of the

age. And when I heard that episode, I saw that the door of my papas that was that was

that was that was that was it was and I'm a lot of and I'm going to

my room, and I'm a terrorado. And I did you think, ah,

ideas, not? Another one, a current of air like the Papa

Devere, a a current of air, an air very tramposillo, that does the sound of pacitos. It's the idea that I'm vending. But, but of a sudden, four, five, six,

or seven messages, seven messages for the WhatsApp of the pesadias, messages in the video, of things that were rare, at the first of them, I don't know those took much in so, directly. Why?

Because they were problems electronic. Oh, yeah, a narrator, very rare. Fikate, that me came to doorme. And when when I waspired

in the middle of the madugada, was the episode of Angels Caidos, that's if it's called the episode Maldito, was put with all the volume and me did a lot of a man, no, but I'm a man,

but hey, a narrator, it's very strange because you're many times in the madrogada, that I'm despier. Because there's the episode of Angels

Caiduropiasing and so, I'm, I'm doing when I'm doing a playlice, and let's do your voice, me's

to do, but every time that I'm going to the episode of Angels Caillus. Oh, well, it's on a problem

electronic, it's not that you know, it really, it's a little cellar.

Oh, the narrator is a weird. I'm my cellular in the

other quarter and me and it and me on the

night with the of the and you know with you live

so I'm on a madru and the time and

they turned at the Lexa in my cellar, that no those have been correlational and they're going to reproduce a maximum volume in Angels

Caidus. Narrator was in the house of a prima, when I started to talk to your podcast, and his cellular, since that it was to talk about, he put YouTube Angels Caidos, and

was the part of, Angels Caidos, one and and other once, one and and other once, one and another time, one, and another time. narrator, I was doing

a marathon. I went to buy to have a bocina and I'm the bocinnita I was

talking about the of the when they're they're a little bit of and then

then I never I took me to cover me I'm my wife my husband

and I said, I said what you and I'm and then he and me

he says why you're you're saying you're talking I'm talking

a podcast no you're you're you're just yorenton, but you're trying

I think you have been you've been that you've been to get that you're in the house and she

I don't think that what's going to a reason of one of these anecdotes

was when I'm going to these are victims of the podcast and there appeared

this this phrase this form to identify and it and it's transformed in a

game a game because there people that were people

that said now now I'm I'm a podcast. And us sometimes

that is that I'm in the house and when I'm going to put it's there's a light. Well,

well, there coincidences are. And a sometimes when we're seeing a movie a

movie of a time. But at sometimes we're doing other and it's back and

then we don't know so we coincidences there. But when they're they're

they're like, oh yeah, the cell not has the cellar not trying to play

and I'm trying to get in the and it appears in my quarter, encendied in angels caeos,

because it's going to be very strange. But at the final, no they'd be doing things that really

to be affected so much, and not passed of a sustit or something or something that's something that's

something to get to an anecdote that made that we're that we're that we're we're

that we're we're just we're we're just no more. We've to talk with the

The team, all the team in decision unanim was. We're going to the family nocturner and

we have to be able to their own those chustits that even the shustitos, that no dejects, but that's the

point to say to is something is something that's a person that has lived and be well, because I

have to listen to the audios, and in those audios at final, if I'm I just made the sensation of that

she had terminated there or she had to do. But there the context. There's a seeer of the channel, that I'm still that still be, and if you're, for favor, leave me in the comments of the video. If you

continue you're saying, that this chick, we're saying a call spiritual, and for that's I think in many occasions, that they're in the time of the spirituality, because it has to be to be very much with your

guide and the experiences that you have, one thing is the words are the things that are the things that you do you

really. In Spanish you're going to say. This chick has sent a call to spiritual. The first

call to spiritual that she has that she's that you did that that's that's

that's and that was a monjita and went to a convento and this woman

entered to the convento but at the She does He does know No, it

is the but still has a call and now he's different.

I'm know of the world spiritual. I'm a whiffa and he

starts to learn the tarot. She starts with people that does questions

like magic and begins and jurs and much things

that are more being 100 percent brugery the the

chica this not I'm and I want to

be very emphatic and clear, because this is a video that is both for the first time for those people, as the first

as the new ones. In the channel, no is that we're in contra or in contra of a type

of creencers. One thing is the philosophy. One thing is the mark of creencers. But in the practices

spirituales, we give much incap that we do we recommend any one of that practices, not for

being contra of the creensis of the people, but not but the story is

like the story is like the I'm going to this she's that she was

that she was conscious that the the the doors that were those

those doors those that were they were that they were

that they could they could do they they was

that she was that she was that no, I was going to be

a regressor. That's a practiceant, eh, no creyente. The creient Christiana,

that's, he was a lot of and she went that you were, and it was, that was going to go to

that way was more more more. And decided that he was going to crosser,

and cruised, and I did, and I, and I, and I did the moment in the

time when it did I consume all, I, came my tabla-w whiz, that me my

my my cards, that me all, and all, all, and during a

time I've in a past, until I'm going to hear of when I think I'm

going to hear of I'm going to see a something that I had the essence of a

callid, the essence of something, not for the name of the episode, something

was there. When you're when you start to talk and things, no

was a But when Verro, he started what I lived in his house, of a sudden, front of me, I see how the closet is going

and thence. And within the closet, it was my closet. It was a place absolutely oscuro,

in the that no, it was a present, and it was never, and it was to

see the silhoueta of a more obscure still than that is a obscurity, and that was

a man, and he was devorando. When the door is made to make practically a fideo of

the MEDO because it's a presentia abrumator is like you in the base of a mountaine

but that mountaine and that mountain is that thing that thing was so great,

that abrumator that I had nothing to do I'm I'm start I'm

a little, and that's then it then it's and it's he gets being

when When we cross-mirals, I start, I'm saying, this no is your place. No, take your place. This is my house. No is your your house.

No is your welcome. He does it. And I'm dismayed. When I open the eyes, I'm up to my camera,

something that no could have occurred because I came direct against the piece, I'm totally contorsionated and I

look to see the door still literally open and and that is there ispian.

Narrator, what I think is that really, but if he was contact with angels caed, and one of those beings impregn't his essence in the video, and for that's past tantas things when they're seeing, because the people that are sensible or that are trying to have contact or those

who are looking contact those, these are transforming in their door to enter. Because they still have the essence of one of them. and in that moment we decided to do down the video Ah

then you did to be back for meidoso when I'm going to tell this story that I'm saying with much much more

more details in that right that I'm saying there's the editor in cabina and the editorer commenced to hear me

and when we're in certain part of the story he gets the audiophones and it against the

and she's me kept with a face of a fear of you know,

you know, you know, you know, you know, we've got to five, five,

episodes and I and I and I know, we know perfectly your reactions,

my form of your recommendations, etc. In 150 or more

episodes have you never had done that yeah, the reaction

of her was that the that me me that's what

I'm doing and I'm doing the question, what I'm saying, I'm not moxas

in your microphone. I go do you do you're something that's moscas suns

moscas no, no, the noise electronic, moscas and me this

story has a thing. So, we're we're we're making some

modifications in the story, we we're we're we we're

we're we And of a repent, some, those stories saying, that were

the new victims of the podcast. So, well, the idea the theme victims of the podcast,

and the reason for that we did it to be a lot, Angel's Caidos,

is because we're that one is the story, another thing is a sustillo

for susceptibility, for coincidence, because you have you were a way to that were

and other other thing, is that we're that we we're not not doing

without any intention because it was over the door to a little very obscure that we're

that our family have a contact with that. For that's it's a little the story of

the of the people of the victims of the podcast. So, so, dear family

at that I hope this this the episode 300, that is part

of the legado of the we'll know that's the thing he's like for an enthusiasm, for a

question of nother, and we talk about with the story of a carid, that is the

act of presence in the life of the other. So, so part of the

legado that we want that we're those doors abertas. It's the

conscience that exists this type of world, and you have to have much care

there's there. The door because you know is that at the other side. One of the night of this, I wish

that you have a very good time. Leave me in the comments if you yeah, if you know,

the history with the little bit of details, if they just did this episode,

and from to the I wish you, I wish that I'd want,

I'm, and that's you know, if you know, if you know,

that's the story complete, Compartle this episode 300, in the special in the

special in the question we know the secretes behind the angels now. Now,

so, that you have your blessings. Bye-bye.