HABLEMOS DE LO QUE NO EXISTE - Anima Sola. Historias de espíritus, médiums y posesiones| EP 200 | César el Narrador

Episode Date: July 11, 2024

Bienvenida Familia Nocturna a éste tan esperado episodio 200... el día de hoy les traigo historias escalofriantes de ánimas que no han podido trascender al siguiente plano, historias de mediums que pueden comunicarse con ellos y algunos mas que se aterrorizan ante las formas escalofriantes en las que se presentan, monjas fantasmas, espíritus animales que están casi en el inframundo y un montón de relatos que ustedes querida familia nocturna nos han compartido para poder celebrar este episodio como sólo nosotros sabemos .. con historias tan macabras que seguro serán protagonistas en tus dulces pesadillas como lo fueron en las mías...prepárate para que @hablemosdeloquenoexisteHablemos de lo que no existe es un canal de youtube con el formato podcast que comenzó en abril del 2022 su primer episodio fue vivo en un casa embrujada en el que una chica narro sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de este canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de este canal , la familia nocturna creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de este canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando esto tu ya eres miembro de la familia nocturna.. bienvenido El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado .

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is a sir, is a sent out of my car. Welcome to Famine Nocturna to this

episode special No, 200. This episode No. 200 is easy

but not been anything something. 194 episodes to the long

of two years and fraction but more than the effort of this

people we're we're we're in you because it because it

thanks of your family Noctur that the day to

we can 200 episodes and I want to talk to something a something that was a

time that was a very significant was a very important a family nocturna a woman a woman

a manna a mano me sent a I said I I I want to talk to

something I'm going to talk about what you don't know I don't know

I was I mean me me present them. A person very very close to me

me, we present it, we've been fanatic, and the days of the time we we're

both two together. This person lamentably fellies a few a few a time.

And if you know I like, but at the same time me dole because

me it's that in this episode 200 you're to ask a family nocturna

that take 10 seconds for to be for Because today we're going to start with a brindice. Today,

I want to initiate with a brindice for the family nocturn. For all those that are those that are the ones, for those that are the family. But especially, I want to make us a brindice

for those that were and formed part of this family and that the day of today, we're in the way. If you, take you take these seconds,

go for what you want, a box with, a glass with water, a glass with a refresh, or whatever whatever thing, what is the more

more than you. And permit me, yeah, as you've been your host, during

199 episodes, within my family, and I consider part of my family,

there is a tradition every that someone has parted, from my mother, I was

I remember perfectly, that she was said that she was a way, and the

day of I want to share this little tradition my with you

if not it's part of your traditions I'm but I'm know that this comes from

my more profound so so family nocturna for

those those that are for all those who are especially for those

that they're the family nocturna that was the

Lord that is the Descanso Etern, and that brilli for them the Lus Perpetua. That descends in peace, dear Family Nocturna of the Cielo, that so

be. Thank you. Thank you, Family Nocturn, for the 200 episodes. Today, today in special, we'll be those that we're

in the way. Today, we'll have the animus. Of the the people, that are not here,

in person, but a So, it's a essence permanence. I'm

I'm a moment. That tradition existed in my family. Since that I'm very times,

my mother was my mother was a person of faith. And it was a person

that was totally enamored of those creencers and to me me,

he was when I was when I was a little and I said, son,

Reza for the blessed Animas the purgatorio. I don't understand that was that a tia

that was a favor every time my old said that and my tia and me

said, if resal to the spirits chocarrel to you don't you don't

to get to get to the night. So I don't I don't

not a brom or not if they were a problem, if it was a

tradition or if really they were they're saying in the that existen animas that are purgando,

intending to get to other strato of existence. I had around seven, eight years. And it was one of those many of those many times that were in pauses, until that I got to sixth of primary. When I came to sixth of primary, me tope with a professor, very calid, very amable,

that we told an anecdote that me marked and this professor told of a voice

something that he said to him not a not something and something and he came to

to share it because he he he said that for him

exist in the purgatoria no was no it no a

question not a a legend and it religious. But he had a

vivance. And that vivance, nobody's he was rebatar. And I wanted to

because I'm to understand it. To this that they have they understand these things

are very important. And he he told that for a devotion of her abel

he used to to rest the purgatory. Exactly that Rezos

I don't the no never idea never he never

but he said that was something that ferviently

it was every the and especially the being a Catholic, especially for

this, I tell you do you do that's disruptive, but this what he occurred in

his adolescence and in that time not was the subject that I knew. We are

about 15 years past. And in those 15 years of the past

didn't without exactly what he lived in that

in those moments he was a profound a a Christiane Catholic, and he dedicated

all the Wednesdays of the month, his communion to the unmas of purgatorio.

It was part of the story that was part of the story that when it was a time, there's a

moment in those that was the situation. He had enimisted with a bandiola of a In that time,

there was no there was much security. He lived in a city that was a very good. But there

if you if you meties in problems with some people, nobody you were to protecter.

Not was a city of valiant was a city of people, and not I don't

I'm they're people, they're people those people that were

people that were people who were when they were and they were

they had started tardy of the job and the bandy he was when he

went to he was he was how he in the aceras very there were

many strategies and he he and he he was he was he

was he was and they were and they were at the beginning

of the when when they did a signal and he said

he here I'm I don't nothing to do

And he began to Caminor Sinti that maybe that was that was his last day in the

year of a very very strong problem and for the quantity of people that were

not going to simply to sustar and they were to do do it he was

this this type is a type of firm convictions so so is that

in that in the that maybe for much would

he he he was he was he wanted So, simply, aghached the

head, he started and he started, and he said, I know what I'll, but he said directly, I said,

I asked to the animas that the purgatorio that I and I began to talk to them

and I began to say the those orations that I did I, I,

at the moment in the he had the view how, how, a few these types

were, were doing like a valley infranchiable to serrars me and probably going to give me. I decided not to the mirage and I continued caminanded with my resos. No me lo stooped.

And that's so me made sure. Still, still advancing, still advancing, and so again, but I had gone to my house. Voltae of reoho, I see that I was

and then rapidly I go to my house and me I met. No, I knew what was what occurred that night, but they not attacked. Like five years after. In other circumstances very distinct, in other stage of my life,

one of those subjects enter to work with where I'm doing, places very distinct. And in a overmesa, me and I asked, what was what

that night? And he said so, in form direct. No, well, no, we we don't we'd have you I'd like that you're a bandilla. And I said, you were a banditia. And says, you've been you're coming

and when you're coming down. And then you did we're going. We put us all the way one to the other because we're going to let you're

to get to you're going to get to people to the quarter. Muchas. We've we're women,

we've we're many, we're many, they were many. They were more

of 15 persons and they started a way and we're not not quite they're in

the front. We know, we're we're trying we're we're doing. We're

you, passed you, passed on them and we're we're not we're we're not

we're not we're we're not taking you're who's we're not those we're not

you're you're trying you're that you. For that we're not to

talk to never. And that that's a master us He said a sixth

year to be a second a year, I don't understand that was that I

had a idea never had heard about the animas the

purgator with an anecdote that was a a movie

a film a movie a one director North

American that were those I know with a

quite almost rebus well Rebuscated. Bevenue at board Via Rai. Embarked and

profite. Embarked and celebrate. Rigolet. Publiere. Ammire. And profite. Via Rai. The voice that we

am. But going passing the years, I'm recollecting histories, and result that not is

the only person that has lived something that has been used to something with the

unimable. A family nocturna me I have a story just I have

a story that I can tell you I can't affirmar if there are the animas

the porgatorio if existen the spirits of the people after the because what

I don't have no has I'm to tell I'm I'm

I'm taxista and for the situations of my I'm not a person

very sensible. And we're to be clear. I don't have any a creency religious. I don't

think in nothing. My fathers had there situations very rare in

those times were Catholic, other time were Christians, other time not practicable nothing. After the

what they were good and they were doing, I said, I'm always said, that are purest funteries.

So, at day of I don't have any kind of specific. But if there's something

of the life and that I can In the business of the taxi, and more with the

years that I've in that you have to get to get the real and you have to learn people. Why?

Because you know you know who's who's up here. In a occasion, after after a couple,

a person that were a major that were in a university, by me contacted.

And me got a new thing and I did a year and to get to get

to get and a trajectory very long, and the way and a while and I'd go back and I'm

going to about the eight of the night. It's a typical, something that never

happened and the day of the day of years of this that you're talking. The situation was that in

those trajectos me took to be things rare things, but not rare as

supernaturals. Borrachos, accidents, people who are in the way and that are you

are trying venade to be nadia to someone for the people that are not know they're not

they're they're looking to find someone and they're saying they're

bad intentions with that person but they're a little they're they're

they're they're they're well this person says that

when was when I was that that when occurred this

soces he said he he he he he

he like a taxi is a pared and a chico is a guy is a guy who he's

and finally open the door and he's a back a speed for the area and

more or more or about five kilometers ahead see a marabunta a

quantity very great of people that bring bottles machetes

they're coming they're not they're they're they're they're

these types are very They're intoxicated. And a group very great. From where they were what they were. I don't think

I'm eleged and I started to accelerate. I went and I just the people who I just the people who's

I'm going to take exactly the same route. I'm passing this route and where I go to

the marabuntah more close of this manchchew and this mannando to be coming to there and he

know that these people are in to them and are still to be a

two kilometers two kilometers and a so I'm my vehicle I'm I'm at my vehicle,

I'm I'm at I'm at service but where you go you can't do you

do do you and the man I'm going to X place

it's it's it's he's no no no it's lehisisisis

apart not exactly that was like three kilometers more there

and me And he says, and apart, no, I'm trying to discuss with that person. Because, yeah, we've been at the middle of the trajectory, and with what I was marking the taxymetro, me left in black, and no, I don't have a way to pay him. And I'll be, no, well, me, don't you go to get a lot of contrary, and apart, without, sin money, well, no, no, in a negotiation for me. I said, but, look, because there were some types of salvages and minimum

to advise. And then the man chuteauly he said, but well, look at how? I'm in the

nothing. Where you need to get? For favor, help me. No, no, no. In serious

no. He said, and I go. No, me discussed. I'm to my taxi

and continue. Like, two kilometers ahead. Some of three minutes four after after having

passed that situation. I'm to the side of the right of the carine,

so, the was the car, or the woman yeah dressed with a rupita

a little very used. The lady is coming on the hands like in oration

and is going to where I am a bit a weird. I'm

I'm trying to get like electricity in my no in my back

and I had lived that and not not for a person

I pass a person common and corriented, if she I see a little

a little major, what is that me is that is that I'm doing the mind that's your mind

not my little bit more. It's so it's rare but there people there's rare in the world.

Two minutes after the retrovisor and that sir, he's a sir, he's sitting at

the car. I'm in this moment, I'm saying, no, he says, no freens and listen what I

have to say. The day is my son. For favor,

helpel. For favor, help us. So, those are you do you do you're

going to do you're to do. Helpel. He's, you're going to be honest to do.

No, was a no, it was a lot of and I did much to do you.

And I'm going to do the world, yeah, I'm going to get to the young and

I go, subete. Yeah, the people where we were they were they're going to they're

and they're and they're and they're they're so they're so they're so what's the

cross me the avenue was the thing and say yeah no you're you're

to get to you're to get to and it was a most and a middle

and a time because it's a I'm I and

I'm I you you're in the you're in the you're

in the and me he said, well, fifte that if is that.

How is that? I don't believe in the phantasmus. But ultimately I've been

to be my mom that has been my two time. Because I

have seen a kind of a strange like if I went to be

bad. When he he put the hand the hand on the person,

he said, well you and still he's you never had

been to because if you that is my viviency. If there's the spirits of the

people, I've lived, and not has been the only. A

long of the history, there have different people that have had

had experiences and contact with the animas of

purgatorio. Exist a medium Italian. I know exactly of

what year is about very very very very that

was natuts ebolo or Disculparan my Italian, no is that well refined but

they can find N-A-T-U-Z-A E-V-O-L-O She She said to have contact with the spirits

of diffunts One day She is a person Catholic of a life common of a

devot But but we don't not it's a religious No, is someone who dedic to all the time to that, or so, and is someone that has

some type of don't that is talking. Sin embargo, something a day in an oration, he's something strange in his body, and, of a type of trans-extraigno. No, there's nobody near her. When she's out of the capilla, his robe has manches of

the same. And they're going to occur phenomena very strange. So, they're going to appear with her different entities, that she She's

to distinguish because it's during many years what I'm to tell that she she's going to

tell you. She's to talk about with the spirit of these people and those people. And they're

like a real real thing, that she not the not the time. And in some other

when she when she get a madruada and there there's a person I think

that of the campo because it's the impression that I know the I don't the armars,

they said that if, for a second, and they'd explain them a little for what's

there's and the people they're saying, or the animas, no, I'm,

I'm, I'm, I'm a spirit, I'm and I'm I'm I need

for me. Necessito to my family. Necessito that me need to you're a

misa. And they one and other these things. Passing the

time, she, we, we're disinive and he begins to question and he

starts to have visions very strange and he gets to recopilar information we're

a way practical not is not being the information as it would do do

to get to get to get to but the experience she is very lucid and

she says there are different types of animas there are animals that are

that are that are part very profound of the purgatorio and those animas

are present like any person no there there's there other are different

and that these an am at point to get to get to the type of petitions

me they're more little a little one they're they're

they're that they're that a question but there a

other that Those animas, when they're Pressed Attention, no they're having PIRNs. They're levittance. The other

have their feet and are the altitude of the floor. She lived things very strange. Because in

occasions, yeah no was a one-a-one. In occasions the spirit entered in her.

And she had, let us that the spirit took a certain type of

possession that here me generate a grand interrogation.

What is the difference between a position and an medium that is canalisada, that are these mediums in the

which is enter the spirit and they do you do with you. If you have a idea, it can't have to be

the car of comments, but it's something very profound of that and it's that's

that it's that she when she, it's when she gets to things very people

falles they're they're they're to began to the familyers, to the

people who especially have a message to give us and they they're sometimes

for the dreams but the dreams are confus and in the dreams

there's there there there's there so she she says that

they're so they're that's not so they're that when the people

they're to they're a family and she she

she they're they they're you come you to

description physical and they say they say how you know because they're

the right of you and then in a occasion he's talking about

by the father of a man and this he's doing much many

details and the repented the voice of this sir and

he and he and this man and this he's that is that

is that will get my mom and he's He goes, de repent, and regress the voice of the Lord, and continue

with his message, and, de a repent, if you interrupal the medium, and he says, Disculpurn me, is that no is my moment, but is that I can't want to see my mom and to talk to her. Two minutes after, for the door,

entered a lady, and came to ask, justly for the child that was entering in this chick. She, she, has a day of day of today,

has a quantity of stories tremendous, but there one that made the attention. It's never too early to plan your summer story in Europe with WestJet from rolling countryside to cobblestone streets. Begin your next chapter. Book your seat at westjet.com or call your travel agent WestJet where your story takes off. What are exactly the animas of purgatory?

What is your finality? All what we have as a phantasm are animals of purgatory? It could be a response for those who are people who are

people. But if you start to see the stories and the data, not necessarily

is easy to respond to this. Natutsa, one of the things she

saw, is very strange, very, very, she says that in an

occasion view to the real image of a person but

was around and this person was a man

and he was He was walking for a place and he and he said, what is that? Why do you

he's that? It's the fireation that are the purgatory that are, say, expiating the the damage that I

committed in life. And she says, why not apas the yams? The yams are to

where they're to be, until that comes to that's she's and when was at

a certain distance, was so potent the sensation of the that was that he came

the garganta and in the world real, was damaged to his

garganta. What is exactly that's that you? It's strange because not a

vision that all have been, but there's a legend in Venezuela

that is known as the animal solo. Who is or

is the anima solo? There people say in the time

of Jesus, for those that those that remember

the story in the moment of the crucifixion

there a woman that's a little and in the way to give water and it's a

bad vinegar. It's a woman is the animal and that was the

rest of the eternity until that's that is not

light and will not there and will and will and it

and there many people that are many people who have there

there a child there said that in the house

that her her her she's of Venezuela. He said that

she he took to see when she was a time. In the house,

they were in the water and then was there was going to a flam in the

middle of them. That when they were to get to the house and then

they were to get to they're to be she said she said

to think that's the animal son that she's the

animal solo in Venezuela no it's not of the hand

with the creencia of the purgatorio. It's a combination syncratic between

some creensions spiritists, other creencers of the santaia that, as you know, in the

santaia, in the Yoruba, they use the image of the Santa Catholic,

but they're being a deidate that comes from the Yoruba

African. It's a form in that they used the Inquisition, when they got them, those deposited or

those were they were asclavos to different parts in what now is Latin America, they wanted to give the religion Catholic. No. So, in some of the Christian, but in the majority of the Catholic. And then, for their

continued with their tradition, what they were to say they were saying that they were adorant or that they were saying, that here is more well venerating, because in the religion Catholic, not do they don't, it's

words, words more, words less, the point is that they said they're in they're in

the santa and then the sacs, the obispo, the clerical those are they're going to be able to

beenerate a deed at the head at the back, and yet is where they did you're

in Latin America he putsion the name of santaia. Well, in Venezuela there's another phenomenon

that those gives to that the spiritism in the spiritism, the santae

is distinct. No are the same the saints, not the same creencers,

and there is where they the legend of Maria Celestina. So, is how they call to

the Anemasola. But there stories of the Anima Sola that are tremendous. And there

a detail important. It is the same because Natutsa he took this situation

where he saw that saw that he was a woman is involved in yams there's

people that have seen the you know, but Natutsa said something very clear. Natutsa

said, there's to have much careful with what you think you're that are the animas, because your

eyes you can't get to get used. There are things that are going to be over

animas and are things those are there are much care. How you know if

are if they are the experience of Natutsa only they're or pray oration

misas or to make a message very clear to the family if they

they're not they're not anemas and you have to have careful

and this I'm because the animal only when

when I have asked to people we know

we know we know there there there is

there is a different by one other The people who

I've seen from Mexico that have the creence in Paloma Yombe, in the Yoruba, it's

another phenomenon and even we're using the same name, we're talking things different. I've said

many times in the channel, not because we say, a word, we're we're referring

the same. So, there's to have to that detail. In Venezuela, is other

type of syncretism. And in this syncritsism, I'm this person, and

what you're you that's the Imasuela. He says, but in my creencia

not is good. Why? Because not it's because, because you're

to tell this is the story maldita of my family. My family is santa

and the is a big and the people. Those who are men, those who are santaos

in many occasions me took it were people like, how

to what too of entrances in their religion. No coincidiams. So,

it was like a manner so that's not a thing that they were for other

things, and well, I was I'm the point. The point is that when I

took me my 32 years, heed the house that was my mother,

passed for my father, passed for my brother, and he was

the house they were her heredand in life to all.

They're they were doing, because they were out of the country, for questions of the

time, when he's when he comes to me, I'm a person asy,

like, that the is the good, I'm I'm starting to generate

some some of some thinking that I was going to be a

future when I know this and I know this

I'm so, I go I'm enamorado of my project and I'm doing some changes here and to bring things, let's say, personalize the place. And they're

to pass things very strange. In the nights, in various occasions has sentied that no there's, but various persons in different zones of the house. And it's a lot very rare. In one

occasion, says, I'm levanted, I I heard murmurys in my room and I gritted who and I'm and my camera

he's sated against the there no way I'm there nobody

didn't there no there no way there I'm I'm

I'm to have going and I started why her they're the house in

the family and I said I there some there's there

some What happened? And so, and this. Yes, there, but no is moment. If it's a more, if it's

and then and then that's spina trago stragos that I would have expected and not have seen

that I'm every day, I'm to get me to get to clear to nothing, I don't

I've heard in that that's Only me I'm at the 3.33. And at the day the next and the day

next to because I'm going to be up the three-33 what's the what's the thing.

And they're to be in my house and I'm just I'm just I'm a house and outside

and there's a car and there a question that the only phrase that is

someone that's someone saying, Anima Sola and I I'm

only a single and a only a idea me starts to

tattered the head. When me I'm when I'm a maddened

the three and in my head and in my the sound of the room

it's in my head what is the animal I'm a another

one of some days and some my and they're

to try I'm I go and I'm in

reunions and me they're on the car and they're

all they're they I was a time prudent and as a week

and a week and a question I don't know a difference of your to talk to my

person what's what you do you with me no, no, I don't

I'm why me is trying well no, no, I'm you're

you're doing what you did you do you do you know you're totally

totally out of the time I I'm two I'm

I'm to I I, I'm you there you're in

the door in the house. I've seen from the crystal

you know, I'm and I read a smile and you talk and you

did you did you have you know you and you did you a lot of

you're in you're in you're you're you've been never me you the door

I'm I'm I'm indignated and molest the other

person that's the other the other story. I don't

I was in my house. In that time, I don't never really the idea of what I was doing, and it's the

about comment it, but I'm not not going to that I'm so I'm not my family and I said, Diggammy

what carhos passed to this house. And me said, you know, I'm said, I know that has

to be with two things. Something that is called Anima Sola and there is

something that is a something that they're very well, that's what we were what we're going to we're going to

tell the story of the abuela. When the abuela, she was a little, before she

was her to be there a house, she lived there, and, you know, of the

family of the abelah is where came all the things in a question of santaia

and spiritism. Well, well, in that house, they were in the animal

solo. But there a situation that a Sometimes, in certain occasions,

when a family for a job or for a person, they'd they'd

they'd in the camera, and they'd they'd they'd and they'd they'd

and they they're because me that. Very well. And in other

occasions if were various entes like sombras in the

house. The abuel from the little has a

character terrible. Then she she she'd I asked, Mom, Mom, why not's doing that? And says, is that the

soul is very celos. One of the rest, you know, you can't have to rest. And she had a image in the way she saw a woman with a carvenas that were, like, rompient, all involved in yams, and said, that's the

anima-sola. My abuela got the image, and he started, this is my case, and I here, I don't want to, and you're going to do give the biennita. And you, you don't be going to

start to rest. So, so it's that it's It's and he said, and it Prended. The image in the Kempel. No, no, it was supposed nothing in the house. Passed

a few years, and at the years, when they're doing a remodelation of the terrain of the Enemps, she found an image of the nima-sola that's

the one of the mother, not is, the of the abelah was a full. From there, the abelah, nobody knows what happened,

but he'd have much to be able to to be in the house. When hered the house, at a little time

he desised of her and led to your father. Your papa no saw all these stories,

they were they're they're the situation was that he also and he he was

he went to his way and he went to a little a person and a carobino, and he gottopeyo

and he's destroyed all the front that person that fellesio started to appear in your

house. Your your brother herded your father. Never he said nothing

you know to be to know to your brother that you did you and the

person that he no said that he lived two so

that he did you know a family that's he was very attractive and he's

became nobues and that person was not very interested in going to go to the house, he said that in the

house I said a something that he made a thing that he had a power that there was a

power, that he was he was to live to live and he he was to work and he

was to he saw two things in two occasions that he had a

routine and he was always not he was he went before he went

sigilos because he was receive her with a surprise. And what was a surprise. In the cell, was this woman in

a position extrana, like doing some type of ritual rare, but was it was in a trance. At the side of her, there was a sombre enormous, like a type similar to a Buddha, enormous. And then that

that sombrae a look at your or in this case he went to to see me because the brother was the story and after

to be here he went to her and he meted into her. After that I didn't want to talk.

Something me generated like a repudio tremendous. Passed two months when I

went to get to the house and this time I had been to put to and this

was not was a thought. When I entered in the house in the

area of the area of the there was this woman a and a and a middle of

the little and a minute of the I'm in a minute to see the door and

no I didn't talk about she I'm I'm I'm I'm

going to the house and I see that they're in the things

and they've been to and the story you know you know

you know but it's I'm you're I'm never that you

don't never I'm I'm and you is that the animal is part of

the legend maldita of my family. It's that from what I said

Natutsa are things very different. And is that the animas purgatorio,

the best animas of the purgatorio as they're that

they're that they're that the spirits of the

people that in some moment they're in the earth that

they're living a type of expiation of purgatory of a

thing, of something that is in your spirit that is it's to

get to get to a notutsa not has been the only that

has had been contact with them a kind

we don't a little the Exist The case

of the Condessa Eugenia Bonderleyer that this is something that is a going to

talk to the final but this condesa she she she lived what were

the what were in the time the I'm I'm to say something

that I said a that I that I generate much curiosity

the the people have had had contact with

the purgatory, they're they're a fire, of a fire that is a

but not you're not you know a form romantic in the fire. There's to have

something that in this coincide Maria Sima that in a moment you're

to be about with her the Condessa of Ogenia Bundler

and also Natutsa she all the three coincid in the same.

That the the blessed animas of the purgatorio, is they're blessed because they're stilled, but they need to purification. And that expiation not will pass it to manner gratuit, that by the middle of the orations, the misas, and that's a

form of sacralas there more rapidly. The point is this. It's a fire not a a fire romantic. It's a fire real. The Condessa, had some particularities she. She didn't

be in any way bendecided for having these visions and those contacts. She had it. She had never a fear terrible. And in a occasion, and in his house, a woman very bella, but of a mirada

very apagada. And then, he saw that she had like a type of resplandor inusual in the the body and he he said, what is

that? And that are the chas the purgatorio. It's with what I am trying to liberate my faults,

to make my spirit, etc. And the Condessa, he celted the man and he tooko. And he

said that it was a level of that she started to feel how not she calentable

her but that were to start to to serve his muscles to a level in

a level in a little bit of his hand and he lastimo's a man. It's not

a romanticism but a reality but there is to have a difference between

the animas of the purgatory and what is the things are in

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And there we are not going, of the animas condensations, of the spirits that are in the infirm. Maria Sima mentioned that in his vivances, because Maria Sima is a person very simple. She is distinct to the other chikas that I've mentioned. Eugenia Bondar Legend is

a condessa that she lives in, let's a certain aristocracy of her time, and of a repent, and the phantasmas and the chusts are in a manner tremendous. Her family is very Catholic, she's a certain manner also, but is a combination of

between custom and postura political. So, no there's no there. There's a part that

should be to get to a way to do the thing. It's a external to the situation

that internal. Wonderlayer, for that's a situation atroces, because she tapable to the eyes

and say, because they're saying, why, I'm coming, and I'm over the

hand out of the car, and he said, for favor, God, say, God, let's say,

the the name of Christ, I'd say that you're going to let's and then the other people

and they're going to she's and she's he's going to and he's much information about these

encounters. They gave many, many, many, the things that these spirits

have been in life that she didn't know, she was years, but we've

made a Maria Sima. Maria Sima he's different. She is a person

profoundly creient profoundly creient to that's that he he

he's to give a god and he he's he's being

a man the problem is that no has good health and

it's a good for a convento to have a person with a bad

when she gets to the convento this is he's continually and the mother

superior he says if in the next months you don't have health, we'll take

like God saying it, no is your moment, and we're going to give the thanks and then you'll

go back. No, it's good health, it's all the convento, and his mom, he

says, well, he's, a, and you enter to the conventors, and she

says, no, I'm going to that's, we're going to try to to do,

and if in that convento, I'm accept, I'm I'm saying,

I'm saying, that God, you're I'm empecine and not accept them. So, I said, well, God,

God, God, I'm going to be there. I'm a woman, was a woman very simple, and dedicated to

do that a lot of things very rural. She had in a house very

a house and it's there. And it's when he starts very strange in the

night. It's just in the madugas, never is the day when there people in

their but these people have something have something that she does that she has a

moment detect that it's a human and it's something very obvious. If you

have done that I have many questions when the people when the people come and me

come to be the case. It's because you're that's not you're taking

in account. When you're very observable the little

details mark the great differences. Maria Sima at living in the camp

for what I've seen of her and what I've heard of her was a person very observator because she did a

instant that in the middle of the night no has it doesn't that a person that is that is

the sun and this see a person not that not that not but they

were like they were perfectly in the form clear in the night when there was

a one only light. No, there was a lucrean. She lives very of the city. No, there's a lot. She no-ve-nade-mast a person perfectly illuminated. And no, there's no redplandor.

So, when those be, it's a dialogue with them, but the phenomenon is distinct. If we're going to the first case, that I'm a medium, with

Natutsa, she, her, those conversations are sometimes are mental. Nobody He's Acute the voices

the spirit and then then he's about the middle of his labios. Maria

Sima is different. Bonderleyer has a conversation direct and that no is

there's more people or not because they were other times and there

not a time and Maria Sima is different. Maria

Cima has a conversation direct and with the time he does that

that the people around not don't listen the

conversation they They're resos and they're voices and they're

actually she became famous Maria Cima because she starts to be

about this with a person and the people are to have to have to have

the public because it she does she they give a

give us she she is that she she can ask things and

they're to try response and she only she

dedicate to to ask a something if that or what person is in the

world, in the purgatory or in the thing. It's the only

that they do you every time she's she's a list of a or 30

people and they and the list of people that she has a person

very curious but a sometimes also also for people for

people for people that she was that she he could

know she he's they they don't when they they

When when the animal he asks the question

and he you know a question very similar to the other the other

little the other a medium a music and I did this

things in life for for for give me

to rest in a rosario things so in the

vivences retom we let me let the many there's

is that she is that she's she's she's she's she's they're they're

they're she is what you know she then she when they do they

do they do this petitions she does the petition she does the

time that's the day the day the day to the time the five, 10,

15, 20 days and another petition and try response of the list that she

asked. And there There are people that they have done for those people don't ask.

Those people are condemned. These people are in the purgatory. Ah, those that are in the

sky. They're for all parts. Of actually, there is this case in that they asked about

the brother of president and for the president John F. Kennedy. Also,

also, that they asked for this subject of bigote that did a war at

level and that's a world and he had a lot of many

people. Also there are questions for different generals of the generales

of this same group that was very conflictive in that second

war that that about all our world and

also they asked about about artists actors actors,

and I say that was that was a

person very curious. And there are many responses that are controversial in the story of her. But there is something. There are something in Maria Sima. There are two moments especially forties.

An amiga, with much curiosity, he asked Maria that if, for favor, she could be there a night. Because she knew that it was in the madrugas when Maria had contact with the spirits. Maria said that, that in any other manor, that had had much fear that was what she

could experimented, because yet others had been have attempted. And they moved in the camera. They were a sudden the sabana. And there were

things that for them were spantos for Maria was part of the day-a-day. The friend he said, let me

see them, and he said, no, of any way. No, I can't do that'ser that's

him, but he said, I'm saying what I can do you. No, I'm going to go to get to

get to to be to not, no, nothing. So, I'm to leave the

door of my room at my room. For if there's a little and I

have a conversation, if you are the time, you'll you'll listen.

The friend, the day next, they're in the day and he's

never more I'll never to keep here. He

said what she is that in the middle of the madrogate

she she profound that retumbed in the house. No I've got

no more no conversation only resos and resos and resos and resos of a voice of ultratumba

that retumv about the house was a more and Maria he said was the

voice of a man she was that night I'm talking with

a person that came to visit me and we're talking

for this and me I put to he's I'm

I don't I'm there no I what I heard It was something

is that this phenomenon depends or where you is the place you're a lot of

some kind of a capacity sensorial you'll perci but there there's

something that there's that she did a fear because she she was a

not I could say a friality but a temple to confront these situations in which

the fear not that the the mind to get the

night and to get a quadrilla of five six

seven people illuminated, even when no, there was no, that was, that's

it was a effected. But he's that one of those first encounters with an

anima was one of those that are in the first strats of the

purgatorio. The first stratos of the purgatorio those that are more

near the infirno. are places are quite oscourous and even, and

even are part of the purgatory not is the there

there am animas, whose spirit for us it would be a

great sign of interrogation the why they're in a strata more than but not we don't

we have to be not of that we our our our what is

what I said, she can't say, she said in one occasion there was

a house. In that house they started son

crudid and they've said that they were they were

as they were so sure that could be a certain family that had been a lot. Maria Sima enter in this house and at the entrance, it was a situation

tremendous. In the middle of the passio, there's a little more. More great than any, she has

seen, it's seen as far as great than any, with those eyes rogous tremendous, and there is another

animal more grand that comes and it and when the two chock against the the

path, and there are the crudits of the house. When see this

it's aterra no have no any idea of what is

seeing with the time and then the animals, the in the

first strats the spirit is that that you

you see is the form in that your brain

the is because has has per his form

human in many so, so contaminated, that that is what emanate, those figures

animals. They've heard of these animals that are more than the normal,

are different points. From the experience of Maria Sima, some, some,

some, some could be, all other unimas of purgatorio. In

a representation distinct. Also, also, it's a lot of the native of certain

many creencers with the spirit animals and the totemes that

about a projection of the spirit human in the there's a

connection with a animal. I don't say what are the little

that they're a lot of some people, but it's interesting in the stories. Let me

commentate to some of these stories. that have to have to be with the

animas the purgatorio. There's a family very devota of the animas the purgatorio.

The animas of purgatorio they want to get to from the market

but also from what you are saying these medium and these people

that are people that are because they are they're getting that's

all the time. 24-7 and it is a situation terribly angustient for

they of them. The same blanche in many of these spirits is so,

angustied. What is what is what occurred? For there someone, if you want to

have the bensal the benditats the borgat because the while you are doing

for them for them, and they are going to get to get to get to all the

time. Because, because they want to be there. They're they're they're

they're they're they're they I'll tell this, because in a house of a family that was very devoted, the family had this devotion for the animas

of the purgatory and not had any one story related to questions over-natural or paranormal. It only was a devotion that had been from a vis-a-vuela and

had been ledado, and all the family as appropriating of this tradition, they'd they'd restes every certain time of a manner

continual. It was something. that is something that is something that's something and they

and they're not the people are not things for doing or not things so tangible it was a

tradition and they're they're they're firmly but it's only a tradition

the family was growing and they're embegecing and only at

final was one of the children of those that in some that in

a woman and she was a house in that he lived almost

his life. In that she she she has

she or she but she is a person and

she and she and when he has a

very so then the doctor he says you

take these medications no you don't make the

the place in the good the good those

the medications are so they they they they

they and is that's dormita. The situation is that in the madugada when she up the

room is full of sombras people. This woman that is strange. He's,

clear that should have felt a fear, but not was so. Something

of me me said, I know who I see who and I'm just I'm who are

you're and what are and what said, Reza for us. So,

then I said in a manner abjured, for favor, degen me to get me recuperer,

I'll be resating for you. And never me were never to get to

be able that they're so that they're so, not are so not so

so those with the people because you remember the

dukees Bonderleyer. Pover Dukees Bonderleyer. She is of a family aristocratic. The religion is a question in that time that day of today no, no,

we don't know we understand us, because no is the same. But it was status. The being more devote, or the mostarte of a certain way, apart of that his family had had given various obisps and papas for them, be part of this organism Catholic, was something important.

So it has to be with mannerisms, with property, with how you need you to conduct with tal and what you're going to show how you're going to show up. The kind of

who is that person and who is other and that's another thing that makes a very part the religion and he has

very part the spirituality it seems more a rgot political. She has a

bit a and is a person very devota but like a argoat political. What what I mean I refer to

this? The reso, it's part of that I'm and I'm to have to these things and that's

she has this profile. Of you have to have a director spiritual. For the Argot.

It's part of what you do you do to do. If no, maybe not you're being received

for the rest of the rest of the gremios. Then we understand that

what he happened if in this context no has a

A day is in a convento the dukeza Eugenia Bonderleyer be a

a mona that comes coming coming to be to be a sustars he's

a mona and is a man and he's a ex some of that

she he said he said that he said he was he to

a other he's a he's that he I'm extrano.

She went to a little point. She's going to her. She's going to get to be something.

When it's a moment, there's a man. But there a little detail. No, has no

eyes. The eyes are totally obscure. They're a point. The skin,

not a real, it's a real real and it's a real and it is a

thing that she's something that she doesn't describe well, but it's

like she to be a frivol. It's like if it's like a opacado

for something. And apart the mona she'll be molest. When she see that, he says

God, and he says, and when I go to the eyes, and when I know the

next to visit her. And this woman is a terrorized. He's a direct to her director

spiritual, he's he says, and he says, Preguntal. What he needs?

How, caro? I'm to ask you what you need if I want to want to get to be

to get to get to do you. Well, that's not very fructifer because the

dukeesa regress to his house and the woman but now the duke

was prepared and they have a quenco in the and it has a and it

and it and it gets to you reprende and for the blood of

Jesus bette to be here and the monja in front of it

just just just where this dukees is that

now can't with this situation and will be to be a

woman the woman and he's to visit to the and she and she

to make the rest of rosas rosas to go and

she and it and it and it she is a day the the duke

and said, who is you're and then he says that with a voice

extra and he he expresses I'm I'm SOR something and roba

money of the convento and he's to say a various things more and the

sor he says dedkeen me misas they've started to give us and never

never appeared she was she was she was very very

very people and they started the problem is this the

doke the no those was I was the other

medium the visions of they were aterrador and they were sure and they caused them

and he caused a lot of that had to see a certainities that they were in life

a a person that were very questionable and but something

something what? Who who knows from this this this

this this this of this they've this they've got It's so, but notable that

They're saying things different The Animas of Purgatory, In one occasion, There were two, A woman very bea And a man also very ported The man could not be able to say nothing. The woman was her interpreter.

And when she asked about a guy, like, what you're you, How you call, what was what you passed? The other woman He says, she's called Guillermo, and it needs to do this and this for her family

because this but do you remember the the movie Sexto Sentito?

It's that certain of these data was based in the duke Bonderlayer

because when that the pair was came and he

went to see in the neck of the a little that

after he was that was the that was

the cause to to the two were with

the They showed the what was the way in the part of the world. A success aterrador

that was a life. Of course, you know, these data. Because, as it was his director

spiritual, and said, look, we know, we know, that's this this is this. Cereve-

it. And then we know what did you know, but the dukeessa was

moving these situations. And he's these situations he was last to the director

spiritual, because he said, it's my the last days, to my diary,

this is what I'm in the writing. The director of spiritual after he makes a lot of people. And that person is the person is the

who makes to make the book of the dukees. That if you want to be, it's tremendously interesting, all the

experiences that had to be these animals, but it's that. It's not we're not we're saying

that we're not even. Because it's a much more profound and with a more

characteristics that simply see as appear it is it

it's that the spirit gets a little to get a place depending

of what was what was with what the pendenties with the

circumstances of the part the part Javier Luzon the

father Javier Luzon that he made him a father Javier we took a

last he was a ex-exorcist and he He has many experiences in relation to the exorcisms

tremendously and in chronicles of the narrator there's the practice that we've had to the practice that but the father Javier in

an interview that's he is a cappelan of various hospitals, Capeayan is the sacerdote that is the

unison of the infirmes confess to the people that are there and those that are going to

get a process of partida for the disease that's they're his

the accompaniment. Then, he is capilland a capilla in that he says, there's

a little of spirits. And then he comments, in that place, one person began to

envener to the patients. Much of those spirits, that were to be to their

moment, they're in bagging for there. I'm when they when

these presences, for favor, to be to be prepared and

help us to help us to Exist the vivance in the

that it's that they are not there's a pegged to there is a

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Saving those children is how we all go home. From Binge all episodes exclusively on Paramount Plus. That's that she said that she doesn't because when she was a little this that I'm going to tell, that is spantoso. Resulta

that there's a tradition in his family. All the days of the week of a religious, and religious me referro, always they're without that there

is a no justification to not do they're to a

market and in this market there there there questions

of food but also they they and a

second quality and a other and then once

that one in this market and they've got all

they they were all the time and the market recoged

all the things and it and she kept a blue a little in a

little that was a little a little bit a carita and it was

a blue a blue a blue she she

she she she she she she was she she

she she she said she she she Where she was her She was her own

She went And he said Very well We'll Let's It's like It's like It's not

There's a There's There's a When I said My Pesadier When I When I

When I I came to I'm I'm going to have Suensns my strange

The Muebles The Mousousers In Sombs that after were then they were In person

in silhouettes Of adults of children And there one in Special that I started to have

like much a presence that was a small, and I saw that some I'd put in my blusa.

The problem is that was that was a bad, and in occasions had to be

a man and was a dark and was a dark, and it was a man like in the

dreams and me never to get into pataliando and I sentia mal.

It duro many many times, many many few years. And my mom

said, how you are you are doing these some way? My papasasas

and my father said, today, is that's something more than that's the same. The

dreams, paralysis of the life. My papas were in the

room. I've seen in the eyes and I not reactionable. And

after that they were in like they're in the I was the little I was

the little bit that I I saw more rassos of them

and I had much a so I'm my mom mom is that's a

little she's a little she's a little but is a really a new

and then my blusa. And thence my mom and said, it was the blue

we we're a accompany me a a time

a time before before the before my mom and I

just the place where we found the that little

cito that was there and we made a little that's a little that was in

some little those people like some kind of a mark rare that we're just that we're

part of a tendahoe not that in a part like a micro-nich

microcapia that you have been to have been to be a behind of the one of

a photo and the photo I'm I'm the picture I'm the I'm the

I'm Kite the blusa, we we'll we'll just be there. Never never to

dream with her. It's it depends of the way in that we part we're

in the if we don't, if we have too we've got a

little to do but sometimes it not all we we're

not all the and I'm going to tell you a

story that is the most Aterrador of the day of

today. There's a child there's part of the family

nocturna that the day of his life is a combination

between dreams and dreams and dreams because the

dreams they have to premonitions and they have

to be little things that can do and

and and all what all that all the

dreams in this spectrum, it's good. She's a good. And she remember perfectly when he

started all this. He said that when she had six years, her mother 10 years, his

papas were in a house. They were living in a house that was all of

concrete and was a house not so old but not new

and it was a little time. And that was very

when only were the two hermenas in the house, the

house crugia. Bondur, Maria Sima, and Natuzza coincided in the same. Much

times the crugid are forms in that they are the they're they're

not they're that's they're a kind of a kind of a entity,

only that those crugid were they were rare because first

it was the house was the was a an abitation and then little,

it was to seem to them and they started to give a time, and in one occasion, the abatation

in the they were the chrugue. Cimbro complete, and that was a particular one of the

paredes were pure ventanels, vidri, and they were to the exterior. When they

are there are there, they're there's a type of retumbe of vibration in the

ventanals that's they're and both see something very extraio. You

I'll tell the experience of one. What I see there is a one anciana

with a blueza a very beautiful but is an anianna with a

mind a way, and when the face and the and when she and the eyes,

the man, the one of the space, no, of the video,

but to be the way, and it and it is a man

hypnotized, and he starts to come in a way to go and in parallel there's a

door and that door if you you're at the door when you cross the window the

the woman the woman is a door but the door never is the woman

she's putting up to the woman and she's camoeneing this woman with the

bluezone the the girl the she's like she's a front in front of a

christ's and the woman is in the woman's in the woman's the woman is there

she's also she's also a and the two are in silence one

a second they're in the soceso you go to tell what you

the other standing in the room there was there was a grugid

something a little a boy a man a man more or of his age, with a blusa rooja, but he

made a mollabola, medium macabra, and he signaled to the end up he went to and he went to and then he saw that her mother

was in secco and the little was in front of her. The little she went to signaled and he

he went to in a quadro. A part of there, her life is a perisade is a pastire.

She has she sees things that the other no. And, remember much when these brothers, yeah in other

house, years after, are in the cell. And standing the two chicas in the cell, one has

about 16 years, the other, I think, is a lot of a little bit, for that there's a phase of

age, but are in adolescence to age adult, and in this adolescence, in the

adult, the major, they don't want to all the time together. One is watching the television,

he invited the minor to the major, a that came to a little to be a little bit of a movie of terror. The major no, he doesn't know

his court, is listening music, and the minor, when the television, is there being their program, and then

then decide to the TV, and when it is just to the television there's the silhouette of a person

great that he's being to her. Prenden the light instantly, the television, and the siloeta

disappears. He gets up, go. Prend the and there's nothing. Apag the

TV. No, there's a where the light, there's a a silhouette at the

television clear. It's a person. Prends the light. No, there's a and he's

a woman, and say, Ben, come, come, and the other yeah, that's

that's fatigating. Let me for favor, ben, for a need to need to

see if I'm okay. And the one and he says, if you're

okay. but what you need you're they're and when they're

there to the area to the cell where was there was a light are being

put for favor above of the what there there nothing no

no to do you and bring after there is the silhoueta

of a person and they're on the instant and there no

they're they're they they're they're something if if they were four

patas to start to them and they're going to do you. Passing years.

Suceso to doceso in animals that not they're people who can't they're

in suey and they get a hand that says something that's something

that's one one one one they're they're they're

not to them preferring to never they're they're kind of

mal-accombed and you decided not to do not do until that's a

one day, the one of the building that is a media construction and in

that there don't do things but so something

something that she is a person that people

that have been in this little this chica is this chica is

an architect and she has been there has been

has passed nothing until they start these stories. Sienten

in occasions in these few departments that are habitable that's there's there

there's there the cameras not detects but they're problems

when they when they they're like they're there there. One

day doing a revision nocturna she she go with

a company of the job so they The ascensor

commenced to back. It's detain in the next the door.

The problem is this. The ascensor no could detern because

no there's that that are that are that people

are in the second piece will be the same

in the second piece, it's then they say, ah, tranquill,

is a disperfecto. When she will be to back the

day next you know to be to get to the

door and the door, they're at a point to get

the the door and they are the door

and and it and she just behind the

right and he in that he got clear

in that in this this edificio, if there is something and no it can't see. And with

this, Family Nocturna, one more, for those that we're in a future

will be, especially for the family nocturna that we know, from my

tradition, give the Lord, a chance eternal, and that will be for them

the light perpetua, that Descances in peace, family nocturna that we're in the way. As soon. Salud. Bonita night.

And that have sweet. Pesadillas. Bye-bye.