HABLEMOS DE LO QUE NO EXISTE - Aterrador Especial del Día de las Madres | Episodio 388 | Hablemos de Lo Que No Existe

Episode Date: May 7, 2026

Hoy en @HABLEMOSDELOQUENOEXISTE César González, El Narrador nos trae historias especiales para celebrar aterradoramente el DÍA DE LAS MADRES.Desde las apariciones de un duende, encuentros aterradores, con La Llorona recorridos por lugares, donde ni la persona más valiente o loca, se atrevería a pasar la noche y recuerdos familiares tan dolorosos y destructivos que pudieran volver loco a cualquiera de ustedes esas historias y otras aún más aterradoras en esta oscura fogata de historias en hablemos de lo que no existe. Por cierto Querida Familia nocturna, ya comenzamos la gira 20 26; el próximo 22 de mayo estaremos en León Guanajuato, el 24 de mayo en San Luis Potosí y el día 6 de junio en Hermosillo Sonora. También a la Familia de Guadalajara, quiero decirles que ya pueden ir separando su lugar porque se va a poner bien buena la FOGATA. Ahora sí dicho una vez esto disfruten aterradoramente este episodio y de aquí hasta que nos veamos el SÁBADO DE SOMBRAS o en la FOGATA EN TU CIUDAD, les deseo que tengan #DulcesPesadillas BYE BYE

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Welcome to Family Nocturna, to this Oskura fogata of Histories Special of the Day of the MADES, but before to start, let me say this something. Today, we're going to talk about of malditions familyaries, duendous, and of things

espantososos that occur in places there in the recondit to mothers that are with their kids. For that, before to start this episode, first, let me say to you,

Felicities for your day. And of the regalow From the most profound and obscure of my heart, I've got some macabrous stories that

today are not to be able to do you. But, before to start, let me to say something. We're in the

year of 26, and the 22 of May we'll be in Leone, 24 of May,

we'll be in San Luis, and the six of June in Hermosillo. One has said this,

Accomodate. Be for some a bocadio and something to take, but not

the light, because we're a point to to start a off a foggata of stories.

We need to do you know you're going to hear you know this story. Definitively, being a mother in these

not is anything is a more than you talk to a normal, how he took a person, Sandra

had to a divorce. The things not were not bad. Yeah, for si,

when he was a person, he was there was a lot of the time he was

the time he did it he did he got to all, it's he to leave her nothing. Sandra no

he was a dedicated to those two children, and now that not was his his husband, no, it was even three months in the department in the department in the apartment in the mother, his mom is a person yeah major, he has a lot of effect to get to her children, but it has her character.

When they're three months of being in that department, there's an encounter-nazzo between Sandra and her mom, at the point in which Sandra is full of the orgue, because it seems that there were some words that

they didn't say to one side and then and then he's a little

and she out of the house and it's that you make you make those bad

decisions standing just now the the there's there's there

there can't get to get to his little she starts

on the day and then the house and then the person in this

conditions with the children and in this time not normal to be

people that were in situation of the street, and less with menores of age, if he's that's going to be able to

and why he's going to be money and because he's going to the story, when she he says that he will offer a quarter, that no he will cover nothing in what he is recuperating to his situation, and nothing of those

that's terminated for him in the parroquia. She has it is a house of the city. It's a little little little and at the church there

is a house parroquial for the sacerdote or the resrots that there are you and other house more small of wesped.

That house never is used to do you know that they're to be a way to her

under her time. Sandra is there in that house is very very very

very much but it's very she's very he says that no he's because of

what he has been a very difficult need to need to need to there are

there there there's there's there work that with the

but, of accord, that while she gets in that part of days, pass on things very rare. It was one of those first nights that Santa sent her something very strange, standing in that house of Wespethes.

Of a repent, he started to be sure the temperature, he wasperted, and he said how out of the house of Wespels someone had to

come in a lot of, and to hear that's a few extrano. The house of Wespets and the house parrokeal are bardiated

by a bardita perimetral, a type like of barda medium-nera, that is more a respect or something symbolic, but in the two days that I've been

there, and for what he told the father, nobody's to try to cross her in the night. She assom it for the window, no, be nothing. At the day next, he reports to the father, the father he says that he's strange, that he no, he no, he no, he'scuched

nothing, but, well, they're going to present attention. One or two days after, Sandra, is a dormida when, of a sudden, it's like if it was like if you had been a bit of

but I've just a couple of hours. Yeah, I've been started to work there in the parochia, doing a limpecies, recogiant some things, things very basic, because the father he was going to do

a job of confidence. I know a still to Sandra, or any to his children. But, well, she was doing those

work, in your room, when of a sudden when, of a time, it's a strange that not so much that's so

that's when I'm when I'll hear the the pathos aflover. When it's the zone, when it comes to the sunnation,

the same that's it's in the patio. A little sphere of color blue, she apache at

instant, and she's surprise, she's a little the ventana, she assom, no be nothing.

At the day the next, he'll be the father, he says, you're sure that not was a

light in your house in the refle of the video? No, father, I'm sure

that no. Well, we'll let's present attention. We'll have to revisit. You know, because I've checked

and no there's work in the area that you're so we're doing. So, let's do you what's

what's going here? We're going to be more atentous. When it comes back two

months or three, from that time, Sandra, yeah is totally incorporated in

the questions of the church, and the father has got to more more

and it and it's that when Sandra it Toca to live something very

extra. In the night, she makes that something and she's sitting at her eyes,

she's when you're that's when you're that's when you see a one of

a lot, but in the room, it's black with light tones

asules, as soon, as it was in the black and the blue,

and the the sphere to move just front his eyes,

and it's the video and it's trespassing the video.

Sandra, no it's that's that's that's it's a but

we're that's that's it's going to understand that is the minimum,

and it's just the first of the time, it's all the thing, and it's going to

get to the window, it's not it. It's bar, and that's a

place to a hologram, that's a piece of a little bit, or as it was going to pass-pac-

she'd impact. One of the first after the morning, it's to the morning to go to the

one of the no one no mark or nothing, but she's there. She has her own

markita. Deja a little she will to be to distinguish a pair of lines

in the earth, a signito, something for that you know that's where he

is where this of the sphere. The next nights of the

time continue and the same one and the time. For

Sandra, this is a distraction. Yeah not not that

he's not not thought in the future of his

future. Minim for the moment they're in a time

and the father and the father, not only he's also he

does do a little the thing are changing very rapid for

well. He said a little he's a call for a little bit of her come to visit her

that the life he's sorry because those moments were very difficult.

The mom was very about she had three months without she was

she not know she was she was a she was very very

very she she she she she she of discuses for

all the bula with with his niets, all the and when she's there's a house,

Sandra he revela. Ah, desposito of that do you're in the mom,

me has been to do this and he he'll tell what she she says, she's

sure of what you are the you're doing and he's you're going to you're

in the night. In the the night the two are well are they're

so he's she'll and she he's she's mom. He said, look, there's a sphere.

And he's a point in the room. The mom abe much the eyes. And Sandra, now more,

was signerating with the and he's going to see, the window. And the mom still the head with the

look at the and then it's after the camera. Sandra's, he's part of the back, there's where she's the side of her

and it's summed to the window. And one that's under and then after that's after she,

there's disappear. you, now will go back to be able to see, and the

daughter, my hita, I'll say, the word, I said, I'm going to see, nothing.

Nothing. He's, you're sure that you're going to see, and I'm going, it's the

only, I'm not, it's the only I've seen, that's the only is this, if it

is that, but it's so, and I know what's what I'm he's, why you're,

and he's, and he's, so, he's, he's, he's, he's, where I've got where

live. And you you're just to you don't work. And the mom's

he said, I don't think we going to work. Let me see what my

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Wayfair, every style, every home. They're like two seven When I get a mom My daughter I know what And Sarah

He said How mom What's the Of the Cepera And all of So how you're going to

You? Because I Puse Investigate I said I was To get in the

Markov I'm in the There's There's There are people And I She said A lot of

Tontairas And when I I'm I'm saying I No, I'm not

I'm going to I'm I'm I'm I'm I'm some good in this.

He molested much with me signaled a local in front. Well, me cruised for in front

and is a senior major sent out of a mecedora and there has a mandegett where they put in

the money. I mean, he said, you have aura of duend, you've been in

contact with one. And I say, no, I'm let me me,

I'm better, I'm going to we're going to understand. And it's,

You've seen a ball of the loose, and I kept surprised. Nobody, said a bit of history. He had just about just a few meters at last in the other place, and this woman not was there. Apart is a senior major. And I'll say, Oh, no, don't you. Don't understand with tontneries. A,

that's the one that's the one that's the dweens, you just don't even as you, no more, you know what, you're not, to see nothing, because the dundes they present, nothing more, to the want to tell to your that he's, that he's offering a treasure,

there is there is a little bitred but the dwindes not are like the animals, the dweens are guardians

celos are there are you to say that tell you to give the one probably is one

very probably is one but for the duend so that first we can be

that one that one that if you go to the world

the the dwe the but we can we can we can't we

let's I'll I'll put a part and then we're

dis-vinculam and all we're you know, to do you know, I'm interested,

because the duend's they're much money to give. So, total,

that's passing this a moment difficult, although he has a time,

and it is an time, and it's a little, you know, you can

take a lot, you, it's, and, you, and, you, nothing, and the woman that has been in the eyes in the little bit of

the movement of the other, he says, you're the dweendee, then then you you're going to you're going,

you're going, you're going to you're going, you're going, yeah, I've, you know, you've got to

you're going to get to the other. Look, my son, we're going to do this little bit

fast, I want to the You can't find. If you're If you're going to do you want to cover anything. Nothing more, that I'm going to need to goy and bring

a rope interior roja. You'll have to put it ony and I'm going to do you, it's caro, that any set you occur that your avaricea you get to sell it, because then I don't to be able to

disvincular. And listen, if you don't you're from, you're of it, and you're going to go back. Very probably

even after you you goyas, but the Alma, the is eternal, and believe me that you know you're in your own,

you know, he's not a matter, she went to think about a second, but the situation really

was so bad and the fact of the possibility of a fortune for something that she didn't know

that was he said the woman, he's I, I'm I'm, I'm, and the

woman, and the back to come to because we're going to do this RIPA, we're going to be in-cule. And he says, but occupies something of the dwe and try what I'm saying, nothing more, and is all. Sandra's going, regressa, the

Ropa external is the same. This woman, says, very well, you did this very well, and I see what you're doing, the woman, needn't even needs to look at things that, in simple vista, not they're not to recognize. But when you saw Sandra,

they've started a ritual, a kem of some chilis, a marred of some rams in the mouyeas a anonio

that has a new and a phrases that are in different languages to make

a unculation as as as it as it when they when they

when Sandra no she and he he says the duend

are very coscolin now now you go you you are to be

you be you can you be able to you deges, my because if you do you

go to you're going to do a little, they're going to do not you do you're not the next. The next few

nights, Sandra, no be the light. What she see, are little little little bit more their

when she's being she's dormita and they're trying things that we're going to be and she

always the time to be moving because not it is something that she

can't put her but when she is moving and swel tap,

fatadas, and blasos, and gulfs, there's a little there that he has to feel that a certain, said, clear. One once, after to be

a being in the time, you know, where is the the treasure, and you

put to scabarbar only in the night. You can't get in the day.

And there to be the father, because the father-sit if it will get to

him, he will be to be to be and the night's, he has to be

the fourth day, as a spher of light, and one and other again,

and another The problem is that the pozo is a lot of a moment in the way there is a great effort to make a lot of

not know nobody because the sacerote not had had done until that a madrugated

Sandra he made so much noise to enter and out of the posto

and in the moment in the he came he was he he said what you

what you he's doing there and Sandra nothing nothing pardonem

is that had been having a sombre here, and I think there's a burglary interrada, and the father he'll change the rost, and he says, no, a dwean has for you

a treasure, right? Debe you've been told me said the truth. Yeah, no, confio in you, and the day next, the day's going to a situation very complicated. The father, when

the car, he does a indemnization, but he says that you know is a very welcome in that place, not is a person of a confianza, but Sandra, here is that visit the

place the other days after. and he topa with various people working exactly in that zone of the patio, making between all a post of the day. And you know that

that's the treasured is never. No, they're going to never, and never they've got to do a father loco that was doing escarvations

that said he that for renovations, all they'd know that was doing something. Because I was and he wasomable and said,

and said, and they found something. The father yeah, no, he could be not to

continue. but never nobody encountered or not, that you have been because

there never said he said to get a time and they're going to the time and the

and Sandra has a newtourn that wants that wants the that is the

fact that he has that she she has she she not was her problem,

and he has got to be a madruousous and she's a matter that the Anciana he

said that's quite univocal. He says that, for favor,

he does it a woman, he says, until that's that I never

never me brought my part of the and then

he and she and she never they never

they never, he said to he said, oh, you

are, you're are so not, and not even with

a a treasure that they gave them they were a fortune of the plan you

are some of those brutas try me to your daughter that's so I'm not going

to be carrying these morritos decided that all a very

because they were because they're on the rite the time

they're just to just to confirm the and they

they're that 15 minutes before some people entered

there in the locales in which there were they were directly with and they desuscribred of this world. The problem is an advertency

that he had said to Sandra the day that's made clear before to do you. The only person that you

can't disvincular is the person that you vincule. So, one time that we have the

Tesoro, or you come with me so, or who knows that will be to be to be a

she was here in this plan. And yet nobody could disvincular her. It's a big-bruchos

contending us all the story, without that little and they're the same. No,

with the who's the vundee, is the cargo of him, and he's the only that

you can't do you do you know, we're lamentable for the you're

a maldition and ohhala that you don't have given us because they're to send us

this Sandra and pass 15 years. In those 15 years, the life is very strange. Sandra, of a sudden, is a bit more sensible. De repent, he's into places in those that not should be there. There are people that

look to see that behind them are sombras. There are sombras in houses that are so much fear that can't enter. And Sandra, still advancing in her life, and the day of today, has 75 years. His wife is the manned the story, and me said,

narrator. My mom always was a woman sensible, all the life. And now, that is a

major, and not is to, you know, at 100 of the health, has much

fear of to pass to the other world, because he says that once that he's

the duend he's going to go back. And then it was when I told this

story, that I wanted to be talking help, we're we're

going to run per Proto. The history that I'm going to say to tell you not is

for all. If this night you're not you're to hear you don't

there. There's a area. I'm not I'm going to say if you

know, if you know, in the comments, in the those a

60, 50 there was a legend a dark was a little

a city very little in that all the

people was He was and he He was He said, but he was talking the time

the time, that they'd have been all the mothers and all the papas. There was

there a demonio, a ser that came from the infamund and that was the

children, all those children that not were baptized and the legend

says, and that didger and they could disappear to one

to no A place was sure. No important even if you were in your room. If you'd beacuadable a only moment, you know, you would have to look at. And if you were even if you were going to be

very oscuras. I'll tell you what was what he passed to this family. For a situation of work, the father, that we're going to call Pedro, has to go from the country, and he gets out of the country, a lot of two months. A To be a

this situation that's critical, in the people, all are going going to be going to be that's

going to be that the demonio is not not you can be able to a lot of good

intentions. The economy move many things and they were and then he was to move here,

he was to have to the advance of your family and what he was going to give?

Pedro is her and is her wife, to call her Maria, the that's the

she'd In any moment that legend has made flakear tantito. When Pedro he said, me have to go, she has

the things that you have to do my care of my. And she's being the mother of those, Sabra-Dy-o's

where's the time, but apart he was to do this repostery and comidels to sell

to sell other things, not could be so much time of the house. They were

not even even a form to transport to be facility. The children were encargued with a resident and take those and take those of the

school, and one once that they were in the park that was in front. Why? Because there was a demonio swelto.

And there were five children in what he was of the year. And of it only had been found two.

The situation was putting every more tense. But there was a moment in the that has

been past that the body is used to get to things ambientals that

not are very. And has have lived many times that she has been in that you

know how much she was she relashed. Although she had to have to have some kind of

she started some let us one of the liberty that is a great is a

only a detail was that one day she was that was a she was

she was a woman she is a woman, the house, that she'd keep with the

two of hours in that's in that's going to go to get to get to go to

get to be just to get to the need to get to get to get to

get to think of other things. Some pendant had. The

mom of Mary and gets, the children are at a point to

do not in a abutation the mom of the mother and he

and she sit out of the room, and she was doing a type of a type of a crochet

or this type of things. Maria's going to come to get and when he four quadras of your

house, more or about one seven to ten minutes, he's clearly the voice of

her little that he is the little to say, mom a auxilio. When he's

she'll see alterat there, there's there's the case are in the

many soon and she He, he's just to gore to go to his house. You know that's

something he's a second piece of the apartment in where they live in the when they're in the

department the mom is done the door is sure the door. When the door

his son is done in the camera, the windows are the little,

but the little she's to move like a local, where is my

little, where is my little she's my what is what is

she's she is she below, the room, the closet, the habitations,

no there no, there's a rastro of the little, no, no,

there's any of the window, windows, crows in the door, cranks,

all the , that's had to have been in a minute, and

the little, the demon, he was, he was, he was, and the

little, there, many, many, people, and I , my,

my, the message of boca in and in minutes there was more of a centenade people around from the

building around the question, what did? One person that not Maria, because he had a

head to do it, and it was to move. And they're to come in a side to another,

of one to another, and of a person, she comes a girl to her,

she's he's he's just in front of the feet and it's and it's

very disperated when when he he's that the person, the

person, the the form in the way in the way that is not normal. He says, You know, you know, he's got two

times, and Maria he's kept impacted. He says, get me with her. He does a turn to

and he's back to him and then you go to her and she starts. She starts that the

little bit more my little bit more is that. He had abacked a perimeter enormous,

have been taken to many cases, they've meted in many many of the camp because it's a zone that

also has a lot and they're a little contact rural and no he's got to get to be of all these people,

and when they're a colina and, and at a little rachuelo encounter the body of the little bit of his little bit

when he gets he, but the little bit of the girl is impacted, Maria is destrozaed, no they're

they're doing with her the yank't she's, she's about the child, and it's one of

the person that he perem, a second, Marietta, so he's that no he responds, but he's, he has to presser with with forces to the

little, this person just has been the book, he's got the and in the middle of the language, a

middle of the thing that had been the demon, the he had runcated the six years. When you those are you can't

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Lordeges, I and the Family Nocturna, we have something in common. We've loved the stories of terror and in the day of the mothers they're to talk to the year past

and here you're going to share. Lord Rodriguez is a family of four. Papa, mom,

a boy, and the little little children, the young and have been to the 13 and 16

years. All those Rodriguez, if you get to topar to one of one of you've seen

the little, Chino, chino, Negro, Negro, and negro, and the

and the a skin, black, black, black. Papa and mom- those have confunded all the life as if were brothers. And that's

something that's a lot of the faculty, but no, no, no didn't even parenthesco. That's so, they're

very much. The children are very different. Because never have said that are men, because even

are very palidos, and they're the color oscuro and the cabo chino, their rassgos

faciales, not can make those they're they, The girl is identical to her father, and the is identical to her mother. If you've seen one of the Rodriguez,

you've seen at the four. This family will celebrate the day of the last month. Or, more well, celebrated the day of the mothers in 2025. And, standing there, decided they were to be a day of the mothers of terror,

like here in the channel. Why? Because the person that most am a history of terror, inclusive that could get to compete with me, is the senior Rodriguez. And the senior Rodriguez

He spied, for favor, a Pastel Special. Adoka the occasion. The marido took his time. He was and he wascoucestries that make like pastel thematic, and they did a pastel, all-negr. That was it had a tear on

and above of the earth, it was a lapid, and between the earth, some the hands reddes that are going to. They did you a pastel thematic of zombies. When she was to the mom, solto a carcachada and

he says, of all the things of terror, the only that I don't like are the zombies, and you're

to get that. And all they were to the reason, they said, and you know, the time,

and then you're going to the lights of the house, they're all the cartyas, and they're all the vows.

No, they were to do any type of ritual. It was to generate an ambient. It was to their own

fogata of stories. And they asked to the children, that if they had encountered those

stories that had been to find out of the he said, he said, I'm going to start.

Because what to me was, it was it was too was too he was quite he was

going to want to start the attention. The sir said, I was I lived in the aphueras, when I was

much chamanco, before to get here to the city. And there where lived, the house had like a backadita, very, very impinada, and I'd get directly to the river. I was in the nights, because the water of the river was very free, and I me would have much the water free, and me

met her to do notar. How was a rito, that was a very bad? And I would do it very well, that the corrente not stuble, never was very And as far as I grew up, I did know that so much very juicioso no it was. But in those moments I don't know he was a

danger to anyone. And in one of those that I'm coming, I'm out of the river, when I see some feet descalsalsed, that are all full of lodo, it's me makes very strange, I'm, I'm going,

a lot of there in front of me. I'd try those eyes taped by the water, but that no me impidue to me bolted to other

other other in the other second. In less of two seconds, I was going to go to the other end up to the other side. I'm in a much to get me to the river and

then that's never never to get to the two two little

they're not a lot of the father in this time of the story in the

that's that he has been a he has even a he and they

they're not a person that he's not a person he's

there was there were those those and he's

there when the when the little when you want to you

I'll say this story, but me have to promise to something and I'll talk to my and with your mom and with your popa. No, me going to reagan. And then those

papas get them being, and they're saying, no, no, that's the because, no, they're going to tell.

What I'm going to tell you, no, no. The one is, I'm going to go, and they're and they say, depending,

depending, nothing, if it depends, no, they're going to tell you, they're going to again,

again, again, it's, is it, is good in the story or no, and he's,

You know, not occupied to say nothing, they were to look at least her. And they said, bah, no, regaion. But if it's not good, it's a little

regaon. And the little is the little than what they're going to do? And the mom and the fulminer with the

mind. No, you're doing it. Don't you the story. And more it's a good. And the

little bit of that he's put to the piece of the piece of allas. He said, the first is that this story

not the thing I'm the second is that I want that me regawned, because since much I've been

desovedecing, and no it's been vigilant. You're not going to be seen television, and I since I've been to do this one of

my way to bea being to runcating, yeah, you you're doing, and you're going to go to the volume, and I'm going to be

a publiculing in the madugada. And he's he gets to the mom, and the he's, and he said,

I'm going to be to be a rakeo, I'm I'm going to start with the story. And the lady, and the lady, and he will say, more, it's like, well, and he says, well, the year

past, Moma, I'm, I'm looking the top, like, of peliculas that had been the most vistas, the best, the ones in their moment, those kids were, and there were one that all those adolescents, like I, putian that was a bit chaff, and I said,

I want to see, and it's one that's called the conjure. I'm going to be to see to see her. Well, I don't see how they saw the children, but standing

in the madrogated, with the dusks apagated and listening so, very, very attent

because the volume is very bad. I'm really a much fear. There was

a scene where some and they they're in the or the one of the

other of the actors that's there, and he's I'm put a the piece

and I did a little much me much me did hasusted, appagued the

television, and where I pago, me applauded in the earja. No, I couldn't gritty, because I said that

me were to reaganer, but I didn't see anything. Serre the eyes, I went and I

went to be going to the court, I used a little behind me, I got

the door, I got to the door, I got to the car, and I took it during

a very time, how they were trying trying to open the door. Of good as he had

tranked with a other side, but I think that something that's

they're going to the one and they were not the little the other and the

and the the new and the he said, no, and they're all the two

frios. And the her one is that, he's he's he's not

the foot down to the the thing, like you it's like,

oh, it's you a man who's rompient like all the posture and I said, no me

you know, it's a bit of it's really, and the he's in really, and he's in

he said, he said, he said, no me has been back to happen to see a

time, but I know, and the mother, and the mother, Roderererer, and he

said, you know, me going to me going to and it and it's going to be able to

me and the person, and the person, he has a car and the

you've overdidst. We said and in those 10 seconds it's a very tense and very gelido.

And not for a creature phantasmal, but the young to a general that was getting to use control,

that had to that he not to be not to be but of a real. Signal to her little,

and she says, no, the me has a better at the final, because if my of my man,

no, the man, no, the man, no to be to be He said, ah, yeah, yeah, yeah, yeah,

sure. He says, well, I'll be to tell a story. It's real. And the worst is that your father no he can't.

And, right, that's he'll go to be able to and he and he turned to a minute

to me a minute that you tell me you, when we we're going, we're going to the

when we're we're in a carretera. In the the voyage to the that all the things

has made with much detail and nothing he's always never, we're all right, we're going in the carreterer,

because we'd have put out of the direction to the way we had to go, the deviations that we had to come,

when we did we know that we didn't know that we're in the middle of the nath. And there

we got to one of those places in that you never you want to a hotel

of two pieces that since you've that you've that's Passed things

bad. It was horrible and had a vibrator but it was that you're that's a badgered at

the night. My father I'm going to go out of a car of the you're going to and he just to

me signaled the tank and he's how we we've got to we're going to let's see that I'm going

with a car. I'm I'm going I'm I'm I'm to say it

and say it is good my life to learn of my to learn of you're I went.

He got it, he stacioned. At the two minutes he went to the office and he asked the lobby and the encargated. And with a

car of fear me said, let me go ahead. You know, me ask you. He said, he said,

no me he said, when we went to the door, and there were the and I

looked to see to see a man, and I in what problem I met

to be to be to be casted with you, but yeah, after a while it was just bromeying, he always has been the ability of to make me re-you-

I'm sure of the risa in the camera. Me gave much the cansancy for the stress in where we and he said, you don't you don't you

don't you'reupes, and discarately me put a tennis in the car, me said, if there's a rae, with you're notas,

and it's during some gas to let me get into the pati-o and make it call it to the camera, but

me I wanted. I wanted, and me I went to get a good at the time.

And I know because in the middle of the madugada, I'm never to have done it.

I don't if they're going to go to go to go to not see there,

I'm there's there's that I'm and I didn't know I'm and I

sent in the camera and I opened the the worst that I made,

because I'm of this side of the door, to the room, to the room to the hair, the

head is a long, long, long, he gets to the right of the and he

cover it. He's waiting and she's she's to be. Because one that I

see, it's like a way in a way that nobody actu asy more than

to do and it and it's to be to be to be there and there's there

no one only a only a only a only a only a only one enter to the

door is the door is the door I don't see that I'm going to have done

the way after the light and it's the and it's the

end of the instant because I had had to get to put two

codasos to my and I say what you say I said

I'm in the person and he he's he's the light because he's

he's he's sure you you're you're you're I'm going to be doing with a face of seras idiot. You think I'm going to have to be surprised and you I'm going to start. But no, I did not

and just turn to the eyes the eyes to me said, in real, he met you to get to someone. If I'm, he'll turn toer the car like, does something? He's par? He's going to go with the tennis in the hand as if so he was to serve to do something, and where it was

and I said, well, I said, sure that you don't let's just you abjointed, because no-a-n-n-n-n-a-n-money-old. And where where me says that, So, you regress to the camera, and I just see how they form some ways in the

piece. And I'm, checkate, if me or not I'm made, and just see the woyas that

get them to the endra, and we're two frios, frios, frios. We were to the car, and we got to

that cameoceo. One way that cameo he, I was, and then we went to to be dormita

all the way. And it's me old you my time. Your Papa was that

was that was a pesterous and it that we did that we had we had we found the way we've

got to get and now so you're not so I'm sitting there I'm going how it was the woman

when de reoho I know for the video, not I'm talking he's being that he's sat down and he's

I'm a really the I'm sure the I'm sure when we're we're going to do this right I'm going to

to that was that. He said, in serious, he was in he said, he said, he didn't a

case that he'd and with the and he he's a and it's there not they a point of

a point of a in a a little in a bit in that, that not they

the I'm taking on the and the little bit. very, very, very palida. And they are you, you're saying, you're going, you pass something?

It's a strong. And the little, ma'am. Dime that's a badira, mama. Dimmie, yeah, no, no. If you're really, so, no, it's a little, it's a story. It's a story. No, Mama, no, no, it's an history. No, story, no story. Why you say no story? Because I've ever been to

that one of the sameora. That's all what I was going to tell. Since I'm a little, of when I see her in the house, She met in your apartment when you're You're still And I don't I'm going to

I'm sorry Mom, I'm going to She's a manned She's a lady She's a little long, long, long, long, and the pilos

Tired it's very, very soocius and the skin is like a black, and the

she's quite free because she they're describing with logo of details and after after that

reunion decided that the day of the mother's better they were to hear

we can't talk about what you're in the house. And this ultimate story, my dear family nocturna,

as part of this podcast, after that there are things beautiful, we can't let us get

that the things that's one of the stories most that we have made to put

to know this she Joanna. Joanna has a situation and me

and me says that without that's she she's she

she And now, the day of today of today, has the need to have the reason to be the because he's in a little bit

to go to what he's going to be the life of Joanna since that's not the same. Because,

before that's that's a very typical, a lot, those days good, those days bad,

but really there really there were nothing to talk. Cossita that had to try to

do this to share the thing, but it was all, like whatever person.

But one once that was her little angelita, that that how grittable and how

chillava and how chileged and it had the pulmones of pavarotti, it was that he was

that wereca, that niñit that angelito he changed all, for well and for meh

and for meadow he changed because the right the little she's they're

they're so, I said, I said I was I was my my

little in his sabanitas to to leave her very peter and I put it

up at the camera and when I was going to be in my house

there and I'm there and I'm to put to look at you

see that I'm they they they I'm I'm I'm

in the second all right all in the sabanita the house

there no there I'm I'm there I'm I'm

I got in the studdera, there in the bolstita, meted in the closet. Before, not so I'm asphyxed the little. And I began to tell you to my marino, that had been in the house that

was still in the car, that was still in front. And my manor, me said, oh, for favor, a woman, no me and you answer to those things. And I said, yeah, are pure affigurations you're just doing those ideas. And I'd have bonnese enojada. After that, Scondidas, I took a father-sito, and me helped me much to bendezing the

house, and the things to calm. but passed a yearn't and my my little and my when she was the same year after she was

there was no radio in that room and she preened a music to do you trying to keep and try and talk and talk and I was trying to open the music and the door could be able to

the first time the first I could be able to the radio for all parts no have been and she said that she had a little

a blackedola very very malabola and that had the hair like a little little bit more but the the naris

that had been like torsida and where she said to say that around me did me fear. Because it's me that I know that I knew that that

I'm a little bit of a spirit. I'm going to see to see a window at the door, met him

to get to be a manned a manned here some clavos but very firmes for that you not the

and I'm saying and you and you're and you have to have to doble the manitas

but no me they're to be a little another again. I'm another way

she'd give them a man the man said the said to the car five years

after narrator that the little that the thing is to say, that's

having a very few and I know that she's that's the that's that it's that

it's that it's much, it's much I said and the other day the

she was putting a blusita and he to go to the preparatory and when

she has she's he's what you say, hey, that's this is a year

mala that in the night's not Well, I'll say that is what is what's going to do, because I think that's the many years. When she had been passing the first things and I took to the father, the father me said that was never

rounding the house. And, because I was to ask her to the family and that they said, well, it's to be your abuela. And I said, how, my abuela? And me says, if you know, if you know the history of the abelah. And I said, no, well,

and I didn't know. And said, is that your abuela they said that they were good but then he quit it was there was a curing

that was a that was a that was a but you know that's how you like she let's the chamook because yeah

when I was a mal la mal la mala malota yeah so pure things

feas the people not the people she not she was she was her

she was she was she was she was she put her out of and said she is

she is his things, he's a message in the door and he said, all are

me. You're the people who you're going to get to be the mother that's the woman. They said,

they said that she went to the demonio. Yeah, neither they got it. A new thing he's the

that's the that's the person who's that's because I'm going to be in photos, it's the

same that me's my whirka. Now the problem is that I know how to say you,

that's her girl is to look and his goal is mal, I know I know how I

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history, my dearies mothers partes of the family nocturra

let the day the mothers the pass incredible, receive many

mues of love and they're a moment aterrador, you know, with the narrator and the

team of the pastedias. For sure, we'll we'll be the next Saturday of Sombras,

or from we're at our time, or when we're in your city, that are the

not the little the little bit of the and Rousous and Rousin and you,

and you don't know until we're not we're coming in the Sandovras or we

we're in our we're in the time, let's I'm that you sweet-pessadillas. Bye-bye.

And what did you? Ah, you've you went, well, no. And where kept the regal for the mothers? And where are these histories extras that I mean, our dear mothers, part of the family nocturn? Well, as, as well as, as well, as we're going to be the one of the history? We're not going to be

any one, nor two, but three stories of regal. Because I know that many of you're going to to be to be to be able to to be to subscribe and then I'm

so that's so I'm doing so I'm so I'm I'm sure in that if if one or more

stories of these extras you get to subscribe and you're part of the family nocturn

and to all those who are in Spotify they pickar to subscribe and we will be

the 5 stars because we want to this 20-26 but now

let me let me tell these these extra for this day of

the day and I hope that are going to be passing an incredible day, because we're talking to give us the best part of the day. The part more atterrador, so let me commence.

The mothers have a lot that a lot of times not can't explain with his children, a lasso that transcends all barrier and all frontera. Definitely, there are persons that have a tacto

major than others. There are people that are like much more sensible than others, but this laso is there, and there many stories that

they're there. There's a story especially and amatible that we have told.

A story strange. There was a family that two brothers had a very good

relationship but they were a good relationship with the mother.

Conform they were growing because these two children, they were going to

get a mother, she did know that's they were to have yet a certain

level of life, to be for his own life and to to get her own his pendent, her mom continually and was obstinaculize

and not let's permit you to advance. It was an brother of her mother, because her mom was what he

was what he wanted, that practically not get to get them to get a home, that they

were not, but they were very independent, they needed, they needed, and they, they could be

that way, they were two years, two years of not to do not do you, the word to your mother. No, there was that

every time that they were it was, it's not, they're doing time to visit me, when they're going to

get to get here, because they go to the thing, and it's a sermon of the fact that, the situation delicada,

is that her mother, was being a person yeah while, and in these altrues the party, the

And yeah no he had much time. But the brothers were there and said, is that, for more

that's a mother, we're not we're going to go very bad in the life. No, there was

nothing that they were herding. No, there was any other no no posture

economic or nothing. Yeah, Papa, he had been done for many years.

So, he'd have been done this much that, if they were that were

that they were to be going to of the place. Descuent this because

that last was a last about about the mother's about

about about the moments in that the things were but

they were but they but you see this a

mom and no no no no no no we're

to let's let's let's let's let's let's let's

let's let's they're they're they're standing the two reunied in the

house of they're doing an order for the health of your mother when occurs

something something that's a one a little light that's

not come because they're near a window but not it is like a

little of the room. And the two are a little that we were a light

that was in the room but no no, no, no, no, he

man-a-nabre, and there, in the wall, in a cartonero, they were some in a sign of

oration, and they had an rosario. When the two saw it, the image of these sombre, these

hands that were there with the rosario, it was just and they disappeared. And at

the same time, they were to look with the eyes in the eyes,

and they said, mom, She doesn't have to part. Two minutes after, they're receiving the call in his house. It's the brother saying, Moma, she's just five minutes. That was

the form in that the senior I gave to say to us, and to all stay in peace. All right. All the second story that I'm going to tell, the truth is that's a trap-ylla. Because I'm almost, almost a little that I've done. If you yet

you've had told this story, I'm I'm almost sure that no. I'm you know you're told the

story of the mom of a lot of there's a little a little a child that's

a day of day of two years but when she was a little

she she she she she she was something

that something that not that had much something

when his papas they they had one or two

hours after after and have had she had been

dormied, she was in her room at a point of when her mother, with the

hair, he had all over, long, long, long, that he was in the

pompies, like a mid-sintura, and she had to her, and she sat down

to the the cab, can't a song of cun until that she was a

time, that she was a time, the day that was that was something

had been something, until one day he asked but why Papa not he

not he he's he not he's he he's he's he

he's when he he's when he when when he my mom

my mom came my long to give to give me

and to come to and his he's he said well he's

well that's so they're so so all we

we're we we when we we're when we he's he, not I'm saying

of a dream. You're saying that when you're going, I'm going to get to be when mom she's going with all your

little his hair and he comes a can't a can't a can't and I'm getting a little bit. And the

he says, well, is that those are some so you knowges. I'm going to you knowges. I'm going to

see a minute. To see, let me. Your mom has the hair long or has the

cabo and she He says, I see that the day he has he's got, but in the

nights when they're he's going, he's he's asking for what he's he's going

and he's he's a saying, he says, he says, he says, he says, a bit,

tell me exactly what I'm what I do. He says, well, you know, you're getting the cabo

long, long, long, you're sitting in the base of the camera and you

put to to be to cantar me. To have me, Mara Nuctura, me would have been had been to make the song, but no it'sier.

So, there's a little in the moment in the that taratea the the song, a woman, to put in the rojo,

rojo, rojo, rogos, and he has to go to go to go to and a little afted, he asked her

question to the she's all in, she's not, no, no, you think you're I need to go we visit to my hermina. They're all in the car

to visit to the Tia. This is that is that she's a very content. And he says, I want to get you, please, tell you to your Tia the story of

your mama, of a Pelo Largo. She says, yes, Mama, I'll tell. When they're to the house of the Tia,

they're saying that for favor, in a salita in a salita of Starke's an antiquity. Nobody does it.

It's there is there. And she's there. And she She's her to the cell, never had been in that place. She's going to be investigating in the place.

And that's going to a photo that's saying, Moma, here you're going to here's going to the tia. And in that

the door, behind there there, and it's where the mom of this the little she says, you said,

you said that I was that I was the time the time, see the photo, and he says, what is what what is what

And she is that she, my mom, my mom, of the pelo long, get in the nights to come to and there's where the

two women are in and they're and they're this story. When the mom of this new,

recently she was a year, her mom fellsio. He was one of these

that are very very aggressive, and advance very very quick and they

put them, but the she were, I'm the other day, and I'm a little when

Cresca, that I I don't let me to leave solo, neither to my nie to my niets.

The that was in the photography, the mom of the little was the

little bit of the new she was this the day of this time. From the after we see us

in the fogatas or you know we're going to be able to be

to be going to try let's let's you're we're six hundred

85,000 million six hundred And see us and give us the five stars. Because in the moment in the time in the we get to the 700,000 that that's

it gets to get, but rapid, with you get to the 700,000 subscribers, retom us again, the Platica Secretas. And if you know what is, just see ushens and

give us the five stars, and prepare it because it's a surprise summoment macabra. If you know that's the

Placaca can leave it in comments. Now, said one this, I wish one of this, I'd say,

Dulces, Pesadillas. Bye-bye.