HABLEMOS DE LO QUE NO EXISTE - Brujería , Demonios y Fantasmas

Episode Date: December 15, 2025

Bienvenida FAMILIA NOCTURNA a esta OSCURA FOGATA de historias en ⁨@HABLEMOSDELOQUENOEXISTE⁩ El día de hoy te tenemos tres historias aterradoras, que si tu plan era dormir entonces no te recomendamos que las veas porque comenzaremos la travesía, yendo de cabo a rabo en un pueblo maldito en el cual deberías de tener mucho cuidado si lo llegas a pisar porque hay personas que llegan ahí, pero hay muchísimos que ya nunca salen; contar la historia de una chica que odia, pero odia con todo su corazón a la magia y le sobran los motivos y voy conocerás porque; y finalmente cerraremos este episodio con una historia en la que te darás cuenta la necesidad de la prudencia en el momento en el que hablamos de temas paranormales, porque hay personas que sin deberla terminan cargando con las consecuencias de los otros que están haciendo pequeñas bromas o pequeños rituales, y no que se supondría que no debieran de hacer y terminan desarreglando las vidas de todos aquellos que participaron ahí.Sin más preámbulos, te dejo con esta OSCURA FOGATA de historias, no sin antes pedirte que por favor si ya llegaste aquí te SUSCRIBAS y al finalizar COMPARTE este video con otras personas para que lleguemos cada vez más rápido a la MARCHA DEL MILLÓN! Te mando un abrazote, y nos vemos el jueves y te deseo que tengas Dulces Pesadillas, BYE BYE!

Welcome to Family Nighturna to this Oskura Fogata of Stories. The day of today, before you start, permit me to say to something. Family Nocturna of YouTube. We're rumbo the million of followers, and now fall in the last few for the ultimate. And you know, you have we'll have a video very special

one once that we'll get them to million. But, but, but, but, but, but, for that we get us the million the most, the most rapid possible, I've got a new exchange. And this interchamble. And this interchamble is simple. Of, in fact, you're If you'll be to be

If you're going to then at the final, you'll you'll share the video. With who? With three persons. Two stories

good, for three compartidas. I think that's a good proposal, because the stories that I have been in

day of today are you, are really are really, and that's that's actually, if you planar to do

then you would be this video. Dich one once this, comecees with this scura fogata

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house enbrued is a city and this story that we're going to put a name of the

person that it's a story that's horrible what he's going to understand why these things.

I've got to give you get the context of Sergio, you have to get to you know, he's he

said, I live in a very, very, very, many, but many people of the school, and the

people, so they're all of the type of things, I refer to I'm about the

thing that's about a lot of my city is a combination between the

cellva and there there much manche urban but

there there there much much natural there I'm

this because in this type of other there is

normal to get the way to the things of

the other Maybe in the city also is habitual but here, and in the years in what happened this,

that was over there was something, it was something was a lot of my city, because my city is a

little bit that there there was problems of, we don't conflicts armed

and that and that people entire disappear and we're not we're

we're we're the information of that was there. And in the time in that this passed, I had

only 13 years, so is that not really well entered. But you talk about that my parents live with

and one and other time me said, neither it never occur to go to go out of the city?

Why, I said this? Because to go to the city, it was easy. In bicycle, you could

say, it was a combination of a camp and a city, you were you were

in the bike, and you were you were in the mountain and you had been seen

a few of kilometers, and there you'd be you a little, you know, well, you got to see, you'd be a little

tauts and a person, or so. And my papas me said, no, you know, to come to get to get it.

Aurety, is a very dangerous and so. In this time, a narrator, me said a

group of people, that's people, they were in the time of the camp,

as part of my two of the school, they were in the exactly what kind of

they were they were, I mean, I mean I remember, because it was a much

much time. What I see me I'm I'm a question. It's that they were you

try you try and there and I'm two years after you know, that they're these things of these

these conflicts armed around the city this group of people me about about about

a little a little a city a stichititita a little, I'm talking that I'm

talking about a church, that had a commandance of policeia had for there a

infirmary had even a kind of a little a

little a little a place a place there's there and it

and they were all and me they're a people was a

that no a little more more more more

that was I'm I'm I'm not I'm never

had to a place that was that was

abandoned for completely so I and As they put it in the name of the Pueblo, in my imagination,

me imagined a place full of phantasmas like in palaces, like black, azulos, there with forms human, and standing by the plaza

without being that you were there's going to and I was that scene and me gave scalofrios and I said, I want to go to

go to be it, I want to like it, a park themeatic, a park of diversions. But well, narrator,

there you go. My friends my friends that no there can be that no no way. No,

no no form that they they're going to get to this place because his papas

not only they were not only they're in those, but they're doing a year,

I'm am I'm am going to of those sensations, of those ideas, of those

going to get to that you and one of that was a narrator that

me and because the two we've we're I

have investigated where I've investigated how I've been

and a commletitit a miso the of the indications of my papas, that not me

out of the city, because that conflict, maybe at the date, because I was 14 years in that city, before I'm

and the conflict was like if were, like if it was like to start, for you know investigated, there's many

things, but well, Keadenomel in the history narrator, and in the part that we interest,

the day that I was the day that I had prepared a mochilla, in that a machine, a change

of the of a row. Heavable a pair of tennis extras, and he'd have a little little of food, a little bit of water, had a very good condition

physical. And the place was a less of 10 kilometers. Facilment, it was to get in two, three hours,

two, three hours because it's carterterer. You had to get in the camp, you have to get in breaches and

you had to go there, but I just knew where I had a and I'm a little to see a

person, I didn't, I said to anybody, simply me a customry a at a time when he

and I we were in we're in one of the two and it's disappeared all the day

and the day in the morning or that the same time and the life had to give my counte of time.

It was at the 10 and 1. 11 of the morning I was to get to get

about about the the two, three, four of the time. So, I'm

could be in risk, yes, and not for the phantasas definitive. But not

I just thought, maybe the rank, maybe the youth, maybe my stupidness, no-se, but me vented.

And me lanced for that way, the way, I'm done with any person extrana, no me

tope with any other. There were any, there had been, that they had made, like little

vereditas between different places, that were like, like, and of

zones that had had yeah the pasto altissimo, and it was not that was that was

that was marked, but also it was not that they'd easily, months, of that nobody took up the place. So, is that I was very tranquil. It were breaches and were can't be transited, so in my head no carried any

danger. And, close to the 2.30 of the afternoon, I gave this city, that, we're going to name the city of Lampa. Lampa. Lamp, and in Lampa, was there, from where I came, because it was like in a type of ondanada, see there the placita,

it was a place-it-se, and it was also the castle. I was impacted, a narrator. It was like a little bit of a place congelated in the time. Some of the casas were with the doors abertas, and I don't

believe that. I'm there sent out, impacted by the image, I'll say, when you see a place that is completely

actually, it's a micro-city, but that's that has been there much of the malice and much things like altas

and the houses are there like congelated and no in movement is an image that chock it's an

image that impact, I'm kept being being but also a part of me said vigil

not be not be there, not be a place and you just to get a lot of the

few minutes. After of five, 10 minutes, I decided to get a mask of

the place not the little was a little bit a that was a looker that was just a

retarded it was like that's a silence was so that's that's that's

that's a lot paranoia sensation to be observed all of all

that you but in the minute one that was so I'm

I'm to back narrate and the first place to

and it was to a place that had been the commisary. The

place that there was where there were criminals where were those

people that was a place little. It was like a house normal. Imagineate a house,

no, of 10 meters for 15 meters of foot, for two. They're two casitas

one at the other. The form a rectangle grandotote. But it was all. I got to

I'm a first surprise. The doors are open and they're sure put them.

They're not little there's little pieces of three on the

piece I'm I'm know that I'm to have good

but the Puartes are abirtas. Why? Why? They're the crystals? I don't

know. I'm know. I'm and the penitentiary or the commissary

this is very strange. It's in the the a base bit of a crilico

in the some foyer in the fowgettes and the tarrana and a lot of

all the psalvo all right and all there there's there's

there some some b some that I feel that I'm

never I get to the passillo, and it was like if the place, it would have been vandalized. Aparted of the door, all the crystal of the entry, all of the inside. The sills are in their

place. There are crystals complete in the place. They're bankers where there were persons officinists or policeies or no see, and I want to go go to a place specific. So, me interest a one place, which is, where are the celdas?

Sure, that I want to go to see, that there's, or that's supposed that there's nobody, and what How tall if they're there someone and dialogue that I'm going to top there are there arests and I'm

I'm going to say to get to tell if entering that place there's a there that's doing and I'm and I'm

start these ideas the silence narrator was tal because the only that was the zumbidito this of the abeyas or

the moscas but every every be more tenue but the silence was that my thought my

things was that was that was that all the all the other were they were to hear any

moment, so is that I was coming with a sigilo tremendous, I was sudden of the anxiety and of the

stress, and of a little bit, I'm up to a second piece, I go to a little

talarnares, they're in some of different plantitas that are growing between the

pieces of the cement of the construction, and I still go and I'm and I

go and and I go and I know a point that I know that I

the other side are the other side are the cell. For a situation like extrana like if my intuition

me is, I'm going to be the door and I'm going to be and then I mean I'm saying,

idiot, no there's a need to be that you're saying, because if there's a good,

you know, you're not the way, the so you're that's the moment, I'm put

much more stressed, I'm start, I'm going to start, I'm, I'm

impugar the door and I know that the door cede. There's a lot of and that amount of it's a lot of

time. And me tranquillized no, there the place. The place is a little bit. I'm re-laced the door to

the door to a little more more than that's a little bit of a little other side. I'm sure that

there's a malice in the piece or or a house or something that there's got there about

the door, but the I'mpoo, the empoo, the empoo, the empoo, the empoo, to where it's where it's top. And I see that

two celdas of the side of the left and two cedas of the right. The celdas, those barrotes negros, narrator, that's seen that in some moment they've been in some color probably blue, for what I'm seeing, but you know, all is scarapelado, and then I'm seeing the celdas, no

any, and I'm going to say, oh, you, the of the Celda 4, I'm going to be able to visitart, because in some moment, like if if he had meted the spirit of a police, and me sentie, me I sent in my movie and

I'll go to the other cell oh, you don't you don't you don't have you're going to

go to be a little and then I think I'm a official and I imagined with my sombrero

a sull and me imagine with a macana and where me imagined with the macana narrator

I've I've got the ball a bit a ballotes. A gulf a metalico, I don't you

have to get to a other side here in the garganta, and I hear it, like a gulpeteo, like if that macana that I imagined

that had in the person, someone had in the very, and it was passing by the barrotes going to the

tatt, tat, tat, tat, tat, tat, tat, the sound, when he was when he went to the

piece and I see, not that's not that's but the person is removing, like if someone that's, and

you're going to be able to, to say what no what's what's I'm to say exactly

what happened. I don't in what I'm I'm to go out of because

the only that I think I'm I'm almost I'm getting to the

hands around, pardon, pardon, pardon, no me met, no me

met, no me make, and I'm going, running, and in a

parpadeo and I'm I'm on the top of lamp, I'm am

the city and I'm pored in fear, but I'm you can't imagine. No, I'm

just I'm just a mochilla with the two hands and me went coming to go to

the town. When I'm when I'm tired-sadry totally desidrated

and it and the body and the body until that I got to even a cargene

on the back on the back, I'm put to take water and I'm just to learn

to learn like a No, you know, you know, that for the first time I'm at never a lot of to get me there, that nobody

knew that I'm never to be in my car, I'm about around the six of the time. When I go to my papa,

I'm a big up to my bag, with a mochila, me say, what you said, I'm going to

do you, I'm going to get to be to get to know how I'm, I'm going to tell you,

but not you to find nothing it was a stupidness what I did, I'm

going to do you do you know this two years after the those soces conflictive

they'd have been to be a lot much, much, and they had entered

in two occasions commas armed and that not part of the government

and they were not they're not, we're we're using we're we're

a way of the house in the that just in the way that they said that there had a guy of this type, then we had much fear, no, they'd

get with nobody of the city, but all those of the city were all right. And one of those occasions, I don't me I remember what

occurred, that I said, I don't know I'm going to start because it was a city, like

if you know there was there's outside of their houses, practically the life is bet to study or

bet the time, and go to get to other, there were like much a call telephonic

and it rumored that we had been intervened the telephons of all, then it was

something, and a day, I'm going coming down for the public, I go to that house,

I'm going to run to a Lampa. Because, no see. It was the idea more stupid that

had been in the life. The first, I don't know what me going to get to I'm

a place, like a place of this is, like Disneylandia that had effects specials,

but now I know that there in Lampa, there were things raras, and I know why, until that I went to the middle of the way, I reflected, I said, Sergio, what's doing?

What stupid is you're doing? And other part of me was like if it were a trailed a lamp? Simply, without to answer to my other voice, to my part conscient, to my part prudent, and I went to comeinandah.

The first that I left in Lampa, because, yes, me I've got various, but the first, and maybe one of the more of the most the more

Firtes, is that I'm going to the same point of the last that part right up where see I'm there's a

lot of the pavilion, in the same area, I'm sitting, I'm seeing, I'm see if no that's a lot of the world, and

the narrator, the lamp is exactly exactly the world congelated in the time, the plaza exactly in the same situation, with the same pasto, the same area, the same bank rot, the other bank that no is rot,

all the other bank that is the way of despecated, the places that were alluvunated, not see more arroinados, and I'm getting impacted. In two years, no can be. No, it could be.

If in one or two was like lampa kept so, in two more should be said, but the narrator me back. I'm going and when

I get to the penitentiary because I don't me go to get to make but I'm there no

there's no there are still the crystal and the door principal is like

it's like it they're they're I know but I'm a card

the door was the door was closed and then I'm there's I'm going to Narraud, and the next point to

to go to get, trazando a route in the which I'm going to go the part periferica, for if it

goes to be to get to get to be the hospital. And I'm going to that I'm and when

I'm going to get a certain of the hospital, it's very strange what what happened.

But I'm doing, it's an hospital of three-pissos, it's a little little little,

a clinic. In the second there, there's a ventanal a I don't know why I was in that

ventanal, because all the other other are windows, like, of the windows except that's a ventanal great, like if it's a door corredice of crystal, but for out there's no way to move the door, it's just a rectangle great, that rectangle

of a repent, it's move, I'm kind of when I see that it, it's on the lights and the light of a woman, that I'm sure for what I'd have in the head, that was a

kind of a doctorate, I see these like sombreritos that's used in hospitals, and where I'm seeing that's, it's a paca the light, and it's

a little door of crystal, and me kept frio, frio totally. No, I see if regressar me, to keep for the

way, I'm very accelerated, I'm much fear, me I'm asking what what's I'm doing there,

but it was like my my mind, if my intuition, me get to my point, so is that I'm coming

and I go and I between puras houses abandoned and is a very strange

a narrator. But it was a quadra in the one of the other there's like it's

like it like you have made a constructor to all the constructions all the

houses exactly exactly the other the colors they

were a one of a white the other color beige, the other of

color black and other another blacker beige black black and

in front exactly exactly exactly exactly exactly Super extra extra. I mean, no, me had to have to come to a place. Apart, the

colors not were so beautiful, it was to be it in mal-gust. The point was that the casas were readied, like if someone had done in all the entrances, and the sensation of that you were saying, that was being of every one of the casas, waspantosa.

She sentia that there were many people there, and I was being, and I, narrator, just I gotre the asses, the correys of my mochilla, and I began to to come to more rapidly, more rapid.

I'm going to my arm to get my pressure to the piece. I'm trying to get a control of my

respiration. Because I was that of a attack of panic and I was going to get to get back to go back

that. I'm going to get to put up my punches, I'm going with the asses, I'm going

on the car, and then I'm top for the next construction. A church a church that the church that

I live from up. It's very rare. I'm consider a person a good with

maps. And now that I have 43 years, I'll assure you. I'm sure. I'm a person good with but in that moment

the church no I'm here. The church that I saw from the ampa, no I was at final of that

quadra. I had to be to be three quadras more to the right but there was and I'm

going to get to the churcher. What happened in the church narrator. I don't know

if it was my imagination. I don't see if it occurred in the but I hope

I desire I want to do my brain and simply it's been a attack of panic. The church

was a strange it was like if they'd put up fire by and had been had been marked

of tisne for all parts. The church was like the rest of the building of

the building. The problem is that they were manchones like as much

the church there's a rome there's a aroma horrendo that in

that that it was. At the day of today of today, if I see that it is, but it all year has comeed and something shamoscated, but very very strong. That odor,

a person to be able to the air in a way of the way to be spantousa, it's going to you get to

me attract more. When I think I'm I've got had carried in that instant. I should have heard of that

but something me was up and I'm was like to move over because when I used the first

the first escalone the of the church. That's not should be going to the lamp.

Lampa is abandoned. In the lamp there's people. Or, maybe are the people who

are the house that I'm back to be in the idea. Suddor frio me starts to go to

the spart, and I know what I'm going to do you do you know to make decisions,

I'm I'm just my mind and my person and my person who still go to

I'm simply I'm people sent out of bankas, no not not I'm not those

colors, or the the roba, nor any of any of the ,

because it's a little in penumbras. They're like sombras that's like there's

afts that's that's all the and it's like that he's he's

he's and in the hands, it's he's he's he's

he's I'm going to this, and I get a tarrated when

he's when he I see that the book that they're in the hands is something obscure, but in the part where it should be of its head no, there's a lot, and I'm going to come in a side to see what is what is happening, and see in the brasos so, but no has a-case, and I'm afraid, and in that instant, this man or that thing,

that's a book, all the figures go look at me, and I'm going to hear me, and I'm to hear lamentos, gritos, persons that are having like much a lot,

and are doing like that sound when something you dole that's soporting, and you

need to express it, the problem is where I hear it. No, it's not the

bankas, it's they're and it's so horrible the sensation and the

sound that I can't, I'm can't be able I'm had been

from the moment in the that I had had been I could have been corrried from the

moment in the minute the penitentiary but now, being in the

worst in the other the people, I'm even was

there was never never had never never back

by bar and and and get and relax

syrote bookin and oh so too and profited via

via Rai the voice that we that thing I was

going to that was the place was in penumbras it was in it's like

it's like the tisne and there's little little little little

they're so they're so they not the place or maybe the place was

that was that was too too so and this man

and this something something and I'm not even. But I'm like a devil and I'm

going to and I'm going and I'm to go out of the and I'm going to gorength. and now I'm going to get it. that's the part more the last part more calurosa of the day.

Because if I was a few, spantoso, the worst of all the narrator. No we're in a point of free.

In the morning when I went to go to the top of the thing I'm to get to five,

and I'm in a free of I'm not to expresser, and I'm to go ahead, I'm going to get to the

nose, exhaled for the mouth, and my power of my my my head is

like if yeah not I'm there, I'm can't clearly, I'm

I'm just a or where to move me to go, no see, nor where I have to go, where I have to scounder, I'll go, and the church are going to do all the

ombers, and they're there, afura of the church. This type is that's a little up where it's their head, atras, they're

to recuntar the sombers. The problem is that I don't see, I'm going to see, and they're going

more and more, I know where. Afora, not are the windows of the air, there are the of day and out

I do count that are sombers, no persons. All is obscure. All is totally black. And even I'm not

so far as long as those are black, the robes is black, and the aroma of the place.

It was an aroma that me kept impregnado a year, until that one day could

aller and cower cabellewed and in that moment I did that I'm found that

the amp, the Alampa the Lampus aolia, a pure the My head and the other carnet and a

I'm going to go ahead and I'm going to go and I'm going to say in a Cabeo'nard, but, but the other than the windows are rotas, these and the ventanas are rotas, the paredes are all manchadas for out, I know that if they're being manchadished, but there's a rotul that in some moment, could have been his colors,

Now, only see in markers of letters that are videos, Rosco. And there are a star of five picos bolted to that's a bit that's made that

they're done with some type of graffiti, and there's a door of that's rot to and another desvencised

that's down and I don't have idea. Because no it has a logic to my actions. No is

something that I'm that I'm doing with my decision. It's like my

body that had taken control proper of all, and simply and simply simply

were and did what he pleaser and in this instant a he was he pleasio that he

and me metier to the video of Don Rosco when I went to something

and I came to a great and I know for sure if

there there are there and in that place that

I'm to come to come to come in the place

it was I'm had passed also I had

I'm going to to advance for the house I'm met in a apartment the

room, the room that the roperer that the roperer is in very mal stater,

I'm I'm in a door, there's a little and I'm just going that's like

taking a decisiones or doing actions specific I'm going to come

to come in that and I get to a little to a bau

that's a three doors me met for one and in

that a place, there are various Camas. When I get to the area where they are the Camas, I just I'm going to feel that in my body, hands little little, in the

hands, in the feet, in the back, and I'm to press and I start and I'm going to hear, as pure lamentos of children and

the nines. It's something, horrible, I don't see nothing, but the sensation was clearissima, and for a second I began to

feel that I started, that to desmayer, as to disconnecter, like if there's like to

keep to keep in that I'm just I'm two hands very greats that they're

on the arms, and where they're they're they're they're they're

and I call it. And a part of that narrate only I'm

like various scenes in my case that something that

I'm going to rastran the but I'm with a

force horrible, of the back from the passio, the regress for the closet, and getting

to the door, me abientan, and I'm being put into the car and I'm completely

confused, my head is very long, I'm much cold and a lot of the way,

I'm feel like a trahado, me feel in the poor moment of my

life, and I go gachandos down to the door, he comes down to

me, and he kind of and it a little, a a poncho, a horongo, like a capa quaker

around of these that's that are in the middle, the subject has a sombrero very typical of the region, and just me

and he says, you're going to you're going to you're going to go to save. And the type is going to go to

me and I know how I'm retomar my compostura that I'm put a move the mochila,

I'm going to take over I'm doing I'm so I'm so far into. Seco, but I'm never

before before ever before. And I'm going to take and take water and I'm to come to come in back to the seon. And then

to get two, three quarters after, the sir, he said, no me's going to be back here, go to get to

ever and you go to work to get a and he's going to get a bit of and then this subjecto go subviennosing

to other other way, for the other than that the lamp, and he's and he's sitting to

the city and then I'm so I'm Subing as in direction to him and he I said, what was What was what I? What is this? And the sir,

just me kept seeing, he's an idiotic, no have you ever seen that Lampa is that Maldita? No, you've heard of a Lampus is a Pondas. And I said,

I'm a little because I'm, because he brought. Lampa try people. In Lampa did something that nobody should have done

that he'd have done. You have to you're going or you're for you're always? narrator, I've

diffused all the conversation that we just I'm just I'm just a question I'm

the same that's the only that he was the man, but he was his son his son

he was a lampa and nobody never he never he never he's and when

he's when he go to the around the while seeing that's

exactly what the places of there are the most dangerous

For that's the Penitentiary. He was the he put his crystal, he was the he put the candor.

Because he says that no he wants to that he suffered what he suffered. Because in the lamp the

people disappear, but nobody can't the rest. Carla odia the detesta.

He sobras the but here there's a situation maybe strange. The

odia and detesta because he's that it exists and he he works

and it does it and he's the I'm going to tell. Result that

Carla was in a situation like a positive, very good of your life

about the year to get a job at a place. And this place was a

salary or a tariff very very good. She never had gotten

in all her her part of the part of the pastations of the company

all all everything. The post that was a place was a

place ideas, had to be very much with having a mind very agile that could be able the things like others not they'd, but at the same time, with being a very empathic, being a person

that when I'd try to another, in very little time would understand his necessities, could be put in his zapat, could understand of what he was talking

because every person is a world, and she, Carlita, she sentia that was an explorer of mundos of different,

of the and for this I did different exercises. Me said, look, narrator, this what I was

very rare, but I was doing because my work I'm he's a way and it's a certain way, and I

got a good good at because I did a much agility. I was to come publicos,

I refer to places, of places in those that's there's probably I know I

know I sometimes to sometimes to sometimes to sometimes I had a places where not were known

I'd buy a coffee, a coffee great, me I'd something

that really at a very a little and I'm put to absorb the coffee

and I put it aodiphon that the audiophones that the music and they

had nothing just that not to not there's there

was a hour hour and what really was doing was the question.

I'm not I'm not about to not to know of

the life of others. But when I used the conversation of someone, me began to imagine a world. I got to hear about conversations of parishes, that began to have a discussion about the education of the children, how do I

do you doca. And then, the man said, well, is that they're to be ruddous, not we're going to be educating, for that are fragile as as, as they're doing the papas. To me, my papa, if I, no, I didn't, look, two, three cachetadas, and at the day of today, I, I'm

I do I appreciate, me I'm the man that I'm going to say, well, but also, you me lo has said, that you have donex of rave, that you can't control, that in many occasions

you're sent with much courage, and how many times you've got to be crankas with the persons and know, if you're not, you know, that's not more what you know.

And I'm going to imagine all a narrator. The papa of this subject, me was made a vestido of military, all of color, that was this chico

to his house, And even now, about he's like an altisendul, in a

time probably he'd probably get over the head and then he had a scene

like a little where the father he was the man, the

the boy and the sir was going to him I was all these situations

and then that he was to be to say ah he he wants

to his history and he's he has a

need a something there needs and And then, with the chick. She, she,

she, she has been with him, but she not that this platica and he has been ten years, and he has

got to be used, she has gotten airstom-n- new, and me the I imagined, and me the way,

a little disquidated, her tone of voice, me was, where he was a little kind of

disprovista of a surprise, because the subject, after after the after you,

the then, so, then, then, then, then, then,

you, you want, to my children those will be like some

fragilitos there's because whatever something they're going to let's be those things we're going to

be a man. I'm going to the voice of this chick that she was going to end up and he was

doing what he was doing what he was and he was and he was going to he had to he had to

he was not he was going to be to be really really to come it.

It was an exercise it was the exercise to imagine me the world of

those people how was your house? And me imagine we a house that in

a lot of a lot of light, of the light, of things dimpies of the

little of a little little bit a little a little a little food for the routine

and a little with things rotas because you see that in that case

there was a little emascarated I took to hear a pair

of a couple of that were talking about about about the actors and

actress of those they were they were know and that they imagined and they were playing with one and going to the feast of the other. And I imagined that

they both vivian in a world, all color of rose and celeste colors pastels, where the unicorns were going to go there for a lake and they were two in lagoes. Why? Because they were some of the nines that were in a fantasy absolute of nines.

And it was, imagineate that I'm for putting an example, with Tom Cruise, and I'm going to get, and he'll be to be able to be at the eyes and me to say that me will say that I'm going to

say that you could be able to imagine. It was because they were in some little a world of Barbie but

to the old in colors rosas and pastels and all going by here and there without nothing

to do specific. I took to hear to hear a person that people that were

that things very very fertes problems of a problem in the time

a little a man a little about about the certain of the

plans to to send to to another world and I imagine things very tethical very

tenebrose but there was a platic in special that's that is a that's

so he did something that's even the man that was talking to make to make

to a person that was that was that he had to alarm the person that he

was like no, let me help me help me you. For the the form

in the that mentioned the thing was sonable to that

not was for the first not was being spontaneous. It was it was a

little it was a little bit of a little bit of a little a little bit a little a little

a sense that more the sense that more to be in a center commercial these two

would be in the pernum of the night where nobody was there

and that they were talking in the badito because they were about

they're talking to she had to he was that she he was to be more

than what they had been he said that he gave a trot in a trato, and she said, no, my pactos are of the sands, are different.

I put the rules, you're t'etienes, and from there it was made me so much rarer. Sonnable at the principle like if they were some type of gangsters, like some

of the matones. But then the voice of the chick, no. Sonnable like a authority different, something rarro,

and the voice of this man the form in that he was a little, it was like someone machiabelico,

like someone that manipula, like someone that from the sombers does the but at the same time

was a voice educated and at the time false like those people that are that they're

that's that's there's a there's there's your person I think

we've got to those people that you don't a car but

really they're they're really they're a ability false

and words and the other one one someone that

not she'd be dragged for nobody. The conversation me really the attention, because he had something. The world that I imagined of them was all-uskour,

all-mallow, all full of falsedities, and she said, if you, you know, I said, I'm what

you need to, you need to do you do a sorb, and two days after it's going to be a too,

and if you, you know, you know, that's all of him will be to turn to be too,

But, just that you have to have very clear that after she has to take that, for her, there's not, there's not, you know, you know,

you're going to talk to work, and he said, a me, me, it's a little to be, so you're not, so you're going,

to be going to help, or not you, say, no, that's, no, I'm not, my, I'm,

I'm doing what you need, I'm doing, you know, I'm not you're not, but she

not going to do the same, no, just you're just to do it, and then to say,

he says to say, Maria Luisa. When I heard Maria Luisa, the the word Maria Luisa, the name complete, Maria Luisa, is very rare because the form in the way in the way that was pronounced, to me me sonabal that I had heard before, but no I'd be it where. From there, narrator, I want to say that they're stilling talking, I understood that it was some type of brevajure or something, terminated that was that a man, and that this type what

he wanted to be a person. I was I don't know about the thing, but it was easy

to do you, it was a thing you, it's not a little she'll be able to do you but it's

because she not going to not be able to not have good relations it's going to be a zombie in

life and that you're to talk to you talk to it. I'm

I'm a a chemical or a a person or a person who a broga

it. It's and then I'm I investigated, and captained that was an amarrie. And I said, well, I understand where it. Passed three days, more or four.

My life still normal. I remember one and other of that conversation. This conversation was after three a yearnitton, or four, more or less, a narrator, and I'm very uncomfortable, and I'm

thinking and doing oration, poor-sita, Maria Luisa. God, if exist, for favor, help, Maria Luisa. For favor, no you do this bastard, and that woman

do you do this child, but, for favor, help her, and said Maria Luisa, and something me resonable, and something me resonable, and something me resonable, and I, one day I go to the job, I'm working normal, I'm going to my officeine,

and I'm going to intercommunicator that's a call-a-one-a-all-of-the-mire-in-frent, but I'll hear, the voice of a man, who asks Maria-Luisa, and where the listen I, I'm put free, it was the subjecto,

of that salon of food where I was the way that was talking with the and then then I'm at the antennas

and I can't let you know I'm in my officeina who's lamented Maria Louisa and then then narrator

I know that the officeina the the owner of the company was a black and was a

wife of the wife of the owner I'm saying the name known I'm another

ever I'm I'm I'm but the little she was that was

was always I'm going to that I'm going looking that Maria Luisa is

getting and I'm a subject oldote moreno and he's in a sack

in a little very elegant but he but he he's the subject the false

the he's the he's the same voice and I just I'm that I'm

he's like he's like he's he said you know you're you're you're

your prope what you to do you're so that you you're

so this Here is. And then, Narador, when I see that, I'm going going to go to get to

get to get but you know, you know, you know, that's of the kind of, you know, and you see,

and you see, and then you get me extra- and then it and then I'm asking that my time, I'm,

I'm, I'm, I'm, and I'm, and I'm, and I'm, and when she's,

that's a person, that's a person, I'm going, and I'm going to, and chocked

with front with her. But me with all the intention of that I'd beinked to bring to the porquet of the other and he fell to the other and so the two were manchered, the chica had her vestido black, and it was all

manched that porqueria, that was of a color, like marron, very, very feo. The type was he came on some of the devil, and then then I'll give me, Maria Luisa, but no was my intention, and the chick a child, she can't how you occur, maldita emplia,

maldita gata? No, you you know what you've ever been to do you? And you know, how much nobody has been treated in the company. But it was like

if it was over of those cabals. Never, nobody had tried to someone that was there a business. It was a far

a large that's a guy, the guy, he goes to the officeina and he's impacted. I'll

go to the give to me and I'm and I'm going to put with my intention. And the egg is a little bit

you, or no you'll be to know you he'd get enthrinked, I'll bolted with a car of a, no,

I'll just a grader, me get to work, me get to nothing. The chica, I know

why, or what was it, or what was part of the embruchos of this type, but with

all the companies that were in my ram, I'm the carerer,

me jodd I, I was, I was paying a department, I've to get to get to

the money to pay my auto, me kept with my money, me got to

retener the bank, I've entered in a problem that has been made four years to solution to us,

subsanar it, I'm working in other city, in other things, but I'm to say to another.

Number one, I'd do the thing of the burogary. The I'd do you

all of the whole, and the other, this chika was that was a

very rarra, because they're that I didn't even that was a lot, a person a person

with a much a person who and he was treated well, except with me. And that nobody intended why he had ensigneded, because it was very rare because just before the boda, notarrow in her, that she was there, like,

she was there, and he had a little rarer, it was like if his mind now functioned well, they said that in the boda, the man was trailed, acaried for all parts, as if she yeah not was present, one or two years after the boda,

the man's to get with all the the companies of the family, and at the day to day of today, until where I see, all they're doing, this type is in charge of them to enter them. How, no, it's been in the carcels, no-seller, no-seeked. The company has been able to get it with the money, and I don't want to

know anything of those things. There are many people of you guys, that know, it's a sabbado of sombrass. And not it can't be that the family nocturned not know that's about the Sabbath of Sambras, but there's we know. We're going to pre-gravos, that

are the Lunez and salvees, and salmless, but the Saturday of Sombras is an en-vibro. that we have in YouTube, and then we'll reposteamos in all the reds. In occasions, says, Sadoe of SOMBres, the title, but in occasions,

nothing more has the title of the episode, but the portals, you can't distinguish because I'm a camis of the phantasmas that are in color coffee. Why I tell you all this?

For you know, that the Lunes and the Wednesday is when we're starting, and the Saturdays, and sometimes are the Sundays, because the Somba's apparel

when it gets to but in the Sambos of SOMB, it's a different. I'll talk to history and see. And this Saturday, the Sombra's, the past, in YouTube you can't see in the pestares,

in vivo, there me maddered a story that was very because I was about a girl that initiated a panaderie, and then, like, a client, he left a dweener, and, well, and they were going to pass things

very strange. For this episode, me mandated a story, that me gave the pill chinita, because when they were the panedery, a chick,

a man, her man of family nocturn, her man, a man, phantasm, and me said,

narrator. I have a story very similar to that so because me passed something. This chica was a restaurant. Let's put her name Sulema. Sulema was a name of Sulema. It was her first work that had in all her life. She had around 16 years. It's the first time

that's the restaurant is practically to be in the cajah, start in the caj, start cobrando. The work of cajah in that place was all the thing, because not occupies to dedicate to more things, to do the

the series of the cajas, the cortes, it was a matter of the money that they were a parted. It was there was someone that had had the sorens because of a sudden had some quantities of the money in some of the caras.

Sulema me says, look, narrator, Serre poor, but well unrathered. Never has been a person of nobody in anything. Aluna way that

I'm kept with a more, but it's more a error than intention and then I've always I've always always I've always seen the person when I've

a much a bad account. But, there you know, we're going, we're doing,

I'm trying to just a time, and I'm put in a employee of a new person, because they're in mind

that I'm not going to any person like, of values very firm, and when I've got

a little time, then they're in this situation to put them in the time of the

case, and the other chas that were like two years there, no, they're

they're not they they're they're they're not, they're are doing one one side.

Well, Beto to know, the point, the point, narrator, is that the restaurant

had like those some time and we're not a combination of things, food,

pizza, and then they were a type of torts that were specials. It was

a changarro to just people, but the food was really, very, very rich,

and we had been exagerated I think narrator, the day of day to be

ten years after after that's the working there. There you go.

One day that we don't have clientele, there's a person that's a person who has done of the person who makes, a new year to

call the phone that if he's a birthday, and the he says that we're we're just,

we're at the time, and he said that they're at the five, they're in the time he

to celebrate there with the the companyos that he gave permission, that no

the problem narrator was the day in the the day in the the day in the day in the day the next year's the wetto, the

dukeye was kind of a little bit malito in those days, for that we had to talk to, like, to talk about this type of things, and not to make the decisions there in that instant. And then then we said that, for the first time, in years, that we'd have been,

soot. So, that day, we're starting, the day next was suetto, and the day next was the day next was the domino, and we'd, not we'd have been, three days, practically, and they were like the descansos.

Five of the time, we'd, we'd, back most the porton, and then we we're going to celebrate this person and this person

and this person and starts things to say that the gift of a realal of a new year he's

he makes a real deal a good and then I don't know I'm not like in the thing of

rituals and things and my respect for you but I don't I'm

he says no part it's my a year and it's a great

and I'm I'm I don't I don't want of any that he

he's he he's he But it's a giz with the with the piece and he's

a starry to a pentagrama bolted and I am I'm going to say, oh, you're of you're like, you're doing,

you know, say, not you're things of fens shui and it's a more about with the elements, he says,

but the people ignorant like you, to all he wants to be a thing to turn to terminate

his pentagrama put there some symbols and I say, look, look, do you,

but in serious, I don't I'm going to participate in this. So, he put in the rest of

companions there, he's going in the game, some he's not he pressioner much for that they're, narrate he's

he has to all the many, various of them and he didn't even participate, but he

pressionable and he and they're all around, they're all around, and the two chas of me are being

with a kind of with a and you to put in cargated and you know,

me are they're doing a way, I'm going to they're not they're going to the whole the

time for this stupidness that has with what has to be with my work and they're there when

when we're a little, a little bit of a little, after that's a little, he's got to the rest-gunned

the man, all they're all right, and they're to do that about that, like, who's the

who's going to propasar, and blah, blah, blah, I'm, I'm, I'm a

because no, I'm a problem is that see the world, and so, so, so, so, so, so,

the reason, no, the part of the The side to side no is, but it's, but it's from the muke to the

handbrazo. The razzu-on to get a bit profound, and it's a bit more. We have to do there, and we're doing,

the drama when the chick that's going to get a infirmary, the blood of she has, there's a

cat, there's a thing that's what he was over to do this they've got to a lot of a year-

I've got to the lunas that they've put put up points. If you supir the regawnada that we knew the duke, when

opened the door and he took on a pentagrama with a lot of various parts, we'd give to all.

The type no creed in nothing, but he said, what's this? What are you doing? What I'm

doing? Then I've got to explain to that you know, that's a thing, that, blah,

well, no, no, no, no one of the explanations after the second day. The boy,

was very molest. Borrame all right all, we're he had encarred

he never did the car, I had to do it and I'm to be a question of the chas

the chas me keep in the people who were a who are in the child and the

I did it and I was a rare, it's kind of kind of extra-and- a

part of all, all of all of me, they're they're to start

to be doing things in the the kitchen and that that of the

the chikas of the kitcheners, that because they moved the things in the table, the type

that we had we're in the old we're that he's that they're behind of the

stances, they're behind the behind the stuff that there's to be the little bit of

a paper, tantito more more than more than a house of that there's,

and that's the eyes that he was the door the doctor and the officeine, he says that's going

to be more But I was very nervous. Then I'm sorry, I'm asking, I'm thinking, I'm getting to be done to do not. I said that someone began to be able to hear of the head. Because it's the voice of a familyar me who

fellacy ago. All narrated. All started to have those thoughts there, except I. I just got a moment in the that I came to my house a day. And when I came to my house, I heard that in the second

piece, I mean my mom caminand, because it had a form of a way peculiar. I started, I'm going to say, Mimi, Mimi, what are you doing, Mimi? Hey, Mimi, we're going to eat something, and I hear, and I hear you hear about the escalars, and I'm going, today, I'll listen to what you want, and when I hear you know, and I'll hear of nobody, I said, ah, la frigate, what is this?

And I sent me like a vintecito friego that me cruised, and I said, no, that's all right, so I'm going to prester to this. At the day's next, I'm going to be able to bringculeums to more places. at final, I'm Cajera, of those jobs there, that same day I'll get a job, and that same day I did my back in that restaurant. Well, all those that

participated there, in the lapse of the next two years, started to have had been to have accidents fervent, and things, they started very bad in all, in other things, until the quarter-kissed the pentagram, felled in a accident,

all right, but for that then, then, he had been closed the restaurant. Narrador, no-se. It's me has much coincidency but I

think that for and to end up over the end uprohating in my place of the work.

And with this story, we're with this history, my keyed family nocturna, we're getting to do you, but before you guys to talk about, because you're not going to

Spotify, we're 2026. And to get to the million, we're going to we're going to

get a lot of people, we're on the end of Spotify, retomable our practices secretes. But for the people of

YouTube, for those who who are the next week, that's a surprise the next time. And from

we're going to we're going to see the new episode, is that you have some things, bye, bye.

Merida, we'll see the 19 of December. Yeah.