HABLEMOS DE LO QUE NO EXISTE - Brujería Oscura, Pactos Siniestros y Encuentros Paranormales | Episodio 395 | Hablemos de Lo Que No Existe

Episode Date: June 1, 2026

Bienvenida #FamiliaNocturna a esta #OscuraFogataDeHistorias en #HablemosDeLoQueNoExiste El día de hoy, nuestro querido #Narrador nos trae historias recién salidita del trauma qué te llevarán por lugares y encuentros que nunca desearás tener desde centros comerciales en los que una suscriptora se topó con algo a lo que ni siquiera le pudiéramos llamar brujo. Pasando por las bandas de revisión de un aeropuerto, en dónde el abuelo de un suscriptor se ha llevado el susto más grande de su vida, con algo que ni siquiera puede ver, y te imaginas estar solo en tu casa y sentir que algo se te acerca por la espalda y cuando volteas darte cuenta que estás solo, y eso en lugar de tranquilizarte te pone peor porque siguen ahí cada vez más cerca de ti presencias que están buscando contactar contigo.Pero nada irá tan mal mientras no aceptes pactos o tratos con personas que transportan maldad y si no entiendes a lo que me refiero, terminando el episodio te va a quedar más claro y oscuro que nunca.Todo esto y más en esto Oscura Fogata de Historias en @HABLEMOSDELOQUENOEXISTE Por cierto querida familia nocturna de Mérida, Cancún, Puebla, Pachuca, Metepec y Querétaro, prepárense porque muy pronto la fogata llegará a su ciudad, separa tu lugar para que la oscuridad no los devore; por cierto antes de despedirme y dejarlos con el episodio, les recuerdo que estén atento a las redes, ya que el jueves les avisaremos qué día será el siguiente #SábadoDeSombras #ByeBye

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I have to give you two notices before to start the episode. So, notices that really are really you're really

that you want to be about the episode 400 and I do you do a promise. The episode 400 is

the episode more aterrador that we've made to do the last this 2026. So, so you

are you just going to get to you're doing to get to the camera to get to the notification

to the episode that difficult you're to be to be but there a second

not platform, the circle little bit of the circle little bit, that has a radio, that was already of audio, and now, also have video. In that platform, my dear family nocturn, we've, we've got to come to the marcha rumpur. And for every 15,000 subscribers, we'll regalers a plattica secret. So, if one no sigues, it's very good moment for that in both reds, you subscribe, no sighing, and stay the sendient. One of this, today, to be able to be able to be magic sinestra, pactos

of the dark and of the encountries with entities that for many are more than to be more than the traumatic. And one

once said this my dear family nocturna, I'm going to be there you're going to get to be

a good. But not apag the light, because we're about to start a offgata

of stories. If me permits, I'm to tell you the history more aterdora

that me have been a airport. Resulta that we have a person

in the family nocturn that his a person encarragada of the

revisions of an airport in an airport all the time that was in an airport there's

there's that they're to be with contraband and things but there are three situations

that is that they did you do you don't this person Rafa Rafa

was a he was he was a person malencarated not a person empathic and nobody

with you you could you want to you were a Alto, robust, and he had a rostro, and he was able to

do you know, enohed, molest, and a mirabye that had superimponement. Probably these characteristics were the that he

were very good in this work. He had to get to get with the person, to a manner

maybe aggressive, media violent, to give them to give them to the maletta.

No, he was not with the sonrisas, he liked to go direct to the gran. And, too, and also, us tell our subscriber, that the

abuel, the abuel, he, because when I saw that the person's tendlabel and he'd be able like, he'd beckxed the head, he'd he agrava the gusto. Not was a type malo, let's that characteristics personales, they

took very well in that work, and, for relation to his job, was very, very good. The first that he occurred was, with a person, a woman, that had a maleta medianita, but

it was not a lot of the mallet was pesadishima. This maleta not had been given by the band to documentar equipage, they had given directly

the equipages that are going to get to the car, and when he attempted to get to the band, the poor woman,

that was a little bit too, he was to use the two hands and was doing a effort

there was doing a person in the that shella that had to help her. And from there, they've been all the foes rogers. When it passes for a band, that is a band in that that that moment, not exactly for what type of artifacts passable, but they did an inspection. And

they're talking directly to Rafa. It was very strange. Rafa, gets directly where that that woman, and he says, in my mindings. This is her equipage? The woman, I'll look at it in that instant, that this woman is like a little bit a

kind of a untyedged, and he says, yes, and Rafa he will be to ask.

I'm going to ask. That's, that is, or not is your his equipage? It's

very important that me respond. And the woman, the is, she is.

He's, we're going to let's say, yes, for favor,

abral, and the woman begins to titoial much, when he has

the sipers of the maleta. He's a time to another side, first where he got one,

he moved those two for the other extreme, then he said, and Rafa says, and he says,

well, with his man, being a very good, because he thinking in that moment,

he's a person, this marat, a person, a man, maybe, or someone, a little chaparito,

but here there's a person, and he's putting nervous, when he's the malet and quita the

tap, not what's what's because there a whole revuelta

but not it's a lot of not a lot of a lot of not so it doesn't

make much that's a lot of her and he has a signer the sign

that's sure that's the companyer the companyer the company he's making the that's it does it

she's a she can't the she'll be the lefts the client with the chica that's the

doggia the money, he says, I'm going to inspection the and the

woman not he doesn't make a little she'll say, she's

she yeah, yeah, yeah, yeah, check it. Rafa, met the

hands in the rope and and he and he to be and it and it

is where is where he is a here is he's a and we we're talking,

that was an for a more or the time, he noticed that no has any

a piece special, and it's a little a little important. Minim, no is

like a kind of a kind of when it he's a good, he's a lot of

and he's a lot of and he's what I and the chick and the she says, it's my

papa, are the sun the panis of my papa. Raffa he's

he's, he's, we're going to do, and he he's, he'll be a guy,

the companyero, the company he says, being all this, and the woman, not

their light of this. It's not a middle of this. It's a where Raffanota that the woman

starts to ramar some of the family is the person who says, we don't have anything to revisit. No, there

there. Let her go. Pone this thing in the maleta, siera the

maleta, the and hevant to help to help to help to help.

The maleta peser a more to get more than the 40 kilos.

FAS. Then then then you say, the what's what's what's what's that's the money

and the woman he responds direct. It's my Papa, is that he's that he's going to he's going to

he's going to bring the the malet and he's a little little, the little a little

thing that they're what now and you know the that's the father,

it's the mother, and the marlete and the maleta and the maleta is

a little and he not more to five six kilos. Rafa not

he says the person that put a something inside and where it it's a lot of the thing that's a lot of the thing metallic, it's, and

another time the mallet is a supermente pesada. And he I'll ask, why change the piece? And she says, because my papa no's the not going to do. No they're not. What can't do? It's the first time that

Rafa said, this is it. It's a thing, was something very extrano. Between his companions to pass the voice,

that for first a Raffa, he had had been a good at him and he's

I'm for a favor, with much and if see things raras that happen

in the airport, digam me I don't fear of those things, I'm

again again, I'm again, reindic his name, as a kind of

RUD, the type that's that was that people, that nobody it did that nobody

did it's, but what It passed in the second occasion? There, if no there was a way in that he could take the way that he

could reindicate his name. One day, he was there in the airport. And he's other way in these revisions

of the carge. You have been to that they had been intercepted a pair of

cargements, you know, you know, he had been involved and he was always he was

that he was that was that I'm like a perro of a car, bus,

looking, looking on another other side, being people and he was a

he was the he was the he was the he was the he was the people who did he and he was

the person well Rafa is there being revisating on all all the

when of a person that is like in the field that are going to pass to the

area he is he is a type chaparito he's a sombrero with two

plums the subject is more moreno gortito but continually

he's he's he's a lot of a sonrises nothing insinuandos it's like

a smile of someone that's going to a person that to take the person that you

you're you're going to do you that's not a so far that's not he doesn't

he's the normal with the car more more in furrecised than the and

he's he's he's going to the final of the field that you're you're that's a

And Rafa he says, if I'm going to you're going to go to the way, if you're going to be the

person, this person has to be a little that's that I'm in the way, and he

said directly without things that you know to be there and talk. Rafa he says,

well we we're going to do you and say, and it's you know, it's not you do you

do you know, but do you know in this part, I'm a place, he's a little bit of

the mess with the mess. Rafa he says Abra the malet and he He says, I don't want to open. If you want to open,

to open it, but not you convien. And he's put very furious, Rafa. Acerca, the man directly to the mallet, for that to understand that this is a game. And where he will to try the zipper, ale to the man instantarily. As a reaction instinctive that no ententee for what what he occurred. And he says, you know, good eye? He's about to pickart? You salvaste? Not you come here to bring the maleta? Raffa,

he gets being to him and the and he he's not he's he's not

he's something he he's he'll be the hand the man to the maleta

and he he says oh, Rafita much good at because not you

go to get what he will get that he he's

going to be to be to be a situation and the malet

is completely vacate completely but but asop he was

a he was a No, there's form in the in the way that's a place of a lot, and he's

a question professional, he has a man in the maletta, to review the part of the costures and

the time had had siper's, and I had in the hand a navaguer, with the

which I had to have to have to have been to be a lot, when just

he's the man into the the malet and where he's the cross the board,

it's, like if he had been put a little and the clavos or of the aguas

and he peret all the pain to dole a lot and then he's he's justying with her

other hand and this type he said oh raffita you know raffa's there when he's there

why you know why he's saying raffita that's a manner that he put so he put so much

that he's that earlier for that he's reaction that he's acting without but

now he's he's due the man and observe his his hand and he's he doesn't

any mark. And he's like she had things clas

and this type he said, you know, and he will be to get a and he

got a little and he's a hand it. The target is in color

rogo, Marl, and the other other side he had a number

and he's he'd see, he's I'm going, or you want to you're

to be to make the So, Rafa, seeing this person very molesta, he'll get the navagher,

and the type he says, two mordidas are more inconvenientes than to do. And what you want to be

about. The malet is a bad at the muke, is something tremendous, is something

that's a lot of the heart of the heart and the courage, guard the navagent, Raff,

and let in his bolzio, tap the malet of a little and so you goyce here. And apart from there, they begin to occur

things very strange. Because she begins to feel a little bit more. A little. He dole much the man. He's very distraided, is very disconcentrated. And yeah, there are two occasions that he will juror all the rest of his life,

that saw a little bit of a line and when he was able to get a file and when he was ready to ask her where are your father, now there. The same in the same airport, that same day, in two filers different. Nobody else did it.

After some moments, something, they said, Tomate a little bit. He went for a cajitia of these things that were many in the 90s, even in places and he's set out of

the cell principal, and he begins to encendor and to fumar these things. He's there. He's there when he's going to

when he took the ombro, two times, and when he'll turn to no one nobody, and he's very nervous.

Nervio, equal to incomod, equal to, no, it's a good, equal to,

that you feel like that's getting the control of these situations. There's

something to cross to the head, a good, a good, that's a good,

he gets to a cent, to get, to get, to get, to increase to increase to

increase, and it's also too a bidetito in the very very disarranted

to the point that he he's a day he's going to get to get to get to he's a

he's not a little bit more something, something they they're they're making they're doing the

thing to be to do the thing to the house and when he gets to the

house, the things not to not to get to not

instantly. He's to he's a car he's he's

Dada, is a person very pulkra, and that has all, like, in your place, and how he

should be to be in the room, he was in the table, he was over the sabannas, no distended

nothing, he was he said, he was he was he was he was a time,

who know, what was, but it was a little where he was a time,

the camera was a camera probably, probably, that's he's he's

the because he's the camera and when it's there where you know that's there

really he really he's the same the rest of the house no, no is a sism

something, something is going to in your car, in the base of your camera,

when she a back the camera, and the mat, and the sand,

the coach, it's all there's a number, there's a part of and that continually is doing the vibrations, that are the movements, that are the

room, the same, automatically. It's a sombrae, not even though it's a sombre. But it's a sombre, it's an something that can't have details. Enciennes the light, it's going to goreying to the commode, and when it's a place, it's a little bit of if there were people there,

even there is even more. And what It's still and it's even better. It's a more than more

closer, more and the same. It's the sensations of the presence of around.

It's like when you're in the airport and then you can't see a little

little little little little they're talking. Braos, piernas, stomago,

labios, rostros. The sensation is so invasive that's very bad and it

and it starts the the attack of an attack of anxiety like

never in the he has lived, and when is rascaing his body, that even he has been the uniform of the

job, he's a marl, and when he's the cardlet, he's this, what is this, and he's

this, and he said, and the subject that the malet that he said he said, he said, he's

a, he margaret, and he says, Raffita, you know, you've been to have

to have the bad, we're going to do you you're going to do you, you're going

to do what you you know, and what you're not. And if you do you make a favor, you're quite

the mordid because it's feo. And just are going to start Rafa, a penas are going

and they're not going to think you imagineate if see those things that you're going to

do you don't not much are things very badas are things things fias that were

but now you're you know, and you know, you know, they're that they're

that they're Raffa the call consumed, ingri-o, ingri-o-al, that this is what is what is

doing that his head bad, he's done to get out of the department, and he dismayed.

No, he'll go to get to see the light. He gets the cold, and go directly

in an hospital, he reports a new, when they're they're doing, he's- they're all. He put in

a suerer, the doctors they're in gestos of substances, he says, he's the first,

he's the first, I'm, what you can't do this quantity of money, revisame,

I don't see if I'm put it on the substance, the proofs that they did nothing, nothing.

Rafa is all right. His levels in the same is all is correct. It's all is hydrated.

It's all is hydrated. When it the hospital is more tranquil, but that does it

does a second. Because there are things strange. In the hospital

there is a person that there in a cell, no see if

is urgencies or some other other to be, but is a person major, and when

Raffa's is a circling, not that the rostro of this person, can be like desagradable, not is the

rostro normal of a person, something, are like, some of some of that are there, and it's a

person, not the mirab, and when they're in the eyes, he's and when

he's, something, not in the sonrisa, because it's a sonrisa, raff in a paradeo he gets

a person and other other way he's in the position normal he's not he's doing the mind

he's he's going to be willing loco to do you the day next he's

trying to maintain the calm but but when two people that they talk

that when they're doing the and they are very very close to him the rost

is de form and it's very strange because they're they're

in a way they they're they're they're they're they're

they're really are. Rafa has a fear, he tumbled the body, and one of these people of the rostrodeformed is a little, and he susre the ear, something that Rafa no longer to understand, because it was a

other idiom. The problem was how? The person that he saw, was a woman chaparita, of some 50-tenth and some, um, those 30 years, maybe when he reformed the roste, it was a man, but the voice was guttural and of a

A man, I want a voice that said something that's that he's that he

he's not he's he's he's a puttrial and he he's all the

days things are end up all the crossed the or accept the

that's the marl as the marl or it's

moment to decide that this is this He's just It's

It's I'm going to do a And I think you What was what he crossed

for the head for the Rafa. Rafa is a very desperated

He's he in a camera, he can get in a while he does

get the time, and it doesn't do you in the cellar or in the

sillion, that's dark, that's to be a point of a feeling

to take the point to the decision of that's that's that

when he's when when you do you when you cup is a little very and he he said he

had gone to he had he had a he's not he's a he's not he's a he's a

he's a but this this is this yeah no has got no this is this is

he's got to he he's maybe he for the more of the he noviour

but that he's he made he said he was he was he went to get

that he out of the house. No know they're to go. But there's

like a way to go to get to the and the way. No, he says nothing, only says just he ronpe in yant, and record,

perfectly what occurred in that moment, and no creak that that never never will be able to do that say that's all right, to say that someone's about that he inca, but there no, he no one of the power, any power, was a roto for completely.

And after to see that's a little two hands they're on the own

and a voice very very good, he's he's he's

he said, since much, he was I'm inviting for you're

he he opened, the sensation of the arms and he

doesn't and he's he's he there no there.

At after that the the only that does, and it's

in your mind and it's he's in the way, he's but I'm help me,

help me, help me, and then they're going to occur to happen things that

he said, he said, although all that was all the little he was,

and some instantes and that that pass he was a battery.

But the rare was how was that person, people that never

had had puras things religious not I do a religion

specific religiouses there are people in their work they were very of their

religion and they were they're they're to ask this he's he not

he was he to learn and he was not know he was

to be to or what he was to learn to be it was

just just that the things there there revisions and he they'd

regos, don't know medals, there were people who were people and they gave a biblate

a bible and raffa he said that in more of a time he was a point to take a

pensive decision when when someone when he was a back to he'd give a

time. After three years the visions started to get the

sensations started to get and the one another no

no there was no one was not a person that was ever entire, but yeah, but he had a certain time. No, wascable all the time, one, two, or three times for a month, something, some group that had been doing orations,

a person who is in an oration, a guy that was where, that was there, and he was a metia, and there, and he participated in some rites, in some misas, in some cults. No, it was. All right. All, all, all, all, all, all of,

all of, all of, and it was very good. And it was when all He was in a past, that one day standing in the airport,

be in the field at the foot, to a subject that he's a sombrero that he

has a little bit, a subject chaparito gordito, that he he was the instant,

and the body of he started, and he to be to be, he was, he was,

and he said, and he's a little, he's on his own and then he has a

car to a car, Rafa is with a companyer and says that's that's a

question, that's a person, but that person never gets a person never and they're not going to not get to

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after that they're cuted and he's without and after after that's without a time of the

time of all the time in some place in a place in that they've never is dedicated and

and that and they're not not getting nothing. It was that his city was

in some type of crisis or recession or on he was doing a

thing that was not and then he was the there

and he does count that he complete all the profile, he's doing his own and a month after the

he's a time he says he says, it's a time I'm the money, and at the money,

the payor was a lot of the things, he'd be working, because he's not a person that he

got to a car but he he has been all the time in officeina and Gerard

he's he's in the time that you're going to be there's stacionado, I'm going to work to work and you'll see, how it was a friend, not tancercano, he duded a little, but after he had a little of a little of a while, he said,

he said, he, he said the car, and the things began to functionar. Recurreda Gerard, that in that time, the things not even, I'll say, he'll say, he'd cre in the mala suorpe, because there were a part of situations that very

I only the book. The first is that he was going to a colony that's a

little bit of a colony a colony a difficult. And he when he going to

get to a new a tal Brittany, there's there's many men,

and all people who's that you don't you want to you're not you know,

it's a day of a badru we're talking that this time

to do at the time, and when he's the time, and when the

of the copilot. And he says, Brittany, and the worst of all, he says, yes, I'm and he's peal. He said, no, that I'm going to get here, see, what, Brittany, and that he did he knew that was the form in that they were there, attracting people, and they'd have gotten to a point, and, and, again, to the point, they'd be all over

car. And, well, yeah, the conductor no, he was going to be able to do bad. They'd have been robbed more than 10 cars in the zone, and he had, yeah, he'd, and, Brittany, probably this subject and with a minute,

that no has a single friend, and if he's many people who's not for respect, but for

fear. Gerardo, after the situation, he thinks much a sometimes in the work,

because the car that they're not to get to get to the problem in the problem in the

the problem in that's just a money to pay a little to the

money, and start to give a little that person that you pay the the

things too, like to risk so much. But he's looking for there chambitas to some way in the

way he could get more money, and is where he's to say, let's say, that's

not recommendable, but, down the targetititas for here, by there, doing services like more

exclusive of transport, and the people are to start. And it's for there that the

target to just to a back to her. And this becina he says, Oye, Gerardo,

I'm for you a little bit about that we're going to pay well, but I'm going to do you know

that you're doing so you know, but at the instant, like if were something something,

it's a just a part of that you can't be a time to say, me can't get to

the boat, me can't get to the carcel, I'm this she'd and he

says, no, that's not, that's not that's But no you can't because if

are things bad, since you're right you're but it's nothing for the you're not so you're in

a state and then you're going to get to pay you're going to pay three times $1,000

and $3,000 $3,000 in effective without that nobody cobring any other commission

and the question, and the woman he mustre in a map

digital a route you, you're going to to be here, and here you pass to this

point, and this point to this. Men's of 10 kilometers. 3,000 pesos.

And Gerardo he says, there's a grot incerrable, is a little bit and the

woman, no, it's a lot of that you do you know, there's there's

there, I'm you're doing with some kind of that's the car?

No, to your car no, to do you to be a lot of pass nothing.

And to me, well, if you know you're in, if you're going to be not going, it's not

not going. Well, what's the we're doing? He says, things that you're saying,

that if you do you do you, more, $4,000 but no one a centable

more. Gerardo he's doing the question, he's a moment, he has a

one way and he's a day, and the day a media A little bit of the money that had been overrowered he goes to

a little bit of and he says, he's that he's doing this doing it's all the part, it's clear that I'm going to

accept that world, I'm reponged the yent, the owner of the car and I'm a little bit more and the little bit more,

we've been a lot of the car he gave a car, he gave a inspection rapid and he he did a lot and he said,

and he said, and Gerard, and Gerard, and dronpickones and resvalones to say, well, I'll do you

will be going to be paying but He said, where he said, where he quitted the car, I don't, no, no, no, I have to repair that yeah. Accept the job.

He's got with an abyssina. And he says, if, nothing more than here, promenem it. No, it's nothing that that's not that matter in the car. And he said,

Prometed it'sta, no you're worried. No, it's of that. No, it's de so. He's a $1,000. And he says, Gerardo, and this, what?

In the three points to you're going to be, you're going to, and when when you, you do the last, I need to you go to

this direction and he does a direction well it's a zone that's a one that's a zone

but not a area just the direction that they've marked and when he gets this

place he top with one of these tinder that's kind of of the

kind of he's he's not he doesn't never that never ever

ever and it's a old the woman is a a woman

is encorbated not he diry much the mirro, he's not just a parable

he's not he's the door and he's a little and the woman met a

a caja and he put in the center of the seat at the caro

Gerardo he's going to get to move the car and

when the woman he he has the but with a

force that he do he he's he said he's the guy

I'm I had agarred to someone agressive, very demandant, like imponiento? And I went to the lady, and I said,

what was chaperriff, even though she was much more chaperra than you? And me said, what was to do you do you have to not you said,

no, you know, I'm sorry, you know, I'm sorry, I'm, she was, I'm just,

she was, I'm just, to come to a chaparito, and he's a little bit of me and me and it's,

no, don't you, don't you, don't you, because if the talks, the things not going to go to you.

No, you know, you know, you're and he says, yes, sir, it's a

good. And then the woman he had the hand, he had got the

billet, he had got to and when he's a man , and the He says, what's what happened? And the

woman says, "'Tetraig, I'm trying to get ridgaret. "'A where you go, directito. "'No, you're going to do-wiltas, "'and, you're going to "'and you, because if you're "'not going to end up to you. "'And the pelitutes,

"'and they put in the man, "'sirr, the two hands "'and he does a car "'like an angelicare absolutely "'falsa, and he says, "'that you go well, "'chaparito. "'And he says, in the

"'I've seen "'tantied a lot. "'Cerarro's "'se subve to be "'a car, "'so gets "'he can't, incomod,

he's going to and he's thinking in that that's a car ha hae in a quite moment, because even

he's doing his job, the more more more more than we're just, we're much

baches, and there are many baches, and then it's a carer, and no he's not

that he can't be that they're not even, he's not about about that's about about it

when it when it's a bache, but in a a man bache, batch, bache,

what he's he's the He's going to goopoe the car with all. And he, in the other than preoccupation for the vehicle and all was justed, like, soosted for what he passed with this woman, that I'd turn to the cage

to try to try to move, like, and see that there's there, and see that there's two hands that they're sustaining. And nothing more, see that just, how the feet

they're going to start, and all this part for the inside, the cooeyer, the coyo, the greganda, and the labos no need to be them to know

to be it, He was made the sandal to the floor. No, he didn't or do not quite

the image in your head. It's not with the little bit of whesudous and delgatits

and in the mukees he's like a vesty of an t'nacae. It's a woman.

No he'll never to ever to work. Because, de reojo in the retrovisor,

you see that there's there's a little black, put there, no, he's the

is very close of the domicilio is a relax a something, it's in the

car, it's going to something that's a little bit every time that's that's in the night,

now is it is now it's on the and it and it's that it's that it and it

that's, he's, he doesn't that, he doesn't get a time, they're in the

time, and it's at the car, and at the the cell there's, there's, there's,

a she's probably are a pairha because they're agarados of the and the woman is a

parpadear and see asome at the interior of the car of Gerardo and where he, not more

he says to the other person, the man with the man of the man major, move the head to

the other, he's just the caro and be not more where palidece and the he's

perciutto and the two are to and the other side and Gerardo you know what's one more rapid that

and he's out of a house. What is a house in ruins? In ruins? Arruinada

deseched, paredes perforated. Why do you get it? It's a trap or what?

It's a area in that you're a zone very lus but the house is a

house. Dececha. Apen just per one of the doors that's

there's there, it's over to out of the back. It's

doesn't a question nothing, come to the part of

back, Abre the door, halla the car and he abient the billet the billet

the billet the billet for reaction for inercy I'll take to the house one that this

woman got to and it's not in ruins as he had seen a lot of

a lot of a place a lot beautiful limpio the door not was

a door was a part of a actually very car but

what he behind the door has that that I almost pegged the grito in the

skylo. There is the other side of the door. There's the woman of the bellon-negrowing, with the two brasos just to the body, to this woman that he's going to the cage. One when the woman enters with the he only sees how the door is closed. He no record to have

seen that the woman voltair to the door, only the door was to go. He no quissue to ask her nothing. Regressed with the and when the becina

he said, oh, you know, you know, I'm to get to the money. And he's

his $1,000, and he's never again, I never got another of this type of the

time, and every two, three months me and say, oh yeah, other time you

could be to do you that she never had not really not never to never

three times, one night was a point to doorming when I when I'm

when I'm I'm in my house I'm not I'm not a lot of any any time I'm

am not in my recamara to see what is what is the some of some of the last

and I see the little let me please in pass yeah let me

let me let me in pass to the day next I'm with the

the back and before the before you the before you when you

you're when you're when you're to do that's and narrator, what I did it was simple. He said that I was accept the job, that me pager at the final. Me gave me stiliches, in the car. Because no, I had much things. My department was very chiquetting through slides, scrolling spreadsheets. Yes? Good. This is for you. Because on Spotify, there's an audience that's different, locked in, loyal, invested.

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Wayfair, every style, every home. The first story that me is about a zombie, and not to talk about the movies, is something better than you, maybe you have lost. Before to initiate this story, I recommend that where you're going to go ahead, because, believe me,

what you're going to listen to, you can't get a dream. The story me la manda, Erica, and resulta that Erica he was a little bit strange. Erika is a person normal. No, it's nothing to be like with with questions

spiritual, locochonas. Sin embargo, if he admitted that when he was a few of situations that you, yeah, with the

eyes of an adult he said, well, probably was suggestionated for something. Recurred A. Erica, that when he was

very little in an occasion was in his room, and the night, and he saw a sombra

and out of the room, and the sombre in a parpadeo, she desvaneceo. Also, remember that when

I had a second of the two years, in the night, standing in that same house,

someone was and at the eyes, she saw, she made a little bit that emanable a light

and that was very very strange. In the next parpadeo, it's the day, Erika

is a very well, and since he's probably was a dream. Two

things little, two things that can have been two any one explication is definitively. No, no need to do something.

But something, is terrible, and me identifiable, and me identifiable, what is what is not a good news. Resulting that, Erika, has developed

certain affliones, that if you were an adolescent, no tend to have a little bit of a good, but as a certain gustito, that you are

talking of certain things of the age. She has she has a time. And, he's going, and passi-by-paciel by pass-paccio

looking the offertas. And it's a lot of course that this is a grand, grand offer. And not it's a lot of a good cost. Because it's a person of a very good person. And in many occasions, not is trying only on it. Some things that

they give us, people that consume that. So, it's topado of all. Carnes, a very good price, and in a state in which you say, it's, it's a perfecta, the only is that they're rematting. So, it's has toped gallietas

that have come like a other part, of another nation, that are very exclusive, but on those costs

that costos that are giving them to give us to his bests, a family, is a person

very little and good. And he has got the good to go to the supermarket, to go to

go to and it's a very good time. For one part, it's he'll

let me say, the narrator, is that you know you know you can be you've

have done things very good. I've got to startens

that are in promotion of three one, of three one. And for what I'm

you're going to be not, you're to do you and a little cost of some

someone that I know that I've had had problems in

renovate and that and that's just I'm considered

a person that can't say you have a superpod is the

super power to find offers and I very

good with that but there in that supermarket, that I go to three,

all the time I go to the same three. Some places in the same people that attend me recognize. Me saludan, yeah, for my and when I go coming down, always me make a gesture beautiful, because I always I'm very educated with and with the time,

you know, I'm trying to say, is that this will sound very very strange for many, but if you'd say you guys your second, it would be the supermarkets. I'll pass much time really there, and me a pass very well.

much, to see the costs, the things new, the colors, the music ambiental, in many

occasions, I feel like I'm a person who a person who does it's a time, and I know what the

product. And me a lot of because, it's been that when I'm going that I'm

so much, I'm just that I'm so I'm know that I'm that I'm and ask them to me,

and I don't know I'm going to and I can't things that some

that's that section. for so say to say, I was saying, I was going to say, no,

know you know, not know how's where I'm in like I'm in the pastile of, and I said, yeah, in the passil two.

And I don't fall, a narrator, because I'm know, I, know the place the of my

man, that when you know, I'm a lot, because for me is like a memoram, and is to

start to see, I, I, I'm I'm just, I'm not, no,

no, no, no, no, you know, But I remember perfectly that the pasta of the Dents was there was a lot of the

door of the hall. There were in a standeria. No, now you're posse on the and one of the patio. And for me it's a memorama. It's like to be reorganize where they're all the things

of the supermarket. So, I'm going to say all this for that you know, to understand you know, the place and I'm with all the confidence

moving me like on the water. The second, the people of that me know. The third, When I interact with persons, for me no represent a

problem. It's part of the everyday. I pass much time there, and the supermarkets normally, when I go, if they're many, what I've happened

a few days, has made that that sometimes that even even even if you're to get to the house. I've

had been I've been so I'm can't explain what the thing. I'm going to the story

because I would be that if someone know what is this that is this that I've I'm going to

because I'm the only I'm not the supermarket. Buscating offers. Nothing in special.

I had to buy a part of things for my dispense but you're in the carrito.

I'm really was looking these offers that I'm that I'm really I'm

to get to I'm to the and the things and when I get to there, I

there's a subject a objecto-alto, it's a bit of a dad bad-dural, the cabo the hair

it's a kind of, but it's strange. He's a way in that's disalignated,

the brasos those are extended as far, as far as a little, but it's there's a

parable and that's a little rare, I'm coming into it, because not

that I want to be able to get to be in that passio, and after

the past the two, three minutes, And there are two persons more rodeando it. The subject is exactly exactly

equal than I'm going to the passage of the and he's looking to a lot of

the area and they're the hands extended but no he'll a little very rare.

But yeah when I when I'm a little I'm a very strange I don't

you know I'm well because I don't understand of these things

but it was like it was like had entered to

another area that that was tetched, resguarded, serrata, as if had been

a door, and it was a other area, a zone a lot of a lot of a lot

too, and with many emotions very feas, and it made so, it was going to

get to be more, but where I am I still, this person, and he has a

other type behind of him, and there other other person at the other

other side, this person just a move tantito to where I'm overshalted,

me, I did two passes to and I'm going those passes to get over, I'm sure that my

whole whole is like if you have said, it's like that I'm really that this man,

this sir, this sir, he's quite so, and I'm all right, and I'm, he said,

and where he said, someone, he goes, someone, enter, a little more chap,

he's a little more chap, he, and he says, oh, Papa, you're doing

your things, he put the hand in the pecho, it's a back to make the space of the

piece of the but violent, and the man, he's going to do direct counter the piece,

so we're all we're the scene because it was something was an something, it's not you,

not you don't live in a city in a place in this type of things, and I

am used to do that I am very accustomed to to respect the space of the

space of the other, so I know I was I the senior major, tirled in the

piece with the hands extended, and the eyes are going to get to get to get to do a lot of

a lot of I'm going to then the type of he'll turn, he says, you know, and he says you're doing

your things, and he does two patas in the foot, but a acto a acto very

disagradable, a insult. I'm I'm full of courage and this subject was like what

he was, because he me Kna. And where it's a me kept being directly

the eye to the eye to the eye of the eye to be horrible. Horrible. His

mirab was like a little a little, a spelisely,

pesable, and I was surprised. It was a mind of a little, malo, and of

this that I'm to say, I'm really a good, I'm so I'm

so I did a minute, that I think made a while, and I

went, to be The two persons that were there, this subject also did he gave the because the type that was close to the person major, that was at a point to reactionar

like to put him a little bit more, and I just saw where reactioned like I, he went to the other and the woman, I'm going to go and I'm going to go to the supermercate,

but my conscience no me does that that person major, that person a major was tired, how's the other maltreatable?

But at the same time, I feel something something I'm very strange. The mirab of that person never

had passed. It was like if you had been in a energy very fair, very desagradable,

and I started and I'm getting to get nauseas, I'm going to get a bad of depression

or a depression because me feel bad and never in the life had been a

way, I've done so much that one that one person of the supermarket to say

me said, Erika, you say, I said, I said, I said, you know,

like we're going to do you know, we're going to get us to get a pharmacy and he said no, no, so just

let me restirate. I'm put to to be real, but in seriously, me feel

horrible. I'm a back the back, like a sort of a point to get

to be a point of my body, my body entire me is and I

don't go to nothing, I'm going to get to the pass the

and from that place you where occurred that I'm feeling a little more. I'm going

to get a little to the little the other child. The other other chica, I'm going

to give a little bit of a little more rapid, my objective nothing was to put them, try to

try to use a word or something, and what I topo me me did it in one

of the passios in the caras I, I see a this chick,

sentada in the and the color of the skin, as a little bit that's

really really really a very bad in a little in a other

that's there's there. I'm a I'm was a person, and I

was the she was the little the time, I'm going, the

surprise that I did, the maybe I didn't, I'm so much,

I'm so I'm moving, and just in the salida at the

this chico, that is agarred for two persons and just can't move and he's very bad, I'm very

very mad, I'm very mad, I'm very mad, I'm really used any to use the words. I'm regress to

the supermarket. I'm put to look to all parts to the two subjects, to the senior major

and the other, and not the guarders me know, and I asked for

these people, I'm very old, and they were people, they were people,

and the people me said, no We didn't enter so, and the salied, and the

salient no way to see. That description no matter. I asked the person, the people of

the supermarket, nobody they saw, none more, we've seen those three, and the three we

were we're in the day to day of day of all the no, it's like if

me have been having been having a bad, I've been doing

a lot of things like to let's let's let's

put but I have taken the house of invaded in occasions I feel like

if I'm trying to someone and no I'm to think with much a great idea that I'm

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Jose Luis Medoya me mandoia, me manded out. And it's a story of what most strange that I've been mandated. And he says, if, of form direct, without many turns, narrators, we're not used to come from my house, from very, very, very,

little, to live with a phantasm. Quenta Jose Louis, that since

he's he's he's a lot, he's in a house-of-as- in the

house, now now, is part of the city, the city in the city, and

you're not living in that house, but all the time that they

were, they're in the residence, they they're in the he's

a a when they're two two brothers, his and the mom said that they had an amiga

imaginary, that was a little and that they were a lot of her. He no he doesn't remember.

His brothers don't remember that. But it's like very present, that all the people they were

about the little bit of the girl, and that for him was a game. His mom,

of the actually, he had a reference that said that he said that

he and all the people and they say, if not you portas well,

we're we're going to venting to the techo as a little I don't the mom

because they're they're just I'm they're using when someone did you a travisu was a

little bit the time and he's going to and Jose Louis and much of the

vicinitos that grew in that barrio they were out of

the houses and they put to play different games and

a poloos potinettes patinets of all all just

just just just just Casa, casa, casa. And while one ran in the group of boys, they'd trotting, whee-e-h, and

pass-a. And other a little bit, the boy, he'd be running and then a group of children was going and then he'd be. And it was a-oh-oh. And it was a

very beautiful. Of people that was a person that was brought a lot of a community. They were growing all in that

barrio. The people that were the years, then, then they were very, many, and others

of them were very, many of young, they were there, and the children

were in their and they, practically, nobody did it and it's when it

was when it very clear, the first moment that he did he did he

did he did he he said, he had around about between 13 and 15 years.

He was was out of his his back, he had his a poste that I don't see if

had a cable or had a focus, but it was a matter. And he was there was talking with

his his pierna was like a plant of the foot and there was a good,

like in a poste. When of the one of the little the house of the

house of the poste, signale the the techo and when he he

He the Rostro of a that's that has much time without be in beying the

the hair and he's and he obviously of that she was that's a man

in the car is that if you you're a you're you're going to

the thing that's just he's he he he expressed

with a gritty oh yeah that you're saying you you're you're

he's he's he's he's he's this adolescent, he was intrepid and was very agile,

and making pressure with one of the bars of the house, he's clas, he'scalar, the first time that's up, the techo of the house,

and he's not, you're in the texed, and he's not, the next, and he's not, it, to all the parts, no there was nothing. He was going and when he goes that his brothers are very

very arsustated because they're we're not we've seen nothing, and the and the friends are the

people, they're they were the little. From that Joseph, it's like if he would have understood

that I wanted to be your friend or maybe because me subed when he was about

because he was me started. One day I'm in the house, no is my

my brothers, and my papas. I'm going on one of the passillos when I hear of those pass-its that came from the last quarter. I think that was my brother, Poncho, and that me was to be a lot of, he had been forgotten, that he had been

going to go and waiting and I'm going to let's, and when you're just very close to the passos, I'll get to, then I do you a and gritty, and the that's a-sust, so I, no,

no, there's nobody. And I I'm going and I go, Poncho, Poncho! And I hear you, where some pacito are from me and I'm justed. I said, I said, I'm in a torre,

what was that? I go and I sit in a sillon, pass a little hour, one hour, a hour, I'm more more tranquil, I'm put the

television to distracter me and being the television, of a repent, it's apagan, and I see in the reflection that the

little bit of me is the little of the way. And I go and I'm and I'm over the

television and I see that's the way, it's a way the reflection, and it's clear it.

So I'm I'm don't you see, and when I'm going to turn to the

television, now see the face, I'm like if the little

incaid and I'm too a car to the much fear, much fear. There,

I, I'm I'm so I'm end up astosting? Well, it seems that

I said the contrary. Because every every time that I'm in the house,

but so they're on the nothing, I'm there's on the television and

the curtains and the other and they're and it and it's strange, because

we've we've a little to the house, and I think it the

ventas the ventas when I go to the windows and they're in front

to me they're they're they're you, and I was going to hear the pass-its. It was the little bit of the attention.

Passed the years, narrator. I never put to talk to her and I began to look like to go out of the house because if I gave me to mind. Some of the people were to come downed at when I was outside and me said,

look, the phantasmita, she enamored to you. And I said, no, man, get to her. Well, me d'n't a lot. And when

when they're all years, my papas, vend in that the place. A man, and he was going a little more.

We're We're more to the city, but I kept with with my infancy. And they're

like five or six years. I'm going to the quadra, visit to be there's there's a

little bit I'm not, I'm talking, we're about, we're about, we're just more than 20-year-

and I'm those, and I know, but, well, I went to go to do you go to do you're

to look at and to see, oh, yeah, that they've found a a little, and I'm,

what, the girl, the of your house, the of the that's the there's, it's

it's to be able to your and your people, and your do you know, so it's

a little, and they found in the patio, a place and there was a box with

and they got it. And then when me said, it was it was it was

too, it's very strange, because I came to the house, and I said the

the girl that you stay in many many times, I just sawmoh the window the same

little little bit of the techo and that was referred to the table and I was going to and I'm old here. I'm going to be so you, I'm

going to visit the quadra. I don't know me entery what pasto, but it seems that the little way in that way,

like that's a little way. And with this story, my dear family nocturna, we've

got to the Scura, fogata of stories. But, before to go to let me, I have to say a little. The first

you know, you know, that's quite for the episode of 400 if it's that's not the campan't

and then the number to that you get the news on TikTok, Instagram, Facebook, in fin,

pyean those channels, because there also we're notifying all the newities of the channel.

And the second is that we remember that we're actually in the March of

the million and that's the act of the Plata Secreta, not at this moment, but this

week, in the other platform that was the other other time, it's going to get out of and then

to get ridire and I'm a little message to tell you to all you're and it's the next.

Invoke my my family nocturn, of Kankun, of Merida, of Pachuka, of Puebla, of Keretaro

and of Metepec for you go and so they're going to be Hermosillo, and Hermociii was a sold out,

terminated the moccull. We're going to your city. A-huhn't-you-all-you-all-you-counter. Because no, I'd like that you'd be able to out of the foggat. Dich, one of all this,

we've got to be at the final of this fogat but we'll see. We'll see. We'll see. It's all right. But I'm here but on the

final day, but here, until we're going to see us in the next video, let's deso that have to be sweet, blessings. Bye,

bye. No, I'll have another. What is your story? Yeah, the last You know, you know, and you pardoned?

Me pardoned. We pardoned. Much thanks. Much thanks. You want to tell one that I'm top in TikTok?

It's a good-cultu that I'm a goodsto that I'm a goodstom no, I do not

I'm not no, I do coment and I have a good of a time and I

think it's for the way in the story that's the sastre, I think that's a way of to say it.

It's a woman that confecion a vestiges that's called the there's like it

in TikTok. And I'm diviartes because as I'm in attention to client,

there was a lot of and then she has many of these people and far

situations I'm saying, I've been just doing that you know the gosalels

the Gonzalez. Well, the things that that's the general, has to be with bodes and bestied.

But he told a story that has to be with our thing and I said, I don't me swear to

this of the Gonzales, that for sure, I'm a great content of the that's a

great content of what I say, phantasmas more, phantasmas less, what he

was something so it's so I'm want to talk with much respect. Quenta

she she has a time not exactly how in her in your

telfthew and I'm a person to pay him to make a cogines. For that's

exactly where I'm not just the besties of the dressies. That's that's

that's that's and the clothes. She starts with a dialogue with this

person and when he's doing the cost, times, style, the types

of the types of the time, the the person with the person

with the two things that not want with your tally. He said, Oye,

what a good energy emanas. And she gets like, okay, and continue to the data that's the

important, that they're that's a feach special. And he said this person,

hey, me, I like, much, you know, I'm a good, you know,

but much thanks, sir, or, I don't remember who is the person who

was the person who they're in a trato, no, what day will

go to to be able to be with a serigraphia like the names of the person in every cogin. It's like to be a person who's a much with all, and getting to do it

when I had to recoges, he's a woman at Gonzales, he's a lot of people are very content, and he says, look, I've done much

I'm too practically, me moved for that they were to come in your cogines, and at the day the day next

that were all the day I'm, I'm, I'm not I could talk before. That's good that you've been

and the person is very content. He got to the cogines, he'll pay his money, and he says in a situation

super-extrae, I'm going to say something, you have a good energy, and you have you're like a favorite,

you're the little little of the eyes, you have a much cario, much price.

For that you need to know to know to call to your marid to be a very pronto

for that you're to be that say that's hard to go to get to

the same to the same to and then you like he's like he going to go to go to

come to say me that no he's not that but it's a shock emotional

very and you and she she said well that's good good well

that's good well so good so good well you're so you go

she's here she's she comes to her she's she's she's she's

that you when you when it was the COVID, to me gave the COVID, and you were the and you were the same, you never did any a gripa,

you know, you know, and that's the person, and said, I think you're that's the same my husband has been a

perfect. So the person, he said, but what he said, but what he said, that's, how me to go

to go? And he said, well, he said, but he was, he was about a little preoccupied, and they're

going to pass the and said, and I was I was, I was, I'm he said, and I was,

I was, It passes a time, like two, three months, maybe, some months. And we're the way of that news. It's a little bit of that news. And one day, we're in the morning. I'm going to get my kids to the school. And me says,

of the nada, that no has nothing to have. No, it's the day. He says, he does a brazo, she despise, she's his pendent. None of those two

has been as present what had passed two months that's atras. That phrase is atypica, it's a little grabed, and when he goes to the house, the house is apagued. It's de'clock. He says, why not prended the lights? The sure of has to have been

been to be gone to be able to be able to be in the house. Entra, and, and, unfortunately, both she as well, the child, she's found her husband there in the comedor or in the kitchen.

I had had been a infartalminate when they got to do. And, says, it's, it's, me It was very, very graved what I said

that person. My husband had a health perfect, but if God he'll give his presence. It's very

very strong. So, the Gonsaless, my more sincere pesame, thanks for having to share the

story, it was too very strong, and I think, I think, that she seemed,

like, she felt, like, having been that person, like, he had been a person,

and it was, like, not, not is not those left solos.

So I think God so I think that God has a lot of many ways. Thank you

thank you thank you and I'm there's a and thanks for the night and thanks for

our night. We'll see you know,