HABLEMOS DE LO QUE NO EXISTE - Brujerías Macabras, Liberaciones Espontaneas y El Campo de los Espíritus | Episodio 363

Episode Date: February 9, 2026

Familia Nocturna hoy le quitamos el control a César El Narrador y nosotras las Voces Del Mas Allá tenemos un favorcito que pedirles. Bueno.. eso después de que escuchen esta recopilación de historias que estuvo de espanto. Ya que en ese rancho les juramos que no fuimos nosotros las que estábamos ahí, ni eran familiares nuestros los de ese campo. Y Ninguna de las dos hemos trabajado en ningún cuarto piso.Aquí el favor. Estamos muy cerquita del 4to aniversario, asi que manténganse atent@s porque vamos a hacer un correo sorpresa a donde les vamos a pedir que nos manden un videíto saludando a la Familia Nocturna, al Narrador, a nosotras o al Equipo de las Pesadillas. Pero shhh no le digan a nadie es un secreto entre nosotr@s. El narrador no sabe, y parece que viene para acá, cambio y fuera...Y si llegaste hasta aquí deja un mensaje diciendo ”hola vocecitas del mas allá” y solo tú y nosotras sabremos a que nos referimos.Chiaucitou@HABLEMOSDELOQUENOEXISTE⁩ es un canal con el formato podcast que comenzó en abril del 2022, su primer episodio fue "vivo en un casa embrujada" en el que una chica narró sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de éste canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de éste canal , la familia nocturna , creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de éste canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando esto, tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora. El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo que genera. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado.​

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pay some dollars. of the conditions apply. Welcome to Family Nocturna, to this iscura foggata of stories. The day of today to be able to

about about the brusheria macabra, of exorcisms, and liberations and also about the camp of the spirits. But,

before to start, let me to say a little, I'm sure that you're going to start the

foggata. This probably will be the foggata more that we've been used this year

that we're so much to start the campanita because you are a point to start a much

of a dark fogata of stories. Innojosa, like those who don't in the paranormal, he said that is for locus or for persons

that are very credulas. Of course, I mean, but Inojosa no way to affect until he accompanied the

cultive of the spirits, and then the things changed, but not necessarily for well,

I'm to tell the story of Inojosa and his good friend, Inojosa

was, I'm a market in a business, more or when it when it was,

he had about 23, 25 years. He was a bit a bit of he made him very clear in the story

that he said, in those moments of my life, I know know that I went to do the house, me said that

they didn't even if I could ever be to come up to get to get a lastre to be living there.

So, so I'm goingce to talk doors, and I'm going to make a thing you know,

and they're going to be something, I had aftime, I could have a bad, I'm I went to work. And I went to

go up to start. I began to work, simply cargling things, levied them to car, getting those people that they were also, and then they subured to start, like, to give them a little of image to the places, because I was really good to barren, trapeer, riping, and, limpier,

and build up front, living fruit, limped, accommodars, and pretty, and had passed, yeah, about a year-and-a-half, when then, then, he started a cliente to be a cliente to make But, well, cliente provider, he traia flowers. And we're not we're a provider, but he was a provider

of the market. And these flowers, one day, I'm entere that he had a lot of the camp where cultivable and were flowers very bonit. And I asked that if no coppably there, the fact, more than escalar in a post, I was thinking in doing something, because yeah, it was much of the same. After

the year and a half, barriending, trapeying, cargando, and cargand, also, is a a little bit of aburried. He was Flavio. And Flavio me said

that's that I'm would be able to get to get to get to the same. Viburas, arrains,

things of that stuff? Flavio said, no, the things a little less habitual.

The inojosa is he gets seen, and he says, what we're you're doing, you're

you're doing, no, no, no, that's, I'm, I'm, I'm not, I'm,

you know, like, And inojosa, he did very extra in the question, he said, but if those things, they're asking,

the camp of flowers, not of a camp of spirits, and there was where Flavio he said, no, is that

we're actually, if we're talking about of a spirit, if it's a place in the place

many things, if not you do that you can't get to get to there, but the

fact, is that nobody no's that nobody wants to never ever never want to we're doing

things, we're we're doing we're we're not we're We're not that we're much time.

We're too much time. We're too much more than you. If you want to help us, Dahlia. Flavio and Inojosa, a part of there they've beens

to have many every day or every five days. Not of the thing paranormal and not about the business. The life.

Of a day Flavio he's a house and they're there conviviening and they're doing a little to dinner.

Flavio knows the father of Inojosa a man very the couple of some 50 years,

but the type was muscle over muscle where it was a athlete in the other

in the other other kind of a person that was doing a thing that

but it he said, it's that the work is that we have so

we don't we don't know and he he said no, man, they're

some pure men, my my papa yeah was my father and

he went this the time so of me to me and

he and was a guy that was in a form, but not

he was compared to the pap and then they're in the way, and then they're really,

it's where it's not that's that's that's the mother of Flavio, had fallen

a few years after. And since they've been quite stretched much their relationship,

and for questions of the business, and for questions of not so they were

very little together. Ceree all around the time. They were not about

more things, they're not about more things father, and his father, and he or even, a little bit,

sometimes to dinner, in occasions that came to his friend, because the papa, the father of Flavio, was a person

like a very much urana, for so he's this work the time. The time is, that in these

such a time, that's so much, that's the thing of the paranormal, and standing in the house of Flavio,

standing there the father of Flavio, and inojosa, that is our good, cargator, and nojosa

was the he said, yeah, he said, yeah, that's that's, the phantasmas. And the papa

bolted the eyes on the other, he said, oh, yeah, he told those loquered me, he said, well, sir, he said, he no, he said, he said, well, sir, he said, he said, well, is he he said, well, he said, he said, well, if I want to work with you to work with you, that cause, that I'd have been mademone of those things, because he passed. And the

man, he's a man, they're just, no, man. Plasio rompe, and he says, no, no, no, pere me, pere me, I don't invento, pa. The thing is, that I'm I don't work in the madrugas there. And then, then, with Innoge, and he says, Look, look, the flowers that we've ever

And many of the other things that cultivamos there, are in ryego nocturn, no, of the riego diurn. Necessitamos We need two, three, six hours, making riegos continues for that it gets allude, so when it getshidate, and they're not dead. What signify? What I'm

my dad? My papa is the recollecta. So, he no, he has the minority of what I'm talking, and he'll say that I'm a mentor. But now, Preguntal how not so can't the person's there. And the Papa, yeah,

just like, he's gonna'n't all the mind of all parts and Inojosa he says, well, then, then say, sir, they're

having to be bormas that he's he does it, but no, no, no, no, it's a new thing.

And I'm saying, look, that I'm going to go. No, are things that are all the days,

that you invite in a camp of phantasmas. I'm want to that the thing of the

phantasas, never had never had been a never had been so a person so a general that's not

there's a but I'm never a person dada like the television as a person I was

I'm per'd I'm in a thing of substances malas amissaries but

all the time to be being stuff in the world not in the television

and in those so when when I'm talking about that I'm not I'm

not I do I'm I'm I'm not even you're not you're being

you're feeling I'm I'm that I want to want to be there and there's the scene was when I profite and I said,

well, then they've got to because to me those things, I know in them, and me pass nothing with with them.

And the day they're going, and I'm going to have to get to have to have to pay them. And there's

where Flavio did, no, because the work is a madrugat, is a friega, but friega and more because

you know, you're going to come to supleer to me. I mean, we're going to let us do we're going to

let's let's do a number. But we're going to put a quantity Firm. He's a $2,000 a month for

start working on that's just only three days a week. Suena a lot of money that's and when they say in this number,

no, and no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, any, to give

a little bit to do all, I'm going to go, when we're going, when we're saying, I need,

I need, I'm, you know, you know, you know, a company, a carmion, in the city. Accompany me a

summer. And if, after that semester, you envious, you know, and he says, but for what I'm going to come here the semester? For you see, where you have to distribute all, like, your plantitas? No, no, no. It's because you're going to understand that you're going to be able to the camp. The truth is this. Yeah,

there's a lot of people that me brinked the first night that I don't want to be to be anybody. That flojera, to give, instruct them, to, tell you to give instructions, I have to explain how it. The first night, we're supervising the two. I'm going to accompany the first in the job,

but a little bit of you're delegating. And for that every night repeated, yeah, I'm going to do you. No, I'm going to

get to get to be in sure that you don't be scared of these things. Well, narrator, that that's a

time in the carmone. It was a second one thing. The first day, me sit,

terminated the market in my taria, in my chambah, me sit around the 5 and six of the time,

there in the stationation. Get it in the carmionette, a Camionette Lobo very beautiful of this

market North American of the Ford is a very very well good at the initials of the year it's

not a model new but very, very well very well good I'm I'm

do you do you do you you can't you you can't you can't you can't

you because this time for you will be going to crossar

or not crossar the be I don't I'm I'm I'm

a from up to go, like, saying, yes, yeah, like if understand,

you know, like I'm about, he got a little in the carolet, and that I get to the

eyes over when I'm going to be a new a party, he's a part of a party,

and he can't, he's, he's all the and we're going to, he said,

what, I'm, well, I'm, I'm, I'm, I'm going to get to get to

the thing, what you're going to get to what, and if we're

we're We got us. We got us there we got to go to end up desolating, me to go to go to the market

tomorrow. You'll go to pay. Consider it to your training. But you're going to get to come here until the

morning. We got to talk about it. And we started to talk about when we heard,

and me said, if you see the lady that's the person that there's there's a

little, the way, the that's there's never to be there's a time, and there was

there I started to feel that I was a little bit that's a type of that's a quentero there's a quenperer, there

that's saying, and then I started to say, if you're you're saying, are the carcachas of the children,

are five children, they're there are, they're they're not, they're not, they're sometimes I've

kept thinking, maybe not some the people, they're just they're they're all right, but they're

they're just they're on the contras, because they're and they're very viciousos. No, they don't they're

they're going to they're going to do you know I'm going to make a time, I thought, I thought that was a real

this Flavio, that yeah, for then I know my good thing, in the market I don't know I'm not

a lot of someone and you you're going to you're going to get to the other car no, the that you know

that you're going to be that stuff, that's certain that's certain where the drama and the sensation. The sensation is very invasive. It's like if pass to a

a walled invisible. But like if topar a second with something, like if the wind there was more denser. And I just moved to the head up, and where I said, yes, sure.

I don't get a lot. Nothing. But, well, I met here where he said, and that's on enbrujada and that's it. Well, it's what you're

saying, it's all. I was thinking, I was doing. I was thinking. And I was just, if the job is so, not a need of a lot of

being a just a little bit of I'm going to start a penit of me to want to get a little bit more to do you know, but I'm

sometimes I'm trying the eye for a bit of maybe that's about, or that's the kind of a kind of a bit of a bit of a

thing that's all final we're in a cemetery in the madugada and you know know what you know what it's all right

and I'm doing me yeah, you know very quiet and very calm and there me did a

little bit the skin chinita, a that's they're coming and that's they're on the back.

And when when he said, the people are you the people who are the women that are the women who are the mousoleo

and where they're that's the she's a little chinita chinita, and me says, look, in your

right right there's one. And it's right there's right and I didn't know I'm just there's a

there's a going to you, you know, I'm going to I'm back you're I'm sorry

you're you too too you too too But if no me is You know me is just No, I'm just a fear And I'm just I'm sure,

See, I'm Salis'A-Gallito We've seen We've seen We've seen So backer So backer back I'm back over

I'm gonna do I'm gonna' Three to the same No, well It's very well I'm gonna' I'm a lot I've been a little

time to doomom To live in a hour of Tarder today Me'n't I'm gonna All right And I'm

They're all right And I'm gonna'clock You know what? Yeah, I'm gonna'clock those things. And I, no, no, no, I, I'm, jeff, I, I'm disvely much, no, I've been in the hour,

I've insomnia, many excuses, narrator, for all the other other than, pass that day, I get a mollied to the house, I'm at the

night, and I'm after this moment, has passed a year and so that my dad's, me have been got to receive,

I've done, I'm going, I'm always all the car, I'm getting, that day, in the sill of the salon of the house, and when I

when I'm when I'm when I'm I'm up and I can't I can't assure, that my mom came and me said my name

for the ovid, we're going to go ahead. And I'm going to get back. It was five and six of the morning and it's

me made going to your room. I'm going to go to the back to the baby. And I'm

my son. That's good that you get to you're going to get to get to get to year.

I said, no, jefa, but because you're thank you you. And me you've gotstated you with a regadera and yeah.

It's made very extra. I went to work. I'm going to work at the night. Well, well, he'll come to Flavio. And me, he says, oh, what on? Asustado? Or you're scared? And then I say, well, no, no, no, no. I'm not too, no I'm not too. No, no, I'm sorry, to do you, like, you're doing?

And I'mretteut. You're your tontemps. Now, what's going? No, no, no. Let's go to get a little bit. For you guys, for you know, two, three days hauling there and you're going to

go to go to go to get a kind of a little bit of we're going to get a

little bit more a tendagito quire and there's some caracoles called on a parrard that fungia

like if were a type like a kind of like a one of the other of the house

and yeah I simply was just I'm started me a some reason me a

and it started him he was a little he he was a ram and me barrio and then

he brought him, and then he said, this is he came very carried, one of these women, you're going to get to the cemetery, he's too, and then I'm, these two are too old oldies. Are you the same menty?

And the other, and how many, they're doing trying to stuping people? And there, a me, it's a focus rogo. I know, I know. But, you know, they're going to get

to get back, no, I'm going to do. I'm going to do you want to do to do something and I started to par with the antenna and I started to put a little more the alarm with Flavio and with the but no, the sir, at the final, me said, oh, intends, oh, or tomorrow,

salte in the city, here in the afwara's, there's a few a few wrenom, and it's a lot, and it's all. The she said, are, five hundred pesos, and Flavio's acercoe, and paid the money, and me did you do other, 500 pesos to me, and it's so me did so much, and I said, what did you, what you said, but I said, that is paid for the cemetery and for this. I said, but here, no, but I want to try it in a my

people, no, I want to go to that phantasm that end up presiding. Well, dear loco. No, well, thanks, Flavia. It's all right. Much thanks. Me regress-o' to the house, all the tranquil, and me will gov to get dormied in the sillion of the salon. My quarter is a quarter very comod, but for some strange reason, those

days, and now that I'm going to write all this, like, I'm sent me attracted to for that sillon. And me I'm in the cell. My papas just were being in the morning, like the

six, that someone me's not going from the window from the other. And I'm in the person's a leager. And I'm going to pepener.

Aorita. They were to get to the house of the where they were to get a little bit better. I'm going to

the kitchen. I gotry a little some of the house and I'm going to see a carererer. And just to

see what all right that all right all right. And so much sum up on the windows where you know, well, there's a lot of the day. No, well, no,

there's a frugat, me, I'm a much fear for my father, that's going to get to get out there in the house. They're going to

say, oh, I saw somemands for the ventana and what was, but just that's he was away, no, I'm like a little bit

a woman, and, no, you know, you know, you're all this, you know, you're doing this because,

you're going to talk, now, Rowe. Lager, he's almost the end of the same to and me,

We have two. We're going together to do a first I've got a try to be a try to be quite.

You me says, well, I'm just I'm saying that not I'm that I'm that I'm

that I'm to get to the house of my house of my to give us, that's what he said,

we go to do you know, I'm saying no problem. Six and a half the time, we're

in the house, we despido of the two, I'm done the both, traditions of

you, I'm up, I'm I'm up, Let me go. I'm going to my maletita. When we're going to the Camino,

Flavio, very good on the way. I went and I go and I'm and I'm going to do you doormette.

I'm going to doormette. I'm not going to go to doormets. In the first you're going to you're going to you're going

to be a way that so far in the things that so far as and I'm I'm very I'm very

I'm very I'm going to it's just that the rancho of he's like this type I'm going to know

that he's much more more I want it that I got in a moment that I'm having a moment that I'm having to be done with 15 or 20 minutes but when I was

when I was open the little bit more than I'm the carreterer that I know and went to know and I'm going to and I'm thinking at when I was when I could have reged

and no yeah when I'm I'm going to me I'm sorry me put on some lunches here's your lunch here's your here's your refreshco

oh'A because we're going to get to get to work and we're no if no if you don't you're just you yeah I'm in a plan

of oh yeah well if really if really is a person, I'm a other type of things, I'm going to

eat a drink, I'm to come to make and get to get a new and he says, if you're doing, what other thing?

That's the chaboo, the chaw? Well, look, the night. But he the lights

I'd in altas. And it's illuminate tremendous, I'm I'm trying to allowh

or something, or something that's a minute, and he did a other, the part of the poste

where did the I don't know. Well, look, there is a man. That man, he's aho. And then I go, in serious?

Why? For how's how you? And I'm going to me do you? No, I'm going to do. And he says, and you know, what? Yeah, I'm sorry?

It's a-ohed. Why? Because it's very enoched? When they're so when they're really enoged? It's because someone's appliced. Someone did they say,

and if they're going to beang, with this, you have to have be careful. Sometimes, we're going to go to get to get a

carrieg-in'clock. No, they were in car, so they were very despegated to get to the caril, and say, and say,

no, you'll get to gethattention, because you're that you're there with the limpia that you said, you're going to

you're going to you're not a lot of me, but not a matter, I'm about about things that I'm saying, you

know, it's good, I'm what want to chambhry and me going to be to be going to

give the to change the that's that's with his fantasies locus. When we got to when we got to the camp,

I want to tell the two emotions that I felt because it was something I'm very very emotionated

that if I had imagined that I was going to get a lot of and I said, put to get

to do you want to be to do you want to be a lotke but it was a parcel and there are

about, I'm not said you know, but if you gotravas so coming to the

extreme to turn about about some 20 minutes, fast, and you get it's can't and you're

tired, apart to the part of the parcelitas but it's very, very, very, well,

at the point of that I said, no, this is not the thing, I mean,

they're in this business, so you don't, that's you're being

divideded as quadrants, one of the partelit were they were

cultivating one other were other and other and there

So not so, not so much, it's a little bit of a bush. When we were coming for there, me said, he said, he said, in the night, no, never you

goys to make there in the arboles are they're not these, but these are they come they're in, they're in they're in,

you're not confundas. If you're you get us in the space that there's and you're getting to

even you know, because there don't you don't you don't you're in the night, and I'm

there's there, no, there are things malas, there are things malas, I said that in this camp,

you said that in this camp, and I don't see if they've wanted to fregar or something, but there's there's gonna be things that's quite bad. So, there we're going to

to start in the parcel central. There's where I want to show that's the chamba that's here. And said, well,

a narrator, no, I know how the plantites that they did, but they're like, some,

they're like, those palitos black, blancos, and these palitos a stuponc, he'd be done a type of aspersor, and me

pedia that I had to me fere for all a parcel and had to sparse like a

amount of a lot of and I'm and I'm going to do you and I'm doing exactly exactly the same

it's a thing to get a lot and I'm and I'm and he was a same and the

same. Me said he was surprised because I was learning very much really

I'm then I'm to put in probably not a thing probably not a thing when I

put up when I'm putting to clean fruites and I said the the amount

of the the quantity that I had to put in other type of chemicals or things to

just to make them in the way it's not because the first time I'm that's the thing I'm in it's not

my time the indication the boxes are very clear, one one of one blue, no,

I didn't learn me and I'm and I'm very much he said, one, two, three,

four, five, pass, one, two, three, four, five, pass,

two, three, four, five, five, so, that difficulty that's,

and just, it's just, maintain. And in the mind, me I put to talk about things, and I

put to get to when I'm going to my time. I'm going to my time. some time. some time when I'm going to get a lot.

When I said, and I'm going to be you got to getcha. And I'm just here. And I'm going, and I'm the The point is to work

and I'm sure that he's a leased and I'm about it. Some of the seconds after after I'm back back.

I'm gonna go and I'm I'm up and I'm so, what happened? He was he was there back to the

house that was to the 200 meters and then I go, there go, I'm going and I'm and I'm gonna

go to go out of your car you're and he gotro coming and me coming but come down and I'm

and me says oh yeah for the the Arbohles. And he said, if you see the other

that's out of the I went to get to I'm going to go out of the one way one hires, one hirer,

two hilera three hires when we when we was going to and I said, yeah, I'm going to

get them to come to some of the eyes, um, I said you know, you know,

you know, I'm trying to tell the the truth, I'm the word, tell you the problem

of the view, no, I don't don't have problems of view no

no here, but get to the middle of the camp and you you're going to because it's a hard to get

going to get and it's a not there's a going to get going to get to go to get back I'm going to I'm going to

go to get a more and I'm going to say no no, let me go ahead let me get let me get and we're going

to get to much care you're to go ahead I'm going to go to go no no I'm sorry I'm not

no no I'm let in the madruly we're going to let's get we're sure and not you're you know,

you know, and then I do you do with this type what's the thing, you don't know

in the night that you know, I'm you know, you know, don't you don't you think you

want to put a hand out, that no, that I'm going to have something, and I'm doing the little

very easy, and no, that's that you know, that's all over, and I'm sure, I'm not quite,

I'm so I'm going to be looking like the window, and I'm doing this type of

a piece of a piece of a bar of metal, to the door, it's a bit rarrow, because if someone

want to come to open to not, but if I want to go to get to the other things, I'll get, I'm going to

get to the morning, it's a lot of all the bigger, I need to go to do the bayon,

and so that it's just to get to the house, I'm a frugate, and I'm go to get to get the

metal, but no me alarm, I'm, I'm, I'm, I'm over the window,

and me go, I go for the Ventana I'm going because what's a verygues

that this type of my necessarily doing my necessaries I'm getting to the skinned

very naeated very very can't because yeah do that people not was

anything that was anything I'm and I'm going mentally I'm thinking

in what he was saying of those he's he's he's other type

in the carnet things that things of things of a thing something

and if if it was it was a the pay in the pay no. And other part of me me, me, says, well, if you didn't do anything, and if you're going to pay you, pay, well, pere and then, ask, and you, me, me, says, no, you're going to be,

but if you're going to be a lot, these days for not nothing, and see that vivanty and his papa, and no, not you're saying that's the loco, a mentiolos, apart, you, trat up very well as the people of the market, and you have renomber. I'm there, when I'm the eyes, and I'm going to start to clear the day, and I feel something

I feel, I'm going to because I see it like a minute in my about a carmeneate in

the carmeneate in the carpent a carerce he got, things that in the night not they were in it was too,

but it's too very borroso, and I starter the eyes and I get a moment in the

I'm a little bit so I'm so I'm so I'm so I'm even I think the

like the eyes not so hard, and I'm start freder and I start you and I'm going to read and I'm seeing

very rare, like very black, like if it was a cap black. Do I'm a pass to back and I'm frio, frio, frio, frio, frio, I'm going to see. I'm trying to, what is it's a matter, like a transparentos of color

black that's just moving. And then I'll and I see that the manta terminate from a half meter of me and the other side of another other one, it's a thing of almost a meter and

two meters of And I'm trying And I'm looking That's a And I'm The form of A woman That's

Corking Like to Cormando Like to Very Transparen't Between Blanco and

gray Cabeo I'm He's a Rostro But it's A Corminine

Enorme And where Paster I'm I'm I'm I'm gonna I'm

I'm gonna Caw I'm gonna And I'm I'm I'm I'm I'm

M' You said, you said, and I said, you know, no, no, I mean, you know, I said in the way, there were, there, have, there, there, there, what was, the woman or the other

thing? And where I said the woman, well, I said, well, I said, like, the woman, and me said, the woman, the grand, the,

that's the right, the right, she, or was the other thing? And I'm trying to ordainate the other things. The woman,

then you don't worry, she's, she, she, you know, you know, You remember when you I said that you

were the Arborette She was the She was the She was the She was in the She was going When she was in the

Camionette was at the other side of the campos of the front and we were going to You know, so you know that you

did you know But then you to topast No, no, no No, no No, no, so no you don't you don't you

don't you're No, no, I'm going to You know, that you've been That's not that's been That's all right,

no, that's D'clock I'm just, you I'm just I'll go to and I'm going to manage, and the tramo is long, and I'm too, I'm trying. So, wait a something. So, I'm going to, narrator. I'm very al-pendent. I'm going to be there. I'm pretty But so as I'm doing it's

I'm doing it, and I'd have it to gil, and I'm going to get it in the tass in the hands, but no I want to take? And if he meto all the refreshco when when I was done, and if I put something when I was done? Because I'm so, but I'm a quantity of fear like never in the life,

and when I had confronted to persons out there with a knife, never me had susted so much, and less for one thing that no so I'm justed, then I'm still being assuited, and me and he says,

"'Tanko, no try "'me, I grabra the tass, "'he'll do a trough, "'gare your tass, "'he do a-drago, "'agrall what you "'is, so you "'et you,

"'et, I'm trying. "'You, I'm p'clock. "'You know, "'I'm trying to, "'Yes, I'm trying to. "'Despus, "'Yes, and I say, "'Yes, yeah, I'm doing.

"'So, yeah, I'm doing. "'It's all right. "'It's all right. "'It's all, "'there, there's "'there, there's all "'it's all right, "'and we're in the

"'and the way, "'and I'm, I'm that I had sobred that I had left in the ascent, the mugre is askeros,

but I needed to take a little, it's a back again, and then he said, I'm sure, we're getting a merendero and

you're going to no, no, no, let me the house, let me in the house. Like, a hour

after you, I was just I said, yeah, I'm sorry, I'm sorry, I'm sorry, me still

I'm not, not, no, not it's a good, I'm sorry, no you're not the first

the first time that's, but the first I said, but in Confianza, you can't say something that's

I'm going to say, no, no, no, so it's it to come here. He's it, but you're

not over, it's not a little a day. And I said, no, no, no, no,

no, no, no, there's no, I'm going to get to get to

get to to live a limp, you're going to have to go to see or and then,

and well, the rest of the the way to get to the house, I'm there to

Ridicot that I had in the house, Rydidot, that I sent me a gato Montez, I'd, I'm alliterate, I'm all over, I'm alliterate, the friscus,

the baddormida, the phantasm, what was, what the way, me said, that was all too altered, allterer,

allterer, two days after me make, no, go say, to go, let me, get a

little, don't, you know, it's over me, come to the carmett, and we're gonna get a car,

the year, and he will be a $1,000, $1,000, more, for the night, me said, for the night, for the susto, mil. And he said, no, well, the truth, no, no, no, no, you know, because you're because, you know, well, you're doing, but you're

and, apart, well, the susses, is that, with that, I'm so, I'm sure. And when I went to the house, yeah, me sat down to him, because he, well, he, really, he made upvirted, I said, oh, yeah, well, yeah, I'm, yeah, I'm going to be, you know, that's what I was justererer, that? He said, well, how's what?

how many things vistas rarer there in the area in the area in the area? No, the other

is a woman and me said, no, I'm not you've seen other, but not you

see what? I said, I was I was ragando on the other side, but I'm going to

the eye the eye because I've seen that you've seen that a mons of the

cemetery, to the woman that I know that I had seen that I saw you

then it was a little I'm I'm I'm I'm I'm

I'm of the zone of the eyes and I was coming down. And when I was right to see a

person, and you're going to talk about and you know and I'm that I'm and I'm a newjose

come to come to come back here! And if you do you do you know I'm put pallid

palid and he said me you're you're going to you're not but you're not

you topas to do this I'm going to get to the house. It were the monas of the cemetery

that I had been in those things. For more limpies that I've brought, I've got to

have seen somebrass, and I've been to be things. So, if they have done

a job of this, the preference, no those agarren. The story that I'm about,

Trata of Felix. There's a context. Felix, the day of today of today,

has a 20 years. This that I'm to tell that when he had nine years,

but has connection with a future almost immediate. Something that occurred after just two or three years,

there's a lot. Felix, the day of today, has a family, a wife, three daughters and they're

a relation very beautiful. He has has been very, very little that the families

live with much care, much love, because he lived a situation very

very dolorous in the family and decided that never never never

could that he had a he had aubel Duro with his children.

The Abuel was a military because he was educated that he was

educated. He's the words, and that the people just at a gulpes learn.

Lamentableable the education that he was the education that reparty but

little after their and he went to be rependient of this

type of action. It was was a violent. It was something

that was the thing that was that his children would

end their life and not they'd do they're in but their children, but their

women and women and women of good. It's had been very good, but he had been

resentment to the man. To the father was his little about much

with much respect, but always there's a hiv a

thing. It's very strange this because there envidies

in the house, had a resentment and resentment specifically with this man.

Because he, he, a past of all, he was he was educated well, a I don't

I don't think that this would be a part of a person, and they're and they've been brought

in different areas. From the medicine, another of the children, was an an exocto, and a

little bit of and it was very, very good, and they did it all the people, but

they had this tension. She were not, they were those that were in the moments in those

that the time in the way that was really that was something, that was, that you're

there are other forms, other ways. Here the point is, I don't want to talk for them, nor want to talk for the Lord. The Lord said, he was expressable. But they'd say, but

they didn't know how pardoned it. And this relation with the past of the time was, was it was going to like to dulcificals a little, was it was coming to come to that

the wall, they're starting unersed, and for first time, for first, ever, I was, it was, there was a feast of the year-of-the-cli-

that was for the Abuelo of Felix, but also, All. Nets, kids, sobrinos, all were invited. The situation was

so great and different that the father not even didn't know what and the father too. Not even to be used to

this is something for God, it's something that's a custom. But when it's something new, it's an agenna, and

it's alexity and they're going to do things good, and it's something that's something that's a family,

it's something that's something very rare, very The senior had very good money, his his kids also

also had very good money, the he was a part of property of those properties. There was a

ranchit that in a little bit of a place. The city is part and he

is in a area in a area center and still having a quintita and in

that quintita she he said, and he all the people, he could

they could to be to be they're five nietecettes for that they're

there's and they they're to do like the the arreel the

things of the The kids There were of all the years, the most pekinietto, that was five,

six years to the first of the most grandes that were around to 12, 13, 14, 14,

years. All the kids are the abuel, but the abuel is a subject extra-and-

is a person who is a very very much very good treatment, and all the people,

all they're in the instruction. If your the little to the do you

do you don't you don't put a hand on you understand because.

The The abuel was looking redimir. No, he's nothing of those things.

But character is character and form of that's form of ser. So he's still looking with that another person

yeah major. He's a rivita of his 60, so it is the same thing to be able to

him. But he was doing his good work. And the chloe. And the old.

The abel is going to doceificing. He gets a little bit bromas, little chists. All

all, they're all allsec't all. He'd help to all. It's

It's just to do it like if he'd dole it and all of the whole and they're into a mind that's they're in

but it's a way in the way they're going to get a form in the way the day of the day of the day of the

few days that were a cousin nonona of a sudden they were in their games, others

were there other people they'd be in television and they'd they'd be able but the abelio

was going to and they're very content they're like those, they're like everything all is perfect

and all is all is all is all to be the day the day the day they'd have been to get to the

the other thance four of the time. I mean, it was the father of Felix, the family, and the brothers of them. And then, Felix, standing over , perhaps the next to the baunt, around, 10, 11, 2, at the night. Because it's He has got to go to the No, they know even if you're going to get to get to get to get a mojew,

he'll get to make in the fiesta. If you want, if he wants, Felix, open the door of your door to the

door, that's the main, because this Kinta, for you have a idea, imagineate like a squadra, like a L,

is this L, all the all the quarters are around or are in that L, and just this L are the

part that connect directly with a patio central enormous. And yeah, it's all the properties

is so. You get you know, you can be in a cochera that you get directly to get a

door, or for the other side, that's connected to the pastions, that's where they're the

doors of the door. Felix is out of these doors. For him he gets

visible all the patio, know, he's that the back the way, but when

it's all coming down, he's got coming into past, without nothing, to not start to nobody, and when

he's got to hear that the room, and when he gets a rest of the respiration, bolted, and see what for him is

transform in the history of terror of his life. He saw a yorona, he saw a woman,

all vestida of the black, that was there, almost in front of the

quarters, just where he was the place, that was, that was, about two

escalones about, a little more, more about of the height, and of the

a repent, he was there, where he went to go to go to and he's not and where he's going to get to get to the

other way, it's a little bit of a little bit of black, and just when she met to the bao, he's soma and the yorona

go to other two yorona, chiquitas, more chaparita than she. And he's with the heart to

and he's and gritty but he don't care to go. He'll turn in the ban,

he does it, he does it but it's very lentiment for not so it's He was he was in the day The day's next

if it was part of the last me to because in the morning they were there sat down in the tass of the baio and, well, they started to read, that's getting to be done

doing so, but well, in the middle of the rizas passed something for the family. Levering the familyers in the time.

Pover Felix, they've been been doing it, he's been doing to do that those bullas, that's not the

thing, and that he's and he by and he's and then he's and then fuchs, and then also, also, the things are still in the

then there. Then there was nothing, but yeah, he had passed that, and I had been getting mid-a-tard,

and they were all the commensaries there, when the abel-and- when he gets to breathe a back, he gets to get the

first, he said, but-a-p-a- what-a- call-a-an-a- call-an-a-an-a-an-a- five minutes after is to

an ambulance there, they're sumam-a- very much-of-the- hospital, get to the ambulance, they're up, but

but since the sub on the paramedical they're doing that they're doing that the things are bad.

The young, is there in the care of intensive, to the morning after the

all the all the last 12 of the day the day of the year,

he felles. Loggered to get very impacted. Felix, that was the first that was the

first time he had a time after he took to come up 30 never Kis

the property the property was inbruh the Yorona he was he was sure that was that was the

thing that was the story that was you another when I was when I was when I had to tell

a story of the boyo to get a yearona before before the

before I did you know I was but the Yorona no Viaja only has other yorona are various and

they're because the day another another is because he he was he was he was a adult, he was to tell a story where there was a dama that maybe was the dama of the Negro, that could be a sort of a spirituengative, that could be a little thing that they mandator, because he went to enterando the long of the life, that the abuel, with that character that had

had been taken various enemies to the bolza. He had toped with various persons that had taken into his tifulcas, and between them, there was a good, but the aboo had been a good, but he always had been a very correct, so the father, and he always had been a good idea, but But if he's a cargo many, so in Contra. And I'll tell this, because not until that in 2022,

he started to listen to a podcast, of a subject that was a man, that he'd get to people's there, but he never appeared in the

Spinita. Oh, yeah, we've still we've got to some of my primos, he's done, and they've done

to do this stuff, they've done to do this thing, and this is the little bit more and more and more stories, and

he's going to a corner. And it's the square. It's the square that's the corner where are the passages. And I've seen there's a lot of stories that he said, I want to go to be there. And he said to ask them to the family if they'd have a permission. For what? I'm going to

to plant some matitas. I want to go to revisit. At the final, no he's supposed to explain. But he gave, well, it's the property of all. At least, the family, despite of the situation of the old, so they own to, they're not, they're in any type of pretext or for any property. All they've been,

they've been very well. They've done well, his his children, his his children has been good at the best.

The other those who are all the time. And then it's no way. There's no any thing of properties.

Of course, you can't say, Felix, visit to do you want them to help you help me, but you know,

to be any, Felix back to you know, and after that's you're talking, you're saying, you're a person

yeah, of a lot of years, and get there, Felix, and he gets a little three cubets,

no, creak that's that's the cubets are to work the and if she's occupied,

she's going to put it in the place. And then it's quite very good good at the

little bit of the little back at the back at all the fact, and it's it's a really a

little bit after that the count in a kind of this sacate to be of the psaler,

it's got to a little a minute, from the middle, all the sacate is artificial and then it's

sacate is a cat is real, and then then you have to a zone with a little, a little, a little

mata, some little little bit there's a little like, like the flowers and things like that's

very rare, he said, oh, you know, you're using you know, you're using to do you know,

that's a cat artificial here in the end the thing, what we have done to put her

there, but for more that we've meted and we've meted something, nothing

doesn't, and then says, Primo, how can't how much have scarved? Well, we've changed

we've changed, Trim, plus, we're two meters. Yeah. Felix is

back. Regress, but it was a little, 30 cubitas. I bought a tienta a lot.

I said it. He'll go a pala. Comiences scarvour. One cubeta, two cubitas, three cubetas,

seven cubitas, 15 cubitas, 20 cubetas. And when he gets close of the final of the cubetas,

it's top a with a little that are there, putas one on the other.

And then when it top it with these things, cajas little, about 15, 20 centimeters

for 15, 20 centimeters, but are various, they're going to start. When it's a little, they say,

no, they say, no, they're to talk with the hands, and they're some frasco, the frasco

are of the video, and it can't be a photo that's a bit of but I

see a one of a corner and he does a exactly the man of his

abuel. There's the man of his abel, he'll and he's

written some some of the letters. And it's then when he came in a

little to get in a little to get the yorona, to my whole of the little bit of the imagine you're doing this

imagine you're doing this story, but we're to re-bautisar some people, and right you're going to understand why. Our dear Pepe Holmes entered to work to a place that since

he entered in the first semester. All they started to say that was enbruised. And Pepe Holmes, when he was there, and he was he said that

he was going to say the reason for the way Pepe Holmes wanted he was that he was very good, he's very aborried. He had a

combination when he was like an aide-to-entate of a contador and apart of that, as part of that as things

administrative, practically the be and try. Oh, yeah, be and try this, be and try that you. Then, I said that was like a time a time, a lot of repetitive, very, very routine,

that no, he'd do you know, and when I said, no, I'll have to have to have to tell. Because me doorm in the job.

It's pesado. But I was entering in a company that, we'd allow to be to be able to get to,

start escalando, and, most probably after three, four-oignito, they could have a plant and not any of any other there were a plant there. The place in the place in a torre of

rectoria, then was there was a little university. I don't know if he was formed a part at the university or was of an

agency external. No. He was about on the Piso 4. And he said that the Pissor 4 there was

where were where they were the things. Pepe Holmes he commenced his work Detectivesco and he

started to that were things, from the from the And it was a year. That year not went in Valde.

That year discovered that there various stories. Since that in a tradition,

that the people all they were at the time, because they were doing,

I'm going to discovering that the tradition was a that it's to say to come out of

and they're to get to and a start and a sustra and assupt but nobody had

had passed nothing. They had discovered that in one of the bookerals, that was the place, that was very beautiful and very bit of the area, but was in the area of secretaries, dethras of a cajone, if they were

written there, like, some symbols of the mediums-extrains, and no it was a little bit of a carpenterer or some kind of signer, or some type of signer to know a code, or something more than a brujeria. But no, it was never the people that had worked there,

or not wanted to tell anything, or really no had passed nothing or no I think it's he said he said he got to be able to

it's a tradition that's a long of time. When he was eight months, no he had passed absolutely

nothing, he went the and he doing the time. Until that one once that he's come up a new home,

he's to talk about the night of the morning, and for this moment, a year after that's a little bit more than the he gets a

to work a little more tardy, because it needs to that other areas have a certain type of for that he

enter in function. It's questions administrative. He'll enter more tardy, he's at the time, but he's a

time. So, it's a question and compensative, but he liked. He's got a little a little bit,

he has done that the time. When he he gets this day, there there's a whole a

trifulka. The same earlier had entered to a child a woman, a chick, She's her hair ruby, very delgidita, and had a form of

to be very, very, very, very, very dulce. If she was notable for the form of her and the form of that was kind of manipulatory, the and that's a voice very dulcicey-it and the form to be very modocita, but because I was looking something, like, I've learned that with a a lot of milk, hauled much more abejas than a got a lot of yel, and

he had done. He had discovered, but at at final, look, if are good modes, and not are things so that's the problem? The point is to get to get to get to

the whole of the rest of the time. When he was a little a manned to a lot of

people of the person's of the office and they said that I'mbruched but a P.P. Homes,

not they come on those quotes. He was doing over six months. Pregunte and

question and nobody and I didn't any idea. That said that I'm Mbruched that was very

that was that was interesting. He wants to know. But also He has to enter herself well.

I'll go to ask her the poor chica that is there the ambulance attending. Comeyce

to ask her to get to her. She's there. She's there. And what I'm going to talk,

he took a time a time. This chick she's going to name Margarita. Margarita has a couple of

two months that's two years that is a time. It's a new time. It's the

new job to do you talk to pay the plato rotos and they to get to get to

get to the place. Then, it gets before all and it's after all. She's she's a covering a lot of an long after you're

going to do you. But, she'll have to do you. But, while he gets there. So, the 6th of the morning, no there's a

only one of this place. The time is that's a little of free, Margarita had been talking coffee,

and that combination provoked a little, you know, when Margarita subed to the fourth piece,

that's where are the officein, she's going, she's coming, the area of the area of the for the

one of the cubicle of the front, there's a little bit of saying there, nobody's nobody's

no, he's not, he's more case, the cubicle previous, the anterior, the is the penultim,

because there's able to the doors to use the room, so they're in the space of the

middle, it's sitting the same, when, there's something there's a

way, there's much movement in the cubicle, or in the that's his right, the that's justly occupied when when he went.

The point is why I think that was occupied. The door was closed to the other two abertas, but also

there was a other than describe. There was a sensation in the place. A incommodity was like

there was something or someone that was doing, and he made her feeling incomod for that.

When she she called and no they responded, you know, but it's a thing important.

When you're a officein in the many people and so move in many emotions, there are people very perceptive of that, that sometimes not copac's that you can't say anything in the mind of the

place. Oh, yeah, here, it's something, right? And, see, fission, or did you, see, or did it happen to this person. It was something. She had a lot of reaction. No, it was a first job

and were in jobs when he came, and she sentio the ambient me too tensed, and no they responded, intuio that is a person and that not is good. When she sits,

that there is much movement, the first thing is to turn to down to not be indiscreet, even if it's a little bit a little

but he want to look to get to go over, and there's a little there that no he

got to. There's there is a little bit of the cubicle of her, the foot

in the foot are the piece see very maratado but very

very amorat the skin, it's like if had too the

person that that's he was more the part of the

to be the t'c the part of a And that flada, it's a blacker like all rugged,

a year, the foot, flacco, flaco, flacco, and morado, morado, then she

then she topa up with something that there's there there's a little that's a capuch in

color morado and it's a part of and where it is to be her, but she no he wants to

see to get to like a little and she put his things and out of the bayon,

and he's going to the paciio and he did a attack of panic of a

a repent, he's a moment, there a chica more in the office of the office and it's the

one of the car that's the woman, and she she's a back in a little bit, she's going, and the way,

and a sudden, the air, and it's a minute, and it's when the ambulance, and he does a,

a little a little because no occupable a lot, more than more than he's better,

and it's very impacted, this is the local, because at the day they're going to pass

things. One person She said that he goes too on the Marches or Newtons

this she said she said she said that she did it for the not that they're

a problem for the officeines better than the other that's but that they're going

to be to be the double of the time. The she's

accepted. She was going Margarita but well it starts

that time there's something there there has been

and more of five years and that is a He said that was in the copyator and that he's

secure-sim, but secure-issim, that when I was front of this video, where you put the sojas, saw the face, sawmanned of him and he was instantaneously, and no had nothing, but he sawed-it-clatito, he was astustadish, yeah, were two persons that pegan a gritty when they're going and they

ask what happened, preferring not to say nothing, but Pepe Holmes, and he has returned in his mode of detective and not not let us go to get it. So, so it's that not just to ask directly they ask the

people to the people to the people of the people who's when you're to get to two things

one of the one of the world I'm doing to the house of the school, well I'm

this is a torre of rectory and when it's a little all right but it

is a little bit more than a little more way and it's much right right but it's more

a rostro that's like a a carpucho but it's the form of a There was something there that's on the same of her image. And when she's, she's a sussed.

She's, she's, she's. She's going to, she's going. She's going to. No, he says. Nobody, after that when he asked, no, no, no. Pardon? It was a sust. It was a sudden.

It's a sudden. It's all. The other was something more strong. He was talking about the passillo. He took to get before the other.

And when I was in the passillo of the bathroom, he said that someone he said he was. He was from the office central of the director.

And he was about him one and other this chick no she's not they're not really

the voice and when she's coming to the door to the director he'll

see a person incapuchated that he a door to and it's a

minute to who's in the officein's but in the cameras no doesn't

it's probably it's probably it's airmetic a to nobody

they're going to get to people people ppe homes come

he's and he's like busk and He's just to look and busky, busk and busk and that a child says, I think there's a guy who is, you know,

I think there's a person who's like, what's going to say, like, what? And he says, because there's a man in intendancy, is there in the part of the almasen, but has been all the state, in all right, and it's like, 60 years,

and has come up to, I think, 35, 40 years of service. He has to know what happened. Well, Pepe-Hon, is made of the name of this person. He'll go and a busk in the, the amazen,

it's the he'll go and he he'll look at and he says he's he's all the hand to all all the

whole of all the he's the he's the he's the he's the he's not that they're making it's

money to be he's got to all the then he's all the he's well you're you know,

he needs to talk to him and he and he passed a year in this year not occurred

things but the environment in the office so he's he said PEP was a yeah he's

not you He also sent me an ambient very pesado and he goes with Don Ceperino that's the intendant this that has

he's a lot of I'll give 50 pesos more a pair of snacks that they had said that they liked

much to him some chocolate and some some chocolates and I'm to make to make a talk about

Don Ceperino yeah as he was more more than he was a time all the time

to be up to be around and he said me to let me do we're going to we're going to

do you what's what you cupas. He said, Pepe Holmes, the of the

and where he he said, I'm going to tell a story that you've told you're going to be going to be

your mystery. And so much, much, much, much. I'm talking that was like when I had some five

years here. There were two muchaches, very guapas those two, very good those, and very agarried

and they were very amigas in that time, that were they were competing for the

post of the direction. two were very good. And they were one that one that was

the last being the lambiscone to the director, they were going to those two very well

very well they're doing and they're getting, and they're getting and they're they're they're going to

go to go to one. We're going to let's do the name Arlette, when Arlet

when Arlet they put in the directora the only that is to start mal to her and he

he's humillar and he he's to quit a cargos and he gets to quit a put to

do you know and make to do your things that are quite more denigrant for someone that's

a assistant of the director. And there's a moment in that they say that this

she said in a house, the other more directors and rumpe the other other

muchach that had been her and he gets she'll be able more

that you not they're not to be able to be not to be to be to be able to be able to start with herricks,

that this chick and one of the intendants were in a relation amorous and that was cached, passing to the raya just in the ban. Everything was a matter. All of a pure quote. But at a raise of that, despise of that, and to this chick, they're all to look at those

with those eyes of, well, poor fulana, you know, you know, you're here, other things, you're being pretty, you're getting, of the Glepe that you'll

get to the post that I'm that you're that's in the other of the rest of directors,

and the director general he kept being a and he did a car, what's

what you're to do the person to the woman who he said, and he said,

I'm going to do you say the other he's he's a lot and he

he said, and I'm and you're going to get to you're going to do you

all right all all all all that I didn't know with who had meted because the other

very amy-amiga, but was in things of brujeria and that's going to vengar and she was to be vengar and so,

we're going when we're getting when there an ambulance and there's like five people and have a

arleta in the ambulance and stay in an attack of and I put to investigate

and resulta that what he was that one day he came very time and it was

and it was that was to get to But that day, it was a hour before. It was all the

fourth-pice, the quarter in where you're you. He's in the house, and when they're in the house,

she says that the last cubicle, like, was also she and she said, and she says, and I'm a

little bit more with some the little, and when he's talking this, Pepe, he's just,

he said, well, he had a family, and then he was he was, he had

a, like, a encapuched of a color morado and he said Cephyrino, ah, then you've got to tell you the history. He said, no, man, Don Cephyra's is what he said. That's what

happened. Has it, like, two, three seven years with the muchachia new. How's called the new? And she kept thinking, Pepe. Margarita. Yes, yes, but how's the peed? I think it's Armendaris. Wait me tantito. And so, yeah, in those Cepherino, he goes, and me,

and he says, go, vent, vent, vent, vent. And I see that he'll come in, and there's some archiverers, but no, no, no, with polvo, telarrains, behoea, and thence to open, and thence to move. He says, Armendaris, Armendaris, armenary,

armenaries, armenaries, sacca one, it's a photo of a woman that's identical, margarita, but is a photo in black and black and so much, me said,

she was the director, she was the was the last years, and then they were not parable to get a sustar. It was a moment when it came

like three years in the post that he was to be able to get down to bea and then after things. For that people said that the piece is there

and then when he says it he's been in the head to be the head to get to ferino he's going to Margarita and

he said Margarita your mom he said she said she was a implored that under any

under any circumstances that were to go to and I think and I'm I'm I'm saying

and then there narrator I'm in the disjunty to say it was what had been what had

had done or guardarmel. And as much she was a saddened but so so I'm so much

I'm sure I'm going to decide something. The environment was a horrible.

The chick finally a day said to do a back. They said they're to get in

the thing, because I didn't get in the time because I'm like this she was

getting to get to that she was she was never never never came

nothing in the office I've I've 10 years in that never

ever never to ever never to be and she went to be in the family of this

woman and all the people who's people who people who because I'm going to get to be to get a

and then we're going to talk about we've got to the final of this dark fogata

stories but but before before I have a time of I'm a part of Spotify

for favor see us and give us and give us the five stars for that this

year go we'll for that million of subscribers in Spotify. Point number two, in comments tell me,

how are the followers to get to give us to give us to do this new history secret? Because, I'm still in

this moment, but in this moment, I'm sure. If it's the time, how many we have to have been in

Spotify for the next history secret. One of this, my great family nocturna, for those

that you know, we know, we're a channel of clips, but of that we're

to talk to let us in the next video. To be until we we're in the next video and we'll

let's talk about on the channels of the clips. After that they have subscribed after that you've done the five

stars, I wish that they've done those things.