HABLEMOS DE LO QUE NO EXISTE - Brujerías, Pactos y Espíritus Vinculados | Episodio 360

Episode Date: January 29, 2026

Bienvenida FAMILIA NOCTURNA a esta OSCURA FOGATA DE HISTORIAS en  ⁨@HABLEMOSDELOQUENOEXISTE⁩  El día de hoy nuestro querido Narrador, nos trajo una selección, exquisita y aterradora de diferentes historias que van a dejar a más de uno de ustedes miembros de nuestra querida Familia y todos aquellos nuevos que pasan por el canal por primera vez con sus pelos de punta. Prepárate a escuchar historias que comienzan en una casa embrujada y termina una reunión en la cual nos deja como mensaje claro no hay amigo pequeño ni vecino que valga el pleito, así es que no apagues la luz y prepárate para para disfrutar de esta oscura fogata de historias.⁨@HABLEMOSDELOQUENOEXISTE⁩  es un canal con el formato podcast que comenzó en abril del 2022, su primer episodio fue "vivo en un casa embrujada" en el que una chica narró sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de éste canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de éste canal , la familia nocturna , creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de éste canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando esto, tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora. El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo que genera. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado.​

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Welcome to Family Nocturna, to this oscura fogata of stories in let us in the same the day of

my dear family nocturna I'm going to talk about about the gruheria, pactos

and spirits vinculated but before before to start let's let's say that first

that we let's be at the final of the video I'm going to let's

talk to her the second I'm a question and I'm I'd

if you you're family nocturna I would that me you know

you know the question is, from when? You're a family nocturra? And let it

here about saying, I'm going to know what's put in these comments. And one once said

this, comesements with this Oskura fogata of stories. TEN Cue

Codeward in family or be prepared to hear about to hear because so he's

a person of the channel. It's part of the family nocturna and Eric

Viviow a Paranormal has about six months, but it was something so much

that not the success, but what what happened when he was

to know to the family. And here you you're going because.

Eric live in a colony, in the where there there

some circumstances of security that has that people

have much good so they know between people

and they and they and they exception, and lamentably that exception, was the bestino the other side of Eric.

The bestino of the Puerreux always had been a type very grunion, very malencarado, that had been treated very mal a Eric and to all his family, especially when they went to visit, because Elick is a type of 35 years, that bought that casita

a base of many-sforses, and of a sudden he toped with that this type malencarado had to be his own. In fin, the life is all the way. Eric took many

a few encounter nassos with the type, but nothing more. One day, he's enter that the subject yet not to be in our other. Who knows if had passed a little time, much time, no is of these persons aggracied, or that he has got such a carino as to be able to be able to start entranes of his life

in a manner continual. More well, when he was the moments rispid, those moments algid, the roces that had those two. Weren't of those, no existia for him. One day, one of the bestinos, with who if he had been a good amistat, he'll be able to this sir,

was yeah, I had parted to the other world. And Eric, for first first time, and not want to

be a bad person, but me he said, narrator, I'm made so, he said,

that man, that man he got to many he got to not really good to do that

a lot of a year and a year and a year and it and he he did he

did he never never been ever never ever ever had lived something.

I'm in my house, I want I'm not I many per

many people, many perros, I'm I'm about 11 perros. And I'll do my patio and have the liberty to enter in the

house. I'm a lot of living so I'm a little. I'm very really a perro. It's way yes

of the perros for all parts and for more that I'm that's a little more because I'm two that

especially, that when I'm sure, that when they're all to get to some charkito and if

no, they're doing to open the water, mocha the patas and they're they're

to make the wayes to make the they're to do it. And one of those two,

after that it's a tithes, he put like the back to the

end up to move the lot of the lot of so that's that's a person, always it's

that's I'm the type of the work that I do the thing, I'm just a

person who I'm just going to do you this, narrate, because I've been I've

been of all the because I'm disappeared the and that then they're in the plate of

the food of the perrows, from the carterer and appear that's all destroyed, and my

targetas about my and my money in the extracts intestinal of some of these animals,

me has to have done that they're doing a pard, that's they're lading in the patio,

but never me had to talk that all time, not that not that ever,

all the same time, they're all of a manner very aggressive, to the corner of a house of my house. Never ever been

when it happened. When it occurs that I'm the idea of that's a kind of a animal leho or that's

rocyed to some kind of the color and then I'm really a question. I'm

that in the area, in the place where they're going to get to the person, I'm my people

still and my little, lading, until you say, you know, maybe there there's something very

in the piece and I don't know I'm able to see the door of the house, I'm going to

my bedation. All the people are there are in the house, I'm

all right to the house, I'm in the piece, and when me agach to see

to see that I'm back. That's that's something that in my life,

in my life had lived I've felt that I got to behind,

he was he was a point to talk but I'm turned, but I

know You know, you know, so, poignos, a point of discard all, courage, fear, and what were it was, and where there's a thing that there's

a little, that's a thing that I'm going to be there. Horrible. Horrible. At the day the next,

I'm a friend with that I'm that I'm on the thing of the energy, so you put

to do the car, and she moved on there, I, with things that I'm,

what I'm what I'm what's, what's, what's, I'm I'm not, I'm,

I'm, no, I'm, I don't know of those things, but I think that I'm really scared. And I'm very excited, and as soon me had passed, then, then for the second or third day, that

now, I'm going to feel like that. I'm going to say, I'm special. I'm going to tell them to, oh, man, no, you know what I've happened in my house, me, and I wasosted. And I told him to another's other. At final, the narrator, passan two months, and I invite to a, my friend, Rafa, to

his wife, Rosa, to a one of the two, that's Mr. Alfredo, and a very dear friend my who's called Louis, that live very very close to

a house, I did a little bit of a little bit of a little bit of that's not, that's not much and I'd

try to make sure that I'm an anecdote terrordora to tell us. Empeas the night, we're going

to be talking, we there's a little bit of services and I'm afloja the language and I

start. No, that figgens that they're that's me assu- and they're

and one of Luis, you know that the type, that is very

a little my time, he's a little here in your house, I know, I know,

let me let me talk about it and I said, yeah, but look, before you

make you and you say you say you're a little in that that's the corner

was there and he said, you know, you know, you're you're you're saying,

you're so I'm I'm all the anecdote call you the alfredo that's the little

the type camasru Avented a gritty where I said I said that I'm sure He said Oh, man,

I mean, I don't know, I'm not I'm not like in the things. Ros was made

to the Risa and saying, oh, you're you're soas and the

Raphael no I'm to talk of that that's that you and then he's

he's he's, you know, well, well, tell me, what you you're

and he's you're and said, no, me, look, because if they're

all, I'm this I'm I'll tell to all, they're going to to tell the the girl. No,

I was going to tell the narrator, but no me chatted as much, what he told, me gave free. And me said,

your bestine, if you know, to know, no, no, no, no, no, no,

no, no, no, that's, that's the he's not, it's a way,

that you know, that you're like, that's about, what, the old, he's been, so,

no, but the year, he's there to be able, to be I'm understanding. Me a narrator, something I don't

know. Me says that the bestino is a gruho. That that type in the patio, he had always

a zone like a gardener very and there interrava the work and he did that

the mother because the mother of a man of a marre or to do something more fern,

the he had some work and then he had to get the posto and he was to

where he was He said that that piece was occupied. That's he was going to and he was they were going to and in a piece of

he made the the boat or the mugreros of the sir. He separated the spaces of that

patio as for each one of the people that he was and not to use the gardener

I suppose that was quite, quite great. And then I'm saying to him,

well, you've been you've seen people that's been in the house of your

business? I said Louis. You'll do not? you've heard that there people? I go, no,

has been you know, has heard that there and I'm to make a memory narrator, and I'm easily in the

last time, more than the night, and yeah, for inercy, I'll, the page that does with the

house of the because I'm I'm and I'm I'm just and I'm not I've

had done a lot of this, but if they're moving mohles in the

house of the house of you? Now, you're we're we're

We know, we know, we're all We're all right. He's all right The barred of the other, he's not the door because it's abjointed, no, he's,

I think, because he had confiasts with her mom or no see, he doesn't go get, I'm just because me he'd get back with the sir,

and me say, to you, and if you don't know, to come to get to the but then we're all, and I'm

going to do, let's see, be-in-be- being, be- the light, and where it's the lususus, no,

First, is that they were a statue that was the statue of the Santa Mort. Never me ever had ever my respectos for all those

that are the pure vision me asusts. The second is that was that there was nothing in the house. Nothing.

I did from the door, I did from the other ventana and I said, what is the trick?

And me says, no, there's a little no, there's where you

don't know we're all us we're we're we're we're we're sure

we're very, very assusated and then don't pate, I said, p, p, you I said, no, no,

yeah, I'm afraid enough, I'm sorry. No, no, no, I said that you want to be to be going to back, and try

you a escalera. How do you a car? And while I'm saying, that's a local, he's out of the patio,

and me grita a patio, take to a escalera, vent. I go to a peg in the

the wall, that's a car, directly to the teach, me, and then when I'm up,

and then so, look, see, see, to the patio of the of the house and I go, no, for what?

Asomate. And asomate to the parade, to do you know I'm had done a narrator.

It's the gardener. Where terminate the is directly the wall of my court.

I don't know I'm not so I'm doing that there's where they're in the bluegeria and me

says, no, then you're not you're no, no, backate. Has it make the

move the escalera and now practically it's practically it put to put to

the place and where it's Assomate, but asomate, mette the Cabe the You know, you know, you need the

You know, but for what you see? And where I'm a son, there's a statue of the murder, and

there's a cross clavada and there is like a little bit, that's something I'm like I'm done

and he did you know, and they're there's the there's the sea, and she still

not even to know, to know, to know, I'm sure that's gonna that's gonna that's

I'm gonna I'm sorry, me susted a chorro. Oh, also morbosos Rosa and Raphael and Alfredo van and they

go out and they're doing, and Alfredo comes and said, no, man, I'm for you this house,

me would have said that was to be and I'm going to be and I'm and I'm going to

you're going, you're going to do this thing, no, I'm going to talk to that

and so he's he's right in these things, puras ideas, puras tontteries that's

things, and Rosal it's and Rosal do. And he's and you do you Rafael's put another

Pallido, palido, palido, Cierra the eyes and the world. You're going to you're going to these things, not the ventils here,

and you're going to and he says, no, countles. Well, no, you're at your guitar? And,

I'm met in a narrator and I said, what guitar, that's, what are you talking? What's? Well, this,

you know, you know, he's that he's a old old old to gohmio and to kind of a

manner, because he'd a guitar good, but, well, there's no, with what? We don't have to pay her. And she went to the houses to second-man. And in one of those, they offered one, but they said, that we'll have to be a barat. Because there's manchones atras. This is

the second, we're those of the bar, from here a lot. Because it's like two years, refa-hiaer in the place. And the musico, that was there was there, he tooked a pair of ballas, and it's gone. He said, he peteoed with the guitar on the inside. And they say, they're just that in the night's it's only, and for Rafa

I'mbe, I don't think of those things, it's the they're they're

and they're because he's got to even good idea in doodars with that and then

then in the house and then the one of the night, in a quartito,

that's down to the escaler, we're on the musica, two, three of

a morning, a pair of a few of a few I've heard because I

did you I'm the day that I I don't romebo your guitar. Rafael, just turned to all overgonsado

and just said, you know, you're just telling those things? Well, I'm yeah, the fact that I'm

like, I'm going to get a word of and I'm to say, and I'm, to get a little bit of

my life, with this, the pat, and I know and I know, what I'm, I know, what I'm going to

get a something, yeah, what's the man, yeah, what's the other man, and then you're

to turn to all the other to start, to do this, and so, don't know if you can't after those,

I don't want to be going to be going to this. I go, but what? But what is going to be going?

And Alfredo is that it was that you a new a man, that's a that's dorms and it's

up and it and it's up and it's me said, and I'm that's what? How?

That's the you're not you're not you're not you're so you're so you're to be

the car? How's it did you all the narrator? That all we're we're not

we're we're we're not We're going to hear you, and right me going to understand. All right. We know that he also is mechanic

of the time of automotris. And he's very much, especially cars biggitos. One of him, a senior yeah major, that has a

car like a model there 80 and and he called to and he'd pay him, because he

had more than a year there was, and he said, he went and he he was his tiliches,

he went to the car, he tumbled the car, he took the the vehicle, and when he went

the vehicle, he starts to derraming all the acid, and he's a about the stuff, he does

a little bit of a little bit and when it's a little because the car of a sudden go to be to get to

like it, like if you have a little bit so that's so much he's out of that's out of

the lady and he's very he's very enojated and he he's like he's like when I'm

when I'm when I'm see over but he he's over but he he's the person who's

the person who's he's the I said, excuse me, Don, because it was a type of a character very explosive. And he said, Disculpe me, Don. I just go because her senior me said he said, but there, excuse me.

And the sir was, like, rare, distant, like, if any, even me escucharer, then I go, hey, now as, for favor, if I'm just working here, now as I'm, because it can cause a accident and it's from there. I go to the house. He took the door to the lady.

When comes to say, I'll say, oh, yeah, I don't want to be to work. The sir is up to the car. And the sir, he said to get a car, and says,

what, sir, your husband? And where I'm saying, I'm getting with a mess with a mess with an mess withal the molest,

sentida. The eyes, the eyes. And I go, yeah, yeah, sir, no, me to get to

all the question, I'm, I'm just saying, for father, that's so I'm just a car, and I caused a sudden.

And the sir me said, he moved to six months, no, I said, and he said, my

my husband, so he moved to six months. For I want to repair the car to sell it. I don't have to pay the things. He went to me he went to play with those things. And where me says that, he'll go to work, the car. The caro is

and I go, well, well, I'll go ahead. Reyeso to make sure. Now, man, what fregated, if I'm going to get back my things, and when I'm going to the postes, where I'm the vehicle, those are getting from there, me salgo,

I'm, and other other way, the sir sent out of front of the and I'm I'm sure,

I'm just in the way, I'm sorry, I'm going to go back to come to come to your and I'm

my job, and I'm making, mark, and mark, every day, and I'm he was the question,

and I'm up the caro, and I'm the don't at back. No, I did when I was

more of the carterter, I'm just to work, and raise, and raise, I'm just to a spejo retrovisor

to the and I was to get to get to get to the church more I said, I said that I said to be

and I've went to be. But, but if it's me sub-you- us and we're to do it. We know we

think we're invented or not, that's, then when Luis he met in the house and and standing into the house

me, I'm going, come, be, come, be, come, me, and I'm, and I'll be, and I'm,

and I'm, and I'm, wait, I'm, well, but I'm here, and then I go, I go, what you want? And then I make a signal

for the ventana, and when I amos, there's the car of Alfredo, and in the part of the back of the other, he saw a man and sent out. No, no, I didn't say Alfredo, but me regressive to go and I got her the hands to Rosa and to Raphael. Those held up into the house,

those put in the spejo, and no me took to say nothing. Nada more, it was where all the skin, it was under where Raphael, it wasu-Sude, suede, and like to drag her air, and no he passed and I

did, also they were all the biggit. All we're we're in the we're able

when we're this. This story me the manned Nena, and Nena no,

doesn't want to be a bad person, Nena, of each, she's always has

always been a relationship really with her mother, but I got to

live something so that's so strong and Magali is that that's she's

to be that's you're you're you're in comments. Resulta that Nenny Magali,

as I think they're a good relation. They're women and they're always. His papas always fomentated that had them a relation like of a point of

and the endentiment. Procurrowered much the one to listen to one to and they're the idea that not

were doing overrins or do things like that were just to one, especially if

was affectable the other person. That's those was very conscientious. When

they were their decisions always were thinking also in the

other and that the time in the time in the adult the relationship, the

relationship always was that's not more them. They were

friends, they were confidentes. And the day that Magali know, we'll

put a name Pedro, the day that he does a relationship so beautiful

that's a really end up all the two different for so,

when Nena that is the her brother's solterra, she entera that the two are going to castar about three or

four years after that you get you to come to a surprise because during three or four years practically have been a

group of friends. But no, really Magali and Peter, since they've had been this relation of a

newiasco and integraba a nana a way a new. Nena, for your person,

was a person that was a lot of many many different but not had the eyes

put into the questions like a little free in that aspect. No, I'm going to looking nothing with anybody, never had

been a thing that relevant. She was very focused in questions of study, of the

growthy economic, and there something that she's that she's a little that's, she started

to have a job, even that had been in a time, even a little

he had a aft of a lot, and at the final of the first

of the second year, he went to London, and then he

Then, then he knew Spain and then he knows Italy. No, you imagine Luz.

Because that's not the case. It's a project that is a specificly to know the

place and that the good love of the world of the God or or the

food and the food. Because the money for the only that's a necessary.

That's present a emergency. No, no, it's he put to planing

it because not not a one not I'm the a better strategy for

voyages. No, I don't you know what did you know what I'm going to what I'm saying that's going to that's a

and nena's evented so and then she she went to get to be very things, to be front of people who were

to get to and then also to get to there's a time and you don't know to get a

time, it made to make to understand the life to a way different and he helped to be a

person exagerately independent. After these these two and after the second year of the second

she started to not only to make the because she was because she was she was there's a break there there's a

three years in that they're they're much they're much esteem but they're not even they're relation

and this this fault of relation not is for any type of resentment because each one

is made in their minding in his pendenties in his things. Magali

is about to have a little to have the baby and not the thing. Nena, there is when he's

when he has a relationship with a woman very strong. They're always confidents.

Pedro does space for that the two brothers passen much, much,

much, much time and it's there in these circumstances, but a year

after, when in a voyage the time, Peter he gets a video, he's,

in an accident, a situation that not we don't enter into details. Destroza, but has a yikos,

Amagali. He was a situation of a period durisim, because she had a grand anil man and he had been in

the person with the rest of his life together, she'd go. No, I want to make us

only in this part. No, I want to we're not in all the emotions of this person.

Because, because not is the case of this story. The part of this history more

important is that when when we in these circumstances, we'd like or no, we'll want or no, will be a process

that we'll be very vulnerable, very, very vulnerable, and there are to have to because in those moments

there are things that sometimes are there, espying, and waiting the opportunity to enter. And this

lamentably was the case. Magal and Nena started to do a relation

much more more profound than before. Magal was was destroyed, Nena

it was and I was procurantula one and other a little bit. He had about for the mornings, for the tardes, he invited to

a coffee, he'd invite to his house. Nena, I'd care that not was there. All in that house, recordable to, Pedro. Pedro had been a very good good use. If it was that had decided a grand part of the adequations of the house, that's all

a great problem now, because all of that all of course. So, all he had decided, from the moules, the sill, and those colors. Then, all he recorded to Pedro, her mother. Busca that she'd be in her his house, that Magali,

go to her house of nena. It's a department a little, thought for a person. But Pui bought a new thing

a sofa a camera, he bought also a small and he wascough a second

in a room in a room that was that was that all of all this

because the months pass very very and then had learned

that I get to the sofa camera before he

and he got he did a problem of tortic and

the lot and the after the car inflable

and And at the beginning, all everything, all of the did not quite. But then was the spalda back to dolea. Like, it was idea.

And then then was when decided, you know, we're going to take all this quarter of trickes. Ponged the camera, that

come to my brother and practically that be to live and here here no problem. When it in these

situations, Magali is accepting and go continually to go back to take into those little descansos,

and in those little discounts, you're doing Mugally. And is that has that has more of many reasons to feel to that way, but there

to be to fight against and there situations, because if those situations they're hallowed. You have two personneles

of the health. One, he'll make pay her by part of the money that he gave her

his wife, because even the motor economic was Pedro, and the money that he left both in

the money he made give us little little little bit more to make a guy, and in the

case is that parting for the second person that's a good, the second the second person

that's in And the nana he says, You know, you know, you know, what you want to say,

I'm going to say, I'm going to say, you're not a good at a question about, you know, and say, I'm going to be

to be able to to be the and you say, and you say, you know, you know, I'm going, I'm going,

you know, you're going, you're going to be a strange, no, no, no,

her man, only what you're doing what I'm I want to understand. For favor, tell me. It's that I have

like a four seven years that I'm going to do with him. And the dreams are the same

but it's going to and it's the first occasion, I mean, and me made,

and he got a and he was a moment very passional. No, I want to describe it,

but it was a moment but it but in the moment in the moment in the best I

and I felt all those emotions in shock because I'm

much Tristence, I was with much courage, and then then he was my husband,

and in that I'm just me desperte. But in the days subsequent, that's going to

and it was like that he didn't anything to what I had to and what

he had to say, he needed a little more carnal. Then he was a

moment after a time, that I'm that the things started

to feel and it was too real. And now every

that I'm with him. I know what is what is going to go to and I'm a little

a little but I'm a little with a feeling with a and he's really a very strange,

very, very, very strange. Nena, that is the hermala, she said Magali,

hermana, no you don't you care, I'm going to do you talk with you're doing,

but also, tell me you need you you need to do you're that we're with the family and

we'll be a woman and we're to do a bruca or a bruo or a gruho, you're

that we're doing this, so, what you need? Nothing more, please, vigilam in the mornings, because really it's

really a strange. Nenah, is the story. Me says, narrator, it's a

old bit. Although it was very important for my brother, I was in the middle of a

commercial for my company, a situation that was, if it not did it was not

to do you to do you to do and they were to do probably meant to they were probably to

in a situation very complicated and I'm going to a person and a guise but is that those two things are important

and there are there are opportunities in the life that you can't let's make past it's the

next or four days I don't I've got I'm and a day she she has

been doing and I've been so not you're so I'm I'm sorry and I'm

so you're so you then you're so you're you're saying how? And me you say

like me have I've I've been in the middle of the and he he's he's there

and he he's right he's on the I'm in the I'm saying the pasties they're causing some kind of

this is an hallucination that's clear but but yeah fally yeah he's

so then I'm so I'm so I'm feeling like you know how not you're I've been

having been I've been having she's she's something that's my mom

her man I'm I'm I continued the game in that a matter and I committed with

me compromete to me from my time. Today in the night I'm going to go to work. I'm going

to get out out of your room in a seat in that's in that you see a time.

I'm going to and he all the and I'm sit down. My my sill and I have to

put a part of a two hours because not too I'm

too I'm they're at the three of the morning

and and I three, four and I I'm dispirited with a sensation very rarer, like a sensation invasive,

like if something is a little in the room, cackete that me want to be going to be there.

If there's a little, but no is Pedro. It's a like if a sombra to start a form of

something, but then after it to be a mantah grandota, like if was it

something something that was something, because even it was a texture normal,

he was a cubria and he had to cover it, he had to cover it. And, of a sudden, that was in a paradeo, yeah no, it's not with my her mother, is, it's not in the door just in front of me, and me's not doing

like all to your attention, and she was super, super, super-emeynastent. This what I'm talking about two years. Me kept free, and for this I feel very culpable.

Me gave so much that my room, and I'm in the morning. And the day of the next my brother in the and I'm my first to tell to

Peter and I see the the game and I'm these days and I'm not so how to say

how to say that's that's that's not a person, is a bad-of-

what you is paranormal because no there's explanation. But what I'm going to talk

to you know, it's a situation a many years and it's a situation that for

the day to do a great interrogate and you to be sincere to me

too. I don't I don't understand what the demonious was what what happened. She said

she's about we're about a years, about 30 years to she was she was

with a novio of the time. When she was a old a

young, I know if at the primary, the start of the second

or the preparatoria but in these age, she was an adult and

when was in this time with this his mom was a

very restrictive with the type of relation they were not they were

on an a room, always that had to be an adult there. And if they'd

be there's two solos, it was out out of the house, sent out of the cellarita

to get to the door. Not about. It was not the situation very rare.

Stando the two there, after the two years, they were, they're going to hear something to

get a house. The sound was like two copas that chockable, like if two people

were doing a brindice. The first that's sono, the novio of this chica of Carmen,

he asked O'on, O'ye, your papa is in the house and Carmen, he said, and for the

first time he's the he's not he's not the time, and I'm not my mom, and I'm

know I'm not, the new he's put a colorado, colorado, you know, you're not you're all

you're going that you're there's things. Passing like two or three days,

they're going to be, they're they're out to run the car, and they're they're

the copas. Now, when they listen to, the novio he says, with who is to your mom? And so, he plays the focus to Carmen. So, he does count in that moment, that she, the day earlier, when it was over, no

indagued. Really, his mom, is supposed that she was alone. Because this was a sonnod, into the house, it was very rare. Then he said, I know. Segun you, Mama, is just a solo. Accompanyam. Abre the door,

and he says, Moma, we're going to pass to the and the mom, and the second the second the second

and the way, because the mother was strict, she's she's, and she's to do you

do you know, you're to get a something, and he said, no, yeah,

prepare to dinner, and I'm going to say, I think the mother, I think the

she's the time, the time, the decisions that had taken to the other,

but at the final, no, he's he's he's he's He has a newio?

Is it a lot of it's hidden? Because I'm from the house, but the house has two entrances. And the no

he can't be able to get in. And so he's got to get there. And so it's inventinginging

who's not the new view of her mom, because her mom after that moment in his life, no, he

never has a new year, he has been a new year to be a newbie, because every every time that every time

has been colorada and she has been colorada and comments, that even Carmen and said, Moma! And the mom of Carmen, nothing more,

he starts to come to come to make a thing that she had to be able to make the situation. The point is that Carmen is inventing these

stories. Moma, of sure, is going to be a lot of this is all the situation. In one of these

I'm going to discover. And it's like one of two years, and other day they're out of the house,

they'll come to hear that bring to the and Carmen he says to the novi you, you know, you know,

I'm going to go ahead. We're going to go to get into. Really, I think, is going to be talking some wine or something. Abren the door, but without any other than do you'retadies in the

house, they're going to make sure to make a room to the escalator, and when they get there at the foot of the escalator, in the part of the

the end of the the car, but is a new that's a new little, the roba is a lot of the is a rope

is a roppa and the roppa and the eyes of the eyes That that boy, in a parpadeo, he's there. No, he moved.

No, he said nothing. Simply, yeah no was never. And Carmen knew that she was a loka, because when he went to see her his noviour,

he had the box abys, and he was coming a chorrito of and he was a very impacted because he no reactionable.

Carmen, he had that he was doing, eh, eh, and parpadeable and moved the and no

he said nothing, he had to the hand with the hand to the hand, and he said the word, no,

the house and, and, standing out of the Carmen, he's going to get to get like a lot. What fredats was that?

That was the thing? And the noviotized that time, because no reasoned. No, he said nothing,

no, nothing. He had the bad, he was a little bit of responses. Carmen,

was a chica superautosufficient. At the final, the style of the life that had taken

to be the same and not going to be able to be able to be external. So she was that she was

her own children. The children don't have eyes red-rogy, and no-mode that's a new man that had a son, that was a-oh-oh-oh-law, that-her a-so-he-her-so-oh, then that's a-and-a-oh, that- was a-demon. What was, why came to

conclusions of that? Because Carmen, he liked the stories of terror since always. So, if you're a certain conscience, but for her, in that time, is a percent fiction. No exist in other way. Carmen is very impacted, when

of a repent he'll hear the chop of copas and he a car assusatism

and the nobio is going to be able to the house and in one of the

windows they're a lot after the mom of Carmen grita and Carmen

enter the house and he's because when when

get to the door the door is the door

and the he's talking the the mom that for that for the

car that can't something. The the people are going to see the the scandal. What is what

what's going to ask them? The little bit of there's a house, there's a little in the house, and of the

sudden, they're going to get a mom, but the mom is to do that all the thing. The mom is that's the

case you're that no they're going to get to that all right, very, very, very very well.

One of the one of the one of the people to be talking, and it's going to he's put like a a little

the house and she's going to and she's in the mother the mom of Carmen is like giving the last of the

business to do you that's a pagon and that she came out of making many things that Carmen know that's all are

a lot of because it's because it's apol the light and there was there was they've heard

the those goals in the escalers what's the called the

the carmere that there had happened something there Carmen is very enojada with her mom because is all the way home. And one

that's going to go to the other than the vicinous, I'll go and I'm going to enter. What happened? And the mama says, for favor, try to your novio. No, me going to have just this night. And he goes, Mom, we're going to

do you know, my jita, you know what I'm going to do you know, I'm going to say, and the man's in the eye rogos, and that the mama he opens the book and just he gets to be with a car of not

to be able to explain nothing, and in that's about the becinea. He goes to the same in a good. If you're in

a house, I'm in the house and I am in car. The lady's in the house of Carmen.

They're they're sure you. They're because it's that you're that's all right. The she was doing

a sound of her. They're going to be a house of her. The house of her

is something rare. There's photographs of the statues of virgens, statues of

statues of as things of a religion, but also of various, because many of the statues of there see things that have more of an eye, things that have more of a brazo. It's like a woman very data questions spiritual in general. The lady is to a house?

At the morning next, she'll topan, yeah, to the lady's owner to the house, and they say, I don't know I can't do anything, I'm very dangerous,

and if they're going to end up to mind. I recommend, for favor, change of the and when he

he said he's he said, it's better that you know there there's

there can get to get to they're but they're never they're in night and

there and there in that they're to get to get to to work

because that's that then Carmen know that they're

not necessarily they're not men there's there that are inexplicable

as that he passed in his house. Ruby, creen the paranormal, and know perfectly

that that's a reason, and that's a reason of something that's a point of a point of that you go to

that story. Ruby, me says, Ruby, and say, Marrador. I want to make clear,

that's a little that's a very little little bit but right to tell you all the

thing that has to get to the things paranormal I'm really much,

much, much, MED. When I was in the preparatory, me took to move to the city. When I came to a new city, I came to a situation in the that I had peleaded with my best friend, because she had no intended that I had to move. Me said that she was trying to-auchamping her. And then when

when I go to the new city, I'm so askeated to the theme of my friends, that no-querque, I didn't want to do amistice. And the first semester that I passed, because me regressed a semester to terminar the of fregar. The first semester that

I was I was in I'm going to I'm in my work, but I'm doing it to give the

word to anybody if were to make a lot I'm interested because I'm excited, I'm really

really enogated I'm very wrong because me serreed a lot of the world many people people were

with an idea that I was a person angryed arrogant, arrogant, mala leech a bad

a lot of because if I was too was too was too I was grosser, because I was very enoged. No, I was able to manage. In the second semester,

I want, I need a group of amygias. But the truth is that nobody wants to receive. Me I've made of a bad fame, of the new, like grunion,

the ogro, and a million apodos that they put here, that I don't see any of where. After that I do you know,

that I'm in the same circumstances than I, people who have relagued, that have done and then I've done

to present them to present them, attention, gents major, gents menores than I, people are people of my

age, and I see that for different circumstances are relegated, from those who have some things,

that I'm interested, from those that were very, and they were very rare as that much,

and I didn't know I'm not, I'm not, but there there was a part of chikas

that they had like, no, a relation media rara, one was a really a person

grunioniona, but grunioniona grunona, grunona, this chick was called Sol, and me dada much a risa because

they said that was the only Sol that was it was dark, or bad, or feo, it was like

she always was always anojada. And the other chica was a little, she was a

super-amable, but they were super-amigas. The theme for the time for the Tanya they was back

on one was because it was the great friend, and a I was

really you you know, I was reflected in you know, I'd over the reason, you don't know,

the reason why to talk about you're saying, and it was very, in a tone always like aggressive,

and the contraste me much a reason, and see me that never me could take the

things personal, maybe was like I, he could have passed something something and so.

I'm I'm just to come with her in the school, we we're

we're all over all over all over the rest of the They were an I mean, we used a podo that, the really was very good.

They said that we're the bea and the two besties for the grunions and the mojones and, the fame that I had made done she, is that no those culpah. And now that I was with them, I felt really that she was about two persons that could be an amissat. Not were my best friend,

but my best friend had a case a year that no one he had been able to, and the things, well, simply they were like, I'm going to have to have certain peculiarities, they're

rare. I'm entero of your story. are friends from the pre-primaria are friends like a new year and mugre

they're all parts of their families they're always they're a lot is a love

is a little is a little is really intelligent so le battalion a little the

but too but always she's always that never

we're never we're never we're never never been after

the second semester that I'm there's the school that year the

last before to find out of classes. And it's that they start to invite as a certain places that

me don't mean I'm good at a mind, my intuition me says that I'm going to go to go to

those places, because it's much the thing to go to and it's very rare of Tanya.

De Sol, no. This woman could be doing to be whatever be sure, but Tanya is

very little, it's very little. I'm I'm just I'm think you

because of the house abandoned, cemeteries and say, if

you're fear, the phantasmas, not you do you know that this type of the games,

they're very don't know, they're in little the those things, they're not and then you

know, and then you know, if you're going to get a question, you know,

I don't I don't understand, I'm a good spin. And one day we're

going to do a house of sun, is the thing that you can't

imagine, no, rather. His papas are two persons very people,

very nice, but but lindas forcadas and amables forcados. Like tensos, always sonriending, with those eyes that not be permitted

another car that no see a smile. When I came, I started to a way in the way in the way I'm still this time.

Hello, how you has been a much of you? You're his great amigita. He was a where, and

didn't know where they were a narrator, and they had any idea and just things for things forcied

and all amables, is the type of people that even the type of the people, and I'm

do much thanks. You want to give us a basit with water

or prefer you're in other thing, because here the friends of very well received and us are

very well a narrator huacala guacala not the contrasts tremendous and in that

I think if I feel this in five minutes poor soul is living this

all the day all the day for so it's nojada with the world yeah

so they defient because those papas are They were so, who knows what's What's the past?

The papa He goes after several hours, it was the same. It was like if they were made to be

a caricature of a pair of the time had to be to say things beautiful, but forced out.

Who knows, it was it was like if they were stressed, enojated or something. I'm going to

that case, there was many many like, that was that was a thing of a

thing or in a thing of a little religion, because they were the bells

with the Partes. You're talking that in the kitchen, in the center, in the part where they had like the lababo, there were vellas, some medias consumed, some newas.

In the kitchen, there were cajones that would have, narrate. And they were full of velas. It was a thing of locoes, of locoes. I said, no, is that these men are the head of plan. I don't in a bad plan, but in a plan very raretto.

We're going to do the court of Sol. And Sol has all full of things black. It has there's

posters of groups of metal that they don't and they're they're so much

for the people who they're we're we're we're see to see

to the mom that he's she's he we're we're

we're we're and we let's let's let's and the mom's

but try well your time and the all just you're just

gasperated yeah go let's you Bette! Sol, it's

where he's called to go to the door, I'm going to I'm going to get to be in the little.

And Tanya's going to be and the people are the people who are very little bit and they're peculiares

but they're for that's so that's enoched to say and she's just no, no, no, no, you know

you know you know you know you're trying you're so I'm I hear a little bit Risa and at the same time

it was made Rar, I'm just I'm gonna say I'm apacigwate Yeah, no me stasapagant to the Luz, let me in peace Yeah,

let me in pass And in that Sona where the door to the Cairra of a portasso and he's met in inhoiada the quarter

and say I'm getting to the frugata I'm I'm up I'm and I'm I'm I'm gonna

a lot and I'll turn and Tanya and Tanya me made a signal of you

you see. And Sol me said, what you're you? No, Tranquilla, Tranquilla, is that,

you're that you're so far. I know that your father and that's going to

get to get to the house and that's my time. My parents are you that's going to

you're going, no, no, well, yeah, I'm going to get to your space, and I'm

to go to go to go to back, and when I'm going to make you make sure

to get to get to get to get to get to you. know you know, you know,

come, come, come, come, come, come, back. And then, back. the,

the pass the other down, we're in the door, we're going to the door, and I'm going

to go, no, no, no, no, go, get to come here, it's a good, it's that's

you know it's that you're not we're going to get us, and we're going to get to

get a get to the frugate, let me in pass, and where does it does it

does the house of the house, regress the the light in the house, it's a light of the house.

Again, he goes to the focus that we're up up to us. And he's parpadear, parapetar,

and I'm kept doing, and I'm this mona has been rinsches very rarous or what?

So, so, so, so, he went to go to be to go back, and he's that you're

never, right? Never. You never you've been that's what's a little, and why it's

so much to see no, but the parents, no, the is that Solve phantasmas. How do you have phantasmus? Yes,

is something that she perceives. I don't know those be, but no is a and not is a lie-law. She'll be phantasmas. Dicen, when I did that, I said, I'm going to

read and I said, that's a problem? I said, you know, you're going to create that? It's a don'tteria. Yeah. Dice,

he's going to be able to be able to be and then the class in the classes of the creedula or me going to and then I

began to say, menita, and then you get us when you exasperer, and they're gritty if they're

going to pass things and you you're going to get to be going to be to get to we're going to

let's get because we're going to the pantheon and the houses abandoned because Sol says

that in those places minimum has reason to get and there and they can't

and they they're and there there's it's a pass more there's

but when the sun they're they're getting the the water or the environment

in the house the For me, all those things were Mentira, until that I started to accompany. When I went to the first house and that started to get to get her, I said, I said, I felt like, that

someone me took with the man in the noca, but I sent me a hand that took on the noca, and I went there and I said, and no one's nobody, and I said, there's a bit of me, it's a bit fastidious, tell you that not you go to see it, because if not you're going to go to your house. I, for me, was pure quote,

no, I said, no, I said, this little bit, this little bit, is to local, I'm going to the house, and the day

the next the morning I'm there's a way of the house of my house, and there's

that you know, from the house, they're going to the house, and they're

all the house, and they're to the time, but the time of the foot of the foot,

if it was a person a woman adult or a woman adult or because it

was a rare. In other occasion, I'm we're we're we're in

a panty and when I'm there Pantion, I hear that someone says my voice here in my o'id, and the Pantion was a vacill, and I said,

What is this? And she said, you know, you know, a person, and me described to my abulita that had like three years, and where? And where's the

side of your and you is talking, you're saying your name. If you don't you want to do that you're just those mortals, sole is all

is all the time they're all over the time. And she, when her little bit, and she no signaled to his papa and his papas

started to get to a lot of places where they were in the kids specials for that

they were to be with psychologists with psychologists and they did you never they've

they've got to hear because for his papas those things don't to be

the good and to the not they're so a narrator I'm I'm

I'm so you're so this not this is a cemetery or a house enbruged. And I said, I mean, it's pure quote. I'm going to because I'm going to go to my things and I'm going to

that house and those things that are very rarous. And where me met to the house and I'm coming down, I'm going to go to the piece of the above, I'm, I'm, I'm, this is a big one. I'm, this is a drama. And no there's nothing, nothing and nothing, absolutely nothing, but I stiro the hand and they're

to put all the begets up all the pill of gallina, from the point of the head of the toes and I said, I'm going to go back and I'm

going to get into the escalars, it's all the and he says, ah, that's not you've been to be able to be able to be

getting a few days if you know, you know, you know, you know, you said, I'm going to

see, I'm going to the escalers, took my things, and I went to be and from these

amigas, no. And, although I attempted to tell you, Tanya me he said, sure, if we don't you think it's very difficult to live

with these things, just because only my friend of the whole the life, but if you're doing. No, I got them

runcores, but never me atreve to come to get to a house and a house, or a

cemetery, no, that's fredas. So, I think in those things, even could say, that maybe

never got to pass nothing. And with this story, my dear family noctur,

we've got to the that we get us Debt. Famine Nocturn, we have a surprise.

And that surprise we're going to do in the video of the lunace. So, but before the lunace, we'll see

in the Saturday of Sombras at the 11 of the morning, the time, or the time, the time,

we're going to see it in the in the in-vib and then after, then we do it's up here in

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now so from so we're we're on the Saturday

of Sombras I desire you I'm I'm you're you

have good you don't you don't